The Goddess Ambika or Durga Leading the Eight Matrikas in Battle Against the Demon Raktabija, Folio from Devi Mahatmya, Markandeya Purana.

For other meanings, see Purana (disambiguation).

The Puranas (Sanskrit: पुराण purāṇa, "of ancient times") are a genre of important Hindu, Jain and Buddhist religious texts, notably consisting of narratives of the history of the universe from creation to destruction, genealogies of kings, heroes, sages, and demigods, and descriptions of Hindu cosmology, philosophy, and geography.^[1]

Puranas usually give prominence to a particular deity, employing an abundance of religious and philosophical concepts. They are usually written in the form of stories related by one person to another. The Puranas are available in vernacular translations and are disseminated by Brahmin scholars, who read from them and tell their stories, usually in Katha sessions (in which a traveling Brahmin settles for a few weeks in a temple and narrates parts of a Purana, usually with a Bhakti perspective).^{[citation needed]}

Origins[link]

An illustration of Varaha avatar based on the Bhagavata Purana

Vyasa, the narrator of the Mahabharata, is traditionally considered the compiler of the Puranas.^[2] However, the earliest written versions date from the time of the Gupta Empire (third-fifth century CE) and much material may be dated, through historical references and other means, to this period and the succeeding centuries. The texts were probably written all over India.

The date of the production of the written texts does not define the date of origin of the Puranas.^[3] On one hand, they existed in some oral form before being written^[3] while at the same time, they have been incrementally modified well into the 16th century^[3][4] and perhaps down to the present day.

An early reference is found in the Chandogya Upanishad (7.1.2). (circa 500 BCE). The Brhadaranyaka Upanishad refers to purana as the "fifth Veda",^[5] itihāsapurāṇaṃ pañcamaṃ vedānāṃ, reflecting the early religious importance of these myths, presumably then in purely oral form. Importantly, the most famous form of itihāsapurāṇaṃ is the Mahabharata. The term also appears in the Atharvaveda 11.7.24.^[6][7]

According to Pargiter,^[6] the "original Purana" may date to the time of the final redaction of the Vedas. Gavin Flood connects the rise of the written Purana historically with the rise of devotional cults centring upon a particular deity in the Gupta era: the Puranic corpus is a complex body of materials that advance the views of various competing cults.^[8]

Common ideas are found throughout the corpus but it is not possible to trace the lines of influence of one Purana upon another so the corpus is best viewed as a synchronous whole.^[8]

The All India Kashiraj Trust, formed under Vibhuti Narayan Singh, the Maharaja of Kashi, dedicated itself to publishing editions of the Puranas.^[9]

Content[link]

According to Matysa Purana,^[10] they are said to narrate five subjects, called Pancha Lakshana pañcalakṣaṇa(Sanskrit:Template:Sanskrit) ("five distinguishing marks", though some scholars have suggested that these are shared by other traditional religious scriptures):^[11][12]

1. Sarga: the creation of the universe.
2. Pratisarga: secondary creations, mostly recreations after dissolution.
3. Vamśa: genealogy of the gods and sages.
4. Manvañtara: the creation of the human race and the first human beings. The epoch of the Manus' rule, 71 celestial Yugas or 308,448,000 years.
5. Vamśānucaritam: the histories of the patriarchs of the lunar and solar dynasties.

The Puranas also lay emphasis on keeping a record of genealogies, as the Vayu Purana says, "to preserve the genealogies of gods, sages and glorious kings and the traditions of great men."^[13] The Puranic genealogies indicate, for example, that Sraddhadeva Manu lived 95 generations before the Bharata war.^[14] In Arrian's Indica, Megasthenes is quoted as stating that the Indians counted from "Dionysos" (Shiva) to "Sandracottus" (Chandragupta Maurya) "a hundred and fifty-three kings over six thousand and forty-three years."^[15] The list of kings in Kalhana's Rajatarangini goes back to the 19th century BCE.^[16]

Pargiter has argued that the Puranic Krta Yuga—in the Vayu Purana the four Yugas are divided into 4800, 3600, 2400, and 1200 years—"ended with the destruction of the Haihayas [by Rama Jamadagnya]; the Treta began approximately with Sagara and ended with Rama Dasarathi's destruction of the Raksasas; and the Dvapara began with his reinstatement at Ayodhya and ended with the Bharata battle".^[17][18]

Texts[link]

