Dera or Dehra (Urdu: ڈیرہ ) is a Saraiki language word meaning camp or settlement. In Punjabi, it is usually used as a place where men meet and socialize in the village.

Towns in Pakistan with Dera in their names.

• Dera Allah Yar
• Dera Bugti District
• Dera Bugti
• Dera Dildar
• Dera Ghazi Khan District
• Dera Ghazi Khan Division
• Dera Ghazi Khan International Airport
• Dera Ghazi Khan Tehsil
• Dera Ghazi Khan
• Dera Ismail Khan Airport
• Dera Ismail Khan District
• Dera Ismail Khan Division
• Dera Ismail Khan Tehsil
• Dera Ismail Khan
• Dera Murad Jamali
• FR Dera Ismael Khan
• Saddar Dera Bugti

Towns in India with Dera in their names.

• Dera Baba Nanak, Gurdaspur, Punjab
• Dehradun, capital of Uttarakhand
• Dehra, Himachal
• Derasar a term for a Jain temple

Religious sects:

• Dera Sacha Sauda, a sect at Sirsa, Haryana, India
• Dera Sach Khand, Jalandhar, Punjab

See also[link]

• -abad
• -goth
• -istan
• -land
• -nagar

References[link]

Coordinates: 8°10′N 39°20′E / 8.167°N 39.333°E / 8.167; 39.333

"Pumped Up Kicks" is a song by American indie pop band Foster the People. It was released as the group's debut single in September 2010, and the following year was included on their EP Foster the People and their debut album Torches. "Pumped Up Kicks" became the group's breakthrough hit and was one of the most popular songs of 2011. The song was written and recorded by frontman Mark Foster while he was working as a commercial jingle writer. Contrasting with the upbeat musical composition, the lyrics describe the homicidal thoughts of a troubled youth.

The track received considerable attention after it was posted online in 2010 as a free download, and it helped the group garner a multi-album record deal with Columbia Records imprint Startime International before they had issued a commercial release. The song became both a crossover hit and a sleeper hit in 2011, as it received significant airplay on modern rock and contemporary hit radio stations. The song spent eight consecutive weeks at number three on the Billboard Hot 100 chart in the United States, making it the first Billboard Alternative Songs number-one single to crack the U.S. top 5 since Kings of Leon's "Use Somebody" in 2009. The song was widely praised by critics, and it has been licensed for use in a wide range of popular media since its release. "Pumped Up Kicks" received a Grammy Award nomination for Best Pop Duo/Group Performance.

Recording[link]

Soon after Mark Foster formed Foster the People in 2009, he wrote and recorded "Pumped Up Kicks" in five hours while working as a commercial jingle writer at Mophonics in Los Angeles.^[1][2] Thinking that he was just recording a demo, he played all of the instruments on the song. Ultimately, Foster's original version of the song is what ended up being released.^[3]

Composition and inspiration[link]

The lyrics to "Pumped Up Kicks" are written from the perspective of a troubled and delusional youth with homicidal thoughts.^[3] The lines in the chorus warn potential victims to "outrun my gun" and that they "better run, better run, faster than my bullet". Foster said, "I was trying to get inside the head of an isolated, psychotic kid."^[3] He wrote the lyrics in order to "bring awareness" to the issue of gun violence amongst youth, which he feels is an epidemic perpetuated by "lack of family, lack of love, and isolation".^[5][6] The song's title refers to shoes that the narrator's peers wear as a status symbol.^[7] The issue of youth violence is a matter close to the group. Foster was bullied in high school, while bassist Cubbie Fink has a cousin who survived the Columbine High School massacre in 1999. Fink said of his cousin's experience, "She was actually in the library when everything went down, so I actually flew out to be with her the day after it happened and experienced the trauma surrounding it and saw how affected she was by it. She is as close as a sister, so obviously, it affected me deeply. So to be able to have a song to create a platform to talk about this stuff has been good for us."^[4]

Contrasting with the dark lyrics of the song, the music, which was written first, is upbeat. Foster said, "It's a 'fuck you' song to the hipsters in a way—but it's a song the hipsters are going to want to dance to."^[3] Jeffery Berg of Frontier Psychiatrist said, "I was so engrossed with the cheery melody of its chorus that it took me a few listens to discover that the lyrics suggest dark, Columbine revenge."^[8]

