ENAYAT KHAN
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- Duration: 5:19
- Published: 04 Oct 2010
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- Author: enayatrezai
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- Calcutta
- EMI
- Etawah Gharana
- Hindu
- Imdad Khan
- Imdadkhani Gharana
- Imrat Khan
- India
- khyal
- Nobel Prize
- Rabindranath Tagore
- Rajput
- sitar
- surbahar
- Ulhas Kashalkar
- Uttar Pradesh
- Vilayat Khan
Enayat Khan
– in his day the more prestigious instrument]]
Enayat Khan () was one of India's most influential sitar and surbahar players in the first decades of the 20th Century. He was the father of Vilayat Khan, one of the topmost sitariyas of the postwar period.
Enayat Khan was born in Uttar Pradesh into a family of musicians. His father was sitar great Imdad Khan, who taught him the sitar and surbahar (bass sitar) in the family style, known as the Imdadkhani Gharana or Etawah Gharana (school), after a village outside Agra where Imdad once lived. He married Basiran Bibi, daughter of khyal singer Bande Hussain, and settled with his family in Calcutta, where, though he only lived to 43, he did much pioneering work on the sitar. For example, he standardised its physical dimensions and added the upper resonator gourd, which is very popular with today's players (though his own descendants have not kept using it). In a place rapidly developing into an important North Indian centre of the arts, at a time where interest in national culture was strong fuelled by the struggle for independence, he brought sitar music out from its narrow connoisseur circles to new mass audiences. Nobel laureate Rabindranath Tagore was a musical collaborator and personal friend. Some of Enayat Khan's recordings have been released on CD, on the Great Gharanas: Imdadkhani compilation in RPG/EMI's Chairman's Choice series.
Enayat died young, with four children. His two sons, Vilayat and Imrat, were trained in the Imdadkhani style by other members of his extended family. Vilayat learned the sitar and Imrat the surbahar; both were to become very famous classical musicians.
Footnote
Before conversion, the family had been of Rajput lineage, and in an informal continuation of that tradition, Enayat Khan also had the Hindu name of Nath Singh. (Deepak Raja, booklet for Ulhas Kashalkar's Tribute to Vilayat Khan CD (India Archive Music IAMCD 1071, 2003), page 21.) Category:1895 births Category:1938 deaths Category:Etawah Gharana Category:Hindustani instrumentalists Category:Indian musicians Category:Sitar playersThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Imrat Khan
Imrat Khan (born 17 November 1935) is a leading sitar and surbahar player. He is the younger brother of sitar maestro Ustad Vilayat Khan.
Official web site
Musical Career Summary
Training and early career
Imrat was born in Calcutta into a family of musicians tracing its pedigree back for several generations, to the court musicians of the Mughal rulers. His father was Enayat Khan (1895–1938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (1848–1920), before him. His father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family moved with rising star Vilayat Khan, Imrat's elder brother, to Bombay where both the brothers learned extensively from uncle Wahid Khan, Enayat Khan's brother. Wahid Khan was one of the greatest surbahar players of his generation and a top-level sitar player, and taught Imrat on the instruments in the family style, known as the Imdadkhani gharana (school), or Etawah Gharana, after a village outside Agra where Imdad Khan lived.In 1952 Vilayat and Imrat moved in together in Calcutta. They performed together for many years. From the 1960s onwards, Imrat has performed and recorded solo, playing both sitar and surbahar.
Solo career and legacy
For decades, Imrat has recorded extensively on both his instruments. His full performance practice starts with a surbahar alap in dhrupad ang (embellished with more romantic touches), followed by a shorter alap on the sitar leading into gat in traditional Imdadkhani style. (Sitar players such as Ravi Shankar and Nikhil Banerjee added bass strings to their sitars to achieve at least some of the surbahar's lower range on a single instrument).He has toured to Europe, the Americas, and East and Southeast Asia. Surbahar players are rare today, and Imrat is the main living exponent.
Imrat has four sons, Nishat, Irshad, Wajahat and Shafaatullah, who are all classical musicians: Nishat plays the sitar, Wajahat concentrates on the sarod and Shafaatullah is accomplished on sitar, tabla, and surbahar. The surbahar tradition is largely upheld by Irshad (also a sitar player), who has made some very traditional solo recordings.
