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EMI Records, also called Evergreen Music Recordings is the flagship record label founded by the EMI company in 1972 and launched in January 1973 as the successor to its Columbia label. The EMI label was launched worldwide.^[1]

The global success that EMI had enjoyed in the 1960s exposed the fact that the company only had the rights to some of its trademarks in some parts of the world, most notably His Master's Voice and Columbia, with RCA Victor Records and the American Columbia Records owning the rights to these trademarks in North America. Complicating matters was the formation by American Columbia of its own operations in the UK by purchasing Oriole Records and changing its name to that of its then parent company CBS (the legal trademark designation bearing the full name of the parent company, "Trade Mark of Columbia Broadcasting System, Inc."), and becoming highly successful, a serious rival to EMI, in the UK.

EMI Records picked up the English Columbia roster and signed new acts that became global successes, such as Kraftwerk, Queen, Olivia Newton-John, Iron Maiden, Kate Bush, Sheena Easton and Robbie Williams (though some of these acts were on different labels in the United States, not EMI's Capitol Records).

In 2010, EMI Records opened a country music division, EMI Records Nashville, which includes Troy Olsen and Eric Church on its roster. EMI Records Nashville runs as a sister label to Capitol Nashville.^[2]

Australia's most prolific artist, Australian country music singer Slim Dusty, signed with the Columbia Graphophone Co. for the Regal Zonophone label in 1946 and remained with EMI until his death in 2003 - selling over 7 million records for the label in Australia by 2007.

See also[link]

• Abbey Road Studios
• List of record labels

References[link]

Emeli Sandé
Background information
Birth name	Adele Emeli Sandé
Born	(1988-03-10) 10 March 1988 (age 24)[1][2]
Genres	Soul, R&B, pop
Occupations	Singer, musician, songwriter
Years active	2009–present
Labels	Virgin (2010–present)
Website	www.emelisande.com

Adele Emeli Sandé  /sænˈdeɪ/ san-DAY, (born 10 March 1988)^[1] known by her stage name Emeli Sandé, is a Scottish soul and R&B recording artist and songwriter. Sandé first became known to the public eye after she featured on rapper Chipmunk's third single, "Diamond Rings", which gained herself and Chipmunk a first top 10 single on the UK Singles Chart. In 2010, she appeared on Roll Deep star, Wiley's "Never Be Your Woman", which became another top ten hit. Simon Cowell called her "his favourite songwriter at the minute". She has written for a number of artists, including Cher Lloyd, Parade, Susan Boyle, Preeya Kalidas, Leona Lewis, Alesha Dixon, Cheryl Cole, and Tinie Tempah.

In 2010, she signed a publishing deal with EMI Music Publishing. She later announced that Virgin Records had given her a record deal. Sandé released her first solo single "Heaven" in August 2011, which was an instant hit around the globe. Sandé has two number-one singles across the United Kingdom and Ireland with "Read All About It" with Professor Green and "Next to Me". She released Our Version of Events, in February 2012, upon the release the album peaked number one in the UK.^[3]

Early life[link]

Emeli Sandé was born to a Zambian father and English mother. She was raised in Alford, Aberdeenshire.^[4][5] She studied Medicine at the University of Glasgow, but stopped in her fourth year.^[4] She said that education was one of the most important things to her, stating that if her music career failed, she has education to fall back on. Sandé said that her manager, Adrian Sykes, waited patiently since she was 16, saying "Adrian really respects that I want to get an education behind me. He also knows my parents are keen that I finish university."^[6] Sandé has a tattoo of artist Frida Kahlo.^[7] At the age of 11, when Sandé was still in primary school, she wrote her first song for a school talent show.^[7] She spoke "That was the first time I thought I might be a songwriter. I always knew I wanted to be a musician, and I always knew I wanted to write. Because the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.^[7] The first song we wrote in was called "Tomorrow Starts Again", the song had proper structure, which even had a Middle eight.^[7] At the age of 15, Choice FM invited her to London, United Kingdom to take part in a competition they were holding, the "Rapology". Richard Blackwood also had her down to MTV's Camden studios to sing gospel.^[7] Sandé went to the same secondary school at which her father was a teacher. She said "I hated to be ill and to miss a day because I was so hungry to learn. I was very shy, nerdy and extremely well-behaved. Inevitably, throughout secondary school, it was part and parcel of my identity that I was Mr Sandé’s daughter. No way could I muck about or get into trouble, because it would've got back to him within minutes. And Dad was strict, let me tell you."^[8]

Career[link]

2008–10: Career beginnings[link]

Sandé's sister made a video of her playing the piano and singing to one of her favourite songs, "Nasty Little Lady".^[7] They sent the clip to Trevor Nelson's BBC Urban music competition. Sandé won the show and was offered a record deal, but the management that she met via the competition decided against the deal.^[7] Her parents sent 1Xtra a CD of her songs. Ras Kwame played on his "Homegrown Sessions", and four artists that year were asked to do a show in Soho. She met with Watford-born music producer/writer Shahid Khan aka Naughty Boy,^[9] who has previously worked with Ms Dynamite and Bashy,^[7] and they began writing tracks for artists such as Alesha Dixon, Chipmunk, Professor Green, Devlin, Preeya Kalidas, Cheryl Cole, and Tinie Tempah. Sandé soon signed a record deal with Virgin Records and EMI Records.^[10] In an interview, she said "I was doing a show in London for 1Xtra and I met this guy called Naughty Boy. We got in the studio and we clicked work wise. We just started writing, not necessarily for me, we just thought ‘let's write a pop tune’ and experiment. And we wrote the Chipmunk track and I thought nothing of it. Naughty Boy sent it off to Chipmunk who really liked it and wrote his stuff around it."^[10] She signed a record deal with Virgin Records in 2010. She later signed another deal with EMI Records in early 2011.^[11] Sandé made her singing career debut in 2009 after appearing on the track she wrote for Chipmunk's first debut single, "Diamond Rings". The single charted at No. 6 on the UK Singles Charts, making it Chipmunk and Sandé's first ever Top 10 Hit.^[12] She later appeared on another single singing guest vocals, after collaborating with Wiley on his comeback single "Never Be Your Woman", the single charted at number-eight on the UK Singles Charts becoming Sandé's second consecutive Top 10 Single.^[9] Sandé announced she changed her name from Adele Sandé to her middle name Emeli Sandé due to Adele's growing success. She spoke; "I changed it as soon as Adele came out. I just thought, 'You've kind of taken the [name] now', so I went with my middle name. She was just getting bigger and bigger, so I thought I just really need it."^[13]

[edit] 2011–present: Our Version of Events, international success and songwriting