Part of a series on
Hindu scriptures
Vedas
Rigveda · Samaveda Yajurveda · Atharvaveda Divisions Samhita · Brahmana Aranyaka · Upanishads
Vedangas
Shiksha · Chandas Vyakarana · Nirukta Kalpa · Jyotisha
Upanishads
Rig vedic Aitareya Yajur vedic Brihadaranyaka · Isha Taittiriya · Katha Shvetashvatara Sama vedic Chandogya · Kena Atharva vedic Mundaka · Mandukya Prashna
Puranas
Brahma puranas Brahma · Brahmānda Brahmavaivarta Markandeya · Bhavishya Vaishnava puranas Vishnu · Bhagavata Naradeya · Garuda · Padma · Agni Shaiva puranas Shiva · Linga Skanda · Vayu
Itihasa
Ramayana Mahabharata (Bhagavad Gita)
Other scriptures
Manu Smriti Artha Shastra · Agama Tantra · Sūtra · Stotra Dharmashastra Divya Prabandha Tevaram Ramcharitmanas Yoga Vasistha
Scripture classification
Śruti · Smriti
Timeline
Hindu texts
v t e

The Mahapuranas[link]

Of the many texts designated 'Puranas' the most important are the Mahāpurāṇas. These are always said to be eighteen in number, divided into three groups of six, though in fact they are not always counted in the same way. Combining the various lists Cornelia Dimmitt and J. A. B. van Buitenen have collated twenty names:^[19]

Classification[link]

Puranas are classified according to qualification of persons who can understand them: "Purāṇas are supplementary explanations of the Vedas intended for different types of men. All men are not equal. There are men who are conducted by the mode of goodness, others who are under the mode of passion and others who are under the mode of ignorance. The Purāṇas are so divided that any class of men can take advantage of them and gradually regain their lost position and get out of the hard struggle for existence."^[23]

The Mahapuranas are frequently classified according the three aspects of the divine Trimurti^[24]:

^[25]

According to the Padma Purana,^[26] the texts may be classified in accordance with the three gunas or qualities; truth, passion, and indifference:

The Upapuranas[link]

The Upapurāṇas are lesser or ancillary texts: these are sometimes also said to be eighteen in number, with still less agreement as to the canonical titles. Few have been critically edited. They include: Sanat-kumara, Narasimha, Brihan-naradiya, Siva-rahasya, Durvasa, Kapila, Vamana, Bhargava, Varuna, Kalika, Samba, Nandi, Surya, Parasara, Vasishtha, Devi-Bhagavata, Ganesha, Mudgala, and Hamsa.^[27]

The Ganesha and Mudgala Puranas are devoted to Ganesha.^[28][29] The Devi-Bhagavata Purana, which extols the goddess Durga, has become (along with the Devi Mahatmya of the Mārkandeya Purana) a basic text for Devi worshipers.^[30]

There are many others all over the Indian subcontinent.^[31]

Sthala Puranas[link]

This corpus of texts tells of the origins and traditions of particular Tamil Shiva temples or shrines. There are numerous Sthala Puranas, most written in vernaculars, some with Sanskrit versions as well. The 275 Shiva Sthalams of the continent have puranas for each, famously glorified in the Tamil literature Tevaram. Some appear in Sanskrit versions in the Mahapuranas or Upapuranas. Some Tamil Sthala Puranas have been researched by David Dean Shulman.^[32]

Kula Puranas[link]

These Puranas deal with a caste's origin myth, stories, and legends (the word kula means "family" or "tribe" in Sanskrit). They are important sources for caste identity though usually contested by rival castes. This subgenre is usually in the vernacular and may at times remain oral.^[33] These have been little researched, though they are documented in the caste section of the British Census of India Report and the various Gazetteers.^[34]

Jain and Buddhist Puranas[link]

Jain Puranas deal with Jain myths, history and legends and form a major part of early Kannada literature.^{[35] [36]} The best known is the Mahapurana of Acharya Jinasena. Among Buddhist Puranas, Swayambhu Purana narrates the mythological history of Nepal and describes Buddhist pilgrimage sites inside the Kathmandu Valley.

Notes[link]

References[link]

