- published: 12 Jan 2012
- views: 5186
- author: SweetOrangeKuro
3:00
Final Fantasy IV DS Opening
...
published: 12 Jan 2012
author: SweetOrangeKuro
Final Fantasy IV DS Opening
- published: 12 Jan 2012
- views: 5186
- author: SweetOrangeKuro
5:01
Final Fantasy IV for Android Full Review
In 1991, Squaresoft (back when it was called Squaresoft) released Final Fantasy IV. 22 yea...
published: 14 Jun 2013
author: Android Authority
Final Fantasy IV for Android Full Review
In 1991, Squaresoft (back when it was called Squaresoft) released Final Fantasy IV. 22 years later, they've released the RPG once again for Android. It featu...
- published: 14 Jun 2013
- views: 20631
- author: Android Authority
2:29
Final Fantasy IV: The After Years Opening Cutscene PSP
If you like this game, buy it here http://bit.ly/FFIVcc Final Fantasy IV: Complete Collect...
published: 22 Apr 2011
author: gocalibergaming
Final Fantasy IV: The After Years Opening Cutscene PSP
If you like this game, buy it here http://bit.ly/FFIVcc Final Fantasy IV: Complete Collection PSP Square Enix Role-Playing Release:04/19/11 ESRB:Teen Final F...
- published: 22 Apr 2011
- views: 194870
- author: gocalibergaming
5:57
Final Fantasy IV (PSP): Fighting Barbariccia
READ THE DESCRIPTION. I was bored and I figured people would want to see some gameplay fro...
published: 25 Mar 2011
author: DuskShark
Final Fantasy IV (PSP): Fighting Barbariccia
READ THE DESCRIPTION. I was bored and I figured people would want to see some gameplay from Final Fantasy IV: The Complete Collection. If you're curious abou...
- published: 25 Mar 2011
- views: 251183
- author: DuskShark
28:43
SGB Play: Final Fantasy IV - Finale
Episode 27: The Definitive End, Starring Brachioraidos and Zeromus EG One more trial to go...
published: 15 Apr 2013
author: SGBLikesToPlay
SGB Play: Final Fantasy IV - Finale
Episode 27: The Definitive End, Starring Brachioraidos and Zeromus EG One more trial to go! Palom and Porom's Trial is not too bad to complete, so we won't b...
- published: 15 Apr 2013
- views: 10218
- author: SGBLikesToPlay
3:31
Final Fantasy IV: Complete Collection Video Review
IGN gives its video review of Final Fantasy IV: Complete Collection. This isn't just anoth...
published: 16 Apr 2011
author: IGN
Final Fantasy IV: Complete Collection Video Review
IGN gives its video review of Final Fantasy IV: Complete Collection. This isn't just another re-release of FFIV. This is the definitive version of the game. ...
- published: 16 Apr 2011
- views: 113574
- author: IGN
2:17
Final Fantasy IV (II) Music: Boss Battle
Final Fantasy IV (II) Music: Boss Battle....
published: 14 Feb 2008
author: constantlimit
Final Fantasy IV (II) Music: Boss Battle
Final Fantasy IV (II) Music: Boss Battle.
- published: 14 Feb 2008
- views: 217464
- author: constantlimit
3:14
Gaming Mysteries: Final Fantasy IV Concept (NES) UNRELEASED
Final Fantasy IV was undoubtedly a fantastic game. But the game we know as Final Fantasy I...
published: 26 Jul 2010
author: Yuriofwind
Gaming Mysteries: Final Fantasy IV Concept (NES) UNRELEASED
Final Fantasy IV was undoubtedly a fantastic game. But the game we know as Final Fantasy IV was almost Final Fantasy V. As for what was the actual Final Fant...
- published: 26 Jul 2010
- views: 97685
- author: Yuriofwind
6:49
FINAL FANTASY IV(ファイナルファンタジー4)戦闘曲他色々(Electone)part.2/2
広告の非表示、受け取り拒否の設定ですが、こちらの動画は原曲 に権利者がいるため、自動的に広告が表示される場合があります。 (受け取りは拒否) 11分37秒の動画を2本に分割、その②...
published: 18 Nov 2009
author: atokun111kyusyu
FINAL FANTASY IV(ファイナルファンタジー4)戦闘曲他色々(Electone)part.2/2
広告の非表示、受け取り拒否の設定ですが、こちらの動画は原曲 に権利者がいるため、自動的に広告が表示される場合があります。 (受け取りは拒否) 11分37秒の動画を2本に分割、その② (part.2/2) (10分以上の動画をアップロードできない為) ニコニコ動画より転載。演奏maru氏、当方別人。 http:/...