While making her debut album, Sandé began to work with Tinie Tempah. She co-wrote "Let Go", on which she provided guest vocals. She also started working with Devlin after recording a song titled "Dreamer". Sandé later revealed she would be working on Alesha Dixon's upcoming album, The Entertainer. She co-wrote the hit single "Radio" along with Shahid Khan.^[14] and co-wrote tracks on Cheryl Cole's albums as well as Professor Green's album, which Sandé gave guest vocals on.^[15] Sandé revealed her first solo single would be released in early 2011.^[16] There was some speculation surrounding what track she would release, after many newspapers stated that it would be "Daddy". The first official single from her upcoming debut album was "Heaven" and was released on 14 August 2011.^[17] The song has received positive reviews from blogs such as This Must Be Pop^[18] and Robot Pigeon.^[19]

Sandé at XOYO

She revealed that she is Simon Cowell's favourite song-writer at the moment; due to her writing songs for Leona Lewis and Susan Boyle.^[13] Sandé stated in an interview; she said that she would love to meet Boyle after writing songs for her saying, "I haven’t met her yet. I just sent her the song. I’d love to meet her because I think she is a bit of a rock star." One song that Sandé had cowritten for Boyle will appear on her new album, titled "This Will Be The Year". Leona had heard a couple of songs so we had a week in the studio with her. Leona and I got along really well. Then we had another week together. It was very natural. She recorded a song called Trouble and another called Mountains, so I look forward to hearing them on her album."^[13] It was revealed after Professor Green announced his album tracking list for his album, At Your Inconvenience, that Sandé would feature on the first single from the album, "Read All About It". The single was released in October 2011,^{[dated info]} a week before the album was released.^[20] The pair also performed the song live on The X Factor results show.^[21] She confirmed that "Daddy" would be the second official single released from Our Version of Events. Sandé achieved her first number-one single on the UK Singles Chart after "Read All About" entered at number-one. On 26 November, Sandé performed at the LG ARENA in Birmingham for BRMB 2011. On 15 December 2011, she was named as the Brit Awards Critics' Choice for 2012.^[4][22][23] Sandé`s debut album includes songs written by her and has been reviewed as having "richly melodic, classically powerful, retro-futurist soul-pop songs."^[7] She draws on influences for her music from Nina Simone, Joni Mitchell and Lauryn Hill.^[7] Sandé said that all her songs are about World peace and political issues.^[7]

Sandé said that the key to a good song when songwriting is using "honesty" and "raw emotion" as the best way to write. She said that if she attempts to write something which is "too smart" the creative process will not work for her. "Kill the Boy" was one of the first ideas that came to Sandé's head. She said if she has to work on a song longer than a day, she will not go back to it, as she said it won't work. She went onto say if it was to work, it the idea for the song would be almost instant.^[7] It was announced that she was up for another BRIT Award in 2012, for British Breakthrough Act.^[24] Sandé is currently writing material for the original lineup of Sugababes. On 24 January 2012, Sandé performed a one off gig for Q Magzine at XOYO, London. She was supported by British soul singer Michael Kiwanuka. She recorded a version of David Guetta's "Titanium" and the pair performed the song at NRJ Music Awards in France.^[25][26] Sandé has penned a track for Naughty Boy's upcoming LP entitled "Hollywood" which features soul singer Gabrielle. It is about fame coming and going and will be released in November.^[27]

Personal life[link]

In January 2012, Sandé confirmed that she is engaged to her unidentified, long-term boyfriend.^[28] Her boyfriend has requested not to be identified and Sandé has said he is not in the music industry but that he is a scientist.^[29]

Discography[link]

Albums

• Our Version of Events (2012)

Touring[link]

Headlining

• Our Version of Events tour (2011-2012)

Supporting

• Mylo Xyloto Tour (2011-2012)

Awards and nominations[link]

References[link]

Wikimedia Commons has media related to: Emeli Sandé

External links[link]

• Official website
• Aberdeen Famous Faces

Gene McDaniels (February 12, 1935^[1] – July 29, 2011) was an American singer and songwriter, who had his greatest recording success in the early 1960s.

Biography[link]

Born Eugene Booker McDaniels in Kansas City, Missouri, United States,^[1] McDaniels grew up in Omaha, Nebraska. As well as singing gospel music in church, he developed a love of jazz, and learned to play the saxophone and trumpet. After forming a singing group, The Echoes of Joy, later known as The Sultans, in his teens, he studied at the University of Omaha Conservatory of Music before joining the Mississippi Piney Woods Singers, with whom he toured in California. There, he began singing in jazz clubs, and came to the attention of Sy Waronker of Liberty Records.^[2][3]

After recording two unsuccessful singles and an album, he was teamed with producer Snuff Garrett, with whom he recorded his first hit, "A Hundred Pounds of Clay," which reached no. 3 in the Billboard Hot 100 chart in early 1961 and sold over one million copies, earning gold disc status.^[1] Its follow-up, "A Tear", was less successful but his third single with Garrett, "Tower of Strength," co-written by Burt Bacharach, reached number 5 and won McDaniels his second gold record.^[2] "Tower of Strength" reached number 49 in the UK Singles Chart, losing out to Frankie Vaughan's chart-topping version.^[4]

In 1962 he appeared performing in the movie It's Trad, Dad!, directed by Richard Lester. He continued to have minor hit records, including "Chip Chip", "Point Of No Return" and "Spanish Lace", each in 1962, but his suave style of singing gradually became less fashionable. In 1965 he moved to Columbia Records, with little success, and in 1968, after the assassination of Dr. Martin Luther King, he left the US to live in Denmark and Sweden, where he concentrated on songwriting. He returned to the US in 1971, and recorded thereafter as Eugene McDaniels.^[2]

After the late 1960s, McDaniels turned his attention to a more black consciousness form, and his best-known song in this genre was "Compared to What," a jazz-soul protest song made famous (and into a hit) by Les McCann and Eddie Harris on their album, Swiss Movement, and also covered by Roberta Flack, Ray Charles, Della Reese, John Legend, The Roots and others.^[3] McDaniels also attained the top spot on the chart as a songwriter. In 1974, Roberta Flack reached number 1 with McDaniels' "Feel Like Makin' Love" (not to be confused with the Bad Company song of the same name), which won a Grammy Award. McDaniels also received a BMI award for outstanding radio airplay; at the time of the award, the song had already had over five million plays.

In the early 1970s, McDaniels recorded on the Atlantic label, which released the McDaniels albums, Headless Heroes of the Apocalypse and Outlaw.

In the 1980s, McDaniels recorded an album with the percussionist Terry Silverlight, which has not yet been released. In 2005, McDaniels released Screams & Whispers on his own record label. In 2009, it was announced that he is to release a new album, Evolution's Child, which featured his lyrics, and a number of songs composed or arranged with pianist Ted Brancato. Some of the songs featured jazz musician Ron Carter on concert bass.

