This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (December 2008)

Arturo Molina Jr. (born May 31, 1964), better known as Frost (Originally Kid Frost), is a Mexican American hip hop artist.

Early life[link]

Molina was born and raised in East Los Angeles, California and occasionally lived with his family in military bases in Guam and Germany. He began his music career in 1982 as Kid Frost as a tribute to his rival Ice-T, whom he often battled in the music industry. In an interview Frost stated that his first actual DJ was in fact Dr. Dre and DJ Yella. He soon became a breakdancer for Uncle Jamms Army.^[1]

Music career[link]

In the mid 1980s, Frost released several pre-gangsta 12" singles on Los Angeles-based labels Electrobeat, and Baja. In the late 1980s, Kid Frost moved to Virgin Records. Virgin released his biggest hit, "La Raza". His debut album, Hispanic Causing Panic was released in 1990. He also established a Latin rap supergroup called Latin Alliance, which released their only album, Latin Alliance, in 1991. His second album, East Side Story was released in 1992, which featured appearances from MC Eiht, A.L.T. and Ganxta Ridd from the Boo-Yaa TRIBE.

In 1995, Frost dropped the "Kid" from his nickname and signed with Ruthless Records, Eazy-E's label (distributed by Relativity). Smile Now Die Later was released that year. Above The Law were featured as guest rappers, alongside A.L.T., O. Genius and Kokane. Rick James also appeared on Frost's version of "Mary Jane". His second album for Ruthless, When Hell.A.Freezes Over, was released in 1997. Ice T, Scoop, O. Genius and Domino also appeared as guest rappers.

In 1999, Frost moved to a small independent label called Celeb-entertainment records. His first album for Celeb-entertainment titled This Was Then This Is Now Vol. I was released in 1999. Kurupt, King T, Baby Bash, Jay Tee, Jayo Felony, Xzibit, B-Legit, and Cameosis were featured on the CD. That Was Then This Is Now Vol. II was released in 2000. Frank V., Clika One, Jay Tee, Baby Bash and other guest rappers were also featured on the CD.

2002's Still Up In This Shit!, released by Hit-A-Lick / Koch Records, featured more Latin rap style and G-Funk tracks as well as a hidden bonus rock track titled "Cannabis". Mellow Man Ace, Daz Dillinger, Baby Bash, A.L.T., Nino Brown, Don Cisco and other guest rappers appeared, and one track featured the group Tierra. Somethin' 4 The Ridaz was released in 2003 on 40 Ounce Records and featured various hip hop artist from Texas.

In 2005 Welcome To Frost Angeles was released on Thump Records, which was produced almost entirely by Frost and his son, Scoop De'Ville. Only the Intro is produced by Binky Womack, and Philly Blunt co-produced one track. Guest rappers included Cameosis, Genovese and Jay Tee. Frost again signed to Low Profile Records and released his album Till The Wheels Fall Off in 2006. It had various guest appearances which included Baby Bash, Scoop De'Ville and Mr. Sancho.

Frost also performed music for films including "Bite the Bullet (Theme from Gunmen)" in the 1993 film Gunmen and "Tears Of A Mother" in the film No Mothers Crying, No Babies Dying, which featured Ice T. Frost is also an accomplished actor appearing in several films, as well as doing voice roles for fictional characters such as T-Bone Mendez from Grand Theft Auto: San Andreas and contributing his song "La Raza".

He was named Vice President of the Music Division of Goldmark Industries on August 30, 2006. Frost also appeared in a cameo role in Snoop Dogg's "Vato" music video, as well as B-Real that same year.

Discography[link]

Compilations[link]

Latin Alliance[link]

Singles[link]

References[link]

1. ^ ^{a b} Huey, Steve (2006). "Frost > Biography". allmusic. http://www.allmusic.com/artist/p17735. Retrieved 2008-12-18. 

External links[link]

• Kid Frost The Raza
• Kid Frost at the Internet Movie Database

It has been suggested that this article or section be merged with Hard frost. (Discuss) Proposed since April 2011.

Hoar frost or soft rime on a cold winter day in Lower Saxony

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Frost is the solid deposition of water vapor from saturated air. It is formed when solid surfaces are cooled to below the dew point of the adjacent air as well as below the freezing point of water.^[1] Frost crystals' size differ depending on time and water vapour available. Frost is also usually translucent in appearance. There are many types of frost, such as radiation and window frost. Frost causes economic damage when it destroys plants or hanging fruits.

Formation[link]

If a solid surface is chilled below the dew point of the surrounding air and the surface itself is colder than freezing, frost will form on the surface. Frost consists of spicules of ice which grow out from the solid surface. The size of the crystals depends on time, temperature, and the amount of water vapor available. Based on wind direction, "Frost arrows" might form.

In general, for frost to form the deposition surface must be colder than the surrounding air. For instance frost may be observed around cracks in cold wooden sidewalks when moist air escapes from the ground below. Other objects on which frost tends to form are those with low specific heat or high thermal emissivity, such as blackened metals; hence the accumulation of frost on the heads of rusty nails. The apparently erratic occurrence of frost in adjacent localities is due partly to differences of elevation, the lower areas becoming colder on calm nights. It is also affected by differences in absorptivity and specific heat of the ground which in the absence of wind greatly influences the temperature attained by the superincumbent air.

The formation of frost is an example of meteorological deposition.

Types[link]

Hoar frost[link]

A spider web covered in hoar frost

Hoar frost (also called radiation frost or hoarfrost or pruina) refers to the white ice crystals, loosely deposited on the ground or exposed objects, that form on cold clear nights when heat losses into the open skies cause objects to become colder than the surrounding air. A related effect is flood frost which occurs when air cooled by ground-level radiation losses travels downhill to form pockets of very cold air in depressions, valleys, and hollows. Hoar frost can form in these areas even when the air temperature a few feet above ground is well above freezing. Nonetheless the frost itself will be at or below the freezing temperature of water.

