Coordinates: 51°24′11″N 0°29′17″E / 51.403168°N 0.488033°E / 51.403168; 0.488033

Strood is a town in the unitary authority of Medway in South East England. It is part of the ceremonial county of Kent. It lies on the north west bank of the River Medway at its lowest bridging point, and is part of the Rochester post town.

Strood was part of Frindsbury until 1193, but now Frindsbury is considered part of Strood. Strood's history has been dominated by the river, the bridges and the road and rail links they carried. It is now a mainly residential suburb of Rochester, and a commuter town for London.

Strood was part of Frindsbury until 1193. It was named "Strodes" in the Textus Roffensis, though most early records use the spelling Stroud. The name Strõd or Strõþ refers to a marshy land overgrown with brushwood.

The Romans built a stone bridge and laid a road on a causeway across the marshy ground. The foundations were about 8 ft below the level of the 1856 road. The road went up Strood Hill, and was called Watling Street, as it still is today. This is the A2 road . There is further evidence of a causewayed road leading along the bank towards the Frindsbury Peninsula leading to a villa, was found in 1819. The present road and field pattern suggest that there was a substantial Roman agricultural settlement centred near Frindsbury.

Billy Childish (born Steven John Hamper, 1 December 1959) is an English artist, painter, author, poet, photographer, film maker, singer and guitarist. He is known for his explicit and prolific work – he has detailed his love life and childhood sexual abuse, notably in his early poetry and the novels My Fault (1996), Notebooks of a Naked Youth (1997), Sex Crimes of the Futcher (2004) – The Idiocy of Idears (2007), and in several of his songs, notably in the instrumental "Paedophile" (1992) (featuring a photograph of the man who sexually abused him on the front cover) and "Every Bit of Me" (1993). From 1981 till 1985 Childish had a relationship with artist Tracey Emin and has also been associated with another British artist Stella Vine.

He is a consistent advocate for amateurism and free emotional expression and was a co-founder of the Stuckism art movement with Charles Thomson in 1999, which he left in 2001. Since then a new evaluation of Childish's standing in the art world has been under way, culminating with the publication of a critical study of Childish's working practice by the artist and writer Neal Brown, with an introduction by Peter Doig, which describes Childish as "one of the most outstanding, and often misunderstood, figures on the British art scene".