Imrat Khan currently spends a portion of each year teaching classical Indian music and instructing sitar students at Washington University in Saint Louis. In addition to his sons, Brian Jones of the Rolling Stones and George Harrison of The Beatles (who also studied under Ravi Shankar) have been some of his famous students.
References
External links
Category:1935 births Category:Etawah Gharana Category:Hindustani instrumentalists Category:Living people Category:Sitar players Category:Washington University in St. Louis faculty
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Rashid Khan
| Name | Ustad Rashid Khan |
|---|---|
| Background | solo_singer |
| Born | July 01, 1966 |
| Origin | Badayun, UP, India |
| Genre | Hindustani classical music, Rampur-Sahaswan gharana |
| Occupation | Classical Vocalist |
| Years active | 1977 - present |
In a story told in several versions, it appears that Pandit Bhimsen Joshi said at one point, that Rashid Khan was the "assurance for the future of Indian vocal music".
Career
Rashid Khan gave his first concert at age eleven, and the following year, 1978, he performed at an ITC concert in Delhi. In April 1980, when Nissar Hussain Khan moved to the ITC Sangeet Research Academy (SRA), Calcutta, Rashid Khan also joined the academy at the age of 14. By 1994, he was acknowledged as a musician (a formal process) at the academy.
Musical style
The Rampur-Sahaswan gayaki (style of singing) is closely related to the Gwalior Gharana, which features medium-slow tempos, a full-throated voice and intricate rhythmic play. Rashid Khan includes the slow elaboration in his vilambit khayals in the manner of his maternal grand-uncle and also developed exceptional expertise in the use of sargams and sargam taankari (play on the scale).He is also a master of the tarana like his guru but sings them in his own manner, preferring the khayal style rather than the instrumental stroke-based style for which Nissar Hussain was famous. There is no imitation of instrumental tone. His mastery of all aspects tonal variations, dynamics and timbre adjustment leave very little to be desired in the realm of voice culture.
His renderings stand out for the emotional overtones in his melodic elaboration. He says: "The emotional content may be in the alaap, sometimes while singing the bandish, or while giving expression to the meaning of the lyrics." This brings a touch of modernity to his style, as compared to the older maestros, who placed greater emphasis on impressive technique and skillful execution of difficult passages.
Rashid Khan has also experimented with fusing pure Hindustani music with lighter musical genres, e.g. in the Sufi fusion recording Naina Piya Se (songs of Amir Khusro), or in experimental concerts with western instrumentalist Louis Banks. He also performs jugalbandis, along with sitarist Shahid Parvez and others.
Discography
Awards
References
Category:1966 births Category:Living people Category:Hindustani singers Category:People from Badaun Category:Recipients of the Padma Shri Category:Recipients of the Sangeet Natak Akademi Award
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Shahid Parvez
| Name | Shahid Parvez Khan |
|---|---|
| Background | non_vocal_instrumentalist |
| Birth name | Shahid Parvez Khan |
| Born | October 14, 1955Mumbai, India |
| Instrument | sitar |
| Gharana | Etawah Gharana |
| Genre | Hindustani Classical Music |
| Years active | 1980–present |
| Url | Official site |
His family has produced the many of the most revered and influential instrumentalists in Hindusthani Classical Music including the likes of Ustad Sahabdad Khan, Ustad Imdad Khan (his great grandfather), Ustad Enayat Khan , Ustad Wahid Khan (his grandfather) and Ustad Vilayat Khan.
Early life
Pandit Samta Prasad]] Born in Mumbai, India. He was initiated into the rich music of the Gharana by his illustrious father and Guru Ustad Aziz Khan, a famous musician and a noted composer and the son of the legendary Sitar and Surbahar virtuoso Ustad Wahid Khansahab. As is the custom, Ustad Aziz Khan first initiated his son into vocal music and tabla before training him on the Sitar over many years with all the intensity and rigor that has made this Gharana famous. Incidentally, he got his vocal training from his own uncle Ustad Hafeez Khan a famous singer and a surbahar and sitar exponent and received taleem in tabla for many years from Ustad Munnu Khan of the Delhi Gharana.