Due to the opening lyrics, "Robert's got a quick hand," many have speculated that the song is a reference to Robert Hawkins, perpetrator of Omaha's Westroads Mall shooting. The band's publicist refutes this with "This is completely false. The character name in the song is just a coincidence."^[9] For play on the television channels MTV and MTVu, the words "gun" and "bullet" were removed from the song's chorus.^[10] Foster believes many have misinterpreted the song's meaning, and he has written letters to his record label and called radio stations to complain. He explained, "The song is not about condoning violence at all. It's the complete opposite. The song is an amazing platform to have a conversation with your kids about something that shouldn't be ignored, to talk about it in a loving way."^[2]

Release and promotion[link]

Initial attention[link]

"Pumped Up Kicks" was written by Mark Foster (pictured) while he was working as a jingle writer. Initially posted on his website as a free download, the song grew in popularity through viral outlets and earned the band a record deal.

"Pumped Up Kicks" drew considerable attention online after Foster posted the song on his website as a free download in early 2010; Nylon magazine used the track in an online advertising campaign,^[11] and through various blogs, it went viral.^[12] Foster the People first performed the song live at the Stand Up Charity Benefit in Venice in February.^[13] The group, yet to be signed, reached additional audiences with performances at the South by Southwest music festival in March 2010.^[14] Foster was emailed by many people about the song, and needing professional guidance, he contacted artist manager Brent Kredel at Monotone, Inc., saying, "Everyone is calling me and emailing me—what do I do? Who are the good guys, who are the bad guys?" Kredel recalled that "He went from the guy who couldn't get a hold of anyone to being the guy who had hundreds of emails in his inbox." Kredel and Brett Williams were subsequently hired to co-manage Foster the People, and they helped the group get a multi-album record deal with Columbia Records imprint Startime International in May 2010.^[11]

"Pumped Up Kicks" was licensed for use in a July 2010 episode of the TV series Entourage, the first of many instances in which Foster the People's music was licensed in popular media.^[11] Wishing to release a record that would back up the song's success, the group wrote new material between July–September 2010.^[11] The song received its first widespread radio play in July 2010 on Sirius XM's Alt Nation channel and the Australian radio station Triple J.^[15] The song was released as their debut single on September 14, 2010.^{[citation needed]} In November, the University of Maryland's radio station WMUC played the song, marking its debut on US terrestrial radio.^[16] The song placed at number 32 in the Triple J's Hottest 100 for 2010,^[17] a big achievement due to the band being relatively unknown in Australia. Still, the group was inexperienced as a live act, and as a result, their booking agent Tom Windish secured them several club shows "to help them get their sea legs." Foster the People promoted these concerts in January 2011 by emailing fans who had downloaded "Pumped Up Kicks" from their website, notifying them of the shows. The group continued to grow its fanbase with a month-long residency of concerts in January at The Echo nightclub in Los Angeles. By the group's third show at the venue, according to Windish, "there were hundreds of people trying to get in outside... It was an obvious turning point that could be measured in numbers." The residency also drew the attention of music supervisors in attendance who would later help the group license their music.^[11]

Commercial breakthrough[link]

In January 2011, the band issued their first commercial non-single release, a self-titled EP on which "Pumped Up Kicks" appeared. Around the same time, many alternative radio stations began playing "Pumped Up Kicks", including Los Angeles terrestrial stations KROQ-FM and KYSR, and it continued to gain popularity on Alt Nation.^[11] Mark Foster credits Sirius XM's airplay with the song's success, saying, "Alt Nation played our music before any other radio outlet in the country."^[18] On January 29, the song debuted on Billboard's Rock Songs chart and a week later, it debuted on the Alternative Songs chart. In May, the track debuted at number 96 on the Billboard Hot 100, and later that month, the group released their first full-length studio album, Torches, on which "Pumped Up Kicks" appears.^[11] On May 23, 2011, BBC Radio 1 DJ Greg James selected the song as his Record of the Week, which ran until May 27. During this time, James released an accompanying video of him dancing to the song which he entitled and promoted "The Bum Dance".^[19]

