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Chittorgarh चित्तौड़गढ़
—  city  —
Chittorgarh चित्तौड़गढ़ Location of Chittorgarh चित्तौड़गढ़ in Rajasthan and India
Coordinates	24°53′N 74°38′E / 24.88°N 74.63°E / 24.88; 74.63Coordinates: 24°53′N 74°38′E / 24.88°N 74.63°E / 24.88; 74.63
Country	India
State	Rajasthan
District(s)	Chittaurgarh
Population	96,028 (2001[update])
Time zone	IST (UTC+05:30)
Area • Elevation	• 394 metres (1,293 ft)

Chittorgarh (Hindi: चित्तौड़गढ़)  pronunciation (help·info)} (also Chittor, Chittaur, or Chittaurgarh) is a city and a municipality in Rajasthan state of western India. It lies on the Berach River, a tributary of the Banas, and is the administrative headquarters of Chittorgharh District and a former capital of the Sisodia clans of Rajputs of Mewar. The city of Chittaurgarh is located on the banks of river Gambhiri and Berach. The district was bifurcated and a new district namely Pratap Garh was created with certain portion taken from Udaipur district in the newly created district of Pratap Garh.

Fiercely independent, the fort of Chittor was under siege thrice and each time they fought bravely and thrice Jauhar was committed by the ladies and children, first led by Rani Padmini, and later by Rani Karnavati. The famous warriers Gora and Badal, in the war against Allaudin Khalji (1303 AD), have become legendary. The sacrifice of Jaimal and Phata in the war against the Mughals (1568 AD) was so great that the Mughal Empror Akbar installed their statues in the fort of Agra. It has also been land of worship for Meera.^[1] Chittorgarh is home to the Chittorgarh Fort, the largest fort in Asia.

History[link]

Vijay Stambha or "Tower of Victory"

Chittorgarh is the epitome of Chattari Rajput (an Indian Warrior caste) pride, romance and spirit, for people of Chittor always chose death before surrendering against anyone. It reverberates with history of heroism and sacrifice that is evident from the tales still sung by the bards of Rajasthan. Though it can now be called a ruined citadel there is much more to this huge fort. It is a symbol of all that was brave, true and noble in the glorious Rajput tradition.

View of the Tower of Victory, 1927

Historically, it is considered that Chittor was built by the Maurya dynasty in the 7th century AD.^{[citation needed]} It was then named Chitrakut after Chitrangada Mori, a Rajput chieftain as inscribed on ancient Mewari coins. The fort is surrounded by a circular wall which has seven huge gates before one can enter inside the main fort area. Some accounts say that the Mori dynasty was in possession of the fort when Bappa Rawal the founder of the kingdom of Mewar seized Chittor garh (Chittor fort) and made it his capital in 734 AD. While some other accounts say Bappa Rawal received it as a part of the dowry after marriage with the last Solanki princess. After that date his descendants ruled Mewar, which stretched from Gujarat to Ajmer, until the 16th century. Chittor was one of the most contested seats of power in India with probably some of the most glorious battles being fought over its possession. It is famous in the annals of the Mewar Dynasty as its first capital (prior to this, the Guhilots, forerunners of the Mewar Dynasty, ruled from Idar, Bhomat, and Nagda), and renowned in India's long struggle for freedom. By tradition, it remained the Mewar capital for 834 years. With only brief interruptions, the fort has always remained in possession of the Sisodias of the Guhilot (or Gehlot/Guhila) clan of Rajputs, who descended from Bappa Rawal.

The first attack was by Alauddin Khilji in 1303 AD, who was enamoured by the beauty of Padmini of which he had only heard. Rani Padmini preferred death to abduction and dishonour and committed jauhar (an act of self immolation by leaping into a large fire) along with all the other ladies of the fort.^[1] All the men left the fort in saffron robes to fight the enemy unto death. Chittorgarh was captured in 1303 AD by Ala ud din Khilji, Sultan of Delhi who led a huge army. Elderly people then had the responsibility to raise the children. It was recaptured in 1326 by the young Hammir Singh, a scion of the same Gehlot clan. The dynasty (and clan) fathered by him came to be known by the name Sisodia after the village where he was born.