• Bhargava, P.L. 1971. India in the Vedic Age. Lucknow: Upper India Publishing.
• Dimmitt, Cornelia; van Buitenen, J. A. B. (1978). Classical Hindu Mythology: A Reader in the Sanskrit Puranas. Philadelphia: Temple University Press. ISBN 81-7030-596-9. 
• Doniger, Wendy (editor) (1993). Purāṇa Perennis: Reciprocity and Transformation in Hindu and Jaina Texts. Albany, New York: State University of New York. ISBN 0-7914-1382-9. 
• Handoo, Jawaharlal (editor) (1998). Folklore in Modern India. ISBN 81-7342-055-6. 
• Hardy, Friedhelm (2001). Viraha-Bhakti - The Early History of Krsna Devotion in South India. ISBN 0-19-564916-8. </ref>
• Flood, Gavin (1996). An Introduction to Hinduism. Cambridge University Press. ISBN 0-521-43304-5. 
• Johnson, W.J. (2009). A Dictionary of Hinduism. Oxford University Press. ISBN 978-0-19-861025-0. 
• Kaushal, Molly (editor) (2001). Chanted Narratives - The Katha Vachana Tradition. ISBN 81-246-0182-8. 
• Majumdar, R. C.; Pusalker, A. D. (1951). The history and culture of the Indian people. 1: The Vedic age. Bombay: Bharatiya Vidya Bhavan. 
• Mackenzie, Brwon (1990). The Triumph of the Goddess - The Canonical Models and Theological Visions of the DevI-BhAgavata PuraNa. State University of New York Press. ISBN 0-7914-0363-7. </ref>
• Mittal, Sushil (2004). The Hindu World. Routledge. ISBN 978-0-415-21527-5. 
• Moghe, S. G. (editor) (1997). Professor Kane's contribution to Dharmasastra literature. New Delhi: D.K. Printworld (P) Ltd.. ISBN 81-246-0075-9. 
• Monier-Williams, Monier (1899). A Sanskrit-English Dictionary. Oxford University Press. 
• Pargiter, F.E. (1922). Ancient Indian Historical Tradition. London: Oxford University Press. 
• Pargiter, F. E. (1962) [1922]. Ancient Indian historical tradition. Original publisher Oxford University Press, London. Delhi: Motilal Banarasidass. OCLC 1068416. 
• Rao, Velcheru Narayana (1993). "Purana as Brahminic Ideology". In Doniger Wendy. Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts. Albany: State University of New York Press. ISBN 0-7914-1381-0. 
• Shulman, David Dean (1980). Tamil Temple Myths: Sacrifice and Divine Marriage in the South Indian Saiva Tradition. ISBN 0-691-06415-6. 
• Singh, Nagendra Kumar (1997). Encyclopaedia of Hinduism. ISBN 81-7488-168-9. 
• Thapan, Anita Raina (1997). Understanding Gaṇapati: Insights into the Dynamics of a Cult. New Delhi: Manohar Publishers. ISBN 81-7304-195-4. 

Further reading[link]

• Thurston Edgar. Castes and Tribes of Southern India (Vols I-V). Cosmo Publication, Delhi.

External links[link]

• The Puranas (bharatadesam.com)

Texts[link]

• Puranas in Devnagari, typed, PDF files
• GRETIL (uni-goettingen.de)

Translations[link]

• Śrīmad-Bhāgavatam Full text of the Bhāgavata Purāṇa, with the original Sanskrit, word-for-word meanings, translation, and commentary.
• The Vishnu Purana Full text of the H.H. Wilson translation at sacred-texts.com

Synopses[link]

• Contents of 18 Puranas and a list of Upapuranas (lesser Puranas) (a Java applet)
• Extensive synopsis of several Maha Puranas
• Synopsis of Puranas at Urday.com
• Agni Purana - A synopsis

Ravi Shankar
Shankar performs in Delhi in March 2009
Background information
Birth name	Robindro Shaunkor Chowdhury
Born	(1920-04-07) 7 April 1920 (age 92) Varanasi, United Provinces, Indian Empire
Genres	Hindustani classical music
Occupations	composer, musician
Instruments	sitar
Years active	1939–present
Associated acts	Uday Shankar, Allauddin Khan, Ali Akbar Khan, Lakshmi Shankar, Yehudi Menuhin, Chatur Lal, Alla Rakha, George Harrison, Anoushka Shankar, Beatles
Website	RaviShankar.org

Ravi Shankar (Bengali: রবি শংকর; born Robindro Shaunkor Chowdhury on 7 April 1920), often referred to with the title Pandit, is an Indian musician and composer who plays the plucked string instrument sitar. He has been described as the most known contemporary Indian musician by Hans Neuhoff in Musik in Geschichte und Gegenwart.^[1]

Shankar was born in Varanasi and spent his youth touring Europe and India with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.

In 1956, he began to tour Europe and America playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and George Harrison of The Beatles. Shankar engaged Western music by writing concerti for sitar and orchestra and toured the world in the 1970s and 1980s. From 1986 to 1992 he served as a nominated member of the upper chamber of the Parliament of India. Shankar was awarded India's highest civilian honor, the Bharat Ratna, in 1999, and received three Grammy Awards. He continues to perform in the 2000s, often with his daughter Anoushka.

