{{infobox indian jurisdiction | native name	Musiri | type city | latd 10.93 | longd 78.45| locator_position right | state_name Tamil Nadu | Calling Code +91 4326 district Tiruchirappalli | leader_title | leader_name | altitude 82| population_as_of 2001 | population_total 27886| area_magnitude sq. km | area_total | area_telephone | postal_code | vehicle_code_range | sex_ratio | unlocode | website http://www.musiri.com | footnotes | }}

Musiri () is a panchayat town in Tiruchirappalli district in the Indian state of Tamil Nadu. Musiri is located at . It has an average elevation of 82 metres (269 feet). It is the site of an ancient inland port on the Kaveri River also called ''Pseudostomus'' or 'one with false mouths'.

Demographics

India census, Musiri had a population of 27,886. Males constitute 50% of the population and females 50%. Musiri has an average literacy rate of 75%, higher than the national average of 59.5%: male literacy is 80%, and female literacy is 69%. In Musiri, 11% of the population is under 6 years of age. Rightnow Musiri has population of more than 35,000.

This town was an inland port of the Cheras who ruled from Karur during the Sangam age, Muziris as mentioned. The original name of this town was "Musukundapuri", named after a Chola king Musukundan. This is apparent from the devotional song composed on the local Vishnu deity in Agrahaaram (area where Brahmins live).

Other temples include Chandra Mauleeswara (Shiva) temple, Angaalamman temple, three Maariyamman temples apart from a church and a masjid.

Agriculture is the main occupation in this town situated on the northern bank of Kaveri river. The crops include paddy, sugar cane, banana and vegetables.

The town is connected to Kulithalai town by a 1.45 km long bridge across river Kaveri. Vellore is nearby village to Musiri and has Sivan temple, Lord amman temple, Perumal temple and sellaiye sedachaiyae temple considered to be lord saving village.

Musiri is a separate assembly constituency falling under Tiruchirappalli parliamentary constituency. It is a Taluk and Revenue Division headquarters in Tiruchirappalli District of Tamil Nadu state in India.

Mr. M.Jeganathan - proprietor of MM BROS Egg Center. They can provide a pure drinking water in and around musiri.

Notable Persons

"Welcome Ramakrishnan Site" Musiri Details and other piture more details please view this wes site link Ramakrishnan Site Ramakrishnsan Musiri Details Site Musiri Details siteText to be displayed

The Great Mangalam Sri Seetharama Iyer who was the Karnam of Mangalam during the British period. Musiri Subramania Iyer a well known Carnatic Musician who has given huge carnatic compositions.

Balakrishna Iyer, Muralidharan Iyer are well known Village Administrative Officers.

Todays Musiri:-

Special Feature: Cauveri River & Agriculture.

Colleges: Arignar Anna Govt Arts & Science College, MIT Polytechnic College.

Schools: Chellammal Vidhyashram CBSE School, Govt Boys Hr.sec school, Govt Girls hr.sec school, Amala girls Primary & Hr. sec school, St. Marry's Primary school (Mathaa school) and Shanthi Matriculation Hr sec school.

Temple rank wise: Perumal temple, agraharam, Siva temple, kadai veethi, Thiruengoimalai temple, Mariamma temple, near 5 way junction, angalamman temple, karumariamman temple, periyar street near.

Bus Stand: New bus stand, Bypass road, Old Bus Stand, SH30Trichy-Salem highway.

Local Transport: Bus, Auto rickshaw, Taxi, Tempos.

Airways & Railways: Trichy International Airport (50 km away), Kulithalai Railway Station(4 km away).

Hospital Facility: Govt.Hospital(Emergency/Casualty), Kanapathy Memorial Speciality Hospital(General Medicine, Orthopaedics, Pediatrics, and Emergency and Casualty), Meera Mohan Nursing Home (General/Maternity), Alva Hospital(Emergency/Casualty), Subramanium Hospital, Rajendran Hospital, Jayalakshmi kannan hospital(Child specialist), Dr. Arulmozhivarman (Surgery), Dr. Selvakumar(ENT Specialist) & Dr. Rajaselvam(Child specialist).

Blood Bank: Govt. Hospital, musiri.

Jewellery Stores: Kavithas Jewellers, Asthalakshmi Jewellers

Electricity Facility: Fair

Water Facility: GOOD,Cauvery Water & Under ground water.

Atmosphere Mode: Peaceful Town.

Hotel Facility : Poor

Political: Neutral.

Religious unity: Temple, Church, Mosque are in one straight street very near together & friendly,brother ship relationship between peoples.

Food Culture: Rice,Dhal, Atta, Grains & its oil, etc.

Pharmacy marketing specialty: Siva Medicals, Indian Surgical, KMH Pharmacy

Other Facilities: Well availability of civil goods, security from nepali goorkha's & musiri police, Broadband internet services, Fresh vegetables any time

Special Features Musiri: This Area Good Educational and Agricaltural facility. Kaveri river is located near by, which is very beautiful during sunrise and sunset, Aghraharam is located on the way to Cauvery, which consists of more than 75 houses in a single street

Politics

Musiri assembly constituency is part of trichy.

