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The Shadow Cabinet (also called the Shadow Front Bench or Shadow Ministry) is a senior group of opposition spokespeople in the Westminster system of government who together under the leadership of the Leader of the Opposition form an alternative cabinet to the government's, whose members shadow or mark each individual member of the government. Members of a shadow cabinet are often but not always appointed to a Cabinet post if and when their party gets into government. It is the Shadow Cabinet's responsibility to pass criticism on the current government and its respective legislation, as well as offering alternative policies.

Cultural applications[link]

In the United Kingdom and Canada the major opposition party and specifically its shadow cabinet is often called His or Her Majesty's Loyal Opposition.^[1] The adjective "loyal" is used because, while the role of the opposition is to oppose Her Majesty's Government, it does not dispute the sovereign's right to the throne and therefore the legitimacy of the government. However in other countries that use the Westminster system (for example, New Zealand), the opposition is known simply as The Parliamentary Opposition instead of shadow.

Some parliamentary parties, notably the Australian Labor Party, elect all the members of their shadow cabinets in a partyroom ballot, with the Leader of the Opposition then allocating portfolios to the Shadow Ministers. In other parliamentary parties, the membership and composition of the Shadow Cabinet is generally determined solely by the Leader of the Opposition.^[2]

In most countries, a member of the shadow cabinet is referred to as a Shadow Minister. In Canada, however, the term Opposition Critics is more usual.

In many jurisdictions, third parties (which are neither participant in the government or in the official opposition) may also form their own parliamentary front benches of critics; however, parliamentary standing orders on the right for parties to speak often dictate that the right to speak can only be granted to a party or group if a minimum number of members can be recorded by the party. In Ireland, for example, technical groups are often formed by third parties and independent TDs in the Dáil Éireann in order to increase the members' right to speak against larger parties which can afford the right to speak as Front Benches in Government or Opposition.^[3][4]

However, they are just simply called the opposition. The leader of the shadow cabinet is called the oppostition leader. Therefore, its just called the opposition

List of Shadow Cabinets[link]

This section requires expansion.

Australia

• Shadow Cabinet of Australia (Liberal/National Coalition) (Tony Abbott)

New South Wales

• New South Wales Shadow Cabinet (Australian Labor Party) (John Robertson)

The Bahamas

• Shadow Cabinet (The Bahamas) (Progressive Liberal Party) (Perry Christie)

Canada

• Official Opposition Shadow Cabinet of the 41st Parliament of Canada (New Democratic Party) (Thomas Mulcair)

Ontario

• Official Opposition Shadow Cabinet of the 40th Legislative Assembly of Ontario (Progressive Conservative Party of Ontario) (Tim Hudak)

France

• Contre-gouvernement (counter-government), dubbed by the media "cabinet fantôme" (literally : ghost cabinet). (Socialist Party (France)) (Martine Aubry)

Ireland

• Opposition Front Bench (Ireland) (Fianna Fáil) (Micheál Martin)

Israel

• Shadow government (Israel) (Kadima) (Tzipi Livni)

Italy

• Shadow Cabinet of Italy (Governo ombra) (Walter Veltroni)

Japan

• Liberal Democratic Party of Japan (Sadakazu Tanigaki)

New Zealand

• Official Opposition (New Zealand) (New Zealand Labour Party) (David Shearer)

Poland

• Shadow Cabinet (Law and Justice) (Jarosław Kaczyński)

Romania

• Shadow Cabinet (Romanian: Cabinetul din umbră)

Slovenia

• Expert Council of the Slovenian Democratic Party

Solomon Islands

• Shadow Cabinet of Solomon Islands (Democratic Party and allies)

South Africa

• Official Opposition Shadow Cabinet (South Africa) (Democratic Alliance) (Lindiwe Mazibuko)

Thailand

• Shadow Cabinet (Democrat Party) (Abhisit Vejjajiva)

Ukraine

• Shadow Government (Bloc of Yulia Tymoshenko, Arseniy Yatsenyuk)

United Kingdom

• Official Opposition Shadow Cabinet (United Kingdom) (Labour) (Ed Miliband)

Scotland

• Shadow Cabinet (Scottish Parliament) (Scottish Labour Party) (Iain Gray)

Wales

• Official Shadow Cabinet (National Assembly for Wales) (Welsh Conservative Party) (Andrew RT Davies)

See also[link]

• Shadow government (disambiguation)
• Minority leader

References[link]

This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (March 2012)

The Shadow is a collection of serialized dramas, originally in pulp magazines, then on 1930s radio and then in a wide variety of media, that follow the exploits of the title character, a crimefighting vigilante in the pulps, which carried over to the airwaves as a "wealthy, young man about town" with psychic powers.^[2] One of the most famous pulp heroes of the 20th century, The Shadow has been featured in comic books, comic strips, television, video games, and at least five motion pictures. The radio drama is well-remembered for those episodes voiced by Orson Welles.

Introduced as a mysterious radio narrator by David Chrisman, William Sweets and Harry Engman Charlot for Street and Smith Publications, The Shadow was fully developed and transformed into a pop culture icon by pulp writer Walter B. Gibson.

The Shadow debuted on July 31, 1930, as the mysterious narrator of the Street and Smith radio program Detective Story Hour.^[3] After gaining popularity among the show's listeners, the narrator became the star of The Shadow Magazine on April 1, 1931, a pulp series created and primarily written by the prolific Gibson.

Over the years, the character evolved. On September 26, 1937, The Shadow radio drama officially premiered with the story "The Deathhouse Rescue", in which the character had "the power to cloud men's minds so they cannot see him." This was a contrivance for the radio; in the magazine stories, The Shadow did not have the ability to become literally invisible.

The introduction from The Shadow radio program, long-intoned by actor Frank Readick Jr., has earned a place in the American idiom: "Who knows what evil lurks in the hearts of men? The Shadow knows!" These words were accompanied by an ominous laugh and a musical theme, Camille Saint-Saëns' Le Rouet d'Omphale ("Omphale's Spinning Wheel", composed in 1872). At the end of each episode, The Shadow reminded listeners, "The weed of crime bears bitter fruit. Crime does not pay.... The Shadow knows!"

Publication history[link]

Detective Story Hour[link]

In order to boost the sales of their Detective Story Magazine, Street and Smith Publications hired David Chrisman of the Ruthrauff & Ryan advertising agency and writer-director William Sweets to adapt the magazine's stories into a radio series. Chrisman and Sweets felt the upcoming series should be narrated by a mysterious storyteller with a sinister voice, and began searching for a suitable name. One of their scriptwriters, Harry Engman Charlot, suggested various possibilities, such as "The Inspector" or "The Sleuth."^[4] Charlot then proposed the ideal name for the phantom announcer: "... The Shadow."^[4]

Thus, beginning on July 31, 1930,^[1][5] "The Shadow" was the name given to the mysterious narrator of the Detective Story Hour. The narrator was voiced by James LaCurto^[5] and, later, Frank Readick. The episodes were drawn from the Detective Story Magazine issued by Street and Smith, "the nation's oldest and largest publisher of pulp magazines."^[5] Although the latter company had hoped the radio broadcasts would boost the declining sales of the Detective Story Magazine, the result was quite different. Listeners found the sinister announcer much more compelling than the unrelated stories. They soon began asking newsdealers for copies of "that Shadow detective magazine," even though it did not exist.^[5]

Development[link]

Recognizing the demand and responding promptly, circulation manager Henry William Ralston of Street & Smith commissioned Walter B. Gibson to begin writing stories about "The Shadow." Using the pen name of Maxwell Grant and claiming that the stories were "from The Shadow's private annals as told to" him, Gibson wrote 282 out of 325 tales over the next 20 years: a novel-length story twice a month (1st and 15th). The first story produced was "The Living Shadow", published April 1, 1931.^[5]

Gibson initially fashioned the character as a man with villainous characteristics, who used them to battle crime, and in this was the very first superhero in the modern century for modern times complete with a stylized imagery, a stylized name, sidekicks, supervillains, and a secret identity. Clad in black, The Shadow operated mainly after dark, burglarizing in the name of justice, and terrifying criminals into vulnerability before he or someone else gunned them down. The character was a film noir antihero in every sense; Gibson himself claimed the literary inspirations for The Shadow were Bram Stoker's Dracula and Edward Bulwer-Lytton's The House and the Brain.^[4]