Performing career
Shahid Parvez was recognized as a child prodigy and had started performing in public by the time he was only eight years of age. Tremendous perseverance and hard work over the years have been rewarded with an outstanding technical prowess and a mastery over Layakari.He is a Top Grade artist of All India Radio and a recipient of numerous national and international awards including the Sur Shringaar, the Kumar Gandharva Samman, the M.L. Koser Award, etc. He is also a recipient of the prestigious "Sangeet Natak Akademi Award". He has performed in all major musical festivals in India and abroad including the Festival of India held in the US, Europe, USSR, Canada, Africa, Middle-East and Australia, enthralling the audience everywhere. With numerous LP records, audio and video cassettes, CDs and DVDs, numerous awards and accolades, and a distinguished performance career in India and around the world, he is widely recognized as one of the finest living sitar players.
Discography
References
External links
Category:1960 births Category:Etawah Gharana Category:Hindustani instrumentalists Category:Indian Muslims Category:Living people Category:Recipients of the Sangeet Natak Akademi Award Category:Sitar players
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Ustad Enayat Khan - a presentation - Subhranil Sarkar
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- Duration: 3:21
- Published: 08 Oct 2010
- Uploaded: 01 Mar 2011
- Author: EtawahSitari
from my presentation on the Etawah Gharana.... "The Great Masters of Etawah" Ustad Enayat Khan, the Sitar and Surbahar maestro... (note: some photos have been taken from Tushar & E.Parker's albums)
Abhik Mukherjee- Raga Khamaj- Ustad Enayat Khan Composition.
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- Duration: 8:16
- Published: 05 Jul 2010
- Uploaded: 27 Aug 2010
- Author: abhiksitar
- http://wn.com/Abhik_Mukherjee_Raga_Khamaj_Ustad_Enayat_Khan_Composition
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Live at The IIC , New Delhi.
Sitar Music - Imdadkhani baaj - Ustad Shahid Parvez
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- Duration: 1:32
- Published: 02 Sep 2007
- Uploaded: 21 Dec 2010
- Author: EtawahSitari
This gat uses the DRR bol(D=Da R=Ra) of Ustad Imdad Khan and is super-difficult. The tempo is super-fast, yet the Clarity and Weight of the strokes and the balance of Da and Ra are out-of-this-world... This is a tremendous composition of Ustad Enayat Khan, father of Ustad Vilayat Khan, being presented at an workshop by non other than Ustad Shahid Parvez Khan, Ustad Imdad Khan's great-grandson.
Sitar Maestro Abhik Mukherjee, Khamaj, live at India International Centre
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- Duration: 8:16
- Published: 27 Aug 2010
- Uploaded: 31 Aug 2010
- Author: kishoriray
- http://wn.com/Sitar_Maestro_Abhik_Mukherjee,_Khamaj,_live_at_India_International_Centre
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Ustad Enayat Khan Composition. Tabla: Debojyoti Dasgupta. Live at India International Centre, New Delhi, 2010. abhikmukherjee.com Abhik Mukherjee is the torch bearer of the great Etawah - Imdadkhani Gharana of sitar and surbahar among the younger generation of artists today. Initiated into sitar, at the age of six, by his father Shri Tarit Kumar Mukherjee, he also received training from Shri Bimal Chatterjee while simultaneously receiving vocal training with Shri Kalyan Bose.
