- published: 16 Nov 2008
- views: 595055
- author: Rafael Dias
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- The Battle of Everyday
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Caspian - Moksha
- Order: Reorder
- Duration: 9:08
- Updated: 18 Aug 2013
Artist: Caspian Title: Moksha Album: The Four Trees Year: 2007.
http://wn.com/Caspian_Moksha
Artist: Caspian Title: Moksha Album: The Four Trees Year: 2007.
Enlightenment (Moksha) Vedic Astrology
- Order: Reorder
- Duration: 3:02
- Updated: 17 Aug 2013
CLICK HERE- http://www.astrologykrs.com.
http://wn.com/Enlightenment_Moksha_Vedic_Astrology
Moksha
- Order: Reorder
- Duration: 8:41
- Updated: 13 Aug 2013
Niravana Shatkam shlokas.
http://wn.com/Moksha
RITMO @ Moksha Purim 2012
- Order: Reorder
- Duration: 11:36
- Updated: 11 Aug 2013
Ritmo dj set @ Moksha Project - Purim 2012 - ISRAEL.
http://wn.com/RITMO_@_Moksha_Purim_2012
Ritmo dj set @ Moksha Project - Purim 2012 - ISRAEL.
- published: 11 Mar 2012
- views: 240863
- author: dubida
"Jaan Leva" - Moksha (English subs)
- Order: Reorder
- Duration: 4:17
- Updated: 06 Sep 2012
http://arjunrampalonline.com.
http://wn.com/Jaan_Leva_Moksha_English_subs
Process of Dying and Moksha (liberation upon death) - Sri Bhagavan
- Order: Reorder
- Duration: 3:12
- Updated: 17 Aug 2013
When Sri Bhagavan was asked in March 2013 about what to say to someone who is about to die but afraid of passing, he said you should talk to him/her (freely ...
http://wn.com/Process_of_Dying_and_Moksha_liberation_upon_death_Sri_Bhagavan
When Sri Bhagavan was asked in March 2013 about what to say to someone who is about to die but afraid of passing, he said you should talk to him/her (freely ...
- published: 06 Jul 2011
- views: 4168
- author: worldofoneness
moksha arjun rampal
- Order: Reorder
- Duration: 4:12
- Updated: 17 Jul 2013
moksha song.
http://wn.com/moksha_arjun_rampal
MOKSHA Take this smile (PARENTAL ADVISORY - UNCENSORED VERSION)
- Order: Reorder
- Duration: 4:33
- Updated: 18 Aug 2013
DOWNLOAD THE SONG: http://bit.ly/MOKSHA_Shop Want to get the meaning of the blood ? Read this: A word from the director Dejan Ilic: "I want to tell you some ...
http://wn.com/MOKSHA_Take_this_smile_PARENTAL_ADVISORY_UNCENSORED_VERSION
DOWNLOAD THE SONG: http://bit.ly/MOKSHA_Shop Want to get the meaning of the blood ? Read this: A word from the director Dejan Ilic: "I want to tell you some ...
- published: 28 Nov 2010
- views: 287385
- author: mokshaofficial
Moksha "Esgarriat"
- Order: Reorder
- Duration: 3:46
- Updated: 30 Jul 2013
Extraído de su nuevo disco "Sang de Roure" LP/CD. Director: Alan Masferrer.
http://wn.com/Moksha_Esgarriat
Extraído de su nuevo disco "Sang de Roure" LP/CD. Director: Alan Masferrer.
- published: 16 Jan 2012
- views: 3902
- author: bcoredisc
Moksha - Interface
- Order: Reorder
- Duration: 7:49
- Updated: 03 Apr 2013
Moksha w/ special guests horn section Peter Apfelbaum, Jeff Cressman and Bill Ortiz Performing 'Interface' at Hard Rock Cafe in Las Vegas. 1.15.11 www.moksha...
http://wn.com/Moksha_Interface
Moksha w/ special guests horn section Peter Apfelbaum, Jeff Cressman and Bill Ortiz Performing 'Interface' at Hard Rock Cafe in Las Vegas. 1.15.11 www.moksha...
- published: 27 Jan 2011
- views: 1821
- author: mokshatime
Moksha & Sun Festival @ The Rebirthe Of The Sun
- Order: Reorder
- Duration: 3:36
- Updated: 29 Jul 2013
Video - Amir yakoby & Idan sabah Edit - amir yakoby.
http://wn.com/Moksha_Sun_Festival_@_The_Rebirthe_Of_The_Sun
Video - Amir yakoby & Idan sabah Edit - amir yakoby.
- published: 23 Dec 2012
- views: 6685
- author: עדשה רחבה
sunset to sunset festival- moksha 2011
- Order: Reorder
- Duration: 11:31
- Updated: 17 Aug 2013
מוקשה - ראש השנה 2011, חוף גולן צילום ועריכה: יוני דגן.
http://wn.com/sunset_to_sunset_festival_moksha_2011
מוקשה - ראש השנה 2011, חוף גולן צילום ועריכה: יוני דגן.
- published: 10 Oct 2011
- views: 176395
- author: יוני דגן
PuriMoksha 2013 - Moksha Project
- Order: Reorder
- Duration: 6:15
- Updated: 05 Jun 2013
PURIM 2013 Moksha Project @T.I.P The Story.
http://wn.com/PuriMoksha_2013_Moksha_Project
PURIM 2013 Moksha Project @T.I.P The Story.
- published: 24 Feb 2013
- views: 7998
- author: andrey makarov
Moksha - Realizing No Birth No Death
- Order: Reorder
- Duration: 3:26
- Updated: 16 Aug 2013
Portion of a talk given by Guruji Swami Shree Yogi Satyam at Yog Fellowship Temple, Kitchener, Canada. Explains the true meaning of moksha (liberation) which...
http://wn.com/Moksha_Realizing_No_Birth_No_Death
Portion of a talk given by Guruji Swami Shree Yogi Satyam at Yog Fellowship Temple, Kitchener, Canada. Explains the true meaning of moksha (liberation) which...
- published: 07 Sep 2008
- views: 8174
- author: Meeramata .Satyam
MOKSHA - transgunner (Clip Officiel HD)
- Order: Reorder
- Duration: 4:07
- Updated: 22 Jul 2013
Réalisation : Anne-Laure Etienne (unspokenimage.tumblr.com) facebook.com/transgunner.
http://wn.com/MOKSHA_transgunner_Clip_Officiel_HD
Réalisation : Anne-Laure Etienne (unspokenimage.tumblr.com) facebook.com/transgunner.
- published: 11 Nov 2012
- views: 5394
- author: Transgunner
Moksha Movie Theatrical Trailer
- Order: Reorder
- Duration: 1:59
- Updated: 29 Jun 2013
Moksha telugu movie trailer,Moksha songs,Moksha promo,Moksha official trailer http://www.aishwaryafilms.com/ https://twitter.com/#!/theaishutv http://www.fac...
http://wn.com/Moksha_Movie_Theatrical_Trailer
Moksha telugu movie trailer,Moksha songs,Moksha promo,Moksha official trailer http://www.aishwaryafilms.com/ https://twitter.com/#!/theaishutv http://www.fac...
- published: 24 Jun 2013
- views: 3288
- author: myaishtv
![Cloud Rat - Moksha [2013] Full](http://web.archive.org./web/20131028022322im_/http://i.ytimg.com/vi/MVBoZw04LZs/default.jpg "Cloud Rat - Moksha [2013] Full")
Cloud Rat - Moksha [2013] Full
- Order: Reorder
- Duration: 29:06
- Updated: 14 Aug 2013
Cloud Rat Moksha [2013] Grindcore Halo Of Flies 00:00 Inkblot 02:10 Aroma 04:22 Corner Space 05:56 Olympia 06:54 Peer To Peer 08:10 Windowmaker 10:00 Infinit...
http://wn.com/Cloud_Rat__Moksha_2013_Full
Cloud Rat Moksha [2013] Grindcore Halo Of Flies 00:00 Inkblot 02:10 Aroma 04:22 Corner Space 05:56 Olympia 06:54 Peer To Peer 08:10 Windowmaker 10:00 Infinit...
- published: 11 Feb 2013
- views: 4787
- author: Vinod Karki
Moksha Project & S.U.N Festival Presents - The Rebirth of the Sun - 21-22/12/2012 - Omka vs. Huda G
- Order: Reorder
- Duration: 0:54
- Updated: 28 Jul 2013
Moksha Project & S.U.N Festival Presents: The Rebirth of the Sun - 21-22/12/2012 - 11 AM Location: The Dead Sea - Israel DJ's: Omka vs. Huda G.
http://wn.com/Moksha_Project_SUN_Festival_Presents_The_Rebirth_of_the_Sun_21-22_12_2012_Omka_vs_Huda_G
Moksha Project & S.U.N Festival Presents: The Rebirth of the Sun - 21-22/12/2012 - 11 AM Location: The Dead Sea - Israel DJ's: Omka vs. Huda G.
