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ʿIlm al-Kalām (Arabic: علم الكلام‎, literally the study of "speech" or "words"^[1]) is the Islamic philosophical discipline of seeking theological principles through dialectic. Kalām in Islamic practice relates to the discipline of seeking theological knowledge through debate and argument. A scholar of kalām is referred to as a mutakallim (plural mutakallimiin). There are many possible interpretations as to why this discipline was originally called "kalām"; one is that the widest controversy in this discipline has been about whether the Word of God, as revealed in the Qur'an, can be considered part of God's essence and therefore not created, or whether it was made into words in the normal sense of speech, and is therefore created.

Criticism[link]

Throughout history the place of kalam in Islamic thought has been controversial. A few traditional Sunni Muslim scholars have either criticized or prohibited it. Imams such as Abu Hanifa prohibited his students from engaging in kalam, stating that those who practice it are of the "retarded ones."^[2] Malik ibn Anas referred to kalam in the Islamic religion as being "detested",^[3] and that whoever "seeks the religion through kalam will deviate".^[4] In addition Muhammad Shafi'i said that no knowledge of Islam can be gained from books of kalam, as kalam "is not from knowledge"^[5][6] and that "It is better for a man to spend his whole life doing whatever Allah has prohibited - besides shirk with Allah - rather than spending his whole life involved in kalam."^[7] Ahmad ibn Hanbal also spoke strongly against kalam, stating his view that no one looks into kalam unless there is "corruption in his heart,"^[8] and even went so far as to prohibit sitting with people practicing kalam even if they were defending the Sunnah,^[9] and instructing his students to warn against any person they saw practicing kalam.^[10]

Today criticism of kalam also comes from modern day scholars of the Salafi movement.

Contemporary scholars such as Nuh Ha Mim Keller, a Sheikh in the Shadili Order hold that the criticism of kalam from early scholars was specific to the Mu'tazila, going on to claim that other historical Muslim scholars such as Al-Ghazali, As-Subki, An-Nawawi and even the four Madh'hab saw both good and bad in kalam and cautioned from the speculative excess of unorthodox groups such as the Mu'tazilah and Jahmiyya.^[11] As he states in his article "Kalam and Islam":

"What has been forgotten today however by critics who would use the words of earlier Imams to condemn all kalam, is that these criticisms were directed against its having become "speculative theology" at the hands of latter-day authors. Whoever believes they were directed against the `aqida or "personal theology" of basic tenets of faith, or the "discursive theology" of rational kalam arguments against heresy is someone who either does not understand the critics or else is quoting them disingenuously."

Major Kalam schools[link]

• Ash'ari
• Imami
• Maturidi
• Murji'ah
• Mu'tazili

See also[link]

• Jahm bin Safwan
• Jewish Kalam
• Logic in Islamic philosophy
• Kalam cosmological argument
• Madhab
• Qadr (doctrine)

References[link]

External links[link]

• Wolfson, Harry Austryn, The Philosophy of the Kalam, Harvard University Press, 1976, 779 pages, ISBN 978-0-674-66580-4, Google Books, text at archive.org
• Living Islam
• The Kalam
• Kalam Cosmological Argument

Bulleh Shah
An artistic depiction of Bulleh Shah
Spiritual Poet
Born	1680 C.E. Uch, Punjab
Died	1757 C.E. Kasur, Punjab
Honored in	Islam
Influences	Shah Hussain, Sultan Bahu, Shah Sharaf
Influenced	Countless Indian Sufi poets
Tradition/Genre	Kafi

This article is part of a series on:
Islam
Beliefs Oneness of God Prophets · Revealed books Angels · Predestination Day of Resurrection
Practices Profession of faith · Prayer Fasting · Alms · Pilgrimage
Texts & laws Quran · Sunnah · Hadith Fiqh · Sharia · Kalam
History & leaders Timeline · Muhammad Ahl al-Bayt · Sahaba Rashidun · Imamate Caliphate · Spread of Islam
Denominations Sunni · Shia Sufi · Ibadi · Ahmadiyya · Quraniyoon · NOI · Liberal
Culture & society Academics · Animals · Art Calendar · Children Dawah · Demographics Festivals · Mosques Philosophy · Politics Science · Women
See also Other religions · Glossary Islam portal This box: view talk edit