- published: 18 Nov 2009
- views: 772824
- author: atokun111kyusyu
5:17
【弦楽四重奏】FF4 バトルメドレー / Final Fantasy IV Battle Medley
結婚式余興の練習のついでに合わせてみました(その9)。10年以上前の楽譜を引っぱり出してきて録音してみました。全体的にいろいろ残念な演奏になっていますがサラリーマンということで大目...
published: 23 Feb 2013
author: kshatriya0
【弦楽四重奏】FF4 バトルメドレー / Final Fantasy IV Battle Medley
結婚式余興の練習のついでに合わせてみました(その9)。10年以上前の楽譜を引っぱり出してきて録音してみました。全体的にいろいろ残念な演奏になっていますがサラリーマンということで大目にみてくださいm(__)m.
- published: 23 Feb 2013
- views: 12626
- author: kshatriya0
2:46
Ida Emi - Tsuki no Akari - Final Fantasy IV Ai no Theme-
New version of Theme of Love for the Final Fantasy IV remake, coming 20/12/2007 to the Nin...
published: 25 Nov 2007
author: André Frizzo
Ida Emi - Tsuki no Akari - Final Fantasy IV Ai no Theme-
New version of Theme of Love for the Final Fantasy IV remake, coming 20/12/2007 to the Nintendo DS.
- published: 25 Nov 2007
- views: 623275
- author: André Frizzo
26:11
Final Fantasy IV - Universal - HD Gameplay Trailer
Final Fantasy IV by SQUARE ENIX "FINAL FANTASY IV" has finally come to the iPhone/iPod tou...
published: 19 Dec 2012
author: touchgameplay
Final Fantasy IV - Universal - HD Gameplay Trailer
Final Fantasy IV by SQUARE ENIX "FINAL FANTASY IV" has finally come to the iPhone/iPod touch/iPad! The title first debuted in 1991 as the fourth installment ...
- published: 19 Dec 2012
- views: 39021
- author: touchgameplay
3:40
ファイナルファンタジーIV(DS)PV
ファイナルファンタジーIV(DS)PV -2007.12.20発売- http://store2.jp.square-enix.com/jp/ShoppingCart.aspx?p...
published: 09 Jul 2012
author: squareenix
ファイナルファンタジーIV(DS)PV
ファイナルファンタジーIV(DS)PV -2007.12.20発売- http://store2.jp.square-enix.com/jp/ShoppingCart.aspx?pcode=NTR-P-YF4J.
- published: 09 Jul 2012
- views: 25449
- author: squareenix
2:56
Final Fantasy 4 - Golbez Shitenou Toujou (Español)
Golbez y Los Cuatro Demonios de los Elementos. Versión subtitulada al español de la canció...
published: 21 Jun 2008
author: Zeromux
Final Fantasy 4 - Golbez Shitenou Toujou (Español)
Golbez y Los Cuatro Demonios de los Elementos. Versión subtitulada al español de la canción "Golbez Shitenou Toujou" de Hyadain. Esta canción es un remix del...
- published: 21 Jun 2008
- views: 90667
- author: Zeromux
Vimeo results:
4:06
Squarepusher presents Shobaleader One - Megazine (taken from d'Demonstrator)
http://squarepusher.net
Q & A with Squarepusher:
1. What is Shobaleader One?
Shobaleader...
published: 08 Sep 2010
author: Warp Records
Squarepusher presents Shobaleader One - Megazine (taken from d'Demonstrator)
http://squarepusher.net
Q & A with Squarepusher:
1. What is Shobaleader One?
Shobaleader One is my band. Last summer a bunch of kids got in contact with me. They were talking about forming an ensemble, which I thought was a ridiculous idea but I was impressed by their perseverance so we met up. Their idea was that they wanted the 'fantasy group' I had written about in connection with 'Just A Souvenir' to become a real entity that would record and tour. So we had a go at doing some recording and the story so far is documented on this record.