McDaniel's "Jagger the Dagger" was featured on the Tribe Vibes breakbeat compilation album, after it had been sampled by A Tribe Called Quest.

McDaniels also appeared in films. They included the 1962 film, It's Trad, Dad! (released in the United States as Ring-A-Ding Rhythm), which was directed by Richard Lester. He also appeared in the 1963 The Young Swingers. McDaniels is briefly seen singing in the choir in the 1974 film Uptown Saturday Night.

McDaniels lived as a self-described "hermit" in the state of Maine. In 2010 he launched a series of YouTube videos on his website, featuring his music and thoughts on some of his creations. McDaniels died on July 29, 2011 at his home.^[6]

Discography[link]

Studio albums[link]

• In Times Like These - Liberty (1960)
• Sometimes I'm Happy, Sometimes I'm Blue - Liberty (1960)
• A Hundred Pounds Of Clay - Liberty (1961)
• Gene McDaniels Sings Movie Memories - Liberty (1962)
• Hit After Hit - Liberty (1962)
• Tower Of Strength - Liberty (1962)
• Spanish Lace - Liberty (1963)
• The Wonderful Word Of Gene McDaniels - Liberty (1963)
• Outlaw - Atlantic (1970)
• Headless Heroes of the Apocalypse - Atlantic (1971)
• Natural Juices - Ode (1975)
• Screams & Whispers - Sky Forest Music (2005)

Produced by Eugene McDaniels[link]

• The First Time - Carri Coltrane, 1999
• Flamenco Sketches - Carri Coltrane, 1998

Chart singles[link]

Filmography[link]

• It's Trad, Dad! (a.k.a. Ring-A-Ding Rhythm, 1962)
• The Young Swingers (1963)

References[link]

Me, Myself & Irene is a 2000 American comedy film directed by the Farrelly brothers, and starring Jim Carrey and Renée Zellweger. Chris Cooper, Robert Forster, Richard Jenkins, Daniel Greene, Anthony Anderson, Jerod Mixon, and Mongo Brownlee co-star. The film is about a Rhode Island state trooper named Charlie who, after years of continuously suppressing his rage and feelings, suffers a psychotic breakdown which results in a second personality, Hank.

Plot[link]

Charlie Baileygates (Jim Carrey) is an 18-year veteran Rhode Island State Police trooper who has been taken advantage of by people throughout most of his life. Immediately after his marriage, his wife, Layla (Traylor Howard), cheats on him with a dwarf African-American limousine driver, named Shonté (Tony Cox), who, like Layla, is a member of the high IQ group Mensa. Although Charlie's friends try informing him of his wife's infidelity, he still denies the possibility. One year later, Layla abandons Charlie and runs off with Shonté; leaving Charlie to raise three biracial sons who are the products of Layla's adulterous affair with the limo driver. Charlie never sees his wife again. Charlie raises his illegitimate triplet sons using very vulgar language and spoiling them with sweets and unbalanced diets. Charlie's three sons become obese and foul-mouthed young adults, but they are also highly intelligent (like their real father) and they treat Charlie much better than anyone else. His wife's affair and abandonment leaves Charlie so emotionally damaged that he lets himself be abused and taken advantage of by others. Despite his friendliness and his being a police officer, the townspeople reject Charlie's authority with open scorn.

After many years of continuous abuse by the people around him, his anger builds up and Charlie develops a rude and violent split personality named Hank, caused by "advanced delusionary schizophrenia with involuntary narcissistic rage". As Hank, he goes around retaliating against anyone who has accosted him — and even harms those who really haven't. A psychiatrist prescribes a medicine to keep Hank suppressed.

Believing that Charlie needs a vacation, his commanding officer (Robert Forster), orders him to escort a woman named Irene Waters (Renée Zellweger) from Rhode Island to Massena, New York, because she reportedly committed a hit-and-run. Irene insists the hit-and-run accusation was created by Dickie, Irene's mob-connected ex-boyfriend, and corrupt police officers in his employ. When some hit men arrive with a contract on Irene's life, Charlie agrees to help her escape, while a United States Environmental Protection Agency (EPA) agent is killed by the hit men. Charlie leaves his medicine behind, causing his alter ego, Hank, to surface any time he wants.

The FBI suspects that Charlie is responsible for assassinating the EPA agent. The FBI joins Charlie's commander in pursuing Charlie and Irene. Charlie's sons pretend to work with the police to find their father, but throw the police off his trail and even steal a police helicopter to get to Charlie before the police do.

Along the way, Irene and Charlie grow close. However, Hank's random appearances both disgust and frighten Irene. Hank's aggression and resourcefulness aid in their survival, but Irene finds herself attracted to Charlie. Hank tells Irene the truth about Charlie's life, and how years of humiliation have destroyed Charlie's confidence as a man and a police officer. Hank has plastic surgery performed on Charlie's face, and uses hours of careful cunning to trick Irene into sleeping with him by posing as the good-natured Charlie. They meet a mild-mannered but mysterious young man named Whitey (who has pale skin and white-blonde hair). They continue their journey as a trio, until Whitey calmly tells Charlie the (fictional) story of how he brutally murdered his entire family. Charlie and Irene, frightened by this, sneak away in the night.

Meanwhile, Dickie orders corrupt agents to kill both Charlie and Irene. After they fail, Dickie decides to settle the matter himself. During the confrontation with Dickie, Charlie finally manages to eliminate the alternate personality and regain the courage to rescue Irene. Eventually, he manages to stop Dickie, but only after Dickie shoots off one of Charlie's thumbs. Charlie is also aided in the fight by Whitey, who reappears to throw a lawn dart into Dickie's back. With Hank gone, and Dickie's crew dead or behind bars, Irene is finally free to return to her old life. However, just after she drives away from Charlie's house, the Rhode Island State Police fakes an arrest on her and gives Charlie a chance to propose to her.