Sweden Opens Doors For Iraqi And Afghan Refugees on Democracy Now! 12/9/08
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- Duration: 4:54
- Published: 09 Dec 2008
- Uploaded: 08 Jan 2011
- Author: mediagrrl9
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Sweden is home to more Iraqi refugees than other European countries. The nation has also let in many Afghan refugees. We speak to Faisal Enayat Khan. He is a reporter for the Swedish newspaper the Local. Originally from Afghanistan, he is in Sweden after being granted asylum. www.democracynow.org
Imrat Khan, Lalit, Alap, part 1
- Order: Reorder
- Duration: 7:33
- Published: 17 May 2009
- Uploaded: 25 Jan 2011
- Author: kishoriray
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Khan. Imrat was born in Calcutta into a family of musicians tracing its pedigree back for several generations, to the court musicians of the Mughal rulers. His father was Enayat Khan (18951938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (18481920), before him. His father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family moved with rising star Vilayat Khan, Imrat's elder brother, to Bombay where both the brothers learned extensively from uncle Wahid Khan, Enayat Khan's younger brother. Wahid Khan was one of the greatest surbahar players of his generation and a top-level sitar player, and taught Imrat on the instruments in the family style, known as the Imdadkhani gharana (school), or Etawah Gharana, after a village outside Agra where Imdad Khan lived. In 1952 Vilayat and Imrat moved in together in Calcutta. They performed together for many years. From the 1960s onwards, Imrat has performed and recorded solo, playing both sitar and surbahar. For decades, Imrat has recorded extensively on both his instruments. His full performance practice starts with a surbahar alap in dhrupad ang (embellished with <b>...</b>
Professor Inayat Ali Khan - Mazahiya - Chaman Hai Abar Hai Thandi Hawa Hai Kaya Samjhay.wmv
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Professor Inayat Ali Khan - Mazahiya - Chaman Hai Abar Hai Thandi Hawa Hai Kaya Samjhay.wmv Visit www.HallaGulla.com formore Mushaira Videos.. Mushaira Ghazal Nazm Nazam Poem Poetry Urdu Hindi Indian Hyderabad Lahore Karachi Islamabad Desi Pakistani Dukani Desi Woman Female Romantic Love Sad Funny Mazahiya Recite Pasand Famous
EUPH0RIC HARMONY CD RMI 113 Lalit Gomes / Sitar
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- Duration: 9:23
- Published: 17 Jan 2011
- Uploaded: 05 Mar 2011
- Author: TheRageshreemusic
EUPH0RIC HARMONY Lalit Gomes on Sitar & Pandit Sujit Saha on Tabla Dhun (raga Bhairavi) in Dadra Tal (6 beats). Lalit Gomes, born in a Bengali Christian family endowed with rich musical heritage. He is the Grandson of Ustad John Gomes, disciple of Ustad Enayat Khan, and son of late Ustad Benjamin Gomes, disciple of Ustad Vilayat and Imrat Khan. lalitgomes_sitar@rediffmail.com EUPH0RIC HARMONY CD RMI 113 is out on sale. Please contact at www.rageshreemusicinst.org (c) Rageshree Music Institute Inc. All Rights Reserved.
Imrat Khan, Lalit, Jhor & Jhala, part 1
- Order: Reorder
- Duration: 6:32
- Published: 17 May 2009
- Uploaded: 05 Mar 2011
- Author: kishoriray
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Khan. Imrat was born in Calcutta into a family of musicians tracing its pedigree back for several generations, to the court musicians of the Mughal rulers. His father was Enayat Khan (18951938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (18481920), before him. His father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family moved with rising star Vilayat Khan, Imrat's elder brother, to Bombay where both the brothers learned extensively from uncle Wahid Khan, Enayat Khan's younger brother. Wahid Khan was one of the greatest surbahar players of his generation and a top-level sitar player, and taught Imrat on the instruments in the family style, known as the Imdadkhani gharana (school), or Etawah Gharana, after a village outside Agra where Imdad Khan lived. In 1952 Vilayat and Imrat moved in together in Calcutta. They performed together for many years. From the 1960s onwards, Imrat has performed and recorded solo, playing both sitar and surbahar. For decades, Imrat has recorded extensively on both his instruments. His full performance practice starts with a surbahar alap in dhrupad ang (embellished with <b>...</b>
Imrat Khan, Lalit, Jhor & Jhala, part 2
- Order: Reorder
- Duration: 6:06
- Published: 17 May 2009
- Uploaded: 25 Aug 2010
- Author: kishoriray