- published: 23 Dec 2012
- views: 14337
- author: Moksha Project
MOKSHA Remedy (New)
- Order: Reorder
- Duration: 4:11
- Updated: 18 Aug 2013
FREE DOWNLOAD: http://www.moksha.fr/free (Lyrics & Casting below) TWITTER: https://twitter.com/the_moksha FACEBOOK: http://www.facebook.com/Mokshaofficial L ...
http://wn.com/MOKSHA_Remedy_New
FREE DOWNLOAD: http://www.moksha.fr/free (Lyrics & Casting below) TWITTER: https://twitter.com/the_moksha FACEBOOK: http://www.facebook.com/Mokshaofficial L ...
- published: 12 Apr 2013
- views: 425177
- author: mokshaofficial
Moksha Project Presents - Purim 2012 - Against All Odds
- Order: Reorder
- Duration: 4:36
- Updated: 09 Jul 2013
Moksha Project Presents - Purim 2012 - Against All Odds @ The Israeli Desert - 9-10.3.2012 Available in 720p Lineup: Merkaba Double Dragon Lucas Tikal Xerox ...
http://wn.com/Moksha_Project_Presents_Purim_2012_Against_All_Odds
Moksha Project Presents - Purim 2012 - Against All Odds @ The Israeli Desert - 9-10.3.2012 Available in 720p Lineup: Merkaba Double Dragon Lucas Tikal Xerox ...
- published: 23 May 2012
- views: 22069
- author: Moksha Project
Moksha Project Presents - Shpongle Live Band Show in Israel - 25-26/11/2011
- Order: Reorder
- Duration: 11:27
- Updated: 10 Aug 2013
Official Clip************ Moksha Project Presents - Shpongle Live Band Show in Israel - 25-26/11/2011 ************Official Clip************ Enjoy...
http://wn.com/Moksha_Project_Presents_Shpongle_Live_Band_Show_in_Israel_25-26_11_2011
Official Clip************ Moksha Project Presents - Shpongle Live Band Show in Israel - 25-26/11/2011 ************Official Clip************ Enjoy...
- published: 31 Dec 2011
- views: 44798
- author: Moksha Project
OCS - Moksha
- Order: Reorder
- Duration: 4:16
- Updated: 01 Aug 2013
Omul Cu Sobolani Ne Punem In Cap L.P. - 2001.
http://wn.com/OCS_Moksha
Omul Cu Sobolani Ne Punem In Cap L.P. - 2001.
- published: 19 Mar 2011
- views: 26986
- author: OCSoficial
Moksha Mukti - Buddha at the Gas Pump Interview
- Order: Reorder
- Duration: 79:31
- Updated: 16 Aug 2013
Also see http://batgap.com/moksha-mukti/ This speaker known as Robin Pandey or being or energy whatever you want to call it, experienced something that is ex...
http://wn.com/Moksha_Mukti_Buddha_at_the_Gas_Pump_Interview
Also see http://batgap.com/moksha-mukti/ This speaker known as Robin Pandey or being or energy whatever you want to call it, experienced something that is ex...
- published: 08 Aug 2013
- views: 2156
- author: BuddhaAtTheGasPump
photo: Public Domain / Rob39
26 Oct 2013
After news broke Friday that the long-running show about three magical sisters would be returning as a CBS pilot, longtime star Alyssa Milano took to Twitter, expressing a lack of enthusiasm in the project. Milano, who played Phoebe Halliwell in the series, said it seemed to early for a Charmed reboot. “The thing about them doing a #charmed reboot is… it just… it feels like yesterday ... It feels too close ... ....(size: 2.5Kb)
photo: AP / Michel Euler
27 Oct 2013
The United States may have bugged German Chancellor Angela Merkel's phone for more than 10 years, according to a news report by the German magazine Der Spiegel. The report, released on Saturday, said that Merkel's mobile telephone had been listed by the NSA's Special Collection Service (SCS) since 2002, marked as "GE Chancellor Merkel", and was still on the list weeks before US President Barack Obama visited Berlin in June ... ....(size: 3.1Kb)
photo: White House / Pete Souza
26 Oct 2013
Article by WN.com Correspondent Dallas Darling. In Kenya, popular Muslim clerics were just gunned down by fundamental Islamists. In Somalia and Sudan, Al-Shabab, consisting of young Muslim jihadists, are battling other Muslims while trying to impose Islamic Law ... Throughout the same areas, Sunni and Shiite factions are in the midst of sectarian conflicts ... Meanwhile, U.S ... In Afghanistan, U.S.-NATO forces just killed five civilians ... 39 ... 51. ....(size: 6.2Kb)
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The Hindu
27 Oct 2013
This Diwali will light up the lives of widows at Vrindavan, ending decades of darkness and social apathy ... These aged widows have been abandoned by their families or have fled their inhospitable homes, to make Vrindavan their home — their last destination ... Dr ... In fact, I always think that widowhood is life imprisonment for these widows.” At Varanasi and Vrindavan, hundreds of widows lead an isolated life to attain moksha ....(size: 2.2Kb)
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The Times of India
27 Oct 2013
LUCKNOW. At least 1,000 widows of Vrindavan will celebrate Diwali this year after spending a major part of their lives in darkness and social apathy. This comes after the isolated widows celebrated Holi and then participated in Durga Puja at Kolkata this year ... They will also dine together ... In places like Varanasi and Vrindavan, hundreds of widows lead an isolated life to attain Moksha or salvation from the cycle of death and rebirth ... ....(size: 2.6Kb)
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The Times of India
27 Oct 2013
LUCKNOW. At least 1,000 widows of Vrindavan will celebrate Diwali this year after spending a major part of their lives in darkness and social apathy. This comes after the isolated widows celebrated Holi and then participated in Durga Puja at Kolkata this year ... They will also dine together ... In places like Varanasi and Vrindavan, hundreds of widows lead an isolated life to attain Moksha or salvation from the cycle of death and rebirth ... ....(size: 2.6Kb)
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Deccan Chronicle
20 Oct 2013
You do not have to spend a fortune on sporting that ecstatic Bollywood look nor splurge on designer clothes this festive season. All you can do is to match a nice pair of Meenakari jhumkas with a striking dupatta and add sparkle with a classic chiffon tunic ... Wile Moksha on Kamaraj Road offers you a good deal on kurtis and salwar suits, Pink Petals in Koramangala gives you a variety of anarkalis....(size: 2.5Kb)
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The Times of India
19 Oct 2013
Massages have been around for thousands of years ... Many patients come to me with chronic back and knee pain ... Rakhi Mahajan, Brand Director Ishana Nature Spa who herself suffers from juvenile arthritis says, "I take a session of the Moksha leg and foot massage almost every month ... Moksha leg and foot massage ... The Moksha leg and foot massage involves applying pressure on these reflex points that ensure gentle stimulation of nerve endings....(size: 5.3Kb)
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The Hindu
17 Oct 2013
The easy way to reach God’s feet is through total surrender, and this is known as saranagati. Those who resort to it are superior to those who resort to bhakti yoga, because in the case of bhakti yoga, there is a certain degree of self approval, for we think that it is our effort which will result in the goal sought after ... Saranagati is easy to follow, and moksha will definitely be granted to the one who surrenders ... Keywords....(size: 2.3Kb)
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The Examiner
17 Oct 2013
Hinduism’s relationship to Buddhism is closely akin to the Western example of Judaism and Christianity. Siddhartha Gautama was the real man who became to be known as the Buddha. Siddhartha was born in the year 563 BCE and died in 482 BCE more or less in the village Kapileswara in current day Nepal. He was a Kshatriya, the second highest caste in the Hindu caste system ... Buddhists call it Nirvana; Hindus call it Moksha ... ....(size: 2.7Kb)
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The Hindu
12 Oct 2013
Politico-historical factors notwithstanding, the present crisis is a conflict between “Science and Religion.” Conservatives of all colours and all items and nations have resisted scientific, social changes ... The democratic equality paradigm has undercut the very basis of exclusiveness ... In fact, all religions promise a safe heaven or paradise, liberation or moksha or nirvana but for their own flock ... Mrs ... Email ... Keywords....(size: 4.8Kb)
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The Times of India
10 Oct 2013
Restaurant review. The Spice Route ... It is a concept where food is just a bonus ... Decor ... The second one is further classified into Artha, Kama and Moksha which again depicts materialism followed by lovemaking positions and a moksha mural on the ceiling. A disturbing pattern of wooden beams never let you get a full view of the moksha mural, which is symbolic of the worldly hurdles before reaching a state of absolute well-being ... Veena Arora....(size: 8.9Kb)
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The Telegraph India
10 Oct 2013
For many years I have been away from Calcutta during Durga Puja ... In recent years in New York the internet has enabled two rituals I cherish ... the eternal, omnipresent, omniscient aadi shakti, the power behind creation, its maintenance and dissolution (you consume it at the end.) She gives life to all gods; she is all knowledge, the personification of the Vedas the path to moksha, the alleviator of sufferings....(size: 9.3Kb)
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The Hindu
03 Oct 2013
Those who are deep in meditating on God do not notice other things, and what is more, they do not feel pain. Their minds are not focused on the body, for they know that the body is different from their soul, and that it is the soul that really matters, not the body. An incident in the life of Sadasiva Brahmendra illustrates that gnanis do not feel pain ... Of what use is all this? Can any of these things grant us moksha?....(size: 2.0Kb)
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The Hindu
01 Oct 2013
Who can grant us moksha? Only the Supreme One can, and He has shown us in Rama and Krishna avatars that He does not turn away anyone who surrenders to Him. The one who can grant something must have the power to do so, and the Lord, who showed us various paths to reach Him and emphasised the efficacy of surrender as the easiest path to reach Him, is the One who has the power to grant us anything, including moksha....(size: 2.1Kb)
For other uses, see Moksha (disambiguation).
