Rhoderick "Rhod" Sharp (born 1953 in Perth) is a Scottish broadcaster, best known as a presenter of Up All Night on BBC Radio Five Live.

Biography[link]

After being educated at Perth Academy, the University of Aberdeen and Princeton he entered journalism in 1976 as a trainee at the BBC. He worked for IRN/LBC, Radio Tay and Channel 4 News before returning to the BBC. During the 1980s he was its correspondent in California and the Pacific northwest of the United States.^[1]

When the BBC started the news and sport station Five Live in 1994, Sharp came up with the idea for the night programme. Since its launch he has been one of the two regular presenters, currently presenting the programme from a studio in his home in Marblehead, Massachusetts.^[2]

In 2001 he was on the second commercial flight to New York City after 9/11 to give in-depth analysis of the aftermath of the terrorist attacks. He also presented Five Live's programmes on the American presidential and congressional elections. In recent years he has become instrumental in giving wider coverage on British radio of sports like baseball and American football, presenting its live broadcasts of the World Series and the Super Bowl.

References[link]

External links[link]

• Videos from Rhod Sharp's coverage of the 2006 Mid-Term elections

Nabila Ramdani
Nabila Ramdani on BBC Newsnight
Born	Nabila Ramdani France
Occupation	Journalist
Website
http://www.nabilaramdani.com

This article is an orphan, as few or no other articles link to it. Please introduce links to this page from related articles; suggestions may be available. (January 2011)

Nabila Ramdani is a Paris-born freelance journalist of Algerian descent who specialises in Anglo-French issues, Islamic affairs, and the Arab World.

Education[link]

Ramdani holds an MPhil in International History from the London School of Economics (LSE),^[1] and an MPhil in British and American History and Literature from Paris 7 University.

She has an Agrégation (France's highest teaching qualification) in English and has held teaching positions at Oxford University (Jesus and Oriel Colleges), the University of Michigan in Ann Arbor, and Paris 7 University.

Professional life[link]

Ramdani began her career in journalism covering the 2007 French presidential elections for a number of UK newspapers, and working as a commentator for BBC TV and radio. She writes regular columns for The Guardian,^[2] London Evening Standard,^[3] and the New Statesman.^[4]

She also produces features and news stories for a wide range of other British publications, including The Daily Telegraph,^[5] The Sunday Telegraph, Daily Mail,^[6] Mail on Sunday, and The Sunday Times. Nabila’s work also appears in Middle Eastern newspapers including The National,^[7] Gulf News and Daily News Egypt, and she has contributed to the French publications Le Parisien, Marianne, L'Express, Le Monde, and Le Figaro. Ramdani's articles are syndicated worldwide.

Broadcast Media[link]

Nabila Ramdani is a commentator for the BBC, Al Jazeera, Sky, CNN, PBS, CBS, Russia Today, and other international channels. She has worked for French TV and radio stations such as France Télévisions (France 2, France 3 and France 5), Canal Plus, France Inter, Europe 1, RTL, BFM, among others. She has worked on the other side of the camera too, producing documentaries for prime time television in the UK. She is regularly employed by the BBC to comment on Libya where she voices constant criticism of the NTC and NATO. She criticised the killing of Gaddafi, though the same day's news reports on the BBC also declared; "He was a brutal dictator. He lived by the sword. He died by the sword. So there is no sympathy on the streets of Tripoli." ^[8]

Other work[link]

Ramdani is a Fellow on the UN Alliance of Civilisations Programme ^[9] and is a regular speaker at Wilton Park, the Doha Debates,^[10][11] and the Qatar Foundation.

She has worked with the League of Arab States, Islamic Educational, Scientific and Cultural Organization (ISESCO), German Marshall Fund (GMF), Open Society Institute (OSI), CEDAR Network,^[12] Institute for Strategic Dialogue (ISD),^[13] Franco-British Council, the Search for Common Ground think tank, and Institut des Cultures d’Islam (ICI).^[14] She is a consultant to the British Council, advising on projects like ‘Our Shared Europe’.

Awards[link]

Ramdani is a winner of the inaugural European Muslim Woman of Influence (EMWI) Award 2010.^[15] She is a nominee for the EU Journalist Award-Together Against Discrimination 2010.

Notes[link]

External links[link]

• Official website

This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (March 2012)

The Shadow is a collection of serialized dramas, originally in pulp magazines, then on 1930s radio and then in a wide variety of media, that follow the exploits of the title character, a crimefighting vigilante in the pulps, which carried over to the airwaves as a "wealthy, young man about town" with psychic powers.^[2] One of the most famous pulp heroes of the 20th century, The Shadow has been featured in comic books, comic strips, television, video games, and at least five motion pictures. The radio drama is well-remembered for those episodes voiced by Orson Welles.

Introduced as a mysterious radio narrator by David Chrisman, William Sweets and Harry Engman Charlot for Street and Smith Publications, The Shadow was fully developed and transformed into a pop culture icon by pulp writer Walter B. Gibson.

The Shadow debuted on July 31, 1930, as the mysterious narrator of the Street and Smith radio program Detective Story Hour.^[3] After gaining popularity among the show's listeners, the narrator became the star of The Shadow Magazine on April 1, 1931, a pulp series created and primarily written by the prolific Gibson.

Over the years, the character evolved. On September 26, 1937, The Shadow radio drama officially premiered with the story "The Deathhouse Rescue", in which the character had "the power to cloud men's minds so they cannot see him." This was a contrivance for the radio; in the magazine stories, The Shadow did not have the ability to become literally invisible.

The introduction from The Shadow radio program, long-intoned by actor Frank Readick Jr., has earned a place in the American idiom: "Who knows what evil lurks in the hearts of men? The Shadow knows!" These words were accompanied by an ominous laugh and a musical theme, Camille Saint-Saëns' Le Rouet d'Omphale ("Omphale's Spinning Wheel", composed in 1872). At the end of each episode, The Shadow reminded listeners, "The weed of crime bears bitter fruit. Crime does not pay.... The Shadow knows!"

Publication history[link]

Detective Story Hour[link]

In order to boost the sales of their Detective Story Magazine, Street and Smith Publications hired David Chrisman of the Ruthrauff & Ryan advertising agency and writer-director William Sweets to adapt the magazine's stories into a radio series. Chrisman and Sweets felt the upcoming series should be narrated by a mysterious storyteller with a sinister voice, and began searching for a suitable name. One of their scriptwriters, Harry Engman Charlot, suggested various possibilities, such as "The Inspector" or "The Sleuth."^[4] Charlot then proposed the ideal name for the phantom announcer: "... The Shadow."^[4]

Thus, beginning on July 31, 1930,^[1][5] "The Shadow" was the name given to the mysterious narrator of the Detective Story Hour. The narrator was voiced by James LaCurto^[5] and, later, Frank Readick. The episodes were drawn from the Detective Story Magazine issued by Street and Smith, "the nation's oldest and largest publisher of pulp magazines."^[5] Although the latter company had hoped the radio broadcasts would boost the declining sales of the Detective Story Magazine, the result was quite different. Listeners found the sinister announcer much more compelling than the unrelated stories. They soon began asking newsdealers for copies of "that Shadow detective magazine," even though it did not exist.^[5]

Development[link]

Recognizing the demand and responding promptly, circulation manager Henry William Ralston of Street & Smith commissioned Walter B. Gibson to begin writing stories about "The Shadow." Using the pen name of Maxwell Grant and claiming that the stories were "from The Shadow's private annals as told to" him, Gibson wrote 282 out of 325 tales over the next 20 years: a novel-length story twice a month (1st and 15th). The first story produced was "The Living Shadow", published April 1, 1931.^[5]

Gibson initially fashioned the character as a man with villainous characteristics, who used them to battle crime, and in this was the very first superhero in the modern century for modern times complete with a stylized imagery, a stylized name, sidekicks, supervillains, and a secret identity. Clad in black, The Shadow operated mainly after dark, burglarizing in the name of justice, and terrifying criminals into vulnerability before he or someone else gunned them down. The character was a film noir antihero in every sense; Gibson himself claimed the literary inspirations for The Shadow were Bram Stoker's Dracula and Edward Bulwer-Lytton's The House and the Brain.^[4]

Because of the great effort involved in writing two full-length novels every month, several guest writers were hired to write occasional installments in order to lighten Gibson's work load. These guest writers included Lester Dent — who penned the Doc Savage stories — and Theodore Tinsley. In the late 1940s, mystery novelist Bruce Elliott (also a magician) would temporarily replace Gibson as the primary author of the pulp series.^[6] Richard Edward Wormser, a reader for Street & Smith, wrote two Shadow stories.^[7]

The Shadow Magazine ceased publication with the Summer 1949 issue, but Walter B. Gibson wrote three new "official" stories between 1963 and 1980. The first of these began a new series of nine updated Shadow novels from Belmont Books, starting with Return of The Shadow under his own by-line. But the remaining eight, The Shadow Strikes, Beware Shadow, Cry Shadow, The Shadow's Revenge, Mark of The Shadow, Shadow Go Mad, Night of The Shadow, and The Shadow, Destination: Moon, were not penned by Gibson but by Dennis Lynds under the "Maxwell Grant" byline. In these last eight novels, The Shadow was given psychic powers, including the radio character's ability "to cloud men's minds" so that he effectively became invisible, and was more of a spymaster than crime fighter.

Publications[link]

See List of The Shadow stories

Character development[link]

The character and look of The Shadow gradually evolved over his lengthy fictional existence.

As depicted in the pulps, The Shadow wore a black slouch hat and a black, crimson-lined cloak with an upturned collar over a standard black business suit. In the 1940s comic books, the later comic book series, and the 1994 film starring Alec Baldwin, he wore either the black slouch hat or a wide-brimmed, black fedora and a crimson scarf just below his nose and across his mouth and chin. Both the cloak and scarf covered either a black doubled-breasted trench coat or regular black suit. As seen in some of the later comics series, the hat and scarf would also be worn with either a black Inverness coat or Inverness cape.

But in the radio drama, which debuted in 1937, The Shadow became an invisible avenger who had learned, while "traveling through East Asia," "the mysterious power to cloud men's minds, so they could not see him." This revision of the character was born out of necessity: Time constraints of 1930s radio made it difficult to explain to listeners where The Shadow was hiding and how he was remaining concealed. Thus, the character was given the power to escape human sight. Voice effects were added to suggest The Shadow's seeming omnipresence.

In order to explain this power, The Shadow was described as a master of hypnotism, as explicitly stated in several radio episodes.

Background[link]

In print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias of The Black Eagle, according to The Shadow's Shadow, 1933, although later stories revised this alias as The Dark Eagle beginning with The Shadow Unmasks, 1937. After the war, Allard seeks a new challenge and decides to wage war on criminals. Allard fakes his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.

One of these identities—indeed, the best known—is Lamont Cranston, a "wealthy young man about town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity ("The Shadow Laughs," 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard/The Shadow threatens Cranston, saying that he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Terrified, Cranston agrees. The two men sometimes meet in order to impersonate each other ("Crime over Miami," 1940). Apparently, the disguise works well because Allard and Cranston bear something of a resemblance to each other ("Dictator of Crime," 1941).

His other disguises include businessman Henry Arnaud, who first appeared in Green Eyes, Oct. 1932, elderly gentleman Isaac Twambley, who first appeared in No Time For Murder, and Fritz, who first appeared in The Living Shadow, Apr. 1931; in this last disguise, he pretends to be a doddering old janitor who works at Police Headquarters in order to listen in on conversations.

The Shadow appears as Henry Arnaud in "Atoms of Death," "Buried Evidence," "Death Jewels," "Death Premium," "Death Ship," "Green Eyes," "House of Silence," "Murder Trail," "Quetzal," "Realm of Doom," "The Black Master," "The Blue Sphinx," "The Case of Congressman Coyd," "The Circle of Death," "The City of Doom," "The Condor," "The Embassy Murders," "The Five Chameleons," "The Ghost Murders," "The Man From Shanghai," "The Plot Master," "The Radium Murders," "The Romanoff Jewels," "The Seven Drops of Blood," "The Shadow Unmasks," "The Shadow's Shadow," and "Wizard of Crime."

