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Early wrist watch by Waltham, worn by soldiers in World War I (Deutsches Uhrenmuseum, Inv. 47-3352)

A watch is a small clock, typically worn either on the wrist or attached on a chain and carried in a pocket; wristwatches, however, are the most common type of watch used today. Watches evolved in the 17th century from spring powered clocks, which appeared in the 15th century. The first watches were strictly mechanical. As technology progressed, the mechanisms used to measure time have, in some cases, been replaced by use of quartz vibrations or electromagnetic pulses.^[1] The first digital electronic watch was developed in 1970.^[2]

Before wristwatches became popular in the 1920s, most watches were pocket watches, which often had covers and were carried in a pocket and attached to a watch chain or watch fob.^[3] In the early 1900s, the wristwatch, originally called a Wristlet, was reserved for women and considered more of a passing fad than a serious timepiece. Men, who carried pocket watches, were quoted as saying they would "sooner wear a skirt as wear a wristwatch".^[4] This changed in World War I, when soldiers on the battlefield found pocket watches to be impractical and attached their watches to their wrist by a cupped leather strap. It is also believed that Girard-Perregaux equipped the German Imperial Navy with wristwatches in a similar fashion as early as the 1880s, to be used while synchronizing naval attacks and firing artillery.^[4]

Most inexpensive and medium-priced watches used mainly for timekeeping are electronic watches with quartz movements.^[1] Expensive collectible watches, valued more for their workmanship and aesthetic appeal than for simple timekeeping, often have purely mechanical movements and are powered by springs, even though mechanical movements are less accurate than more affordable quartz movements. In addition to the time, modern watches often display the day, date, month and year, and electronic watches may have many other functions. Watches that provide additional time-related features such as timers, chronographs and alarm functions are not uncommon. Some modern designs even go as far as using GPS^[5] technology or heart-rate monitoring^[6] capabilities.

The study of timekeeping is known as horology.

History[link]

The earliest dated watch known, from 1530

This section requires expansion.

Watches evolved from portable spring driven clocks, which first appeared in 15th century Europe. Watches weren't widely worn in pockets until the 17th century.

Movement[link]

Different kinds of movements move the hands differently as shown in this 2 second exposure. The left watch has a mechanical 1/6 s movement, the right one has a "1 s" quartz movement

A Russian mechanical watch movement

A movement in watchmaking is the mechanism that measures the passage of time and displays the current time (and possibly other information including date, month and day). Movements may be entirely mechanical, entirely electronic (potentially with no moving parts), or a blend of the two. Most watches intended mainly for timekeeping today have electronic movements, with mechanical hands on the watch face indicating the time.

Mechanical movements[link]

Compared to electronic movements, mechanical watches are less accurate, often with errors of seconds per day, and they are sensitive to position, temperature^[7] and magnetism.^[8] They are also costly to produce, require regular maintenance and adjustment, and are more prone to failure. Nevertheless, the craftsmanship of mechanical watches still attracts interest from part of the watch-buying public. Skeleton watches are designed to leave the mechanism visible for aesthetic purposes.

Mechanical movements use an escapement mechanism to control and limit the unwinding and winding parts of a spring, converting what would otherwise be a simple unwinding into a controlled and periodic energy release. Mechanical movements also use a balance wheel together with the balance spring (also known as a hairspring) to control motion of the gear system of the watch in a manner analogous to the pendulum of a pendulum clock. The tourbillon, an optional part for mechanical movements, is a rotating frame for the escapement, which is used to cancel out or reduce the effects of gravitational bias to the timekeeping. Due to the complexity of designing a tourbillon, they are very expensive, and only found in "prestige" watches.

The pin-lever escapement (called the Roskopf movement after its inventor, Georges Frederic Roskopf), which is a cheaper version of the fully levered movement, was manufactured in huge quantities by many Swiss manufacturers as well as Timex, until it was replaced by quartz movements.^[9][10][11]

Tuning-fork watches use a type of electromechanical movement. Introduced by Bulova in 1960, they use a tuning fork with a precise frequency (most often 360 hertz) to drive a mechanical watch. The task of converting electronically pulsed fork vibration into rotary movement is done via two tiny jeweled fingers, called pawls. Tuning-fork watches were rendered obsolete when electronic quartz watches were developed. Quartz watches were cheaper to produce and even more accurate.

Traditional mechanical watch movements use a spiral spring called a mainspring as a power source. In manual watches the spring must be rewound periodically by the user by turning the watch crown. Antique pocketwatches were wound by inserting a separate key into a hole in the back of the watch and turning it. Most modern watches are designed to run 40 hours on a winding and thus must be wound daily, but some run for several days and a few have 192-hour mainsprings and are wound weekly.

Automatic watches[link]

Automatic watch: An eccentric weight, called a rotor, swings with the movement of the wearer's body and winds the spring

A self-winding or automatic watch is one that rewinds the mainspring of a mechanical movement by the natural motions of the wearer's body. The first self-winding mechanism was invented for pocket watches in 1770 by Abraham-Louis Perrelet,^[12] but the first "self-winding", or "automatic", wristwatch was the invention of a British watch repairer named John Harwood in 1923. This type of watch allows for constant winding without special action from the wearer; it works by an eccentric weight, called a winding rotor, which rotates with the movement of the wearer's wrist. The back-and-forth motion of the winding rotor couples to a ratchet to automatically wind the mainspring. Self-winding watches usually can also be wound manually so they can be kept running when not worn or if the wearer's wrist motions are inadequate to keep the watch wound.

Electronic movements[link]

Electronic movements have few or no moving parts, as they use the piezoelectric effect in a tiny quartz crystal to provide a stable time base for a mostly electronic movement. The crystal forms a quartz oscillator which resonates at a specific and highly stable frequency, and which can be used to accurately pace a timekeeping mechanism. For this reason, electronic watches are often called quartz watches. Most quartz movements are primarily electronic but are geared to drive mechanical hands on the face of the watch in order to provide a traditional analog display of the time, which is still preferred by some consumers.

Prototype of a Quartz Wristwatch, CEH Switzerland, 1967

In 1959 Seiko gave an order to Epson (a daughter company of Seiko and the actual brain behind the quartz revolution) to start developing a quartz wristwatch. The project was codenamed 59A and by the 1964 Tokyo Summer Olympics, Seiko had a working prototype of a portable quartz watch which took part in time measurements throughout the event.

The first prototypes of an electronic quartz wristwatch (not just portable quartz watches as the Seiko timekeeping devices at the Tokyo Olympics in 1964) were made by the CEH research laboratory in Neuchâtel, Switzerland. From 1965 through 1967 pioneering development work was done on a miniaturized 8192 Hz quartz oscillator, a thermo-compensation module and an inhouse-made, dedicated integrated circuit (unlike the hybrid circuits used in the later Seiko Astron wristwatch). As a result, the BETA 1 prototype set new timekeeping performance records at the International Chronometric Competition held at the Observatory of Neuchâtel in 1967.^[13]

Quartz Movement of the Seiko Astron, 1969 (Deutsches Uhrenmuseum, Inv. 2010-006)

The first quartz watch to enter production was the Seiko 35 SQ Astron, which hit the shelves on December 25, 1969. One particularly interesting decision made by Seiko at that time was to not patent the whole movement of the quartz wristwatch, thus allowing other manufacturers to benefit from the Seiko technology. This played a major role in the popularity and quick development of the quartz watch, which in less than a decade was dominant in the watch market, nearly ending an almost 100 years of mechanical wristwatch heritage. The modern quartz movements are produced in very large quantities, and even the cheapest wristwatches typically have quartz movements. Whereas mechanical movements can typically be off by several seconds a day, an inexpensive quartz movement in a child's wristwatch may still be accurate to within half a second per day—ten times better than a mechanical movement.^[14]

After a consolidation of the mechanical watch industry in Switzerland during the 1970s, mass production of quartz wristwatches took off under the leadership of the Swatch Group of companies, a Swiss conglomerate with vertical control of the production of Swiss watches and related products. For quartz wristwatches, subsidiaries of Swatch manufactured watch batteries (Renata), oscillators (Oscilloquartz) and integrated circuits (Ebauches Electronic SA). The launch of the new SWATCH brand in 1983, was marked by bold new styling, design and marketing. Today, the Swatch Group is the world's largest watch company.