Because of the great effort involved in writing two full-length novels every month, several guest writers were hired to write occasional installments in order to lighten Gibson's work load. These guest writers included Lester Dent — who penned the Doc Savage stories — and Theodore Tinsley. In the late 1940s, mystery novelist Bruce Elliott (also a magician) would temporarily replace Gibson as the primary author of the pulp series.^[6] Richard Edward Wormser, a reader for Street & Smith, wrote two Shadow stories.^[7]

The Shadow Magazine ceased publication with the Summer 1949 issue, but Walter B. Gibson wrote three new "official" stories between 1963 and 1980. The first of these began a new series of nine updated Shadow novels from Belmont Books, starting with Return of The Shadow under his own by-line. But the remaining eight, The Shadow Strikes, Beware Shadow, Cry Shadow, The Shadow's Revenge, Mark of The Shadow, Shadow Go Mad, Night of The Shadow, and The Shadow, Destination: Moon, were not penned by Gibson but by Dennis Lynds under the "Maxwell Grant" byline. In these last eight novels, The Shadow was given psychic powers, including the radio character's ability "to cloud men's minds" so that he effectively became invisible, and was more of a spymaster than crime fighter.

Publications[link]

See List of The Shadow stories

Character development[link]

The character and look of The Shadow gradually evolved over his lengthy fictional existence.

As depicted in the pulps, The Shadow wore a black slouch hat and a black, crimson-lined cloak with an upturned collar over a standard black business suit. In the 1940s comic books, the later comic book series, and the 1994 film starring Alec Baldwin, he wore either the black slouch hat or a wide-brimmed, black fedora and a crimson scarf just below his nose and across his mouth and chin. Both the cloak and scarf covered either a black doubled-breasted trench coat or regular black suit. As seen in some of the later comics series, the hat and scarf would also be worn with either a black Inverness coat or Inverness cape.

But in the radio drama, which debuted in 1937, The Shadow became an invisible avenger who had learned, while "traveling through East Asia," "the mysterious power to cloud men's minds, so they could not see him." This revision of the character was born out of necessity: Time constraints of 1930s radio made it difficult to explain to listeners where The Shadow was hiding and how he was remaining concealed. Thus, the character was given the power to escape human sight. Voice effects were added to suggest The Shadow's seeming omnipresence.

In order to explain this power, The Shadow was described as a master of hypnotism, as explicitly stated in several radio episodes.

Background[link]

In print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias of The Black Eagle, according to The Shadow's Shadow, 1933, although later stories revised this alias as The Dark Eagle beginning with The Shadow Unmasks, 1937. After the war, Allard seeks a new challenge and decides to wage war on criminals. Allard fakes his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.

One of these identities—indeed, the best known—is Lamont Cranston, a "wealthy young man about town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity ("The Shadow Laughs," 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard/The Shadow threatens Cranston, saying that he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Terrified, Cranston agrees. The two men sometimes meet in order to impersonate each other ("Crime over Miami," 1940). Apparently, the disguise works well because Allard and Cranston bear something of a resemblance to each other ("Dictator of Crime," 1941).

His other disguises include businessman Henry Arnaud, who first appeared in Green Eyes, Oct. 1932, elderly gentleman Isaac Twambley, who first appeared in No Time For Murder, and Fritz, who first appeared in The Living Shadow, Apr. 1931; in this last disguise, he pretends to be a doddering old janitor who works at Police Headquarters in order to listen in on conversations.

The Shadow appears as Henry Arnaud in "Atoms of Death," "Buried Evidence," "Death Jewels," "Death Premium," "Death Ship," "Green Eyes," "House of Silence," "Murder Trail," "Quetzal," "Realm of Doom," "The Black Master," "The Blue Sphinx," "The Case of Congressman Coyd," "The Circle of Death," "The City of Doom," "The Condor," "The Embassy Murders," "The Five Chameleons," "The Ghost Murders," "The Man From Shanghai," "The Plot Master," "The Radium Murders," "The Romanoff Jewels," "The Seven Drops of Blood," "The Shadow Unmasks," "The Shadow's Shadow," and "Wizard of Crime."

The Shadow appears as Isaac Twambley in "No Time for Murder," "Guardians of Death," "Death Has Grey Eyes," "The Stars Promise Death," "Dead Man's Chest, and "The Magigal's Mystery."

The Shadow appears as Fritz in at least 23 Shadow novels: "The Living Shadow," "Hidden Death," "The Ghost Makers," "The Crime Clinic," "Crime Circus," "The Chinese Disks," "The Dark Death," "The Third Skull," "The Black Master," "The Voodoo Master," "The Third Shadow," "The Circle of Death," "The Sledge Hammer Crimes," "The Golden Masks," "The Ghost Murders," "Hills of Death," "The Hand," "The Racket's King," "The Green Hoods," "The Crime Ray," "The Getaway Ring," "Masters of Death," and "The Crystal Skull."

For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous, supposedly an intentional decision on Gibson's part. In The Living Shadow, a thug claims to have seen The Shadow's face, and thought he saw "a piece of white that looked like a bandage." In "The Black Master" and "The Shadow's Shadow," the villains both see The Shadow's true face, and they both remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, "The Shadow Unmasks," that The Shadow's real name is revealed.

Kent Allard appears as himself in at least twenty-eight Shadow novels: "The Shadow Unmasks," "The Yellow Band," "Death Turrets," "The Sealed Box," "The Crystal Buddha," "Hills of Death," "The Murder Master," "The Golden Pagoda," "Face of Doom," "The Racket's King," "Murder for Sale," "Death Jewels," "The Green Hoods," "Crime Over Boston," "The Dead Who Lived," "Shadow Over Alcatraz," "Double Death," "Silver Skull," "The Prince of Evil," "Masters of Death," "Xitli, God of Fire," "The Green Terror," "The Wasp Returns," "The White Column," "Dictator of Crime," "Crime out of Mind," "Crime Over Casco," and "Dead Man's Chest."

In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises.

Supporting characters[link]

The Shadow has a network of agents who assist him in his war on crime. These include:

• Harry Vincent, an operative whose life he saved when Vincent tried to commit suicide.
• Moses "Moe" Shrevnitz, aka "Shrevvy," a cab driver who doubles as his chauffeur.
• Margo Lane, a socialite created for the radio drama and later introduced into the pulps.
• Clyde Burke, a newspaper reporter.
• Burbank, a radio operator who maintains contact between The Shadow and his agents.
• Cliff Marsland, a wrongly convicted ex-con who infiltrates gangs using his crooked reputation.
• Dr. Rupert Sayre, The Shadow's personal physician.
• Jericho Druke, a giant, immensely strong black man.
• Slade Farrow, who works with The Shadow to rehabilitate criminals.
• Miles Crofton, who sometimes pilots The Shadow's autogyro.
• Rutledge Mann, a stock-broker who collects information.
• Claude Fellows, the only agent of The Shadow ever to be killed, which he was in Gangdom's Doom, 1931.
• Hawkeye, a reformed underworld snoop who trails gangsters and other criminals.
• Myra Reldon, a female operative who uses the alias of Ming Dwan when in Chinatown.
• Dr. Roy Tam, The Shadow's contact man in New York's Chinatown.

Though initially wanted by the police, The Shadow also works with and through them; notably gleaning information from his many chats with Commissioners Ralph Weston and Wainright Barth (who is also Cranston's uncle), while at the Cobalt Club. Weston believes that Cranston is merely a rich playboy who dabbles in detective work. Another police contact is Detective Joe Cardona, a key character in many Shadow novels.

In contrast to the pulps, The Shadow radio drama limited the cast of major characters to The Shadow, Commissioner Weston, and Margo Lane, the last of whom was created specifically for the radio series, as it was believed the abundance of agents would make it difficult to distinguish between characters.^[8] Clyde Burke and Moe Shrevnitz (identified only as "Shrevvy") made occasional appearances, but not as agents of The Shadow. Shrevvy was merely an acquaintance of Cranston and Lane, and occasionally Cranston's chauffeur.