The Shadow appears as Isaac Twambley in "No Time for Murder," "Guardians of Death," "Death Has Grey Eyes," "The Stars Promise Death," "Dead Man's Chest, and "The Magigal's Mystery."

The Shadow appears as Fritz in at least 23 Shadow novels: "The Living Shadow," "Hidden Death," "The Ghost Makers," "The Crime Clinic," "Crime Circus," "The Chinese Disks," "The Dark Death," "The Third Skull," "The Black Master," "The Voodoo Master," "The Third Shadow," "The Circle of Death," "The Sledge Hammer Crimes," "The Golden Masks," "The Ghost Murders," "Hills of Death," "The Hand," "The Racket's King," "The Green Hoods," "The Crime Ray," "The Getaway Ring," "Masters of Death," and "The Crystal Skull."

For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous, supposedly an intentional decision on Gibson's part. In The Living Shadow, a thug claims to have seen The Shadow's face, and thought he saw "a piece of white that looked like a bandage." In "The Black Master" and "The Shadow's Shadow," the villains both see The Shadow's true face, and they both remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, "The Shadow Unmasks," that The Shadow's real name is revealed.

Kent Allard appears as himself in at least twenty-eight Shadow novels: "The Shadow Unmasks," "The Yellow Band," "Death Turrets," "The Sealed Box," "The Crystal Buddha," "Hills of Death," "The Murder Master," "The Golden Pagoda," "Face of Doom," "The Racket's King," "Murder for Sale," "Death Jewels," "The Green Hoods," "Crime Over Boston," "The Dead Who Lived," "Shadow Over Alcatraz," "Double Death," "Silver Skull," "The Prince of Evil," "Masters of Death," "Xitli, God of Fire," "The Green Terror," "The Wasp Returns," "The White Column," "Dictator of Crime," "Crime out of Mind," "Crime Over Casco," and "Dead Man's Chest."

In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises.

Supporting characters[link]

The Shadow has a network of agents who assist him in his war on crime. These include:

• Harry Vincent, an operative whose life he saved when Vincent tried to commit suicide.
• Moses "Moe" Shrevnitz, aka "Shrevvy," a cab driver who doubles as his chauffeur.
• Margo Lane, a socialite created for the radio drama and later introduced into the pulps.
• Clyde Burke, a newspaper reporter.
• Burbank, a radio operator who maintains contact between The Shadow and his agents.
• Cliff Marsland, a wrongly convicted ex-con who infiltrates gangs using his crooked reputation.
• Dr. Rupert Sayre, The Shadow's personal physician.
• Jericho Druke, a giant, immensely strong black man.
• Slade Farrow, who works with The Shadow to rehabilitate criminals.
• Miles Crofton, who sometimes pilots The Shadow's autogyro.
• Rutledge Mann, a stock-broker who collects information.
• Claude Fellows, the only agent of The Shadow ever to be killed, which he was in Gangdom's Doom, 1931.
• Hawkeye, a reformed underworld snoop who trails gangsters and other criminals.
• Myra Reldon, a female operative who uses the alias of Ming Dwan when in Chinatown.
• Dr. Roy Tam, The Shadow's contact man in New York's Chinatown.

Though initially wanted by the police, The Shadow also works with and through them; notably gleaning information from his many chats with Commissioners Ralph Weston and Wainright Barth (who is also Cranston's uncle), while at the Cobalt Club. Weston believes that Cranston is merely a rich playboy who dabbles in detective work. Another police contact is Detective Joe Cardona, a key character in many Shadow novels.

In contrast to the pulps, The Shadow radio drama limited the cast of major characters to The Shadow, Commissioner Weston, and Margo Lane, the last of whom was created specifically for the radio series, as it was believed the abundance of agents would make it difficult to distinguish between characters.^[8] Clyde Burke and Moe Shrevnitz (identified only as "Shrevvy") made occasional appearances, but not as agents of The Shadow. Shrevvy was merely an acquaintance of Cranston and Lane, and occasionally Cranston's chauffeur.

Enemies[link]

The Shadow also faces a wide variety of enemies, ranging from kingpins and mad scientists to international spies and "super-villains," many of whom were predecessors to the rogues's galleries of comic super-heroes. Among The Shadow's recurring foes are Shiwan Khan (The Golden Master, Shiwan Khan Returns, and The Invincible Shiwan Khan)--who appears in the feature film portrayed by John Lone--The Voodoo Master (The Voodoo Master, The City of Doom, and Voodoo Trail), The Prince of Evil (The Prince of Evil, The Murder Genius, The Man Who Died Twice, and The Devil's Paymaster, all written by Theodore Tinsley), and The Wasp (The Wasp and The Wasp Returns).

The series also featured a myriad of one-shot villains, including The Red Envoy, The Death Giver, Gray Fist, The Black Dragon, Silver Skull, The Red Blot, The Black Falcon, The Cobra, Zemba, The Black Master, Five-Face, The Gray Ghost, and Dr. Z.

The Shadow also battles collectives of criminals, such as The Silent Seven, The Hand, The Salamanders, and The Hydra.

Radio program[link]

Orson Welles was the voice of The Shadow from September 1937 to October 1938. He was succeeded by Bill Johnstone.

In early 1930, Street & Smith Publications hired David Chrisman and Bill Sweets to adapt the Detective Story Magazine to radio format. Chrisman and Sweets felt the program should be introduced by a mysterious storyteller. A young scriptwriter, Harry Charlot, suggested the name of "The Shadow."^[4] Thus, "The Shadow" premiered over CBS airwaves on July 31, 1930,^[1] as the host of the Detective Story Hour,^[5] narrating "tales of mystery and suspense from the pages of the premier detective fiction magazine."^[5] The narrator was first voiced by James LaCurto,^[5] but became a national sensation when radio veteran Frank Readick, Jr. assumed the role and gave it "a hauntingly sibilant quality that thrilled radio listeners."^[5]

Early years[link]

Following a brief tenure as narrator of Street & Smith's Detective Story Hour, "The Shadow" character was used to host segments of The Blue Coal Radio Revue, playing on Sundays at 5:30 p.m. Eastern Standard Time. This marked the beginning of a long association between the radio persona and sponsor Blue Coal.

While functioning as a narrator of The Blue Coal Radio Revue, the character was recycled by Street & Smith in October 1931, to oddly serve as the storyteller of Love Story Hour.

In October 1932, the radio persona temporarily moved to NBC. Frank Readick again played the role of the sinister-voiced host on Mondays and Wednesdays, both at 6:30 p.m., with LaCurto taking occasional turns as the title character.

Readick returned as The Shadow to host a final CBS mystery anthology that fall. The series disappeared from CBS airwaves on March 27, 1935, due to Street & Smith's insistence that the radio storyteller be completely replaced by the master crime-fighter described in Walter B. Gibson's ongoing pulps.

Radio drama[link]

Street & Smith entered into a new broadcasting agreement with Blue Coal in 1937, and that summer Gibson teamed with scriptwriter Edward Hale Bierstadt to develop the new series. As such, The Shadow returned to network airwaves on September 26, 1937, over the new Mutual Broadcasting System. Thus began the "official" radio drama that many Shadow fans know and love, with 22-year-old Orson Welles starring as Lamont Cranston, a "wealthy young man about town." Once The Shadow joined Mutual as a half-hour series on Sunday evenings, the program did not leave the air until December 26, 1954.

Welles did not speak the signature line of "Who knows what evil lurks in the hearts of men?". Instead, Readick did, using a water glass next to his mouth for the echo effect. The famous catch phrase was accompanied by the strains of an excerpt from Opus 31 of the Camille Saint-Saëns classical composition, Le Rouet d'Omphale.

After Welles departed the show in 1938, Bill Johnstone was chosen to replace him and voiced the character for five seasons. Following Johnstone's departure, The Shadow was portrayed by such actors as Bret Morrison (the longest tenure, with 10 years in two separate runs), John Archer, and Steve Courtleigh.

The Shadow also inspired another radio hit, The Whistler, whose protagonist likewise knows "many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak".

Margo Lane[link]

The radio drama also introduced female characters into The Shadow's realm, most notably Margo Lane (played by Agnes Moorehead, among others) as Cranston's love interest, crime-solving partner and the only person who knows his identity as The Shadow.^[9] Four years later, the character was introduced into the pulp novels. Her sudden, unexplained appearance in the pulps annoyed readers and generated a flurry of hate mail printed in The Shadow Magazine's letters page.^[9]

Lane was described as Cranston's "friend and companion" in later episodes, although the exact nature of their relationship was unclear. In the early scripts of the radio drama the character's name was spelled "Margot." The name itself was originally inspired by Margot Stevenson,^[9] the Broadway ingénue who would later be chosen to voice Lane opposite Welles' Shadow during "the 1938 Goodrich summer season of the radio drama."^[10] In the 1994 film in which Penelope Ann Miller portrayed the character, she is characterized as a telepath.

Comic strips, comic books, and graphic novels[link]

The Shadow has been adapted for the comics quite a few times; his first appearance was on June 17, 1940 as a syndicated daily newspaper comic strip offered by the Ledger Syndicate. The strip's story continuity was written by Walter B. Gibson, with plot lines adapted from the Shadow pulps, and the strip was illustrated by Vernon Greene. Due to pulp paper shortages and the growing amount of space required for war news from the European and Pacific fronts, the strip was canceled June 13, 1942. The Shadow daily was collected decades later in two comic book series from two different publishers (see below), first in 1988 and again in 1999.

To both cross-promote The Shadow and attract a younger audience to their other pulp magazines, Street & Smith published 101 issues of the comic book Shadow Comics from Vol. 1, #1 - Vol. 9, #5 (March 1940 - Sept. 1949).^[11] A Shadow story led off each issue, with the remainder of the stories being strips based on other Street & Smith pulp heroes.

In Mad #4 (April–May 1953), The Shadow was spoofed by Harvey Kurtzman and Will Elder. Their character was called the Shadow' (with an apostrophe), which is short for Lamont Shadowskeedeeboomboom. In this satire, Margo Pain gets Shad, as she calls him, into various predicaments, including fights with gangsters and a piano falling on him from above. At the conclusion of the tale, after Margo is tricked into going inside an outhouse surrounded by wired-up dynamite, Shad is seen gleefully pushing down a detonator's plunger.

During the superhero revivial of the 1960s, Archie Comics published an eight-issue series, The Shadow (Aug. 1964 - Sept. 1965), under the company's Mighty Comics imprint. In the first issue, The Shadow depicted was loosely based on the radio version, but with blond hair. In issue #2 (Sept. 1964), the character was transformed into a campy, heavily muscled, green and blue costume-wearing superhero by writer Robert Bernstein (Jerry Siegel) and artist John Rosenberger.^[12]

During the mid-1970s, DC Comics published an "atmospheric interpretation" of the character by writer Dennis O'Neil and artist Michael Kaluta^[13] in a 12-issue series (Nov. 1973 - Sept. 1975). Kaluta drew issues 1-4 and 6 and was followed by Frank Robbins and then E. R. Cruz. Faithful to both the pulp-magazine and radio-drama character, the series guest-starred fellow pulp fiction hero The Avenger in issue #11.^[14] The Shadow also appeared in DC's Batman #253 (Nov. 1973), in which Batman teams with an aging Shadow and calls the famous crime fighter his "greatest inspiration". In Batman #259 (Dec. 1974), Batman again meets The Shadow, and we learn The Shadow saved Bruce Wayne's life when the future Batman was a boy.

The Shadow is also referenced in DC's Detective Comics #446 (1975), page 4, panel 2: Batman, out of costume and in disguise as an older night janitor, makes a crime fighting acknowledgement, in a (thought balloon) to the Shadow.

In 1986, another DC incarnation was created by Howard Chaykin. This four issue mini-series, also collected as a one-shot graphic novel (Shadow: Blood and Judgement), brought The Shadow into modern-day New York. While initially successful,^[15] this version proved unpopular with traditional Shadow fans^[16] because it depicted The Shadow using Uzi submachine guns and rocket launchers, as well as featuring a strong strain of black comedy and extreme violence throughout.^[17]

The Shadow, set in our modern era, was continued the following year, in 1987, as a monthly DC comics series by writer Andy Helfer (editor of the mini-series), and was drawn primarily by artists Bill Sienkiewicz (issues 1-6) and Kyle Baker (issues 8-19 and two Shadow Annuals).