"Mukti" redirects here. For other uses, see Mukti (disambiguation).
In Indian religions moksha (Sanskrit: मोक्ष mokṣa; liberation) or mukti (Sanskrit: मुक्ति; release —both from the root muc "to let loose, let go") is the final extrication of the soul or consciousness (purusha) from samsara and the bringing to an end of all the suffering involved in being subject to the cycle of repeated death and rebirth (reincarnation).
Contents |
Origins[link]
It is highly probable that the concept of moksha was first developed by Indian people whose spiritual ideas greatly influenced later religious thought. Buddhism and Jainism are continuations of this tradition, and the early Upanishadic movement was influenced by it. Reincarnation was likely adopted from this religious culture by Brahmin orthodoxy. Brahmins wrote the earliest recorded scriptures containing these ideas in the early Upanishads.[1][2][3][4][5][6][7][8]
Hinduism[link]
All the works in Hindu Philosophy and all the saints till date , including the legendery God men like Ramakrishna Parama Hamsa of 19th century have declared and accepted, moksha or liberation or being One with God cannot be described by words or can be expressed in any means possible to others.. Just like if a sugar doll goes to find the depth of ocean, it will never comeback, it will be one with the Ocean the moment it steps in, Hence the Bramhan is the only thing in this world which remains pristine pure.
Moksha can only be experienced by one and himself alone can feel it.Though all agree, it is the form of ultimate and eternal joy or bliss.
There are three major views on moksha from traditional Vedanta philosophy.
Advaita[link]
According to Advaita Vedanta, the attainment of liberation coincides with the realization of the unreality of 'personal self in the psyche' [ego] and the simultaneous revelation of the 'Impersonal Self' as the ever-existent Truth Brahman, the source of all spiritual and phenomenal existence. The Neti Neti ("not this alone, not that alone") method of teaching is adopted. Between sentient Awareness and insentient matter is an illusion formed in the mind. Moksha is seen as a final release from this illusion when one's worldly conception of self is erased and there takes place a loosening of the shackle of experiential duality, accompanied by the realization of one's own fundamental nature: sat (true being), cit (pure consciousness), and ananda, an experience which is ineffable and beyond sensation (see satcitananda).[9] Advaita holds that Atman, Brahman, and Paramatman are all one and the same - the formless Nirguna Brahman which is beyond the being/non-being distinction, tangibility, and comprehension.
Dvaita/Vishistadvaita[link]
In Dvaita (dualism) and Vishistadvaita (qualified monism) schools of Vaishnava traditions, moksha is defined as the loving, eternal union with God (Ishvara) and considered the highest perfection of existence. The bhakta (devotee) attains the abode of the Supreme Lord in a perfected state but maintains his or her individual identity, with a spiritual form, personality, tastes, pastimes, and so on.
Achieving moksha[link]
In Hinduism, atma-jnana (self-realization) is the key to obtaining moksha. The Hindu is one who practices one or more forms of Yoga - Bhakti, Karma, Jnana, Raja - knowing that god is unlimited and exists in many different forms, both personal and impersonal.
There are believed to be four Yogas (disciplines) or margas (paths) for the attainment of moksha. These are: working for the Supreme (Karma Yoga), realizing the Supreme (Jnana Yoga), meditating on the Supreme (Raja Yoga) and serving the Supreme in loving devotion (Bhakti Yoga). Different schools of Hinduism place varying emphasis on one path or other, some of the most famous being the tantric and yogic practices developed in Hinduism.
Vedanta approaches are split between strict non-duality (advaita), non-duality with qualifications (such as vishishtadvaita), and duality (dvaita). The central means to moksha advocated in these three branches vary.
- Advaita Vedanta emphasizes Jnana Yoga as the ultimate means of achieving moksha, and other yogas (such as Bhakti Yoga) are means to the knowledge, by which moksha is achieved. It focuses on the knowledge of Brahman provided by traditional vedanta literature and the teachings of its founder, Adi Shankara. Though Advaitha philosophy existed from millinimums right from the vedanta, upinishads period and advocated by many saints like Sukha, Sanaka, Goudapada, Govinda Bhagvatpada, AdiShankara is the most famous and profound presenter of Advaitha philosophy. Hence is many times cited as founder of Advaitha.[10] Through discernment of the real and the unreal, the sadhak (practitioner) would unravel the maya and come to an understanding that the observable world is unreal and impermanent, and that consciousness is the only true existence. This intellectual understanding was moksha, this was atman and Brahman realized as the substance and void of existential duality. The impersonalist schools of Hinduism also worship various deities, but only as a means of coming to this understanding - both the worshiped and worshiper lose their individual identities.
- Non-dualist schools sees God as the most worshippable object of love, for example, a personified monotheistic conception of Shiva or Vishnu. Unlike Abrahamic traditions, Advaita/Hinduism does not prevent worship of other aspects of God, as they are all seen as rays from a single source. The concept is essentially of devotional service in love, since the ideal nature of being is seen as that of harmony, euphony, its manifest essence being love. By immersing oneself in the love of God, one's karmas (good or bad, regardless) slough off, one's illusions about beings decay and 'truth' is soon known and lived. Both the worshiped and worshiper gradually lose their illusory sense of separation and only One beyond all names remains.
One must achieve moksha on his or her own under the guidance of a Guru. A guru or a siddha inspires but does not intervene.
Components[link]
Paradise (svarga) is believed to be a place of temporal attractions to be avoided by the seeker to pursue the ultimate goal of union / yoking with God through Yoga. In fact, even acquiring intermediate spiritual powers (siddhis) is to be avoided as they can turn out to be stumbling blocks in the path towards ultimate liberation, mukti. The Bhagavad Gita says that it is impossible to get out of Moksha once achieved. The Blessed Lord states:
"Because you trust me, Arjuna, I will tell you what wisdom is, the secret of life: Know it and be free of suffering forever."—Bhagavad Gita, chapter 9, verse 1
Buddhism[link]
Main article: Nirvana
See also: Dukkha
In Buddhism the concept of liberation is Nirvana. It is referred to as "the highest happiness" and is the goal of the Theravada-Buddhist path, while in the Mahayana it is seen as a secondary effect of becoming a fully enlightened Buddha (Samyaksambuddha).
Jainism[link]
Main article: Moksa (Jainism)
In Jainism, moksa and nirvana are one and the same.[11][12] When a soul (atman) achieves moksa, it is released from the cycle of births and deaths, and achieves its pure self. It then becomes a siddha (literally means one who has accomplished his ultimate objective). Attaining Moksa requires annihilation of all karmas, good and bad, because if karma is left, it must bear fruit.
Sikhism[link]
The Sikh concept of mukti (moksha) is essentially that of jivan mukti, the one attainable in one’s lifetime itself. Sikhism rejects the idea of considering renunciation as the vesture of a jivan mukta. Contrast with it, for example, the Jain view according to which “The liberated persons… have to lead a mendicant’s life, for, otherwise, they cannot keep themselves free from karma” (G. N. Joshi: Atman and Mokhsa. Gujarat University, Ahmedabad, 1965, p. 260).
Jivan mukti itself brings one to the brink of videha mukti (incorporeal emancipation) which is freedom not from the present body, but from any corporeal state hereafter. It spells for the mukta a final cessation of the weals and woes of the cycle of birth-death-birth (janam-maran). This ultimate mukti is a continuation of jivan mukti, going on after the shedding away of the corporeal frame to the final absorption into the One Absolute—the blending of light with Light (joti jot samana).
The Sikh mukti is positive concept in two important ways. First it stands for the realization of the ultimate Reality, a real enlightenment (jnana). The mukta is not just free from this or that, he is the master of sense and self, fearless (nirbhai) and devoid of rancor (nirvair), upright yet humble, treating all creatures as if they were he himself, wanting nothing, clinging to nothing.