Early life[link]

Shankar was born 7 April 1920 in Varanasi to a Bengali Brahmin family as the youngest of seven brothers.^[2][3][4] Shankar's Bengali birth name was Robindro Shaunkor Chowdhury.^[2] His father, Shyam Shankar, an administrator for the Maharaja of Jhalawar, used the Sanskrit spelling of the family name and removed its last part.^[2][5] Shyam was married to Shankar's mother Hemangini Devi, but later worked as a lawyer in London.^[2] There he married a second time while Devi raised Shankar in Varanasi, and did not meet his son until he was eight years old.^[2] Shankar shortened the Sanskrit version of his first name, Ravindra, to Ravi, for "sun".^[2]

At the age of ten, after spending his first decade in Varanasi, Shankar went to Paris with the dance group of his brother, choreographer Uday Shankar.^[6][7] By the age of 13 he had become a member of the group, accompanied its members on tour and learned to dance and play various Indian instruments.^[3][4] Uday's dance group toured Europe and America in the early to mid-1930s and Shankar learned French, discovered Western classical music, jazz, and cinema, and became acquainted with Western customs.^[8] Shankar heard the lead musician for the Maihar court, Allauddin Khan, in December 1934 at a music conference in Kolkata and Uday convinced the Maharaja of Maihar in 1935 to allow Khan to become his group's soloist for a tour of Europe.^[8] Shankar was sporadically trained by Khan on tour, and Khan offered Shankar training to become a serious musician under the condition that he abandon touring and come to Maihar.^[8]

Career[link]

Training and work in India[link]

Shankar's parents had died by the time he returned from the European tour, and touring the West had become difficult due to political conflicts that would lead to World War II.^[9] Shankar gave up his dancing career in 1938 to go to Maihar and study Indian classical music as Khan's pupil, living with his family in the traditional gurukul system.^[6] Khan was a rigorous teacher and Shankar had training on sitar and surbahar, learned ragas and the musical styles dhrupad, dhamar, and khyal, and was taught the techniques of the instruments rudra veena, rubab, and sursingar.^[6][10] He often studied with Khan's children Ali Akbar Khan and Annapurna Devi.^[9] Shankar began to perform publicly on sitar in December 1939 and his debut performance was a jugalbandi (duet) with Ali Akbar Khan, who played the string instrument sarod.^[11]

Shankar completed his training in 1944.^[3] Following his training, he moved to Mumbai and joined the Indian People's Theatre Association, for whom he composed music for ballets in 1945 and 1946.^[3][12] Shankar recomposed the music for the popular song "Sare Jahan Se Achcha" at the age of 25.^[13][14] He began to record music for HMV India and worked as a music director for All India Radio (AIR), New Delhi, from February 1949 to January 1956.^[3] Shankar founded the Indian National Orchestra at AIR and composed for it; his compositions experimented with a combination of Western instruments and classical Indian instrumentation.^[15] Beginning in the mid-1950s he composed the music for the Apu Trilogy by Satyajit Ray, which became internationally acclaimed.^[4][16]

International career 1956–1969[link]

Tabla player Alla Rakha, who was a frequent accompanist of Shankar, in 1988

V. K. Narayana Menon, director of AIR Delhi, introduced the Western violinist Yehudi Menuhin to Shankar during Menuhin's first visit to India in 1952.^[17] Shankar had performed as part of a cultural delegation in the Soviet Union in 1954 and Menuhin invited Shankar in 1955 to perform in New York City for a demonstration of Indian classical music, sponsored by the Ford Foundation.^[18][19] Shankar declined to attend due to problems in his marriage, but recommended Ali Akbar Khan to play instead.^[19] Khan reluctantly accepted and performed with tabla (percussion) player Chatur Lal in the Museum of Modern Art, and he later became the first Indian classical musician to perform on American television and record a full raga performance, for Angel Records.^[20]

Shankar heard about the positive response Khan received and resigned from AIR in 1956 to tour the United Kingdom, Germany, and the United States.^[21] He played for smaller audiences and educated them about Indian music, incorporating ragas from the South Indian Carnatic music in his performances, and recorded his first LP album Three Ragas in London, released in 1956.^[21] In 1958, Shankar participated in the celebrations of the tenth anniversary of the United Nations and UNESCO music festival in Paris.^[12] From 1961, he toured Europe, the United States, and Australia, and became the first Indian to compose music for non-Indian films.^[12] Chatur Lal accompanied Shankar on tabla until 1962, when Alla Rakha assumed the role.^[21] Shankar founded the Kinnara School of Music in Mumbai in 1962.^[22]

Shankar befriended Richard Bock, founder of World Pacific Records, on his first American tour and recorded most of his albums in the 1950s and 1960s for Bock's label.^[21] The Byrds recorded at the same studio and heard Shankar's music, which led them to incorporate some of its elements in theirs, introducing the genre to their friend George Harrison of The Beatles.^[23] Harrison became interested in Indian classical music, bought a sitar and used it to record the song "Norwegian Wood (This Bird Has Flown)".^[24] This led to Indian music being used by other musicians and created the raga rock trend.^[24]