Hoar frost may have different names depending on where it forms. For example, air hoar is a deposit of hoar frost on objects above the surface, such as tree branches, plant stems, wires; surface hoar is formed by fernlike ice crystals directly deposited on snow, ice or already frozen surfaces; crevasse hoar consists of crystals that form in glacial crevasses where water vapour can accumulate under calm weather conditions; depth hoar refers to cup shaped, faceted crystals formed within dry snow, beneath the surface.

The name hoar comes from Old English and can be used as an adjective for showing signs of old age in reference to the frost which makes trees and bushes look like elderly white hair. It may also have association with hawthorn when covered in its characteristic white spring blossom.

Surface hoar is a cause of avalanches when it forms on top of snow. Conditions are ideal for the formation of hoarfrost on cold clear nights, with a very light wind that is able to circulate more humidified air around the snow surface. Wind that is too abrupt will destroy the crystals. When buried by subsequent snows they may remain standing for easy identification, or become laid down, but still dangerous because of the weakness of the crystals. In low temperatures surface hoar can also be broken apart and blown across the surface forming yukimarimo.

Hoar frost also occurs around man-made environments such as freezers or industrial cold storage facilities. It occurs in adjacent rooms that are not well insulated against the cold or around entry locations where humidity and moisture will enter and freeze instantly depending on the freezer temperature.

Advection frost[link]

Advection frost (also called wind frost) refers to tiny ice spikes forming when there is a very cold wind blowing over branches of trees, poles and other surfaces. It looks like rimming the edge of flowers and leaves and usually it forms against the direction of the wind. It can occur at any hour of day and night.

Frost flowers[link]

Frost flowers occur when there is a freezing weather condition but the ground is not already frozen. The water contained in the plant stem expands and causes long cracks along the stem. Water, via capillary action, goes out from the cracks and freezes on contact with the air. Also the frost can literally look like a flower, even a dead flower from the previous summer. These are rare and wonderful to see as they are very delicate and last usually less than a day. Due to their fleeting nature, they are difficult to find to photograph and the locations of these Frost Flowers are elusive as terrain plays a big part in their formation as well.

Window frost[link]

Window frost (also called fern frost or ice flowers) forms when a glass pane is exposed to very cold air on the outside and moderately moist air on the inside. If the pane is not a good insulator (such as a single pane window), water vapour condenses on the glass forming patterns. With very low temperatures outside frost can appear on the bottom of the window even with double pane energy efficient windows, due to air convection between two panes of glass. The bottom part of the glazing unit is always colder than the top part. The glass surface influences the shape of crystals, so imperfections, scratches or dust can modify the way ice nucleates. If the indoor air is very humid, rather than moderately so, water will first condense in small droplets and then freeze into clear ice.

White frost[link]

White frost is a solid deposition of ice which forms directly from water vapour contained in air. White frost forms when there is a relative humidity above 90% and a temperature below –8 °C (18 °F) and it grows against the wind direction, since arriving windward air has a higher humidity than leeward air, but the wind must not be very strong in order not to damage the delicately built icy structures. These structures resemble a heavy coating of hoar frost with big and interlocking crystals, usually needle-shaped.

Rime[link]

Rime is a type of ice deposition that occurs quickly, often under conditions of heavily saturated air and windy conditions. Technically speaking, it is not a type of frost, since usually supercooled water drops are involved, in contrast to the formation of hoar frost, in which water vapour condenses slowly and directly. Ships travelling through Arctic seas may accumulate rime on the rigging. Unlike hoar frost, which has a feathery appearance, rime generally has an icy solid appearance.

Effect on plants[link]

Overview[link]

Many plants can be damaged or killed by freezing temperatures or frost. This varies with the type of plant and tissue exposed to low temperatures.

Tender plants, like tomatoes, die when they are exposed to frost. Hardy plants, like radish, tolerate lower temperatures. Hardy perennials, such as Hosta, become dormant after the first frosts and regrow when spring arrives. The entire visible plant may turn completely brown until the spring warmth, or may drop all of its leaves and flowers, leaving the stem and stalk only. Evergreen plants, such as pine trees, withstand frost although all or most growth stops. Frost crack is a bark defect caused by a combination of low temperatures and heat from the winter sun.

Vegetation is not necessarily damaged when leaf temperatures drop below the freezing point of their cell contents. In the absence of a site nucleating the formation of ice crystals, the leaves remain in a supercooled liquid state, safely reaching temperatures of −4°C to −12°C. However, once frost forms, the leaf cells may be damaged by sharp ice crystals. Hardening is the process by which a plant becomes tolerant to low temperatures. See also cryobiology.

Certain bacteria, notably Pseudomonas syringae, are particularly effective at triggering frost formation, raising the nucleation temperature to about −2°C.^[2] Bacteria lacking ice nucleation-active proteins (ice-minus bacteria) result in greatly reduced frost damage.^[3]

Protection methods[link]

The selective inverted sink^[4] prevents frost by drawing cold air from the ground and blowing it up through a chimney. It was originally developed to prevent frost damage to citrus fruits in Uruguay.

In New Zealand, helicopters are used in a similar function, especially in the vineyard regions like Marlborough. By dragging down warmer air from the inversion layers, and preventing the ponding of colder air on the ground, the low-flying helicopters prevent damage to the fruit buds. As the operations are conducted at night, and have in the past involved up to 130 aircraft per night in one region, safety rules are strict.^[5]

An effective low cost method used in some small crop farms and plant nurseries, exploits a property of water known as latent heat of fusion. By use of a pulsed irrigation timer,^[6] existing overhead sprinklers may be used to deliver water at a low average precipitation rate ranging from 2.5 to 5ml/Hour for frosts down to -5deg. C.^[6][7] As the water is deposited on the foliage it freezes, giving off its latent heat and preventing the temperature of the foliage falling below zero.^[7]

Personifications[link]

Frost is personified in Russian culture as Ded Moroz. Indigenous peoples of Russia such as the Mordvins have their own traditions of frost deities.