Cast[link]

• Jim Carrey as Charlie Baileygates/Hank Evans
• Renée Zellweger as Irene P. Waters
• Chris Cooper as Lt. Gerke
• Robert Forster as Colonel Partington
• Richard Jenkins as Agent Boshane
• Zen Gesner as Agent Peterson
• Michael Bowman as Casper/Whitey/Milky
• Daniel Greene as Dickie Thurman
• Anthony Anderson as Jamal Baileygates
• Mongo Brownlee as Lee Harvey Baileygates
• Jerod Mixon as Shonté Jr. Baileygates
• Tony Cox as Shonté Jackson
• Steve Tyler as Delivery Room Doctor
• Traylor Howard as Layla Baileygates
• Richard Tyson as Gun shop owner
• Cam Neely as Trooper Sea Bass
• Ezra Buzzington as Disabled guy
• Lin Shaye (deleted scenes) as Mrs. Caleron
• Lina Teal as Bikini girl
• Richard Pryor and Chris Rock (archive footage, uncredited) as Stand-up comedians on TV
• Anna Kournikova and Cam Neely appear in cameo roles

[edit] Music

The film's original score was written by Pete Yorn, while the movie's soundtrack contains several covers of Steely Dan songs performed by other bands. Examples are Smash Mouth's cover of "Do It Again", Ben Folds Five's cover of "Barrytown", and Marvelous 3's cover of "Reelin' in the Years". Other songs include "Breakout" by Foo Fighters, "Totalimmortal", originally by AFI but covered by The Offspring, "The World Ain't Slowin' Down" by Ellis Paul, and "Strange Condition" by Pete Yorn.

1. "Breakout" - Foo Fighters
2. "Do It Again"+ - Smash Mouth
3. "Deep Inside of You" - Third Eye Blind
4. "Totalimmortal" - The Offspring
5. "The World Ain't Slowin' Down" - Ellis Paul
6. "Any Major Dude Will Tell You"+ - Wilco
7. "Only A Fool Would Say That"+ - Ivy
8. "Can't Find The Time To Tell You" - Hootie & The Blowfish
9. "Bodhisattva"+ - Brian Setzer Orchestra
10. "Bad Sneakers"+ - The Push Stars
11. "Reelin' In The Years"+ - Marvelous 3
12. "Strange Condition" - Pete Yorn
13. "Barrytown"+ - Ben Folds Five
14. "Razor Boy"+ - Billy Goodrum
15. "Where He Can Hide" - Tom Wolfe

+Steely Dan cover

"Motherfucker" by The Dwarves, "Fire Like This" by Hardknox, "Don't Say You Don't Remember" by Beverly Bremers, "The Perpetrator" by Hipster Daddy-O and the Handgrenades, and "Hem of Your Garment" by Cake were included in the movie but not on the soundtrack. Pete Yorn's, Just Another can also be heard it the background, during the scene where they discuss Hank's Idea. Other songs, that appeared in the film are not included on the soundtrack album.

Reception[link]

Box office[link]

The film had the biggest opening on the weekend of June 23, 2000 making US$24.2 million in its opening weekend. The film earned $90,570,999 in the United States, and a further $58,700,000 internationally for a worldwide total of $149,270,999.

[edit] Critical response

The film received generally mixed reviews. Review website Rotten Tomatoes gave the film a score of 48%, based on 96 reviews, and an average rating of 5.3/10, with the consensus that "The Farrellys manage to produce some laughs with Irene, but the jokes have become tired." ^[1]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Me, Myself & Irene

• Me, Myself & Irene at the Internet Movie Database
• Me, Myself & Irene at AllRovi
• Me, Myself & Irene at Box Office Mojo
• Me, Myself & Irene at Rotten Tomatoes

Carpenters
Karen Carpenter and Richard Carpenter, at the White House on August 1, 1972.
Background information
Origin	Los Angeles, California, United States
Genres	Pop, soft rock, adult contemporary
Years active	1969–1983
Labels	A&M
Associated acts	The Richard Carpenter Trio
Website	richardandkarencarpenter.com
Past members
Karen Carpenter Richard Carpenter

The Carpenters were an American vocal and instrumental duo, consisting of siblings Karen and Richard Carpenter. Though often referred to by the public as The Carpenters, the duo's official name on authorized recordings and press materials is simply "Carpenters".^[1] During a period in the 1970s when louder and wilder rock was in great demand, Richard and Karen produced a distinctively soft musical style that made them among the best-selling music artists of all time.^[2]

Carpenters' melodic pop produced a record-breaking run of hit recordings on the American Top 40 and Adult Contemporary charts, and they became leading sellers in the soft rock, easy listening and adult contemporary genres. Carpenters had three #1 singles on the Billboard Hot 100 and fifteen #1 hits on the Adult Contemporary chart (see The Carpenters discography). In addition, they had twelve top 10 singles (including their #1 hits). To date, Carpenters' album and single sales total more than 100 million units.^{[citation needed]}

During their 14-year career, the Carpenters recorded 11 albums, thirty-one singles, five television specials, and a short-lived television series. They toured in the United States, the United Kingdom, Japan, Australia, the Netherlands and Belgium. Their recording career ended with Karen's death in 1983 from cardiac arrest following complications of anorexia nervosa. Extensive news coverage of the circumstances surrounding her death increased public awareness of the consequences of eating disorders.^[3][4]

Musical and lyrical style[link]

One of the elements that made the music of the Carpenters distinctive was Karen's use of her low register. Though present in jazz and country music, there were few contralto singers in popular music at the time. However, Karen did have a wide vocal range that spanned about three octaves.^[5]

As a result of a decided lack of enthusiasm all around for Karen's "head voice", they mostly concentrated on her lower range, i.e. "chest voice" (or her "basement", as Karen called it).^[5] "Both Karen and I felt the magic was in her 'chest voice' (a.k.a. 'basement'). There is no comparison in terms of richness in sound, so I wasn't about to highlight the upper voice", states Richard in the "Fans Ask" section of the Carpenters' official website.^[5]

Because Karen's magic was in the "basement", Richard always rearranged cover songs and his own songs in a key that would suit her. Many of the Carpenters' songs are located in the keys of D ("You", "There's a Kind of Hush"), E ("Hurting Each Other", "Yesterday Once More"), E flat ("Only Yesterday"), F ("I'll Never Fall in Love Again"), and G ("And When He Smiles", "Reason to Believe", "For All We Know", "You'll Love Me").^[6]

Although he played many keyboard instruments during the band's existence, including grand piano, harpsichord, Hammond organ and synthesizer, Richard is best known as an endorser of Wurlitzer's electric pianos, whose sound he described as "warm" and "beautiful". He would often double his acoustic piano parts with a Wurlitzer in the studio to thicken the sound. From the mid-1970s Richard also used Fender Rhodes pianos, often having an acoustic grand as well as both Rhodes and Wurlitzer electric pianos on stage for different songs.