In Sikhism, one rises from the life of do’s and don'ts to that of perfection — a state of "at-one-ment" with the All-self. Secondly, the mukta is not just a friend for all, he even strives for their freedom as well. He no longer lives for himself, he lives for others.
'Mokh Dwar' in Sikhism
The concept of 'moksha' in Sikhism appears in the form of 'mokh dwar' in 'Japuji'. Guru Nanak says in Pauri 15 of Japuji, "manne paavae mokh dwar" which means that by reflecting on Lord's Name, one finds the door to salvation. 'Mokh dwar' or the door to salvation is the tenth invisible door in the body. This is also called 'band-khallaassi' (liberation from bondage) where in 'Pauri' 25 of 'Japuji', the Guru says, "Liberation from bondage (from the cycle of birth and death) is by the Will of the Lord". In 'Pauri' or step 4 of 'Japuji', the Guru says, "Nadri-Mokh-Dwar" which means that the door of salvation opens by His Grace. Noted Sikh scholar Dr. Harjinder Singh Majhail ( 2007: Pp. 105-106) writes in Chapter 5 entitled Glossary with Detailed Analysis of Concepts in Japuji in Japuji: the Gate Way of Liberation, "The nine doors of body open to the nether world. These nine doors are: two eyes, two ears,two nostrils, mouth, anus and the procreative organ. It is through these nine doors that our concentration spreads into the whole world. The tenth door which remains unmanifest, takes us to the highest of the high through the tenth door. Guru says in Sri Guru Granth Sahib (Page 1093), " By establishing the nine houses and a royal mansion above i.e. the tenth door of our body also called 'mokh dwar', the Lord comes to abide in his own mansion i.e. the tenth one." But it is regular practice in 'naam-simran' (meditation) which can help us to ascend to the highest one by opening the tenth door of our body which is the gate way of liberation. This tenth door can be opened if 'satguru' blesses us with 'naam-simran. We perform our 'simran' or meditation by Guru's Grace only and open tenth door of our body to obtain "band-khallaassi" or the 'moksha' (liberation from bondage of birth and death and attain ultimate oneness with the Lord. This way we get 'moksha' i.e. liberation from the bondage of birth and death to finally become one with our Creator.
See also[link]
References[link]
- ^ "This confirms that the doctrine of transmigration is non-aryan and was accepted by non-vedics like Ajivikism, Jainism and Buddhism. The Indo-aryans have borrowed the theory of re-birth after coming in contact with the aboriginal inhabitants of India. Certainly Jainism and non-vedics [..] accepted the doctrine of rebirth as supreme postulate or article of faith." Masih, page 37.}}
- ^ Karel Werner, The Longhaired Sage in The Yogi and the Mystic. Karel Werner, ed., Curzon Press, 1989, page 34. "Rahurkar speaks of them as belonging to two distinct 'cultural strands' ... Wayman also found evidence for two distinct approaches to the spiritual dimension in ancient India and calls them the traditions of 'truth and silence.' He traces them particularly in the older Upanishads, in early Buddhism, and in some later literature."
- ^ Gavin D. Flood (1996), An Introduction to Hinduism, Cambridge University - Press : UK ISBN 0-521-43878-0 - “The origin and doctrine of Karma and Sansara are obscure. These concepts were certainly circulating amongst sramanas, and Jainism and Buddhism developed specific and sophisticated ideas about the process of transmigration. It is very possible that the karmas and reincarnation entered the mainstream brahaminical thought from the sramana or the renouncer traditions.” Page 86.
- ^ Padmanabh S. Jaini 2001 “Collected Paper on Buddhist Studies” Motilal Banarsidass Publ 576 pages ISBN 81-208-1776-1: "Yajnavalkya’s reluctance and manner in expounding the doctrine of karma in the assembly of Janaka (a reluctance not shown on any other occasion) can perhaps be explained by the assumption that it was, like that of the transmigration of soul, of non-brahmanical origin. In view of the fact that this doctrine is emblazoned on almost every page of sramana scriptures, it is highly probable that it was derived from them." Page 51.
- ^ Govind Chandra Pande, (1994) Life and Thought of Sankaracarya, Motilal Banarsidass ISBN 81-208-1104-6 : Early Upanishad thinkers like Yajnavalkya were acquainted with the sramanic thinking and tried to incorporate these ideals of Karma, Samsara and Moksa into the vedic thought implying a disparagement of the vedic ritualism and recognising the mendicancy as an ideal. Page 135.
- ^ A History of Yoga By Vivian Worthington 1982 Routledge ISBN 0-7100-9258-X - "The Upanishads were like a breath of fresh air blowing through the stuffy corridors of power of the vedic brahminism. They were noticed by the Brahmin establishment because the yogis did not owe allegiance to any established religion or mode of thought.. So although, the Upanishads came to be noticed by Brahmin establishment, they were very largely saying what may well have been current among other sramanic groups at that time. It can be said that this atheistic doctrine was evidently very acceptable to the authors of Upanishads, who made use of many of its concepts." Page 27.
- ^ A History of Yoga By Vivian Worthington 1982 Routledge ISBN 0-7100-9258-X: "The idea of re-incarnation, so central to the older sramanic creeds is still new to many people throughout the world. The Aryans of the Vedic age knew nothing of it. When the Brahmins began to accept it, they declared it as a secret doctrine. […] It will be seen from this short account of Jains, that they had fully developed the ideas of karma and reincarnation very early in history. The earliest Upanishads were probably strongly influenced by their teachings. Jainism the religion, Samkhya the philosophy and yoga the way to self discipline and enlightenment dominated the spiritual life of Indian during the Dravidian times. They were to be overshadowed for over thousand years by the lower form of religion that was foisted on the local inhabitants by the invading Aryans, but in the end it was Sramanic disciplines that triumphed. They did so by surviving in their own right and by their ideas being fully adopted by the Brahmins who steadily modified their own vedic religion." Page 35.
- ^ "The sudden appearance of this theory [of karma] in a full-fledged form is likely to be due, as already pointed out, to an impact of the wandering muni-and-shramana-cult, coming down from the pre-Vedic non-Aryan time." Kashi Nath Upadhyaya, Early Buddhism and the Bhagavadgita. Motilal Banarsidass Publ., 1998, page 76.
- ^ Brodd, Jefferey (2003). World Religions. Winona, MN: Saint Mary's Press. ISBN 978-0-88489-725-5.
- ^ Anantanand Rambachan, The limits of scripture: Vivekananda's reinterpretation of the Vedas. University of Hawaii Press, 1994, pages 125, 124: [1].
- ^ Jaini, Padmanabh (2000). Collected Papers on Jaina Studies. Delhi: Motilal Banarsidass Publ.. ISBN 81-208-1691-9. : "Moksa and Nirvana are synonymous in Jainism". p.168
- ^ Michael Carrithers, Caroline Humphrey (1991) The Assembly of listeners: Jains in society Cambridge University Press. ISBN-0521365058: "Nirvana: A synonym for liberation, release, moksa." p.297
http://wn.com/Moksha
This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Moksha
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
| Arjun Rampal | |
|---|---|
 |
|
| Born | (1972-11-26) November 26, 1972 (age 39) Jabalpur, India |
| Residence | Mumbai, Maharashtra, India |
| Occupation | Model, Actor, Producer |
| Years active | 2001 – present |
| Spouse | Mehr Jesia (1998 - Present) |
Arjun Rampal (Hindi: अर्जुन रामपाल), (born 26 November 1972), is an Indian film actor who appears in Bollywood films, as well as a former fashion model. He made his acting debut in Pyaar Ishq Aur Mohabbat (2001). The film was a failure but Rampal was appreciated for his performance and received several awards for his work in the movie.
Rampal has established himself as one of the top movie stars of Bollywood through his performances in huge hits including Asambhav (2004), Vaada (2005), Don - The Chase Begins Again (2006), Om Shanti Om (2007), Rock On!! (2008), Housefull (2010), Raajneeti (2010) and Ra.One (2011)
Contents |
Early life[link]
Arjun Rampal was born in Jabalpur, Madhya Pradesh, India on 26 November 1972 to a Punjabi family from Delhi. His father’s name is Amarjeet Rampal and his mother’s name is Gwen Rampal. Arjun along with his sister attended the Kodaikanal International School situated at Palani Hills in Tamil Nadu. His mother was a teacher in the school at the time. Arjun went on to complete his Bachelor’s degree in Economics from Hindu College in Delhi.[1] Actress Kim Sharma is his cousin.[2]
Career[link]
2000s[link]
Rampal made his acting debut in Rajiv Rai's Pyaar Ishq Aur Mohabbat (2001) opposite Suniel Shetty, Aftab Shivdasani and Kirti Reddy. The film was a failure at the box office but Rampal was critically appreciated.[3] This established Rampal as a leading actor in the Indian film industry. He was nominated for the Filmfare Award for Best Male Debut and won the IIFA Award for Star Debut of the Year – Male and Screen Award for Most Promising Newcomer – Male. His next release Ashok Mehta's Moksha was actually his first film but was released after Pyaar Ishq Aur Mohabbat. Rampal was paired with famous actress Manisha Koirala in a lead role in Moksha. This film also flopped but Rampal received critical acclaim.[4] His last release of the year was Ashu Trikha's Deewaanapan, in which Rampal was paired with Dia Mirza.