Rana Kumbha (1433–68) was a versatile man a brilliant, poet and musician. He built mewar up to a position of assailable military strength building a chain of thirty forts that girdled the kingdom But, perhaps more important was a patron of the arts to rival Lorenzo de Medici, and he made Chittorgarh a dazzling cultural center whose fame spread right across Hindustan.

By the 16th century, Mewar had become the leading Rajput state. Rana Sanga of Mewar led the combined Rajput forces against the Mughal emperor Babur in 1527, but was defeated at the Battle of Khanua. Later in 1535 Bahadur Shah, the Sultan of Gujarat besieged the fort causing immense carnage. It is said that again just like in the case of Jauhar led by Padmini in 1303, all 32,000 men then living in the fort donned the saffron robes of martyrdom and rode out to face certain death in the war, and their women folk committed Jauhar led by Rani Karnawati. The ultimate sacrifice for freedom, Jauhar was again performed for the third time after the Mughal Emperor Akbar captured Chittorgarh in 1568. The capital was moved west to Udaipur, in the foothills of the Aravalli Range, where Rana Udai Singh II (the young heir apparent) had established a residence in 1559. Udaipur remained the capital of Mewar until it acceded unto the union of India in 1947, and Chittorgarh gradually lost its political importance.

Bhumihars along with others, in some places,[58] were also involved in anti-Muslim communal violence during the Partition of India.[58] and during the 1893 Anti-Muslim riots.[59] Chittorgarh is also famous for its association with two very widely known historical figures of India. The first is, Meera Bai the most famous female Hindu spiritual poetess whose compositions are still popular throughout North India. Her poems follow the Bhakti tradition and she is considered to be most passionate worshipper of lord Krishna. Folklore says that her love for Krishna was epitomized by her final disappearance in the temple of Krishna in Dwarka. She is believed to have entered the sanctum of the temple in a state of singing ecstasy after which the sanctum doors are believed to have closed on their own and when later opened, the sari of Mirabai was seen enwrapped around the idol of Lord Krishna, symbolizing the culmination of her union with her Lord.

The great Maharana Pratap, son of Rana Udai Singh II who is regarded as a personification of the values Rajputs cherish and die for. He took an oath to spend his life living in the jungles and fighting until he could realize his dream of reconquering Chittorgarh from Akbar (and thus reclaiming the glory of Mewar). It was the dream greatly cherished by Maharana Pratap, and he spent all his life to achieve this goal. He underwent hardships and a life of eating breads made of grass while fighting his lifelong battle. Maharana Pratap is the greatest hero in the eyes of the Raputs of Mewar. In the absolute dark era of Rajput history, Maharana Pratap alone stood firmly for his honour and dignity, never compromising his honour for safety. With the reputation of a brave man with great character even among his enemies, he died free in 1597.

Chittorgarh remains replete with historic associations and holds a very special place in the hearts of Rajputs, as it was a bastion of the clan at a time when every other stronghold had succumbed to invasion. It is often called as the "Bhakti aur Shakti ki nagari" (land of devotion and strength). The fort and the city of Chittorgarh also hosts the biggest Rajput festival "Jauhar Mela". It takes place annually on the anniversary of one of the jauhars, not the one by Padmini which is most famous. This festival is to commemorate the bravery of Rajput ancestors and all three Jauhars which happened at Chittorgarh. A huge number of Rajputs which include the descendants of most of the princely families do a procession to celebrate the Jauhar. The fort at Chittorgarh also contains the ancient and beautiful temple to Goddess Kali called the Kalika Mata Temple.