Thiru N.R.Sivapathi is sitting M.L.A., also serving as Minister for Animal Husbandry.

Service minded people are selected as leaders, chairman and so on.

References

Extra Link

Welcome to musiri

Welcome to Ramakrishnan Site

Category:Cities and towns in Tiruchirapalli district

bpy:মুসিরি it:Musiri new:मुसिरी pt:Musiri ta:முசிறி vi:Musiri

Musiri Subramania Iyer (August 9, 1899 - March 25, 1975) was a Carnatic vocalist who's stage performing career spanned the 1920s to the 1940s. After retirement from the stage, he remained an iconic figure in Carnatic music as a dedicated teacher and leader in the Carnatic community. His bhava-laden renditions of Carnatic songs have become the measuring stick for generations of Carnatic vocalists. Musiri Subramania Iyer is one of the giants of Carnatic music in this century.

Biographical sketch

Musiri, as he was universally known, was born in Bommalapalayam in the Trichy district of Tamil Nadu. His father, Sankara Sastry was a Sanskrit pandit. One of three siblings, he lost his mother, Seethalakshmi, as a boy and his sister Rajathi passed when she was but a child. His family was poor—in later life Musiri seldom spoke about those early years. He married Nagalakshmi when he was 14 years old. Musuri learned to fluently speak, read and write in English when he was 17. Inspired by the singing of a popular acting star of those days, S. G. Kittappa, he decided to become a musician. Like Kittappa, Musiri had a strong vocal range in the higher octaves, and could imitate the former's hit songs with ease.

Musiri's initial training in music was under S. Narayanaswamy Iyer for two years, before moving to Chennai for more serious studies with violinist Karur Chinnaswami Iyer. Due to a lack of time to devote to teaching, Chinnaswami sent him to become the disciple of renowned vocal teacher T.S. Sabhesa Iyer who lived in Purasawalkam. Musiri trained with him for 9 years in the guru shishya parampara, learning his guru's particular way of performing neraval that Musiri would later become famous for. He made his debut in Chennai in 1920. His name was announced as "Subramania Iyer of Musiri" and the name stuck. (As per tradition in India, the town the artist hails from is sometimes added as a prefix to ones name, honoring the town while simultaneously giving a distinction of a specific geographical nature to the artist, such as Chembai Vaidyanatha Bhagavatar, etc.) Given that Musiri was not born in Musiri, accounts differ as to why the name Musuri was added to his name. Musiri once stated that it was simply because Musiri was a more well known location than Musiri's home town of Bommalapalayam, and easier to say as a prefix. Whatever the case, Musiri was a prolific and expert performer, and within 10 years his reputation as a master musician across India was sealed.

In his career, the popularity of Musiri and his name reached every corner of India. His 78 rpm gramophone records were successful to the point that the audience would sometimes demand he sung songs in the exact way as heard on the record. Beginning with the krithi ''Nagumomu'', everything Musiri recorded were best sellers. Nagumomu was a song that, previous to Musiri, was only sung in the Abheri raga, as India's Trinity composer Tyagaraja is thought to have composed it in Abheri. However, Musiri felt that the song sounded more emotional in the Karnataka Devagandhari raga, (a similar but subtly different raga) and he sang and recorded Nagumomu with ''Karnataka Devagandhari''. Carnatic music is an exacting music that places large importance on tradition. Therefore, Musiri's rendition of the song in a different raga than it was originally written caused outrage in many Carnatic musical purists. But Musiri stuck to his decision. Given that Musiri was a devotee of Tyagaraja, taking liberty with Tyagaraja's song was out of freedom of spontaneous expression and not out of irreverence. As a point of fact, Nogumomu sounded so suited to Karnataka Devagandhari raga that everyone began to perform it in the "Musuri way", artists such as Bangalore Nagarathnammal, M. S. Subbulakshmi, and Bhanumathi Ramakrishna. Other songs that became popular and became recognizable through Musuri's signature touch were ''Enta vetukondu'' in Saraswathi Manohari raga, ''Enthu daginado'' in todi raga, ''Tiruvadi caranam'' in Kambhoji, ''Enraikki shiva'' kripai in Mukhari, and ''Vritta shenjadai ada'', a raga mala.

Musiri acted in the role of Sant Tukaram in the eponymous film. Though the film is out of print, Musiri's songs in the film have stood the test of time. Musiri did not like acting in the film, citing that acting with women, make up and bright lights made him uncomfortable. Musiri's guru also warned him against acting in the film, knowing that Musiri had struggled with lung illness in the past, and the damp climate in Coimbatore might effect his health. For financial reasons, Musiri accepted the acting part. The exertions he underwent during the making of the film is thought to have resulted in life-long lung trouble for Musiri, forcing his early retirement from live performance in 1945 at 46 years of age.