2. Who is in the band?
Basically a bunch of people who you may or may not have heard of from other bands and projects. Part of their idea is that this music is a completely clean break with whatever they've done in the past so I'm not allowed to mention any names. I can tell you that they are pretty frightening players.
3. What are the aims of Shobaleader One?
The overall aim is to articulate my music through the medium of a band. I always thought that a band would be a limiting thing. I've got very used to being able to make music by programming or playing without having to explain anything to anyone, and I assumed it would slow everything down if I had to. Actually it has made it quicker because I'm not trying to be four people simultaneously any more. I'm not over-explaining anything to them as they've got strong ideas of their own and I want to hear that in the final results.
4. Do you have live plans?
At the moment the plan is to tour next year after we have recorded more material. Playing live is part of the focus of this music. I'm really excited about playing live as this group of musicians is an extremely potent mixture. I've no idea what it's going to be like touring with them as not one of us is what you'd call easy going. Every member of this band is a high-tension freak so who knows what'll end up happening!
5. How did the Mr Oizo remix come about?
That was Pedro's idea from Ed Banger. I've always had respect for that bunch. I thought it would be great because Oizo is on quite a different tip to Shobaleader One.
6. What's next?
I'm writing more material for the band to record. It's an ongoing experiment. Each one of us is trying to develop the sound of their instrument. It's really exciting to be involved with instrumental players who are as into sonic experimentation as much as the actual music. I've also been in contact with Andre from Outkast recently.
7. How would you describe the sound of Shobaleader One and are there any
specific sounds, artists or albums that have influenced this new
direction?
We are playing my compositions, so in that respect it relates quite clearly to what I've done before, but as I'm not doing much playing or programming it is sonically quite different. It sounds more focused. Lots of musos end up just making their music a platform to display their skill. The great thing about this lot is that although they are great players they keep 99% of that hidden and just use it to give a very acute delivery of the songs.
Musically speaking these kids come from a metal background but they're all bang into really slick R&B; which I found quite funny at first but it's making more sense as we go on. The basic premise at the outset was 'space pop' -a utopian pop music hallucination. It's a stand against the affectation of knowing indifference in urban life and its corollary in music. I've always wanted to sabotage coolness as for me music is about laughing and crying, not about standing around smoking cigarettes.
d'Demonstrator tracklisting:
1. Plug Me In
2. Laser Rock
3. Into The Blue
4. Frisco Wave
5. Megazine
6. Abstract Lover
7. Endless Night
8. Cryptic Motion
9. Maximum Planck
Shobaleader One members:
Squarepusher: Bass/vocals
Strobe Nazard: Keyboards
Sten t'Mech: Guitar
Arg Nution: Guitar
Company Laser: Drums
47:26
Megalightning
ENTIRELY NEW FORMS OF LIGHTNING HAVE BEEN DISCOVERED UP TO 1000 TIMES BIGGER THAN ANY BOLT...
published: 07 Jul 2011
author: dmptv
Megalightning
ENTIRELY NEW FORMS OF LIGHTNING HAVE BEEN DISCOVERED UP TO 1000 TIMES BIGGER THAN ANY BOLT PREVIOUSLY SEEN. WHILE NORMAL LIGHTNING FIRES DOWN BELOW CLOUDS, THESE GIANT BOLTS SHOOT UP, STUNNING EXPERTS WITH IMAGES OF LIGHTNING 80 KILOMETRES HIGH.
THIS LIGHTNING, SIX TIMES MORE POWERFUL THAN PASSENGER PLANES ARE DESIGNED TO WITHSTAND, MAY BE THE REAL KILLER IN A SPATE OF BAFFLING AIR DISASTERS.
Camera takes photo.
AND FOR THE FIRST TIME WE CAN REVEAL THE PHOTOGRAPH THAT SPARKED A SECRET NASA ENQUIRY.
WAS THIS THE PROOF THAT A HIGH ALTITUDE LIGHTNING STRIKE CAUSED THE CRASH OF THE SPACE SHUTTLE COLUMBIA?
Title card:
MEGA-LIGHTNING
NARRATOR:
EACH DAY, THE EARTH IS SHAKEN BY 8 MILLION BOLTS OF THE SKY'S MOST POWERFUL FORCE: LIGHTNING.
Bolt of lightning.