Harrison met Shankar in London in 1966 and visited India for six weeks to study sitar under Shankar in Srinagar.^[14][25][26] During the visit, a documentary film about Shankar named Raga was shot by Howard Worth, and released in 1971.^[27] Shankar's association with Harrison greatly increased Shankar's popularity and Ken Hunt of Allmusic would state that Shankar had become "the most famous Indian musician on the planet" by 1966.^[3][25] In 1967, he performed at the Monterey Pop Festival and won a Grammy Award for Best Chamber Music Performance for West Meets East, a collaboration with Yehudi Menuhin.^[25][28] The same year, the Beatles won the Grammy Award for Album of the Year for Sgt. Pepper's Lonely Hearts Club Band which included "Within You Without You" by Harrison, a song that was influenced by Indian classical music.^[26][28] Shankar opened a Western branch of the Kinnara School of Music in Los Angeles, California, in May 1967, and published an autobiography, My Music, My Life, in 1968.^[12][22] He performed at the Woodstock Festival in August 1969, and found he disliked the venue.^[25] In the 1970s Shankar distanced himself from the hippie movement.^[29]

International career 1970–present[link]

George Harrison, U.S. President Gerald Ford, and Ravi Shankar in the Oval Office in December 1974

In October 1970 Shankar became chair of the department of Indian music of the California Institute of the Arts after previously teaching at the City College of New York, the University of California, Los Angeles, and being guest lecturer at other colleges and universities, including the Ali Akbar College of Music.^[12][30][31] In late 1970, the London Symphony Orchestra invited Shankar to compose a concerto with sitar; Concerto for Sitar and Orchestra was performed with André Previn as conductor and Shankar playing the sitar.^[4][32] Hans Neuhoff of Musik in Geschichte und Gegenwart has criticized the usage of the orchestra in this concert as "amateurish".^[1] George Harrison organized the charity Concert for Bangladesh in August 1971, in which Shankar participated.^[25] Interest in Indian music had decreased in the early 1970s, but the concert album became one of the best-selling recordings featuring it and won Shankar a second Grammy Award.^[28][31]

During the 1970s, Shankar and Harrison worked together again, recording Shankar Family & Friends in 1973 and touring North America the following year to a mixed response after Shankar had toured Europe with the Harrison-sponsored Music Festival from India.^[33] The demanding schedule weakened Shankar, and he suffered a heart attack in Chicago in November 1974, causing him to miss a portion of the tour.^[34] In his absence, Shankar's sister-in-law, singer Lakshmi Shankar, conducted the touring orchestra.^[34] The touring band visited the White House on invitation of John Gardner Ford, son of U.S. President Gerald Ford.^[34] Shankar toured and taught for the remainder of the 1970s and the 1980s and released his second concerto, Raga Mala, conducted by Zubin Mehta, in 1981.^[35][36] Shankar was nominated for an Academy Award for Best Original Music Score for his work on the 1982 movie Gandhi, but lost to John Williams' E.T.^[37] He served as a member of the Rajya Sabha, the upper chamber of the Parliament of India, from 12 May 1986 to 11 May 1992, after being nominated by Indian Prime Minister Rajiv Gandhi.^[14][38] Shankar composed the dance drama Ghanashyam in 1989.^[22] His liberal views on musical cooperation led him to collaboration with contemporary composer Philip Glass, with whom he released an album, Passages, in 1990.^[6]

Shankar underwent an angioplasty in 1992 due to heart problems, after which George Harrison involved himself in several of Shankar's projects.^[39] Because of the positive response to Shankar's 1996 career compilation In Celebration, Shankar wrote a second autobiography, Raga Mala, with Harrison as editor.^[39] He performed in between 25 and 40 concerts every year during the late 1990s.^[6] Shankar taught his daughter Anoushka Shankar to play sitar and in 1997 became a Regent's Lecturer at University of California, San Diego.^[40] In the 2000s, he won a Grammy Award for Best World Music Album for Full Circle: Carnegie Hall 2000 and toured with Anoushka, who released a book about her father, Bapi: Love of My Life, in 2002.^[28][41] Anoushka performed a composition by Shankar for the 2002 Harrison memorial Concert for George and Shankar wrote a third concerto for sitar and orchestra for Anoushka and the Orpheus Chamber Orchestra.^[42][43] In June 2008, Shankar played what was billed as his last European concert,^[29] but his 2011 tour includes dates in the United Kingdom.^[44]

Style and contributions[link]

Shankar plays the raga Madhuvanti at the Shiraz Arts Festival in Iran in the 1970s

Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music.^[6] His performances begin with solo alap, jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style.^[6] Shankar often closes his performances with a piece inspired by the light-classical thumri genre.^[6]

Shankar has been considered one of the top sitar players of the second half of the 20th century.^[1] He popularized performing on the bass octave of the sitar for the alap section and became known for a distinctive playing style in the middle and high registers that uses quick and short deviations of the playing string and his sound creation through stops and strikes on the main playing string.^[1][6] Narayana Menon of The New Grove Dictionary noted Shankar's liking for rhythmic novelties, among them the use of unconventional rhythmic cycles.^[45] Hans Neuhoff of Musik in Geschichte und Gegenwart has argued that Shankar's playing style was not widely adopted and that he was surpassed by other sitar players in the performance of melodic passages.^[1] Shankar's interplay with Alla Rakha improved appreciation for tabla playing in Hindustani classical music.^[1] Shankar promoted the jugalbandi duet concert style and introduced new ragas, including Tilak Shyam, Nat Bhairav and Bairagi.^[6]