Enemies[link]

The Shadow also faces a wide variety of enemies, ranging from kingpins and mad scientists to international spies and "super-villains," many of whom were predecessors to the rogues's galleries of comic super-heroes. Among The Shadow's recurring foes are Shiwan Khan (The Golden Master, Shiwan Khan Returns, and The Invincible Shiwan Khan)--who appears in the feature film portrayed by John Lone--The Voodoo Master (The Voodoo Master, The City of Doom, and Voodoo Trail), The Prince of Evil (The Prince of Evil, The Murder Genius, The Man Who Died Twice, and The Devil's Paymaster, all written by Theodore Tinsley), and The Wasp (The Wasp and The Wasp Returns).

The series also featured a myriad of one-shot villains, including The Red Envoy, The Death Giver, Gray Fist, The Black Dragon, Silver Skull, The Red Blot, The Black Falcon, The Cobra, Zemba, The Black Master, Five-Face, The Gray Ghost, and Dr. Z.

The Shadow also battles collectives of criminals, such as The Silent Seven, The Hand, The Salamanders, and The Hydra.

Radio program[link]

Orson Welles was the voice of The Shadow from September 1937 to October 1938. He was succeeded by Bill Johnstone.

In early 1930, Street & Smith Publications hired David Chrisman and Bill Sweets to adapt the Detective Story Magazine to radio format. Chrisman and Sweets felt the program should be introduced by a mysterious storyteller. A young scriptwriter, Harry Charlot, suggested the name of "The Shadow."^[4] Thus, "The Shadow" premiered over CBS airwaves on July 31, 1930,^[1] as the host of the Detective Story Hour,^[5] narrating "tales of mystery and suspense from the pages of the premier detective fiction magazine."^[5] The narrator was first voiced by James LaCurto,^[5] but became a national sensation when radio veteran Frank Readick, Jr. assumed the role and gave it "a hauntingly sibilant quality that thrilled radio listeners."^[5]

Early years[link]

Following a brief tenure as narrator of Street & Smith's Detective Story Hour, "The Shadow" character was used to host segments of The Blue Coal Radio Revue, playing on Sundays at 5:30 p.m. Eastern Standard Time. This marked the beginning of a long association between the radio persona and sponsor Blue Coal.

While functioning as a narrator of The Blue Coal Radio Revue, the character was recycled by Street & Smith in October 1931, to oddly serve as the storyteller of Love Story Hour.

In October 1932, the radio persona temporarily moved to NBC. Frank Readick again played the role of the sinister-voiced host on Mondays and Wednesdays, both at 6:30 p.m., with LaCurto taking occasional turns as the title character.

Readick returned as The Shadow to host a final CBS mystery anthology that fall. The series disappeared from CBS airwaves on March 27, 1935, due to Street & Smith's insistence that the radio storyteller be completely replaced by the master crime-fighter described in Walter B. Gibson's ongoing pulps.

Radio drama[link]

Street & Smith entered into a new broadcasting agreement with Blue Coal in 1937, and that summer Gibson teamed with scriptwriter Edward Hale Bierstadt to develop the new series. As such, The Shadow returned to network airwaves on September 26, 1937, over the new Mutual Broadcasting System. Thus began the "official" radio drama that many Shadow fans know and love, with 22-year-old Orson Welles starring as Lamont Cranston, a "wealthy young man about town." Once The Shadow joined Mutual as a half-hour series on Sunday evenings, the program did not leave the air until December 26, 1954.

Welles did not speak the signature line of "Who knows what evil lurks in the hearts of men?". Instead, Readick did, using a water glass next to his mouth for the echo effect. The famous catch phrase was accompanied by the strains of an excerpt from Opus 31 of the Camille Saint-Saëns classical composition, Le Rouet d'Omphale.

After Welles departed the show in 1938, Bill Johnstone was chosen to replace him and voiced the character for five seasons. Following Johnstone's departure, The Shadow was portrayed by such actors as Bret Morrison (the longest tenure, with 10 years in two separate runs), John Archer, and Steve Courtleigh.

The Shadow also inspired another radio hit, The Whistler, whose protagonist likewise knows "many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak".

Margo Lane[link]

The radio drama also introduced female characters into The Shadow's realm, most notably Margo Lane (played by Agnes Moorehead, among others) as Cranston's love interest, crime-solving partner and the only person who knows his identity as The Shadow.^[9] Four years later, the character was introduced into the pulp novels. Her sudden, unexplained appearance in the pulps annoyed readers and generated a flurry of hate mail printed in The Shadow Magazine's letters page.^[9]

Lane was described as Cranston's "friend and companion" in later episodes, although the exact nature of their relationship was unclear. In the early scripts of the radio drama the character's name was spelled "Margot." The name itself was originally inspired by Margot Stevenson,^[9] the Broadway ingénue who would later be chosen to voice Lane opposite Welles' Shadow during "the 1938 Goodrich summer season of the radio drama."^[10] In the 1994 film in which Penelope Ann Miller portrayed the character, she is characterized as a telepath.

Comic strips, comic books, and graphic novels[link]

The Shadow has been adapted for the comics quite a few times; his first appearance was on June 17, 1940 as a syndicated daily newspaper comic strip offered by the Ledger Syndicate. The strip's story continuity was written by Walter B. Gibson, with plot lines adapted from the Shadow pulps, and the strip was illustrated by Vernon Greene. Due to pulp paper shortages and the growing amount of space required for war news from the European and Pacific fronts, the strip was canceled June 13, 1942. The Shadow daily was collected decades later in two comic book series from two different publishers (see below), first in 1988 and again in 1999.

To both cross-promote The Shadow and attract a younger audience to their other pulp magazines, Street & Smith published 101 issues of the comic book Shadow Comics from Vol. 1, #1 - Vol. 9, #5 (March 1940 - Sept. 1949).^[11] A Shadow story led off each issue, with the remainder of the stories being strips based on other Street & Smith pulp heroes.

In Mad #4 (April–May 1953), The Shadow was spoofed by Harvey Kurtzman and Will Elder. Their character was called the Shadow' (with an apostrophe), which is short for Lamont Shadowskeedeeboomboom. In this satire, Margo Pain gets Shad, as she calls him, into various predicaments, including fights with gangsters and a piano falling on him from above. At the conclusion of the tale, after Margo is tricked into going inside an outhouse surrounded by wired-up dynamite, Shad is seen gleefully pushing down a detonator's plunger.

During the superhero revivial of the 1960s, Archie Comics published an eight-issue series, The Shadow (Aug. 1964 - Sept. 1965), under the company's Mighty Comics imprint. In the first issue, The Shadow depicted was loosely based on the radio version, but with blond hair. In issue #2 (Sept. 1964), the character was transformed into a campy, heavily muscled, green and blue costume-wearing superhero by writer Robert Bernstein (Jerry Siegel) and artist John Rosenberger.^[12]

During the mid-1970s, DC Comics published an "atmospheric interpretation" of the character by writer Dennis O'Neil and artist Michael Kaluta^[13] in a 12-issue series (Nov. 1973 - Sept. 1975). Kaluta drew issues 1-4 and 6 and was followed by Frank Robbins and then E. R. Cruz. Faithful to both the pulp-magazine and radio-drama character, the series guest-starred fellow pulp fiction hero The Avenger in issue #11.^[14] The Shadow also appeared in DC's Batman #253 (Nov. 1973), in which Batman teams with an aging Shadow and calls the famous crime fighter his "greatest inspiration". In Batman #259 (Dec. 1974), Batman again meets The Shadow, and we learn The Shadow saved Bruce Wayne's life when the future Batman was a boy.

The Shadow is also referenced in DC's Detective Comics #446 (1975), page 4, panel 2: Batman, out of costume and in disguise as an older night janitor, makes a crime fighting acknowledgement, in a (thought balloon) to the Shadow.