Geography[link]

Chittorgarh is located at 24°53′N 74°38′E / 24.88°N 74.63°E / 24.88; 74.63.^[2] It has an average elevation of 394 metres (1292 ft).

Demographics[link]

As of 2011^[update] India census,^[3] Chittaurgarh city had a population of 1,16,524. Males constitute 50.9% of the population and females 49.1%. According to census 2001 ^[3] Religion wise hindu are 92% of the total population.Scheduled caste and scheduled tribes constitute 13.9% and 21.53% which is major portion of both total population and hindu population. chittaurgarh district has litracy rate of 54%.

Transport[link]

The completed Golden Quadrilateral highway system will pass through Chittorgarh, connecting it to much of the rest of India. Also crossing the East West Corridor (Express Highway). The Chittorgarh is situated at National Highway No. 76 & 79, both the Highways are crossing at Chittorgarh. National Highway 76 connects to Kota within 2 hours. It is well connected by rail with Jaipur via Bhilwara and Ajmer, Kota via Bundi, Jodhpur via Ajmer, Indore Junction BG, Bhopal, Indore Mhow, Ujjain, Ratlam, Nagda Junction, Ajmer and Fatehabad by many Broad gauge trains. The city is also connected to Udaipur City via Mavli Jn. It is also connected to Kota via Bundi. Thus, Chittaur Garh is a major rail junction of south Rajasthan. Some weekly trains to Hyderabad and Kolakata are passing through this station. The town still lacks connectivity to Bikaner, Ahmedabad, Jabalpur and Nagpur, so in order to catch trains for further cities one has to reach either Kota, Nagda or Ratlam.

Places of Interest[link]

Chittorgarh Fort[link]

The Chittorgarh Fort seated on a 180 metre hill, covers an expanse of 700 acres (2.8 km²). It was constructed by the Mauryans in the 7th century AD. There is also a belief that it was constructed by Bhima of the Pancha Pandavas. This fort was the citadel of many great Rajput warriors such as Gora, Badal,Rana Kumbha, Maharana Pratap, Jaimal, Patta, etc.

Kalika Mata Temple[link]

Kalika Mata Temple was originally built in the 8th century for Sun God and was later converted to a temple for mother Goddess, Kali in the 14th century.

Vijay Stambh[link]

Vijay Stambha, is a huge nine storey tower which was built by Maharana Kumbha to commemorate his victory over the Muslim rulers of Malwa and Gujarat in 1440. The tower is 122 ft (37 m) high and stands on a 10 ft (3.0 m) high base. There are sculptures and carvings on the exterior walls of the tower. The tower is visible from any section of the town below. And for reaching tower top one have to climb 157 steps, one can take great view of the surroundings. The inside walls of the tower are carved with images of Gods, weapons, etc.^[1]

Kirti Stambh[link]

Kirti Stambh is tower is dedicated to Rishabha, the first Tirthankara of Jainism. It was built by a merchant and is decorated with figures form the Jain pantheon.

Rana Kumbha's Palace[link]

Rana Kumbha's Palace is near the Vijay Stambh. This is the birthplace of Maharana Udai Singh, the founder of Udaipur. His life was saved by the heroic act of the maid Panna Dhay, who replaced her son in place of the prince, with the result that her son was killed by Banbir. She carried the prince away to safety in a fruit basket. Rani Meera Bai also lived in this palace. This is the place where Rani Padmini committed jauhar with the other ladies in one of the underground cellars.^[1]

Rani Padmini's Palace[link]

Rani Padmini's Palace is from which Alauddin Khalji (one of the rulers of Khalji dynasty during the sultanate rule over India) was allowed to watch a reflection of the Rani by replacing the mirror at such an angle that even if he turned back he could not see the room. Khilji had been warned by the Rani's husband Rawal Ratan Singh that if he turned back they would cut his neck.^[1]

See also[link]

• Chittorgarh Fort

References[link]