In 1988, O'Neil and Kaluta, with inker Russ Heath, returned to The Shadow with the Marvel Comics graphic novel The Shadow 1941: Hitler's Astrologer, set during World War II. This one-shot appeared in both hardcover and trade paperback editions.

The Vernon Greene/Walter Gibson Shadow newspaper comic strip from the early 1940s was finally collected by Malibu Graphics (Malibu Comics) under their Eternity Comics imprint, beginning with the first issue of Crime Classics dated July, 1988. Each cover was illustrated by Greene and colored by one of Eternity's colorists. A total of 13 issues appeared featuring just the black-and-white daily until the final issue, dated November, 1989. Some of the Shadow story lines were contained in one issue, while others were continued over into the next. When a Shadow story ended, another tale would begin in the same issue. This back-to-back format continued until the final 13th issue, when the strip story lines ended.

Dave Stevens' nostalgic comics series The Rocketeer contains a great number of pop culture references to the 1930s. Various characters from the Shadow pulps make appearances in the story line published in the Rocketeer Adventure Magazine, including The Shadow's famous alter ego Lamont Cranston. Two issues were published by Comico Comics in 1988 and 1989, but the third and final installment did not appear until years later, finally appearing in 1995 from Dark Horse Comics. All three issues were then collected by Dark Horse into a slick trade paperback titled The Rocketeer: Cliff's New York Adventure (ISBN 1-56971-092-9).

From 1989 to 1992, DC published a new Shadow series, The Shadow Strikes, written by Gerard Jones and Eduardo Barreto. This series was set in the 1930s and returned The Shadow to his pulp origins. During its run, it featured The Shadow's first team-up with Doc Savage, another very popular hero of the pulp magazine era. Both characters appeared together in a four-issue story line that crossed back and forth between each character's DC comic series. "The Shadow Strikes" often led The Shadow into encounters with well-known celebrities of the 1930s, such as Albert Einstein, Amelia Earhart, Charles Lindbergh, union organizer John L. Lewis, and Chicago gangsters Frank Nitti and Jake Guzik. In issue #7, The Shadow meets a radio announcer named Grover Mills — a character based on the young Orson Welles — who has been impersonating The Shadow on the radio. The character's name is taken from Grover's Mill, New Jersey, the name of the small town where the Martians land in Welles' famous 1938 radio broadcast of The War of the Worlds. When Shadow rights holder Conde Nast increased its licensing fee, DC concluded the series after 31 issues and one Annual; it became the longest running Shadow comic series since Street and Smith's original 1940s series.

During the early-to-mid-1990s, Dark Horse Comics acquired the comics rights to the Shadow from Conde Nast. It published the Shadow miniseries In The Coils of Leviathan (four issues) in 1993, and Hell's Heat Wave (three issues) in 1995. In the Coils of the Leviathan was later collected and issued by Dark Horse in 1994 as a trade paperback graphic novel. Both series were written by Joel Goss and Michael Kaluta, and drawn by Gary Gianni. A one-shot Shadow issue The Shadow and the Mysterious Three was also published by Dark Horse in 1994, again written by Joel Goss and Michael Kaluta, with Stan Manoukian and Vince Roucher taking over the illustration duties but working over Kaluta's layouts. A comics adaptation of the 1994 film The Shadow was published in two issues by Dark Horse as part of the movie's merchandising campaign. The script was by Goss and Kaluta and once again drawn from cover to cover by Kaluta. It was collected and published in England by Boxtree as a graphic novel tie-in for the film's British release. Emulating DC's earlier team-up, Dark Horse also published a two-issue mini-series in 1995 called The Shadow and Doc Savage. It was written by Steve Vance, and illustrated once again by Manoukian and Roucher. Of special note, both issues' covers were drawn by Rocketeer creator Dave Stevens. The final Dark Horse Shadow team-up was published in 1995. It was a single issue of Ghost and the Shadow, written by Doug Moench, pencilled by H. M. Baker, and inked by Bernard Kolle.

The Shadow made an uncredited cameo appearance in issue #2 of DC's 1996 four issue mini-series Kingdom Come. Those four issues were then collected into a single graphic novel in 1997. The Shadow appears in the nightclub scene standing in the background next to The Question and Rorschach.

The early 1940s Shadow newspaper daily strip was again put back into print, this time by Avalon Communications under their ACG Classix imprint. The Shadow daily began appearing in the first issue of Pulp Action comics. It carries no monthly date or issue number on the cover, only a 1999 copyright and a "Pulp Action #1" notation at the bottom of the inside cover. Each issue's cover is a colorized, partial comics panel blow-up, taken from one of the reprinted strips. The eighth issue uses for its cover a partial Shadow serial black-and-white movie still, with several hand-drawn alterations added. The first issue of Pulp Action is devoted entirely to reprinting the Shadow daily, but subsequent issues began offering back-up, non-Shadow stories of various page lengths in every issue. These Shadow strip reprints stopped with Pulp Action's eighth issue, never completing the daily's story lines; that last issue carries a 2000 copyright date.

Writer Garth Ennis signing copies of Dynamite Entertainment's The Shadow (volume 5) #1 at an April 19, 2012 signing at Midtown Comics Downtown in Manhattan.

In August 2011 Newsarama reported that Dynamite Entertainment had licensed the Shadow from Conde Nast and would be developing a new comic book series around the character.^[18] The series, which is written by Garth Ennis and illustrated by Aaron Campbell, debuted on April 19, 2012 in comics shops and was also available for sale through various website sales outlets like eBay and Amazon.com; the Ennis story arc, set during the Shadow's original 1930s time period, will be featured in the first six issues. The first Dynamite issue was published with four different color covers and 8 special variants; including Retailer Incentive versions, regional comic shop specials, and even two offering limited, hand-drawn original cover sketches. This first issue was drawn by artists Alex Ross, Jae Lee, Howard Chaykin, and John Cassaday.^[19]

Films[link]

The character has been adapted for several motion pictures.

[edit] The Shadow Strikes (1937)

The film The Shadow Strikes was released in 1937, starring Rod La Rocque in the title role. Lamont Cranston assumes the secret identity of "The Shadow" in order to thwart an attempted robbery at an attorney's office. Both The Shadow Strikes (1937) and its sequel, International Crime (1938), were released by Grand National Pictures.

[edit] International Crime (1938)

La Rocque returned the following year in International Crime. In this version, reporter Lamont Cranston is an amateur criminologist and detective who uses the name of "The Shadow" as a radio gimmick. Thomas Jackson portrayed Police Commissioner Weston, and Astrid Allwyn was cast as Phoebe Lane, Cranston's assistant.

[edit] The Shadow (1940)

A 15-chapter serial produced by Columbia Studios starring Victor Jory premiered in 1940. The Black Tiger is a criminal mastermind who has been sabotaging rail lines and factories across the United States, and Lamont Cranston must become his shadowy alter ego to uncover the fiend and halt his schemes.

[edit] The Shadow Returns (1946)

Low-budget motion picture studio Monogram produced a trio of films in 1946 starring Kane Richmond: The Shadow Returns, Behind the Mask and The Missing Lady. Richmond's Shadow wore a black face-mask similar to the type worn by the serial hero The Masked Marvel instead of his signature red scarf.

[edit] The Shadow (1994)

In 1994 the character was adapted once again into a feature film, The Shadow, starring Alec Baldwin as Lamont Cranston, alongside Penelope Ann Miller as Margo Lane. As the film opens, Cranston has become the evil and corrupt Ying-Ko (literally "Eagle's Beak"), a brutal warlord and opium smuggler in early 1930s Mongolia. Ying Ko is kidnapped by agents of the mysterious tulku, who then begins to reform the warlord using the psychic power of his evolved mind to restore Cranston's humanity. The tulku also teaches him the ability to "cloud men's minds" using psychic power in order to fight evil in the world. Cranston eventually returns to his native New York City and takes up the guise of the mysterious Shadow, in payment to humanity for his past evil misdeeds: "Who knows what evil lurks in the hearts of men? The Shadow knows..."

His nemesis in the film is adapted from the pulp series' long-running Asian villain (and for the film, a fellow telepath), the evil Shiwan Khan (John Lone), the last descendant of Genghis Khan. He seeks to finish his ancestors' legacy of conquering the world by first destroying New York City, using a newly developed atomic bomb, in a show of his power. Khan nearly succeeds but is thwarted by the Shadow in a final psychic duel of death: Cranston imposes his Will and defeats Khan during a telekinetically enhanced battle in a mirrored room, which suddenly explodes into thousands of flying mirror fragments. Focusing his mind's telekinatic power, Cranston flips a flying piece of jagged mirror shard midair, and hurls it directly at Khan's forehead; this doesn't kill him, it only renders Khan unconscious. To both save the warlord and the world, the Shadow has arranged with one of his operatives, an administrative doctor at an unidentified New York asylum for the criminally insane, to have Khan locked away in a padded cell. Khan's mirror shard-damaged frontal lobe, which controlled his powers, has been surgically removed; he is now under the Shadow's control forever.

The film combined elements from the Shadow pulp novels and comic books with the aforementioned ability to cloud minds, described only on the radio show. The Shadow wears a large, red-lined black cloak, a long, red mouth and chin scarf, a black trench coat, and a wide-brimmed fedora; he is armed with dual .45 semi-automatic pistols, as in the pulps and the comics. The film also displays Cranston's ability to conjure a false face whenever he is in his Shadow guise, in keeping with his physical portrayal in the novels and the comics.

Upcoming film[link]

On December 11, 2006, the website SuperHero Hype reported that director Sam Raimi and Michael Uslan will co-produce a new Shadow film for Columbia Pictures.^[20] After failing to gain the rights in the late 1980s, Raimi instead created an original character for the 1990 feature film, Darkman.

On October 16, 2007, Raimi stated that: "I don't have any news on 'The Shadow' at this time, except that the company that I have with Josh Donen, my producing partner, we've got the rights to 'The Shadow.' I love the character very much and we're trying to work on a story that'll do justice to the character."^[21]

On January 29, 2010, it was reported^{[by whom?]} that Sam Raimi was searching for a new project after it was announced that the Spider-Man movie franchise would be rebooted without him. The Shadow was said to be at the top of his list. Recently, it was incorrectly rumoured that David Slade will direct the upcoming film, with a release date of 2012.

On Thursday, August 5, 2010, it was reported that Quentin Tarantino - who was attached as a co-writer for the script - had been attached to direct as well.^[22] However this would later be denied by an official representative of Tarantino who informed MTV News that "There is no truth to this story"^[23]

TV series[link]

Two attempts were made to make a television series based on the character. The first in 1954 was called The Shadow, starring Tom Helmore as Lamont Cranston.

The second attempt in 1958 was called The Invisible Avenger, which compiled the first two unaired episodes and was released theatrically instead. This film was later re-released in 1962 as Bourbon Street Shadows, with additional footage meant to appeal to "adult" audiences.^{[citation needed]} Starring Richard Derr as The Shadow, The Invisible Avenger centers upon Lamont Cranston investigating the murder of a New Orleans bandleader. The film is notable as the second directorial effort of James Wong Howe (one of the two episodes only).

Influence on superheroes[link]

Characters such as Batman^[24] and the Green Hornet resemble Lamont Cranston's alter ego. Both characters operate mostly by night, and the Green Hornet in particular operates outside the law, insinuating himself into criminal plots in order to put an end to the activities of master criminals. But whereas the Shadow carries a real gun, the Green Hornet carries only a lightweight pistol that fires non-lethal gas.

When Bob Kane and Bill Finger first conceived of the "Bat-Man", Finger suggested they pattern the character after pulp mystery men such as the Shadow.^[25] Finger then used "Partners of Peril"^[26]—a Shadow pulp written by Theodore Tinsley—as the basis for Batman's debut story, "The Case of the Chemical Syndicate."^[27] Finger later publicly acknowledged that "my first Batman script was a take-off on a Shadow story"^[28] and that "Batman was originally written in the style of the pulps."^[29] This influence was further evident with Batman showing little remorse over killing or maiming criminals and was not above using firearms.^[29]

Alan Moore has credited The Shadow as one of the key influences for the creation of V, the title character in his DC Comics miniseries V for Vendetta,^[30][31] that later became a big-budget film release in 2005 from Warner Bros.