Seiko's efforts to combine the quartz and mechanical movements bore fruit after 20 years of research, leading to the introduction of the Seiko Spring Drive, first in a limited domestic market production in 1999 and to the world in September 2005. The Spring Drive manages to keep time within quartz standards without the use of a battery, using a traditional mechanical gear train powered by a spring, while at the same time doesn't have the need of a balance wheel either.

Radio time signal watches are a type of electronic quartz watch which synchronizes (time transfer) its time with an external time source such as in atomic clocks, time signals from GPS navigation satellites, the German DCF77 signal in Europe, WWVB in the US, and others. Movements of this type may -among others- synchronize not only the time of day but also the date, the leap-year status of the current year, and the current state of daylight saving time (on or off). However, other than the radio receiver these watches are normal quartz watches in all other aspects.

Electronic watches require electricity as a power source. Some mechanical movements and hybrid electronic-mechanical movements also require electricity. Usually the electricity is provided by a replaceable battery. The first use of electrical power in watches was as a substitute for the mainspring, in order to remove the need for winding. The first electrically powered watch, the Hamilton Electric 500, was released in 1957 by the Hamilton Watch Company of Lancaster, Pennsylvania.

Watch batteries (strictly speaking cells, as a battery is composed of multiple cells) are specially designed for their purpose. They are very small and provide tiny amounts of power continuously for very long periods (several years or more). In most cases, replacing the battery requires a trip to a watch-repair shop or watch dealer; this is especially true for watches that are designed to be water-resistant, as special tools and procedures are required to ensure that the watch remains water-resistant after battery replacement. Silver-oxide and lithium batteries are popular today; mercury batteries, formerly quite common, are no longer used, for environmental reasons. Cheap batteries may be alkaline, of the same size as silver-oxide cells but providing shorter life. Rechargeable batteries are used in some solar powered watches.

Some electronic watches are also powered by the movement of the wearer of the watch. For instance, Seiko's Kinetic powered quartz watches make use of the motion of the wearer's arm turning a rotating weight which causes a tiny generator to supply power to charge a rechargeable battery that runs the watch. The concept is similar to that of self-winding spring movements, except that electrical power is generated instead of mechanical spring tension.

Solar powered watches are powered by light. A photovoltaic cell on the face (dial) of the watch converts light to electricity, which in turn is used to charge a rechargeable battery or capacitor. The movement of the watch draws its power from the rechargeable battery or capacitor. As long as the watch is regularly exposed to fairly strong light (such as sunlight), it never needs battery replacement, and some models need only a few minutes of sunlight to provide weeks of energy (as in the Citizen Eco-Drive). Some of the early solar watches of the 1970s had innovative and unique designs to accommodate the array of solar cells needed to power them (Synchronar, Nepro, Sicura and some models by Cristalonic, Alba, Seiko and Citizen). As the decades progressed and the efficiency of the solar cells increased while the power requirements of the movement and display decreased, solar watches began to be designed to look like other conventional watches.^[15]

A rarely used power source is the temperature difference between the wearer's arm and the surrounding environment (as applied in the Citizen Eco-Drive Thermo).

Display[link]

Analog[link]

Poljot chronograph

Traditionally, watches have displayed the time in analog form, with a numbered dial upon which are mounted at least a rotating hour hand and a longer, rotating minute hand. Many watches also incorporate a third hand that shows the current second of the current minute. Watches powered by quartz usually have a second hand that snaps every second to the next marker. Watches powered by a mechanical movement appears to have a gliding second hand, although it is actually not gliding; the hand merely moves in smaller steps, typically 1/5 of a second, corresponding to the beat (half period) of the balance wheel. In some escapements (for example the duplex escapement), the hand advances every two beats (full period) of the balance wheel, typically 1/2 second in those watches, or even every four beats (two periods, 1 second), in the double duplex escapement. A truly gliding second hand is achieved with the tri-synchro regulator of Spring Drive watches. All of the hands are normally mechanical, physically rotating on the dial, although a few watches have been produced with "hands" that are simulated by a liquid-crystal display.

Analog display of the time is nearly universal in watches sold as jewelry or collectibles, and in these watches, the range of different styles of hands, numbers, and other aspects of the analog dial is very broad. In watches sold for timekeeping, analog display remains very popular, as many people find it easier to read than digital display; but in timekeeping watches the emphasis is on clarity and accurate reading of the time under all conditions (clearly marked digits, easily visible hands, large watch faces, etc.). They are specifically designed for the left wrist with the stem (the knob used for changing the time) on the right side of the watch; this makes it easy to change the time without removing the watch from the wrist. This is the case if one is right-handed and the watch is worn on the left wrist (as is traditionally done). If one is left-handed and wears the watch on the right wrist, one has to remove the watch from the wrist to reset the time or to wind the watch.

Analog watches as well as clocks are often marketed showing a display time of approximately 10:09 or 10:10. This creates a visually pleasing smile-like face on upper half of the watch, in addition to enclosing the manufacturer's name. Digital displays often show a time of 12:08, where the increases in the numbers from left to right culminating in the fully lit numerical display of the 8 also gives a positive feeling.^[16][17]

Analog watch displays can be used to indicate cardinal direction due to the relation between the position of the hour hand and the position of the Sun in the sky. By rotating the watch so that the hour hand points toward the Sun, the point halfway between the hour hand and 12 o'clock will indicate south when observing from a position in the Northern hemisphere. In the Southern hemisphere, the point halfway between the hour hand pointed at the sun and 12 o'clock on the dial indicates North.

Digital[link]

Cortébert digital mechanical pocket watch. 1890s

Cortébert digital mechanical wristwatch. 1920s

A silver Pulsar LED watch from 1976.

A digital display simply shows the time as a number, e.g., 12:08 instead of a short hand pointing towards the number 12 and a long hand 8/60 of the way round the dial. The digits are usually shown as a seven-segment display.

The first digital mechanical pocket watches appeared in late 19th century. In the 1920s the first digital mechanical wristwatches appeared.

The first digital electronic watch, a Pulsar LED prototype in 1970, was developed jointly by Hamilton Watch Company and Electro-Data. John Bergey, the head of Hamilton's Pulsar division, said that he was inspired to make a digital timepiece by the then-futuristic digital clock that Hamilton themselves made for the 1968 science fiction film 2001: A Space Odyssey. On April 4, 1972, the Pulsar was finally ready, made in 18-carat gold and sold for $2,100. It had a red light-emitting diode (LED) display.

Digital LED watches were very expensive and out of reach to the common consumer until 1975, when Texas Instruments started to mass produce LED watches inside a plastic case. These watches, which first retailed for only $20,^[18] reduced to $10 in 1976, saw Pulsar lose $6 million and the Pulsar brand sold to Seiko.^[19]

An early LED watch that was rather problematic was The Black Watch made and sold by British company Sinclair Research in 1975. This was only sold for a few years, as production problems and returned (faulty) product forced the company to cease production.