In 1986, another DC incarnation was created by Howard Chaykin. This four issue mini-series, also collected as a one-shot graphic novel (Shadow: Blood and Judgement), brought The Shadow into modern-day New York. While initially successful,^[15] this version proved unpopular with traditional Shadow fans^[16] because it depicted The Shadow using Uzi submachine guns and rocket launchers, as well as featuring a strong strain of black comedy and extreme violence throughout.^[17]

The Shadow, set in our modern era, was continued the following year, in 1987, as a monthly DC comics series by writer Andy Helfer (editor of the mini-series), and was drawn primarily by artists Bill Sienkiewicz (issues 1-6) and Kyle Baker (issues 8-19 and two Shadow Annuals).

In 1988, O'Neil and Kaluta, with inker Russ Heath, returned to The Shadow with the Marvel Comics graphic novel The Shadow 1941: Hitler's Astrologer, set during World War II. This one-shot appeared in both hardcover and trade paperback editions.

The Vernon Greene/Walter Gibson Shadow newspaper comic strip from the early 1940s was finally collected by Malibu Graphics (Malibu Comics) under their Eternity Comics imprint, beginning with the first issue of Crime Classics dated July, 1988. Each cover was illustrated by Greene and colored by one of Eternity's colorists. A total of 13 issues appeared featuring just the black-and-white daily until the final issue, dated November, 1989. Some of the Shadow story lines were contained in one issue, while others were continued over into the next. When a Shadow story ended, another tale would begin in the same issue. This back-to-back format continued until the final 13th issue, when the strip story lines ended.

Dave Stevens' nostalgic comics series The Rocketeer contains a great number of pop culture references to the 1930s. Various characters from the Shadow pulps make appearances in the story line published in the Rocketeer Adventure Magazine, including The Shadow's famous alter ego Lamont Cranston. Two issues were published by Comico Comics in 1988 and 1989, but the third and final installment did not appear until years later, finally appearing in 1995 from Dark Horse Comics. All three issues were then collected by Dark Horse into a slick trade paperback titled The Rocketeer: Cliff's New York Adventure (ISBN 1-56971-092-9).

From 1989 to 1992, DC published a new Shadow series, The Shadow Strikes, written by Gerard Jones and Eduardo Barreto. This series was set in the 1930s and returned The Shadow to his pulp origins. During its run, it featured The Shadow's first team-up with Doc Savage, another very popular hero of the pulp magazine era. Both characters appeared together in a four-issue story line that crossed back and forth between each character's DC comic series. "The Shadow Strikes" often led The Shadow into encounters with well-known celebrities of the 1930s, such as Albert Einstein, Amelia Earhart, Charles Lindbergh, union organizer John L. Lewis, and Chicago gangsters Frank Nitti and Jake Guzik. In issue #7, The Shadow meets a radio announcer named Grover Mills — a character based on the young Orson Welles — who has been impersonating The Shadow on the radio. The character's name is taken from Grover's Mill, New Jersey, the name of the small town where the Martians land in Welles' famous 1938 radio broadcast of The War of the Worlds. When Shadow rights holder Conde Nast increased its licensing fee, DC concluded the series after 31 issues and one Annual; it became the longest running Shadow comic series since Street and Smith's original 1940s series.

During the early-to-mid-1990s, Dark Horse Comics acquired the comics rights to the Shadow from Conde Nast. It published the Shadow miniseries In The Coils of Leviathan (four issues) in 1993, and Hell's Heat Wave (three issues) in 1995. In the Coils of the Leviathan was later collected and issued by Dark Horse in 1994 as a trade paperback graphic novel. Both series were written by Joel Goss and Michael Kaluta, and drawn by Gary Gianni. A one-shot Shadow issue The Shadow and the Mysterious Three was also published by Dark Horse in 1994, again written by Joel Goss and Michael Kaluta, with Stan Manoukian and Vince Roucher taking over the illustration duties but working over Kaluta's layouts. A comics adaptation of the 1994 film The Shadow was published in two issues by Dark Horse as part of the movie's merchandising campaign. The script was by Goss and Kaluta and once again drawn from cover to cover by Kaluta. It was collected and published in England by Boxtree as a graphic novel tie-in for the film's British release. Emulating DC's earlier team-up, Dark Horse also published a two-issue mini-series in 1995 called The Shadow and Doc Savage. It was written by Steve Vance, and illustrated once again by Manoukian and Roucher. Of special note, both issues' covers were drawn by Rocketeer creator Dave Stevens. The final Dark Horse Shadow team-up was published in 1995. It was a single issue of Ghost and the Shadow, written by Doug Moench, pencilled by H. M. Baker, and inked by Bernard Kolle.

The Shadow made an uncredited cameo appearance in issue #2 of DC's 1996 four issue mini-series Kingdom Come. Those four issues were then collected into a single graphic novel in 1997. The Shadow appears in the nightclub scene standing in the background next to The Question and Rorschach.

The early 1940s Shadow newspaper daily strip was again put back into print, this time by Avalon Communications under their ACG Classix imprint. The Shadow daily began appearing in the first issue of Pulp Action comics. It carries no monthly date or issue number on the cover, only a 1999 copyright and a "Pulp Action #1" notation at the bottom of the inside cover. Each issue's cover is a colorized, partial comics panel blow-up, taken from one of the reprinted strips. The eighth issue uses for its cover a partial Shadow serial black-and-white movie still, with several hand-drawn alterations added. The first issue of Pulp Action is devoted entirely to reprinting the Shadow daily, but subsequent issues began offering back-up, non-Shadow stories of various page lengths in every issue. These Shadow strip reprints stopped with Pulp Action's eighth issue, never completing the daily's story lines; that last issue carries a 2000 copyright date.

Writer Garth Ennis signing copies of Dynamite Entertainment's The Shadow (volume 5) #1 at an April 19, 2012 signing at Midtown Comics Downtown in Manhattan.

In August 2011 Newsarama reported that Dynamite Entertainment had licensed the Shadow from Conde Nast and would be developing a new comic book series around the character.^[18] The series, which is written by Garth Ennis and illustrated by Aaron Campbell, debuted on April 19, 2012 in comics shops and was also available for sale through various website sales outlets like eBay and Amazon.com; the Ennis story arc, set during the Shadow's original 1930s time period, will be featured in the first six issues. The first Dynamite issue was published with four different color covers and 8 special variants; including Retailer Incentive versions, regional comic shop specials, and even two offering limited, hand-drawn original cover sketches. This first issue was drawn by artists Alex Ross, Jae Lee, Howard Chaykin, and John Cassaday.^[19]

Films[link]

The character has been adapted for several motion pictures.

[edit] The Shadow Strikes (1937)

The film The Shadow Strikes was released in 1937, starring Rod La Rocque in the title role. Lamont Cranston assumes the secret identity of "The Shadow" in order to thwart an attempted robbery at an attorney's office. Both The Shadow Strikes (1937) and its sequel, International Crime (1938), were released by Grand National Pictures.

[edit] International Crime (1938)

La Rocque returned the following year in International Crime. In this version, reporter Lamont Cranston is an amateur criminologist and detective who uses the name of "The Shadow" as a radio gimmick. Thomas Jackson portrayed Police Commissioner Weston, and Astrid Allwyn was cast as Phoebe Lane, Cranston's assistant.

[edit] The Shadow (1940)

A 15-chapter serial produced by Columbia Studios starring Victor Jory premiered in 1940. The Black Tiger is a criminal mastermind who has been sabotaging rail lines and factories across the United States, and Lamont Cranston must become his shadowy alter ego to uncover the fiend and halt his schemes.

[edit] The Shadow Returns (1946)

Low-budget motion picture studio Monogram produced a trio of films in 1946 starring Kane Richmond: The Shadow Returns, Behind the Mask and The Missing Lady. Richmond's Shadow wore a black face-mask similar to the type worn by the serial hero The Masked Marvel instead of his signature red scarf.

