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- Published: 06 Feb 2011
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- Author: charitybuddhism
Saṃjñā (Sanskrit; Devanagiri: संज्ञा) and sañña (Pāli; Devanagiri: सञ्ञा) can be translated as "perception" or "cognition."
In the Pali Canon, sañña is frequently defined as:
:"It perceives blue, it perceives yellow, it perceives red, it perceives white."
In post-canonical Pali commentaries, the Visuddhimagga likens sañña to "a child without discretion."
Category:Buddhist terms Category:Sanskrit words and phrases Category:Pāli words and phrases
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Imee Ooi (pronounce as English "E-ME WOO --E" (connected) - Ch: 黃慧音, pinyin: Huáng Huìyīn, which means HUANG-Yellow - HUI-Wisdom - YIN-Sound/Music, being her original name by birth) is a Malaysian music producer, composer, arranger and vocalist who brings traditional Buddhist chants, mantras and dharanis (typically from the Sanskrit, Pali, Tibetan or Mandarin languages) into sung versions with accompanying musical scores. She also is a classical pianist by training.
Ooi is the musical director and composer of two highly-acclaimed stage musicals; Siddhartha and Above Full Moon, and is currently working on a musical entitled Jewel of Tibet. The musical is set during the Tang Dynasty and is about a Tang princess who marries a Tibetan king and how she brings Buddhism to Tibet.
Imee Ooi established I.M.M Musicworks in 1997, and to date has released over 20 albums.
Category:Year of birth missing (living people) Category:Living people Category:Malaysian Buddhists Category:Malaysian Chinese people Category:Malaysian female singers Category:Malaysian musicians Category:Performers of Buddhist music
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Muhammad Iqbal |
---|---|
Region | Islamic Philosophy |
Era | Modern era |
Color | #B0C4DE |
Image name | Iqbal.jpg |
Birth date | November 9, 1877 |
Nationality | British Indian (Subject of British India) |
Birth place | Sialkot, Punjab, British India |
Death date | |
Death place | Lahore, Punjab, British India |
School tradition | Muslim. |
Main interests | poetry, philosophy, sufism. |
Influences | Aristotle, Rumi, Imam Rabbani, Goethe, Nietzsche, Bergson, Molana Muhammad Ali Johar, Thomas Walker Arnold, |
Influenced | Indian independence movement, Khilafat movement, Israr Ahmed, Abul Ala Maududi, Khalilollah Khalili, Jawdat Said, Qaed e Millat Bahadur yar jung}} |
Sir Muhammad Iqbal ( / Allama Muḥammad Iqbāl; November 9, 1877 - April 21, 1938), commonly referred to as Allama Iqbāl (}}, ʿAllāma meaning "The Learned One") in Pakistan, was a Lahori Muslim poet, philosopher and politician in British India.
While maintaining his legal practice, Iqbal began concentrating on spiritual and religious subjects, and publishing poetry and literary works. He became active in the Anjuman-e-Himayat-e-Islam, a congress of Muslim intellectuals, writers and poets as well as politicians. In 1919, he became the general secretary of the organisation. Iqbal's thoughts in his work primarily focus on the spiritual direction and development of human society, centred around experiences from his travels and stays in Western Europe and the Middle East. He was profoundly influenced by Western philosophers such as Friedrich Nietzsche, Henri Bergson and Goethe. He soon became a strong critic of Western society's separation of religion from state and what he perceived as its obsession with materialist pursuits.
The poetry and philosophy of Mawlana Rumi bore the deepest influence on Iqbal's mind. Deeply grounded in religion since childhood, Iqbal began intensely concentrating on the study of Islam, the culture and history of Islamic civilization and its political future, while embracing Rumi as "his guide." Iqbal would feature Rumi in the role of guide in many of his poems. Iqbal's works focus on reminding his readers of the past glories of Islamic civilization, and delivering the message of a pure, spiritual focus on Islam as a source for socio-political liberation and greatness. Iqbal denounced political divisions within and amongst Muslim nations, and frequently alluded to and spoke in terms of the global Muslim community, or the Ummah.
In his Rumuz-e-Bekhudi (Hints of Selflessness), Iqbal seeks to prove the Islamic way of life is the best code of conduct for a nation's viability. A person must keep his individual characteristics intact, but once this is achieved he should sacrifice his personal ambitions for the needs of the nation. Man cannot realise the "Self" outside of society. Also in Persian and published in 1917, this group of poems has as its main themes the ideal community, Islamic ethical and social principles, and the relationship between the individual and society. Although he is true throughout to Islam, Iqbal also recognises the positive analogous aspects of other religions. The Rumuz-e-Bekhudi complements the emphasis on the self in the Asrar-e-Khudi and the two collections are often put in the same volume under the title Asrar-e-Rumuz (Hinting Secrets). It is addressed to the world's Muslims.
