The scene is perhaps the best example of Eisenstein's theory on montage, and many films pay homage to the scene, including Terry Gilliam's Brazil, Francis Ford Coppola's The Godfather, Brian De Palma's The Untouchables, Tibor Takacs' Deathline, Laurel and Hardy's The Music Box, Chandrashekhar Narvekar's Hindi film Tezaab, Shukō Murase's anime Ergo Proxy and Peter Sellers' The Magic Christian. Several films spoof it, including Woody Allen's Bananas and Love and Death, Australia, Zucker, Abrahams, and Zucker's Naked Gun 33⅓: The Final Insult (though actually a parody of The Untouchables), Soviet-Polish comedy Deja Vu, Jacob Tierney's The Trotsky and the Italian comedy Il secondo tragico Fantozzi. The 2011 November 7 Parade in Moscow also features an homage to the film. The Irish born painter Francis Bacon (1909–1992) was profoundly influenced by Eisenstein's images, particularly the Odessa Steps shot of the nurse's broken glasses and open mouthed scream. The open mouth image appeared first in his Abstraction from the Human Form, in Fragment of a Crucifixion, and other works including his famous Head series.[1] The Russian born photographer and artist Alexey Titarenko paid tribute to the Odessa Steps shot in his series "City Of Shadows" (1991–1993) by using crowd of desperate people on the stairs near subway station in Saint Petersburg to demonize the Soviet regime and as a symbol of human tragedy.[2] 1.^ Peppiatt, Michael (1996). Francis Bacon: Anatomy of an Enigma. London: Weidenfeld & Nicolson ISBN 0-297-81616-0. 2.^ Protzman, Ferdinand. "Landscape. Photographs of Time and Place." National Geographic, 2003, ISBN 0-7922-6166-6