See also[link]

Novels portal

• Condé Nast Publications, owner of The Shadow intellectual property
• Doctor Sax
• List of The Shadow episodes

Notes[link]

References[link]

• Cox, J. Randolph. Man of Magic & Mystery, A Guide to the Work of Walter B. Gibson, Scarecrow Press, 1998. ISBN 0-8108-2192-3. (Comprehensive history and career bibliography of Gibson's works.)
• Eisgruber, Jr., Frank. Gangland's Doom, The Shadow of the Pulps, Starmont House, 1985. ISBN 0-930261-74-7.
• Gibson, Walter B., Tollin, Anthony. The Shadow Scrapbook, Harcourt Brace Jovanovich, 1979. ISBN 0-15-681475-7. (Comprehensive history of The Shadow in all media forms up through the late 1970s.)
• Goulart, Ron. Cheap Thrills: An Informal History of the Pulp Magazine, Arlington House, 1972. ISBN 08700017228.
• Murray, Will. Duende History of the Shadow Magazine, Odyssey Publications, 1980. ISBN 0-933752-21-0.
• Overstreet, Robert. The Official Overstreet Comic Book Price Guide, 35th Edition., House of Collectibles, 2005. ISBN 0-375-72107-X. (Lists all Shadow comics published to date.)
• Sampson, Robert. The Night Master, Pulp Press, 1982. ISBN 0-934498-08-3.
• Shimfield, Thomas J. Walter B. Gibson and The Shadow. McFarland & Company, 2003. ISBN 0-7864-1466-9. (Comprehensive Walter Gibson biography with an emphasis on The Shadow.)
• Steranko, James. Steranko's History of the Comics, Vol. 1, Supergraphics, 1970. No ISBN.
• Steranko, James, (1972), Steranko's History of the Comics, Vol. 2, Supergraphics, 1972. No ISBN.
• Steranko, James. Unseen Shadows, Supergraphics, 1978. No ISBN. (Collection of Steranko's detailed black-and-white cover roughs, including alternate/unused versions, done for the Shadow novel reprints from Pyramid Books and Jove/HBJ.)
• Van Hise, James. The Serial Adventures of the Shadow, Pioneer Books, 1989. No ISBN.

External links[link]

• The Shadow: Master of Darkness
• The Shadow in Review
• The Shadow at the Internet Movie Database
• The Shadow at the Comic Book DB

Sherlock Holmes
Sherlock Holmes character
Sherlock Holmes in a 1904 illustration by Sidney Paget
First appearance	A Study in Scarlet
Created by	Arthur Conan Doyle
Information
Gender	Male
Occupation	Consulting detective
Family	Mycroft Holmes (brother)
Nationality	British

Sherlock Holmes ( /ˈʃɜrlɒk ˈhoʊmz/)^[1] is a fictional detective created by Scottish author and physician Sir Arthur Conan Doyle. The fantastic London-based "consulting detective", Holmes is famous for his astute logical reasoning, his ability to adopt almost any disguise, and his use of forensic science skills to solve difficult cases.

Holmes, who first appeared in publication in 1887, was featured in four novels and 56 short stories. The first novel, A Study in Scarlet, appeared in Beeton's Christmas Annual in 1887 and the second, The Sign of the Four, in Lippincott's Monthly Magazine in 1890. The character grew tremendously in popularity with the first series of short stories in Strand Magazine, beginning with A Scandal in Bohemia in 1891; further series of short stories and two novels published in serial form appeared between then and 1927. The stories cover a period from around 1880 up to 1914.

All but four stories are narrated by Holmes's friend and biographer, Dr. John H. Watson; two are narrated by Holmes himself ("The Blanched Soldier" and "The Lion's Mane") and two others are written in the third person ("The Mazarin Stone" and "His Last Bow"). In two stories ("The Musgrave Ritual" and "The Gloria Scott"), Holmes tells Watson the main story from his memories, while Watson becomes the narrator of the frame story. The first and fourth novels, A Study in Scarlet and The Valley of Fear, each include a long interval of omniscient narration recounting events unknown to either Holmes or Watson.

Inspiration for the character of Holmes[link]

Doyle said that the character of Sherlock Holmes was inspired by Dr. Joseph Bell, for whom Doyle had worked as a clerk at the Edinburgh Royal Infirmary. Like Holmes, Bell was noted for drawing large conclusions from the smallest observations.^[2] Sir Henry Littlejohn, Lecturer on Forensic Medicine and Public Health at the Royal College of Surgeons, is also cited as a source for Holmes. Littlejohn served as Police Surgeon and Medical Officer of Health of Edinburgh, providing for Doyle a link between medical investigation and the detection of crime.^[3]

Life[link]

Early life[link]

The first appearance of Holmes, 1887

Explicit details about Sherlock Holmes's life outside of the adventures recorded by Dr. Watson are few and far between in Conan Doyle's original stories; nevertheless, incidental details about his early life and extended families portray a loose biographical picture of the detective.

An estimate of Holmes's age in the story "His Last Bow" places his birth in 1854; the story is set in August 1914 and he is described as being 60 years of age. Commonly, the date is cited as 6 January.^[4] However, an argument for a later birthdate is posited by author Laurie R. King, based on two of Conan Doyle's stories: A Study in Scarlet and "The Gloria Scott" Adventure. Certain details in "The Gloria Scott" Adventure indicate Holmes finished his second and final year at university in either 1880 or 1885. Watson's own account of his wounding in the Second Afghan War and subsequent return to England in A Study in Scarlet place his moving in with Holmes in either early 1881 or 1882. Together, these suggest Holmes left university in 1880; if he began university at the age of 17, his birth year would likely be 1861.^[5]

Holmes states that he first developed his methods of deduction while an undergraduate. The author Dorothy L. Sayers suggested that, given details in two of the Adventures, Holmes must have been at Cambridge rather than Oxford and that "of all the Cambridge colleges, Sidney Sussex (College) perhaps offered the greatest number of advantages to a man in Holmes's position and, in default of more exact information, we may tentatively place him there".^[6]

His earliest cases, which he pursued as an amateur, came from fellow university students.^[7] According to Holmes, it was an encounter with the father of one of his classmates that led him to take up detection as a profession,^[8] and he spent the six years following university working as a consulting detective, before financial difficulties led him to take Watson as a roommate, at which point the narrative of the stories begins.

From 1881, Holmes was described as having lodgings at 221B, Baker Street, London, from where he runs his consulting detective service. 221B is an apartment up 17 steps, stated in an early manuscript to be at the "upper end" of the road. Until the arrival of Dr. Watson, Holmes worked alone, only occasionally employing agents from the city's underclass, including a host of informants and a group of street children he calls "the Baker Street Irregulars". The Irregulars appear in three stories: "A Study in Scarlet," "The Sign of the Four," and "The Adventure of the Crooked Man".

Little is said of Holmes's family. His parents were unmentioned in the stories and he merely states that his ancestors were "country squires". In "The Adventure of the Greek Interpreter", Holmes claims that his great-uncle was Vernet, the French artist. His brother, Mycroft, seven years his senior, is a government official who appears in three stories^[9] and is mentioned in one other story.^[10] Mycroft has a unique civil service position as a kind of memory-man or walking database for all aspects of government policy. Mycroft is described as even more gifted than Sherlock in matters of observation and deduction, but he lacks Sherlock's drive and energy, preferring to spend his time at ease in the Diogenes Club, described as "a club for the most un-clubbable men in London".

A portrait of Sherlock Holmes by Sidney Paget from The Strand Magazine, 1891 in "The Man with the Twisted Lip".

Life with Dr. Watson[link]

Holmes shares the majority of his professional years with his good friend and chronicler Dr. John H. Watson, who lives with Holmes for some time before his marriage in 1887, and again after his wife's death. Their residence is maintained by the landlady, Mrs. Hudson.

Watson has two roles in Holmes's life. First, he gives practical assistance in the conduct of his cases; he is the detective's right-hand man, acting variously as look-out, decoy, accomplice and messenger. Second, he is Holmes's chronicler (his "Boswell" as Holmes refers to him). Most of the Holmes stories are frame narratives, written from Watson's point of view as summaries of the detective's most interesting cases. Holmes is often described as criticising Watson's writings as sensational and populist, suggesting that they neglect to accurately and objectively report the pure calculating "science" of his craft.

Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it ["A Study in Scarlet"] with romanticism, which produces much the same effect as if you worked a love-story ... Some facts should be suppressed, or, at least, a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes, by which I succeeded in unravelling it.^[11]

—Sherlock Holmes on John Watson's "pamphlet", The Sign of Four.

Nevertheless, Holmes's friendship with Watson is his most significant relationship. In several stories, Holmes's fondness for Watson—often hidden beneath his cold, intellectual exterior—is revealed. For instance, in "The Adventure of the Three Garridebs", Watson is wounded in a confrontation with a villain; although the bullet wound proves to be "quite superficial", Watson is moved by Holmes's reaction:

It was worth a wound; it was worth many wounds; to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.

In all, Holmes is described as being in active practice for 23 years, with Watson documenting his cases for 17 of them.^[12]

Retirement[link]

In "His Last Bow", Holmes has retired to a small farm on the Sussex Downs in 1903–1904, as chronicled by Watson in his preface to the series of stories entitled "His Last Bow." It is here that he has taken up the hobby of beekeeping as his primary occupation, eventually producing a "Practical Handbook of Bee Culture, with some Observations upon the Segregation of the Queen". The story features Holmes and Watson coming out of retirement one last time to aid the war effort. Only one adventure, "The Adventure of the Lion's Mane", which is narrated by Holmes as he pursues the case as a civilian, takes place during the detective's retirement. The details of his death are not known.

Habits and personality[link]

Watson describes Holmes as "bohemian" in habits and lifestyle. According to Watson, Holmes is an eccentric, with no regard for contemporary standards of tidiness or good order. In The Musgrave Ritual, Watson describes Holmes thus:

Although in his methods of thought he was the neatest and most methodical of mankind ... [he] keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece ... He had a horror of destroying documents.... Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner.^[7]

What appears to others as chaos, however, is to Holmes a wealth of useful information. Throughout the stories, Holmes would dive into his apparent mess of random papers and artefacts, only to retrieve precisely the specific document or eclectic item he was looking for.

Watson frequently makes note of Holmes's erratic eating habits. The detective is often described as starving himself at times of intense intellectual activity, such as during "The Adventure of the Norwood Builder", wherein, according to Watson:

[Holmes] had no breakfast for himself, for it was one of his peculiarities that in his more intense moments he would permit himself no food, and I have known him to presume upon his iron strength until he has fainted from pure inanition.^[13]

His chronicler does not consider Holmes's habitual use of a pipe, or his less frequent use of cigarettes and cigars, a vice. Nor does Watson condemn Holmes's willingness to bend the truth or break the law on behalf of a client (e.g., lying to the police, concealing evidence or breaking into houses) when he feels it morally justifiable.^[14] Even so, it is obvious that Watson has stricter limits than Holmes, and occasionally berated Holmes for creating a "poisonous atmosphere" of tobacco smoke.^[15] Holmes himself references Watson's moderation in "The Adventure of the Devil's Foot", saying, "I think, Watson, that I shall resume that course of tobacco-poisoning which you have so often and so justly condemned". Watson also did not condone Holmes's plans when they manipulated innocent people, such as when he toyed with a young woman's heart in "The Adventure of Charles Augustus Milverton" although it was done with noble intentions to save many other young women from the clutches of the villainous Milverton.

Holmes is portrayed as a patriot acting on behalf of the government in matters of national security in a number of stories.^[16] He also carries out counter-intelligence work in His Last Bow, set at the beginning of the First World War. As shooting practice, the detective adorned the wall of his Baker Street lodgings with "VR" (Victoria Regina) in bullet pocks made by his pistol.^[7]

Holmes has an ego that at times borders on arrogant, albeit with justification; he draws pleasure from baffling police inspectors with his superior deductions. He does not seek fame, however, and is usually content to allow the police to take public credit for his work. It is often only when Watson publishes his stories that Holmes's role in the case becomes apparent.^[17] Because of newspaper articles and Watson's stories, however, Holmes is well known as a detective, and many clients ask for his help instead of or alongside the police.^[18]

Holmes is pleased when he is recognised for having superior skills and responds to flattery, as Watson remarks, as a girl does to comments upon her beauty.