A digital watch displaying the time, seconds, and date

Most watches with LED displays required that the user press a button to see the time displayed for a few seconds, because LEDs used so much power that they could not be kept operating continuously. Usually the LED display color would be red. Watches with LED displays were popular for a few years, but soon the LED displays were superseded by liquid crystal displays (LCDs), which used less battery power and were much more convenient in use, with the display always visible and no need to push a button before seeing the time. Only in darkness you had to press a button to lit the display with a tiny light bulb, later illuminating LEDs. The first LCD watch with a six-digit LCD was the 1973 Seiko 06LC, although various forms of early LCD watches with a four-digit display were marketed as early as 1972 including the 1972 Gruen Teletime LCD Watch, and the Cox Electronic Systems Quarza.^[20] In Switzerland, Ebauches Electronic SA presented a prototype eight-digit LCD wristwatch showing time and date at the MUBA Fair, Basle, in March 1973, using a Twisted Nematic LCD manufactured by Brown, Boveri & Cie, Switzerland, which became the supplier of LCDs to Casio for the CASIOTRON watch in 1974.^[21]

From the 1980s onward, digital watch technology vastly improved. In 1982 Seiko produced a watch with a small television screen built in,^[22] and Casio produced a digital watch with a thermometer as well as another that could translate 1,500 Japanese words into English. In 1985, Casio produced the CFX-400 scientific calculator watch. In 1987 Casio produced a watch that could dial your telephone number and Citizen revealed one that would react to your voice. In 1995 Timex released a watch which allowed the wearer to download and store data from a computer to their wrist. Some watches, such as the Timex Datalink USB, feature dot matrix displays. Since their apex during the late 1980s to mid 1990s high technology fad, digital watches have mostly become simpler, less expensive time pieces with little variety between models.

Despite these many advances, almost all watches with digital displays are used as timekeeping watches. Expensive watches for collectors rarely have digital displays since there is little demand for them. Less craftsmanship is required to make a digital watch face and most collectors find that analog dials (especially with complications) vary in quality more than digital dials due to the details and finishing of the parts that make up the dial (thus making the differences between a cheap and expensive watch more evident).

Functions[link]

The Rolex Submariner, an officially certified chronometer

All watches provide the time of day, giving at least the hour and minute, and usually the second. Most also provide the current date, and often the day of the week as well. However, many watches also provide a great deal of information beyond the basics of time and date. Some watches include alarms. Other elaborate and more expensive watches, both pocket and wrist models, also incorporate striking mechanisms or repeater functions, so that the wearer could learn the time by the sound emanating from the watch. This announcement or striking feature is an essential characteristic of true clocks and distinguishes such watches from ordinary timepieces. This feature is available on most digital watches.

A complicated watch has one or more functions beyond the basic function of displaying the time and the date; such a functionality is called a complication. Two popular complications are the chronograph complication, which is the ability of the watch movement to function as a stopwatch, and the moonphase complication, which is a display of the lunar phase. Other more expensive complications include Tourbillon, Perpetual calendar, Minute repeater, and Equation of time. A truly complicated watch has many of these complications at once (see Calibre 89 from Patek Philippe for instance). Some watches can both indicate the direction of Mecca^[23] and have alarms that can be set for all daily prayer requirements.^[24] Among watch enthusiasts, complicated watches are especially collectible. Some watches include a second 12-hour display for UTC (as Pontos Grand Guichet GMT).

The similar-sounding terms chronograph and chronometer are often confused, although they mean altogether different things. A chronograph has a stopwatch complication, as explained above, while a chronometer watch has a high quality mechanical or a thermo-compensated movement that has been tested and certified to operate within a certain standard of accuracy by the COSC (Contrôle Officiel Suisse des Chronomètres). The concepts are different but not mutually exclusive; so a watch can be a chronograph, a chronometer, both, or neither.

Timex Datalink USB Dress edition from 2003 with a dot matrix display; the Invasion video game is on the screen

Many computerized wristwatches have been developed, but none have had long-term sales success, because they have awkward user interfaces due to the tiny screens and buttons, and a short battery life. As miniaturized electronics became cheaper, watches have been developed containing calculators, tonometers, barometers, altimeters, a compass using both hands to show the N/S direction, video games, digital cameras, keydrives, GPS receivers and cellular phones. In the early 1980s Seiko marketed a watch with a television in it. Such watches have also had the reputation as unsightly and thus mainly geek toys. Several companies have however attempted to develop a computer contained in a wristwatch (see also wearable computer).

Braille watches have analog displays with raised bumps around the face to allow blind users to tell the time. Their digital equivalents use synthesised speech to speak the time on command.

Uses[link]

Fashion[link]

Wristwatches are often appreciated as jewelry or as collectible works of art rather than just as timepieces. This has created several different markets for wristwatches, ranging from very inexpensive but accurate watches (intended for no other purpose than telling the correct time) to extremely expensive watches that serve mainly as personal adornment (featuring jewel bearings to hold gemstones) or as examples of high achievement in miniaturization and precision mechanical engineering.

Traditionally, men's dress watches appropriate for informal (business), semi-formal, and formal attire are gold, thin, simple, and plain, but increasingly rugged, complicated, or sports watches are considered acceptable for such attire. Some dress watches have a cabochon on the crown and many women's dress watches have faceted gemstones on the face, bezel, or bracelet. Some are made entirely of facetted sapphire (corundum).^[25]

Many fashion and department stores offer a variety of less-expensive, trendy, "costume" watches (usually for women), many of which are similar in quality to basic quartz timepieces but which feature bolder designs. In the 1980s, the Swiss Swatch company hired graphic designers to redesign a new annual collection of non-repairable watches.

Most companies that produce watches specialize in one or some of these markets. Companies such as Patek Philippe, Blancpain and Jaeger-LeCoultre specialize in simple and complicated mechanical dress watches; companies such as Omega SA, Ball Watch Company, TAG Heuer, Sinn, Breitling, Panerai and Rolex specialize in rugged, reliable mechanical watches for sport and aviation use. Companies such as Casio, Timex, and Seiko specialize in watches as affordable timepieces or multifunctional computers.

Trade in counterfeit watches, which mimic expensive brand-name watches, constitutes an estimated US$1 billion market per year.^[26]

Space[link]

The Omega Speedmaster, selected by U.S. space agencies

Zero gravity environment and other extreme conditions encountered by astronauts in space requires the use of specially tested watches. On April 12, 1961, Yuri Gagarin wore a Shturmanskie (a transliteration of Штурманские which actually means "navigator's") wristwatch during his historic first flight into space. The Shturmanskie was manufactured at the First Moscow Factory. Since 1964, the watches of the First Moscow Factory have been marked by the trademark "ПОЛЕТ", transliterated as "POLJOT", which means "flight" in Russian and is a tribute to the many space trips its watches have accomplished. In the late 1970s, Poljot launched a new chrono movement, the 3133. With a 23 jewel movement and manual winding (43 hours), it was a modified Russian version of the Swiss Valjoux 7734 of the early 1970s. Poljot 3133 were taken into space by astronauts from Russia, France, Germany and Ukraine. On the arm of Valeriy Polyakov, a Poljot 3133 chronograph movement-based watch set a space record for the longest space flight in history.^[27]

Astronaut Nancy J. Currie wears the Timex Ironman Triathlon Datalink model 78401 during STS 88.

Through the 1960s, a large range of watches were tested for durability and precision under extreme temperature changes and vibrations. The Omega Speedmaster Professional was selected by NASA, the U.S. space agency. Heuer became the first Swiss watch in space thanks to a Heuer Stopwatch, worn by John Glenn in 1962 when he piloted the Friendship 7 on the first manned U.S. orbital mission. The Breitling Navitimer Cosmonaute was designed with a 24-hour analog dial to avoid confusion between AM and PM, which are meaningless in space. It was first worn in space by U.S. astronaut Scott Carpenter on May 24, 1962 in the Aurora 7 mercury capsule.^[28] Since 1994 Fortis is the exclusive supplier for manned space missions authorized by the Russian Federal Space Agency. China National Space Administration (CNSA) astronauts wear the Fiyta^[29] spacewatches. At BaselWorld, 2008, Seiko announced the creation of the first watch ever designed specifically for a space walk, Spring Drive Spacewalk. Timex Datalink is flight certified by NASA for space missions and is one of the watches qualified by NASA for space travel. Both the Casio G-Shock DW-5600C and 5600E are Flight-Qualified for NASA space travel.^{[30][31][32][33]} The various Datalink models were used both by cosmonauts and astronauts.