English folklore tradition holds that Jack Frost, an elfish creature, is responsible for feathery patterns of frost found on windows on cold mornings.

Gallery[link]

• Frost
• 

  Air Hoar on pine branches
• 

  Frost on a nettle
• 

  Rime frost
• 

  Large feathery crystals
• 

  Frost on branches
• 

  Fern Frost on a Window
• 

  Frost on plant leaves in the Himalayas

See also[link]

Air Hoar

• Frost (temperature)
• Ground frost
• Black ice
• Frostbite
• Frost heaving
• Frost line
• Hard frost
• Icing (nautical)
• Needle ice
• Rime: soft/hard

References[link]

External links[link]

Wikimedia Commons has media related to: Frost

Look up frost in Wiktionary, the free dictionary.

• Guide to Frost
• BBC Understanding Weather - Frost
• American Meteorological Society, Glossary of Meteorology - Hoarfrost
• The Weather Doctor - Weather Whys - Frost

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2010)

Cypress Hill
Cypress Hill performing at Bonnaroo in 2006
Background information
Also known as	DVX (Devasting Vocal Excellence)
Origin	South Gate, California, United States
Genres	Hip hop, rap rock, alternative hip hop, west coast hip hop
Years active	1988–present
Labels	Ruffhouse, Columbia, Sony Music, Priority, EMI
Associated acts	Soul Assassins, Tom Morello, Everlast, Ice Cube, Snoop Dogg, Slash, House of Pain, Xzibit, Funkdoobiest, Adil Omar, Young De, Travis Barker, Psycho Realm, La Coka Nostra, Rusko, Rage Against the Machine, Fergie, La Coka Nostra
Website	CypressHill.com
Members
B-Real DJ Muggs Sen Dog Eric Bobo
Past members
Mellow Man Ace

Cypress Hill is an American hip hop group from South Gate, California. Cypress Hill was the first Cuban-American/Latino hip hop group to have platinum and multi-platinum albums, selling over 18 million albums worldwide. It is one of the most well-known groups in West Coast rap and was critically acclaimed for their first two groundbreaking albums.^[1]

History[link]

Formation (1988)[link]

Senen Reyes (also known as Sen Dog) and Ulpiano Sergio Reyes (also known as Mellow Man Ace) are brothers who initially lived in South Gate, California. In 1971, their family had immigrated to the United States, settling in the Los Angeles neighborhood of South Gate. In 1988, the two brothers teamed up with Lawrence Muggerud (also known as DJ Muggs) and Louis Freese (also known as B-Real) to form a hip-hop group named DVX (Devastating Vocal Excellence). The band soon lost Mellow Man Ace to a solo career, and changed their name to Cypress Hill, after a street in South Gate.^[2]

Early works and mainstream success (1989–1995)[link]

After recording a demo in 1989, Cypress Hill signed a record deal with the major label, Columbia Records. Their self-titled first album was released in August 1991. The lead single was the double A-side "The Phuncky Feel One"/"How I Could Just Kill a Man" which received heavy airplay on urban and college radio. The other two singles released from the album were "Hand on the Pump" and "Latin Lingo", the latter of which combined English and Spanish lyrics. The success of these singles led to the album selling two million copies in the US alone. The group made their first appearance at Lollapalooza on the side stage in 1992.

Black Sunday, the group's second album, debuted at number one on the Billboard 200 in 1993, recording the highest Soundscan for a rap group up until that time. Also, with their debut still in the charts, they became the first rap group to have 2 albums in the top 10 of the Billboard 200 at the same time. With "Insane in the Brain" becoming a crossover hit, the album went triple platinum in the U.S. and sold about 3.25 million copies.

The band headlined the Soul Assassins tour with House of Pain and Funkdoobiest as support, then performed on a college tour with Rage Against the Machine and Seven Year Bitch. In 1993, Cypress Hill also had two tracks on the Judgment Night soundtrack, teaming up with Pearl Jam on the track "Real Thing" and Sonic Youth on "I Love You Mary Jane".

The group later played at Woodstock 94, introducing new member Eric Bobo, son of Willie Bobo and formerly a percussionist with the Beastie Boys. Rolling Stone magazine named the group as the best rap group in their music awards voted by critics and readers. Cypress Hill played at Lollapalooza for two successive years, topping the bill in 1995. They also appeared on the "Homerpalooza" episode of The Simpsons. Prior to Bobo joining the crew, Panchito "Ponch" Gomez sat in as a percussionist when not acting.

Their third album III: Temples of Boom was released in 1995, selling 1.5 million copies and reaching number 3 on the Billboard 200 on the strength of the hit single "Throw Your Set in the Air".^{[citation needed]} Cypress Hill also contributed a track "I Wanna Get High" to the High Times sponsored Hempilation album to support NORML.

Continued career (1996–2002)[link]

Sen Dog took a break from the band to form a Los Angeles based rap rock band SX-10.^[3] Meanwhile in 1996, Cypress Hill appeared on the first 'Smokin' Grooves' tour, featuring Ziggy Marley, The Fugees, Busta Rhymes and A Tribe Called Quest. The band also released a nine track EP Unreleased and Revamped with rare mixes. In 1997, band members focused on their solo careers. Muggs released Soul Assassins: Chapter 1 featuring contributions from Dr. Dre, KRS-One, Wyclef Jean and Mobb Deep. B-Real appeared with Busta Rhymes, Coolio, LL Cool J and Method Man on "Hit Em High" from the multi-platinum Space Jam Soundtrack. He also appeared with RBX, Nas and KRS-One on "East Coast Killer, West Coast Killer" off Dr. Dre's Dr. Dre Presents the Aftermath album, and contributed to an album entitled The Psycho Realm with the band of the same name. Though the focus that year was not on group efforts, the band played Smokin' Grooves with George Clinton and Erykah Badu.