Holmes's demeanour is presented as dispassionate and cold. Yet when in the midst of an adventure, Holmes can sparkle with remarkable passion. He has a flair for showmanship and will prepare elaborate traps to capture and expose a culprit, often to impress Watson or one of the Scotland Yard inspectors.^[19]

Holmes is a loner and does not strive to make friends, although he values those that he has, and none higher than Watson. He attributes his solitary ways to his particular interests and his mopey disposition. In The Adventure of the Gloria Scott, he tells Watson that during two years at college, he made only one friend, Victor Trevor. Holmes says, "I was never a very sociable fellow, Watson, always rather fond of moping in my rooms and working out my own little methods of thought, so that I never mixed much with the men of my year;... my line of study was quite distinct from that of the other fellows, so that we had no points of contact at all". He is similarly described in A Study in Scarlet as difficult to draw out by young Stamford.

Holmes's emotional state and mental health have been a topic of analysis for decades. At their first meeting in A Study in Scarlet, the detective warns Watson that he gets "in the dumps at times" and doesn't open his "mouth for days on end". Many readers and literary experts^{[citation needed]} have suggested Holmes showed signs of manic depression, with moments of intense enthusiasm coupled with instances of indolent self absorption. Other modern readers have speculated that Holmes may have Asperger's syndrome based on his intense attention to details, lack of interest in interpersonal relationships and tendency to speak in long monologues.^[20] The detective's isolation and near-gynophobic distrust of women is said to suggest the desire to escape; Holmes "biographer" William Baring-Gould and others, including Nicholas Meyer, author of the Seven Percent Solution, have implied a severe family trauma (i.e., the murder of Holmes's mother) may be the root cause.

Personal hygiene[link]

Holmes is described in The Hound of the Baskervilles as having a "cat-like" love of personal cleanliness. This in no way appears to hinder his intensely practical pursuit of his profession, however, and appears in contrast with statements that, in the first Holmes story, A Study in Scarlet, his hands are discoloured with acid stains and Holmes uses drops of his own blood to conduct experiments in chemistry and forensics.

Use of drugs[link]

Holmes occasionally uses addictive drugs, especially when lacking stimulating cases. He believes the use of cocaine stimulates his brain when it is not in use. He is a habitual user of cocaine, which he injects in a seven-per-cent solution using a special syringe that he keeps in a leather case. Holmes is also an occasional user of morphine but expressed strong disapproval on visiting an opium den. These drugs were legal in late 19th-century England. Both Watson and Holmes are serial tobacco users, including cigarettes, cigars, and pipes. Holmes is expert at identifying tobacco-ash residues, having penned a monograph on the subject.

Dr. Watson strongly disapproves of his friend's cocaine habit, describing it as the detective's "only vice" and expressing concern over its possible effect on Holmes's mental health and superior intellect.^[21][22] In later stories, Watson claims to have "weaned" Holmes off drugs. Even so, according to his doctor friend, Holmes remains an addict whose habit is "not dead, but merely sleeping".^[23]

Financial affairs[link]

Holmes in his bed from "The Adventure of the Dying Detective"

Although he initially needed Watson to share the rent of his comfortable residence at 221B Baker Street, Watson reveals in "The Adventure of the Dying Detective", when Holmes was living alone, that "I have no doubt that the house might have been purchased at the price which Holmes paid for his rooms," suggesting he had developed a good income from his practice, although it is seldom revealed exactly how much he charges for his services. In "A Scandal in Bohemia", he is paid the staggering sum of one thousand pounds (300 in gold and 700 in notes) as advance payment for "present expenses". In "The Problem of Thor Bridge" he avers: "My professional charges are upon a fixed scale. I do not vary them, save when I remit them altogether".^[24]

This is said in a context where a client is offering to double his fees; however, it is likely that rich clients provided Holmes a remuneration greatly in excess of his standard fee. For example, in "The Adventure of the Final Problem", Holmes states that his services to the government of France and the royal house of Scandinavia had left him with enough money to retire comfortably, while in "The Adventure of Black Peter", Watson notes that Holmes would refuse to help the wealthy and powerful if their cases did not interest him, while he could devote weeks at a time to the cases of the most humble clients. Holmes also tells Watson, in "A Case of Identity", of a golden snuff box received from the King of Bohemia after "A Scandal in Bohemia" and a fabulous ring from the Dutch royal family; in "The Adventure of the Bruce-Partington Plans", Holmes receives an emerald tie-pin from Queen Victoria. Other mementos of Holmes's cases are a gold sovereign from Irene Adler ("A Scandal in Bohemia") and an autographed letter of thanks from the French President and a Legion of Honour for tracking down an assassin named Huret ("The Adventure of the Golden Pince-Nez"). In "The Adventure of the Priory School", Holmes "rubs his hands with glee" when the Duke of Holdernesse notes the 5,000 pound sterling sum, which surprises even Watson, and then pats the cheque, saying, "I am a poor man", an incident that could be dismissed as representative of Holmes's tendency toward sarcastic humour. Certainly, in the course of his career Holmes had worked for both the most powerful monarchs and governments of Europe (including his own) and various wealthy aristocrats and industrialists and had also been consulted by impoverished pawnbrokers and humble governesses on the lower rungs of society.

Holmes has been known to charge clients for his expenses, and to claim any reward that might be offered for the problem's solution: he says in "The Adventure of the Speckled Band" that Miss Stoner may pay any expenses he may be put to, and requests that the bank in "The Red-Headed League" remunerate him for the money he spent solving the case. Holmes has his wealthy banker client in "The Adventure of the Beryl Coronet" pay him for the costs of recovering the stolen gems and also claims the reward the banker had put for their recovery.

Relationships with women[link]

The only woman to impress Holmes was Irene Adler, a character introduced in "A Scandal in Bohemia" who, according to Watson, was always referred to by Holmes as "the woman". Holmes himself is never directly quoted as using this term and even mentions her name in other cases (although it is worth noting that all of the stories using Adler's name come after "A Scandal in Bohemia", which was the third tale published about Holmes and the first short story so Holmes may have shifted how he referred to Adler over time). Adler is one of the few women who are mentioned in multiple Holmes stories, appearing in person in only one.^{[citation needed]}

In one story, "The Adventure of Charles Augustus Milverton," Holmes is engaged to be married, but only to gain information for his case. Although Holmes appears to show initial interest in some of his female clients (in particular, Violet Hunter in "The Adventure of the Copper Beeches"), Watson says he inevitably "manifested no further interest in the client when once she had ceased to be the centre of one of his problems". Holmes finds their youth, beauty, and energy (and the cases they bring to him) invigorating, distinct from any romantic interest. These episodes show Holmes possesses a degree of charm; yet apart from the case of Adler, there is no indication of a serious or long-term interest. Watson states that Holmes has an "aversion to women" but "a peculiarly ingratiating way with [them]". Holmes states, "I am not a whole-souled admirer of womankind"; in fact, he finds "the motives of women... so inscrutable.... How can you build on such quicksand? Their most trivial actions may mean volumes;... their most extraordinary conduct may depend upon a hairpin".

As Doyle remarked to muse Joseph Bell, "Holmes is as inhuman as a Babbage's calculating machine and just about as likely to fall in love". The only joy Holmes derives from the company of women is the problems they bring to him to solve. In The Sign of the Four, Watson quotes Holmes as being "an automaton, a calculating machine", and Holmes is quoted as saying, "It is of the first importance not to allow your judgement to be biased by personal qualities. A client is to me a mere unit—a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money". This points to Holmes's lack of interest in relationships with women in general, and clients in particular, leading Watson to remark that "there is something positively inhuman in you at times". At the end of "The Adventure of the Devil's Foot", Holmes states: "I have never loved, Watson, but if I did and if the woman I loved had met such an end, I might act as our lawless lion-hunter had done." In the story, the explorer Dr Sterndale had killed the man who murdered his beloved, Brenda Tregennis, to exact a revenge which the law could not provide. Watson writes in "The Adventure of the Dying Detective" that Mrs. Hudson is fond of Holmes in her own way, despite his bothersome eccentricities as a lodger, owing to his "remarkable gentleness and courtesy in his dealings with women". Again in The Sign of the Four, Watson quotes Holmes as saying, "I would not tell them too much. Women are never to be entirely trusted—not the best of them." Watson notes that while he dislikes and distrusts them, he is nonetheless a "chivalrous opponent".

Methods of detection[link]

Holmesian deduction[link]

Holmes's primary intellectual detection method is abductive reasoning,^[25][26]. "From a drop of water", he writes, "a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other".^[27] Holmes stories often begin with a bravura display of his talent for "deduction". It is of some interest to logicians and those interested in logic to try to analyse just what Holmes is doing when he performs his "deductions." "Holmesian deduction" appears to consist primarily of drawing inferences based on either straightforward practical principles—which are the result of careful observation, such as Holmes's study of different kinds of cigar ashes—or inference to the best explanation.^[25][28][29] One quote often heard from Holmes is "When you have eliminated the impossible, whatever remains, however improbable, must be the truth".

Sherlock Holmes's straightforward practical principles are generally of the form, "If 'p', then 'q'," where 'p' is observed evidence and 'q' is what the evidence indicates. But there are also, as may be observed in the following example, intermediate principles. In "A Scandal in Bohemia" Holmes deduces that Watson had got very wet lately and that he had "a most clumsy and careless servant girl". When Watson, in amazement, asks how Holmes knows this, Holmes answers:

It is simplicity itself ... My eyes tell me that on the inside of your left shoe, just where the firelight strikes it, the leather is scored by six almost parallel cuts. Obviously they have been caused by someone who has very carelessly scraped round the edges of the sole in order to remove crusted mud from it. Hence, you see, my double deduction that you had been out in vile weather, and that you had a particularly malignant boot-slitting specimen of the London slavey.

In this case, Holmes employed several connected principles:

• If leather on the side of a shoe is scored by several parallel cuts, it was caused by someone who scraped around the edges of the sole in order to remove crusted mud.
• If a London doctor's shoes are scraped to remove crusted mud, the person who so scraped them is the doctor's servant girl.
• If someone cuts a shoe while scraping it to remove encrusted mud, that person is clumsy and careless.
• If someone's shoes had encrusted mud on them, then they are likely to have been worn by him in the rain, when it is likely he became very wet.

By applying such principles in an obvious way (using repeated applications of modus ponens), Holmes is able to infer from his observation that "the sides of Watson's shoes are scored by several parallel cuts" that:

"Watson's servant girl is clumsy and careless" and "Watson has been very wet lately and has been out in vile weather".

Deductive reasoning allows Holmes to impressively reveal a stranger's occupation, such as a Retired Sergeant of Marines in A Study in Scarlet; a former ship's carpenter turned pawnbroker in "The Red-Headed League"; and a billiard-marker and a retired artillery NCO in "The Adventure of the Greek Interpreter". Similarly, by studying inanimate objects, Holmes is able to make astonishingly detailed deductions about their owners, including Watson's pocket-watch in "The Sign of the Four" as well as a hat,^[30] a pipe,^[31] and a walking stick^[32] in other stories.

Yet Doyle is careful not to present Holmes as infallible—a central theme in "The Adventure of the Yellow Face".^[31] At the end of the tale a sobered Holmes tells Watson, “If it should ever strike you that I am getting a little over-confident in my powers, or giving less pains to a case than it deserves, kindly whisper ‘Norbury’ in my ear, and I shall be infinitely obliged to you”.

Disguise[link]

Holmes displays a strong aptitude for acting and disguise. In several stories, he adopts disguises to gather evidence while 'under cover' so convincing that even Watson fails to penetrate them, such as in "The Adventure of Charles Augustus Milverton", "The Man with the Twisted Lip", "The Adventure of the Empty House" and "A Scandal in Bohemia". In other adventures, Holmes feigns being wounded or ill to give effect to his case, or to incriminate those involved, as in "The Adventure of the Dying Detective" and "A Scandal in Bohemia".