Scuba diving[link]

Seiko 7002-7020 Diver's 200 m on a 4-ring NATO style strap

Watches may be crafted to become water resistant. These watches are sometimes called diving watches when they are suitable for scuba diving or saturation diving. The International Organization for Standardization issued a standard for water resistant watches which also prohibits the term "waterproof" to be used with watches, which many countries have adopted.

Water resistance is achieved by the gaskets which forms a watertight seal, used in conjunction with a sealant applied on the case to help keep water out. The material of the case must also be tested in order to pass as water resistant.^[34]

None of the tests defined by ISO 2281 for the Water Resistant mark are suitable to qualify a watch for scuba diving. Such watches are designed for everyday life and must be water resistant during exercises such as swimming. They can be worn in different temperature and pressure conditions but are under no circumstances designed for scuba diving.

The standards for diving watches are regulated by the ISO 6425 international standard. The watches are tested in static or still water under 125% of the rated (water)pressure, thus a watch with a 200 metre rating will be water resistant if it is stationary and under 250 metres of static water. The testing of the water resistance is fundamentally different from non-dive watches, because every watch has to be fully tested. Besides water resistance standards to a minimum of 100 metre depth rating ISO 6425 also provides eight minimum requirements for mechanical diver's watches for scuba diving (quartz and digital watches have slightly differing readability requirements). For diver's watches for mixed-gas saturation diving two additional requirements have to be met.

Watches are classified by their degree of water resistance, which roughly translates to the following (1 metre = 3.281 feet):^[35]

Some watches use bar instead of meters, which may then be multiplied by 10, and then subtracted by 10. This is because 1 bar is equal to one atmosphere or 10 metres of water (therefore 1 bar at the surface and one more each 10 metres). to be approximately equal to the rating based on metres. Therefore, a 5 bar watch is equivalent to a 40 metre watch. Some watches are rated in atmospheres (atm), which are roughly equivalent to bar.

See also[link]

• American Watchmakers-Clockmakers Institute
• List of watch manufacturers
• Marine chronometer
• National Association of Watch and Clock Collectors
• Tachymeter
• WatchTime Magazine
• Wristwatch computer

References[link]

Further reading[link]

• De Carle, Donald, (Illustrations by E. A. Ayres), Practical Watch Repairing, 3rd edition, New York : Skyhorse Pub., 2008. ISBN 978-1-60239-357-8. Significant information on watches, their history, and inner workings.
• Denn, Mark, "The Tourbillon and How It Works", IEEE Control Systems Magazine, June 2010, IEEE Control Systems Society, DOI 10.1109/MCS.2010.936291.

External links[link]

Look up watch in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Watch

• Philadelphia Exhibition 1876 Report to the Federal High Council by Ed. Favre-Perret (1877)
• American and Swiss Watchmaking in 1876 by Jacques David
• The Watch Factories of America Past and Present by Henry G. Abbott (1888)
• Watchmaking and the American System of Manufacturing (2009)
• Federation of the Swiss Watch Industry FH
• UK patent GB218487, Improvements relating to wrist watches, 1923 patent resulting from John Harwood's invention of a practical self-winding watch mechanism.
• The Most Expensive Watches

Britney Spears
Spears performing at her Femme Fatale Tour in Europe, 2011
Background information
Birth name	Britney Jean Spears
Born	(1981-12-02) December 2, 1981 (age 30) McComb, Mississippi, U.S.
Genres	Pop, dance
Occupations	Singer, songwriter, dancer, actress, record producer, author, fashion designer, video director
Instruments	Vocals, piano
Years active	1992–present
Labels	Jive, RCA[1]
Associated acts	The New Mickey Mouse Club
Website	britneyspears.com britney.com

Britney Jean Spears (born December 2, 1981) is an American recording artist and entertainer. Born in McComb, Mississippi, and raised in Kentwood, Louisiana, Spears began performing as a child, landing acting roles in stage productions and television shows. She signed with Jive Records in 1997 and released her debut album ...Baby One More Time in 1999, which became the best-selling album by a teenage solo artist.^[2] During her first decade in the music industry, she became a prominent figure in mainstream popular music and popular culture, followed by a much-publicized personal life. Her first two albums established her as a pop icon and broke sales records, while title tracks "...Baby One More Time" and "Oops!... I Did It Again" became international number-one hits. Spears was credited with influencing the revival of teen pop during the late 1990s, and became the 'best-selling teen aged artist of all time' before she turned 20,^[3] garnering her the honorific title of "Princess of Pop".^[4]

In 2001, she released her third studio album Britney and expanded her brand, playing the starring role in the film Crossroads. She assumed creative control of her fourth studio album, In the Zone (2003), which yielded chart-topping singles "Me Against the Music", "Toxic" and "Everytime". After the release of two compilation albums, Spears experienced personal struggles and her career went into hiatus. Her fifth studio album, Blackout, was released in 2007 and despite receiving little promotion, it spawned hits "Gimme More" and "Piece of Me". In 2008, her erratic behavior and hospitalizations caused her to be placed in a conservatorship. The same year, her sixth studio album Circus was released, with the global chart-topping lead single "Womanizer", and hits such as "Circus" and "If U Seek Amy". She embarked on her highest-grossing global concert tour,^[5] The Circus Starring Britney Spears, in 2009. In October of the same year, she released a chart-topping single, "3", which became her third single to reach number one on the Billboard Hot 100. Her seventh studio album Femme Fatale, released in 2011, has become the first of her albums to yield three top ten singles in the United States, "Hold It Against Me", "Till the World Ends" and "I Wanna Go". The same year, she also gained her fifth number one single when she featured on the remix of "S&M" alongside Rihanna.

Spears work has earned her numerous awards and accolades, including a Grammy Award, 6 MTV Video Music Awards including the Lifetime Achievement Award, 9 Billboard Music Awards, and a star on the Hollywood Walk of Fame. In 2009, Billboard ranked her as the 8th overall Artist of the Decade,^[6] and also recognized her as the best-selling female artist of the first decade of the 21st century, as well as the fifth overall.^[7] The Recording Industry Association of America (RIAA) also recognized Spears as the eighth top-selling female artist in the United States, with 33 million certified albums.^[8] Nielsen SoundScan ranked Spears the tenth best-selling digital artist of the country, with more than 28.6 million digital singles as of January 2012.^[9] She has sold over 100 million albums worldwide, making her one of the best-selling music artists of all time.^[10] Rolling Stone recognized her instant success as one of the Top 25 Teen Idol Breakout Moments of all time,^[11] while VH1 ranked her eleventh on their "100 Greatest Women in Music" list in 2012.^[12] Forbes also revealed that Spears was the sixth most powerful celebrity, and the third best paid musician of 2011-12, having topped the list back in 2002.^[13] In Fall 2012, Spears will serve as a judge in the second season of the American version of The X Factor.^[14]

Biography[link]

1981–97: Early life, and career beginnings[link]

Britney Jean Spears was born on December 2, 1981, the second child of Lynne Irene (née Bridges) and James Parnell Spears. She is of English heritage through her maternal grandmother, Lillian Portelli who was born in London, and of distant Maltese and Sicilian (Sicani) descent.^[15][16][17] Her siblings are Bryan James and Jamie Lynn.^[18] At age three, she started to attend dance lessons in her hometown of Kentwood, Louisiana, and was selected to perform as a solo artist at the annual recital. During her childhood, she also attended gymnastics and voice lessons, and won many state-level competitions and children's talent shows.^[19][20][21] Spears made her local stage debut at age five, singing "What Child Is This?" at her kindergarten graduation. She said about her ambition as a child, "I was in my own world, [...] I found out what I'm supposed to do at an early age".^[20] At age eight, Spears and her mother Lynne traveled to Atlanta for an audition in the 1990s revival of The Mickey Mouse Club. Casting director Matt Casella rejected her for being too young to join the series at the time, but introduced her to Nancy Carson, a New York City talent agent. Carson was impressed with Spears's vocals and suggested enrolling her at the Professional Performing Arts School; shortly after, Lynne and her daughters moved to a sublet apartment in New York. Spears was hired for her first professional role as the understudy for the lead role of Tina Denmark in the Off-Broadway musical Ruthless!. She also appeared as a contestant on the popular television show Star Search, as well as being cast in a number of commercials.^[22][23] In December 1992, she was finally cast in The Mickey Mouse Club, but returned to Kentwood after the show was canceled. She enrolled at Parklane Academy in nearby McComb, Mississippi. Although she made friends with most of her classmates, she compared the school to "the opening scene in Clueless with all the cliques. [...] I was so bored. I was the point guard on the basketball team. I had my boyfriend, and I went to homecoming and Christmas formal. But I wanted more."^[20][24]