Bulleh Shah (1680–1757) (Punjabi: بلہے شاہ, ਬੁੱਲ੍ਹੇ ਸ਼ਾਹ, Hindi: बुल्ले शाह) was a Punjabi Sufi poet, humanist and philosopher. His full name was Abdullah Shah^[1]

Early life[link]

Bulleh Shah is believed to have been born in 1680, in the small village of Uch, Bahawalpur, Punjab, in present day Pakistan.^[2] His father, Shah Muhammad Darwaish, was a teacher and preacher in a village mosque. Little is known about Bulleh Shah's ancestry except that some of his forebears were migrants from Uzbekistan,^[3] and that his family claimed direct descent from Muhammad.^[1]

When he was six months old, his parents relocated to Malakwal. His father later got a job in Pandoke, about 50 miles southeast of Kasur. Bulleh Shah received his early schooling in Pandoke and moved to Kasur for higher education. He also received education from Maulana Mohiyuddin. His spiritual teacher was the Qadiri Sufi Shah Inayat Qadiri, who was a member of the Arain tribe of Lahore.

Life[link]

A large amount of what is believed to be known about Bulleh Shah comes through legends, and is subjective; to the point that there isn’t even agreement among historians concerning his precise date and place of birth. Some "facts" about his life have been pieced together from his own writings. Other "facts" seem to have been passed down through oral traditions.

Bulleh Shah practiced the Sufi tradition of Punjabi poetry established by poets like Shah Hussain (1538–1599), Sultan Bahu (1629–1691), and Shah Sharaf (1640–1724).

Bulleh Shah lived in the same period as the Sindhi Sufi poet, Shah Abdul Latif Bhatai (1689–1752). His lifespan also overlapped with the Punjabi poet Waris Shah (1722–1798), of Heer Ranjha fame, and the Sindhi Sufi poet Abdul Wahab (1739–1829), better known by his pen-name, Sachal Sarmast (“truth seeking leader of the intoxicated ones”). Amongst Urdu poets, Bulleh Shah lived 400 miles away from Mir Taqi Mir (1723–1810) of Agra.

Poetry Style[link]

The verse form Bulleh Shah primarily employed is called the Kafi, a style of Punjabi, Sindhi and Saraiki poetry used not only by the Sufis of Sindh and Punjab, but also by Sikh gurus.

Bulleh Shah’s poetry and philosophy strongly criticizes the Islamic religious orthodoxy of his day.^{[citation needed]}

A Beacon of Peace[link]

Bulleh Shah's time was marked with communal strife between Muslims and Sikhs. But in that age Baba Bulleh Shah was a beacon of hope and peace for the citizens of Punjab. While Bulleh Shah was in Pandoke, Muslims killed a young Sikh man who was riding through their village in retaliation for murder of some Muslims by Sikhs. Baba Bulleh Shah denounced the murder of an innocent Sikh and was censured by the mullas and muftis of Pandoke. Bulleh Shah maintained that violence was not the answer to violence. Bulleh Shah also hailed the ninth Sikh Guru, Guru Tegh Bahadur as a Ghazi, or "religious warrior", which caused controversy among Muslims of that time.^{[citation needed]}

Humanist[link]

Bulleh Shah’s writings represent him as a humanist, someone providing solutions to the sociological problems of the world around him as he lives through it, describing the turbulence his motherland of Punjab is passing through, while concurrently searching for God. His poetry highlights his mystical spiritual voyage through the four stages of Sufism: Shariat (Path), Tariqat (Observance), Haqiqat (Truth) and Marfat (Union). The simplicity with which Bulleh Shah has been able to address the complex fundamental issues of life and humanity is a large part of his appeal. Thus, many people have put his kafis to music, from humble street-singers to renowned Sufi singers like the Waddali Brothers, Sain Zahoor, Abida Parveen and Pathanay Khan, from the synthesized techno qawwali remixes of UK-based Asian artists to the rock band Junoon.

Modern renderings[link]

In the 1990s Junoon, a rock band from Pakistan, rendered "Bullah Ki Jaana" and "Aleph" ("Ilmon Bas Kareen O Yaar"). In 2004, Rabbi Shergill turned the abstruse metaphysical poem "Bullah Ki Jaana" into a Rock/Fusion song that became popular in India and Pakistan.^[4][5] The Wadali Bandhu, a Punjabi Sufi group from India, have also released a version of "Bullah Ki Jaana" on their album Aa Mil Yaar... Call of the Beloved. Another version was performed by Lakhwinder Wadali and entitled Bullah.