1. ^ ^{a b c d e} http://www.saigan.com/heritage/states/rajasthan/chittor.html
2. ^ Falling Rain Genomics, Inc - Chittorgarh
3. ^ ^{a b} http://www.censusindia.gov.in/Dist_File/datasheet-0829.pdf

External links[link]

Wikimedia Commons has media related to: Chittorgarh

• Chittorgarh Information

v t e State of Rajasthan (India) Rajasthan Topics Major cities Jaipur (Capital) Ajmer Bikaner Jodhpur Kota Udaipur Divisions Ajmer Bharatpur Bikaner Jaipur Jodhpur Kota Udaipur Districts Ajmer Alwar Banswara Baran Barmer Bharatpur Bhilwara Bikaner Bundi Chittorgarh Churu Dausa Dholpur Dungarpur Hanumangarh Jaipur Jaisalmer Jalore Jhalawar Jhunjhunu Jodhpur Karauli Kota Nagaur Pali Pratapgarh Rajsamand Sawai Madhopur Sikar Sirohi Sri Ganganagar Tonk Udaipur

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Jallandharnath and the Princess Padmini fly over King Padam's palace, folio from the Suraj Prakash, Amardas Bhatti, 1830

Rani Padmini (Padmavati) (Hindi: पद्मिनी) (died 1303), was the queen of Chittor (Hindi: चित्तौड़) and the wife of King Rawal Ratan Singh. She features in Padmavat, an epic poem written by Malik Muhammad Jayasi in 1540.^[1]

Early life[link]

This unreferenced section requires citations to ensure verifiability.

Padmini or Padmavati spent her life in Singhal under the care of her father Gandharvsen and mother Champavati. Padmini had a talking parrot named "Hiramani".^[2] Her father arranged a swayamvara and invited all the Hindu kings and Rajputs to ask for her hands (request to marry by showing their eligibility). Malkhan Singh, a king from a small state came to her swayamvara to marry her. King Rawal Ratan Singh of Chittor who had another queen Nagmati, also went to Singhal, defeated Malkhan Singh and married Padmini as the winner of the swayamvara. He returned to Chittor with his beautiful second queen Padmini.

Jauhar[link]

This unreferenced section requires citations to ensure verifiability.

बोलहु सुआ पियारे-नाहाँ । मोरे रूप कोइ जग माहाँ ?
सुमिरि रूप पदमावति केरा । हँसा सुआ, रानी मुख हेरा ॥
(नागमती-सुवा-संवाद-खंड)
"Who is more beautiful, I or Padmavati?,
Queen Nagamati asks her new parrot and it gives a displeasing reply…";

---

An illustrated manuscript of Padmavat, ca. 1750

In the 12th and 13th centuries, the Sultanate of Delhi - the kingdom set up by invaders was growing in power. The Sultans made repeated attack on Mewad. The reason for one of attacks on Chittod by Alauddin Khilji was to obtain beautiful Rani Padmani by force. Though the story is based on the book written by the Alauddin's historian to justify their attacks on Rajput kingdoms and much to frustrate the bravery and heroism which was present in the males and females of Rajputs warlords. Most historians do not agree with the story which is based on Muslim sources to infame the Rajput chivelry. The story uses all such tactics and tricks which are required to make it seem true. It goes as follows.

In those days Chittor was under the Rule of Rajput King Rawal Ratan Singh, a brave and noble warrior. Apart from being a loving husband and a just ruler, Ratan Singh was also a patron of the arts. In his court were many talented people, one of whom was a musician named Raghav Chetan. But unknown to anybody, Raghav Chetan was also a sorcerer. He used his evil talents to run down his rivals and, unfortunately for him, was caught red-handed in his dirty act of arousing evil spirits. Some other sources quote that Raghav Chetan was actually called in the Ratan Singh for some dirty work, Raghav Chetan fell in love with Rani Padmini and started to have an affair (with her?).