Though retired from the concert circuit, Musiri was active in many Carnatic music affairs throughout India. He was appointed as the first principal of the Central College of Carnatic Music, Chennai in 1949. During his tenure, he influenced a whole generation of musicians, retiring in 1965. He was also the Honorary Secretary and Treasurer of Sri Tyagaraja Brahma Mahotsava Sabha, and was responsible for organizing the annual aradhana of Tyagaraja's passing, at his samādhi in Thiruvaiyaru. The annual celebration of Tyagaraja's music is the largest musical gathering in India, and continues to this day. Musiri is also credited for his key role in the unification of various factions associated with the Aradhana.

Place in Carnatic music

Renowned for his high pitched voice and tonal purity (known in Carnatic music as sruti), Musiri was considered a great exponent of bhava, bringing out the full emotional content of each krithi that he sang. His patanthara of several krithis has his special stamp, which can be easily recognized when they are rendered by his disciples. He was a specialist in ''neraval'' singing and also vilamba sangitham, a slower tempo song designed to exude tranquility and bring out the full emotional content of the ragas and krithis that he rendered. Semmangudi Srinivasa Iyer, who was a contemporary of Musiri, said "Musiri brought ''gauravam'' (dignity) to our profession." He also heralded Musiri's dedication to bhava by saying "He used to be so lost in ''bhava'' that he never thought of evoking any response."

In the All India Radio archives catalog, this introduction was written: "Vocalist of mesmerizing melodies Musiri Subramania Iyer, was the repository of pathos, piety and poignancy. He was more at home in the pristine heights of upper octave than at any other. The enlightened and the lay had always rushed to the concert hall to hear the soulful melody of Musiri Subramania Iyer which had become the subject to talk in innumerable households. His audience got soaked in emotions and feelings that were at once human and divine."

Musiri was not only a respected musician but also a sought-after teacher. His special contribution is the number of disciples he trained in his own home, all of whom have attained distinction in their own right. In fact his ''shishya parampara'' is so well recognized, his style of rendering krithis has come to be known as the ''Musiri School''. Well known disciples include Mani Krishnaswamy, T. K. Govinda Rao, K. S. Venkataraman, Suguna Purushothaman and Suguna Varadachari. The Bombay Sisters C. Saroja & C. Lalitha had their formative learning from Musiri.

Awards

Before the Sangeetha Kalanidhi award existed, the highest honor possible in 1939 was to be invited as the President of the Annual Conference by the Madras Music Academy. Musiri was invited to be President of the Annual Conference that year, and was awarded the Sangeetha Kalanidhi by the Music Academy of Chennai as soon as the award came into being in 1942. Musiri was on;y 39 when he received it, a record that was bested by Semmangudi who received the award at the age of 38 in 1947. In 1963 he was awarded the Isai Perarignar from the Tamizh Isai Sangam. The Indian Fine Arts gave him the Sangita Kala Shikhamani in 1966. In 1967, he was made a Fellow of the Sangit Natak Academy. The President honored him with the Padma Bhushan in 1971. Roads have been named after him in Tamil Nadu, and national postage stamps have been issued bearing his portrait in 1999.

References

V. Sriram. ''Carnatic Summer: Lives of twenty great exponents'', pg. 49-62 East West Books, Madras 2004 (2007 Edition)

The Hindu: Musiri for Bhava ''Friday Review Chennai and Tamil Nadu'', March 24, 2006

Ramanathan, Dr. R. ''Sruti Magazine'', ''The intellectual Approach'', January 2010

External links

music of Musiri

Category:Carnatic singers Category:1899 births Category:1975 deaths

A. Vaidyanatha Iyer (1890-1955), also known as Madurai Vaidyanatha Iyer was an Indian activist, politician and freedom-fighter who spearheaded the temple entry movement in Madras Presidency in 1939.

Early life

Vaidynatha iyer was born in Thanjavur in then Madras Presidency in 1890. His Parents are Arunachalam Iyer and Lakshmi Ammal in a Tamil Brahmin family. He entered the Indian independence movement in 1922 when he participated in the Non-Cooperation Movement. He also participated in the Vedaranyam Salt Satyagraha (1930) and the Quit India Movement of 1942.

Temple Entry Movement

The Temple Entry Authorization and Indemnity Act was passed by the government of C. Rajagopalachari in 1939 by which restrictions prohibiting Shanars and Dalits from entering Hindu temples was removed. During this time, Vaidyanatha Iyer was the President of the Tamil Nadu Harijan Seva Sangh. On July 8, 1939, Vaidyanatha Iyer entered the Meenakshi temple at Madurai in the company of L. N. Gopalasamy and six of his Dalit friends, P. Kakkan, Muruganandam, Chinniah, Purnalingam and Muthu. This was stringently opposed by upper-caste Hindu leaders and those seeking to preserve Varnashrama Dharma.

Death and legacy

Vaidyanatha Iyer died in 1955. A postage stamp was issued in his memory by the Government of India on December 9, 1999.

References

Publications

Category:1890 births Category:1955 deaths Category:Indian activists

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