In June 1997, Spears was in talks with manager Lou Pearlman to join the female pop group Innosense. Lynne asked family friend and entertainment lawyer Larry Rudolph for his opinion and submitted a tape of Spears singing over a Whitney Houston karaoke song along with some pictures. Rudolph decided he wanted to pitch her to record labels, therefore she needed a professional demo. He sent Spears an unused song of Toni Braxton; she rehearsed for a week and recorded her vocals in a studio with a sound engineer. Spears traveled to New York with the demo and met with executives from four labels, returning to Kentwood the same day. Three of the labels rejected her, arguing that audiences wanted pop bands such as the Backstreet Boys and the Spice Girls, and "there wasn't going to be another Madonna, another Debbie Gibson, or another Tiffany." Two weeks later, executives from Jive Records returned calls to Rudolph.^[25] Senior vice president of A&R Jeff Fenster stated about Spears's audition that "It's very rare to hear someone that age who can deliver emotional content and commercial appeal. [...] For any artist, the motivation—the 'eye of the tiger'—is extremely important. And Britney had that."^[20] She then sang Houston's "I Have Nothing" (1992) for the executives, and got signed to the label.^[26] They appointed her to work with producer Eric Foster White for a month, who reportedly shaped her voice from "lower and less poppy" delivery to "distinctively, unmistakably Britney."^[27] After hearing the recorded material, president Clive Calder ordered a full album. Spears had originally envisioned "Sheryl Crow music, but younger more adult contemporary" but felt all right with her label's appointment of producers, since "It made more sense to go pop, because I can dance to it—it's more me." She flew to Cheiron Studios in Stockholm, Sweden, where half of the album was recorded from March to April 1998, with producers Max Martin, Denniz Pop and Rami Yacoub, among others.^[20]

[edit] 1998–2000: ...Baby One More Time, and Oops!... I Did It Again

After Spears returned to the United States, she embarked on a shopping mall promotional tour to promote her forthcoming album. Her show was a four song set and she was accompanied by two back up dancers. Her first concert tour followed, as an opening act for 'N Sync.^[28] Her debut album, ...Baby One More Time, was released on January 1999.^[29] It debuted at number one on the U.S. Billboard 200 and was certified two-times platinum by the Recording Industry Association of America after a month. Worldwide, the album topped the charts in fifteen countries and sold over ten million copies in a year.^[30] It became the biggest selling album ever by a teenage artist.^[21] The title track was released as the lead single from the album. Originally, Jive Records wanted its music video to be animated; however, Spears rejected it, and suggested the final idea of a Catholic schoolgirl.^[27] The single sold 500,000 copies on its first day, and peaked at number one on the Billboard Hot 100, topping the chart for two consecutive weeks.^[31][32] "...Baby One More Time" later received a Grammy nomination for Best Female Pop Vocal Performance.^[33] The title track also topped the singles chart for two weeks in the United Kingdom, and became the fastest-selling single ever by a female artist, shipping over 460,000 copies.^[34] It would later become the 25th most successful song of all time in British chart history.^[35] Spears is also the youngest female artist to have a million seller in the country.^[36] "(You Drive Me) Crazy" was released as the third single from the album. It became a top-ten hit worldwide and propelled ...Baby One More Time to sell 26 million copies.^[37]

The April 1999 cover of Rolling Stone featured Spears lying on her bed, clad with a bra, shorts and an open top. The American Family Association (AFA) referred to the shoot as "a disturbing mix of childhood innocence and adult sexuality" and called to "God-loving Americans to boycott stores selling Britney's albums." Spears responded to the outcry commenting, "What's the big deal? I have strong morals. [...] I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time."^[38] Shortly before, Spears had announced publicly she would remain a virgin until marriage.^[21] On June 28, 1999, Spears began her first headlining ...Baby One More Time Tour in North America, which was positively received by critics,^[39] but generated some controversy due to her racy outfits.^[40] An extension of the tour, titled Crazy 2k, followed in March 2000. Spears premiered songs from her upcoming second album during the show.^[24]

Oops!... I Did It Again, her second studio album, was released in May 2000. It debuted at number one in the US, selling 1,3 million copies, breaking the SoundScan record for the highest debut sales by any solo artist.^[41] The album sold over 20 million copies worldwide.^[42] Rob Sheffield of Rolling Stone said that "the great thing about Oops! – under the cheese surface, Britney's demand for satisfaction is complex, fierce and downright scary, making her a true child of rock & roll tradition."^[43] The album's lead single, "Oops!... I Did It Again", peaked at the top of the charts in Australia, New Zealand, the United Kingdom and many other European nations.^[36][44] The album as well as the title track received Grammy nominations for Best Pop Vocal Album and Best Female Pop Vocal Performance, respectively.^[45]

The same year, Spears embarked on the Oops!... I Did It Again World Tour, which grossed $40.5 million; she also released her first book, Britney Spears' Heart-to-Heart, co-written with her mother.^[21][46] On September 7, 2000, Spears performed at the 2000 MTV Video Music Awards. Halfway through the performance, she ripped off her black suit to reveal a sequined flesh-colored bodysuit, followed by heavy dance routine. It is noted by critics as the moment that Spears showed signs of becoming a more provocative performer.^[47] Amidst media speculation, Spears confirmed she was dating 'N Sync member Justin Timberlake.^[21]

[edit] 2001–03: Britney, Crossroads, and In the Zone

Spears performing at the NFL Kickoff Live in 2003.

In February 2001, Spears signed a $7–8 million promotional deal with Pepsi, and released another book co-written with her mother, entitled A Mother’s Gift.^[21] Her third studio album, Britney, was released in November 2001. While on tour, she felt inspired by hip hop artists such as Jay-Z and The Neptunes and wanted to create a record with a funkier sound.^[48] The album debuted at number one in the Billboard 200 and reached top five positions in Australia, the United Kingdom and mainland Europe and sold over 12 million copies worldwide.^[36][49][50] Stephen Thomas Erlewine of Allmusic called Britney "the record where she strives to deepen her persona, making it more adult while still recognizably Britney. [...] It does sound like the work of a star who has now found and refined her voice, resulting in her best record yet."^[51] The album was honored with two Grammy nominations—Best Pop Vocal Album and Best Female Pop Vocal Performance for "Overprotected"— and was listed in 2008 as one of Entertainment Weekly's "100 Best Albums from the Past 25 Years".^[52][53] The album's first single, "I'm a Slave 4 U", became a top-ten hit worldwide.^[54]

Spears's performance of the single at the 2001 MTV Video Music Awards featured a caged tiger and a large albino python draped over her shoulders. It was harshly received by animal rights organization PETA, who claimed the animals were mistreated and scrapped plans for an anti-fur billboard that was to feature Spears.^[47] To support the album, Spears embarked on the Dream Within a Dream Tour. The show was critically praised for its technical innovations, the pièce de résistance being a water screen that pumped two tons of water into the stage.^[55][56] The tour grossed $43.7 million, becoming the second highest grossing tour of 2002 by a female artist, behind Cher's Farewell Tour.^[57] Her career success was highlighted by Forbes in 2002, as Spears was ranked the world's most powerful celebrity.^[58] Spears also landed her first starring role in Crossroads, released in February 2002. Although the film was largely panned, most critics actually praised Spears's acting.^[59][60][61] Crossroads, which had a $11 million budget, went on to gross over $57 million worldwide.^[61]

