Visit Doug Rhodes site.

Apoc­a­lypse Wow! 1995

As an arch-angel saves pin-up girl in this apoc­a­lyp­tic scene, mom and pop are tied & gagged.  Ani­mals and kids are fly­ing through the air while the world goes up in smoke.

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.      Edi­tion of 50.

Avail­able in two sizes:

17 1/2″  x  14 1/2″  •  350.00

34 3/4″ x 29″  •  800.00

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

Baby­lon Burn­ing, 1997

High tech­nol­ogy in flames as the elite flee the impend­ing doom.  A ver­sion of this com­po­si­tion illus­trated a Kurt Von­neget story in Play­boy Mag­a­zine, 1999.

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

37″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

Life as We Know It (Demo­li­tion Derby),  1987

Used for the cover of Jello Biafra with D.O.A. — Last Scream of the MIss­ing Neighbors.

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

38 1/4″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

Dog is my Co-Pilot,  2000

Used as the cover of Executioner’s — Hell­bound (2010).

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

38 3/4″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

The Futil­ity of a Well-Ordered Life, 1990

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

33 3/4″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

God Told Me to Skin You Alive,  1995

The col­lage on the album cover was cre­ated by Win­ston Smith and is called God Told Me to Skin You Alive, a ref­er­ence to Dead Kennedys first album, “Fresh Fruit for Rot­ting Veg­eta­bles”.  Inter­est­ingly enough, the cover art con­tains an image (the den­tist) that was orig­i­nally used in a col­lage fea­tured in the insert book­let art of Dead Kennedys’ album Plas­tic Surgery Dis­as­ters.  There are also three skulls on the entire album cover– one for each mem­ber of Green Day. One of the skulls requires you to view the piece at an angle. The hid­den skull is taken from Hans Holbein’s 1533 paint­ing The Ambassadors.

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     (See Edi­tions Below)

Avail­able in three sizes:

18 1/2″ x 18 1/2″  -     Edi­tion of 50.    •     350.00

24″ x 24″  -      Edi­tion of 50.    •     575.00

29″ x 29″ —     Edi­tion of 100.     •     1000.00

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

Hid­den Wim­min, 1988

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

39″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

How ’bout a Lit­tle Safe Sex? 1987

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

36″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

 Idol,  1978

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

Avail­able in three sizes:

12″ x 18″     •     225.00

16″ x 24″     •     350.00

27″ x 41″     •     800.00

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

It’s for You (Anno Domini),  1997

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.   Edi­tion of 100.

14 1/2″ x 18 1/4″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

325.00

The Money Tree, 1983

A mod­i­fied ver­sion of this was used for the cover of The New Yorker (April/May 2000).

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.  Edi­tion of 100.

31.7″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

Right Tool for the Right Job, 1997

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

36 1/4″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

Santa is my Co-Pilot,  2002

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

38 3/4″ x 29″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

800.00

Satan is my Co-Pilot,  1998

Used as the cover of “Art­crime,” The Mon­tage Art of Win­ston Smith Vol­ume II.

Archival Giclée print on Som­er­set Dou­ble Weight Vel­vet — Signed and Num­bered.     Edi­tion of 50.

Avail­able in two sizes:

18″ x 14 1/2″     •     325.00

36″ x 29″     •     800.00

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

On the Thresh­old of a Dream,  1989

Archival Giclée print on Som­er­set Vel­vet — Signed and Num­bered.     Edi­tion of 100.

29″ x 20″

NOTE:  Dimen­sions are for “live” area.  There will be an addi­tional 2″ border.

475.00

Prices do not include shipping.

Thank you!