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Khan. Imrat was born in Calcutta into a family of musicians tracing its pedigree back for several generations, to the court musicians of the Mughal rulers. His father was Enayat Khan (18951938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (18481920), before him. His father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family moved with rising star Vilayat Khan, Imrat's elder brother, to Bombay where both the brothers learned extensively from uncle Wahid Khan, Enayat Khan's younger brother. Wahid Khan was one of the greatest surbahar players of his generation and a top-level sitar player, and taught Imrat on the instruments in the family style, known as the Imdadkhani gharana (school), or Etawah Gharana, after a village outside Agra where Imdad Khan lived. In 1952 Vilayat and Imrat moved in together in Calcutta. They performed together for many years. From the 1960s onwards, Imrat has performed and recorded solo, playing both sitar and surbahar. For decades, Imrat has recorded extensively on both his instruments. His full performance practice starts with a surbahar alap in dhrupad ang (embellished with <b>...</b>
Imrat Khan, Lalit, Alap, part 2
- Order: Reorder
- Duration: 6:24
- Published: 17 May 2009
- Uploaded: 25 Jan 2011
- Author: kishoriray
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Khan. Imrat was born in Calcutta into a family of musicians tracing its pedigree back for several generations, to the court musicians of the Mughal rulers. His father was Enayat Khan (18951938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (18481920), before him. His father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family moved with rising star Vilayat Khan, Imrat's elder brother, to Bombay where both the brothers learned extensively from uncle Wahid Khan, Enayat Khan's younger brother. Wahid Khan was one of the greatest surbahar players of his generation and a top-level sitar player, and taught Imrat on the instruments in the family style, known as the Imdadkhani gharana (school), or Etawah Gharana, after a village outside Agra where Imdad Khan lived. In 1952 Vilayat and Imrat moved in together in Calcutta. They performed together for many years. From the 1960s onwards, Imrat has performed and recorded solo, playing both sitar and surbahar. For decades, Imrat has recorded extensively on both his instruments. His full performance practice starts with a surbahar alap in dhrupad ang (embellished with <b>...</b>
Enayat Hamid & Farhad Tochi
- Order: Reorder
- Duration: 6:29
- Published: 01 Oct 2009
- Uploaded: 22 Oct 2010
- Author: emporioful
Enayat Hamid Ghasal Farhad Tochi Tabla Ali Etemadi Ustad Resa Ali Khan Ustad Tari Khan Ustad Sarahang Ahmad Wali Haidar Salim Valy Schabnam Soraya
Enayat Ali Khan
Mushaira
Imrat Khan, Lalit, part 3 of Alap
- Order: Reorder
- Duration: 6:30
- Published: 16 May 2009
- Uploaded: 09 Dec 2010
- Author: kishoriray
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Khan. Imrat was born in Calcutta into a family of musicians tracing its pedigree back for several generations, to the court musicians of the Mughal rulers. His father was Enayat Khan (18951938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (18481920), before him. His father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family moved with rising star Vilayat Khan, Imrat's elder brother, to Bombay where both the brothers learned extensively from uncle Wahid Khan, Enayat Khan's younger brother. Wahid Khan was one of the greatest surbahar players of his generation and a top-level sitar player, and taught Imrat on the instruments in the family style, known as the Imdadkhani gharana (school), or Etawah Gharana, after a village outside Agra where Imdad Khan lived. In 1952 Vilayat and Imrat moved in together in Calcutta. They performed together for many years. From the 1960s onwards, Imrat has performed and recorded solo, playing both sitar and surbahar. For decades, Imrat has recorded extensively on both his instruments. His full performance practice starts with a surbahar alap in dhrupad ang (embellished with <b>...</b>
Ali Etemadi & Farhad Tochi ( Dosho as Alqa)
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- Duration: 5:58
- Published: 04 Sep 2009
- Uploaded: 26 Jan 2011
- Author: emporioful
Ali Etemadi Farhad Tochi Tabla Ghazal Ustad Reza Ali Khan Ustad Tari Khan Ustad Sarahang Enayat Hamid Ahmad Wali Valy Schabnam Soraya Hariharan Mehdi Hassan Ghulam Ali
Enayat Hamid&Farhad; Tochi
- Order: Reorder
- Duration: 5:07
- Published: 01 Oct 2009
- Uploaded: 30 Dec 2010
- Author: emporioful
Enayat Hamid Ghasal Fahad Tochi Tabla Ali Etemadi Ustad Resa Ali Khan Ustad Tari Khan Ustad Sarahang Ahmad Wali Haidar Salim Hariharan Valy Shabnam Soraya
Ali Etemadi & Farhad Tochi Hariharan song Part2
- Order: Reorder
- Duration: 5:58
- Published: 04 Sep 2009
- Uploaded: 27 Aug 2010
- Author: emporioful