NARRATOR:
ENERGY FROM ONE BOLT EXPLODES IN SPLIT SECOND, BUT COULD POWER A HOUSEHOLD FOR HALF A YEAR. AT ANY TIME, 1800 STORMS PUMMEL OUR PLANET. EACH ONE IS A GIANT BATTERY. INSIDE A STORM, WATER TURNS TO HAIL. FAILLING ICE CRASHES ON RISING DROPLET, CREATING STATIC ELECTRICITY. CHARGES OF UP TO 100 MILLION VOLTS BUILD UP. ARCS OF ELECTRICITY FIRE OUT. THIS IS LIGHTNING. MORE THAN 90 PERCENT OF ALL BOLTS FIRE WITHIN CLOUDS. BUT A HIGHLY CHARGED STORM WILL FIRE A CASCADE OF ELECTRICAL CHARGE TO EARTH, DRAWN TO THE HIGHEST POINT. A TREE OR A BLADE OF GRASS CAN TRIGGER LIGHTNING, OR EVEN A PERSON. EACH YEAR, 100O PEOPLE AROUND THE WORLD DIE FROM DIRECT HIT. A LIGHTNING BOLT IS ONLY 3 CM WIDE. BUT AT 33,000 DEGREES CELCIUS, IT IS HOTTER THAN THE SURFACE OF THE SUN.
CGI lightning.
NARRATOR:
THIS HEAT EXPANDS THE SURROUNDING AIR, WHICH EXPLODES OUTWARDS AS THUNDER, THE SOUND OF LIGHTNING.
CGI lightning strike.
NARRATOR:
A LIGHTNING FLASH TRAVELS AT THE SPEED OF LIGHT; IT'S THUNDER TRAVELS MUCH SLOWER. THE SHORTER THE TIME BETWEEN THE FLASH AND THE THUNDER, THE CLOSER THE LIGHTNING BOLT. FEW CLOUD TO GROUND STRIKES ARE LONGER THAN THREE KILOMETRES. AND TEXTBOOKS SAID NO LIGHTNING COULD EXIST ABOVE THE CLOUDS.
Cloud to ground lighting with measuring rod.
Walt Lyons on balcony.
NARRATOR:
BUT THEN WEATHERMAN WALT LYONS AIMED HIS CAMERA ACROSS THE COLORADO PLAINS ON JULY 6, 1993.
Mountains through Walt's eye glasses
NARRATOR:
WHAT HE SAW OVERTURNED 200 YEARS OF SCIENTIFIC CERTAINTY IN AN INSTANT.
Green sprites images.
NARRATOR:
HE FILMED THESE VIDEO IMAGES. THEY SHOW LIGHTNING 80 KILOMETRES HIGH AND 40 KILOMETRES WIDE FIRING ABOVE THE CLOUDS. THEIR EXISTENCE HAD BEEN DISMISSED AS FANTASY. THEIR DISCOVERY SHEDS NEW LIGHT ON WHAT HAS BEEN CAUSING AIRPLANES TO FALL FROM THE SKY.
Sunrise.
Stuart Beecher lights a pipe.
NARRATOR:
THE DISCOVERY OF MEGA-LIGHTNING BEGAN WITH ORDINARY PEOPLE SEEING EXTRAORDINARY THINGS.
Stills of Beecher in name separated by light flashes.
NARRATOR:
IN 1969 STUART BEECHER WAS DEFENDING A MORTAR PIT OUTSIDE SAIGON IN SOUTH VIETNAM, WHEN A STORM BROKE.
Stuart Beecher:
There was this giant flash of lighting that reached from the ground through the base of the cloud, completed illuminated the cloud, and out the top from the ground, in this beautiful double helix pattern, that seemed to just go on forever. It was just like it was going straight into space.
Amateur photo of above cloud lightning.
STRAPLINE:
Photograph: Tudor Williams
NARRATOR:
THERE HAD EVEN BEEN PHOTOGRAPHS. THIS WAS TAKEN AT MT ISA IN AUSTRALIA, IN 1968. SCIENTISTS HAD IGNORED THE SIGHTINGS.
Skeet Vaughan flying.
NARRATOR:
SKEET VAUGHAN, A SENIOR NASA ENGINEER, MET A WITNESS WHO HAD SEEN GIANT LIGHTNING IN 1981. AS A TRAINED PILOT, VAUGHAN TOOK THE SIGHTING SERIOUSLY.