Bulleh Shah's verses have also been adapted and used in Bollywood film songs including "Chaiyya Chaiyya" and "Thayya Thayya" in the 1998 film Dil Se.., and "Ranjha Ranjha" in the 2010 film Raavan. The 2007 Pakistani movie Khuda Kay Liye includes Bulleh Shah's poetry in the song "Bandeya Ho". The 2008 film A Wednesday, included a song titled "Bulle Shah, O Yaar Mere". In 2009 the first episode of the second season of Pakistan's Coke Studio featured a collaboration between Sain Zahoor and Noori, "Aik Alif" while, in June 2010, episode one of the third series featured "Na Raindee Hai" and "Makke Gayaan Gal Mukdi Nahi", performed by Arieb Azhar.

Death[link]

He died in 1757. His tomb is located in Kasur, present day Pakistan.^[6]

Further reading[link]

• Bulleh Shah: the love-intoxicated iconoclast, by J. R. Puri, Tilaka Raj Shangri. Radha Soami Satsang Beas, 1986
• Great Sufi Poets of The Punjab, by R. M. Chopra, Iran Society, Kolkata, 1999.

See also[link]

• Geeta Vadhera's "Shah Shabad" series - paintings based on the poems of Bulleh Shah
• Kasur, the hometown of Bulleh Shah
• List of Punjabi language poets
• Sufism

Works online[link]

• Bulleh Shah poetry
• Articles on Bulleh Shah's life and poetry (apna.org)
• Bulleh Shah: Poems (English translations) and Biography (poetry-chaikhana.com)

References[link]

External links[link]

• Short biography of Bulleh Shah
• Biography of Bulleh Shah
• Littérateurs of the Punjabi language
• Complete poetry of Bulleh Shah in Shahmukhi

v t e Sufism and Tariqa Ideas Qutb Wali Abdal Fakir Dervish Tazkiah Baqaa Fanaa Haal Keramat Haqiqa Ihsan Irfan Kashf Lataif Manzil Marifa Nafs Noor Sufi cosmology Sufi metaphysics Sufi philosophy Sufi poetry Sufi psychology Sulook Yaqeen Silsila Practices Anasheed Dhikr Haḍra Muraqaba Qawwali Sama Whirling Ziyarat Sufi orders Azeemia Akbarī Alians Ba 'Alawī Bayramī Bektashī Chishtī Galibī Gulshanī Ḥurūfī Idrīsī Jelvetī Jerrahī Khalwatī Kubrāwī Madarī Malāmatī Mawlāwī Mourīdī Naqshbandī Naqshbandi Uwaisī Khalidiyya Nasuhī Ni'matullāhī Nuqtawī Qadirī Qalāndārī Rifa'ī Safāvī Shadhilī Suhrawardī Sunbulī Tijanī Ussakī Uwaisī Zahedī Notable early Sufi saints and mystics Abdul-Qadir Gilanī Abul-Khayr Ahmad Ghazālī Ahmed Yasāvī Al-Ghazālī Al-Hallaj al-Misrī Al-Qāsim al-Qunawī Amīr Kulal Ardabilī Ata Allah Attar Balım Sultan Baha ūd-Dīn Naqshband Bande Nawāz Baqī Billah Bastamī Bhita'ī Bulleh Shah Shah Waliullah Dehlāvī Farīd ūd-Dīn Fozail Gālib Gharīb Nawāz Ghujdawanī Ghulam Farīd Sheik Edebali Gül Baba Hajji Bayram Hajji Bektash Hazrat Mai Safoora Qadiriyya Haddad Hamadānī Hansvī Harabatī Baba Hasan Basri Mahmud Hudayī Hujwirī ibn ʿArabī Jābir ibn Hayyān Jahangasht Jamī Jan-e-Jānāān Jazoulī Junayd Baġdādī Kākī Kaliyarī Karkhī Kharaqanī Kubrā Nāimī Najib al-Suhrawardī Nasīmī Mansur Al-Hallaj Ni'matullāh Nizām ūd-Dīn Nurī Otman Baba Pir Sultan Qutb ūd-Dīn Haydār Rabbānī Rabia Basri Razī Rifa'ī Rukn-e-Alam Rūmī Ibrahim ibn Adham Saadī Salman al-Farisī Sanai Mevlana Halid-i Bagdadi Sarı Saltuk Semnanī Shadhilī Shahāb al-Dīn Suhrawardī Shams Tabrizī Shiblī Shirazī Sultan Walad Surkh Bukhari Taj al-Dīn Gilanī Umar al-Suhrawardī Uwais al-Qarni Yunus Emre Magtymguly Pyragy Zakariya Zarruq Notable modern Sufi saints Auliya Azeemi Nagpuri Meher Ali Sheikh Muhammad Uthman Sirajuddin Qadeer Piya Muhammad Maliki Gohar Shahi Tahir ul-Qadri Tahir Allauddin Taqi Usmani Abdal Hakim Murad Nazim Al-Haqqani Hisham Kabbani Nuh Keller Nooruddeen Durkee Abdalqadir as-Sufi Zaheen Ghulam Mustafa Reshad Feild Ahmad al-Alawi Ashraf Ali Thanvi Bawa Muhaiyaddeen Abd al-Rahman al-Shaghouri Omar Shah Haeri Raza Khan Syed Shujaat Pir Zulfiqar Abdullah Naqshbandi Sufi Barkat Ali Hafiz Qamaruddin Saheb Qibla Fultali Feisal Abdul Rauf Osman Nuri Topbaş Sufi studies Aguéli Almqvist Burckhardt Chittick Corbin Ernst Frager Guénon Hixon Lindbom Lings Nasr Schimmel Sells Shah Schuon Topics in Sufism Art Fiction History Music Poetry Shrines Texts Portal