Iqbal sees the individual and his community as reflections of each other. The individual needs to be strengthened before he can be integrated into the community, whose development in turn depends on the preservation of the communal ego. It is through contact with others that an ego learns to accept the limitations of its own freedom and the meaning of love. Muslim communities must ensure order in life and must therefore preserve their communal tradition. It is in this context that Iqbal sees the vital role of women, who as mothers are directly responsible for inculcating values in their children.
Iqbal's 1924 publication, the Payam-e-Mashriq (The Message of the East) is closely connected to the West-östlicher Diwan by the famous German poet Goethe. Goethe bemoans the West having become too materialistic in outlook, and expects the East will provide a message of hope to resuscitate spiritual values. Iqbal styles his work as a reminder to the West of the importance of morality, religion and civilization by underlining the need for cultivating feeling, ardour and dynamism. He explains that an individual can never aspire to higher dimensions unless he learns of the nature of spirituality. In his first visit to Afghanistan, he presented his book "Payam-e Mashreq" to King Amanullah Khan in which he admired the liberal movements of Afghanistan against the British Empire. In 1933, he was officially invited to Afghanistan to join the meetings regarding the establishment of Kabul University.
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The Zabur-e-Ajam (Persian Psalms), published in 1927, includes the poems Gulshan-e-Raz-e-Jadeed (Garden of New Secrets) and Bandagi Nama (Book of Slavery). In Gulshan-e-Raz-e-Jadeed, Iqbal first poses questions, then answers them with the help of ancient and modern insight, showing how it affects and concerns the world of action. Bandagi Nama denounces slavery by attempting to explain the spirit behind the fine arts of enslaved societies. Here as in other books, Iqbal insists on remembering the past, doing well in the present and preparing for the future, while emphasising love, enthusiasm and energy to fulfill the ideal life.
Iqbal's 1932 work, the Javed Nama (Book of Javed) is named after and in a manner addressed to his son, who is featured in the poems. It follows the examples of the works of Ibn Arabi and Dante's The Divine Comedy, through mystical and exaggerated depictions across time. Iqbal depicts himself as Zinda Rud ("A stream full of life") guided by Rumi, "the master," through various heavens and spheres, and has the honour of approaching divinity and coming in contact with divine illuminations. In a passage re-living a historical period, Iqbal condemns the Muslim who were instrumental in the defeat and death of Nawab Siraj-ud-Daula of Bengal and Tipu Sultan of Mysore respectively by betraying them for the benefit of the British colonists, and thus delivering their country to the shackles of slavery. At the end, by addressing his son Javid, he speaks to the young people at large, and provides guidance to the "new generation."
His love of the Persian language is evident in his works and poetry. He says in one of his poems: The poems he wrote up to 1905, the year Iqbal left for England imbibe patriotism and imagery of landscape, and includes the Tarana-e-Hind (The Song of India), popularly known as Saare Jahan Se Achcha and another poem Tarana-e-Milli (Anthem of the (Muslim) Community), which was composed in the same metre and rhyme scheme as Saare Jahan Se Achcha. The second set of poems date from between 1905 and 1908 when Iqbal studied in Europe and dwell upon the nature of European society, which he emphasized had lost spiritual and religious values. This inspired Iqbal to write poems on the historical and cultural heritage of Islamic culture and Muslim people, not from an Indian but a global perspective. Iqbal urges the global community of Muslims, addressed as the Ummah to define personal, social and political existence by the values and teachings of Islam. Poems such as Tulu'i Islam (Dawn of Islam) and Khizr-e-Rah (Guide of the Path) are especially acclaimed.
Iqbal preferred to work mainly in Persian for a predominant period of his career, but after 1930, his works were mainly in Urdu. The works of this period were often specifically directed at the Muslim masses of India, with an even stronger emphasis on Islam, and Muslim spiritual and political reawakening. Published in 1935, the Bal-e-Jibril (Wings of Gabriel) is considered by many critics as the finest of Iqbal's Urdu poetry, and was inspired by his visit to Spain, where he visited the monuments and legacy of the kingdom of the Moors. It consists of ghazals, poems, quatrains, epigrams and carries a strong sense religious passion.
The Pas Cheh Bayed Kard ai Aqwam-e-Sharq (What are we to do, O Nations of the East?) includes the poem Musafir (Traveller). Again, Iqbal depicts Rumi as a character and an exposition of the mysteries of Islamic laws and Sufi perceptions is given. Iqbal laments the dissension and disunity among the Indian Muslims as well as Muslim nations. Musafir is an account of one of Iqbal's journeys to Afghanistan, in which the Pashtun people are counseled to learn the "secret of Islam" and to "build up the self" within themselves. Iqbal's final work was the Armughan-e-Hijaz (The Gift of Hijaz), published posthumously in 1938. The first part contains quatrains in Persian, and the second part contains some poems and epigrams in Urdu. The Persian quatrains convey the impression as though the poet is travelling through the Hijaz in his imagination. Profundity of ideas and intensity of passion are the salient features of these short poems. The Urdu portion of the book contains some categorical criticism of the intellectual movements and social and political revolutions of the modern age.