Weapons and martial arts[link]

Pistols

Holmes and Watson carry pistols with them in the case of Watson often his old service revolver—a Mk II Adams Revolver, as was issued to British troops in the 1870s.^[33] Watson describes these weapons as being used on seven occasions: in The Sign of the Four, they both fire at the Andaman Islander. In The Hound of the Baskervilles, both Holmes and Watson fire. In "The Adventure of the Copper Beeches", Watson fires at and kills the mastiff. In "The Adventure of the Empty House", Watson pistol-whips Colonel Sebastian Moran. In "The Adventure of the Three Garridebs", Holmes pistol-whips Killer Evans after Watson is shot. In "The Musgrave Ritual", it is revealed that Holmes decorated the wall of their flat with a patriotic "V.R." done in bullet marks. In "The Problem of Thor Bridge", Holmes uses Watson's revolver in a reconstruction of the crime. The following revolvers have been connected with Holmes and Watson:

• A Webley Bulldog (carried by Holmes)^[33]

A Webley Bulldog

• A Webley RIC^[33]

An 1868 Webley RIC

• A Webley-Government "WG" Army Revolver^[33]

Holmes brandishing a weapon

Cane

Holmes, as a gentleman, often carries a stick or cane. He is described by Watson as an expert at singlestick and twice uses his cane as a weapon.^[34]

Sword

In "A Study in Scarlet" Watson describes Holmes as an expert with a sword—although none of the stories have Holmes using a sword.^[35] It is mentioned in "Gloria Scott" that Holmes practised fencing.

Riding crop

In several stories, Holmes appears equipped with a riding crop and in "A Case of Identity" comes close to thrashing a swindler with it. Using a "hunting crop", Holmes knocks a pistol from John Clay's hand in "The Red-Headed League". In "The Six Napoleons" it is described as his favourite weapon—he uses it to break open one of the plaster busts.

Fist-fighting

Holmes is described as a formidable bare-knuckle fighter. In The Sign of the Four, Holmes introduces himself to a prize-fighter as:

"The amateur who fought three rounds with you at Alison's rooms on the night of your benefit four years back". McMurdo responds by saying, "Ah, you're one that has wasted your gifts, you have! You might have aimed high, if you had joined the fancy".

Holmes engages in hand-to-hand combat with his adversaries on occasions throughout the stories, inevitably emerging the victor.^[36] It is mentioned also in "Gloria Scott" that Holmes trained as a boxer, and in "The Yellow Face" Watson comments that "he was undoubtedly one of the finest boxers of his weight that I have ever seen."

Martial arts

In "The Adventure of the Empty House", Holmes recounts to Watson how he used martial arts to overcome Professor Moriarty and fling his adversary to his death down the Reichenbach Falls. He states, "I have some knowledge, however, of baritsu, or the Japanese system of wrestling, which has more than once been very useful to me". The name "baritsu" appears to be a reference to the real-life martial art of Bartitsu, which combined jujitsu with Holmes's canonical skills of boxing and cane fencing.

Physical Condition

In several stories, Holmes is described or demonstrated as having above average physical strength. As an example, in "The Adventure of the Speckled Band", Dr. Roylott, 6 feet tall and wide as a doorframe, demonstrates his strength by bending a fire poker in half. After the Doctor leaves, Holmes "said laughing. 'I am not quite so bulky, but if he had remained I might have shown him that my grip was not much more feeble than his own.' As he spoke he picked up the steel poker and, with a sudden effort, straightened it out again." In "The Yellow Face" Watson comments of Holmes, that "Few men were capable of greater muscular effort."

Knowledge and skills[link]

Sherlock Holmes (right) and Dr. Watson, by Sidney Paget.

In the first story, A Study in Scarlet, something of Holmes's background is given. In early 1881, he is presented as an independent student of chemistry with a variety of very curious side interests, almost all of which turn out to be single-mindedly bent towards making him superior at solving crimes. (When he appears for the first time, he is crowing with delight at having invented a new method for detecting bloodstains; in other stories he indulges in recreational home-chemistry experiments, sometimes filling the rooms with foul-smelling vapours.) An early story, "The Adventure of the Gloria Scott", presents more background on what influenced Holmes to become a detective: a college friend's father richly complimented his deductive skills. Holmes maintains strict adherence to scientific methods and focuses on logic and the powers of observation and deduction.

Holmes also makes use of phrenology, which was widely popular in Victorian times but now regarded as pseudo-scientific: In "The Adventure of the Blue Carbuncle", he infers from the large size of a man's hat that the owner is intelligent and intellectually inclined, on the grounds that “a man with so large a brain must have something in it”.

In A Study in Scarlet, Holmes claims he does not know that the Earth revolves around the Sun, as such information is irrelevant to his work. Directly after having heard that fact from Watson, he says he will immediately try to forget it. He says he believes that the mind has a finite capacity for information storage, and so learning useless things would merely reduce his ability to learn useful things. Dr. Watson subsequently assesses Holmes's abilities thus:

1. Knowledge of Literature – nil.

2. Knowledge of Philosophy – nil.

3. Knowledge of Astronomy – nil.

4. Knowledge of Politics – Feeble.

5. Knowledge of Botany – Variable. Well up in belladonna, opium and poisons generally. Knows nothing of practical gardening.

6. Knowledge of Geology – Practical, but limited. Tells at a glance different soils from each other. After walks, has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them.

7. Knowledge of Chemistry – Profound.

8. Knowledge of Anatomy – Accurate, but unsystematic.

9. Knowledge of Sensational Literature – Immense. He appears to know every detail of every horror perpetrated in the century.

10. Plays the violin well.

11. Is an expert singlestick player, boxer and swordsman.

12. Has a good practical knowledge of British law.

13. loves chess

--Sir Arthur Conan Doyle, A Study in Scarlet

At the very end of A Study in Scarlet itself, it is shown that Holmes knows Latin and needs no translation of Roman epigrams in the original—though knowledge of the language would be of dubious direct utility for detective work, all university students were required to learn Latin at that time.

Later stories also contradict the list. Despite Holmes's supposed ignorance of politics, in "A Scandal in Bohemia" he immediately recognises the true identity of the supposed "Count von Kramm". Regarding nonsensational literature, his speech is replete with references to the Bible, Shakespeare, even Goethe. He is able to quote from a letter of Flaubert to George Sand and in the original French. Indeed, in The Hound of the Baskervilles, Holmes is able to recognise works by Martin Knoller and Joshua Reynolds as such, saying, "Excuse the admiration of a connoisseur....Watson won't allow that I know anything of art, but that is mere jealousy, since our views upon the subject differ." He goes on to explain, "I know what is good when I see it."

Moreover, in "The Adventure of the Bruce-Partington Plans" Watson reports that in November 1895 "Holmes lost himself in a monograph which he had undertaken upon the Polyphonic Motets of Lassus"—a most esoteric field, for which Holmes would have had to "clutter his memory" with an enormous amount of information which had absolutely nothing to do with crime-fighting—knowledge so extensive that his monograph was regarded as "the last word" on the subject.^[37] The later stories abandon the notion that Holmes did not want to know anything unless it had immediate relevance for his profession; in the second chapter of The Valley of Fear, Holmes instead declares that "all knowledge comes useful to the detective", and near the end of "The Adventure of the Lion's Mane" he describes himself as "an omnivorous reader with a strangely retentive memory for trifles".

Holmes is also a competent cryptanalyst. He relates to Watson, "I am fairly familiar with all forms of secret writing, and am myself the author of a trifling monograph upon the subject, in which I analyse one hundred and sixty separate ciphers". One such scheme is solved using frequency analysis in "The Adventure of the Dancing Men".

Holmes's analysis of physical evidence is both scientific and precise. His methods include the use of latent prints such as footprints, hoof prints and bicycle tracks to identify actions at a crime scene (A Study in Scarlet, "The Adventure of Silver Blaze", "The Adventure of the Priory School", The Hound of the Baskervilles, "The Boscombe Valley Mystery"), the use of tobacco ashes and cigarette butts to identify criminals ("The Adventure of the Resident Patient", The Hound of the Baskervilles), the comparison of typewritten letters to expose a fraud ("A Case of Identity"), the use of gunpowder residue to expose two murderers ("The Adventure of the Reigate Squire"), bullet comparison from two crime scenes ("The Adventure of the Empty House"), analysis of small pieces of human remains to expose two murders (The Adventure of the Cardboard Box) and even an early use of fingerprints ("The Norwood Builder"). Holmes also demonstrates knowledge of psychology in "A Scandal in Bohemia", luring Irene Adler into betraying where she had hidden a photograph based on the "premise" that an unmarried woman will seek her most valuable possession in case of fire, whereas a married woman will grab her baby instead.

Despite the excitement of his life (or perhaps seeking to leave it behind), Holmes retired to the Sussex Downs to take up beekeeping ("The Second Stain") and wrote a book on the subject entitled "Practical Handbook of Bee Culture, with Some Observations upon the Segregation of the Queen".^[38] His search for relaxation can also be seen in his love for music, notably in "The Red-Headed League", wherein Holmes takes an evening off from a case to listen to Pablo de Sarasate play violin.^{[citation needed]}

He also enjoys vocal music, particularly Wagner ("The Adventure of the Red Circle").

The film Young Sherlock Holmes (1985), which speculates about Holmes's youthful adventures, shows Holmes as a brilliant secondary school student, being mentored simultaneously by an eccentric professor/inventor and his dedicated fencing instructor.

Influence[link]

Forensic science[link]

1852 microscope

Sherlock Holmes remains a great inspiration for forensic science, especially for the way his acute study of a crime scene yields small clues as to the precise sequence of events. He makes great use of trace evidence such as shoe and tire impressions, as well as fingerprints, ballistics and handwriting analysis, now known as questioned document examination. Such evidence is used to test theories conceived by the police, for example, or by the investigator himself. All of the techniques advocated by Holmes later became reality, but were generally in their infancy at the time Conan Doyle was writing. In many of his reported cases, Holmes frequently complains of the way the crime scene has been contaminated by others, especially by the police, emphasising the critical importance of maintaining its integrity, a now well-known feature of crime scene examination.

Owing to the small scale of the trace evidence (such as tobacco ash, hair or fingerprints), he often uses a magnifying glass at the scene, and an optical microscope back at his lodgings in Baker Street. He uses analytical chemistry for blood residue analysis as well as toxicology examination and determination for poisons. Holmes seems to have maintained a small chemistry laboratory in his lodgings, presumably using simple wet chemical methods for detection of specific toxins, for example. Ballistics is used when spent bullets can be recovered, and their calibre measured and matched with a suspect murder weapon.

Holmes was also very perceptive of the dress and attitude of his clients and suspects, noting style and state of wear of their clothes, any contamination (such as clay on boots), their state of mind and physical condition in order to infer their origin and recent history. Skin marks such as tattoos could reveal much about their history. He applied the same method to personal items such as walking sticks (famously in The Hound of the Baskervilles) or hats (in the case of The Blue Carbuncle), with small details such as medallions, wear and contamination yielding vital indicators of their absent owners.

An omission from the stories is the use of forensic photography. Even before Holmes's time, high quality photography was used to record accident scenes, as in the Tay Bridge disaster of 1879 and the Jack the Ripper murders in 1888.

In 2002, the Royal Society of Chemistry bestowed an honorary fellowship of their organisation upon Sherlock Holmes,^[39] for his use of forensic science and analytical chemistry in popular literature, making him the only (as of 2010) fictional character to be thus honoured.

Role in the history of the detective story[link]

Auguste Dupin in "The Purloined Letter"

Although Sherlock Holmes is not the original fiction detective (he was influenced by Edgar Allan Poe's C. Auguste Dupin and Émile Gaboriau's Monsieur Lecoq, for both of whom the character openly expressed disdain or contempt), his name has become a byword for the part. His stories also include several detective story characters such as the loyal but less intelligent assistant, a role for which Dr Watson has become the archetype. The investigating detective became a popular genre with many authors such as Agatha Christie and Dorothy Sayers after the demise of Holmes, with characters such as Hercule Poirot and Lord Peter Wimsey. Forensic methods became less important than the psychology of the criminal, despite the strong growth in forensics in use by the police in the early 20th century.