Rampal's first release of 2002 was Vipul Amrutlal Shah's Aankhen, in which Rampal starred opposite major names including Amitabh Bachchan, Akshay Kumar, Sushmita Sen and Paresh Rawal. He played the role of a blind person, which earned him critical acclaim. His next release was Kundan Shah's Dil Hai Tumhaara opposite Rekha, Preity Zinta, Mahima Chaudhry and Jimmy Shergill. The film was a flop but its soundtrack was very successful.
In 2003, Rampal played a lead role in Naresh Malhotra's Dil Ka Rishta opposite Aishwarya Rai but the film was a failure at the box office. Rampal's next role was in Khalid Mohammed's Tehzeeb opposite Urmila Matondkar. Rampal played a Muslim in the film. The film was a critical success but Rampal's role went unnoticed.
Rampal's career was becoming a failure as his films were consecutively flopping but his talent got him a lead role in Rajiv Rai's action thriller Asambhav. It was Rampal's second project with Rai as the two had previously worked together in Rampal's debut movie Pyaar Ishq Aur Mohabbat. Rampal starred opposite Priyanka Chopra and played the role of an Indian commando Captain Aditya Arya. The film was entirely shot in Switzerland. The film was a flop but the movie was critically praised. However, Rampal's acting was not critically appreciated.[5] Asambhav was Rampal's only release of 2004.
Rampal's first release of 2005 was Satish Kaushik's Vaada, in which he played a lead role opposite Ameesha Patel and Zayed Khan. The film was a flop. Rampal's next release was Vikram Bhatt's multi-starrer Elaan. The film managed to do well and became an average-grosser at the box office. Rampal's third release of the year was Yakeen, in which Rampal was paired in a lead role with Priyanka Chopra for the second time. This film was also a failure. His final release of the year was Ek Ajnabee opposite Amitabh Bachchan, in which Rampal starred in his first negative role.
In 2006, Rampal continued his career with Humko Tumse Pyaar Hai opposite Bobby Deol and Ameesha Patel. This film was also a flop, thus continuing his career as a failure. His next appearance was in the multi-starrer anthology Darna Zaroori Hai. Rampal's career finally started to become successful after years of failure when he played the supporting role of Jasjit in Don - The Chase Begins Again, a remake of the 1978 movie Don. The role had been played by Pran in the original Don. Don - The Chase Begins Again starred Shahrukh Khan and Priyanka Chopra in lead roles and the movie became a huge hit.
Rampal's last release of 2006 was I See You, in which Rampal played a lead role opposite newcomer Vipasha Agarwal. Rampal co-produced the movie with his wife Mehr Jesia. The movie was shot entirely in London, England. Like his past movies, I See You was also a failure at the box office and received poor reviews.
In 2007, Rampal starred in a negative role in Om Shanti Om opposite Shahrukh Khan and the debuting Deepika Padukone. The movie was a super-hit and became the top grossing movie of the year. It was Rampal's biggest hit in his career and earned him critical acclaim for his villainous role. He was nominated for the Apsara Award for Best Actor in a Negative Role.
In 2008, Rampal starred in Rituparno Ghosh's English-language arthouse film The Last Lear, alongside Amitabh Bachchan and Preity Zinta. The film premiered at the Toronto International Film Festival and was received well at a number of other film festivals. Upon its theatrical release in India, Rampal got favourable reviews for his performance. Later that year, Rampal starred in Rock On!!, in which his role as the lead guitarist of the band was widely acclaimed, getting him several awards, including the IIFA Award for Best Supporting Actor, National Film Award for Best Supporting Actor and Filmfare Best Supporting Actor Award.[6] This brought wider success and acclaim to Rampal.
Rampal's only release of 2009 was Deepak Tijori's Fox, in which he starred opposite Sunny Deol, Sagarika Ghatge and Udita Goswami. The film was a flop.
2010s[link]
File:Arjun Rampal Ra.One.jpg
Arjun Rampal as the titular character in Ra.One (2011).
Rampal's first release of 2010 was Sajid Khan's comedy film Housefull, in which he starred in a supporting role. The film received negative reviews but became a huge hit at the box office. Rampal's next release was Prakash Jha's multi-starrer Raajneeti. Rampal received critical acclaim for his supporting role of Prithvi in the movie. He was nominated for the Filmfare Best Supporting Actor Award and won the IIFA Award for Best Supporting Actor, Zee Cine Award for Best Actor in a Supporting Role - Male and Apsara Award for Best Actor in a Supporting Role. His last release of the year was Siddharth Malhotra's We Are Family, in which he played a lead role opposite Kajol and Kareena Kapoor. It was an average grosser and Rampal's first successful movie that featured him in a lead role.
In 2011, Rampal starred in a negative role in Anubhav Sinha's Ra.One opposite Shahrukh Khan and Kareena Kapoor. Rampal played the title character. The movie became a successful film in India and overseas and received mixed reviews.[7]
In 2012, Arjun Rampal, in association with Percept Limited launched Lost Festival. Lost' is a music festival driven by culture, tradition & soul. [8]
Personal life[link]
Arjun Rampal married former Miss India and supermodel Mehr Jesia and they have two daughters, Mahikaa, born on 17 January 2002 and Myra, born June 2005. He was first spotted by Rohit Bal in a night club who went on to showcase him in his collections and Arjun stayed with him before making a move to Mumbai.
Awards and nominations[link]
Main article: List of awards and nominations received by Arjun Rampal
Filmography[link]
| Year | Film | Role | Notes |
|---|---|---|---|
| 2001 | Pyaar Ishq Aur Mohabbat | Gaurav Saxena | Nominated–Filmfare Award for Best Male Debut |
| 2001 | Moksha | Vikram Sehgal | |
| 2001 | Deewaanapan | Suraj Saxena | |
| 2002 | Aankhen | Arjun Verma | |
| 2002 | Dil Hai Tumhaara | Dev Khanna | |
| 2003 | Dil Ka Rishta | Samir | |
| 2003 | Tehzeeb | Salim Mirza | |
| 2004 | Asambhav | Captain Aadit Arya | |
| 2005 | Vaada | Rahul | |
| 2005 | Elaan | Arjun | |
| 2005 | Yakeen | Nikhil Oberoi | |
| 2005 | Ek Ajnabee | Shekhar Verma | |
| 2006 | Humko Tumse Pyaar Hai | Rohit | |
| 2006 | Darna Zaroori Hai | Kunal | |
| 2006 | Kabhi Alvida Naa Kehna | Jai | Cameo |
| 2006 | Don - The Chase Begins Again | Jasjeet | |
| 2006 | Alag | Kabir | |
| 2006 | I See You | Raj Jaiswal (British Raj) | |
| 2007 | Honeymoon Travels Pvt. Ltd. | Jignesh | Special appearance |
| 2007 | Om Shanti Om | Mukesh Mehra | |
| 2008 | The Last Lear | Siddharth | |
| 2008 | EMI | Ryan | |
| 2008 | Rock On!! | Joe Mascarenhas | National Film Award for Best Supporting Actor Filmfare Award for Best Supporting Actor |
| 2009 | Fox | Arjun Kapoor | |
| 2010 | Housefull | Major Krishna Rao | |
| 2010 | Raajneeti | Prithviraj Pratap | Nominated–Filmfare Award for Best Supporting Actor |
| 2010 | We Are Family | Aman | |
| 2011 | Ra.One | Ra.One | |
| 2011 | Rascals | Anthony | |
| 2012 | Heroine | Filming | |
| 2012 | Ishkq in Paris | Filming | |
| 2012 | Chakravyuh | S.P.Adil Khan | Filming [9] |
| 2012 | Amma 3D | Pre-Production Simultaneously shot into Telugu, Hindi, Tamil, and English Telugu Debut Tamil Debut English Debut |
|
| 2013 | The Legend of Kunal | Veera Kunal | Filming |
| 2013 | Zanjeer | Sher Khan | Filming[10] [11] Simultaneously shot into Hindi and Telugu[12][13] |
References[link]
- ^ "Bollywood Actor Arjun Rampal". http://www.bollywood-actors.in/arjun_rampal.php.
- ^ http://entertainment.oneindia.in/bollywood/chat/kim-sharma-chat-031007-2.html
- ^ Ajay Bhashyam. "Pyaar Ishq Aur Mohabbat Review". Full Hyderabad.com. http://www.fullhyderabad.com/profile/movies/447/2/pyaar-ishq-aur-mohabbat-movie-review. Retrieved 2012-03-04.