Apart from being a singer, Karen was also an accomplished drummer, and often played the drums on their pre-1974 songs. According to Richard, she considered herself a "drummer who sang".^[7] Karen was rarely visible behind the drums during live performances. Although unwilling, she and Richard eventually reached a performance compromise: during the ballads she would sing standing and through the lesser known songs she would sit. As the years progressed, demand for Karen's vocals began to overshadow her drumming time, and gradually she played the drums less. By the A Kind of Hush album in 1976, Karen did not play the drums at all.^[8]

Most of the Carpenters' arrangements (which, with few exceptions, were done by Richard) are classical in style, with many strings, and sometimes brass and woodwinds ("Calling Occupants of Interplanetary Craft" used over 160 singers and musicians^[9]). Music critic Daniel Levitin called Richard Carpenter "one of the most gifted arrangers to emerge in popular music."^[10]

Pre-Carpenters[link]

Childhood (1946–1964)[link]

The Carpenters were both born at Grace-New Haven Hospital (now called Yale-New Haven Hospital) in New Haven, Connecticut, to parents Harold and Agnes.^[11] Richard Lynn was born on October 15, 1946, and Karen Anne followed on March 2, 1950.^[12] Richard was a quiet child who spent most of his time in the house listening to records and playing the piano.^[13] Karen, on the other hand, was friendly and outgoing; she liked to play sports, including softball with the neighborhood kids, but she also spent a lot of time listening to music.^[13]

In June 1963, the Carpenter family moved to the Los Angeles suburb of Downey, California.^[9][14] In the fall of 1964, Richard enrolled at Long Beach State, now known as California State University, Long Beach, where he met future songwriting partner John Bettis; Wesley Jacobs, a friend who played the bass and tuba for the Richard Carpenter Trio; and Frank Pooler, with whom Richard would collaborate to create the Christmas standard "Merry Christmas Darling" in 1966.^[15]

That same fall, Karen enrolled at Downey High School, where she found she had a knack for playing the drums.^[9][16]

Friend and fellow band member Frankie Chavez inspired Carpenter to play the drums. Karen would often borrow Chavez's drum kit when he taught her. "She and Frankie ... must have worked down the rudiments, the cadences, and the press-rolls for hours", recalls Richard. When Karen finally got a Ludwig drum kit from her parents in late 1964, she was able to play it professionally, in what Richard had described in their documentary, Close to You: Remembering the Carpenters as "exotic time signatures".^[17][7]

The Richard Carpenter Trio and Spectrum (1965–1968)[link]

By 1965, Karen had been practicing the drums for a year, and Richard was refining his piano techniques with teacher Frank Pooler. The two started a jazz trio in late 1965 with their friend Wes Jacobs, who played bass and tuba.^[15]

The Richard Carpenter Trio signed up for the annual Hollywood Bowl Battle of the Bands in mid-1966, where they played an instrumental version of "The Girl from Ipanema" and their own "Iced Tea". The trio won the Battle of the Bands on June 24, 1966, and were signed up by RCA Records.^[9] They recorded songs such as The Beatles' "Every Little Thing" and Frank Sinatra's "Strangers in the Night" for RCA. However, these recordings were only released decades later, as part of a boxed set of Carpenters material.^[18]

Later in 1966, Karen tagged along at a late-night session in the garage studio of Los Angeles bassist Joe Osborn, and joined future Carpenters collaborator and lyricist John Bettis at a demo session where Richard was to accompany an auditioning trumpet player.^[7][19] Asked to sing, Karen performed for Osborn, who said `Never mind the trumpet player; this chubby little girl can sing.'

Osborn signed Karen by herself as a singer to his fledgling label, Magic Lamp Records, and the label put out a single featuring two of Richard's compositions, "Looking for Love" and "I'll Be Yours." The single was not a hit, and the label soon became defunct. However, Osborn let Karen and Richard continue to use his studio to record demo tapes until 1969, when they finally got an offer from A&M Records.^[20]

In 1967, Richard and Karen teamed up with four other student musicians from Long Beach State to form a band called "Spectrum".^[7][21] The group often performed at the Whisky a Go Go.^[20][22] Spectrum member John Bettis worked with the Carpenters until Karen's death in 1983, composing many songs with Richard.

In 1968, Spectrum disbanded, and the Richard Carpenter Trio's Wes Jacobs left for the Detroit Symphony Orchestra.^[23] Richard and Karen received an offer to be on the television program Your All American College Show in mid-1968. Their June 22, 1968 performance was Richard's and Karen's first television appearance.^{[citation needed]}

Richard and Karen sent their demo tapes to many record labels until A&M Records' co-owner and trumpeter/vocalist Herb Alpert (who happened to be a friend of a friend of their mother's) became attracted to their distinct sound.

Carpenters (1969–1983)[link]

Richard and Karen Carpenter signed to A&M Records on April 22, 1969, under the name "Carpenters". Since Karen was technically underage (she was 19 at the time), her parents had to co-sign for her.^[9][24] Richard and Karen had decided to sign as "Carpenters", without the definite article. In the album notes for their 2004 release, Carpenters Gold: 35th Anniversary Edition, Richard stated:

After much thought, we decided to name the act "Carpenters" (No "The"; we thought it sounded hipper without it, like Buffalo Springfield or Jefferson Airplane.)^[1]

[edit] Offering (Ticket to Ride) (1969)

When Richard and Karen Carpenter signed to A&M Records, they were given carte blanche in the recording studio.^[7] Their debut album, entitled Offering released in 1969, featured a number of songs that Richard had written or co-written during their Spectrum period.^[25] A ballad rendition of The Beatles hit "Ticket to Ride" became a minor hit for Carpenters, peaking at #54 on the Billboard Hot 100 and the Top 20 of the Adult Contemporary chart.^[26] In an effort to cash in on the success of that track, Offering was repackaged with a different cover under the name Ticket to Ride in 1970.

[edit] Close to You (1970)

In 1970, the Carpenters version of the Burt Bacharach/Hal David song "(They Long To Be) Close To You" was released as a single. It debuted at #56, the highest debut of the week ending June 20, 1970.^[27] It rose to #1 on July 25, 1970, and stayed on top of the Billboard Hot 100 for four weeks.^[7]

Their next hit was with a song Richard had seen in a television commercial for Crocker National Bank, "We've Only Just Begun", which was written by Paul Williams and Roger Nichols. Three months after "(They Long To Be) Close To You" reached #1, Carpenters' version of "We've Only Just Begun" reached #2 on the Billboard Hot 100. The song became the first hit single for Williams and Nichols and is considered by Richard Carpenter to be the group's signature tune.^[7]

"Close to You" and "We've Only Just Begun" became RIAA Certified Gold Singles and were featured on the best-selling album Close To You, which placed #175 on Rolling Stone's 500 Greatest Albums of All Time in 2003.^[28]

The duo rounded out the year with the holiday release of "Merry Christmas Darling". The single scored high on the holiday charts and would repeatedly return to the holiday charts in subsequent years. In 1978, feeling she could give a more mature treatment to the tune, Karen re-cut the vocal for their Christmas TV special; this remake also became a hit.

