Music for People may refer to:

Music For Nations was a British independent record label focusing mainly on rock and metal. They were a subsidiary of the larger label distributor Zomba Records who in turn is owned by BMG.

Launched in 1983 by Martin Hooker, Music For Nations established itself as a European leader in the rock and metal world, with early signings like Tank, Exciter, Metallica (who had three gold albums while on MFN), Slayer and Megadeth paving the way. As Music For Nations grew, the company expanded its operation to include not just licensed acts from the USA, but its own signings. It released albums by artists including Paradise Lost, Opeth, Anathema, Cradle of Filth, Testament and countless other metal bands. As well as the traditional metal bands Music For Nations went on to sign up and coming UK bands such as Tigertailz who had a top 40 album while signed to Music For Nations

In 2004, the label officially closed its doors. The company's catalogue — which had also previously included titles from artists as varied as Lost Horizon and Frank Zappa — was folded into parent company Zomba Records Group.

Leonard Bernstein ( /ˈbɜrnstaɪn/ US dict: bûrn′·stīn; August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer and pianist. He was among the first conductors born and educated in the United States of America to receive worldwide acclaim. According to The New York Times, he was "one of the most prodigiously talented and successful musicians in American history."

His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, as well as Candide, Wonderful Town, On the Town and his own Mass.

Bernstein was also the first conductor to give numerous television lectures on classical music, starting in 1954 and continuing until his death. In addition, he was a skilled pianist, often conducting piano concertos from the keyboard.

As a composer he wrote in many styles encompassing symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and pieces for the piano. Many of his works are regularly performed around the world, although none has matched the tremendous popular and commercial success of West Side Story.

Roger Shah (aka Dj Shah, Sunlounger) is a German electronic music composer and producer.

Early History: Born in Esslingen in southern Germany to a German mother and a Pakistani father. His brother is Pedro del Mar, also a Trance DJ, hosts a bi-weekly vocal trance show called Mellomania. Roger first began to hit his production stride in his native country in 1999 putting out the tracks ‘Claps’, ‘The Mission’ & ‘Tides of Time’. In 2003 his ‘High’ release was signed by Virgin Records imprint Nebula. This marked his first non-domestic release and over the course of the next 5 years he inked productions to a range of trance labels - ones that came to include Anjunabeats, VANDIT & Black Hole.

The Armin Connection: In 2007 Armin van Buuren named Shah’s ‘Who Will Find Me’ release as his favourite track of 2007. Having heard the demo of its follow-up, Van Buuren saw crossover potential in the track and made contact in early 2008 to ask if Shah would like to collaborate on it. The result was the Chris Jones song ‘Going Wrong’… A national top 5 smash in The Netherlands, the track went on to become one of the biggest selling trance singles of the year. From there Magic Island Records – Shah’s primary label moved from his own stable to that of one of Armin’s industry-leading Armada Music.

"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.

The earliest recorded use^{[citation needed]} of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." ^{[dubious – discuss]} In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.