Ali Etemadi Farhad Tochi Tabla Ustad Tari Khan Ustad Reza Ali Khan Enayat Hamid Schabnam Soraya New 2009 Hariharan
Ali Etemadi & Farhad Tochi Hariharan Song (Ranjuki)
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- Duration: 7:33
- Published: 05 Sep 2009
- Uploaded: 08 Jan 2011
- Author: emporioful
Ali Etemadi Farhad Tochi Tabla Enayat Hamid Ustad Reza Ali Khan Ustad Tari Khan Ustad Sarahang Hariharan Live Song Ghasal Ahmad Wali Valy Najim Schari Ghasal
Enayat Hamid Popal & Farhad Tochi
- Order: Reorder
- Duration: 5:21
- Published: 05 Sep 2009
- Uploaded: 20 Dec 2010
- Author: emporioful
Enayat Hamid Farhad Tochi Ali Etemadi Ustad Reza Ali Khan Ustad Tari Khan Hariharan Ustad Sarahang Ahmad Wali Najim Nawabi Schabnam Soraya
Rashid Khan Anandagopal Bandopadhyay Jyoti Goho ( Raaga- Kedar )
- Order: Reorder
- Duration: 9:56
- Published: 13 Jul 2009
- Uploaded: 10 Mar 2011
- Author: akashkshmhbhnd622
- http://wn.com/Rashid_Khan_Anandagopal_Bandopadhyay_Jyoti_Goho__Raaga_Kedar_
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Vocal - Ustad Rashid Khan Tabla- Pandit Anandagopal Bandopadhyay Harmonium- Pandit Jyoti Goho Tanpura- Sangeeta Thakur and Tushar Dutta Raaga- Kedar USTAD RASHID KHAN Ustad Rashid Khan has included the slow elaboration in his vilambit khayals in the manner of his maternal uncle and also developed exceptional expertise in the use of sargams and sargam taankari. He has also included the slower tempo vilambit. He is also extremely adept in producing all the other techniques and characteristic features of the Rampur Sahaswan style. His taankari is as powerful and varigeated as any of his predecessors and, in fact, among the best in the nation at the moment. The brilliant Enayat Hussain drut and medium pace khayals ring as true in his voice as they have done down the ages. He is also a master of the tarana like his guru but sings them in his own manner, preferring the khayal style rather than the instrumental stroke-based style for which Nissar Hussain was famous. There is no imitiation of instrumental tone in them either. His vocal prowess is in the best tradition of the Rampur Sahaswan gharana. His mastery of all aspects tonal variations, dynamics and timbre adjustment leave very little to be desired in the realm of voice culture. A notable achievement of Ustad Rashid Khan is the infusion of an emotional content into his melodic elaboration. This was generally considered to be lacking in the styles of the older exponents. The older ustads, being essentially court singers <b>...</b>
Rashid Khan Anandagopal Bandopadhyay Jyoti Goho ( Raaga- Shahana )
- Order: Reorder
- Duration: 9:40
- Published: 13 Jul 2009
- Uploaded: 05 Mar 2011
- Author: akashkshmhbhnd622
- http://wn.com/Rashid_Khan_Anandagopal_Bandopadhyay_Jyoti_Goho__Raaga_Shahana_
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Vocal - Ustad Rashid Khan Tabla- Pandit Anandagopal Bandopadhyay Harmonium- Pandit Jyoti Goho Tanpura- Sangeeta Thakur and Tushar Dutta Raaga- Shahana USTAD RASHID KHAN Ustad Rashid Khan has included the slow elaboration in his vilambit khayals in the manner of his maternal uncle and also developed exceptional expertise in the use of sargams and sargam taankari. He has also included the slower tempo vilambit. He is also extremely adept in producing all the other techniques and characteristic features of the Rampur Sahaswan style. His taankari is as powerful and varigeated as any of his predecessors and, in fact, among the best in the nation at the moment. The brilliant Enayat Hussain drut and medium pace khayals ring as true in his voice as they have done down the ages. He is also a master of the tarana like his guru but sings them in his own manner, preferring the khayal style rather than the instrumental stroke-based style for which Nissar Hussain was famous. There is no imitiation of instrumental tone in them either. His vocal prowess is in the best tradition of the Rampur Sahaswan gharana. His mastery of all aspects tonal variations, dynamics and timbre adjustment leave very little to be desired in the realm of voice culture. A notable achievement of Ustad Rashid Khan is the infusion of an emotional content into his melodic elaboration. This was generally considered to be lacking in the styles of the older exponents. The older ustads, being essentially court singers <b>...</b>
Enayat Ali Khan- Aao Bachcho Suno kahani
عنایت علی خان ۔ آؤ بچو سنو کہانی
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11 Feb 2009
CDA assures cooperation for Centaurus project
15 Nov 2009
The News International
Sunday, November 15, 2009 Islamabad Capital Development Authority (CDA) Chairman Imtiaz Enayat Alahi extended his full support and cooperation to President Pak-Gulf Sardar Tanveer Ilyas Khan for the Centaurus...