[edit] Carpenters and A Song for You (1971–1972)

A string of hit singles and albums kept Carpenters on the charts through the early 1970s. Their 1971 hit "For All We Know" was originally recorded in 1970, by Larry Meredith, for a wedding scene in the movie Lovers and Other Strangers.^[29] Upon hearing it in the movie theatre, Richard saw potential in it and subsequently recorded it in the autumn of 1970. The track became Carpenters' third gold single.^[30]

The duo's fourth gold single "Rainy Days and Mondays" became Williams' and Nichols' second major single with Carpenters, peaking at #2 on the Billboard Hot 100, kept from the top slot only by Carole King's "It's Too Late".

"Superstar", written by Bonnie Bramlett and Leon Russell, became the duo's third #2 single on the Billboard Hot 100. Their eponymous third album was released in 1971. It became one of their best sellers, earning RIAA certification for platinum four times.^[31] It won a Grammy Award for Carpenters, as well as three other nominations.^[32]

"Goodbye to Love", a Carpenter/Bettis original with a gritty guitar solo by Tony Peluso which set it apart from most Carpenters songs, became their third 1972 hit single, peaking at #7. Peluso would continue to work with Carpenters until their end in 1983.^[7][33]

Another Carpenter/Bettis composition, "Top of the World", was originally intended as strictly an album cut, but when Lynn Anderson scored at hit with the song in early 1973, Carpenters opted to record their own single version. It was released in September 1973, and became Carpenters' second Billboard #1 hit in December 1973.

[edit] Now & Then (1973)

Their Now & Then album from 1973 was named by mother Agnes Carpenter. It contained the popular Sesame Street song "Sing" and the ambitious "Yesterday Once More", a side-long tribute to oldies radio which incorporated renditions of eight hit songs from previous decades into a faux oldies radio program.^[34] The single version of the track became their biggest hit in the United Kingdom, holding the number 2 spot for two weeks;^[35] it was kept off the top first by Gary Glitter's "I'm the Leader of the Gang (I Am)" and then by Donny Osmond's version of "Young Love".

In 1974, Carpenters achieved a massive international hit with an up-tempo remake of Hank Williams's "Jambalaya (On the Bayou)". While the song was not released as a single in the U.S., it reached the top 30 in Japan, number 12 in the United Kingdom (as part of a double A-side with "Mr. Guder"),^[35] and number 3 in the Netherlands.^[36] In late 1974, a Christmas single followed, a jazz-influenced rendition of "Santa Claus Is Coming to Town".

[edit] The Singles: 1969–1973 (1974)

The Carpenters did not record a new album in 1974. In Richard's words, "there was simply no time to make one. Nor was I in the mood."^[37] During this period, the pair released just one Hot 100 single, a Paul Williams/Roger Nichols composition called "I Won't Last a Day Without You". Taken from their 1972 LP A Song for You, the Carpenters finally decided to release their original two years after its original LP release and some months after Maureen McGovern's 1973 cover.^[38] In March 1974, the single version became the fifth and final selection from that album project to chart in the Top 20, reaching #11 on the Hot 100 on 25 May 1974.

In place of the new album for 1974, their first greatest hits package was released, featuring new remixes of their prior hit singles, some with a newly-recorded lead, and including newly recorded bridges and transition material so that each side of the album would play through with no breaks. This compilation was entitled The Singles: 1969-1973 and it topped the charts in the U.S. for one week, on 5 January 1974. It also topped the United Kingdom chart and became one of the best-selling albums of the decade, ultimately selling more than 7 million copies in the U.S. alone.^[31]

[edit] Horizon (1975)

In 1975, The Carpenters gained another hit with a remake of The Marvelettes' chart-topping Motown classic from 1961, "Please Mr. Postman". Released in late 1974, the song soared to #1 on the Billboard Hot 100 in January 1975, becoming the duo's third and final #1 pop single.^[39][40] It also earned Karen and Richard their record-setting twelfth million-selling gold single in America.^[31]

Richard Carpenter's and John Bettis's song "Only Yesterday" followed "Please Mr. Postman", and peaked at #4.^[40][41]

Both singles appeared on their 1975 LP Horizon, which also included covers of The Eagles' "Desperado" and Neil Sedaka's "Solitaire", which became a moderate hit for the duo that year. Horizon was certified platinum, but owing to the disc's late release (after the second single was already dropping off the charts), it was their first album to fall short of multi-platinum status.

The Carpenters were among the first American recording acts to produce music videos to promote their records.^{[citation needed]} In early 1975, they filmed a performance of "Please Mr. Postman" at Disneyland as well as "Only Yesterday" at the Huntington Gardens.

[edit] A Kind of Hush and Passage (1976–1977)

Their subsequent album A Kind of Hush, released on June 11, 1976, achieved gold status,^[31] but again owing to its late release, became the first Carpenters album not to become a platinum certified record since Ticket to Ride seven years earlier. Their singles releases in 1976 were successful, but at this time, contemporary hit radio was moving forward with changing musical styles, which ultimately made the careers of most "soft" groups like Carpenters suffer.^{[citation needed]} The duo's biggest pop single that year was a cover of Herman's Hermits' "There's a Kind of Hush (All Over the World)", which peaked at #12 on the Billboard Hot 100. "I Need to Be in Love" (Karen's favorite song by Carpenters)^[42]charted at #25 on the Billboard Hot 100. However, it followed "There's a Kind of Hush" to the top spot on the Adult Contemporary charts and became the duo's 14th #1 Adult Contemporary hit, far and away more than any other act in the history of the chart.

The Carpenters' Very First Television Special aired on December 8, 1976, and went to #6 on the Nielsens.^[7] Another television special, The Carpenters at Christmas, aired on December 9, 1977.

The disco craze was in full swing by 1977, and adult-appeal "easy listening" artists like Carpenters were getting less airplay. Their experimental album, Passage, released in 1977, marked an attempt to broaden their appeal by venturing into other musical genres. The album featured an unlikely mix of Jazz-fusion ("B'wana She No Home"), calypso ("Man Smart, Woman Smarter"), and orchestrated balladry ("I Just Fall in Love Again", "Two Sides"), and included the hits, "All You Get from Love Is a Love Song", "Sweet, Sweet Smile", and "Calling Occupants of Interplanetary Craft". "Calling Occupants" was supported with the TV special The Carpenters Space Encounters, which aired May 17, 1978. Although the single release of "Calling Occupants" became a significant hit in the United Kingdom, it only peaked at number 32 on the U.S. pop charts, and for the first time a Carpenters album did not reach the gold threshold of 500,000 copies shipped in the United States.^[43] In early 1978, they scored a surprise Top 10 country hit with the up-tempo, fiddle-sweetened "Sweet, Sweet Smile", written by country-pop singer Juice Newton and her longtime musical partner Otha Young.