[edit] The Shadow (1994)

In 1994 the character was adapted once again into a feature film, The Shadow, starring Alec Baldwin as Lamont Cranston, alongside Penelope Ann Miller as Margo Lane. As the film opens, Cranston has become the evil and corrupt Ying-Ko (literally "Eagle's Beak"), a brutal warlord and opium smuggler in early 1930s Mongolia. Ying Ko is kidnapped by agents of the mysterious tulku, who then begins to reform the warlord using the psychic power of his evolved mind to restore Cranston's humanity. The tulku also teaches him the ability to "cloud men's minds" using psychic power in order to fight evil in the world. Cranston eventually returns to his native New York City and takes up the guise of the mysterious Shadow, in payment to humanity for his past evil misdeeds: "Who knows what evil lurks in the hearts of men? The Shadow knows..."

His nemesis in the film is adapted from the pulp series' long-running Asian villain (and for the film, a fellow telepath), the evil Shiwan Khan (John Lone), the last descendant of Genghis Khan. He seeks to finish his ancestors' legacy of conquering the world by first destroying New York City, using a newly developed atomic bomb, in a show of his power. Khan nearly succeeds but is thwarted by the Shadow in a final psychic duel of death: Cranston imposes his Will and defeats Khan during a telekinetically enhanced battle in a mirrored room, which suddenly explodes into thousands of flying mirror fragments. Focusing his mind's telekinatic power, Cranston flips a flying piece of jagged mirror shard midair, and hurls it directly at Khan's forehead; this doesn't kill him, it only renders Khan unconscious. To both save the warlord and the world, the Shadow has arranged with one of his operatives, an administrative doctor at an unidentified New York asylum for the criminally insane, to have Khan locked away in a padded cell. Khan's mirror shard-damaged frontal lobe, which controlled his powers, has been surgically removed; he is now under the Shadow's control forever.

The film combined elements from the Shadow pulp novels and comic books with the aforementioned ability to cloud minds, described only on the radio show. The Shadow wears a large, red-lined black cloak, a long, red mouth and chin scarf, a black trench coat, and a wide-brimmed fedora; he is armed with dual .45 semi-automatic pistols, as in the pulps and the comics. The film also displays Cranston's ability to conjure a false face whenever he is in his Shadow guise, in keeping with his physical portrayal in the novels and the comics.

Upcoming film[link]

On December 11, 2006, the website SuperHero Hype reported that director Sam Raimi and Michael Uslan will co-produce a new Shadow film for Columbia Pictures.^[20] After failing to gain the rights in the late 1980s, Raimi instead created an original character for the 1990 feature film, Darkman.

On October 16, 2007, Raimi stated that: "I don't have any news on 'The Shadow' at this time, except that the company that I have with Josh Donen, my producing partner, we've got the rights to 'The Shadow.' I love the character very much and we're trying to work on a story that'll do justice to the character."^[21]

On January 29, 2010, it was reported^{[by whom?]} that Sam Raimi was searching for a new project after it was announced that the Spider-Man movie franchise would be rebooted without him. The Shadow was said to be at the top of his list. Recently, it was incorrectly rumoured that David Slade will direct the upcoming film, with a release date of 2012.

On Thursday, August 5, 2010, it was reported that Quentin Tarantino - who was attached as a co-writer for the script - had been attached to direct as well.^[22] However this would later be denied by an official representative of Tarantino who informed MTV News that "There is no truth to this story"^[23]

TV series[link]

Two attempts were made to make a television series based on the character. The first in 1954 was called The Shadow, starring Tom Helmore as Lamont Cranston.

The second attempt in 1958 was called The Invisible Avenger, which compiled the first two unaired episodes and was released theatrically instead. This film was later re-released in 1962 as Bourbon Street Shadows, with additional footage meant to appeal to "adult" audiences.^{[citation needed]} Starring Richard Derr as The Shadow, The Invisible Avenger centers upon Lamont Cranston investigating the murder of a New Orleans bandleader. The film is notable as the second directorial effort of James Wong Howe (one of the two episodes only).

Influence on superheroes[link]

Characters such as Batman^[24] and the Green Hornet resemble Lamont Cranston's alter ego. Both characters operate mostly by night, and the Green Hornet in particular operates outside the law, insinuating himself into criminal plots in order to put an end to the activities of master criminals. But whereas the Shadow carries a real gun, the Green Hornet carries only a lightweight pistol that fires non-lethal gas.

When Bob Kane and Bill Finger first conceived of the "Bat-Man", Finger suggested they pattern the character after pulp mystery men such as the Shadow.^[25] Finger then used "Partners of Peril"^[26]—a Shadow pulp written by Theodore Tinsley—as the basis for Batman's debut story, "The Case of the Chemical Syndicate."^[27] Finger later publicly acknowledged that "my first Batman script was a take-off on a Shadow story"^[28] and that "Batman was originally written in the style of the pulps."^[29] This influence was further evident with Batman showing little remorse over killing or maiming criminals and was not above using firearms.^[29]

Alan Moore has credited The Shadow as one of the key influences for the creation of V, the title character in his DC Comics miniseries V for Vendetta,^[30][31] that later became a big-budget film release in 2005 from Warner Bros.

See also[link]

Novels portal

• Condé Nast Publications, owner of The Shadow intellectual property
• Doctor Sax
• List of The Shadow episodes

Notes[link]

References[link]

• Cox, J. Randolph. Man of Magic & Mystery, A Guide to the Work of Walter B. Gibson, Scarecrow Press, 1998. ISBN 0-8108-2192-3. (Comprehensive history and career bibliography of Gibson's works.)
• Eisgruber, Jr., Frank. Gangland's Doom, The Shadow of the Pulps, Starmont House, 1985. ISBN 0-930261-74-7.
• Gibson, Walter B., Tollin, Anthony. The Shadow Scrapbook, Harcourt Brace Jovanovich, 1979. ISBN 0-15-681475-7. (Comprehensive history of The Shadow in all media forms up through the late 1970s.)
• Goulart, Ron. Cheap Thrills: An Informal History of the Pulp Magazine, Arlington House, 1972. ISBN 08700017228.
• Murray, Will. Duende History of the Shadow Magazine, Odyssey Publications, 1980. ISBN 0-933752-21-0.
• Overstreet, Robert. The Official Overstreet Comic Book Price Guide, 35th Edition., House of Collectibles, 2005. ISBN 0-375-72107-X. (Lists all Shadow comics published to date.)
• Sampson, Robert. The Night Master, Pulp Press, 1982. ISBN 0-934498-08-3.
• Shimfield, Thomas J. Walter B. Gibson and The Shadow. McFarland & Company, 2003. ISBN 0-7864-1466-9. (Comprehensive Walter Gibson biography with an emphasis on The Shadow.)
• Steranko, James. Steranko's History of the Comics, Vol. 1, Supergraphics, 1970. No ISBN.
• Steranko, James, (1972), Steranko's History of the Comics, Vol. 2, Supergraphics, 1972. No ISBN.
• Steranko, James. Unseen Shadows, Supergraphics, 1978. No ISBN. (Collection of Steranko's detailed black-and-white cover roughs, including alternate/unused versions, done for the Shadow novel reprints from Pyramid Books and Jove/HBJ.)
• Van Hise, James. The Serial Adventures of the Shadow, Pioneer Books, 1989. No ISBN.