The song proved to be a crossover hit, peaking at number three on the Rock Songs chart in July and number one on the Alternative Songs chart in June, while breaking into the top 40 of the Hot 100 in late July and appearing on the Adult Top 40 and Mainstream Top 40 charts. Columbia senior VP of promotion Lee Leipsner said, "It was one of the only alternative bands I remember in a while that you could actually dance to. And the fact that the record has a groove and rhythmic feel to it—not heavy guitar-based at all—gave us a wide opportunity to cross the record." He credits the song's crossover success and push into the top 40 to a June presentation of new music by Clear Channel president of national programming platforms Tom Poleman. According to Leipsner, "After we showed our presentation, we had so many Clear Channel major-market programmers come up to us and say, 'The record I want to play besides Adele is Foster the People.'" "Pumped Up Kicks" peaked at number three on the Hot 100, spending eight consecutive weeks at the position.^[11] It has been certified 3× platinum in the US, Canada,^[20][21] and Australia,^[22] while receiving a gold certification in Germany.^[23] The song ranked as the sixth-best-selling digital song of 2011, selling 3.61 million copies.^[24]

Music video[link]

The music video, directed by Josef Geiger, was filmed at multiple locations in Los Angeles with insert footage from San Francisco^{[citation needed]} and features the band playing a show. There are also cuts to band members doing other activities, such as playing frisbee and surfing. The video peaked at #21 on the MuchMusic Countdown in Canada.^[25] The video has received over 83 million views on YouTube.^[2]

Reception[link]

Critical reaction[link]

"Pumped Up Kicks" received positive reviews from critics. Barry Walters of Spin said that with the song as their debut single, Foster the People "announce themselves as major players".^[26] Jon Dolan of Rolling Stone described the song as having a "slinky groove, misty guitar flange and delicious astral-wimp vocals".^[27] Rob Webb of NME drew some parallels between the song and other indie pop hits like "Young Folks", "Paris", and "Kids" describing its rise in popularity as thus: "artist writes (undeniably brilliant) pop song, makes it catchy as hell, but quirky enough for the 'cool' crowd, song subsequently gets some big pimping from every blog/radio station/Hype Machine user on the planet and, seemingly overnight, becomes utterly, irritatingly inescapable."^[28] August Brown of the Los Angeles Times called it a "reputation-making single" that "cakes Foster in Strokes-y vocal distortion atop a loping synth bass".^[29] Jon Pareles of The New York Times called it a "pop ditty with dazed, dweeby vocals and a handclapping chorus that warns, 'You better run, better run, outrun my gun'".^[30] BBC Music's Mark Beaumont called the song a "psychedelic block party skipping tune". Reflecting on the song's fusion of various musical elements, Beaumont said the song is a prime example of how they "adapt Animal Collective's art-tronic adventurousness to incorporate the funky danceability of Scissor Sisters, the fuzzy pop catchiness of 'Kids' and the knack of throwing in deceptively downbeat twists akin to Girls, Sleigh Bells or Smith Westerns".^[31] Matt Collar of Allmusic said the song, like other tracks from the album, is "catchy, electro-lite dance-pop that fits nicely next to such contemporaries as MGMT and Phoenix".^[32] The Guardian's Michael Hann was less receptive, saying it "amounts to little more than a bassline and a chorus" and that "It's as irresistible as it is infuriating".^[33]

Accolades[link]

A Rolling Stone readers poll named it the second-best song of summer 2011.^[34] Claire Suddath of Time magazine named "Pumped Up Kicks" one of the Top 10 Songs of 2011.^[35] In end-of-year polls, writers for Rolling Stone selected "Pumped Up Kicks" as the 11th-best song of 2011,^[36] while the publication's readers voted it the year's sixth-best song.^[37] A listeners poll by Toronto radio station CFNY-FM (102.1 The Edge) voted it #1 in a list of the top 102 new rock songs of 2011.^[38] Entertainment Weekly selected the song as the second-best single of 2011.^[39] NME ranked it number 21 on its list of the "50 Best Tracks of 2011", writing, "Unusually for a song so omnipresent, listening to its hyper-upbeat melodies about a psycho high-school kid-killer is still an enjoyable experience."^[40] The magazine's readers voted "Pumped Up Kicks" the year's eighth-best song.^[41] At the end of 2011, the song received a Grammy Award nomination for Best Pop Duo/Group Performance.^[42]

Impact[link]

