Mask of Beauty on Yukio Mishima Part2 by Malga Kubiak 2010 1 animation missing The Ego trip Label regi&script; Malga Kubiak postprod Martinez Stanislaw Goralski cast/ Ewa Nienartowicz, Sasha Vogt, Michal Piotrowski, Jair/Rhom Parker/Wells, Lo Kivikas & Adam S Bassac, Jean Skarstedt, Tomas Piotrowska, Viveka Thallin, Mats Lundell, Krystyna Fradczyk, Ruzha Todorova, Sylvia Vasewa, Dana Platter, Lin Kivikas, Veronica Borowiecka, Malcolm Lejonhjelm, Godwin, Sebastian Jaw, Elliot Lundgren, Achilles, Vasces, Katarzyna Stachniuk, Nina Nina, Erik Antallet, Kuba, Grzegorz Dzierlatka, Vianna Ascencio, Loletta Espana, Danuta Kubiak, Damian, Thomas Thomas, Kumar costumes Nina Nina military costumes Malga Kubiak scenography Katarzyna Stachniuk camera Malga Kubiak, Mieszko Tyszkiewicz, Mats Lundell post production, special effects, sound track, music spotting, color Martinez Marcin Stanislaw Goralski title & credits Sun Zachrisson paintings Danuta Kubiak, Mieszko Tyszkiewicz producer Danuta Kubiak production The Ego Trip Books by Yukio Mishima: Kamen no Kokuhaku Spring Snow Manatsu-no shi Shiosai Essays Onnagata Runaway Horses Temple of Dawn Music: /yellow submarine/, cover by kanazawa akiko Xinlisupreme i drew a picture of myself tomorrow never comes, all u need is love was not true, fatal sisters opened umbrella, b-session. Nisennen Mondai/destination tokyo / live at upset the rhythm/ Bo Ninngen Ph@ and the Klangforschers Raphael Egel /konekurz/ / doublemic2/ /kotohall2/ sab2/ Jimmy Hendrix & Brian Jones /my little one/ /jamming version/ C M Von Hausswolff & Leif Elgren /Krev/ /R.A.T.white final/ Jean-Louis Huhta /1.2006.12.14/ /fagel/ /mydefinition/ /sc_050811_talin/ /soaringsludge/ / track 1/ / trainsong/ amina animamina Yura Yura Teikoku hollow me, robot deshita, taco monagatari, sweet spot, uchujin no hikkoshi Joy Division song Atmosphere dedicated to peace and freedom, the impossible junction malga kubiak kabuki trash total 2010 by the ego trip label 2010 REVIEW MoBoYM by Aldona Kopkiewicz Malga Kubiak nazywa „Mask of Beauty on Yukio Mishima” „trash kabuki”, ale to wciąż za mało, by określić specyfikę tego filmu. Destrukcja nie dotyczy tu tyle pewnej estetyki, ile wyobraźni samej reżyserki. Fascynacja prozą Mishimy, obrazy literackie i erotyczne fantazmaty z jego powieści, stały się ekranem, przez który Kubiak patrzy na świat i które chciałaby nadać zarówno rzeczywistości, jak i tworzonemu przez siebie filmowi – różnica między nimi nie jest znacząca. Coś jednak stawia opór uruchomionej przez tekst wyobraźni; coś, co sprawia, że literatura włączona w życie zwykłych aktorów i bylejakość codzienności, pokazuje swoje niedostatki, lecz pozostaje nieodzowna. Tkanina tekstu staje się przetartą, przybrudzoną szmatką, która ledwo wytrzymuje napór życia; jest jednak jedynym materiałem, na którym to życie, zwłaszcza w jego najbardziej nieuprawnionych przejawach, daje się wyświetlić. Film łączy te strzępy w cienkich szwach i brzydkich bliznach tak, że stają się spójne do granic wytrzymałości. by aldona kopkiewicz -without team i am nothing possibly filming my cunt, hi Malga Kubiak INTERVIEW w MALGA KUBIAK by KOFFE BERGER Koffe - What importance do you think that personal creativity has? Malga/personal creativity is a sign of life in me. Koffe - What reasons exist to take the necessary time it often takes to be creative? Malga/it often takes a hell of time, as now, i fall in love to Yukio Mishima, read all i could, developed to gigantic script, and shot 100 hours on video, sometimes on 2 cameras. all in all 100h. i need a beat more to cover the script. of course i know it is too much material but its nothing to do. instead of 1h30 min hit i will have 4 parts of massive trash total kubiak kabuki, possibly hard to melt. it started in april 2008, reading a nd shooting quite quickly in july 08, planed for march 2009 but i could not wait. watching now is hard, all is shit hard as most of my time goes to my mom who is full time crippled. just impossible situation, i am jealous at old chaps like Fellini, Bergman, Scorsese, and all great sharks, what did they do with old moms? lately, i practically watch to 4 am, each night make small sketch notes and so most do in my head. we are filming often, it needs actors, cameramen or women, selenography, costumes, wigs, texts, food, requisites, weather, landscape, space, i live in 1 room with my mom but found all around, she is joying the venues, all is done in Alby as she cant be moved. i found Alby mountain, lake and rocks, and cellars very Japanese indeed. we have a train compartment build in her cupboard and such. her room is cover with several walls paper walls, to do different rooms for the movie, bathroom is made to temple, you could also talk with Mats Lundell, and Michal Piotrowski, actor, but i know u dont ask me abut my film, only about inner or outer reasons, i forgot to mention we have no budget, but it