Cypress Hill released IV in 1998 which went gold in the U.S., on the backs of hit singles "Tequila Sunrise" and "Dr. Greenthumb." Sen Dog also released the Get Wood sampler as part of SX-10 on the label Flip. In 1999, Cypress Hill helped with the PC crime video game Kingpin: Life of Crime. Three of their songs from the 1998 IV album were in the game ( "16 Men Till There's No Men Left", "Checkmate" and "Lightning Strikes"). B-Real also did some of the voices of the people in the game. Also in 1999, the band released a greatest-hits album in Spanish, Los grandes éxitos en español. In 2000, Cypress Hill then fused genres with their fifth album, Skull & Bones, which was a two-disc album. The first disc, "Skull" was composed of rap tracks while "Bones" explored further the group's forays into rock. The album reached the Top 5 on the Billboard 200 and number 3 in Canada. The first single was "Rock Superstar" for rock radio and "Rap Superstar" for urban radio. Following the release of the album, Cypress Hill (along with MxPx) landed a slot opening for The Offspring on the Conspiracy of One tour. The band also released Live at the Fillmore, a concert disc recorded at the Fillmore (in San Francisco) in 2000. Cypress Hill continued their experimentation with rock on the Stoned Raiders album in 2001. However, its sales were a disappointment, as the disc did not even reach the top 50 of the U.S. album charts. In 2001, the group appeared in the film How High.

[edit] Till Death Do Us Part (2003–2007)

Cypress Hill recorded "Just Another Victim" for WWE as a theme song for Tazz. At the time, WWE was using original music for almost all of the wrestlers, so this was an unusual step for the company to take, but it remains one of the more memorable songs to emerge from the wrestling organization. The band released Till Death Do Us Part on March 23, 2004. The album saw the band experiment with reggae especially on the lead single "What's Your Number". The track features Tim Armstrong of Rancid on guitar and backup vocals. It is based on the classic song "The Guns of Brixton" on The Clash's London Calling and has proven to be a success on the modern rock charts. However, the album represented a further departure from the signature sound of their first four albums. The album also features appearances by Damian Marley, son of Bob Marley, Prodigy of Mobb Deep and producers the Alchemist and Fredwreck.

In 2004, the song How I Could Just Kill A Man was included in the popular video game Grand Theft Auto: San Andreas created by Rockstar Games, playing on West Coast hip hop radio station Radio Los Santos. In December 2005 a best of compilation album titled Greatest Hits From the Bong was released including 9 hits from previous albums and 2 new tracks. The group's next album was tentatively scheduled for an early 2007 release. In the summer of 2006, B-Real appeared on Snoop Dogg's single "Vato", which was produced by Pharrell Williams.

In 2007 Cypress Hill toured with their full line up as a part of the Rock the Bells tour, held by Guerilla Union, and headlined with Public Enemy, Wu-Tang Clan, Nas, and a reunited Rage Against the Machine. Other acts included Immortal Technique, Mos Def, Talib Kweli, The Roots, EPMD, Pharoahe Monch, Jedi Mind Tricks, Erykah Badu, MF Doom, Sage Francis, Brother Ali, The Coup, Blue Print, Lucky I Am, Living Legends, Felt, Cage, Mr. Lif, Grouch & Eligh, Slightly Stoopid, and Hangar 18.

[edit] Departure from Sony and Rise Up (2008–present)

On July 25, 2008, Cypress Hill performed at a benefit concert at the House of Blues Chicago, where a majority of the proceeds went to the Chicago Alliance to End Homelessness.^[4]

In August 2009, a new song by Cypress Hill, titled "Get 'Em Up", was made available on iTunes. The song is featured on the Madden NFL 2010 video game.^[5]

In November 2009, a new version of Guns N' Roses classic "Paradise City" performed by Cypress Hill, Slash and Fergie was made available as a bonus track to Slash's single "Sahara" off Slash's solo album Slash.

Cypress Hill's eighth studio album, Rise Up, features contributions from Everlast, Tom Morello, Daron Malakian, Pitbull, Marc Anthony and Mike Shinoda.^[6] The album was released on Priority Records/EMI Entertainment, as the group was signed to the label by new Creative Chairman Snoop Dogg on January 15, 2010. The album was finally released on April 20, 2010.^[7] The album's introduction single, "It Ain't Nothin'" was released as a free download from the group's official website. The song "Rise Up" was featured at WWE's pay-per-view, Elimination Chamber, as the official theme song for that event, and was released as the third single for the album, with "Armada Latina" being fourth. The song also appeared in the trailer of the movie The Green Hornet.

Cypress Hill commenced its Rise Up tour in Philadelphia on April 10, 2010. Julio G had replaced DJ Muggs for the tour. Muggs had been absent due to working on several other projects, including separate albums with B-Real and Sen Dog. The group was supposed to stop in Tucson, Arizona but canceled the show in protest of the recent immigration legislation. At the Rock en Seine festival in Paris on August 27, 2010 they said in an interview that they would wait and see what happens with the legislation before going back there.^[8] Cypress Hill performed at the Reading and Leeds Festivals in late August 2010, on the 28th at Leeds and the 29th at Reading.

In summer 2012, Cypress Hill and Dubstep artist Rusko will be releasing a collaborative EP entitled 'Cypress X Rusko'.