Canoe
By THE ASSOCIATED PRESS KANDAHAR, Afghanistan - A legislator who was a vocal Taliban critic in Afghanistan's insurgency-plagued south was killed Thursday by a roadside bomb, family and officials said. Four others died along with Dad Mohammad Khan in the explosion in southern Helmand province, said his cousin, Aktar Mohammad Khan. In his role as...
Roadside bomb kills Afghan lawmaker
19 Mar 2009
The Press Democrat
Four others died along with Dad Mohammad Khan in the explosion in southern Helmand province, said his cousin, Aktar Mohammad Khan. A parliamentarian, Khan also served as a prominent voice against the Taliban in a region where their insurgency is strongest. He fled the country during Taliban rule but returned to become Helmand's intelligence chief after the extremist regime...
Bomb in Kandahar Kills Taliban Critic
19 Mar 2009
Wall Street Journal
Associated Press KANDAHAR -- A lawmaker who was a vocal Taliban critic in Afghanistan's insurgency-plagued south was killed Thursday by a roadside bomb, family and officials said. Four others died along with Dad Mohammad Khan in the explosion in southern Helmand province, said his cousin, Aktar Mohammad Khan. A parliamentarian, Mr. Khan also served as a prominent voice against...
Yahoo Daily News
KABUL (AFP) – Fearing his Christian faith could land him in prison, or worse, 22-year-old Afghan Enayat is one of thousands in the Islamic nation still hoping for religious freedom, ten years after the Taliban's fall. "I used to carry my bible everywhere -- I don't any more," says the baby-faced convert, using a pseudonym for fear of being identified and...
One held for shooting kite runner
02 Nov 2008
The Statesman
KOLKATA, Nov 2: One person was arrested on charges of causing injury to a 12-year-old boy by opening fire from his airgun at Rifle Range Road near Karaya police station this morning. Police...
Deccan Herald
New Delhi, Dec 22 (IANS): Young sarod maestros Amaan and Ayaan Ali Khan, the sons of legendary sarod maestro Ustad Amjad Ali Khan, feel Indian classical music has an edge over its counterparts ''in terms of years''. "Indian classical music is ancient. The music has had its origin during the Rig Vedic times. We don't think it would be fair to say that Indian music is superior to...
One held for shooting 12-year-old boy
02 Nov 2008
The Statesman
KOLKATA, Nov. 2: One person was arrested on charges of causing injury to a 12-year-old boy by opening fire from his airgun at Rifle Range Road near Karaya police station this morning. Police said Debaprasad Guha, a local resident and an engineer by...
Ustad Enayat Khan - a presentation - Subhranil Sarkar
Ustad Enayat Khan - a presentation - Subhranil Sarkar
3:21
from my presentation on the Etawah Gharana.... "The Great Masters of Etawah" Ustad Enayat Khan, the Sitar and Surbahar maestro... (note: some photos have been taken from Tushar & E.Parker's albums)...
Sitar Music - Imdadkhani baaj - Ustad Shahid Parvez
Sitar Music - Imdadkhani baaj - Ustad Shahid Parvez
1:32
This gat uses the DRR bol(D=Da R=Ra) of Ustad Imdad Khan and is super-difficult. The tempo is super-fast, yet the Clarity and Weight of the strokes and the balance of Da and Ra are out-of-this-world... This is a tremendous composition of Us...