In June 2002, Spears opened her first restaurant, Nyla, in New York City, but terminated her relationship in November, citing mismanagement and "management's failure to keep her fully apprised".^[62] In July 2002, Spears announced she would take a six month break from her career; however, she went back into the studio in November to record her new album.^[63] Spears' relationship with Justin Timberlake ended after three years. In December 2002, Timberlake released the song "Cry Me a River" as the second single from his solo debut album. The music video featured a Spears look-alike and fueled the rumors that she had been unfaithful to him.^[64][65] As a response, Spears wrote the ballad "Everytime" with her backing vocalist and friend Annet Artani.^[66] The same year, Limp Bizkit frontman Fred Durst said that he was in a relationship with Spears. However, Spears denied Durst's claims.^[67] In a 2009 interview, he explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her."^[67] Spears opened the 2003 MTV Video Music Awards with Christina Aguilera, performing "Like a Virgin". Halfway through they were joined by Madonna, with whom they both kissed. The incident was highly publicized.^[61]

Spears released her fourth studio album, In the Zone, in November 2003. She assumed more creative control by writing and co-producing most of the material.^[21] Vibe called it "A supremely confident dance record that also illustrates Spears's development as a songwriter."^[68] NPR listed the album as one of "The 50 Most Important Recording of the Decade", adding that "the decade's history of impeccably crafted pop is written on her body of work."^[69] In the Zone sold over 609,000 copies in the United States and debuted at the top of the charts, making Spears the first female artist in the SoundScan era to have her first four studio albums to debut at number one.^[21] It also debuted at the top of the charts in France and the top ten in Belgium, Denmark, Sweden and the Netherlands.^[70] In the Zone sold over 10 million copies worldwide.^[71] The album produced the hit singles: "Me Against the Music", a collaboration with Madonna; "Toxic"—which won Spears her first and only Grammy for Best Dance Recording; "Everytime" and "Outrageous".^[21]

[edit] 2004–07: Compilation albums, motherhood, personal struggles, and Blackout

Spears performing live on The Onyx Tour in 2004

On January 3, 2004, Spears married childhood friend Jason Allen Alexander at The Little White Wedding Chapel in Las Vegas. The marriage was annulled 55 hours later, stating that Spears "lacked understanding of her actions".^[72] She began The Onyx Hotel Tour in support of In the Zone in March 2004.^[73] On June 8, 2004, Spears fell and injured her left knee during the music video shoot for "Outrageous". She was taken immediately to a local hospital, where doctors performed an MRI scan and found floating cartilage. The following day, Spears underwent arthroscopic surgery. She was forced to remain six weeks with a thigh brace, followed by eight to twelve weeks of rehabilitation, which caused The Onyx Hotel Tour to be canceled.^[74] During 2004, Spears became involved in the Kabbalah Centre through her friendship with Madonna.^[75]

In July 2004, she announced her engagement to American dancer Kevin Federline, whom she had met three months before. The romance received intense attention from the media, since Federline had recently broken up with actress Shar Jackson, who was still pregnant with their second child at the time.^[21] The initial stages of their relationship were chronicled in Spears's first reality show Britney & Kevin: Chaotic. They held a wedding ceremony on September 18, 2004, but were not legally married until three weeks later on October 6 due to a delay finalizing the couple's prenuptial agreement.^[76] Shortly after, she released her first fragrance with Elizabeth Arden, Curious, which broke the company's first-week gross for a perfume.^[21] In October 2004, Spears announced she would be taking another career break to start a family.^[77] Greatest Hits: My Prerogative, her first greatest hits compilation album, was released in November 2004.^[78] Spears's cover version of Bobby Brown's "My Prerogative" was released as the lead single from the album, reaching the top of the charts in Finland, Ireland, Italy and Norway.^[79] The second single, "Do Somethin'", was a top ten hit in Australia, the United Kingdom and other countries of mainland Europe.^[80][81] Worldwide, Greatest Hits: My Prerogative sold over 5 million copies.^[82] In late 2004, Spears went on KIIS-FM radio in Los Angeles, CA to play a new demo titled "Mona Lisa." The demo was to be the first single from an upcoming album called the "Original Doll." However, Spears' label later cancelled the album for unknown reasons.^[83][84] Spears gave birth to her first child, Sean Preston Federline, on September 14, 2005.^[85]

In November 2005, she released her first remix compilation, B in the Mix: The Remixes, which consists of eleven remixes.^[86] It has sold over 1 million copies worldwide, making it one of the best selling remix albums of all time.^[87] In February 2006, pictures surfaced of Spears driving with her son Sean, on her lap instead of in a car seat. Child advocates were horrified by the photos of her holding the wheel with one hand and Sean with the other. Spears claimed that the situation happened because of a frightening encounter with paparazzi, and that it was a mistake on her part.^[21] The following month, she guest-starred on the Will & Grace episode "Buy, Buy Baby" as closeted lesbian Amber Louise.^[88] She publicly announced she no longer studied Kabbalah in June 2006, explaining, "my baby is my religion."^[75] Two months later, Spears posed nude for the cover of Harper's Bazaar. The picture was heavily compared to Demi Moore's August 1991 Vanity Fair cover.^[21] She gave birth to her second child, Jayden James Federline, on September 12, 2006.^[89] On November 7, 2006, Spears filed for divorce from Federline, citing irreconcilable differences.^[90] Their divorce was finalized in July 2007, when the couple reached a global settlement and agreed to share joint custody of their children.^[91] Spears's aunt Sandra Bridges Covington, with whom she had been very close, died of ovarian cancer in January.^[92] On February 16, 2007, Spears stayed in a drug rehabilitation facility in Antigua for less than a day. The following night, she shaved her head with electric clippers at a hair salon in Tarzana, Los Angeles. She admitted herself to other treatment facilities during the following weeks.^[93] After completing a month-long program at Promises, she wrote on her website, "I truly hit rock bottom. Till this day I don't think that it was alcohol or depression. [...] was like a bad kid running around with ADD."^[21] In May 2007, she produced a series of promotional concerts at House of Blues venues, titled The M+M's Tour.^[94] Spears lost physical custody of her children to Federline on October 1, 2007. The reasons of the court ruling were not revealed to the public.^[95] Also, in 2007 Spears was sued by Louis Vuitton over her 2005 music video "Do Something" for pimping out her Hummer interior in counterfiet Louis Vuitton cherry blossom fabric. Which resulted in her video being banned on European TV stations.^[96]

Her fifth studio album, Blackout, was released in October 2007. It debuted at the top of charts in Canada and Ireland, number two in the U.S. Billboard 200,—held off from the top spot by Eagles's Long Road out of Eden— France, Japan, Mexico and the United Kingdom and the top ten in Australia, Korea, New Zealand and many European nations. In the United States, Spears became the only female artist to have her first five studio albums debut at the two top slots of the chart.^[97] Blackout sold over 3.1 million copies worldwide.^[98] Peter Robinson of The Observer said that "Britney has delivered the best album of her career, raising the bar for modern pop music with an incendiary mix of Timbaland's Shock Value and her own back catalogue."^[99] Dennis Lim of Blender commented, "Spears’s fifth studio album is her most consistent, a seamlessly entertaining collection of bright, brash electropop."^[100] Blackout won Album of the Year at MTV Europe Music Awards 2008 and was listed as the fifth Best Pop Album of the Decade by The Times.^[101][102] Spears performed the lead single "Gimme More" at the 2007 MTV Video Music Awards. The performance was panned by many critics. David Willis of BBC stated her performance would "go down in the history books as being one of the worst to grace the MTV Awards".^[103] Despite the backlash, the single rocketed to worldwide success, peaking at number one in Canada and the top ten in almost every country it charted.^[104][105] The second single "Piece of Me" reached the top of the charts in Ireland and reached the top five in Australia, Canada, Denmark, New Zealand and the United Kingdom. The third single "Break the Ice" was released the following year and had moderate success due to Spears not being able to promote it properly.^{[106][107][108]} In December 2007, Spears began a relationship with paparazzo Adnan Ghalib.^[109]

[edit] 2008–10: Conservatorship, and Circus

Spears performing "Freakshow" at The Circus Starring Britney Spears, 2009.