Style[link]

Rapping[link]

One of the band's most striking aspects is B-Real's exaggeratedly high-pitched nasal vocals.^[2] In the book Check the Technique B-Real describes his nasal style, saying his rapping voice is "high and annoying... the nasal style I have was just something that I developed... my more natural style wasn't so pleasing to [DJ Muggs and Sen Dog's] ears"^[9] and talking about the nasal style in the book How to Rap, B-Real says, "you want to stand out from the others and just be distinct... when you got something that can separate you from everybody else, you gotta use it to your advantage."^[1] Sen Dog's voice is deeper, more violent and often shouted alongside the rapping; his vocals are often emphasized by adding an additional background/choir voice to say them. Sen Dog's style is in contrast to B-Real's, who says, "[Sen's] voice is so strong", and "it all blends together" when they are both on the same track.^[9]

Both B-Real and Sen Dog started writing lyrics in both Spanish and English and B-Real was inspired to start writing raps from watching Sen Dog and Mellow Man Ace writing their lyrics,^[9] and originally B-Real was going to just be the writer for the group rather than a rapper.^[9] Their lyrics are noted for bringing a "cartoonish" approach to violence by Peter Shapiro and Allmusic.^[2][10]

Production[link]

The sound and groove of their music, produced by Muggs, is notable for its spooky sounds and stoned aesthetic; with its bass-heavy rhythms and odd sample loops ("Insane in the Brain" is notable for having a pitched-altered horse neigh looped in its chorus), it carries a psychedelic value, which lessened in the later albums.^[2][10]

The band is also known for involving rock instruments. In their songs – this has caused the band to sometimes be classified as a rap rock group.^[2] The double album Skull & Bones consists of a pure rap album ("Skull") and an entire CD of rap/rock songs ("Bones"). Also in IV, there is "Lightning Strikes" which doesn't truly use electric guitars, but a synthesized version of it. In the live album Live at The Fillmore some of the old classics are played in a rock/metal version, with Sen Dog's band SX-10 and Eric Bobo playing the rock instrument.

The band's music is constantly subject to change: while the first album and Black Sunday follow a more minimalistic and funky sound, III (Temples of Boom) has a very dark, spooky atmosphere and heavy beats, sometimes approaching hardcore rap. IV introduced more diverse sounds on the beats while maintaining the hardcore edge. The first albums are mostly influenced by psychedelic music, but the band eventually got closer to modern rap as it is today while still experimenting with rock from time to time, like on "Skull and Bones" and "Stoned Raiders".

The band involves horns in their songs, and often have guitar and horns together in the instrumentals. "What's Your Number?", "Trouble", "Tequila Sunrise", and "(Rock) Superstar" have become some of the band's most popular songs featuring these elements.

Side and solo projects[link]

Eric Bobo is part of the group Sol Invicto with producer Richie Londres and Stephen Carpenter of the Deftones. Eric Bobo is also a main member of Cultura Londres Proyecto which is a Spanish Hip Hop group from London, England. In 2008, he released his first solo album "Meeting Of The Minds" on Nacional Records. In 2011, he joined up with Chilean DJ Latin Bitman to form the group Ritmo Machine & in November 2011 they released the album "Welcome To The Ritmo Machine" on Nacional Records with special guests Sick Jacken (Psycho Realm), Ana Tijoux, Sen-Dog, Mix Master Mike (Beastie Boys), P-Nut (311), Pato Machete & Chali 2na (Jurassic 5).

2009 saw the releases of both B-Real and Sen Dog's solo efforts Smoke N Mirrors and Diary of a Mad Dog. B-Real is also part of a super-group called Serial Killaz with both Xzibit and his protege Young De. B-Real started his own production company called Audio Hustlaz, with which he has worked and featured on tracks with Kurupt, Young De, Xzibit, Adil Omar, Snoop Dogg, Bitza and others, and has also done guest appearances for La Coka Nostra, Ill Bill, Prozak, Akrobatik, The Outlawz, Nipsey Hussle and Apathy.

Other notable side projects include B-Real's rap metal group Kush with members from Deftones and Fear Factory who are as yet to release any official material.

Sen Dog has released one album with his rap metal group SX-10.

Muggs has released collaborative albums with Sick Jacken, GZA, Planet Asia, Ill Bill and others.

Discography[link]

• Cypress Hill (1991)
• Black Sunday (1993)
• Cypress Hill III: Temples of Boom (1995)
• Unreleased and Revamped (1996)
• Cypress Hill IV (1998)
• Skull & Bones (2000)
• Stoned Raiders (2001)
• Till Death Do Us Part (2004)
• Rise Up (2010)

Awards and Nominations[link]

Grammy Awards

MTV Video Music Awards Awards

Band Members[link]

Current Members

• B-Real – lead rapping (since 1988)
• DJ Muggs – turntables, production (since 1988)
• Eric Bobo – drums, percussion (since 1993)
• Sen Dog – rapping (since 1988)

Former Members

• Mellow Man Ace - rapping (1988)

References[link]

External links[link]

• Official Website
• Cypress Hill interview by Pete Lewis, 'Blues & Soul' April 2010
• Cypress Hill interview, August 2010, Radio France Internationale
• Cypress Hill on Velvet Hammer Site
• Cypress Hill at Legacy Recordings (Sony Music)
• Eric Bobo video interview

Robert Frost
Robert Frost (1941)
Born	Robert Lee Frost (1874-03-26)March 26, 1874 San Francisco, California, United States
Died	January 29, 1963(1963-01-29) (aged 88) Boston, Massachusetts, United States
Occupation	Poet, playwright
Notable work(s)	A Boy's Will, North of Boston
Influences Robert Graves, Rupert Brooke, Thomas Hardy, William Butler Yeats, John Keats
Influenced Seamus Heaney, Richard Wilbur, Edward Thomas
Signature

Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. He is highly regarded for his realistic depictions of rural life and his command of American colloquial speech.^[1] His work frequently employed settings from rural life in New England in the early twentieth century, using them to examine complex social and philosophical themes. One of the most popular and critically respected American poets of his generation, Frost was honored frequently during his lifetime, receiving four Pulitzer Prizes for Poetry.