Recognition[link]

Shankar won the Silver Bear Extraordinary Prize of the Jury at the 1957 Berlin International Film Festival for composing the music for the movie Kabuliwala.^[46] He was awarded the Sangeet Natak Akademi Award for 1962,^[47] and was named a Fellow of the academy for 1975.^[48] Shankar was awarded the three highest national civil honors of India: Padma Bhushan, in 1967, Padma Vibhushan, in 1981, and Bharat Ratna, in 1999.^[49] He received the music award of the UNESCO International Music Council in 1975, three Grammy Awards, and was nominated for an Academy Award.^[12][28][37] Shankar was awarded honorary degrees from universities in India and the United States.^[12] He received the Kalidas Samman from the Government of Madhya Pradesh for 1987–88, the Fukuoka Asian Culture Prize in 1991, the Ramon Magsaysay Award in 1992, and the Polar Music Prize in 1998.^{[50][51][52][53]} In 2001, Shankar was made an Honorary Knight Commander of the Order of the British Empire by Elizabeth II for his "services to music".^[54] Shankar is an honorary member of the American Academy of Arts and Letters and in 1997 received the Praemium Imperiale for music from the Japan Art Association.^[6] The American jazz saxophonist John Coltrane named his son Ravi Coltrane after Shankar.^[55]

Personal life and family[link]

Shankar in 1988

Shankar married Allauddin Khan's daughter Annapurna Devi in 1941 and a son, Shubhendra Shankar, was born in 1942.^[10] Shankar separated from Devi during the 1940s and had a relationship with Kamala Shastri, a dancer, beginning in the late 1940s.^[56] An affair with Sue Jones, a New York concert producer, led to the birth of Norah Jones in 1979.^[56] In 1981, Anoushka Shankar was born to Shankar and Sukanya Rajan, whom Shankar had known since the 1970s.^[56] After separating from Kamala Shastri in 1981, Shankar lived with Sue Jones until 1986. He married Sukanya Rajan in 1989.^[56]

Shubhendra "Shubho" Shankar often accompanied his father on tours.^[57] He could play the sitar and surbahar, but elected not to pursue a solo career and died in 1992.^[57] Norah Jones became a successful musician in the 2000s, winning eight Grammy Awards in 2003.^[58] Anoushka Shankar was nominated for a Grammy Award for Best World Music Album in 2003.^[58]

Shankar is a Hindu and a vegetarian.^[59][60] He lives with Sukanya in Encinitas, California.^[61]

Discography[link]

Bibliography[link]

• Shankar, Ravi (1968). My Music, My Life. Simon & Schuster. ISBN 0-671-20113-1. 
• Shankar, Ravi (1979). Learning Indian Music: A Systematic Approach. Onomatopoeia. OCLC 21376688. 
• Shankar, Ravi (1997). Raga Mala: The Autobiography of Ravi Shankar. Genesis Publications. ISBN 0-904351-46-7. 

Notes[link]

References[link]

• "Shankar, Ravi" (in German). Brockhaus Enzyklopädie. 20 (19th ed.). Mannheim: F. A. Brockhaus GmbH. 1993. ISBN 3-7653-1120-0. 
• Ghosh, Dibyendu (December 1983). "A Humble Homage to the Superb". In Ghosh, Dibyendu. The Great Shankars. Kolkata: Agee Prakashani. p. 7. OCLC 15483971. 
• Ghosh, Dibyendu (December 1983). "Ravishankar". In Ghosh, Dibyendu. The Great Shankars. Kolkata: Agee Prakashani. p. 55. OCLC 15483971. 
• Lavezzoli, Peter (2006). The Dawn of Indian Music in the West. Continuum International Publishing Group. ISBN 0-8264-1815-5. 
• Massey, Reginald (1996). The Music of India. Abhinav Publications. ISBN 81-7017-332-9. 
• Menon, Narayana (1995) [1980]. "Shankar, Ravi". In Sadie, Stanley. The New Grove Dictionary of Music and Musicians. 17 (1st ed.). London: Macmillan Publishers. ISBN 1-56159-174-2. 
• Neuhoff, Hans (2006). "Shankar, Ravi". In Finscher, Ludwig (in German). Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik. 15 (2nd ed.). Bärenreiter. ISBN 3-7618-1122-5. 
• Schaffner, Nicholas (1980). The Boys from Liverpool: John, Paul, George, Ringo. Taylor and Francis. ISBN 0-416-30661-6. 
• Sharma, Vishwamitra (2007). Famous Indians of the 20th Century. Pustak Mahal. ISBN 81-223-0829-5. 
• Slawek, Stephen (2001). "Shankar, Ravi". In Sadie, Stanley. The New Grove Dictionary of Music and Musicians. 23 (2nd ed.). London: Macmillan Publishers. ISBN 0-333-60800-3. 