On hearing this, King Ratan Singh was furious and he banished Raghav Chetan from his kingdom after blackening his face and making him ride a donkey. This harsh punishment earned king Ratan Singh an uncompromising enemy. Sulking after his humiliation, Raghav Chetan made his way towards Delhi with the aim of trying to incite the Sultan of Delhi, Ala-ud-din Khilji, to attack Chittor.

On approaching Delhi, Raghav Chetan settled down in one of the forests near Delhi which the Sultan used to frequent for hunting deer. One day on hearing the Sultan's hunt party entering the forest, Raghav Chetan started playing a melodious tone on his flute. When the alluring notes of Raghav Chetan's flute reached the Sultan's party, they were surprised as to who could be playing a flute in such a masterly way in a forest.

The Sultan despatched his soldiers to fetch the person and, when Raghav Chetan was brought before him, Sultan Ala-ud-din Khilji asked him to come to his court at Delhi. The cunning Raghav Chetan asked the king as to why he wants to have a ordinary musician like himself when there were many other beautiful objects to be had. Wondering what Raghav Chetan meant, Ala-ud-din asked him to clarify. Upon being told of Rani Padmini's beauty, Ala-ud-din's lust was aroused. Immediately on returning to his capital, he ordered his army to march to Chittor as he thought that so beautiful a lady deserved to be his wife.

But to his dismay, on reaching Chittor, Allah-ud-din found the fort to be heavily defended. Desperate to have a look at the legendary beauty of Padmini, who actually was a princess of Ceylon, he sent word to King Ratan Singh that he looked upon Padmini as his sister and wanted to meet her. On hearing this, Ratan Singh saw a chance to escape the fury of the emperor and retain his kingdom. Therefore he was ready to show his wife to the emperor, a desperate but shameful act in those times.

On being persuaded by her husband, Rani Padmini consented to allow Ala-ud-din to see her only in a mirror. On the word being sent to Ala-ud-din that Padmini would see him, he came to the fort with his selected best warriors who secretly made a careful examination of the fort's defences on their way to the palace.

On seeing Padmini, in the mirror, Allah-ud-din Khilji decided that he should secure Padmini for himself. While returning to his camp, Allah-ud-din was accompanied for some way by King Ratan Singh. The king saw this as an opportunity and got Ratan Singh arrested, and invited Padmini.

The Songara Chauhan Rajput generals Gora & Badal decided to beat the Sultan at his own game and sent back a word that Padmini would be given to Ala-ud-din the next morning. On the following day at the crack of dawn, one hundred and fifity palaquins (covered cases in which royal ladies were carried in medieveal times) left the fort and made their way towards Ala-ud-din's camps The palanquins stopped before the tent where king Ratan Singh was being held prisoner. Seeing that the palanquins had come from Chittor; and thinking that they had brought along with them his queen, King Ratan Singh was mortified. But to his surprise from the palanquins came out, not his queen and her women servants but fully armed soldiers, who quickly freed Ratan Singh and galloped away towards Chittor on horses grabbed from Ala-ud-din's stables. Gora fought bravely during the skirmish and laid down his life while Badal was able to took the Rana safely to the fort.

On hearing that his designs had been frustrated, the Sultan was furious and ordered his army to storm Chittor. But hard as they tried the Sultans army could not break into the fort. Then Ala-ud-din decided to lay siege to the fort. The siege was a long drawn one and gradually supplies within the fort were depleted. Finally King Ratan Singh gave orders that the Rajputs would open the gates and fight to finish with the besieging troops. On hearing of this decision, Padmini decided that with their men-folk going into the unequal struggle with the Sultan's army in which they were sure to perish, the women of Chittor had either to commit the divine suicide called as Jauhar or face dishonour at the hands of the victorious enemy.