STRAPLINE:
Skeet Vaughan - NASA Engineer 1959-96
Skeet Vaughan:
I wrote an article in one of the flying magazines, and asked pilots to tell me if they'd seen any unusual lightning, or anything out of the ordinary. A number of pilots, about 19 of them, sent me letters telling me about this kind of a thing.
Pilot walks to letterbox.
NARRATOR:
PILOT LARRY PARTRIDGE WAS ONE OF THOSE WHO WROTE TO VAUGHN, REVEALING THAT HE'D SEEN GIANT LIGHTNING ABOVE THE CLOUDS GOING UP, AND NOT DOWN.
STRAPLINE:
Larry Partridge, pilot.
Larry Partridge:
All of a sudden, POW! Just a split second, this huge bolt of lightning came out of the top and disappeared into deep blue space. The captain turned to me and said, wide eyed, and said did you see that? And so I said yes, and so we turned and told the flight engineer, and he said, that's impossible. Lightning doesn't go up.
CGI blue jet.
Pilot Robin May flying.
STRAPLINE:
Robin May - pilot
Robin May:
A Strike of lightning appeared to come from the top of the cloud, went straight up, bright white, for ten or 15 thousand feet, then broke up into a lot of little fingers that went through the different colours of the spectrum, and disappeared off into space.
CGI of sprite to show what Larry sees through window of plane.
Skeet Vaughn:
But most of the pilots had said they'd never talk to people about this, they were somewhat reluctant to, in the case that they
47:51
Sex and the Shekinah Glory
Some things really get us excited. Having a baby is always an exciting time. You want to t...
published: 23 Nov 2009
author: Jim Tompkins
Sex and the Shekinah Glory
Some things really get us excited. Having a baby is always an exciting time. You want to tell the world. As they grow and reach major milestones, we love to share with our friends, even strangers you meet at the grocery store.
Some things we don’t like talking about. We feel uncomfortable. Our faith in Christ is sometimes difficult to talk about. We have it, but we don’t know how to express it. Sex is another one of those things we just don’t talk about very much. It makes most of us uncomfortable. In fact people that talk openly and honestly about sex make us uncomfortable. So I will make most of you uncomfortable at some point this morning.
The truth is, what I am about to share with you God has been working in my heart as I have been working on my marriage relationship with my wife, as I make those strides to enter the winter of my married life with as much excitement as I did when we were first together. Some of the things I will discuss God had already revealed to me before I read “Sacred Marriage” Others, He has really opened my eyes to.
My “talk” with you this morning comes from a firm conviction that God is Lord of every aspect of our life. And because God is Lord of every aspect, He wants to be involved in everything we do. Everything. So let’s ask Him to open our hearts and eyes to how marvelous He is, and how marvelous a creation we are. Let’s do this before we have the dreaded “TALK”.
I. Communion With the Shekinah Glory
The Ark of the Testimony was constructed with two cherubim of hammered gold, who faced each other and touched wings. In this joining of the two, Exodus 25:22 records, “There, above the cover between the two cherubim that are over the ark of the Testimony, I (God) will meet with you”.
God’s presence “between the cherubim” became a very popular Old Testament image.
1 Samuel 4:4 “The Lord Almighty, who is enthroned between the cherubim”
Psalm 80:1 “Hear us, O Shepherd of Israel…you who sit enthroned between the cherubim”
Isaiah 37:16 “O Lord Almighty, God of Israel, enthroned between the cherubim”.
Hebrews 9:5 “Above the ark were the cherubim of the Glory”
The Glory of God comes to us as the two beings are being joined. God dwells in the midst of this coming together.
Indeed, the basis of communion with God is always His glory. At the mercy seat we have fellowship with God. We are shadowed by the cherubim of glory. There is the Glory of God because the shed blood has made our forgiveness possible. Through the Blood God can show mercy without violating His glory. He can commune with man without violating himself.
When I commune with God at His mercy seat, it is not on the precious blood I gaze, but on His glory. The veil has been stripped away. Sinful man can behold the glory of God. The Strict Law of God has met the atoning blood of Jesus Christ. We are at one and at peace with this awesome Holy God.
Most of our holiest moments have been alone with God. We simply do not know how to enter into this intimacy with others. I can count on two hands times when I have gazed on the Glory of God in communion with others. This is very, very sad, because Jesus revealed a very important truth that the church has forgotten, and marriages have forgotten. We may know it, but we rarely experience it.