External links[link]

Find more about Ravi Shankar on Wikipedia's sister projects:
	Images and media from Commons
	Quotations from Wikiquote

Indian classical music portal

• "Ravi Shankar". Official website. http://www.ravishankar.org/. 
• "East Meets West Music". Ravi Shankar Foundation. http://eastmeetswestmusic.com/. 
• Ravi Shankar at Allmusic
• Ravi Shankar at the Internet Movie Database

Navigation boxes related to Ravi Shankar v t e Bharat Ratna laureates Sarvepalli Radhakrishnan (1954) C. Rajagopalachari (1954) C. V. Raman (1954) Bhagwan Das (1955) Mokshagundam Visvesvarayya (1955) Jawaharlal Nehru (1955) Govind Ballabh Pant (1957) Dhondo Keshav Karve (1958) Bidhan Chandra Roy (1961) Purushottam Das Tandon (1961) Dr. Rajendra Prasad (1962) Dr. Zakir Hussain (1963) Pandurang Vaman Kane (1963) Lal Bahadur Shastri (1966) Indira Gandhi (1971) V. V. Giri (1975) K. Kamaraj (1976) Mother Teresa (1980) Acharya Vinoba Bhave (1983) Khan Abdul Ghaffar Khan (1987) M. G. Ramachandran (1988) B. R. Ambedkar (1990) Nelson Mandela (1990) Rajiv Gandhi (1991) Sardar Vallabhbhai Patel (1991) Morarji Desai (1991) Abul Kalam Azad (1992) J. R. D. Tata (1992) Satyajit Ray (1992) A. P. J. Abdul Kalam (1997) Gulzarilal Nanda (1997) Aruna Asaf Ali (1997) M. S. Subbulakshmi (1998) Chidambaram Subramaniam (1998) Jayaprakash Narayan (1998) Ravi Shankar (1999) Amartya Sen (1999) Gopinath Bordoloi (1999) Lata Mangeshkar (2001) Bismillah Khan (2001) Bhimsen Joshi (2008) v t e Anoushka Shankar Studio albums Anoushka Anourag Rise Breathing Under Water Live albums Live at Carnegie Hall Concert for George Benefit concerts Concert for George A Billion Hands Concert Related articles Ravi Shankar (father) Norah Jones (half-sister) v t e Norah Jones Studio albums Come Away with Me (2002) Feels Like Home (2004) Not Too Late (2007) The Fall (2009) ...Little Broken Hearts (2012) Compilation album ...Featuring Other albums First Sessions (EP) New York City The Little Willies El Madmo For the Good Times Rome Singles "Don't Know Why" "Feelin' the Same Way" "Come Away with Me" "Turn Me On" "Here We Go Again" "Sunrise" "What Am I to You?" "Those Sweet Words" "Thinking About You" "Not Too Late" "Sinkin' Soon" "Until the End" "Chasing Pirates" "Young Blood" "It's Gonna Be" "Happy Pills" Related articles Discography Tour Awards The Little Willies Ravi Shankar Anoushka Shankar My Blueberry Nights Book v t e People associated with The Beatles Personnel Neil Aspinall Dave Dexter, Jr. Geoff Emerick Mal Evans Glyn Johns Bert Kaempfert Jeff Lynne Magic Alex Ken Mansfield George Martin Giles Martin Phil McDonald Ken Scott Norman Smith Phil Spector Alistair Taylor Chris Thomas Ken Townsend Businessmen Peter Bennett Sid Bernstein Peter Brown Lee Eastman Brian Epstein Dick James Allen Klein Larry Parnes Allan Williams Musicians Eric Clapton The Dirty Mac Donovan Bob Dylan Johnny Gentle Nicky Hopkins Johnny Hutchinson Mick Jagger Brian Jones Jim Keltner David Mason Tommy Moore Chas Newby Jimmie Nicol Harry Nilsson Peter and Gordon Plastic Ono Band Billy Preston Ronnie Scott Ravi Shankar Tony Sheridan Rory Storm and the Hurricanes Andy White Writers Tony Barrow Ray Connolly Hunter Davies Mark Lewisohn Alan W. Pollack Bruce Spizer Derek Taylor Girlfriends / wives Jane Asher Pattie Boyd Astrid Kirchherr Cynthia Lennon Linda McCartney Yoko Ono Francie Schwartz Maureen Starkey Parents / guardians Mona Best Alfred Lennon Julia Lennon Jim and Mary McCartney George Smith Mimi Smith Other Bill Harry Ken Brown George Dunning Horst Fascher The Fool Robert Freeman Bruno Koschmider