In an article for The Huffington Post, DJ Louie XIV singled out "Pumped Up Kicks" as one of several popular songs that helped usher in the return of commercially successful indie music. In discussing the growing acceptance of fringe cultures, he wrote, "It seems only fitting, then, that the soundtrack to this time period should be music that was itself once viewed as fringe culture."^[43] Reflecting on the song's success, Gary Trust, the associate director of charts/radio for Billboard, said, "They're walking a tightrope very well in terms of eras, formats and styles. When you mix all that together, it becomes a very good recipe for a hit that works on so many levels. It's the perfect song." Foster said of the song, "There's a spirit there and that's what people resonate with. 'Pumped Up Kicks' wasn't an accident."^[2]

Use in popular media[link]

The song was used in TV series such as Entourage,^[44] Gossip Girl, CSI:NY, Cougar Town, Homeland, Warehouse 13 and The Vampire Diaries and also in the 2011 films Friends with Benefits^[11] and Fright Night, as well as sampled in Shawn Chrystopher's song "All the Other Kids", from his 2010 hip-hop album You, and Only You. The whistling part of the song is part of the rotation of bumper music played on the Michael Medved syndicated radio program. The song is also used on the BBC programme Match of the Day. On October 8, 2011, Foster the People performed the song on Saturday Night Live. The song was also used in Australian beer XXXX's "XXXX Summer Bright Lager" television commercial.^[45]

Cover versions and remixes[link]

The official remix of the single was released by New York City-duo The Knocks in April 2011, under the name "Pumped Up Kicks (The Knocks Speeding Bullet Remix)", and was made available to subscribers to the band's email list. The song was covered by Weezer during their 2011 North American Tour, at the Orange County Fair on August 4, 2011. Weezer also played the song during their grandstand performance at the Minnesota State Fair on September 3, 2011.^[46] Mark Foster said in reaction, "Nine years ago, I met Rivers Cuomo at a party, and I had my acoustic guitar with me. He taught me how to play 'Say It Ain't So'. So nine years later, to watch him play one of my songs - it was wild. I can't wait to meet him and remind him of that story."^[47]

In 2011, The Kooks covered song in BBC Radio 1's Live Lounge.^[48] Australian musician Owl Eyes performed a version of "Pumped Up Kicks" for Triple J's Like a Version. In the Triple J Hottest 100, 2011, Owl Eyes' version came in at 28, four positions higher than the original did the previous year. Singer-songwriters Dani Shay and Justin Chase covered the song in a theatrical music video October 2011^[49] and released the single in November 2011.^[50] A parody of the song was performed by Taylor Swift and Zac Efron on The Ellen DeGeneres Show, as a serenade to the host. Its lyrics were about how they felt weird when Ellen used to put them as a couple when they were not.^[51] On March 12, 2012 singers Lex Land and Charlotte Sometimes performed the song during the second "Battle Round" episode of The Voice.^[52]

Track listing[link]

Charts[link]

Release history[link]

See also[link]

• List of number-one Billboard Alternative Songs of 2011
• List of number-one dance airplay hits of 2011 (U.S.)
• List of number-one singles of 2012 (Australia)

References[link]

External links[link]

• "Pumped Up Kicks" Official music video on YouTube

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2012)

"11:59" is the 117th episode of Star Trek: Voyager, the 23rd episode of the fifth season. As of November 13, 2009 the episode had an average rating of 61% on the official Star Trek website^[1] and 67% on the Internet Movie Database.^[2]

Plot[link]

Neelix becomes interested in Earth history, spurring research about an ancestor of Captain Janeway named Shannon O'Donnell who was alive at the turn of the 21st century who she believed single-handidly fought to complete the Millenium Gate tower project at the turn of the 20th century, and would later be part of NASA's missions to Mars. Neelix, prompted by Janeway, proceeds to track down further information on Shannon.

Neelix discovers that Janeway's information was incorrect: Shannon was a traveler that happened to have her car break down in the small town where the Millennium gate was to be built. The intent has caused most of the business in town to leave, save for a bookstore owned by Henry Janeway, who refuses to sell the store to make way for the project. Shannon joins Henry in the opposition, and learns that if Henry refuses to sell, the project would have to be moved to a new location. The two also develop a bond during this time. As it turns out, Shannon had been hired by the company to try to convince Henry to leave before the 11:59 deadline on New Year's Eve. When Henry discovers this, he asks her to leave, but as she drives away, she turns around, and trying another approach to convincing Henry to sell. He eventually relents at the very last minute, selling his bookstore to allow the tower to go forward.

