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Name | Parvin E'tesami |
---|---|
Caption | Portrait of Parvin E'tesami |
Birth date | March 16, 1907 |
Birth place | Tabriz |
Death date | April 05, 1941 |
Death place | Qom |
Occupation | Poet |
Parvin E'tesami (, March 16, 1907– April 5, 1941), also Parvin Etesami was a 20th century Persian poet of Iran. According to Ali Akbar Dehkhoda, her given name was Rakhshanda().
Her family moved to Tehran early in her life, and in addition to the formal schooling, she obtained a solid understanding of Arabic and classical Persian literature from her father.
She studied at the American Girls College in Tehran, graduated in 1924 from the Iran Bethel, an American high school for girls. Afterwards, she taught for a while at that school. In 1926, she received an invitation to become the tutor of the queen of the new Pahlavi court, but she refused.
In 1934, she was married to a cousin of her father and moved to the city of Kermanshah. But the marriage only lasted for ten weeks and she returned back to Tehran.
In 1938-39 she worked for several months at the library of the Teacher Training College (Danesh-saraayeh 'Ali). Her father's death in 1938 bereft Parvin of his loving support and virtually severed her contact with the outside world. Her sudden death only three years after her father shocked the country and was mourned in many elegies. She was buried near her father in Qom.
In her short life, she managed to achieve great fame amongst Iranians. Parvin's poetry follows the classical Persian tradition its form and substance. She remained unaffected or perhaps ignored the modernistic trends in Persian poetry. In the arrangement of her poetry book, there are approximately 42 untitled Qasidas (a form of Persian poetry) and Qet'as (another form of Persian poetry). These works follower a didactic and philosophical styles of Sanai and Naser Khusraw. Several other Qasidas, particularly in the description of nature show influences from the poet Manuchehri. There are also some Ghazals in her Diwan.
According to Professor Heshmat Moayyad, her Safar-e ashk (Journey of a tear) counts among the finest lyrics ever written in Persian.
Another form of poetry, the monazara (debate) claim the largest portions of Parvin's Divan. She composed approximately sixty-five poems in the style of monazara and seventy-five anecdotes, fables, and allegories. According to Professor Heshmat Moayyad: "Parvin wrote about men and women of different social backgrounds, a wide-ranging array of animals, birds, flowers, trees, cosmic and natural elements, objects of daily life, abstract concepts, all personified and symbolizing her wealth of ideas. Through these figures she holds up a mirror to others showing them the abuses of society and their failure in moral commitment. Likewise, in these debates she eloquently expresses her basic thoughts about life and death, social justice, ethics, education, and the supreme importance of knowledge".
A partial English translation may be found in: H. Moayyad and M. A. Madelung, tr. A Nightingale's Lament, Lexington, Ky, 1985 (tr. of eighty-two of Parvin's poems).
Category:Persian poets Category:Iranian poets Category:People from Tabriz Category:1906 births Category:1941 deaths Category:Iranian women writers
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