- ^ Alok Kumar. "Moksha Review". Planet Bollywood. http://www.planetbollywood.com/displayReview.php?id=041406055044. Retrieved 2012-03-04.
- ^ Pankaj Shukla. "Rajiv's First Non-Multi Starrer Is A Non-Starrer". SmasHits.com. http://ww.smashits.com/rajiv-s-first-non-multi-starrer-is-a-non-starter/movie-review-3731.html. Retrieved 2012-03-04.
- ^ "Worldwide Grossers (Figures in INR)". http://www.boxofficeindia.com/showProd.php?itemCat=131&catName=MjAwOA==&PHPSESSID=c57491f6bb68eb4b6d53fe0acf0bf999.
- ^ "All About Arjun Rampal". http://www.gomolo.in/People/People.aspx?pplid=2377.
- ^ Percept and Arjun Rampal join hands to launch the 'Lost'
- ^ Arjun turns cop for Prakash Jha’s Chakravyuh
- ^ "Zanjeer remake starts rolling". http://entertainment.oneindia.in/telugu/news/2012/racha-ram-charan-zanjeer-120412.html. Retrieved 14 April 2012.
- ^ "Arjun Rampal signs Zanjeer Remake". http://articles.timesofindia.indiatimes.com/2012-04-11/news-interviews/31324102_1_arjun-rampal-zanjeer-mission-istanbul. Retrieved 14 Arpil 2012.
- ^ http://www.mymegaheroes.in/2012/03/ram-charan-wants-to-dub-himself-for.html
- ^ http://www.youtube.com/watch?v=m2N1ULOduVo
External links[link]
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| Persondata | |
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| Name | Rampal, Arjun |
| Alternative names | |
| Short description | |
| Date of birth | 26 November 1972 |
| Place of birth | Jabalpur, India |
| Date of death | |
| Place of death | |
http://wn.com/Arjun_Rampal
This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Arjun_Rampal
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Lyrics: play full screen play karaoke
- Chandi Ki Deewar Na Todi - Mukesh
- Duniya Waalon Se Door - Mukesh
- Yaad Rahegi Pyaar - Mukesh
- Yeh Duniya Ek Numbari - Mukesh
- Yeh Mera Deewanapan Hai - Mukesh
- Hum Tumse Mohabbat Karke - Mukesh
- Gokul Ki Ek Naar Chhabeeli - Mukesh
- Chanchal Sheetal Nirmal Komal - Mukesh
- Pyaar Ka Fasana - Mukesh
- Main Toh Lut Gaya - Mukesh
- Khush Raho Har Khushi Hain Tumhare Liye - Mukesh
- Ye Shaher Bada Albela - Mukesh
- Paani Paani Re - Mukesh
- Mera Juta Hai Japaani - Mukesh
- Sataayegaa Kise Tuu Aasamaan - Mukesh
- O Mera Rang De Basanti Chola - Mukesh
- Piye Jaao Jiye Jaao - Mukesh
- Pyaar Mein Tumne Dhoka - Mukesh
- Kismat Mein Bichhadana - Mukesh
- Tumhaare Liye Huye Badnaam - Mukesh
- Tu Mahel Mein Rahenewaali - Mukesh
- Main Dhoondta Hoon Jin Ko - Mukesh
- Do Ankhiyaan Jhuki Jhuki Si - Mukesh
- Koi Jab Tumhara Hridaya Tod De - Mukesh
- Duniya Se Jaanewale - Mukesh
- Taubaa Yeh Matavaali Chaal - Mukesh
- Sabse Bada Nadaam Wohi - Mukesh
- Aaya Na Humko Pyar Jatana - Mukesh
- Dil Jalta Hai To Jalne De - Mukesh
- Pal Do Pal Ka Nata Hai - Mukesh
- Aansoo Bhari Hain Yeh Jeevan Ki Raahen - Mukesh
- Dilli Hai Dil Hindustaan Ka - Mukesh
- Naa Milte Ham Toh - Mukesh
- Dil Hi Bujha Hua Ho To Fasl E Bahaar Kya - Mukesh
- Chandan Sa Badan - Mukesh
- Tum Pyar Se Dekho - Mukesh
- Bhare Hain Aankh Mein Aansuu - Mukesh
- Hai Ye Zamin Hamaari - Mukesh
- Hum Ne Apna Sab Kuchh Khoya - Mukesh
- Har Dil Jo Pyar Karega - Mukesh
- Dost Dost Na Raha - Mukesh
- O Mehbooba - Mukesh
- Mere Man Ki Ganga - Mukesh
- Chal Akela Chal Akela - Mukesh
- Jis Dil Mein Basa - Mukesh
- Mera Pyar Bhi Tu Hai - Mukesh
- Husn E Jaana Idhar Aa - Mukesh
- Nain Dwaar Se Mann Mein Woh Aake - Mukesh
- Haan Deewana Hoon Main - Mukesh
- Sansaar Hai Ik Nadiya - Mukesh
Chandi Ki Deewar Na Todi
Pyar Bhara Dil Tod Diya
Ek Dhanwan Ki Beti Ne
Nirdhan Ka Daman Chhodh Diya
Chandi Ki Deewar...
Kal Tak Jisne Kasme Khai
Dukh Mein Saath Nibhane Ki
Aaj Woh Apne Sukh Ki Khatir
Ho Gayi Ek Begaane Ki
Shehnaiyon Ki Goonj Mein Dab Ke
Reh Gayi Aah Deewane Ki
Dhanwano Ne Deewane Ka
Gam Se Rishta Jod Diya
Ek Dhanwan Ki Beti Ne...
Woh Kya Samjhe Pyar Ko Jinka
Sab Kuch Chandi Sona Hai
Dhanwano Ki Is Duniya Mein
Dil To Ek Khilon Hai
Sadiyon Se Hi Toot Ta Aaya
Dil Ka Bas Yeh Rona Hai
Jab Tak Chaha Dil Se Khela
Aur Jab Chaha Tod Diya
Ek Dhanwan Ki Beti Ne ...
Duniya Waalon Se Door Jalnewaalon Se Door
Aaja Aaja Chalen Kahin Door ...Kahin Door...Kahin Door
Jo Pyar Ka Jahan Hai, Har Dil Pe Meharban Hai
Kuchh Aur Yeh Zameen Hai, Kuchh Aur Aasmaan Hai
Na Zulm Ka Nishan Hai , Na Gam Ki Dastaan Hai
Har Koi Jisko Samjhe Woh Pyar Ki Zubaan Hai
Duniya Waalon Se...
Ulfat Ki Raagini Mein Mastani Bekhudi Mein
So Jayange Do Dil Ulfat Ki Chandni Mein
Phir Kya Karegi Duniya, Jal Jal Maregi Duniya
Taaron Mein Do Sitare Dekha Karegi Duniya
Duniya Waalon Se...
Haathon Mein Haath Dale Khud Ko Bina Sambhale
Niklenge Hum Jidhar Se Ho Jayenge Ujaale
Chanda Kahega Haskar Seene Par Haath Rakhkar
Woh Ja Rahe Hain Dekho Do Pyar Karne Waale
Duniya Waalon Se...
Mu : Yaad Rahega Pyaar Ka Ye Rangeen Zamaana Yaad Rahega
La : Is Duniya Mein Chhoti Si Apani Duniya Basaana Yaad Rahega
Ho Yaad Rahega Pyaar ...
Mu : Ek Hain Ham Aur Ek Rahenge Sukh Mein Bhi Aur Dukh Mein Bhi
La : Jab Tak Hai Saanson Ka Bandhan Ye Bandhan Toote Na Kabhi
Mu : Janam Janam Ye Rasmein Nibhaane Ki Qasamein Khaana Yaad Rahega
Do : Ho Yaad Rahega Pyaar ...
La : Apane Jahaan Mein Madhur Haseen Ki Goonj Kabhi Na Maand Pade
Mu : Jo Bhi Qadam Badhata Hai Apana Ek Dooje Ki Or Badhe
La : Pyaar Mein Chhup Ke Do Saayon Ka Ek Ho Jaana Yaad Rahega
Do : Ho Yaad Rahega Pyaar ...
Kya Hai Mera Naam Na Poochho Gir Jaayenge Jaam Na Poochho
Kaun Hoon Main Ye Jaan Ke Sabako Lag Jaayegi Tharathari
Ye Duniya Ek Nambari To Main Das Nambari
Is Mahafil Mein Kis Par Kya Rang Chadha Sab Jaanoon
Kaun Chhupa Kis Bhesh Mein Pyaare Main Sabako Pahachaanoon
Kya Hai Mera Naam ...
Loot Ke Jisaka Ghar Baithe Ho Mahal Sajaaye Apana
Usaka Lahu Pukaar Raha Hai Yaar Bachoge Kitana
Zulm Hain Jitane Raat Aur Din
Ke Loonga Badale Sab Gin Gin
Are Bade Badon Ki Kar Di Tabeeyat Hari
Ye Duniya Ek Nambari ...