When Janeway learns the truth about Shannon, who was never a NASA astronaut, she becomes despondent, as Shannon was her childhood hero to convince her to join Starfleet. However, Neelix has provided a surprise: a gathering of the senior crew to celebrate their ancestors, and presenting Janeway with a photograph of the elderly Shannon, after she had married Henry and raised their extended family together. Janeway realizes that the revelation about Shannon shouldn't impact what she's done with her own life.

Note[link]

• Reference is made to the Y2K glitch which failed to turn out a light bulb. This episode was filmed and aired in 1999, and the prediction was nearly correct, as only a few minor incidents were associated with Y2K.^{[original research?]}

References[link]

External links[link]

• 11:59 at the Internet Movie Database
• "11:59" at TV.com
• 11:59 at Memory Alpha (a Star Trek wiki)
• 11:59 at StarTrek.com

Arnaldo Antunes
Antunes at the São Paulo Cultural Center.
Background information
Birth name	Arnaldo Augusto Nora Antunes Filho
Born	(1960-09-02) September 2, 1960 (age 51) São Paulo, São Paulo, Brazil
Genres	Alternative rock, post-punk, experimental rock, punk rock, avant-garde, brazilian rock
Occupations	Singer, composer, songwriter, writer, producer
Instruments	Vocals, electric guitar, acoustic guitar, keyboards
Years active	1984–present
Associated acts	Aguilar e Banda Performática Tribalistas Titãs
Website	www.arnaldoantunes.com.br

Arnaldo Antunes (Portuguese pronunciation: [axˈnawdu ɐ̃ˈtunis], born Arnaldo Augusto Nora Antunes Filho, September 2, 1960), is a writer and composer from Brazil. He began as a member of the band Aguilar e Banda Performática in the late 1970s. For most of the 1980s he was a member of the rock band Titãs. After 1992 he had six solo albums. Since 1992 he has been an award winning poet, but he was first published in 1983. He is noted abroad for collaborations with Marisa Monte.

Childhood[link]

Arnaldo was born on September 2, 1960, to Arnaldo Augusto Nora Antunes and Dora Leme Ferre. He was the fourth of seven children they had. In 1967, he entered Luís de Camões school and studied there until 1972. In the next year, he went to the PUC SP Laboratory School, where he gets interested in artistic languages and starts to write his firsts poems. In 1975 he enters Colégio Equipe (where most of Titãs' members studied), and begins to compose with his classmate Paulo Miklos. In 1978, he begins to study Portuguese language and literature at USP.

Career with Titãs[link]

Next year his family moved to Rio de Janeiro, and he transferred schools to the PUC RJ. However, he returned to São Paulo with his wife, Go, and formed the Banda Performática. Later on in 1982, the Titãs do Iê-Iê made their first performance and released their debut album Titãs in 1984. They performed in Switzerland, England, the United States, and Brazil. But by 1992 Antunes decided to leave Titãs, after more than a decade of partnership and seven albums.

Solo career[link]

In 1993 he released his debut CD Nome, putting together a multimedia project which associated poetry, music and computer animation (produced with the partnership of Celia Catunda, Kiko Mistrorigo and Zaba Moreau). The video "Nome" was exhibited in art venues and festivals in Brazil, Italy, Argentina, Australia, Switzerland, Germany, Austria, France, Spain (where it received a Jury recommendation at the Festival International de Video Cidade de Vigo 1995), Netherlands, Monaco, Uruguay, Cuba, Chile, Colombia and the US (receiving an honorable mention at the first annual New York Video Festival).

As a solo artist, Arnaldo Antunes later released Ninguém (1995), O Silêncio (1996), Um Som (1998), Paradeiro (2001) and Saiba (Rosa Celeste/BMG 2004). He also released other albums at special projects, such as the O Corpo (1999), a specially produced soundtrack for Grupo Corpo, a dance company of Minas Gerais, and the album Os Tribalistas (EMI/Phonomotor 2002), a collaborative project with Marisa Monte and Carlinhos Brown.

His compositions have been used in several movies including Blue in the Face, directed by Wayne Wang and Paul Auster; Bicho de Sete Cabeças, directed by Lais Bodanzki; Dois Perdidos Numa Noite Suja, adapted from a novel by Plinio Marcos and directed by José Joffily; and Benjamim, adapted from a novel by Chico Buarque and directed by Monique Gardenberg.