The choice was in favour of suicide through Jauhar. A huge pyre was lit and followed by their queen, all the women of Chittor jumped into the flames and deceived the lustful enemy waiting outside. With their womenfolk dead, the men of Chittor had nothing to live for. They decided to perform Saka. Each soldier got dressed in kesari robes and turbans. They charged out of the fort and fought on furiously with the vastly Powerful array of the Sultan, till all of them perished. After this phyrrhic victory the Sultan's troops entered the fort only to be confronted with ashes and burnt bones of the women whose honour they were going to violate to satisfy their lust.

These women who committed Jauhar had to perish but their memory has been kept alive till today by bards and songs which glorify their act which was right in those days and circumstances. Thus a halo of honour is given to their supreme sacrifice. ^[3]

Padmavat[link]

Malik Muhammad Jayasi's poem records yet another account of the events.

When Ratan Singh refuses Alauddin Khilji's demand for Padmavati for his harem, war ensues and the king is taken prisoner. Meanwhile the king of neighbouring Kambhalner makes an indecent proposal to the queen. Ratan Singh escapes and kills the king of Kambhalner, but is himself fatally wounded. His two queens, Padmavati and Nagmati perform Jauhar, and Alauddin's army arrives when their ashes are still warm. Chittor falls to the emperor.^[1]

See also[link]

• List of Rajputs

References[link]

Wikimedia Commons has media related to: Rani Padmini

External links[link]

• History of chittorgarh - Rani Padmini

Anjali Devi (Telugu: అంజలీదేవి)  pronunciation (help·info) (born 24 August 1927) is a veteran Telugu actress and producer. She is well known for her mythological role as Sita in Lava Kusha and roles in movies like Suvarna Sundari and Anarkali.

Biography[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (December 2011)

She hails from Peddapuram, East Godavari district in Andhra Pradesh, India, and later settled in Chennai. She was a theater artist before entering into movies. Her film debut was as Lohitasya in Raja Harishchandra in 1936. Her first movie as heroine was Kashtajeevi by L. V. Prasad 1n 1940 but that movie was abandoned after three reels shooting.Later C.Pullayya found her given opportunity hevenly beauty Mohini in Gollabhama. With her expressions and looks, she became a star overnight in 1947. After that she never looked back. She eventually acted in more than 350 Telugu films^{[citation needed]} and also in a few Tamil and Kannada films as the heroine.

She married P. Adinarayana Rao, a music director, in 1940. They have two sons. Together they produced many Telugu films under the banner of Anjali Pictures. She acted in Lava Kusha, a milestone film and the first color film in the Telugu film industry in 1963. She acted in various roles like damsel, angel, dancer, demon, goddess, traditional woman and later in mother characters. Her granddaughter Saila Rao is also an actress.

Career[link]

As actress[link]

In 1936 she appeared in a minor role in Raja Harishchandra and then played the lead role in L. V. Prasad's Kashtajeevi. She is well known for playing Sita in Lava Kusha and her performances in films like Suvarna Sundari and Anarkali were also appreciated. She has acted in more than 350 films, which includes Telugu, Tamil and Kannada language films. Brundavanam (1992), Anna Vadina (1993) and Police Alludu (1994) were the last few films of her career. In Balaiah's Police Alludu and Anna Vadina she appeared alongside Brahmanandam.

As producer[link]

In 1955 she produced the film Anarkali, in which she herself played the lead role of Anarkali, with Akkineni Nageswara Rao as Salim. Then she produced V. Madhusudan Rao's Bhakta Tukaram and Chandipriya. Bollywood and Tollywood actress Jayapradha played the lead role in her film Chandipriya alongside Shobhan Babu and Chiranjeevi.

Awards[link]

• She received the Raghupathi Venkaiah Award in 2005 for her lifetime service to the Telugu film industry.
• She was conferred the Ramineni Award in 2006 in the fine arts category.
• She received the prestigious ANR National Award in 2008.