[edit] The Singles: 1974–1978 (1978)

In place of a new album for 1978, a second compilation, The Singles: 1974-1978, was released however, only in the UK. Meanwhile, in the United States, their first holiday album, Christmas Portrait, proved to be an exception to their faltering career at home and became a seasonal favorite, returning Karen and Richard to platinum status. It was shortly followed by The Carpenters: A Christmas Portrait, a television special which aired December 19, 1978.

During the sessions, several non-holiday songs were also recorded such as Where Do I Go From Here, Slow Dance, and Honolulu City Lights, most of which would not see the light of day until after Karen's passing as a part of numerous albums made up of outtakes.

[edit] Brief hiatus, Made in America and Karen's final days (1979–1982)

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Richard sought treatment for his addiction to quaaludes at a Topeka, Kansas, facility for six weeks starting in January 1979. He then decided to take the rest of the year off for relaxation and rehabilitation. Karen, at this point neither wanting to take a break from singing nor seek help for her anorexia, decided to pursue a solo album project with renowned producer Phil Ramone in New York. The choice of Ramone and more adult-oriented and disco/dance-tempo material represented an effort to retool her image. The album was finished by Spring 1980, but A&M executives voted to cancel it.

Karen proceeded with plans to record a new album with her brother, who had now recovered from his addiction and was ready to continue their career. The Carpenters produced their final television special in 1980, called Music, Music, Music!, with guest stars Ella Fitzgerald, Suzanne Somers, and John Davidson. However, ABC were not happy with their special as it was music from start to finish, unlike the previous specials which included sketch-based comedy. ABC felt it was too much like a PBS program.^[7]

On June 16, 1981, the Carpenters released what would become their final LP as a duo, Made in America. The album sold around 200,000 copies and spawned a final top 20 pop single, "Touch Me When We're Dancing", which reached #16 on the Hot 100. It also became their fifteenth number one Adult Contemporary hit. Promotion for the album included a whistle-stop tour of America, Brazil and Europe, preceded by a disastrous live appearance for a Japanese Telethon event, filmed outdoors on the lot of A&M in August 1981. During their segment (the last of the show), the playback audio cut out midway through their performance of "Touch Me When We're Dancing". The ensuing scenes along with Karen's furious reaction, left it obvious to viewers that the whole band had been miming. Three further singles from the album failed to ignite the charts.

Karen sought therapy for her eating disorder with noted psychotherapist Steven Levenkron in New York City. In September 1982, she called her therapist to say her heart was beating 'funny' and she felt dizzy and confused. Admitting herself into hospital, Karen was hooked up to an intravenous drip and had 30 pounds to gain. By November 1982, Karen left the hospital. Despite pleas from family and friends, she announced that she was returning home to California and that she was cured.

Karen's sudden death[link]

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Karen visited her parents on the morning before her death. The following morning, her mother found her lying unresponsive on the floor of a walk-in closet. After spending 20 minutes in a waiting room, a doctor entered to tell Richard and his parents that Karen was dead. The autopsy stated that Karen's death was caused by emetine cardiotoxicity resulting from anorexia nervosa. Under the anatomical summary, the first item was heart failure, with anorexia as second. The third finding was cachexia, which is extremely low weight and weakness and general body decline associated with chronic disease. Emetine cardiotoxicity implied that Karen abused ipecac syrup, although for a long time after her death there was no evidence to suggest that Karen abused it.^[44]

At her funeral, more than a thousand mourners turned up, among them her friends Dorothy Hamill, Olivia Newton-John, Petula Clark, Dionne Warwick and Herb Alpert. 

On October 12, 1983, the Carpenters received a star on the Hollywood Walk of Fame, a few yards from the Kodak Theater. Richard, Harold and Agnes Carpenter attended the inauguration, as did many fans.^[45]

Karen's death brought media attention to anorexia nervosa and also to bulimia. Karen's death encouraged celebrities to go public about their eating disorders, among them Tracey Gold and later, Diana, Princess of Wales.^{[citation needed]} Medical centers and hospitals began receiving increased contacts from people with these disorders. The general public had little knowledge of anorexia and bulimia prior to her death, making the conditions difficult to identify and treat.^{[citation needed]}

Post-Carpenters (1983–present)[link]

The Carpenters' star on the Hollywood Walk of Fame.

Following Karen's death, Richard Carpenter has continued to produce recordings of the duo's music, including several albums of previously unreleased material and numerous compilation albums. Voice of the Heart, an album that included some finished tracks left out of Made In America and earlier LPs, was released in late 1983.^[46] It peaked at #46 and was certified Gold. Two singles were released. "Make Believe It's Your First Time", a second version of a song Karen had recorded for her solo album (and a song which had been a minor hit in 1979 for Bobby Vinton), reached #7 Adult Contemporary but only reached #101 on the pop side. "Your Baby Doesn't Love You Anymore" got to #12 Adult Contemporary. Richard Carpenter married his first (adopted) cousin, Mary Rudolph, on May 19, 1984. Kristi was born on August 17, 1987, Traci on July 25, 1989, Mindi Karen (named after her late aunt) on July 7, 1992, followed by Colin and Taylor.

For the second Christmas season following Karen's death, Richard constructed a "new" Carpenters Christmas album entitled, An Old-Fashioned Christmas, using outtake material from the duo's first Christmas album (Christmas Portrait) and recording new material around it.

Richard Carpenter lives with his wife, Mary Rudolph-Carpenter, and their four daughters and one son in Thousand Oaks, California, where the couple are supporters of the arts. In 2004, Carpenter and his wife pledged a $3 million gift to the Thousand Oaks Civic Arts Plaza Foundation in memory of Karen Carpenter. More recently, Richard has actively supported the Richard and Karen Carpenter Performing Arts Center at his alma mater California State University, Long Beach. He continues to make concert appearances, including fund raising efforts for the Carpenter Center.