Personal life[link]

From 1980 to 1987, he was married to Go. Right after they broke up, he got married to Zaba Moreau, with whom he had four children: Rosa, born in 1988, Celeste, born in 1991, Brás, born in 1997, and Tomé, born in 2001.

Discography[link]

With Titãs[link]

• Titãs (1984)
• Televisão (1985)
• Cabeça Dinossauro (1986)
• Jesus não Tem Dentes no País dos Banguelas (1987)
• Õ Blésq Blom (1989)
• Tudo Ao Mesmo Tempo Agora (1991)

Solo[link]

• Nome (1993)
• Ninguém (1995)
• O Silêncio (1996)
• Um Som (1998)
• Focus - O Essencial de Arnaldo Antunes (1999)
• O Corpo (2000)
• Paradeiro (2001)
• Saiba (2004)
• Qualquer (2006)
• Ao Vivo em Estúdio (2007)
• Iê Iê Iê (2009)
• Acústico MTV - Arnaldo Antunes (2012)

Guest appearances[link]

• Golpe de Estado - Forçando a Barra (1988)
• Péricles Cavalcanti – Sobre as Ondas (1995)
• Various artists – O Triângulo Sem Bermudas (1996)
• Edgard Scandurra – Benzina (!996)
• Tom Zé and Zé Miguel Wisnik – Parabelo – Grupo Corpo (1997)
• Tom Zé – Com Defeito de Fabricação (1998)
• Onda Sonora: Red Hot + Lisbon produced by the Red Hot Organization (1998)
• João Donato- Songbook (1999)
• Various Artists – Tributo a Cazuza (1999)
• Chico Buarque – Songbook (1999)
• Suba - São Paulo Confessions (2000)
• Zé Miguel Wisnik – São Paulo Rio – (1000)
• Marisa Monte - Memórias, Crônicas e Declarações de Amor (2000)
• Walter Franco – Tutano (2001)
• Lula Queiroga – Aboiando a Vaca Mecânica (2001)
• Unknown artist – Só Um é Muito Só (2001)
• Glauco Matoso - Melopéia – sonetos musicados (2001)
• Cid Campos – No Lago do Olho (2001)
• Aguilar e Banda Performática - Aguilar e Banda Performática (2001)
• Various artists - Superfantástico – quando eu era pequeno (2002)
• Ortinho – Ilha do Destino (2002)
• João Donato – O Melhor de João Donato (2002)
• Aldo Brizzi – Brizzi do Brasil (2002)
• Various Artists - Maysa Esta Chama Que Não Vai Passar (2007)
• Various Artists - Pequeno Cidadão (2009)

Bibliography as a writer[link]

• Ou e (visual poem album) (1983)
• Psia, Editora Expressão (1986),
• Tudos, Editora Iluminuras (1990), São Paulo
• As coisas, Editora Iluminuras (1992), São Paulo SP - Award Jabuti de Poesia 1992
• 2 ou + Corpos no mesmo Espaço, Editora Perspectiva (1997)
• Doble Duplo, selection, translation and art by Ivan Larraguibel, Editora Zona de Obras/Tangará, Spain (2000)
• 40 Escritos, organized by João Bandeira, Editora Iluminuras (2000), São Paulo, SP
• Outro, Editora Mirabilia (2001)
• Palavra Desordem, Editora Iluminuras (2002), São Paulo, SP
• ET Eu Tu, Editora Cosac & Naify (2003)
• Antologia, releases in Portugal only, Editora Quase (2006)
• Frases do Tomé aos Três Anos, a collection of illustrations of the first sentences said by his son, Editora Alegoria (2006)
• Como É que Chama o Nome Disso, Editora Publifolha, (2006)

References[link]

• Arnaldo Antunes's biography at his official site
• Arnaldo Antunes’s bibliography at his official site
• Arnaldo Antunes’s discography at his official site

External links[link]

• Arnaldo Antunes Official Website
• Titãs Official Website (Portuguese)
• Tribalistas
• Yahoo music bio
• Banda Performática's Official Website (Portuguese)
• Arnaldo Antunes at the Internet Movie Database
• Interview with Arnaldo Antunes (Sounds and Colours)
• Arnaldo Antunes auf culturebase.net