Biography[link]

Early years[link]

Robert Frost, circa 1910

Robert Frost was born in San Francisco, California, to journalist William Prescott Frost, Jr., and Isabelle Moodie.^[1] His mother was of Scottish descent, and his father descended from Nicholas Frost of Tiverton, Devon, England, who had sailed to New Hampshire in 1634 on the Wolfrana.^{[citation needed]}

Frost's father was a teacher and later an editor of the San Francisco Evening Bulletin (which later merged with the San Francisco Examiner), and an unsuccessful candidate for city tax collector. After his death on May 5, 1885, the family moved across the country to Lawrence, Massachusetts, under the patronage of (Robert's grandfather) William Frost, Sr., who was an overseer at a New England mill. Frost graduated from Lawrence High School in 1892.^[2] Frost's mother joined the Swedenborgian church and had him baptized in it, but he left it as an adult.

Although known for his later association with rural life, Frost grew up in the city, and he published his first poem in his high school's magazine. He attended Dartmouth College for two months, long enough to be accepted into the Theta Delta Chi fraternity. Frost returned home to teach and to work at various jobs – including helping his mother teach her class of unruly boys, delivering newspapers, and working in a factory as an arclight carbon filament changer. He did not enjoy these jobs, feeling his true calling was poetry.

Adult years[link]

Frost, 1959

In 1894 he sold his first poem, "My Butterfly. An Elegy" (published in the November 8, 1894, edition of the New York Independent) for $15 - equivalent in spending power to at least $300 today. Proud of his accomplishment, he proposed marriage to Elinor Miriam White, but she demurred, wanting to finish college (at St. Lawrence University) before they married. Frost then went on an excursion to the Great Dismal Swamp in Virginia and asked Elinor again upon his return. Having graduated, she agreed, and they were married at Lawrence, Massachusetts on December 19, 1895.(Thompson and Meyers)

Frost attended Harvard University from 1897–1899, but he left voluntarily due to illness.^[3][4][5] Shortly before dying, Robert's grandfather purchased a farm for Robert and Elinor in Derry, New Hampshire; and Robert worked the farm for nine years, while writing early in the mornings and producing many of the poems that would later become famous. Ultimately his farming proved unsuccessful and he returned to the field of education as an English teacher at New Hampshire's Pinkerton Academy from 1906 to 1911, then at the New Hampshire Normal School (now Plymouth State University) in Plymouth, New Hampshire.

In 1912 Frost sailed with his family to Great Britain, settling first in Beaconsfield, a small town outside London. His first book of poetry, A Boy's Will, was published the next year. In England he made some important acquaintances, including Edward Thomas (a member of the group known as the Dymock Poets), T.E. Hulme, and Ezra Pound. Although Pound would become the first American to write a (favorable) review of Frost's work, Frost later resented Pound's attempts to manipulate his American prosody. Frost met or befriended many contemporary poets in England, especially after his first two poetry volumes were published in London in 1913 (A Boy's Will) and 1914 (North of Boston).

The Robert Frost Farm in Derry, New Hampshire, where he wrote many of his poems, including "Tree at My Window" and "Mending Wall."

As World War I began, Frost returned to America in 1915 and bought a farm in Franconia, New Hampshire, where he launched a career of writing, teaching and lecturing. This family homestead served as the Frosts' summer home until 1938. It is maintained today as The Frost Place, a museum and poetry conference site. During the years 1916–20, 1923–24, and 1927–1938, Frost taught English at Amherst College in Massachusetts, notably encouraging his students to account for the myriad sounds and intonations of the spoken English language in their writing. He called his colloquial approach to language "the sound of sense." ^[6]

In 1924, he won the first of four Pulitzer Prizes for the book New Hampshire: A Poem with Notes and Grace Notes. He would win additional Pulitzers for Collected Poems in 1931, A Further Range in 1937, and A Witness Tree in 1943.^[7]

The Frost family grave in Bennington Old Cemetery

For forty-two years – from 1921 to 1963 - Frost spent almost every summer and fall teaching at the Bread Loaf School of English of Middlebury College, at its mountain campus at Ripton, Vermont. He is credited as a major influence upon the development of the school and its writing programs The college now owns and maintains his former Ripton farmstead as a national historic site near the Bread Loaf campus. In 1921 Frost accepted a fellowship teaching post at the University of Michigan, Ann Arbor, where he resided until 1927; while there he was awarded a lifetime appointment at the University as a Fellow in Letters.^[8] The Robert Frost Ann Arbor home is now situated at The Henry Ford Museum in Dearborn, Michigan. Frost returned to Amherst in 1927. In 1940 he bought a 5-acre (2.0 ha) plot in South Miami, Florida, naming it Pencil Pines; he spent his winters there for the rest of his life.^[9] His property also includes a dwelling on Brewster Street in Cambridge, Massachusetts, that today belongs to the National Historic Register.

Harvard's 1965 alumni directory indicates Frost received an honorary degree there. Although he never graduated from college, Frost received over 40 honorary degrees, including ones from Princeton, Oxford and Cambridge universities; and was the only person to receive two honorary degrees from Dartmouth College. During his lifetime, the Robert Frost Middle School in Fairfax, Virginia, the Robert L. Frost School in Lawrence, Massachusetts, and the main library of Amherst College were named after him.

Frost was 86 when he performed a reading of his well-known poem "The Gift Outright" at the inauguration of President John F. Kennedy on January 20, 1961. He died in Boston two years later, on January 29, 1963, of complications from prostate surgery. He was buried at the Old Bennington Cemetery in Bennington, Vermont. His epitaph quotes a line from one of his poems: "I had a lover's quarrel with the world."

One of the original collections of Frost materials, to which he himself contributed, is found in the Special Collections department of the Jones Library in Amherst, Massachusetts. The collection consists of approximately twelve thousand items, including original manuscript poems and letters, correspondence and photographs, as well as audio and visual recordings.^[10] The Archives and Special Collections at Amherst College holds a small collection of his papers. The most significant collection of Frost's working manuscripts is held by Dartmouth.

