Decca Records began as a British record label established in 1929 by Edward Lewis. Its U.S. label was established in late 1934; however, owing to World War II, the link with the British company was broken for several decades.

The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group which is owned by Vivendi, a media conglomerate headquartered in France. The American Decca label was the foundation label which evolved into UMG.

The name "Decca" dates back to a portable gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. That company was eventually renamed The Decca Gramophone Co. Ltd. and then sold to former stockbroker Edward Lewis in 1929. Within years, Decca Records Ltd. was the second largest record label in the world, calling itself "The Supreme Record Company". The name "Decca" was coined by Wilfred S. Samuel by merging the word "Mecca" with the initial D of their logo "Dulcet" or their trademark "Dulcephone." Samuel, a linguist, chose "Decca" as a brand name as it was easy to pronounce in most languages.

The Mighty Hannibal (born James Timothy Shaw, August 9, 1939, Atlanta, Georgia, United States) is an American R&B, soul and funk singer, songwriter and record producer. Known for his showmanship, and outlandish costumes often incorporating a pink turban, several of his songs carried social or political themes. His biggest hit was "Hymn No.5," a banned from radio comment on the effects on servicemen participating in the Vietnam War.

Shaw was born to parents Corrie Belle and James Henry Shaw, and raised in the Vine City neighborhood of Atlanta. He started singing doo-wop as a teenager, and in 1954 he joined his first group, The Overalls. The outfit contained Shaw and Robert Butts plus Edward Patten and Merald "Bubba" Knight. The latter two later tasted success as part of Gladys Knight's backing group, The Pips. From that time, Shaw credited Grover Mitchell as his singing voice mentor. In 1958 Shaw moved to Los Angeles where, under the name of Jimmy Shaw, he recorded his debut solo single, "Big Chief Hug-Um An' Kiss-Um," a novelty song issued on the Concept label. This was followed by further releases including "The Biggest Cry," and "I Need a Woman ('Cause I'm a Man)."

Billie Holiday (born Eleanora Harris April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo.

Critic John Bush wrote that Holiday "changed the art of American pop vocals forever." She co-wrote only a few songs, but several of them have become jazz standards, notably "God Bless the Child", "Don't Explain", "Fine and Mellow", and "Lady Sings the Blues". She also became famous for singing "Easy Living", "Good Morning Heartache", and "Strange Fruit", a protest song which became one of her standards and was made famous with her 1939 recording.

Billie Holiday was born Eleanora Fagan on April 7, 1915, in Philadelphia, Pennsylvania, to Sarah Julia "Sadie" Fagan (née Harris). Her father, Clarence Halliday (Holiday), a musician, did not marry or live with her mother. Her mother had moved to Philadelphia when thirteen, after being ejected from her parents' home in Sandtown-Winchester, Baltimore for becoming pregnant. With no support from her own parents, Holiday's mother arranged for the young Holiday to stay with her older married half sister, Eva Miller, who lived in Baltimore.

Albert Edwin Condon (16 November 1905 – 4 August 1973), better known as Eddie Condon, was a jazz banjoist, guitarist, and bandleader. A leading figure in the so-called "Chicago school" of early Dixieland, he also played piano and sang on occasion.

Condon was born in Goodland, Indiana, the son of John and Margaret (née McGraw) Condon. He grew up in Momence, Illinois and Chicago Heights, Illinois, where he attended St. Agnes and Bloom High School. After some time playing ukulele, he switched to banjo and was a professional musician by 1921. He was based in Chicago for most of the 1920s, and played with such jazz notables as Bix Beiderbecke, Jack Teagarden and Frank Teschemacher.

In 1928 Condon moved to New York City. He frequently arranged jazz sessions for various record labels, sometimes playing with the artists he brought to the recording studios, including Louis Armstrong and Fats Waller. He organised racially-integrated recording sessions - when these were still rare - with Waller, Armstrong and Henry 'Red' Allen. He played with the band of Red Nichols for a time. Later, from 1938 he had a long association with Milt Gabler's Commodore Records.

Ludovico Einaudi OMRI (Italian pronunciation: [ludoˈviːko eiˈnaudi]) (born 23 November 1955 in Turin, Piedmont) is an Italian pianist and composer.

Einaudi was born in Turin, Italy. His mother played to him on the piano as a child. He began his musical training at the Conservatorio Verdi in Milan, gaining a diploma in composition in 1982. That same year, he studied with Luciano Berio and gained a scholarship to the Tanglewood Music Festival.

After studying at the Conservatory in Milan, and subsequently with Berio, he spent several years composing in traditional forms. In the mid-1980s he began to search for a more personal expression in a series of works for dance and multimedia, and later for piano. His music is ambient, meditative and often introspective, drawing on minimalism, world music, and contemporary pop. He has made a significant impact in the film world, with four international awards to his name.^{[citation needed]}

His father, Giulio Einaudi, was a publisher, and his grandfather, Luigi Einaudi, was President of Italy between 1948 and 1955. He currently resides on a vineyard in the Italian region of Piedmont.