Hey Maximum. Listen, about a hundred people sent me emails suggesting that I go fucking die for talking shit on Agnostic Front, which I don’t really care about, but then Alison sat me down and was like “if you don’t think Vinny and Roger were keeping each other warm on long tours in a small van and ‘Showing Henry and Ian the ropes’ in the early 80s…” and I was like, OHHHHHHHHHHH. So okay, got it. Sorry I talked shit on Agnostic Front everybody. I didn’t find out about punk til I was 40.
I know a lot about Faith No More though.
Anyway can we talk about the internet? Because look, I have been talking hell of shit in this column lately, and I want to take a break from talking shit to talk about some stuff that rules. Specifically, I think that the way that a lot of people are using the internet is fucking rad and I want you to know about it so that if it seems like the kind of rad that you like, you can bask in that radness too.
See, the internet isn’t punk. I know that. I was there for the Great Debate Of Oh Eight* about whether punkers could have myspace pages and still count as punkers. I remember being kind of bewildered at the time because like, I had never paid any money to any bands through myspace, and I was like, myspace isn’t making any money off me. I mean I guess they showed ads or whatever. But I got to listen to hell of bands for free there! And listening to bands rules. Plus my bands got to post music there, which you could just listen to for free if you wanted to. (You didn’t want to listen to my bands from then, though. Trust me.) And like, I don’t know what your life story is but I can’t afford to just buy every record in Maximum that sounds cool.
Nerds are uploading that shit to the internet though!
I don’t know how I would’ve gotten a copy of the first Shoppers tape if it wasn’t for nerds turning that shit into mp3s and then putting them online. And I mean the stuff Shoppers put out on vinyl is good but song three on that first demo (titled “IV” on the LP; which is it) is, like, a perfect song. I want to listen to that version of the song! Luckily, I have an old computer where Safari crashes every time I try to watch a youtube video. But it can play mp3s! And there are people who are stoked to turn tapes into mp3s and put those mp3s up on their blogs. They are probably nerds but so are YOU. (Actually for what it’s worth that demo is on Shoppers’ bandcamp page, too, but I can’t figure out how to download it from there.)
You can just, like, borrow an iphone, record some songs, and put that shit up on bandcamp in a day if you want. Or make friends with somebody who has some microphones and stuff, read your old Basement Screams columns in MRR, have your friend Brendan record your band in a barn and then put it up on bandcamp for free! I’ve talked before about how I’m unclear how you alleged punkers afford these giant amps and stuff**, and finding a thousand dollars or whatever it costs to print a record is just, like, inconceivable to me. But it seems like it is punk as heck to make a shitty recording and put it up on the internet for free. And also easy!
I mean not everybody can afford an ipod or whatever and that is a legitimate thing to talk about, except like… can everybody afford a record player? Does everybody have a cool, dark place out of direct sunlight to keep their records? I feel like we have this hierarchy of formats where vinyl is the best and tapes are cool and CDs suck and CD-Rs are kind of weirdly cool, especially if you can get spraypaint onto them, but mp3s are pretty much bullshit, like they don’t even count. But that hierarchy is pretty much bullshit! We’re all anarchists here, Maximum. None of us likes a hierarchy. And a lot of us have computers! It’s 2013 (I think) and a lot of us have computers and use the internet and stuff. I don’t know. I just listened to eight Peeple Watchin’ songs I downloaded from bandcamp and it ruled, and now I’m listening to the Dogjaw/Agatha split that I think I downloaded for free from bandcamp too? You can get all the Correspondences stuff there for free, too. The Groke album is free on bandcamp, so are the Ragana albums, so is the Primary Stress demo. It just seems kind of rad that, like, a lot of us have computers already, like for other stuff, and that a weird byproduct of computers being everywhere now is that it can sort of lessen the role of capitalism that, until recently, has necessarily been part of liking bands.
I’m trying not to make grand pronouncements like “everybody’s got a damn computer now so let’s al make records” because I don’t want to make any assumptions about who has a computer and what’s cheaper than what for anybody who isn’t me; capitalism is totally weird and it ruins everything. And of course having a physical record rules, and when you buy a patch or a tape at a show your dollars go directly into the gas tank and belly of a band that’s on tour. Obviously I don’t think that every band should be forced to record their records into a computer microphone in a basement and put it on the internet for free. I just think it totally rules that some of us get to. You know? It fucking rules that I can just give you my record for free. Like al the way for free.