Part 2:
Kahat Kabeer Suno Bhai Saadho Baat Kahu Main Khari
Ye Duniya Ek Nambari To Main Das Nambari 2
Ek Nanbar Ka Haath Dikhaaya Jab Kah Ke Jay Kaali
Kitane Hi Sethon Ki Bhaari Jeben Ho Gaeen Khaali
Do Nambar Hai Aur Niraala Dekhoon Aur Khul Jaaye Taala
Ud Ke Jeb Mein A Jaaye Hare Not Ki Pari
Ye Duniya Ek Nambari ...
Nambar Teen Ka Chamatkaar Dekho Jab Phenkoon Patta
Sabaki Tabeeyat Karoon Saaf Dilli Ho Ya Kalakatta
Chauthe Ne Raah Gazab Ka Jhaansa Aap Kiya Dooje Ko Phaansa
Kabhi Kabhi To Pulis Ko Ulte Dikhalaaoon Hathakadi
Ye Duniya Ek Nambari ...
Paanchava Nambar Zulm Ka Dushman Main Dukhiyon Ka Saathi
Chhatha Desh Ke Gaddaaron Se Chheen Loon Ghar Ki Baati
Nambar Saath Kare Jo Danga Ek Haath Mein Kar Doon Changa
Langadi Tangadi Chhuree Kataari Sab Rah Jaayen Dhari
Ye Duniya Ek Nambari ...
Kala Aathaveen Ye Hai Ki Main Pyaar Se Milata Sabase
Pyaar Ki Kaatir Insaan Kya Hai Lad Jaaoon Main Rab Se
Navaan Jo Mile Mujhe Haseena Nau Din Tak Na Ruke Paseena
Aur Nambar Das Das
Likha Hai Ye To Har Thaane Mein Sifat Hai Kyaa Kya Deevaane Mein
Jitani Oongaliyaan In Haathon Mein Utani Jaadugari
Ye Duniya Ek Nambari ...
Dil Se Tujhko Bedili Hai
Mujhko Hai Dil Ka Guroor
Tu Yeh Maane Ya Na Maane
Log Maanenge Zaroor
Yeh Mera Deewanapan Hai
Ya Mohabbat Ka Suroor
Tu Na Pehchaane To Hai Yeh
Teri Nazron Ka Kusoor
Yeh Mera Deewanapan ...
Dil Ko Teri Hi Tamanna
Dil Ko Hai Tujhse Hi Pyar
Chaahe Tu Aaye Na Aaye
Hum Karenge Intezaar
Yeh Mera Deewanapan...
Aise Veerane Mein Ek Din
Ghut Ke Mar Jayenge Hum
Jitna Ji Chaahe Pukaro
Phir Nahin Aayenge Hum
Yeh Mera Deewanapan...
Hum Tumse Mohabbat Karke Sanam,
Duniya Ka Fasana Bhool Gaye
Aankhon Se Teri Ek Jam Piya
Phir Hosh Mein Aana Bhool Gaye
Jab Dekh Li Teri Mast Nazar
Maikhane Ka Rasta Chhodh Diya
Zulfon Pe Teri Jab Aankh Padhi
Sawan Ka Zamana Bhool Gaye
Aankhon Se Teri...
Aye Husn Teri Ulfat Ne Hamein
Pahuncha Diya Aisi Manzil Pe
Kadmon Pe Tere Ek Sajda Kiya
Phir Sar Ko Uthaana Bhool Gaye
Aankhon Se Teri...
Gokul Ki Ek Naar Chhabeeli
Jamuna Tat Par Aai Re
Gora Badan Aur Patali Kamariya
Chaal Chalat Ithalaai Re
Pag Paayal Ne Runu Jhunu Runu Jhunu
Meethe Sur Mein Gaai Re
Puravaiya Ne Chhed Ke Saadi
Sar Se Kuch Sarakaai Re
Choti Khul Ke Laharaai Hai
Jyoon Naagan Balakhaai Re
It Ut Dhoondhe Apane Pi Ko
Sudh Budh Kuch Bisaraai Re
Maano Raadhe Prem Ki Moorat
Dhoondhe Krishna Kanhaai Re
Chanchal Sheetal Nirmal Komal Sangeet Ki Devi Svar Sajani 2
Sundarata Ki Har Pratima Se Badhakar Hai Tu Sundar Sajani
Chanchal Sheetal ...
Kahate Hain Jahaan Na Ravi Pahunche Kahate Hain Vahaan Par Kavi Pahunche
Tere Rang Roop Ki Chhaaya Tak Na Ravi Pahunche Na Kavi Pahunche
Main Chhoone Lagoon Tu Ud Jaaye Pariyon Se Tere Par Sajani
Chanchal Sheetal ...
Cho : Aa Aa Aa Aa Aa Hn
Tere Rasavanti Honthon Ka Main Geet Koi Ban Jaaoonga
Saragam Ke Phoolon Se Tere Sapanon Ki Sej Sajaaoonga
Doli Mein Baith Ke Aayegi Jab Tu Saajan Ke Ghar Sajani
Chanchal Sheetal ...
Aisa Lagata Hai Toot Gae Sab Taare
Gore Gore Ik Chanda Se Rangeen Badan Se Lipat Gae
Cho : O
Mu : Banakar Nath Kangan Karadhaniya Ghungharu Jhumake Jhoomar Sajani
Mu, Cho : Chanchal Sheetal ...
Cho : Chanchal Sheetal Nirmal Komal
Mu : Sangeet Ki Devi Svar Sajani 2
Mu : Pyaar Ka Fasaana Bana Le Dil Deewaana 2
Kuch Tum Kaho Kuch Ham Kahen 2
La : Pyaar Ka Fasaana ...
Mu ; Aisa Na Ho Baagon Se Bahaar Chali Jaaye
Kalee Kali Ho Ke Beqaraar Chali Jaaye
Aisi Rut Bina Kie Pyaar Chali Jaaye
Isiiliye To Kaha Hai
La : Pyaar Ka Fasaana ...
Mu : Chhoti Si Hai Aaj Ki Hamaari Mulaaqaat
La : Han Han
Mu : Ye Na Ho Ki Ji Mein Rah Jaaye Ji Ki Baat
Jaane Phir Kab Koi Dekhe Hamein Saath
Isiiliye To Kaha Hai
La : Pyaar Ka Fasaana ...
Aji O Taash Ke Baawan
Patte Panje Chhakke Satte
Sab Ke Sab Harjaai Main To Lut Gaya
(Main To Lut Gaya Raam Duhaai) 2
Taash Ke Baavan ...
Daan Yateemon Ko Deta To
Daani Main Kahalaata
(Khush Ho Jaati Biwi Jo
Uske Gahane Banawata) 2
Maine Kaagaz Ki Begam
Se Kaahe Aankh Ladaai
Main To Lut Gaya ...
Apne Dil Ka Chain Bhi
Haara Aur Daulat Bhi Haari
(Maalik Ne Insaan Banaya
Main Ban Gaya Juaari) 2
Gali Gali Mein Ho Gayi
Yaaron Aaj Meri Rusawaai
Main To Lut Gaya ...
Khush Raho, Har Khushee Hain Tumhaare Liye
Chhod Do Aansooon Ko Humaare Liye
Kyon Udaasee Kee Tasaweer Banakar Khade
Gam Uthhaane Ko Duniyaan Mein Hum To Pade
Muskuraane Ke Din Hain, Naa Aahen Bharo
Mere Hote Naa Khud Ko Pareshaan Karo
Bijalee Chamake Tumhen Dar Kee Kyaa Baat Hain
Roshanee Kee Yahee To Shuruwaat Hain
Tootanee Hain Jo Bijalee Meraa Sar To Hain
Jo Andhere Hain Beghar, Meraa Ghar To Hain
Tum Bahaaron Se Shikawaa Naa Karanaa Kabhee
De Do Kaante Humein Fool Le Lo Sabhee
Fool Koee Kuchal Jaaye Jab Bhool Mein
Soch Lenaa Ke Hum Mil Chooke Dhool Mein
Namaste
(Ye Shahar Bada Alabela
Har Taraf Hasinon Ka Mela) 2
(Par Aur Bhi Hai Kuchh Aage
Tu Chala Chal Akela) 2
(Singaapor) 3
Javaan Shahar Yeh Dilavaalon Ka
Hamaare Jaise Matavaalon Ka
Gale Mile Sab Yahaan Pe Aakar
Nahin Bhed Gore Kaalon Ka
Niyummaa Ye Shahar Bada...
(Singaapor) 3
Yeh Muskaraati Natakhat Gudiyaan
Yeh Husn Vaali Mithi Chhuriyaan
Zara Der Ko Sab Chakaraaen
Kahaan Se Aain Itani Pariyaan
Namaste Ye Shahar Bada...