In November 1926, with the encouragement of friends and supporters, Iqbal contested for a seat in the Punjab Legislative Assembly from the Muslim district of Lahore, and defeated his opponent by a margin of 3,177 votes. He supported the constitutional proposals presented by Jinnah with the aim of guaranteeing Muslim political rights and influence in a coalition with the Congress, and worked with the Aga Khan and other Muslim leaders to mend the factional divisions and achieve unity in the Muslim League.
In his speech, Iqbal emphasised that unlike Christianity, Islam came with "legal concepts" with "civic significance," with its "religious ideals" considered as inseparable from social order: "therefore, the construction of a policy on national lines, if it means a displacement of the Islamic principle of solidarity, is simply unthinkable to a Muslim."
There were significant differences between the two men — while Iqbal believed that Islam was the source of government and society, Jinnah was a believer in secular government and had laid out a secular vision for Pakistan where religion would have "nothing to do with the business of the state." Iqbal, serving as president of the Punjab Muslim League, criticised Jinnah's political actions, including a political agreement with Punjabi leader Sir Sikandar Hyat Khan, whom Iqbal saw as a representative of feudal classes and not committed to Islam as the core political philosophy. Nevertheless, Iqbal worked constantly to encourage Muslim leaders and masses to support Jinnah and the League. Speaking about the political future of Muslims in India, Iqbal said:
"There is only one way out. Muslims should strengthen Jinnah's hands. They should join the Muslim League. Indian question, as is now being solved, can be countered by our united front against both the Hindus and the English. Without it, our demands are not going to be accepted. People say our demands smack of communalism. This is sheer propaganda. These demands relate to the defense of our national existence.... The united front can be formed under the leadership of the Muslim League. And the Muslim League can succeed only on account of Jinnah. Now none but Jinnah is capable of leading the Muslims."
Notes
References
A translation, commentary and literary appreciation of Masnavi Pas Cheh Bayad kard and Musafir in Urdu by Dr Elahi Bakhsh Akhtar Awan was published by University Book Agency Khyber Bazaar Peshawar Pakistan in 1960Controversy: Many of writers believe on his sufi-ism and poetry which is living in the heart of the peoples, but as far as Pakistan mufiqar is concerned, there was no link with it, because in the same time, Indian athum is written by him: Saray Jahan se acha Hindustan Hamara......
External links
Dr. Allama Iqbal, poet of the east - Article by Faisal Hanif Official Website of Allama Iqbal by Iqbal Academy Pakistan Allama Iqbal Stamps Society Allama Iqbal Urdu Cyber Library Network Official Website of Dr. Allama Muhamamd Iqbal by Nazaria-i-Pakistan Trust Official Website of Dr. Iqbal Society of North America A Blog on Allama Iqbal's Works Iqbal and His Times Brief Life Sketch of Allama Muhammad Iqbal Iqbals Awakening The Reconstruction of Religious Thought in Islam Biography of Iqbal Lahuri Video's on Iqbaliyat Muhammad Iqbal at Kavita Kosh (Iqbal's poetry in Hindi font) Allama Iqbal Digital Library Allama Muhammad Iqbal aur Muslim Leaque http://www.allamaiqbal.com/ias/iqbalspoetryfaisalhanif.html Official Website of Allama Iqbal Academy Scandinavia Allama Iqbal site Dr. Allama Iqbal-The Innovator some of his best Urdu poems from Columbia university site Works of Iqbal in simlepk site search Kalame Iqbal with difficult words Reconstruction Of Religious Thought In Islam by Allama Iqbal http://pakistaniat.com/2007/03/22/pakistan-day-jinnah-mohammad-iqbal-allama-sir-dr-doctor-poetry-march-23/ Dr. Allama Muhammad Iqbal - Poet of the East I Desire (With English Translation)by Qazi Muhammad Ahkam 133rd Birthday Anniversary Muhammad Iqbal: A Spiritual Bridge between East and West Qantara.de
Category:Muhammad Iqbal Category:Leaders of the Pakistan Movement Category:Urdu poets Category:Indian poets Category:Knights Bachelor Category:Muslim scholars of Islam Category:Ravians Category:University of Heidelberg alumni Category:Persian literature Category:Persian poets Category:Muslim philosophers Category:Contemporary Indian philosophers Category:Kashmiri people Category:Alumni of Trinity College, Cambridge Category:Alumni of the Inns of Court School of Law Category:Members of Lincoln's Inn Category:20th-century philosophers Category:1877 births Category:1938 deaths Category:People from Lahore Category:People from Sialkot Category:Punjabi people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.