Richard Lester Murray the K Pete Shotton Ivan Vaughan Jürgen Vollmer Klaus Voormann Maharishi Mahesh Yogi v t e Woodstock festival Founders Michael Lang John P. Roberts Joel Rosenman Artie Kornfeld August 15, 1969 Richie Havens Sweetwater Bert Sommer Ravi Shankar Tim Hardin Melanie Safka Arlo Guthrie Joan Baez August 16, 1969 Quill Country Joe McDonald John Sebastian Carlos Santana Keef Hartley The Incredible String Band Canned Heat Mountain Grateful Dead Creedence Clearwater Revival August 17, 1969 August 18, 1969 Janis Joplin Sly & The Family Stone The Who Jefferson Airplane The Grease Band Joe Cocker Country Joe and the Fish Ten Years After The Band Blood, Sweat & Tears Johnny and Edgar Winter Crosby, Stills, Nash & Young Paul Butterfield Blues Band Sha Na Na Jimi Hendrix Related Max Yasgur List of performances and events Taking Woodstock Woodstock (film) v t e Grammy Award for Album of the Year (1970s) Year Album Artist(s) Producer(s) 1970 Blood, Sweat & Tears Blood, Sweat & Tears (Dick Halligan, Jerry Hyman, Steve Katz, Fred Lipsius, Lou Soloff, David Clayton-Thomas, Chuck Winfield) James William Guercio 1971 Bridge Over Troubled Water Simon & Garfunkel (Art Garfunkel, Paul Simon) Art Garfunkel, Paul Simon, Roy Halee 1972 Tapestry Carole King Lou Adler 1973 The Concert for Bangladesh George Harrison, Ravi Shankar, Bob Dylan, Leon Russell, Ringo Starr, Billy Preston, Eric Clapton, Klaus Voormann George Harrison, Phil Spector 1974 Innervisions Stevie Wonder Stevie Wonder 1975 Fulfillingness' First Finale Stevie Wonder Stevie Wonder 1976 Still Crazy After All These Years Paul Simon Paul Simon, Phil Ramone 1977 Songs in the Key of Life Stevie Wonder Stevie Wonder 1978 Rumours Fleetwood Mac (Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks) Fleetwood Mac, Ken Caillat, Richard Dashut 1979 Saturday Night Fever: The Original Movie Sound Track  · Bee Gees (Barry Gibb, Maurice Gibb, Robin Gibb)  · KC and the Sunshine Band (Harry Wayne Casey, Richard Finch, Fermin Goypisolo, Robert Johnson, Jerome Smith)  · Kool & the Gang (Robert "Kool" Bell, Ronald Bell, George Brown, Larry Gittens, Robert Mickens, Otha Nash, Claydes Smith, Dennis Thomas, Rickey West)  · MFSB  · Ralph MacDonald  · Tavares (Butch Tavares, Chubby Tavares, Pooch Tavares, Ralph Tavares, Tiny Tavares)  · The Trammps (Jimmy Ellis, Robert Upchurch, Harold Wade, Stanley Wade, Earl Young)  · Walter Murphy  · Yvonne Elliman Albhy Galuten, Arif Mardin, Bee Gees, Bill Oakes, Bobby Martin, Broadway Eddie, David Shire, Freddie Perren, Harry Wayne Casey, K.G. Productions, Karl Richardson, Ralph MacDonald, Richard Finch, Ron Kersey, Thomas J. Valentino, William Salter Complete list (1960s) (1970s) (1980s) (1990s) (2000s) (2010s) v t e Laureates of the Polar Music Prize 1992–1999 Paul McCartney / the Baltic states (1992) Dizzy Gillespie / Witold Lutosławski (1993) Quincy Jones / Nikolaus Harnoncourt (1994) Elton John / Mstislav Rostropovich (1995) Joni Mitchell / Pierre Boulez (1996) Bruce Springsteen / Eric Ericson (1997) Ray Charles / Ravi Shankar (1998) Stevie Wonder / Iannis Xenakis (1999) 2000–2009 Bob Dylan / Isaac Stern (2000) Burt Bacharach / Robert Moog / Karlheinz Stockhausen (2001) Miriam Makeba / Sofia Gubaidulina (2002) Keith Jarrett (2003) B.B. King / György Ligeti (2004) Gilberto Gil / Dietrich Fischer-Dieskau (2005) Led Zeppelin / Valery Gergiev (2006) Sonny Rollins / Steve Reich (2007) Pink Floyd / Renée Fleming (2008) Peter Gabriel / José Antonio Abreu / El Sistema (2009) 2010–present Björk / Ennio Morricone (2010) Kronos Quartet / Patti Smith (2011)