Nusrat Fateh Ali Khan (Punjabi: نصرت فتح علی خان (Shahmukhī)) (October 13, 1948 – August 16, 1997), a world-renowned Pakistani musician, was primarily a singer of Qawwali, the devotional music of the Sufis (a mystical tradition within Islam). Considered one of the greatest singers ever recorded, he possessed a six-octave vocal range^{[citation needed]} and could perform at a high level of intensity for several hours.^[1] Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Sufi music to international audiences.^[2][3] He was popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali".^[4]

Born in Faisalabad, Pakistan, Khan had his first public performance at age of 16, at his father's chelum. He officially became the head of the family qawwali party in 1971, and was signed by Oriental Star Agencies (OSA), Birmingham, U.K., in the early 1980s. In subsequent years, Khan released movie scores and albums for various labels in Pakistan, Europe, Japan and the U.S. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist in the process. He toured extensively, performing in over 40 countries.^[5]

Biography[link]

Early life and career[link]

Khan was born on October 13, 1948 in the city of Lyallpur (now Faisalabad), Pakistan. He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and Qawwal. Khan's family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Lyallpur. Initially, his father did not want Khan to follow the family's vocation. He had his heart set on Khan choosing a much more respectable career path and becoming a doctor, because he felt Qawwali artists had low social status. However, Khan showed such an aptitude for, and interest in, Qawwali that his father finally relented.^[6] Khan began by learning to play tabla alongside his father before progressing to learn Raag Vidya and Bol Bandish. He then went on to learn to sing within the classical framework of khayal. Khan's training with his father was cut short when his father died in 1964, leaving Khan's paternal uncles, Mubarak Ali Khan and Salamat Ali Khan, to complete his training. His first performance was at a traditional graveside ceremony for his father, known as chehlum, which took place forty days after his father's death.

In 1971, after the death of Mubarak Ali Khan, Khan became the official leader of the family Qawwali party and the party became known as Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party. Khan's first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organised by Radio Pakistan, known as Jashn-e-Baharan. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Braj Bhasha and Hindi. His first major hit in Pakistan was the song Haq Ali Ali, which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Khan's sargam improvisations.

In 1979, Khan married his first cousin, Naheed (the daughter of Fateh Ali Khan's brother, Salamat Ali Khan); they had one daughter, Nida.^[7]

Early in his career, Khan was signed up by Oriental Star Agencies in the U.K. to their Star Cassette Label. OSA sponsored regular concert tours by Khan to the U.K. from the early '80s onwards, and released much of this live material on cassette, CD, videotape and DVD.G

Later career[link]

In the 1992–93 academic year, Khan was a Visiting Artist in the Ethnomusicology department at the University of Washington, Seattle.^[8]

Khan teamed with Peter Gabriel on the soundtrack to The Last Temptation of Christ in 1985, with Canadian musician Michael Brook on the albums Mustt Mustt (1990) and Night Song (1996),^[9] and with Pearl Jam lead singer Eddie Vedder in 1995 on two songs for the soundtrack to Dead Man Walking. One of these songs ("The Long Road") was re-used on the soundtrack for Eat Pray Love in 2010. Khan also contributed to the soundtrack of Natural Born Killers. He composed the music for the 1994 film Bandit Queen in collaboration with Roger White.