Critical response[link]

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The poet/critic Randall Jarrell often praised Frost's poetry and wrote the following appraisal of Frost's career:

Robert Frost, along with Stevens and Eliot, seems to me the greatest of the American poets of this century. Frost's virtues are extraordinary. No other living poet has written so well about the actions of ordinary men; his wonderful dramatic monologues or dramatic scenes come out of a knowledge of people that few poets have had, and they are written in a verse that uses, sometimes with absolute mastery, the rhythms of actual speech. It is hard to overestimate the effect of this exact, spaced-out, prosaic movement, whose objects have the tremendous strength. . .of things merely put down and left to speak for themselves. . .Frost's seriousness and honesty; the bare sorrow with which, sometimes, things are accepted as they are, neither exaggerated nor explained away; the many, many poems in which there are real people with their real speech and real thought and real emotion—all this, in conjunction with so much subtlety and exactness. . .makes the reader feel that he is not in a book but a world. . .When you know Frost's poems, you know surprisingly well what the world seemed to one man. The grimness and awfulness, and untouchable sadness of things, both in the world and in the self, have justice done to them in the poems. . .but no more justice than is done to the tenderness and love and delight; and everything in between is respresented somewhere too.^[11]

U.S stamp, 1974

Jarrell's notable and influential essays on Frost include the essays "Robert Frost's 'Home Burial'" (1962), which consisted of an extended close reading of that particular poem, and "To The Laodiceans" (1952) in which Jarrell defended Frost against critics who had accused Frost of being too "traditional" and out of touch with Modern or Modernist poetry. In Frost's defense, Jarrell wrote "the regular ways of looking at Frost's poetry are grotesque simplifications, distortions, falsifications--coming to know his poetry well ought to be enough, in itself, to dispel any of them, and to make plain the necessity of finding some other way of talking about his work." And Jarrell's close readings of poems like "Neither Out Too Far Nor In Too Deep" led to readers and critics to perceive more of the complexities in Frost's poetry.^[12][13]

In an introduction to Jarrell's book of essays, Brad Leithauser notes that, "the 'other' Frost that Jarrell discerned behind the genial, homespun New England rustic—the 'dark' Frost who was desperate, frightened, and brave—has become the Frost we've all learned to recognize, and the little-known poems Jarrell singled out as central to the Frost cannon are now to be found in most anthologies." ^[14][15]

Jarrell lists a selection of which Frost poems he considers the most masterful, including "The Witch of Coös," "Home Burial," "A Servant to Servants," "Directive," "Neither Out Too Far Nor In Too Deep," "Provide, Provide," "Acquainted with the Night," "After Apple Picking," "Mending Wall," "The Most of It," "An Old Man's Winter Night," "To Earthward," "Stopping by the Woods on a Snowy Evening," "Spring Pools," "The Lovely Shall Be Choosers," "Design," [and] "Desert Places."^[16]

In The Norton Anthology of Modern Poetry, editors Richard Ellmann and Robert O'Clair write the following assessment of Frost's style:

The poetry of Frost has some kinship with that of Robinson in its choice of a New England setting and in its attempt to be true to the peculiarities of the region. But Frost's idiom is much less literary, and here he seems to have learned a little from Hardy and from Yeats's peasant plays. But even his earliest poems show a successful striving for utter colloquialism. This did not entail any surrender to form; he prided himself, for all his country accents, on being close to his favorite Latin poet Horace in the way his poem were chiseled out. Free verse was like playing tennis without a net, he [famously] said. To secure his effect Frost emptied his verse of any hint of the grand manner; John Crowe Ransom has remarked that he was startled during his own boyhood to discover that Frost's poetry had no kings or queens in it. Certainly the revival of Arthurian materials by his compatriot Robinson struck Frost as absurd. He prided himself, too, on staying close to earth, and objected to what he called "Platonism" in poetry, an insistence on essence without matter.^[17]

In providing an overview of Frost's style, the Poetry Foundation succinctly describes Frost's unique place in modern American letters:

In a sense, Frost stands at the crossroads of nineteenth-century American poetry and modernism, for in his verse may be found the culmination of many nineteenth-century tendencies and traditions as well as parallels to the works of his twentieth-century contemporaries. Taking his symbols from the public domain, Frost developed, as many critics note, an original, modern idiom and a sense of directness and economy that reflect the imagism of Ezra Pound and Amy Lowell. On the other hand, as Leonard Unger and William Van O'Connor point out in Poems for Study, "Frost's poetry, unlike that of such contemporaries as Eliot, Stevens, and the later Yeats, shows no marked departure from the poetic practices of the nineteenth century." Although he avoids traditional verse forms and only uses rhyme erratically, Frost is not an innovator and his technique is never experimental. . .[Instead] Frost took up nineteenth-century tools and made them new. Lawrence Thompson has explained that, according to Frost, "the self-imposed restrictions of meter in form and of coherence in content" work to a poet's advantage; they liberate him from the experimentalist's burden—the perpetual search for new forms and alternative structures.^[18]

Personal life[link]

Robert Frost's personal life was plagued with grief and loss. In 1885 when Frost was 11, his father died of tuberculosis, leaving the family with just eight dollars. Frost's mother died of cancer in 1900. In 1920, Frost had to commit his younger sister Jeanie to a mental hospital, where she died nine years later. Mental illness apparently ran in Frost's family, as both he and his mother suffered from depression, and his daughter Irma was committed to a mental hospital in 1947. Frost's wife, Elinor, also experienced bouts of depression.^[8]

Elinor and Robert Frost had six children: son Elliot (1896–1904, died of cholera); daughter Lesley Frost Ballantine (1899–1983); son Carol (1902–1940, committed suicide); daughter Irma (1903–1967); daughter Marjorie (1905–1934, died as a result of puerperal fever after childbirth); and daughter Elinor Bettina (died just three days after her birth in 1907). Only Lesley and Irma outlived their father. Frost's wife, who had heart problems throughout her life, developed breast cancer in 1937, and died of heart failure in 1938.^[8]