Jesus said true Christianity is meant to be shared in intimacy with God. In Matt 18:19-20 Christ offered this glimpse at the Glory of God:
Again I say unto you, that if two of you shall agree on earth as touching anything that they shall ask, it shall be done for them of my Father which is in heaven. For where two or three are gathered together in my name, there am I in the midst of them.
Most of us quote this verse and believe it is a “formula” for getting God to do what we want. One of us will pray, another will say “Yes, I agree” and we expect God to do what we ask. But we miss the true meaning of this verse because we miss what Jesus was revealing:
1. You must be gathered “synagō” – Someone has led you together, it is passive, an outside force has brought you together.
2. You must be in “symphōneō”—in harmony, as an orchestra of many instruments come together to play the same note. This implies and requires an intimacy of heart and spirit.
There will be rare times where God brings people together because of a shared pain or trial, and through mutual love for each other and a mutual reaching to God, you pray together in complete trust and complete faith for what God is going to do.
Most of the time when we come together in pray, someone is wondering how long this will go on, someone will be thinking about food, someone will be thinking ‘God doesn’t care about this’ and so there is no moving together in symphony. This type of prayer is no formula; it is a work of the Holy Spirit. Just as the 120 disciples prayed for weeks before Pentecost, it took that long for them to finally come together in total agreement.
You may thi
16:19
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER ...
published: 13 Aug 2011
author: franklyn wepner
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Perls calls them the "essences" of a patient's personality, or we can say he is working from his "centers", stretching those sounds, moves and psychological motivations in as many creative directions as he can. I monitor closely to be sure he is not faking it, the way most actors end up doing since they do not have the centers to begin with.
Before the performer begins working with others doing improvs and scenework, there is an important transitional stage in the work in which I help him get comfortable using his very personal Gestalt material freely as creative material. He needs to shift from seeing himself as a patient to enjoying the role of an artist of the
Youtube results:
59:12
[Data Disk] Final Fantasy IV - Cutscenes + Bonus
Every in-game movie for Final Fantasy IV on the Nintendo DS. This remake of FFIV debuted o...
published: 15 May 2013
author: Tiger Z. Leosword
[Data Disk] Final Fantasy IV - Cutscenes + Bonus
Every in-game movie for Final Fantasy IV on the Nintendo DS. This remake of FFIV debuted on the Nintendo DS, and was then ported onto the PSP. After the DS v...
- published: 15 May 2013
- views: 138
- author: Tiger Z. Leosword
2:59
FF4, Appearance of Golbez's Four Lords of the Elements
I did not make or translate this video, I just uploaded it to Youtube....
published: 29 May 2008
author: kawaiikansan
FF4, Appearance of Golbez's Four Lords of the Elements
I did not make or translate this video, I just uploaded it to Youtube.
- published: 29 May 2008
- views: 1597435
- author: kawaiikansan
4:56
FINAL FANTASY IV(ファイナルファンタジー4)戦闘曲他色々(Electone)part.1/2
広告の非表示、受け取り拒否の設定ですが、こちらの動画は原曲 に権利者がいるため、自動的に広告が表示される場合があります。 (受け取りは拒否) 11分37秒の動画を2本に分割、その①...
published: 18 Nov 2009
author: atokun111kyusyu
FINAL FANTASY IV(ファイナルファンタジー4)戦闘曲他色々(Electone)part.1/2
広告の非表示、受け取り拒否の設定ですが、こちらの動画は原曲 に権利者がいるため、自動的に広告が表示される場合があります。 (受け取りは拒否) 11分37秒の動画を2本に分割、その① (part.1/2) (10分以上の動画をアップロードできない為) ニコニコ動画より転載。演奏maru氏、当方別人。 http:/...
- published: 18 Nov 2009
- views: 533481
- author: atokun111kyusyu
1:30
Final Fantasy IV - iOS Trailer
THE WORLD IS ENDING! http://bit.ly/R7q7mi Square Enix's 3D Final Fantasy IV remake is now ...
published: 20 Dec 2012
author: IGN
Final Fantasy IV - iOS Trailer
THE WORLD IS ENDING! http://bit.ly/R7q7mi Square Enix's 3D Final Fantasy IV remake is now available on iOS with all the revamped sound, visuals and voice act...
- published: 20 Dec 2012
- views: 40178
- author: IGN