External links[link]

• The Shadow: Master of Darkness
• The Shadow in Review
• The Shadow at the Internet Movie Database
• The Shadow at the Comic Book DB

Glenn Beck
Beck speaking at the Values Voter Summit in 2011
Born	Glenn Edward Lee Beck[1] (1964-02-10) February 10, 1964 (age 48) Everett, Washington, U.S.
Residence	Fort Worth, Texas[2]
Nationality	American
Education	Sehome High School
Occupation	Radio host, vlogger, author, entrepreneur, political commentator and former television host
Home town	Mount Vernon, Washington, U.S.
Salary	US$32 million (2009–10)[3][4]
Net worth	US$65 million (2011)
Religion	The Church of Jesus Christ of Latter-day Saints (Mormon)[5][6][7][8]
Spouse	Claire (1983–1994) Tania (m. 1999); 4 children total
Awards	Defender of Israel Award, Zionist Organization of America 2011[9]
Website
Glenn Beck's Official Website

Glenn Edward Lee Beck (born February 10, 1964) is an American conservative radio host, vlogger, author, entrepreneur, political commentator and former television host. He hosts the Glenn Beck Program, a nationally syndicated talk-radio show that airs throughout the United States on Premiere Radio Networks. He formerly hosted the Glenn Beck television program, which ran from January 2006 to October 2008 on HLN and from January 2009 to June 2011 on the Fox News Channel. Beck has authored six New York Times–bestselling books.^[3] Beck is the founder and CEO of Mercury Radio Arts, a multimedia production company through which he produces content for radio, television, publishing, the stage, and the Internet. It was announced on April 6, 2011, that Beck would "transition off of his daily program" on Fox News later in the year but would team with Fox to "produce a slate of projects for FOX News Channel and FOX News' digital properties".^[10] Beck's last daily show on the network was June 30, 2011.^[11] In 2012, The Hollywood Reporter named Beck on its Digital Power Fifty list.^[12]

Beck's supporters praise him as a constitutional stalwart defending traditional American values,^[13] while his critics contend he promotes conspiracy theories and employs incendiary rhetoric for ratings.^[14]

Personal life[link]

Early years[link]

Glenn Edward Lee Beck was born in Everett, Washington, to William and Mary Beck, who lived in Mountlake Terrace, Washington at the time of their son's birth.^[15] The family later moved to Mount Vernon, Washington,^[16] where they owned and operated City Bakery in the downtown area.^[17] He is descended from German immigrants who came to the United States in the 19th century.^[18] Beck was raised as a Roman Catholic and attended Immaculate Conception Catholic School in Mount Vernon.

Glenn and his older sister moved with their mother to Sumner, Washington, attending a Jesuit school^[19] in Puyallup. On May 15, 1979, while out on a small boat with a male companion, Beck's mother drowned just west of Tacoma, Washington, in the Puget Sound. The man who had taken her out in the boat also drowned. A Tacoma police report stated that Mary Beck "appeared to be a classic drowning victim", but a Coast Guard investigator speculated that she could have intentionally jumped overboard.^[19] Beck has described his mother's death as a suicide in interviews during television and radio broadcasts.^[19][20]

After their mother's death, Beck and his older sister moved to their father's home in Bellingham, Washington,^[21] where Beck graduated from Sehome High School in June 1982.^[22] Beck also regularly vacationed with his maternal grandparents, Ed and Clara Janssen, in Iowa.^[23] In the aftermath of his mother's death and subsequent suicide of his stepbrother, Beck has said he used "Dr. Jack Daniel's" to cope. At 18, following his high school graduation, Beck relocated to Provo, Utah, and worked at radio station KAYK. Feeling he "didn't fit in", Beck left Utah after six months,^[24] taking a job at Washington D.C.'s WPGC in February 1983.^[21]

Adulthood[link]

While working at WPGC, Beck met his first wife, Claire.^[26] In 1983, the couple married and had two daughters, Mary and Hannah. Mary developed cerebral palsy as a result of a series of strokes at birth in 1988.^[26] The couple divorced in 1994 amid Beck's struggles with substance abuse. A recovering alcoholic and drug addict,^[27] Beck has been diagnosed with Attention Deficit Hyperactivity Disorder.^[28][29]

By 1994, Beck was suicidal, and imagined shooting himself to the music of Kurt Cobain.^[28] He credits Alcoholics Anonymous (AA) with helping him achieve sobriety. He said he stopped drinking alcohol and smoking cannabis in November 1994, the same month he attended his first AA meeting.^[28] Beck later said that he had gotten high every day for the previous 15 years, since the age of 16.^[21]

In 1996, while working for a New Haven area radio station, Beck took a theology class at Yale University, with a written recommendation from Senator Joe Lieberman, a Yale alumnus who was a fan of Beck's show at the time.^[30] Beck enrolled in an "Early Christology" course, but soon withdrew, marking the extent of his post-secondary education.^[28][31]

Beck then began a "spiritual quest" in which he "sought out answers in churches and bookstores".^[28] As he later recounted in his books and stage performances, Beck's first attempt at self-education involved six wide-ranging authors, comprising what Beck jokingly calls "the library of a serial killer": Alan Dershowitz, Pope John Paul II, Adolf Hitler, Billy Graham, Carl Sagan, and Friedrich Nietzsche.^[28][30] During this time, Beck's Mormon friend and former radio partner Pat Gray argued in favor of the "comprehensive worldview" offered by the Church of Jesus Christ of Latter-day Saints, an offer that Beck rejected until a few years later.^[28]

In 1999, Beck married his second wife, Tania.^[28] After they went looking for a faith on a church tour together, they^[28] joined The Church of Jesus Christ of Latter-day Saints in October 1999, partly at the urging of his daughter Mary.^[32][33] Beck was baptized by his old friend, and current-day co-worker Pat Gray.^[28] Beck and his current wife have had two children together, Raphe (who is adopted) and Cheyenne. Until April 2011, the couple live in New Canaan, Connecticut, with the four children.^[34][35]

Beck announced in July 2010 that he had been diagnosed with macular dystrophy, saying "A couple of weeks ago I went to the doctor because of my eyes, I can't focus my eyes. He did all kinds of tests and he said, 'you have macular dystrophy ... you could go blind in the next year. Or, you might not.'" The disorder can make it difficult to read, drive or recognize faces.^[36]

In July 2011, Beck leased a house in the Fort Worth suburb of Westlake, Texas.^[2]

Career[link]

In 2002 Beck created the media platform Mercury Radio Arts^[30][37] as the umbrella over various broadcast, publishing, Internet, and live show entities.

Radio[link]

In 1983 he moved to Corpus Christi, Texas, to work at radio station KZFM.^[26] In mid-1985, Beck was hired away from KZFM to be the lead DJ for the morning-drive radio broadcast by WRKA in Louisville, Kentucky.^[26] His four-hour weekday show was called Captain Beck and the A-Team.^[38] Beck had a reputation as a "young up-and-comer". The show was not political and included the usual off-color antics of the genre: juvenile jokes, pranks, and impersonations.^[30] The show slipped to third in the market and Beck left abruptly in 1987 amid a dispute with WRKA management.^{[citation needed]}

Months later, Beck was hired by Phoenix Top-40 station KOY-FM, then known as Y-95. Beck was partnered with Arizona native Tim Hattrick to co-host a local "morning zoo" program.^[28] During his time at Y-95, Beck cultivated a rivalry with local pop radio station KZZP and that station's morning host Bruce Kelly. Through practical jokes and publicity stunts, Beck drew criticism from the staff at Y-95 when the rivalry culminated in Beck telephoning Kelly's wife on-the-air, mocking her recent miscarriage.^[26] In 1989, Beck resigned from Y-95 to accept a job in Houston at KRBE, known as Power 104. Beck was subsequently fired in 1990 due to poor ratings.^[26]

Beck then moved on to Baltimore, Maryland and the city's leading Top-40 station, WBSB, known as B104. There, he partnered with Pat Gray, a morning DJ. During his tenure at B104, Beck was arrested and jailed for speeding in his DeLorean.^[28] According to a former associate, Beck was "completely out of it" when a station manager went to bail him out.^[28] When Gray, then Beck were fired, the two men spent six months in Baltimore, planning their next move. In early 1992, Beck and Gray both moved to WKCI-FM (KC101), a Top-40 radio station in Hamden, Connecticut.^[28] In 1995, WKCI apologized after Beck and Gray mocked a Chinese-American caller on air who felt offended by a comedy segment by playing a gong sound effect and having executive producer Alf Gagineau mock a Chinese accent. That incident led to protests by activist groups.^[39] When Gray left the show to move to Salt Lake City, Beck continued with co-host Vinnie Penn. At the end of 1998, Beck was informed that his contract would not be renewed at the end of 1999.^[28]

The Glenn Beck Program first aired in 2000 on WFLA (AM) in Tampa, Florida, and took their afternoon time slot from eighteenth to first place within a year.^[40][41] In January 2002, Premiere Radio Networks launched the show nationwide on 47 stations. The show then moved to Philadelphia, Pennsylvania, broadcasting from new flagship station WPHT. On November 5, 2007, The New York Times reported that Premiere Radio Networks was extending Beck's contract. By May 2008, it had reached over 280 terrestrial stations as well as XM Satellite. It was ranked 4th in the nation with over six and a half million listeners.^[42] Glenn Beck is number three in the ratings behind Rush Limbaugh and Sean Hannity.^[43]