On January 3, 2008, Spears refused to relinquish custody of her sons to Federline's representatives. She was hospitalized at Cedars-Sinai Medical Center, after police that arrived at her house noted she appeared to be under the influence of an illicit substance. The following day, Spears's visitation rights were suspended at an emergency court hearing, and Federline was given sole physical and legal custody of the children. On January 31, 2008, Spears was committed to the psychiatric ward of Ronald Reagan UCLA Medical Center and put on 5150 involuntary psychiatric hold. The court placed her under temporary conservatorship of her father James Spears and attorney Andrew Wallet, giving them complete control of her assets.^[21] Spears was released on February 6, 2008. Her parents expressed disappointment and concern at the decision to release her.^[110] The following month, she guest-starred on the How I Met Your Mother episode "Ten Sessions" as receptionist Abby. She received positive reviews for her performance, as well as bringing the series its highest ratings ever.^[111][112] In July 2008, Spears regained some visitation rights after coming to an agreement with Federline and his counsel.^[113] On September 7, 2008, Spears opened the MTV Video Music Awards with a pre-taped comedy sketch with Jonah Hill and an introduction speech. She won Best Female Video, Best Pop Video and Video of the Year for "Piece of Me".^[114] A 60-minute introspective documentary, Britney: For the Record, was produced to chronicle Spears' return to the recording industry. Directed by Phil Griffin, For the Record was entirely shot in Beverly Hills, Hollywood, and New York City during the third quarter of 2008.^[115] Main shooting began on September 5, 2008, two days before Spears' appearance at the MTV Video Music Awards. For the Record was broadcast on MTV on November 30, 2008 to 5.6 million viewers for the two airings on the premiere night. MTV reported that Spears' documentary garnered on average, the highest rating in its Sunday night timeslot, in the network's history.^[116]

Her sixth studio album Circus, was released in December 2008. It received positive reviews from critics; according to the music review aggregation of Metacritic, it garnered an average score of 64/100.^[117] Circus debuted at number one in Canada, Czech Republic and the United States, and inside the top in many European nations.^[105][118] In the United States, Spears became the youngest female artist to have five albums debut at number one, earning a place in the Guinness Book of World Records.^[119] She also became the only act in the Soundscan era to have four albums debut with 500,000 or more copies sold.^[118] Circus became one of the fastest-selling albums of the year,^[120] and has sold 4 million copies worldwide.^[121][122] Its lead single, "Womanizer", became her first number one in the Billboard Hot 100 since "...Baby One More Time" and topped the charts in countries such as Belgium, Canada, Denmark, Finland, France, Norway and Sweden.^[123][124] It was also nominated for a Grammy in the category of Best Dance Recording.^[125] In January 2009, Spears and her father James obtained a restraining order against her former manager Sam Lufti, ex-boyfriend Adnan Ghalib and attorney Jon Eardley—all of whom, court documents claim, had been conspiring to gain control of Spears's affairs. The restraining order forbids Lutfi and Ghalib from contacting Spears or coming within 250 yards of her, her property or family members.^[126] Spears embarked on The Circus Starring Britney Spears in March 2009. With a gross of U.S. $131.8 million, it became the fifth highest grossing tour of the year.^[127]

She released her second greatest hits album, The Singles Collection in November 2009. "3" became her third number one single in the US, and was the first song to debut at the top of the charts in three years.^[128] Later that month, she released an application for iPhone and iPod Touch titled "It's Britney!".^[129] In May 2010, Spears's representatives confirmed she was dating her agent Jason Trawick, and that they had decided to end their professional relationship to focus on their personal relationship.^[130] Spears designed a limited edition clothing line for Candie's, which was released in stores in July 2010.^[131] On September 28, 2010, she made a cameo appearance on a Spears-themed tribute episode of American TV show Glee, titled "Britney/Brittany". Spears approved of the episode, although her appearances received mixed reviews from critics.^[132][133] The episode drew Glee's second largest audience, as well as the show's highest ratings ever.^[134][135]

[edit] 2011–present: Femme Fatale and The X Factor

Spears performing "Gimme More" at the Femme Fatale Tour, 2011.

In March 2011, Spears released her seventh studio album Femme Fatale.^[136] Max Martin and Dr. Luke executive produced the album and the album's first single "Hold It Against Me". The single debuted at number-one on the Billboard Hot 100. This gave Spears her fourth number-one single on the chart, and made her only the second artist in history to have two consecutive singles debut at number-one, after Mariah Carey.^[137] The album peaked at number one in the United States (selling 276,000 copies in its first week), Canada, and Australia, and peaked inside the top ten on nearly every other chart. The album's peak in the United States ties Britney with Mariah Carey and Janet Jackson for the third-most number ones among women.^[138] As of March 9, 2012, Femme Fatale has sold 883,000 copies in the United States and 2.2 million worldwide and has been certified platinum by the RIAA.^[139][140] The album received positive critical reviews after its release, receiving a score of 67 on Metacritic, her highest critical score since Oops!... I Did It Again, with many critics naming the album one of Spears's best.^[141] In April 2011, Spears appeared in a remix to the song "S&M" by Rihanna after Rihanna asked her fans via Twitter who they wanted her to collaborate with.^[142] The song reached number one in the US in mid-April 2011, giving Spears her fifth number one on the chart.^[143] In early May, Spears' second single from Femme Fatale, "Till The World Ends", reached number three on the Billboard Hot 100 and had ninety-eight million audience impressions on the Billboard chart, granting Spears the highest weekly audience of her 13-year chart career.^[144]

Femme Fatale's third single "I Wanna Go" reached the top forty on the Billboard Hot 100 in June 2011. Among females in the last thirteen years, Spears now has the third-most top forty hits, with twenty-one.^[145] In August, the single managed to reach the top-ten on the Billboard Hot 100, which is the first time for Spears to have three songs from one album in the top-ten.^[146] On the week ending September 24, 2011, "I Wanna Go" moved 2–1 on the mainstream top 40, becoming her sixth number-one on that chart (making her tied for third all-time) and her first number-one and third top-ten pop song for Femme Fatale.^[147] Spears now has the longest span of number ones on the mainstream top 40, with a length of twelve years, seven months, and four days.^[147] In October 2011, the music video for Femme Fatale's fourth single "Criminal" caused controversy when British politicians criticized Spears for using replica guns while filming the video in an area of London that had been badly affected by the 2011 England riots. Members of the Hackney London Borough Council felt Spears "promoted gun violence" and suggested that Spears apologize and make a donation to a Hackney charity.^[148] Spears's management briefly responded, stating, "The video is a fantasy story featuring Britney's boyfriend, Jason Trawick, which literally plays out the lyrics of a song written three years before the riots ever happened."^[149] Later that month, due to her continued popularity, Spears became the seventh artist to gain one billion cumulative views on her Vevo account.^[150] On Billboard's 2011 Year-End list, Spears was fourteen on the Artists of the Year,^[151] due to being 32 on Billboard 200 artists and 10 on Billboard Hot 100 artists.^[152][153] Additionally, many critics, including those at Rolling Stone, named "Till the World Ends" one of the best songs of 2011.^{[154][155][156]}