Scientific literature[link]

Sherlock Holmes has occasionally been used in the scientific literature. John Radford (1999)^[40] speculates on his intelligence. Using Conan Doyle’s stories as data, Radford applies three different methods to estimate Sherlock Holmes’s IQ, and concludes that his intelligence was very high indeed, estimated at approximately 190 points. Snyder (2004)^[41] examines Holmes’s methods in the light of the science and the criminology of the mid to late 19th century. Kempster (2006)^[42] compares neurologists’ skills with those displayed by Holmes. Finally, Didierjean and Gobet (2008)^[43] reviewed the literature on the psychology of expertise by taking as model a fictional expert: Sherlock Holmes. They highlighted aspects of Doyle’s books that are in line with what is currently known about expertise, aspects that are implausible, and aspects that suggest further research.

Legacy[link]

Fan speculation[link]

The fifty-six short stories and four novels written by Conan Doyle are termed the "canon" by Sherlock Holmes fans. Early scholars of the canon included Ronald Knox^[44] in Britain and Christopher Morley in New York,^[45] the latter having founded the Baker Street Irregulars, the first society devoted exclusively to the canon of Holmes, in 1934.^[46]

Writers have produced many pop culture references to Sherlock Holmes, Conan Doyle, or characters from the stories in homage, to a greater or lesser degree. Such allusions can form a plot development, raise the intellectual level of the piece, or act as Easter eggs for an observant audience.^[47]

Some have been overt, introducing Holmes as a character in a new setting, or a more subtle allusion, such as making a logical character live in an apartment at number 221B. One well-known example of this is the character Gregory House on the show House M.D, whose name and apartment number are both references to Holmes. Often the simplest reference is to dress anybody who does some kind of detective work in a deerstalker and Inverness cape.

However, throughout the entire novel series, Holmes is never explicitly described as wearing a "deerstalker hat". Holmes dons "his ear-flapped travelling cap" in "The Adventure of Silver Blaze". Sidney Paget first drew Holmes wearing the deerstalker cap and Inverness cape in "The Boscombe Valley Mystery" and subsequently in several other stories.^{[citation needed]}

"Elementary, my dear Watson"[link]

A third major reference is the oft-quoted but non-canonical catchphrase: "Elementary, my dear Watson". This phrase is never actually uttered by Holmes in any of the sixty Holmes stories written by Conan Doyle. In the stories, Holmes often remarks that his logical conclusions are "elementary", in that he considers them to be simple and obvious. He also, on occasion, refers to Dr. Watson as "my dear Watson". The two fragments, however, never appear together. One of the closest examples to this phrase appears in "The Adventure of the Crooked Man", when Holmes explains a deduction:

The first known use of this phrase was in the 1915 novel, Psmith Journalist, by P. G. Wodehouse. It also appears at the very end of the 1929 film, The Return of Sherlock Holmes, the first Sherlock Holmes sound film. William Gillette, who played Holmes on stage and radio, had previously used the similar phrase, Oh, this is elementary, my dear fellow. The phrase might owe its household familiarity to its use in Edith Meiser's scripts for The New Adventures of Sherlock Holmes radio series, broadcast from 1939 to 1947.

The Great Hiatus[link]

Holmes and Moriarty fighting over the Reichenbach Falls, by Sidney Paget.

Holmes aficionados refer to the period from 1891 to 1894—the time between Holmes's disappearance and presumed death in "The Adventure of the Final Problem" and his reappearance in "The Adventure of the Empty House"—as "the Great Hiatus".^[48] It is notable, though, that one later story ("The Adventure of Wisteria Lodge") is described as taking place in 1892.

Conan Doyle wrote the first set of stories over the course of a decade. Wanting to devote more time to his historical novels, he killed off Holmes in "The Final Problem," which appeared in print in 1893. After resisting public pressure for eight years, the author wrote The Hound of the Baskervilles, which appeared in 1901, implicitly setting it before Holmes's "death" (some theorise that it actually took place after "The Return" but with Watson planting clues to an earlier date).^[49][50] The public, while pleased with the story, was not satisfied with a posthumous Holmes, and so Conan Doyle revived Holmes two years later. Many have speculated on his motives for bringing Holmes back to life, notably writer-director Nicholas Meyer, who wrote an essay on the subject in the 1970s entitled "The Great Man Takes a Walk". The actual reasons are not known, other than the obvious: publishers offered to pay generously. For whatever reason, Conan Doyle continued to write Holmes stories for another 24 years.

Some writers have come up with other explanations for the hiatus. In Meyer's novel The Seven-Per-Cent Solution, the hiatus is depicted as a secret sabbatical following Holmes's treatment for cocaine addiction at the hands of Sigmund Freud, and presents Holmes making the light-hearted suggestion that Watson write a fictitious account claiming he had been killed by Moriarty, saying of the public: "They'll never believe you in any case".^{[citation needed]}

In his memoirs, Conan Doyle quotes a reader, who judged the later stories inferior to the earlier ones, to the effect that when Holmes went over the Reichenbach Falls, he may not have been killed, but was never quite the same man. This is contradicted in part by Watson's evaluation in "The Adventure of Black Peter" that "I have never known my friend to be in better form, both mental and physical, than in the year '95," which would have been 4 years after the fall over Reichenbach Falls. The differences in the pre- and post-Hiatus Holmes have in fact created speculation among those who play "The Great Game" (making believe Sherlock Holmes was a historical person). Among the more fanciful theories, the story "The Case of the Detective's Smile" by Mark Bourne, published in the anthology Sherlock Holmes in Orbit, posits that one of the places Holmes visited during his hiatus was Alice's Wonderland. While there, he solved the case of the stolen tarts, and his experiences there contributed to his kicking the cocaine addiction.^{[citation needed]}

Societies[link]

Statue of Sherlock Holmes on Picardy Place in Edinburgh, Conan Doyle's birthplace. The statue shows Holmes wearing an Inverness cape and a deerstalker cap.

In 1934, the Sherlock Holmes Society, in London, and the Baker Street Irregulars, in New York were founded. Both are still active (though the Sherlock Holmes Society was dissolved in 1937 to be resuscitated only in 1951). The London-based society is one of many worldwide who arrange visits to the scenes of the Sherlock Holmes adventures, such as the Reichenbach Falls in the Swiss Alps.

The two initial societies founded in 1934 were followed by many more Holmesians circles, first of all in America (where they are called "scion societies"—offshoots—of the Baker Street Irregulars), then in England and Denmark. Nowadays, there are Sherlockian societies in many countries, such as India and Japan.^[51]

Museums[link]

During the 1951 Festival of Britain, Sherlock Holmes's sitting-room was reconstructed as the masterpiece of a Sherlock Holmes Exhibition, displaying a unique collection of original material. After the 1951 exhibition closed, items were transferred to the Sherlock Holmes Pub, in London, and to the Conan Doyle Collection in Lucens (Switzerland). Both exhibitions, each including its own Baker Street Sitting-Room reconstruction, are still open to the public. In 1990, the Sherlock Holmes Museum opened in Baker Street London and the following year in Meiringen, Switzerland another museum opened; naturally, they include less historical material about Conan Doyle than about Sherlock Holmes himself. The Sherlock Holmes Museum in Baker Street, London was the first Museum in the world to be dedicated to a fictional character. A private collection of Conan Doyle is also housed in the Portsmouth City Museum which has a permanent exhibit, due to his importance in the city where he lived and worked for many years.

Adaptations and derived works[link]

The enduring popularity of Sherlock Holmes has led to hundreds of works based on the character – both adaptations into other media and original stories. The copyright in all of Conan Doyle's works expired in the United Kingdom in 1980 and are public domain there.^[52] All works published in the United States prior to 1923 are in the public domain; this includes all Sherlock Holmes stories with the exception of some of the stories contained within The Case-Book of Sherlock Holmes. For works published after 1923 but before 1963, if the copyright was registered, its term lasts for 95 years.^[53] The Conan Doyle heirs registered the copyright to The Case Book (published in the USA after 1923) in 1981 through the Copyright Act of 1976.^[52][54][55]

Stage and screen adaptations[link]

William Gillette starring in his Sherlock Holmes, New York, c. 1900

Sherlock Holmes Baffled, the first screen portrayal of Holmes from 1900.

The Guinness World Records has consistently listed Sherlock Holmes as the "most portrayed movie character"^[56] with 75 actors playing the part in over 211 films. Holmes's first screen appearance was in the Mutoscope film Sherlock Holmes Baffled in 1900, albeit in a barely-recognisable form.^[57]

William Gillette’s 1899 play Sherlock Holmes, or The Strange Case of Miss Faulkner was a synthesis of several stories by Doyle, mostly based on A Scandal in Bohemia adding love interest, with the Holmes-Moriarty exchange from The Final Problem, as well as elements from The Copper Beeches and A Study in Scarlet. By 1916, Harry Arthur Saintsbury had played Holmes on stage more than a thousand times.^[58] This play formed the basis for Gillette's 1916 motion picture, Sherlock Holmes.

From 1921 to 1923, Stoll Pictures produced a series of silent black-and-white films based on Sir Arthur Conan Doyle's Sherlock Holmes stories. Forty-five short films and two feature length films were produced^[59] featuring Eille Norwood in the role of Holmes and Hubert Willis cast as Dr Watson with the exception of the final film, The Sign of Four, where Willis was replaced with Arthur Cullin.

In a 1924 comedy film Sherlock Jr. Buster Keaton's character longs to be a detective.

The first sound film to feature Sherlock Holmes, was the sound-on-disk The Return of Sherlock Holmes, written by Basil Dean, and filmed in New York City in 1929. It starred Clive Brook as Sherlock Holmes. It supposedly marks the first use of the line, "Elementary, my dear Watson". The film exists today only as a silent picture because the sound disks were lost.^{[citation needed]}

Basil Rathbone starred as Sherlock Holmes alongside Nigel Bruce as Dr Watson in fourteen US films (two for 20th Century Fox and a dozen for Universal Pictures) from 1939 to 1946, as well as the radio show "The New Adventures of Sherlock Holmes" on the Mutual Broadcasting System from 1939 to 1946 before passing the role to Tom Conway. The 1939 20th Century Fox Hound of the Baskervilles contains an unusually direct reference to Holmes' drug use in the last line of the film, "Watson, the needle". The Universal Pictures are distinctive for being set in the then contemporary post-World War II era.

Ronald Howard starred in 39 episodes of the Sherlock Holmes 1954 American TV series with Howard Marion Crawford as Watson. The storylines deviated from the books of Conan Doyle, changing characters and other details.

In 1959 Peter Cushing starred in Hammer Film Productions' The Hound of the Baskervilles (1959), marking Holmes' first screen appearance in colour. He would return to the role several times in both film and television performances.

Fritz Weaver appeared as Sherlock Holmes in the musical Baker Street, which ran on Broadway between 16 February and 14 November 1965. Peter Sallis portrayed Dr. Watson, Inga Swenson appeared as The Woman, Irene Adler, and Martin Gabel played Moriarty. Virginia Vestoff, Tommy Tune, and Christopher Walken were also members of the original cast.^[60]

Acclaimed director Billy Wilder had long planned a roadshow motion picture about Holmes, in which he planned to have Peter O'Toole as Holmes and Peter Sellers as Watson. However, when The Private Life of Sherlock Holmes finally reached the screen in 1970, the roles had been given to Robert Stephens and Colin Blakely. The film was heavily edited after its release and parts of it are now lost. Though not a success at the time of release it is considered by some to be one of Wilder's late masterpieces.^{[citation needed]}

In The Return Of Sherlock Holmes, a TV movie aired in 1987, Margaret Colin stars as Dr. Watson's great-granddaughter Jane Watson, a Boston private eye, who stumbles upon Sherlock Holmes's (played by Michael Pennington) body in frozen suspension and restores the Victorian sleuth to life in the 1980s. The film was intended as a pilot for a TV series which never materialised. A similar plot line was used in Sherlock Holmes Returns: 1994 Baker Street where Dr Amy Winslow (played by Debrah Farentino) discovers Sherlock Holmes frozen in the cellar of house in San Francisco owned by a descendant of Mrs Hudson. Holmes (played by Anthony Higgins) froze himself in the hopes that crimes in the future would be less dull. He discovers that consulting detectives have been replaced by the police department's forensic science lab and that the Moriarty family are still the Napoleons of crime.