Filmography[link]

• Gollabhama
• Kashtajivi
• Chandipriya
• Bhale Krishnudu
• Sati Sakkubai
• Mayalamaari

Tamil movies[link]

• Annai Oru Alayam
• Adutha Veetu Penn
• Manalanae Mangayin Baghyam
• Sarvadhikari (with MGR)
• Kanavane Kankanda Theivam (with Gemini Ganesan)
• Penn (with Vyjayanthimala)
• Mangayarkarasi (with P. U. Chinnappa)
• Marmayogi (with MGR as hero)
• Eezai Uzavan
• Adiththan Kanavu (producer: T. R. Sundaram)
• Sorgavasal (as K.R. Ramasamy's sister "Thilagavathy")

As producer[link]

• Paradesi
• Suvarna Sundari
• Swarnamanjari
• Chandi Priya
• Sati Sakkubai
• Shirdi Sai Sathya Sai Divya Katha (television series)

See also[link]

• Krishnaveni
• Bhanumathi

References[link]

• Anjali Devi at Chakpak.com

External links[link]

• Anjali Devi at the Internet Movie Database
• Golden Nandi for Krishnaveni

This article about an Indian actor or actress is a stub. You can help Wikipedia by expanding it. v t e

Chitturu Nagayya or Chittor V. Nagaiah birth name - Vuppaladadiyam Nagayya (28 March 1904 – 30 December 1973) was an Indian actor, composer, director, producer, writer and playback singer of Telugu film industry, Andhra Pradesh, India. Indian film journalist and the editor of Film India, Baburao Patel, described Nagiah as ‘The Paul Muni of India’. Nagaiah acted in about 200 Telugu films, and 160 films in Tamil, Kannada, Malayalam and Hindi. He was one of the first few South Indian actors to receive Padma Sri award from the Government of India.

Life and Times[link]

This unreferenced section requires citations to ensure verifiability.

Nagaiah was born on 28 March 1904 in a Telugu speaking Vaidiki Brahmins family in Repalle, Andhra Pradesh. He was taken to Chittoor by his uncle, where he studied and took his B.A. degree. His parents were Ramalinga Sarma and Venkata Lakshmamba. His parents believed that Nagaiah was born to them by the blessings of Snake God, hence named him Nagaiah.

The family moved to Kuppam and later to Tirupati, in Chittoor district. He took up studies with the scholarship provided by the Tirupati Devasthanam and took his degree in Chittoor. He worked as a clerk in a government office. Later, he turned into a journalist with "Andhra Patrika". Mahatma Gandhi and Nehru influenced him and he participated in the freedom struggle (Dandi Satyagraha) in 1930. His liking for the fine arts, found himself working with gramophone companies like Hutchins. He found the patronage from the legendary figures in Carnatic music Musiri Subramania Iyer and GN Balasubramanian. MS Subba Lakshmi happens to be his contemporary.

He attended the Gowhati Congress conclave with S. Srinivasa Iyyengar. Through his musical renderings, he could impress the young Kamala Nehru at Anand Bhavan in Allahabad.

He held strong association with ‘Rama Vilasa Sabha’ a cultural association in Chittoor. He performed several stage plays ‘Sarangadhara’, ‘Viswamithra Chitra Nilayam’, ‘Savitri’, ‘Bruhannala’ and ‘Ramadasu’ and took on the roles of saint poets Pothana, Vemana, Rama Dasu and Thyagiah. He bagged gold medal for his female role as ‘Chitrangi’, in the play ‘Sarangadhara’. During that period he was married to Vijaya Lakshmi, but she demised when she was giving birth to a girl child a year after. He had to marry Girija in order to take care of his daughter. Fate was so cruel to Nagaiah that Girija too died due to miscarriage in the eighth month. The daughter also left the world due to a mysterious disease. All these unfortunate developments had turned Nagaiah into a saint. His long stays at Ramana Maharshi Ashram and several places provided him a deep insight into human nature. He began to love mankind.