In 2007 and 2008, the current owners of the former Carpenter family home on Newville Avenue in Downey, obtained permits from the city to tear down the existing buildings on the site to make room for newer and larger structures, in spite of ongoing protests from fans. In February 2008, a group of fans got their protest campaign covered in the Los Angeles Times. At that time an adjacent house that had once served as the band's headquarters and recording studio had already been demolished and the main house was on the verge of being demolished as well. The original house was immortalized on the Now & Then album cover and was the place where Karen Carpenter died: in the words of Carpenters fan Jon Konjoyan, "this was our version of Graceland."^[47]

The Carpenters logo[link]

In 1971, the A&M graphics department hired Craig Braun and Associates to design their third album cover for their newest album, entitled Carpenters.^[48] "I recognized it to be a great logo as soon as I saw it", says Richard.^[48]

Promotion and touring[link]

Although the Carpenters had a rough start in 1969 with the lukewarm reviews of their first album, Offering, they tried to promote themselves by being Burt Bacharach's opening performance.^[49] In a live concert in 1974 at The Riviera Hotel, Las Vegas, Karen Carpenter explained:

One night, we were doing a benefit dinner after the premiere of "Hello, Dolly!", and Burt Bacharach walked up to us, and he asked us if we would like to open the show for him at another dinner that he was going to be doing later on in the year. And he asked us to do something that turned out to be very, very special for us.^[50]

Then, Richard took over, and said:

He wanted us to put together a medley of his songs; any tunes of his that we wanted to do, and it took a couple of months. We arrived at 8 tunes.^[50]

The medley eventually was abridged and released on their eponymous album Carpenters in 1971. The song was shortened from almost 13 minutes to only 5 minutes.^[50]

The band maintained a demanding schedule of concert tours and television appearances. Among their numerous television credits were appearances on such popular series as The Ed Sullivan Show,^[51] The Tonight Show Starring Johnny Carson,^[52] The Carol Burnett Show in 1971 and 1972, The Mike Douglas Show in 1971,^[53] and The Johnny Cash Show, also in 1971, where they played their hits "For All We Know" and "Rainy Days and Mondays".^[54] The duo appeared in a television special on the BBC in 1971 where they performed songs "live." They were also the featured performers in a summer replacement series, Make Your Own Kind of Music, which aired on NBC every Tuesday at 8:00 p.m. in the United States. Both Karen and Richard would later state in a 1980 radio interview that they were often taken advantage of in their dealings with television during the early Seventies and wanted more control in the production of future projects.^[55]

In May 1973, the Carpenters accepted an invitation to perform at the White House for President Richard Nixon and visiting West German chancellor Willy Brandt.^[7]

The Carpenters played numerous concerts from 1971 to 1975. They are taken straight from Richard's archived itineraries.^[56]

By the mid-1970s, extensive touring and lengthy recording sessions had begun to take their toll on the duo and contributed to their professional and personal difficulties during the latter half of the decade. Karen dieted obsessively and developed the disorder anorexia nervosa, which first manifested itself in 1975 when she collapsed during a show in Las Vegas. Exhausted, Karen was forced to cancel concert tours in the Philippines, UK and Japan. Richard has said that he regrets the six- and seven-day work schedules of that period, adding that had he known then what he knows now, he wouldn't have agreed to it. Karen looked noticeably thin - although not sickly - in the music video produced for the "Only Yesterday" single. Richard developed an addiction to quaaludes, which began to affect his performance in the late 1970s and led to the end of the duo's live concert appearances in 1978.

The "Pepsodent image"[link]

Carpenters' popularity often confounded critics. With their output focused on ballads and mid-tempo pop, the duo's music was often dismissed by critics as being bland and saccharine. The recording industry, however, bestowed awards on the duo, who won three Grammy Awards during their career (Best New Artist, and Best Pop Performance by a Duo, Group, or Chorus, for "(They Long to Be) Close to You" in 1970;^[57] and Best Pop Performance by a Duo or Group for the LP Carpenters in 1971.^[32]) In 1973, Carpenters were voted Favorite Pop/Rock Band, Duo, or Group at the first annual American Music Awards.^[58]

Richard would often state in interviews, that many critics usually judged them to "drink milk, eat apple pie and take showers."

I don't even like milk. Not that we're totally opposite from that, we're not. But there is an in-between - I don't drink ... a lot. I do have wine with dinner. I voted to make marijuana legal....^[59]

In Coleman's "The Carpenters: The Untold Story", Richard stressed repeatedly how much he disliked the A&M Executives for making their image "squeaky-clean", and the critics for criticising them for their image rather than their music.^[60]

I got upset when this whole "squeaky clean" thing was tagged on to us. I never thought about standing for anything! They (the critics) took Close to You and said: "Aha, you see that number one? THAT's for the people who believe in apple pie! THAT's for people who believe in the American flag! THAT's for the average middle-American person and his station wagon! The Carpenters stand for that, and I'm taking them to my bosom!" And boom, we got tagged with that label.^[60]

Legacy[link]

A critical re-evaluation of Carpenters occurred during the 1990s and 2000s with the making of several documentaries produced in the United States, Japan, and Great Britain, like "Close to You: Remembering the Carpenters" (United States), "The Sayonara" (Japan), and "Only Yesterday: The Carpenters Story" (Great Britain). It's been said that her signature vocals helped spur more contralto singers into pop music such as Anne Murray, Rita Coolidge, and Melissa Manchester. In 1990, the alternative rock band Sonic Youth recorded "Tunic (Song for Karen)", which depicted Karen saying goodbye to relatives as she got to play the drums again and meet her new "friends", Dennis Wilson, Elvis Presley and Janis Joplin.^[61] Despite contentions that their sound was "too soft" to fall under the definition of rock and roll, major campaigns and petitions exist toward inducting Carpenters in the Rock and Roll Hall of Fame.^[62]

A tribute album, If I Were a Carpenter, by contemporary artists such as Sonic Youth, Bettie Serveert, Shonen Knife, Grant Lee Buffalo, Matthew Sweet, and The Cranberries, appeared in 1994 and provided an alternative rock interpretation of Carpenters hits.^[63]

Several of their songs have achieved the status of popular standards. "Superstar" has been covered by numerous artists, with popular recordings from Luther Vandross and Ruben Studdard to Bette Midler, Shonen Knife, and Sonic Youth.

Both "We've Only Just Begun" and "(They Long to Be) Close to You" have been honored with Grammy Hall of Fame awards for recordings of lasting quality or historical significance.^[64]

Modern entertainers such as Christina Aguilera, Gwen Stefani, Shania Twain, Jann Arden, Anastacia, The Corrs, Mary J. Blige, Alicia Keys, Leann Rimes, Michelle Wright, K.D. Lang, Kelly Jones of Stereophonics, Johnny Borrell of Razorlight, Jo O'Meara from S Club and Madonna have listed Karen Carpenter as a huge influence on their careers.^[65][66]

Discography[link]

Carpenters released 30 singles during their career. Of the thirty, ten were RIAA certified Gold^[31] and twenty-two peaked in the top 10 on the Adult Contemporary Charts. In addition, Carpenters also had ten albums from 1969-1983. Five of the albums contained two or more top 20 hits on the Billboard Hot 100 (Close to You, Carpenters, A Song for You, Now & Then, and Horizon).

Grammy Awards and nominations[link]

Throughout the 1970s, Richard and Karen were nominated numerous times for Grammy Awards. Richard Carpenter was also nominated for a Grammy Award for their instrumental song, "Flat Baroque".^[67] They won three Grammy Awards, and had two songs inducted into the Grammy Hall of Fame.^[64]

Notes and references[link]