Peter Gabriel's Real World label later released five albums of Khan's traditional Qawwali, together with some of his experimental work which included the albums Mustt Mustt and Star Rise. Khan provided vocals for The Prayer Cycle, which was put together by Jonathan Elias, but died before the vocals could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. Khan also collabrated with Michael Brook to create music for the song "Sweet Pain" used in the movie Any Given Sunday. He also performed traditional Qawwali before international audiences at several WOMAD world music festivals and the single "Dam Mast Qalandar" was remixed by electronic trip hop group Massive Attack in 1998.

His album Intoxicated Spirit was nominated for a Grammy award in 1997 for best traditional folk album.

Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he recorded a song each for two Bollywood films, Aur Pyaar Ho Gaya (in which he also sang the song onscreen) and Kachche Dhaage. He sang the title song of the film Dhadkan. He also sang "Saya bhi saath jab chhod jaye" for Sunny Deol's movie Dillagi. The song was released in 1999, two years after Khan's death.

Khan contributed the song "Gurus of Peace" to the album Vande Mataram, composed by A. R. Rahman, and released to celebrate the 50th anniversary of India's independence. Rahman, who was a big fan of Khan could not do further songs with him. As a tribute, Rahman later released an album titled Gurus of Peace, which featured "Allah Hoo" by Khan. Rahman's 2007 song "Tere Bina" was also done as a tribute to Khan.^[10]

After his death, the song "Solemn Prayer", on which Khan provided vocals, was used on the Peter Gabriel song "Signal to Noise" (on the album Up), and on the soundtrack to the Martin Scorsese film Gangs of New York.

According to the Guinness Book of World Records, Khan Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums as of 2001.

Death[link]

Khan was taken ill with kidney and liver failure on August 11, 1997 in London, England, while on the way to Los Angeles in order to receive a kidney transplant. He died of a sudden cardiac arrest at Cromwell Hospital, London, on Saturday, August 16, 1997, aged 48.^[11] His body was returned to Faisalabad, Pakistan, and his funeral was attended by the public.

Composition of Nusrat's qawwali party[link]

The composition of Khan's ensemble, called a "party" (or "Humnawa" in Urdu), changed over its 26 years. Listed below is a snapshot of the party, circa 1983:

1. Mujahid Mubarak Ali Khan: Khan's first cousin, vocals
2. Farrukh Fateh Ali Khan: Khan's brother, vocals and lead harmonium
3. Rehmat Ali: vocals and second harmonium
4. Maqsood Hussain: vocals
5. Rahat Nusrat Fateh Ali Khan: Khan's nephew and pupil, vocals
6. Dildar Hussain: percussion
7. Majawar Abbas: mandolin and guitar/chorus, handclapping
8. Mohammed Iqbal Naqvi: secretary of the party, chorus, handclapping
9. Asad Ali: chorus, handclapping. Khan's cousin
10. Ghulam Farid: chorus, handclapping
11. Kaukab Ali: chorus, handclapping

The one significant member of the party who does not appear on this list is Atta Fareed. For many years, he alternated with Rehmat Ali on vocals and second harmonium. He is easily identifiable in videos since he plays the harmonium left-handed.

This snapshot is non-representative in one respect: harmoniums were usually the only instruments. Only rarely were instruments like mandolin or guitar used.