We live in the future and it is weird and cool! I’ve been living in rural New Hampshire for a couple months without a band so I’ve been demoing new stuff on my own for when I have a band again and it has been really easy and kind of fun. Macintoshes come with this program garageband where you have to fuck around with it for a couple days before you really get it down, and then you sort of have to learn to program drums if you don’t know how to play drums or if you don’t have any drums and especially if you both don’t have drums and don’t know how to play them. But it turns out it’s pretty easy to program drums and I mean everything I’ve recorded into this computer microphone has sounded like shit, but: good. I can’t wait to put it online in case you want it. Actually my Mysterious Guy Hardcore band Tall Girl’s song “Rat Princess” from that demo is gonna be on the Stick Shift Records comp my friend Kelly in Burlington might already have out by the time you read this. They’re at stickshiftrecords.tumblr.com if you like trans positive feminist punk record labels or whatever.
It just feels awesome that we get to live in the weird future where if we want to we can make up songs and record them and then just give them to each other without even having to buy tapes or live near each other or visit or anything!
…Actually that sounds kind of alienated and depressing.
But so is everything else in the world I guess? I don’t know just listen if you are cool please make a record and put it online because I can’t afford to buy it but I want to listen to it.
And I think it’s funny that there’s still this idea that the internet has killed music or whatever. This is obvious but it’s worth saying: if this stuff kills the music industry, it won’t kill music and it sure won’t kill punk. This shit is rad for punk and it’s rad for music. Somebody recently was talking shit about bands that record their shit on protools or whatever and then can’t back it up in real life at the show and I’m kind of like… I think that’s cool? The whole point of all this punk shit is that you get to suck. I think the idea that you should only make music if you have the skillz to pay the billz live is some dude rock bullshit; who cares if a band sucks live. Actually I care, I think it rules when a band sucks live. Especially if they suck awesomely!
Also, I think all the bands I listed in this column so far are bands with women and/or queers in them, which might just be because that’s mostly the kind of bands that I like, but it might also not be a coincidence. I mean this computer recording mp3 internet stuff especially rules for queers, weirdos and people with no friends! I know I am leaving the Maximum Nebula and approaching Punk Planet territory when I talk about programming drums ’cause you don’t have any friends- and feel free to tell me what is and isn’t punk, either via maximum or at imogen@keepyourbridgesburning.com- but it just seems like all this technology we all spent so much time resisting and dismissing as not punk has become cheap and available to a lot of us who might not otherwise be able to, like, get in a van. Or solve the eldritch mysteries of “distribution.”
Like, imagine that you are fifteen and you live someplace where you can’t come out and you hate everybody else in your high school too much to even find out if anybody even has a drumset: not only can you listen to queers who hate everything you hate from across the world now while you’re on the bus to school, but you can fucking sit down at your computer and put together an LP about how bad your high school sucks- maybe working in the genre eloquently described by an MRR reviewer like a year ago as “mysterious faggot hardcore?”- put that thing on bandcamp, step back and get through the school day with concrete proof that you are better than all these idiots. And then make it through high school! And then when you’re a senior or dropout with a bunch of face piercings some freshman at some other school might find your album on bandcamp it listen to it every day to survive high school too! How boss is that. I want to listen to that record.
Anyway.
If you’re like me, you cannot fucking wait for Girls Rock Vermont 2013. I’m teaching bass again. I’ll tell you all about it in next month’s column- if I don’t overdose on stoked first. Also I wrote a book. You can google it.
*I know it wasn’t just 2008 but that is a good rhyme right?
**Thanks Ryan from SWAATH for letting me use yours when we toured with you though. I don’t mean you or your band when I say “alleged.”
***I think maybe I talked shit about the latest Bouncing Souls album in a previous column, and I want to retract that. Back then I was listening to it in Eugene, Oregon, in a cold rainy January. Now it is summer. It is Souls season. The newest Bouncing Souls album rules.
****Also hey Colin Atrophy sorry I was pretending your name was Colin Entropy for a long time. Thanks for all the issues of Slice Harvester, they were awesome!
September 2013
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