He joined the Chennapuri Andhra Maha Sabha (CAMS), a popular cultural Association of Andhras in the erstwhile Madras. Nagaiah developed life-time friendship with Bommireddy Narasimha Reddy (BN Reddy- a famed filmmakers of India). H. M. Reddy, a legendary figure in the pre-independence era arrived at Madras from Kolhapur and formed the Rohini Pictures with the association of B.N. Reddy. The firm started its first venture in Telugu through the film ‘Gruhalakshmi’ in 1938, in which Nagaiah played a significant role, as the brother of the then popular heroine Kannambha. Later, the association worked through several hits with Vahini Studios. ‘Vande Matharam’ (1939), ‘Sumangali’ (1940), ‘Devata’ (1941), ‘Bhakta Potana’ (1942), ‘Swarga Seema’ (1945), ‘Thygayya’ (1946), ‘Yogi Vemana’ (1947) were huge hits. He started getting offers from the Telugu and Tamil film industries equally. Nagiah became the highest paid actor by the time he was doing the film ‘Beedalapatlu’. His performance in the film ‘Bhakta Potana’ influenced a boy who later turned into a saint and became popular as ‘Balayogi’.

The film ‘Thyagayya’ was released in the year 1946 was a fabulous classic film of the South Indian film history. Nagaiah was the producer, director, music director and actor for the film ‘Thyagiah’. a reverberant hit. After that he made films ‘Naa Illu’ in 1953 and ‘Bhakta Ramadas’ in 1964 which turned out to be failures and Nagaiah lost his wealth. Another musical hit of Nagaiah was ‘Chakradhari’, in 1948 based on the story of the Maharashtrian potter-saint Gora Kumbhar.

Personality[link]

Nagiah was distinctive in his approach towards mankind. He always used to salute every traffic constable while traveling in car and he felt it as an accolade he is offering to them who stands under the sun only to help and guide the people. His unselfishness surpassed the limits and was root cause for his fiscal devastation. He treated everybody as true friend and admitted everyone to take total advantage of his benevolence. Most of the times he went out of the way to expend money only to give pleasures and happiness to people irrespective of their little acquaintance. He had no children of his own yet he was called as ‘Naannagaaru’ (dear father) by most of the people in film industry as he treated everybody as his own children.

Filmography[link]

Actor[link]

Composer and/or Singer[link]

1. Ramadasu (1964)
2. Gumasta (1953/II) (playback singer and composer)
3. Naa Illu (1953) (playback singer and composer)
4. Yogi Vemana (1947) (playback singer and composer)
5. Thyagayya (1946) (playback singer and composer)
6. Swargaseema (1945) (playback singer and composer)
7. Bhakta Potana (1942) (playback singer and composer)
8. Devatha (1941) (playback singer and composer)
9. Sumangali (1940) (playback singer and composer)
10. Vishwamohini (1940) (playback singer)
11. Vande Mataram (1939) (playback singer and composer)
12. Grihalakshmi (1938) (playback singer)

Director[link]

1. Ramadasu (Telugu, 1964)
2. En Veedu (Tamil, 1953)
3. Naa Illu (Telugu, 1953)
4. Thyagayya (Telugu, 1946)

Producer[link]

1. Naa Illu (1953)

Writer[link]

1. Thyagayya (1946)

Awards[link]

• Nagayya was one of the first south Indian actors along with Bhanumathi Ramakrishna to be awarded the Padmashri award by the Government of India in 1965.
• Abinava Thyagaraju by Thiruvankur Maharaja.
• Best Actor Award by the Andhra Film Journalists Association

Notes[link]

• Autobiography - Chittor V. Nagaiah, RK Books, Hyderabad, 2004.

References[link]

• Nagaiah at his birth centenary
• Film Chamber.Nagaiah
• [1]

External links[link]

• Chittor V. Nagaiah at the Internet Movie Database