Television[link]

In January 2006, CNN's Headline News announced that Beck would host a nightly news-commentary show in their new prime-time block Headline Prime. The show, simply called Glenn Beck, aired weeknights. CNN Headline News described the show as "an unconventional look at the news of the day featuring his often amusing perspective".^[44] At the end of his tenure at CNN-HLN, Beck had the second largest audience behind Nancy Grace.^[45] In 2008, Beck won the Marconi Radio Award for Network Syndicated Personality of the Year.^[46]

In October 2008, it was announced that Beck would join the Fox News Channel, leaving CNN Headline News.^[47] After moving to the Fox News Channel, Beck hosted Glenn Beck, beginning in January 2009, as well as a weekend version.^[48] One of his first guests was Alaska Governor Sarah Palin^[49] He also has a regular segment every Friday on the Fox News Channel program The O'Reilly Factor titled "At Your Beck and Call".^[50] As of September 2009^[update] Beck's program drew more viewers than all three of the competing time-slot shows combined on CNN, MSNBC and HLN.^[51][52]

His show's high ratings have not come without controversy.^[47] The Washington Post's Howard Kurtz reported that Beck's use of "distorted or inflammatory rhetoric" has complicated the channel's and their journalist's efforts to neutralize White House criticism that Fox is not really a news organization.^[47] Television analyst Andrew Tyndall echoed these sentiments, saying that Beck's incendiary style had created "a real crossroads for Fox News", stating "they're right on the cusp of losing their image as a news organization."^[47]

In April 2011, Fox News and Mercury Radio Arts, Beck's production company, announced that Beck would "transition off of his daily program" on Fox News in 2011.^[53] His last day at Fox was later announced as June 30.^[54][55] FNC and Beck announced that he would be teaming with Fox to produce a slate of projects for Fox News and its digital properties.^[10] Fox News head Roger Ailes later referenced Beck's entrepreneurialism and political movement activism, saying, "His [Beck's] goals were different from our goals ... I need people focused on a daily television show."^[56] Beck hosted his last daily show on Fox on June 30, 2011, where he recounted the accomplishments of the show and said, "This show has become a movement. It's not a TV show, and that's why it doesn’t belong on television anymore. It belongs in your homes. It belongs in your neighborhoods."^[11] In response to critics who said he was fired, Beck pointed out that his final show was airing live.^[11] Immediately after the show he did an interview on his new GBTV internet channel.^[11]

GBTV[link]

Glenn Beck's Fox News one-hour show ended June 30, 2011,^[57] and a new two-hour show began streaming his subscription-based internet TV network, GBTV, on September 12, 2011.^[58][59] Using a subscription model, it was estimated Beck is on track to generate $27 million in his first year of operation.^[60] This was later upgraded to $40 million by the Wall Street Journal when subscriptions topped 300,000. ^[61]

Books[link]

Beck has reached #1 on the New York Times Bestseller List in four separate categories as of 2010^[update]: Hardcover Non-Fiction,^[63][64] Paperback Non-Fiction,^[63] Hardcover Fiction,^[65] and Children's Picture Books.^[66]

Non-fiction

• The Real America: Messages from the Heart and Heartland. Simon and Schuster. 2003. ISBN 978-0-7434-9696-4. http://www.amazon.com/dp/0743496965. ^[67]
• An Inconvenient Book: Real Solutions to the World's Biggest Problems. Simon and Schuster. 2007. ISBN 978-1-4391-6857-8. 
• America's March to Socialism: Why We're One Step Closer to Giant Missile Parades. 2008. http://www.amazon.com/dp/0743598547.  (Audiobook)
• An Unlikely Mormon: The Conversion Story of Glenn Beck, Deseret Book 2008 (Audiobook). ISBN 978-1-59038-944-7^[68]
• America's March to Socialism: Why We're One Step Closer to Giant Missile Parades, Simon & Schuster Audio 2009 (Audio CD). ISBN 978-0-7435-9854-5
• Glenn Beck's Common Sense: The Case Against an Out-of-Control Government, Simon & Schuster 2009. ISBN 978-1-4391-6857-8^[69][70][71]
• Arguing with Idiots: How to Stop Small Minds and Big Government, Simon & Schuster 2009. ISBN 978-1-4165-9501-4
• Idiots Unplugged, Simon & Schuster 2010 (Audio CD). ISBN 1-4423-3396-0
• Idiots Unplugged, 2010 (Audiobook)^[72]
• Broke: The Plan to Restore Our Trust, Truth, and Treasure, Simon & Schuster 2010. ISBN 1-4423-3457-6.^[73]
• The 7: Seven Wonders That Will Change Your Life, Keith Ablow, co-author; Threshold Editions, 2011; ISBN 978-1-4516-2551-6.
• The Original Argument: The Federalists' Case for the Constitution, Adapted for the 21st Century, with Joshua Charles; Threshold Editions, 2011; ISBN 978-1-4516-5061-7.
• Being George Washington: The Indispensable Man, As You've Never Seen Him. Simon and Schuster. 2011. ISBN 978-1-4516-5931-3. http://books.google.com/books?id=WCHGmGTdnk8C&dq. 
• Cowards: What Politicians, Radicals, and the Media Refuse to Say. Simon and Schuster. 2012. ISBN 978-1-4516-9347-8. http://books.simonandschuster.com/Coward/Glenn-Beck/9781451693478. 

Fiction

• The Christmas Sweater, Simon & Schuster 2008. ISBN 978-1-4165-9485-7
• The Overton Window. Threshold Editions. June 2010. ISBN 978-1-4391-8430-1. http://www.amazon.com/dp/1439184305. ^[74][75]
• Beck, Glenn; Baart, Nicole (2011). The Snow Angel. Threshold Editions. ISBN 978-1-4391-8720-3. 

Children's

• The Christmas Sweater: A Picture Book, Simon & Schuster Children's Publishing 2009. ISBN 978-1-4169-9543-2
• Beck, Glenn; Schoebinger, Chris; Dorman, Brandon (illustrator) (2011). The Snow Angel. Aladdin Books. ISBN 978-1-4424-4448-5. 

Beck also authorized a comic book:

• Political Power: Glenn Beck, by Jerome Maida, Mark Sparacio (illus.); Bluewater Productions, 2011; ISN B004VGB4FO^[76]

Stage shows and speeches[link]

Since 2005, Beck has toured American cities twice a year, presenting a one-man stage show. His stage productions are a mix of stand-up comedy and inspirational speaking. In a critique of his live act, Salon Magazine's Steve Almond describes Beck as a "wildly imaginative performer, a man who weds the operatic impulses of the demagogue to the grim mutterings of the conspiracy theorist".^[77] A show from the Beck `08 Unelectable Tour was shown in around 350 movie theaters around the country.^[78]

In Beck's hometown of Mt. Vernon, Washington, supporters and detractors hold handmade signs on the day Beck was honored by the mayor.