On March 2011, Spears announced that she would tour throughout the United States during summer 2011.^[157] The Femme Fatale Tour opened June 16 at the Power Balance Pavilion in Sacramento, California^[158] to positive reviews.^[159] Many critics noted that Spears sang more of the concert live in response to lip-synching accusations during The Circus Starring Britney Spears, and that the dancing is some of her best in years.^[159] The first ten US dates of the tour grossed $6.2 million, landing the fifty-fifth spot on Pollstar's Top 100 North American Tours list for the half-way point of the year.^[160] The tour ended on December 10, 2011 in Puerto Rico after 79 performances.^[161] A concert special of the tour was filmed in 2D and 3D in Canada on August 13 and 14. It premiered on November 12 on Epix, receiving mixed reviews.^{[162][163][164][165]} It was released to DVD on November 21^[166][167] and sold 19,000 copies, debuting at no. 2 on the US Billboard DVD Chart behind Lady Gaga's The Monster Ball Tour: At Madison Square Garden.^[168] Since its release, the DVD has been certified Platinum by the Recording Industry Association of America (RIAA),^[169] and Gold by the Australian Recording Industry Association (ARIA).^[170]

On June 15, 2011, it was announced by Billboard that the RCA/Jive Label Group would be splitting, with Jive Records being fully moved under RCA Records staying intact. In August it was announced that Spears had officially joined the RCA's roster.^[171][172] During the 2011 MTV Video Music Awards on August 28, 2011, MTV played tribute to Spears with a group of young female dancers that memorialised Britney's music videos, performances, and style. Following which, Spears accepted the MTV Video Vanguard Award from Lady Gaga, who said that "industry wouldn't be the same without [her]".^[173][174] On September 9, 2011, Spears announced her second remix album, B in the Mix: The Remixes Vol. 2, which was released on October 7, along with the tracklist.^[175] On October 7, RCA Music Group announced it was disbanding Jive Records along with Arista Records and J Records. With the shutdown, Spears (and all other artists previously signed to these three labels) will release her future material on the RCA Records brand.^[176][177]

On December 16, Spears confirmed her engagement to her long-time boyfriend Jason Trawick, her former agent.^[178] Spears revealed her three-carat diamond ring at a party in Las Vegas on December 17.^[179] According to Joe Riccitelli, the executive vice president of promotion for RCA Records, Spears would be taking time off during 2012.^[180] However, on January 30, 2012, will.i.am confirmed that he recorded a track with Spears, set to be included on his upcoming fourth studio album, #willpower (2012).^[181] It was also reported that Simon Cowell was in talks with Spears for her to join the new season of the The X-Factor.^[182] According to Billboard and The Hollywood Reporter, Trawick negotiated Spears' contract with the show,^[183] which was later approved by conservatorship judge Reva Goetz.^[184] Cowell and the producers of the show agreed to pay the singer $15 million for season two, and also added Trawick as a one of the producers for the season.^[185] The rumor was later confirmed to be true.^{[14][186][187]} Spears also teamed up with Hasbro to release an exclusive version of Twister Dance, which will include a remix of "Till the World Ends".^[188] The singer also participated on a commercial, which was directed by Ray Kay, to promote the game.^[188]

Artistry[link]

Musical style, and performance[link]

Following her debut, Spears was credited with leading the revival of teen pop in the late 1990s. The Daily Yomiuri reported that "[m]usic critics have hailed her as the most gifted teenage pop idol for many years, but Spears has set her sights a little higher-she is aiming for the level of superstardom that has been achieved by Madonna and Janet Jackson."^[189] Rob Sheffield of Rolling Stone wrote: "Britney Spears carries on the classic archetype of the rock & roll teen queen, the dungaree doll, the angel baby who just has to make a scene."^[190] Rami Yacoub who co-produced Spears's debut album with lyricist Max Martin, commented, "I know from Denniz Pop and Max's previous productions, when we do songs, there's kind of a nasal thing. With N' Sync and the Backstreet Boys, we had to push for that mid-nasal voice. When Britney did that, she got this kind of raspy, sexy voice."^[191] Following the release of her debut album, Chuck Taylor of Billboard observed, "Spears has become a consummate performer, with snappy dance moves, a clearly real-albeit young-and funkdified voice ... "(You Drive Me) Crazy", her third single ... demonstrates Spears's own development, proving that the 17-year-old is finding her own vocal personality after so many months of steadfast practice."^[192] Stephen Thomas Erlewine of Allmusic referred to her music as a "blend of infectious, rap-inflected dance-pop and smooth balladry."^[193] Spears later commented, "With ...Baby One More Time, I didn't get to show my voice off. The songs were great, but they weren't very challenging".^[194]

Oops!...I Did It Again and subsequent albums saw Spears working with several contemporary R&B producers, leading to "a combination of bubblegum, urban soul, and raga."^[195] Her third studio album, Britney derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit, underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums."^[196] Guy Blackman of The Age wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."^[197]

"You Got It All" noicon The cover of The Jets song was the first song recorded by Spears for her then-label Jive in 1997.[198] The prominent use of melisma and vibratos as she continuously raises key into a high range was viewed as a Mariah Carey influence.[199] "Freakshow" noicon The track is built around the 'wobbler' effect of dubstep, and her vocals are pitched down low, making her sound masculine.[200][201] She was credited as one of the artists who prompted the genre within a pop mainstream audience.[202]

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Spears possesses a soprano^[203] vocal range; her vocal ability however has been criticized, often drawing unfavorable comparison to her pop rival, Christina Aguilera.^[204] Critic Allan Raible derides her overdependence in Circus on digital effects and the robotic effect it creates. "She’s never been a strong vocalist..." writes Raible, "Could she handle these songs with stripped down arrangements and no vocal effects? More importantly, would anyone want to hear her attempt such a performance? Does it matter? No. The focus is still image over substance."^[205] Her image and persona are also often contrasted to Christina Aguilera. David Browne of Entertainment Weekly observed "Christina Aguilera may flash skin and belly button, but in her music and manner, she's too eager not to offend — she's a good girl pretending to be bad. Spears, however, comes across as a bad girl acting good ... Spears' artificial-sweetener voice is much less interesting than the settings, yet that blandness is actually a relief compared with Aguilera's numbing vocal gymnastics.^[206] In contrast, Allmusic comments: "Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs ... Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she can indulge herself.^[207] Sal Cinquemani of Slant Magazine notes, "The disparity between Aguilera and Spears can't be measured solely by the timbre and octave range of their voices ... [Aguilera's] popularity has never reached the fever pitch of Britney's."^[208]

It has been widely reported that Spears lip-syncs in concert. Author Gary Giddins wrote in his book Natural selection: Gary Giddins on comedy, film, music, and books (2006) that "among many other performers accused of moving their lips while a machine does the labor are Britney Spears, Luciano Pavarotti, Shania Twain, Beyoncé, and Madonna."^[209] Rashod D. Ollison of The Baltimore Sun observes: "Many pop stars ... feel they have no choice but to seek vocal enhancement. Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket."^[210] Giddins adds, "it was reported Britney Spears fans prefer her to lip-sync—despite her denials of doing so (contradicted by her own director)—because they expect flawless digitalization when they pay serious money for a concert."^[209]

In Australia, NSW Fair Trading Minister Virginia Judge has advised disclaimers be printed on any ticket for concerts which contain any prerecorded vocals. She commented: "There could have been some instances where people actually go and purchase a ticket thinking that they're going to have a live performance ... for some people that means that everything is live, it's fresh, it happens instantaneously, it's not something that's been pre-recorded. You want to make sure that they're actually paying for what they think they're getting."^[211] Noting on the prevalence of lip-syncing, Los Angeles Daily News reported "in the context of a Britney Spears concert, does it really matter? Like a Vegas revue show, you don't go to hear the music, you go for the somewhat-ridiculous spectacle of it all".^[212] Similarly, Aline Mendelsohn of the Orlando Sentinel remarked: "Let's get one thing straight: A Britney Spears concert is not about the music ... you have to remember that it's about the sight, not the sound."^[213] Critic Glenn Gamboa comments her concert tours are "like her life—a massive money-making venture designed to play up her talents and distract from her shortcomings with a mix of techno-tinged sex appeal and disco-flavored flash. And, like her life, it is, more or less, a success.^[214]