Selected works[link]

Poems[link]

Poetry collections[link]

• North of Boston (David Nutt, 1914; Holt, 1914)
  • "Mending Wall"
• Mountain Interval (Holt, 1916)
  • "The Road Not Taken"
• Selected Poems (Holt, 1923)

Includes poems from first three volumes and the poem The Runaway

• New Hampshire (Holt, 1923; Grant Richards, 1924)
• Several Short Poems (Holt, 1924)[2]
• Selected Poems (Holt, 1928)
• West-Running Brook (Holt, 1928? 1929)
• The Lovely Shall Be Choosers, The Poetry Quartos, printed and illustrated by Paul Johnston (Random House, 1929)
• Collected Poems of Robert Frost (Holt, 1930; Longmans, Green, 1930)
• The Lone Striker (Knopf, 1933)
• Selected Poems: Third Edition (Holt, 1934)
• Three Poems (Baker Library, Dartmouth College, 1935)
• The Gold Hesperidee (Bibliophile Press, 1935)
• From Snow to Snow (Holt, 1936)
• A Further Range (Holt, 1936; Cape, 1937)
• Collected Poems of Robert Frost (Holt, 1939; Longmans, Green, 1939)
• A Witness Tree (Holt, 1942; Cape, 1943)
• Come In, and Other Poems (1943)
• Steeple Bush (Holt, 1947)
• Complete Poems of Robert Frost, 1949 (Holt, 1949; Cape, 1951)
• Hard Not To Be King (House of Books, 1951)
• Aforesaid (Holt, 1954)
• A Remembrance Collection of New Poems (Holt, 1959)
• You Come Too (Holt, 1959; Bodley Head, 1964)
• In the Clearing (Holt Rinehart & Winston, 1962)
• The Poetry of Robert Frost (New York, 1969)
• A Further Range (published as Further Range in 1926, as New Poems by Holt, 1936; Cape, 1937)
• Nothing Gold Can Stay
• What Fifty Said
• Fire And Ice
• A Drumlin Woodchuck

Plays[link]

• A Way Out: A One Act Play (Harbor Press, 1929).
• The Cow's in the Corn: A One Act Irish Play in Rhyme (Slide Mountain Press, 1929).
• A Masque of Reason (Holt, 1945).
• A Masque of Mercy (Holt, 1947).

Prose[link]

• The Letters of Robert Frost to Louis Untermeyer (Holt, Rinehart & Winston, 1963; Cape, 1964).
• Robert Frost and John Bartlett: The Record of a Friendship, by Margaret Bartlett Anderson (Holt, Rinehart & Winston, 1963).
• Selected Letters of Robert Frost (Holt, Rinehart & Winston, 1964).
• Interviews with Robert Frost (Holt, Rinehart & Winston, 1966; Cape, 1967).
• Family Letters of Robert and Elinor Frost (State University of New York Press, 1972).
• Robert Frost and Sidney Cox: Forty Years of Friendship (University Press of New England, 1981).
• The Notebooks of Robert Frost, edited by Robert Faggen (Harvard University Press, January 2007). [3]

Omnibus volumes[link]

• Collected Poems, Prose and Plays (Richard Poirier, ed.) (Library of America, 1995) ISBN 978-1-883011-06-2.

Spoken word[link]

• Robert Frost Reads His Poetry, Caedmon Records, 1957, TC1060

Pulitzer Prizes[link]

• 1924 for New Hampshire: A Poem With Notes and Grace Notes
• 1931 for Collected Poems
• 1937 for A Further Range
• 1943 for A Witness Tree

Notes[link]

Sources[link]

• Pritchard, William H. (2000). "Frost's Life and Career" (http). http://www.english.uiuc.edu/maps/poets/a_f/frost/life.htm. Retrieved March 18, 2001. 
• Taylor, Welford Dunaway (1996). Robert Frost and J.J. Lankes: Riders on Pegasus. Hanover, New Hampshire: Dartmouth College Library. ASIN B0006FAO4Q. 
• Burlington Free Press, January 8, 2008 Article: Vandalized Frost house drew a crowd
• Collected Poems, Prose, & Plays. 10/1995 Library of America. Robert Frost. Edited by Richard Poirier and Mark Richardson. Trade ISBN 1-883011-06-X. [4]

External links[link]

Biography portal

Wikimedia Commons has media related to: Robert Frost

Wikiquote has a collection of quotations related to: Robert Frost

Wikisource has original works written by or about: Robert Frost

• Profile and poems at the Academy of American Poets
• Robert Frost, profile and poems at the Poetry Foundation
• Robert Profile at Modern American Poetry
• Richard Poirier (Summer-Fall 1960). "Robert Frost, The Art of Poetry No. 2". The Paris Review. http://www.theparisreview.org/interviews/4678/the-art-of-poetry-no-2-robert-frost. 
• Robert Frost Collection in Special Collections, Jones Library, Amherst, MA
• Robert Frost Collection in Archives and Special Collections, Amherst College, Amherst, MA
• Robert Frost at Bread Loaf (Middlebury College)
• Robert Frost Farm in Derry, NH
• Robert Frost Out Loud: audio recordings and commentary on many Frost poems
• Glyn Maxwell (Fall 2006). "Dead on a Side Track: On Frost’s "War Thoughts at Home"". The Virginia Quarterly Review: 120–133. http://www.vqronline.org/articles/2006/fall/maxwell-dead-side-track/. 
• Student finds Frost poem lost for 88 years
• The Frost Foundation
• The Frost Place, a museum and poetry conference center in Franconia, N.H.
• Works by or about Robert Frost in libraries (WorldCat catalog)
• Robert Frost reading his poems at Harper Audio (recordings from 1956)
• Yale College Lecture on Robert Frost audio, video and full transcripts from Open Yale Courses