Sitar Maestro Abhik Mukherjee, Khamaj, live at India International Centre
Sitar Maestro Abhik Mukherjee, Khamaj, live at India International Centre
8:16
Ustad Enayat Khan Composition. Tabla: Debojyoti Dasgupta. Live at India International Centre, New Delhi, 2010. abhikmukherjee.com Abhik Mukherjee is the torch bearer of the great Etawah - Imdadkhani Gharana of sitar and surbahar among the y...
Sweden Opens Doors For Iraqi And Afghan Refugees on Democracy Now! 12/9/08
Sweden Opens Doors For Iraqi And Afghan Refugees on Democracy Now! 12/9/08
4:54
Sweden is home to more Iraqi refugees than other European countries. The nation has also let in many Afghan refugees. We speak to Faisal Enayat Khan. He is a reporter for the Swedish newspaper the Local. Originally from Afghanistan, he is i...
Imrat Khan, Lalit, Alap, part 1
Imrat Khan, Lalit, Alap, part 1
7:33
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Kh...
Professor Inayat Ali Khan - Mazahiya - Chaman Hai Abar Hai Thandi Hawa Hai Kaya Samjhay.wmv
Professor Inayat Ali Khan - Mazahiya - Chaman Hai Abar Hai Thandi Hawa Hai Kaya Samjhay.wmv
3:40
Professor Inayat Ali Khan - Mazahiya - Chaman Hai Abar Hai Thandi Hawa Hai Kaya Samjhay.wmv Visit www.HallaGulla.com formore Mushaira Videos.. Mushaira Ghazal Nazm Nazam Poem Poetry Urdu Hindi Indian Hyderabad Lahore Karachi Islamabad Desi ...
EUPH0RIC HARMONY CD RMI 113 Lalit Gomes / Sitar
EUPH0RIC HARMONY CD RMI 113 Lalit Gomes / Sitar
9:23
EUPH0RIC HARMONY Lalit Gomes on Sitar & Pandit Sujit Saha on Tabla Dhun (raga Bhairavi) in Dadra Tal (6 beats). Lalit Gomes, born in a Bengali Christian family endowed with rich musical heritage. He is the Grandson of Ustad John Gomes, ...
Imrat Khan, Lalit, Jhor & Jhala, part 1
Imrat Khan, Lalit, Jhor & Jhala, part 1
6:32
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Kh...
Imrat Khan, Lalit, Jhor & Jhala, part 2
Imrat Khan, Lalit, Jhor & Jhala, part 2
6:06
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Kh...
Imrat Khan, Lalit, Alap, part 2
Imrat Khan, Lalit, Alap, part 2
6:24
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Kh...
Imrat Khan, Lalit, part 3 of Alap
Imrat Khan, Lalit, part 3 of Alap
6:30
Imrat khan www.imratkhan.com Imrat Khan (born November 17, 1935) is a leading sitar and surbahar player. He is considered India's leading publicly active surbahar (bass sitar) player. He is the younger brother of sitar player Vilayat Kh...
Rashid Khan Anandagopal Bandopadhyay Jyoti Goho ( Raaga- Kedar )
Rashid Khan Anandagopal Bandopadhyay Jyoti Goho ( Raaga- Kedar )
9:56
Vocal - Ustad Rashid Khan Tabla- Pandit Anandagopal Bandopadhyay Harmonium- Pandit Jyoti Goho Tanpura- Sangeeta Thakur and Tushar Dutta Raaga- Kedar USTAD RASHID KHAN Ustad Rashid Khan has included the slow elaboration in his vilambit khaya...
Rashid Khan Anandagopal Bandopadhyay Jyoti Goho ( Raaga- Shahana )
Rashid Khan Anandagopal Bandopadhyay Jyoti Goho ( Raaga- Shahana )
9:40
Vocal - Ustad Rashid Khan Tabla- Pandit Anandagopal Bandopadhyay Harmonium- Pandit Jyoti Goho Tanpura- Sangeeta Thakur and Tushar Dutta Raaga- Shahana USTAD RASHID KHAN Ustad Rashid Khan has included the slow elaboration in his vilambit kha...
