Rashomon (羅生門, Rashōmon^?) is a 1950 Japanese crime drama film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa. It stars Toshirō Mifune, Masayuki Mori, Machiko Kyō and Takashi Shimura. The film is based on two stories by Ryūnosuke Akutagawa — ("Rashomon" provides the setting, while "In a Grove" provides the characters and plot).

Rashomon introduced Kurosawa and the cinema of Japan to Western audiences, albeit to a small number of theatres, and is considered one of his masterpieces. The film won the Golden Lion at the Venice Film Festival and also received an Academy Honorary Award at the 24th Academy Awards.

The film opens on a woodcutter (木樵り; Kikori) and a priest (旅法師; Tabi Hōshi) sitting beneath Rashōmon gate to stay dry in a downpour. A commoner joins them and they tell him that they've witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai and the woman traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit Tajōmaru (多襄丸), who claimed responsibility for the rape and murder.

Rashomon may refer to:

A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry.

Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating – or indoctrinating – citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue into the language of the viewer.

Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.

Akira Kurosawa (黒澤 明, Kurosawa Akira^?, March 23, 1910 – September 6, 1998) was a Japanese film director, screenwriter, producer, and editor. Regarded as one of the most important and influential filmmakers in the history of cinema, Kurosawa directed 30 films in a career spanning 57 years.

Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director in 1943, during World War II with the popular action film Sanshiro Sugata (a.k.a. Judo Saga). After the war, the critically acclaimed Drunken Angel (1948), in which Kurosawa cast then-unknown actor Toshirō Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another 15 films.

Rashomon, which premiered in Tokyo in August 1950, and which also starred Mifune, became, on September 10, 1951, the surprise winner of the Golden Lion at the Venice Film Festival and was subsequently released in Europe and North America. The commercial and critical success of this film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Throughout the 1950s and early 1960s, Kurosawa directed approximately a film a year, including a number of highly regarded films such as Ikiru (1952), Seven Samurai (1954) and Yojimbo (1961). After the mid-1960s, he became much less prolific, but his later work—including his final two epics, Kagemusha (1980) and Ran (1985)—continued to win awards, including the Palme d'Or for Kagemusha, though more often abroad than in Japan.

Alan Donald James Macfarlane FBA FRHistS (born 20 December 1941) is a renowned anthropologist and historian and a Professor Emeritus of King's College, Cambridge. He is the author or editor of 20 books and numerous articles on the anthropology and history of England, Nepal, Japan and China. He has focused on comparative study of the origins and nature of the modern world. In recent years he has become increasingly interested in the use of visual material in teaching and research. He is a Fellow of the British Academy and the Royal Historical Society.

Macfarlane was educated at the Dragon School, Oxford and Sedbergh School. He then read Modern History at Worcester College, University of Oxford from 1960 to 1963 completing a Bachelor of Arts and went on to his Master of Arts and Doctor of Philosophy on 'Witchcraft prosecutions in Essex, 1560-1680: A Sociological Analysis' in 1967. He also completed a Master of Philosophy in Anthropology on 'The regulation of marital and sexual relationships in 17th century England' at the London School of Economics in 1968 and a second Doctorate in Anthropology on 'Population and resources in central Nepal' in 1972 at the School of Oriental and African Studies of the University of London.