The finale of 2009's Common Sense Comedy Tour was simulcast in over 440 theaters.^[79] The events have drawn 200,000 fans in recent years.^[80]

In March 2003, Beck ran a series of rallies, which he called Glenn Beck's Rally for America, in support of troops deployed for the upcoming Iraq War. On July 4, 2007, Beck served as host of the 2007 Toyota Tundra "Stadium of Fire" in Provo, Utah. The annual event at LaVell Edwards Stadium on the Brigham Young University campus is presented by America's Freedom Foundation.^[81] In May 2008, Beck gave the keynote speech at the NRA convention in Louisville, Kentucky.^[82]

In late August 2009, the mayor of Beck's hometown, Mount Vernon, Washington, announced that he would award Beck the Key to the City, designating September 26, 2009, as "Glenn Beck Day". Due to local opposition, the city council voted unanimously to disassociate itself from the award.^[83] The key presentation ceremony sold-out the 850 seat McIntyre Hall and an estimated 800 detractors and supporters demonstrated outside the building. Earlier that day, approximately 7,000 people attended the Evergreen Freedom Foundation's "Take the Field with Glenn Beck" at Seattle's Safeco Field.^[84]

In December 2009, Beck produced a one-night special film titled "The Christmas Sweater: A Return to Redemption".^[85] In January and February 2010, Beck teamed with fellow Fox News host Bill O'Reilly to tour several cities in a live stage show called "The Bold and Fresh Tour 2010". The January 29 show was recorded and broadcast to movie theaters throughout the country.^[86]

Philanthropy[link]

In 2011, Beck founded the non-profit organization Mercury One, designed to sustain itself through its entreneurship and without grants or donations.^[87] In early 2011, Beck began work toward developing a clothing line to be sold to benefit the charity and October 2011, Mercury One began selling the minuscule, upscale clothing line labeled 1791 exclusively at its website 1791.com. The line's maiden offering was manufactured by American Mojo of Lowell, Massachusetts.^[88]

Projects and rallies[link]

9-12 Project and Tea Party protests[link]

In March 2009 Beck put together a campaign, the 9-12 Project, that is named for nine principles and twelve values that he says embody the spirit of the American people on the day after the September 11 attacks.^[89] The Colorado 9-12 Project hosted a "Patriot Camp" for kids in grades 1–5, featuring programs on "our Constitution, the Founding Fathers, and the values and principles that are the cornerstones of our nation".

Restoring Honor rally[link]

The Restoring Honor rally was promoted by Beck and held at the Lincoln Memorial in Washington, D.C. on August 28, 2010. The rally — which purported to embrace religious faith and patriotism — was co-sponsored by the Special Operations Warrior Foundation, promoted by FreedomWorks, and supported by the Tea Party movement.^[90]

[edit] America's First Christmas

In December 2010, Beck went to Wilmington, Ohio, a town devastated by the late-2000s recession, to host live events to encourage his fans to go to the town to boost the local economy in a project called "America's First Christmas".^[91] He hosted an event and his radio and television shows from the local theater.^[92]

2011 international tour[link]

Beck headlined his "Restoring Courage" events in Jerusalem, Israel, in August 2011 in a campaign Beck said was designed to encourage people worldwide "to stand with the Jewish people".^[93][94] After Jerusalem, Beck visited Cape Town, South Africa, and was scheduled to visit Venezuela.^[95]

Political views[link]

Beck has described himself as a conservative with libertarian leanings.^[96] Among his core values Beck lists personal responsibility, private charity, the right to life, freedom of religion, limited government, and family as the cornerstone of society.^[97] Beck believes in low national debt, and has said "A conservative believes that debt creates unhealthy relationships. Everyone, from the government on down, should live within their means and strive for financial independence."^[98] He supports individual gun ownership rights and is against gun control legislation.^[99]

In an O'Reilly Factor interview in August 2010, when Beck was asked if he "believe(s) that gay marriage is a threat to [this] country in any way", he stated, "No I don't…I believe that Thomas Jefferson said: 'If it neither breaks my leg nor picks my pocket what difference is it to me?'"^[100]

Beck believes that there is a lack of evidence that human activity is the main cause of global warming.^[101] He holds that there is a legitimate case that global warming has, at least in part, been caused by mankind, and has tried to do his part by buying a home with a "green" design.^[102] He also views the American Clean Energy and Security Act as a form of wealth redistribution, and has promoted a petition rejecting the Kyoto Protocol.^[103]

Opposition to progressivism[link]

During his 2010 keynote speech to Conservative Political Action Conference (CPAC), Beck wrote the word "progressivism" on a chalkboard and declared, "This is the disease. This is the disease in America", adding "progressivism is the cancer in America and it is eating our Constitution!"^[104][105] According to Beck, the progressive ideas of men such as John Dewey, Herbert Croly, and Walter Lippmann, influenced the Presidencies of Theodore Roosevelt and Woodrow Wilson; eventually becoming the foundation for President Franklin D. Roosevelt’s New Deal.^[104] Beck has said that such progressivism infects both main political parties and threatens to "destroy America as it was originally conceived".^[104] In Beck’s book Common Sense, he argues that "progressivism has less to do with the parties and more to do with individuals who seek to redefine, reshape, and rebuild America into a country where individual liberties and personal property mean nothing if they conflict with the plans and goals of the State."^[104]

A collection of progressives, whom Beck has referred to as "Crime Inc.", comprise what Beck contends is a clandestine conspiracy to take over and transform America.^{[107][108][109]} Some of these individuals include Cass Sunstein, Van Jones, Andy Stern, John Podesta, Wade Rathke, Joel Rogers and Francis Fox Piven.^[107][110] Other figures tied to Beck's "Crime Inc." accusation include Al Gore, Franklin Raines,^[111] Maurice Strong, George Soros,^[112] John Holdren and President Barack Obama.^[108] According to Beck, these individuals already have or are surreptitiously working in unison with an array of organizations and corporations such as Goldman Sachs, Fannie Mae, ACORN, Apollo Alliance, Tides Center, Chicago Climate Exchange, Generation Investment Management, Enterprise Community Partners, Petrobras, Center for American Progress, and the SEIU; to fulfill their progressive agenda.^[108][112] In his quest to root out these "progressives", Beck has compared himself to Israeli Nazi hunters, vowing on his radio show that "to the day I die I am going to be a progressive-hunter. I’m going to find these people that have done this to our country and expose them. I don’t care if they’re in nursing homes."^[30]

Liberal historian Sean Wilentz has denounced what he describes as Beck's progressive-themed conspiracy theories and "gross historical inaccuracies", countering that Beck is merely echoing the decades-old "right-wing extremism" of the John Birch Society.^[113] According to Wilentz, Beck's "version of history" places him in a long line of figures who have challenged mainstream political historians and presented an inaccurate opposing view as the truth, stating:

Glenn Beck is trying to give viewers a version of American history that is supposedly hidden. Supposedly, all we historians — left, right and center — have been doing for the past 100 years is to keep true American history from you. And that true American history is what Glenn Beck is teaching. It's a version of history that is beyond skewed. But of course, that's what Beck expects us to say. He lives in a kind of Alice in Wonderland world, where if people who actually know the history say what he's teaching is junk, he says, 'That's because you're trying to hide the truth.'^[113]

Conservative David Frum, the former speechwriter for President George W. Bush, has also alleged Beck's propensity for negationism, remarking that "Beck offers a story about the American past for people who are feeling right now very angry and alienated. It is different enough from the usual story in that he makes them feel like they’ve got access to secret knowledge."^[30]

Influences[link]

Political and historical[link]

An author with ideological influence on Beck is W. Cleon Skousen (1913–2006), a prolific conservative political writer, American Constitutionalist and faith-based political theorist.^[114][115] As an anti-communist supporter of the John Birch Society,^[116] and limited-government activist,^[117] Skousen, who was Mormon, wrote on a wide range of subjects: the Six-Day War, Mormon eschatology, New World Order conspiracies, even parenting.^[117] Skousen believed that American political, social, and economic elites were working with Communists to foist a world government on the United States.^[104] Beck praised Skousen's "words of wisdom" as "divinely inspired", referencing Skousen's The Naked Communist^[118] and especially The 5,000 Year Leap (originally published in 1981),^[117] which Beck said in 2007 had "changed his life".^[117] According to Skousen's nephew, Mark Skousen, Leap reflects Skousen's "passion for the United States Constitution", which he "felt was inspired by God and the reason behind America's success as a nation".^[119] The book is touted by Beck as "required reading" to understand the current American political landscape and become a "September twelfth person".^[117] Beck authored a foreword for the 2008 edition of Leap and Beck's on-air recommendations in 2009 propelled the book to number one in the government category on Amazon for several months.^[117] In 2010, Matthew Continetti of the conservative Weekly Standard criticized Beck's conspiratorial bent, terming him "a Skousenite".^[104] Additionally, Alexander Zaitchik, author of the 2010 book Common Nonsense: Glenn Beck and the Triumph of Ignorance, which features an entire chapter on "The Ghost of Cleon Skousen",^[120] refers to Skousen as "Beck's favorite author and biggest influence", while noting that he authored four of the 10 books on Beck's 9-12 Project required-reading list.^[121]