Awards and titles[link]

Khan is widely considered to be the most important qawwal in history.^[12][13] In 1987, Khan received the President of Pakistan’s Award for Pride of Performance for his contribution to Pakistani music.^[8][14] In 1995 he received the UNESCO Music Prize.^[15][16] In 1996 he was awarded Grand Prix des Amériques at Montreal World Film Festival for exceptional contribution to the art of cinema.^[17] In 2005, Khan was awarded the "Legends" award at the UK Asian Music Awards.^[18] Time magazine's issue of November 6, 2006, "60 Years of Asian Heroes", lists him as one of the top 12 artists and thinkers in the last 60 years.^[19] He also appeared on NPR's 50 Great Voices list in 2010.^[20] In August 2010 he was included in CNN's list of the twenty most iconic musicians from the past fifty years.^[21]

Many honorary titles were bestowed upon Khan during his 25-year music career. He was given the title of Ustad after performing classical music at a function in Lahore on his father's death anniversary.^[22]

Tributes, legacy and influence[link]

Alexandra A. Seno of Asiaweek wrote:^[23]

Nusrat Fateh Ali Khan's voice was otherworldly. For 25 years, his mystical songs transfixed millions. It was not long enough ... He performed qawali, which means wise or philosophical utterance, as nobody else of his generation did. His vocal range, talent for improvisation and sheer intensity were unsurpassed.

Jeff Buckley cited Khan as a major influence, saying of him "He's my Elvis", and performing the first few minutes of Khan's hit "Yeh Jo Halka Halka Suroor Hai" (including vocals) at live concerts.^[24][25] Many other artists have also cited Khan as an influence, such as A. R. Rahman,^[26] Sheila Chandra,^[27] and Alim Qasimov.^[28]

Paul Williams picked a concert performance by Khan for inclusion in his 2000 book The 20th Century's Greatest Hits: a 'top-40' list, in which he devotes a chapter each to what he considers the top 40 artistic achievements of the 20th century in any field (including art, movies, music, fiction, non-fiction, science-fiction).^[29]

In 2008, Khan was listed in 14th position in UGO's list of the best singers of all time.^[30]

In 2004, a tribute band called (Brooklyn Qawwali Party) (formerly Brook's Qawwali Party) was formed in New York City by percussionist Brook Martinez to perform the music of Khan. The 13-piece group still performs mostly instrumental jazz versions of Khan's qawwalis, using the instruments conventionally associated with jazz rather than those associated with qawwali.^[31]

Films[link]

Documentaries[link]

• Nusrat Fateh Ali Khan: le dernier prophète (1996). Directed by Jérôme de Missolz.
• Nusrat has Left the Building... But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Khan's early career.)
• A Voice from Heaven (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an introduction to Khan's life and work.)
• Samandar Main Samandar (2007). A documentary aired on Geo TV detailing Khan's career.
• The King of Qawalli (2009). A short film aired on Dawn News about Khan's life and career.

Concert films[link]

• The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu`inuddin Chishti. Filmed in Tokyo, Japan, September 20, 1987, for Asian Traditional Performing Arts).
• Nusrat! Live at Meany (1998). Produced by the University of Washington. (87-minute recording of a January 23, 1993 concert at Meany Hall, University of Washington in Seattle, during Khan's residency at the Ethnomusicology Program there.)
• Live in Concert in the U.K. (DVD, vols. 1–17) [OSA]; recorded between 1983 and 1993; first thirteen listed below:
  • Live in Concert in UK (DVD vol. 1)
  • Live in Concert (DVD vol. 2)
  • Live in Concert (DVD vol. 3)
  • Live in UK (DVD vol. 4)
  • Live in UK (DVD vol. 5)
  • Live in Concert (DVD vol. 6)
  • Live in UK (DVD vol. 7)
  • Live in UK (DVD vol. 8)
  • Live in UK (DVD vol. 9)
  • Live in UK (DVD vol. 10)
  • Live in UK (DVD vol. 11)
  • Digbeth Birmingham 12 November 1983 (DVD vol. 12)
  • Digbeth 30 October 1983 (DVD vol. 13)
• Akhiyan Udeek Diyan (DVD) [Nupur Audio]
• Je Tun Rab Nu Manauna (DVD) [Nupur Audio]
• Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Nupur Audio]
• Rang-e-Nusrat (DVD, vols. 1–11) [Music Today]; recorded between 1983 and 1993 (same material as the OSA DVDs)
• VHS videotapes, vols. 1–21 [OSA]; recorded between 1983 and 1993 (same material as the OSA DVDs)
  • Luxor Cinema Birmingham (VHS vol. 1, 1979)
  • Digbeth Birmingham (VHS vol. 2, 1983)
  • St. Francis Hall Birmingham (VHS vol. 3, 1983)
  • Royal Oak Birmingham (VHS vol. 4, 1983)
  • Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5)
  • Private Mehfil (VHS vol. 6, 1983)
  • Natraj Cinema Leicester (VHS vol. 7, 1983)
  • Live In Southall (VHS vol. 8)
  • Live In Bradford (VHS vol. 9, 1983)
  • Live In Birmingham (VHS vol. 10, 1985)
  • Allah Ditta Hall (VHS vol. 11, 1985)
  • Harrow Leisure Centre (VHS vol. 12)
  • University Of Aston (VHS vol. 13, 1988)
  • Aston University (VHS vol. 14, 1988)
  • WOMAD Festival Bracknell (VHS vol. 15, 1988)
  • Live In Paris (VHS vol. 16, 1988)
  • Poplar Civic Centre London (VHS vol. 17)
  • Imperial Hotel Birmingham (VHS vol. 18, 1985)
  • Slough Gurdawara (SHABADS) (VHS vol. 19)
  • Imran Khan Cancer Appeal (VHS vol. 20)
  • Town Hall Birmingham (VHS vol. 21, 1993)