Jeremy Brett is generally considered the definitive Holmes,^[61] having played the role in four series of Sherlock Holmes, created by John Hawkesworth for Britain's Granada Television, from 1984 through to 1994, as well as depicting Holmes on stage. Brett's Dr Watson was played by David Burke (pre-hiatus) and Edward Hardwicke (post-hiatus) in the series. Jeremy Brett wished to be the best Sherlock Holmes the world had ever seen and conducted extensive research into the character and the author that created him. He strove to bring passion and life to the role and in his obituary it was said, "Mr. Brett was regarded as the quintessential Holmes: breathtakingly analytical, given to outrageous disguises and the blackest moods and relentless in his enthusiasm for solving the most intricate crimes."

Sculpture of Holmes and Watson, as portrayed in the Soviet series, at the UK embassy in Moscow

Nicol Williamson portrayed Holmes in The Seven-Per-Cent Solution with Robert Duvall playing Watson and featuring Alan Arkin as Sigmund Freud. The 1976 adaption was written by Nicholas Meyer from his 1974 book of the same name, and directed by Herbert Ross.

Bob Clarke directed Christopher Plummer and James Mason in the 1979 created film Murder by Decree, which followed Holmes, hunting Jack the Ripper.

Between 1979 and 1986, Soviet television broadcast a series of five made-for-TV films in a total of eleven parts, The Adventures of Sherlock Holmes and Dr. Watson, starring Vasily Livanov as Holmes and Vitaly Solomin as Watson.

Christopher Lee starred as Holmes in three screen adaptions, namely Sherlock Holmes and the Deadly Necklace (1962), Incident at Victoria Falls (1991) and Sherlock Holmes and the Leading Lady (1992) together with Morgan Fairchild as "The Woman".

In 2002 made-for-television movie Sherlock: Case of Evil, James D'Arcy starred as Holmes in his 20s. The story noticeably departs from the style and backstory of the canon and D'Arcy's portrayal of Holmes is slightly different from prior incarnations of the character, psychologically disturbed, an absinthe addicted, a heavy drinker and a ladies' man.

The Fox television series House contains numerous similarities and references to Holmes. Show creator David Shore has acknowledged this "subtle homage".^[62]

In the 2009 film Sherlock Holmes, based on a story by Lionel Wigram and images by John Watkiss,^[63] directed by Guy Ritchie, the role of Holmes is performed by Robert Downey, Jr. with Jude Law portraying Watson. It is a reinterpretation which heavily focuses on Holmes's more anti-social personality traits as an unkempt eccentric with a brilliant analytical mind and formidable martial abilities, making this a very cynical incarnation of Holmes. Robert Downey Jr. won the Golden Globe Award for his portrayal.^[64] Downey Jr. returned in the 2011 sequel, Sherlock Holmes: A Game of Shadows.

Independent film company The Asylum released the direct-to-DVD film Sherlock Holmes in January 2010. In the film, Holmes and Watson battle a criminal mastermind dubbed "Spring-Heeled Jack", who controls several mechanical creatures to commit crimes across London. Holmes (Ben Syder) is portrayed as considerably younger than most actors who have played him, and his disapproval of Scotland Yard is undertoned, though things like his drug addiction remain mostly unchanged. The film features a brother of Holmes's called Thorpe, who was invented by the producers of the film out of creative liberty. His companion Watson is played by Torchwood actor Gareth David-Lloyd.

Benedict Cumberbatch as Holmes in Sherlock

Benedict Cumberbatch plays a modern-day version of the detective, with Martin Freeman as Watson, in the BBC One TV series Sherlock, which premiered on 25 July 2010. The series changes the books' original Victorian setting to the shady and violent present-day London. The show was created by Mark Gatiss and Steven Moffat, best known as writers for the BBC television series Doctor Who. Says Moffat, "Conan Doyle's stories were never about frock coats and gas light; they're about brilliant detection, dreadful villains and blood-curdling crimes – and frankly, to hell with the crinoline. Other detectives have cases, Sherlock Holmes has adventures, and that's what matters."

Cumberbatch's Holmes was described by the BBC as:

He also uses modern technology, such as texting and blogging, to solve crimes,^[66] and in a nod towards changing smoking legislature, he has replaced his pipe with multiple nicotine patches, as London has forbidden smoking in most public areas, yet this interpretation of Holmes still finds nicotine to help the cognitive process.^[67]

Related and derivative works[link]

In addition to the Sherlock Holmes corpus, Conan Doyle's "The Lost Special" (1898) features an unnamed "amateur reasoner" clearly intended to be identified as Holmes by his readers. His explanation for a baffling disappearance, argued in Holmes's characteristic style, turns out to be quite wrong—evidently Conan Doyle was not above poking fun at his own hero. A short story by Conan Doyle using the same idea is "The Man with the Watches". Another example of Conan Doyle's humour is "How Watson Learned the Trick" (1924), a parody of the frequent Watson-Holmes breakfast table scenes. A further (and earlier) parody by Conan Doyle is "The Field Bazaar". He also wrote other material, especially plays, featuring Holmes. Many of these are collected in Sherlock Holmes: The Published Apocrypha edited by Jack Tracy, The Final Adventures of Sherlock Holmes edited by Peter Haining and The Uncollected Sherlock Holmes compiled by Richard Lancelyn Green.

In 1907, Sherlock Holmes began featuring in a series of German booklets. Among the writers was Theo van Blankensee. Watson had been replaced by a 19 year old assistant from the street, among his Baker Street Irregulars, with the name Harry Taxon, and Mrs. Hudson had been replaced by one Mrs. Bonnet. From number 10 the series changed its name to "Aus den Geheimakten des Welt-Detektivs". The French edition changed its name from "Les Dossiers Secrets de Sherlock Holmes" to "Les Dossiers du Roi des Detectives".^[68]

Sherlock Holmes's abilities as both a good fighter and an excellent logician have been a boon to other authors who have lifted his name, or details of his exploits, for their plots. These range from Holmes as a cocaine addict, whose drug-fuelled fantasies lead him to cast an innocent Professor Moriarty as a super villain (The Seven-Per-Cent Solution), to science-fiction plots involving him being re-animated after death to fight crime in the future (Sherlock Holmes in the 22nd Century).

Some authors have supplied stories to fit the tantalising references in the canon to unpublished cases (e.g. "The giant rat of Sumatra, a story for which the world is not yet prepared" in "The Adventure of the Sussex Vampire"), notably The Exploits of Sherlock Holmes by Conan Doyle's son Adrian Conan Doyle with John Dickson Carr, and The Lost Adventures of Sherlock Holmes by Ken Greenwald, based rather closely on episodes of the 1945 Sherlock Holmes radio show that starred Basil Rathbone and Nigel Bruce and for which scripts were written by Dennis Green and Anthony Boucher. Others have used different characters from the stories as their own detective, e.g. Mycroft Holmes in Enter the Lion by Michael P. Hodel and Sean M. Wright (1979) or Dr James Mortimer (from The Hound of the Baskervilles) in books by Gerard Williams.

Laurie R. King recreates Sherlock Holmes in her Mary Russell series (starting with The Beekeeper's Apprentice), set during the First World War and the 1920s. Her Holmes is (semi)retired in Sussex, where he is literally stumbled over by a teenage American girl. Recognising a kindred spirit, he gradually trains her as his apprentice and subsequently marries her. As of 2009^[update] the series includes nine novels and a novella tie-in with a book from King's present-time Kate Martinelli series, The Art of Detection.

Carole Nelson Douglas' series, the Irene Adler Adventures, is based on the character from Doyle's "A Scandal in Bohemia". The first book, Good Night, Mr. Holmes, retells that tale from Irene's point of view. The series is narrated by Adler's companion, Penelope Huxleigh, in a role similar to that of Dr. Watson.

The film They Might Be Giants is a 1971 romantic comedy based on the 1961 play of the same name (both written by James Goldman) in which the character Justin Playfair, played by George C. Scott, is convinced he is Sherlock Holmes, and manages to convince many others of same, including the psychiatrist Dr. Watson, played by Joanne Woodward, who is assigned to evaluate him so he can be committed to a mental institution.

The film Young Sherlock Holmes (1985) explores adventures of Holmes and Watson as boarding school pupils.^[69]

The Japanese anime series "Detective Conan", also called "Case Closed" in English, is an homage to Doyle's work.

The 2002 film The Case of the Whitechapel Vampire is loosely based on Doyle's story "The Adventure of the Sussex Vampire".

In the 1980s Ben Kingsley played Dr. Watson in Without a Clue. In this film, the comic premise is that Dr. Watson is actually a brilliant detective, and that he has hired an actor, Sherlock Holmes (Michael Caine), to take credit for the cases that Watson has been writing about, to draw attention away from himself. The powerful criminal Dr. Moriarty is said to know that Sherlock Holmes has no abilities as a detective whatsoever.

The novel A Dog About Town by J. F. Englert makes reference to Sherlock Holmes, comparing the black Labrador retriever narrator, Randolph, to Doyle's detective as well as naming a fictitious spirit guide after him.^[70]

The Final Solution is a 2004 novel by Michael Chabon. The story, set in 1944, revolves around an 89-year-old long-retired detective who may or may not be Sherlock Holmes but is always called just "the old man", now interested mostly in beekeeping, and his quest to find a missing parrot, the only friend of a mute Jewish boy. The title references both Doyle's story "The Final Problem" and the Final Solution, the Nazis' plan for the genocide of the Jewish people.

In 2006, a southern California "vaudeville-nouveau" group known as Sound & Fury began performing a theatre in the round parody show entitled "Sherlock Holmes & The Saline Solution" which depicts Holmes as a bumbling figure guided by a slightly less clueless Watson. The show ran in Los Angeles as well as the Edinburgh and Adelaide Fringe Festivals through 2009.

In a novella "The Prisoner of the Tower, or A Short But Beautiful Journey of Three Wise Men" by Boris Akunin published in 2008 in Russia as the conclusion of the book "Jade Rosary Beads", Sherlock Holmes and Erast Fandorin oppose Arsène Lupin on 31 December 1899.

In June 2010 it was announced that Franklin Watts books, a part of Hachette Children's Books are to release a series of four children's graphic novels by writer Tony Lee and artist Dan Boultwood in spring 2011 based around the Baker Street Irregulars during the three years that Sherlock Holmes was believed dead, between The Adventure of the Final Problem and The Adventure of the Empty House. Although not specifying whether Sherlock Holmes actually appears in the books, the early reports include appearances by Doctor Watson, Inspector Lestrade and Irene Adler.

In 2011, Anthony Horowitz, author of the Alex Rider novels, The Power of Five and TV's Foyle's War, had published a new "authorised" Sherlock Holmes novel: The House of Silk, commissioned by the Conan Doyle estate. The novel is presented as a continuation of Conan Doyle's work and is narrated by Dr. Watson. ^[71]

The original stories[link]

The original Sherlock Holmes stories consist of fifty-six short stories and four novels written by Sir Arthur Conan Doyle.

Novels[link]

• A Study in Scarlet (published 1887, in Beeton's Christmas Annual)
• The Sign of the Four (published 1890, Lippincott's Monthly Magazine)
• The Hound of the Baskervilles (serialised 1901–1902 in The Strand)
• The Valley of Fear (serialised 1914–1915 in The Strand)

Short stories[link]

For more detail see List of Conan Doyle's Sherlock Holmes short stories.

The short stories, originally published in periodicals, were later gathered into five anthologies:

• The Adventures of Sherlock Holmes (contains stories published 1891–1892 in The Strand)
• The Memoirs of Sherlock Holmes (contains stories published 1892–1893 in The Strand as further episodes of the Adventures)
• The Return of Sherlock Holmes (contains stories published 1903–1904 in The Strand)
• The Reminiscences of Sherlock Holmes (including His Last Bow) (contains stories published 1908–1913 and 1917)
• The Case-Book of Sherlock Holmes (contains stories published 1921–1927)

See also[link]

	United Kingdom portal
	Novels portal
	Fictional characters portal

• Deductive reasoning
• Inductive reasoning
• Inference
• HOLMES2 (police computer system)
• List of actors who have played Sherlock Holmes
• List of Holmesian studies

References[link]

Further reading[link]