See also[link]

• List of Pakistani musicians
• Nusrat Fateh Ali Khan albums

References[link]

Additional reading[link]

• Baud, Pierre-Alain. Nusrat Fateh Ali Khan, The Messenger of Qawwali. Editions Demi-Lune, 2008. (A biography of Nusrat)

External links[link]

Wikiquote has a collection of quotations related to: Nusrat Fateh Ali Khan

• Article with brief 1993 interview (edwebproject.org)
• King of Qawali documentary on YouTube
• NPR Audio Report: Nusrat Fateh Ali Khan: The Voice Of Pakistan
• Nusrat Fateh Ali Khan at the Internet Movie Database

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Carmen Suleiman (Arabic: كارمن سليمان‎) (born on 7 October 1994 in Cairo, Egypt) is an Egyptian singer who rose to popularity as the winner of Season 1 of Arab Idol (the Arabic version of Pop Idol) on MBC^[1]

Carmen was given the award of Supreme Council of Culture in Egypt for the best voice sub-16 years old. Hani Shaker, an Egyptian singer, introduced her in his concert in Opera House in Egypt and expressed his admiration of her voice.

Performances in Arab Idol[link]

• First casting (Cairo) : "Magadir" by Talal Maddah
• Second casting (Beirut) : "Yana Yana" by Sabah (singer)
• Top 10 Girls : "Meen Da Elli Nseek" by Nancy Ajram
• 1st Prime : "Ana Fintizarak" by Umm Kulthum
• 2nd Prime : "Abaad Kontom" by Mohammed Abdu
• 3rd Prime : "Zay El Assal" by Sabah (singer)
• 4th Prime : "Mathasibneesh" by Sherine
• 5th Prime : "Seedi Wesalak" by Angham
• 5th Prime : "Ya Rub" by Marwan Khoury and Carole Samaha
• 6th Prime : "Mostaheel" by Warda Al-Jazairia
• 6th Prime : "La Tebki Ya Worood El Dar" by Najwa Karam
• 7th Prime : "Ya Mounyati" by Abdel Mohsen El-Mohanna
• 7th Prime : "Adwaa El Shohra" by Carole Samaha
• 8th Prime : "Ana Albi Dalili" by Laila Mourad
• 8th Prime : "Ma Yhimmak" by Yara
• 8th Prime : "Alhin Ahebak" by Thekra
• Final : "Wallah Oyonak" by Samira Said
• Final : "Enta Omri" by Umm Kulthum
• Final : "El Rasayel" by Mohamed Abdu
• Final: :"Helwa Ya Baladi" - Dalida

Medleys in Saturdays' results Show

• 1st Prime's Results : "Bebasata" by Saber Rebaï
• 2nd Prime's Results : "Sabri Aleel" by Sherine
• 3rd Prime's Results : "El Hawa Tayer" by Assi El Helani
• 4th Prime's Results : "Ana Bdeera" by Majid El Muhandes
• 5th Prime's Results : "Sho Akhbarak" by Nawal El-Zoughby
• 6th Prime's Results : "Abali Habibi" by Elissa
• 7th Prime's Results : "Ala Rasi" by Kadhem Al Saher
• 8th Prime Results : "Ebn El Geeran" and "Mashi Haddi" by Nancy Ajram
• 8th Prime Results : "Sit El Habayeb" by Fayza Ahmed

References[link]

External links[link]

• Page on MBC

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