(Singaapor) 3
Jidhar Se Guzare Ham Masti Men
Bahaar Aai Us Basti Men
Chalen Pyaar Ke Naghamen Gaate
Hai Ghar Kisi Dil Ki Dilli Men
Niyummaa Ye Shahar Bada...
(Singaapor) 3
Paani Re Paani Tera Rang Kaisa
Jisamein Mila Do Lage Us Jaisa
Paani Re Paani O Paani Paani Re Paani O
Is Duniya Mein Jeene Vaale Aise Bhi Hain Jeete
Rookhee Suukhi Khaate Hain Aur Thanda Paani Peete
Is Duniya Mein ...
Tere Ek Hi Ghoont Se Milata Jannat Ka Aaraam
Paani Re
Bhookhe Ki Bhookh Aur Pyaas Jaisa
Paani Re Paani ...
O Paani Paani Re Paani O O
O O O Ho Ho Ho
Ganga Se Jab Mile To Banata Gangaajal Tu Paavan
Baadal Se Tu Mile To Rimajhim Rimajhim Barase Saavan
Saavan Aaya Saavan Aaya
Saavan Aaya Saavan Aaya Rimajhim Barase Paani
( Aag Si Odhakar Aag Pahanakar ) 2 Pighali Jaaye Javaani
Kaheen Pe Dekho Chhat Tapakati Jeena Hua Haraam
Paani Re Paani ...
Duniya Banaane Vaale Rab Jaisa
Paani Re Paani ...
O Paani Paani Re Paani O O
Vaise To Har Rang Mein Tera Jalava Rang Jamaaye
Jab Tu Phire Ummeedon Par Tera Rang Samajh Na Aaye
Kali Khile To Jhat A Jaaye Patajhad Ka Paigaam
Paani Re Paani ...
Sau Saal Jeene Ki Ummeedon Jaisa
O Paani O
Paani Re Paani ...
Paani Re Paani
O Paani Paani Re Paani O
Mera Juta Hai Jaapaani, Ye Patalun Ingalistaani
Sar Pe Laal Topi Rusi, Phir Bhi Dil Hai Hindustaani
Mera Juta Hai...
Nikal Pade Hain Khuli Sadak Par
(Apana Seena Taane) 2
Manzil Kahaan Kahaan Rukana Hai
(Upar Vaala Jaane) 2
Badhate Jaayen Ham Sailaani, Jaise Ek Dariya Toofaani
Sar Pe Laal Topi Rusi, Phir Bhi Dil Hai Hindustaani
Mera Juta Hai...
Upar Niche Niche Upar
(Lahar Chale Jivan Ki) 2
Naadaan Hain Jo Baith Kinaare
(Puchhen Raah Vatan Ki) 2
Chalana Jivan Ki Kahaani, Rukana Maut Ki Nishaani
Sar Pe Laal Topi Rusi, Phir Bhi Dil Hai Hindustaani
Mera Juta Hai...
Honge Raaje Raajakunvar Ham
(Bigade Dil Shahazaade) 2
Ham Sinhaasan Par Ja Baithe
(Jab Jab Karen Iraade) 2
Surat Hai Jaani Pahachaani, Duniya Vaalon Ko Hairaani
Sar Pe Laal Topi Rusi, Phir Bhi Dil Hai Hindustaani
Mera Juta Hai...
Sataayegaa Kise Tuu Aasamaan Jab Ham Nahin Honge
Diye Hain Tuune Aise Gam Kabhi Jo Kam Nahin Honge
(Sitaare Tuutane Se Aasamaan Kaa Kyaa Bigadataa Hai,
Aasamaan Kaa Kyaa Bigadataa Hai) 2
Kami Kyaa Hogi Duniyaa Mein Agar Ik Ham Nahin Honge
Sataayegaa
(Hain Jab Tak Ham Tabhi Tak Dushmani Hai Ham Se Duniyaa Ko,
Dushmani Hai Ham Se Duniyaa Ko) 2
Yahi Duniyaa Hamen Dhuundhegi Ham Jis Dam Nahin Honge
Sataayegaa
O Mera Rang De Basanti Chola Mera Rang De Hai
O Mera Rang De Basanti Chola Oye Rang Besamaan Hai
Basanti Chola Maai Rang De Basanti Chola (2)
Mera Rang De Basanti Chola
Dam Nikale Is Desh Ki Khaatir Bas Itna Armaan Hai (2)
Ek Baar Is Raah Mein Marna Sau Janmon Ke Samaan Hai
Dekh Ke Veeron Ki Qurabaani Apna Dil Bhi Bola
Mera Rang De Basanti Chola
O Mera Rang De Basanti Chola Mera Rang De
O Mera Rang De Basanti Chola Oy Rang De Basanti Chola
Maai Rang De Basanti Chola
Jis Chole Ko Pahan Shivaaji Khele Apni Jaan Pe
Jise Pehan Jhaansi Ki Raani Mit Gayi Apni Aan Pe
Aaj Usi Ko Pehan Ke Nikla Pehan Ke Nikala
Aaj Usi Ko Pehan Ke Nikla Ham Mastano Ka Tola
Mera Rang De Basanti Chola
O Mera Rang De Basanti Chola Mera Rang De
O Mera Rang De Basanti Chola Oy Rang De
Basanti Chola Maai Rang De Basanti Chola (2)
(Piye Jaao Jiye Jaao) 2 Na Jit Apani Na Haar Apani
Mujhe Kaanton Men Rahane Do Sambhaalo Tum Bahaar Apani
Piye Jaao Jiye Jaao
Manzil Bhuule Chalate Chalate Raakh Udaa Di Apani Jalate Jalate
Aage Pichhe Yaad Kaa Saayaa Apanaa Paraayaa Koi Saath Na Aayaa
Pyaar Ki Raahen Suuni Raahen Kaun Sunegaa Pukaar Apani
Piye Jaao Jiye Jaao
Saathi Bichhade Gulashan Chhuutaa Haath Men Aate Aate Daaman Chhuutaa
Ulati Sidhi Baat Na Puuchho Dharm Na Dekho Meraa Jaat Na Puuchho
Ishq Kaa Mazahab Sabako Taare Aise Ye Duniyaa Sanvaar Apani
Piye Jaao Jiye Jaao
Paayaa Kyaa Hai Honaa Kyaa Hai Luut Le Jo Bhi Chaahe Ronaa Kyaa Hai
Apanaa Koi Saathi Nahin Hai Haath Men Tere Unakaa Haath Nahin Hai
Tuu Bhi Akelaa Dil Bhi Tanahaa Raat Kahin Bhi Guzaar Apani
Piye Jaao Jiye Jaao
Mukesh:
Pyaar Mein Tumne Dhoka Sikha Ye To Bataao Kaise
Shamshad:
Oye Phool Se Ek Bhanware Ko Uda Kar, Meine Kaha Ki Aise
Mukesh:
Dil Ka Jalaana Sikha Tumne,Ye To Bataao Kaise
Shamshad:
Shamm' A Pe Jalata Tha Parwaana, Mein Ne Kaha Ki Aise
Mukesh:
Eji Pyaar Mein Tum Ne........
Mukesh:
Tum Hansate Ho, Hum Rote Hai,Zulm Ye Sikha Kaise
Shamshad:
Hanse Phool Aur Roye Shabnam, Meine Kaha Ke Aise
Mukesh:
Eji Pyaar Mein Tum Ne........
Mukesh:
Pyaar Sikha Kar Chhupana Sikha Ye To Bataao Kaise
Shamshad:
Jhalak Dikhaa Kar Chhup Gaee Bijali, Meine Kaha Ki Aise
Mukesh:
Eji Pyaar Mein Tum Ne........
Mukesh:
Kismat Mein Bichhadnaa Tha, Huyi Kyon Un Se Mulaaqaat Re
Geeta:
Na Rooth Ke Mujhse Jaa, Ke Mera Dil Nahin Mere Haath Re
Mukesh:
Kismat Mein Bichhadnaa Tha, Huyi Kyon Un Se Mulaaqaat Re
Geeta:
Tu Koun Hai Ye Maaloom Nahin 2
Phir Dil Kyon Tujhe Bulaata Hai
Taqdeer Ne Chhoda Saath, Magar
Tu Chhod Na Mera Saath Re
Mukesh:
Kismat Mein Bichhadnaa Tha, Huyi Kyon Un Se Mulaaqaat Re
Mukesh:
Mein Apana Sab Kuchh Kho Baitha 2
Kya Pyaar Men Tera Bigada Re
Geeta:
Tu Aa Ke Dekh Ek Baar,Hai Meri
Aankhon Me Barsaat Re
Mukesh:
Kismat Mein Bichhadnaa Tha, Huyi Kyon Un Se Mulaaqaat Re
Mukesh:
Yaad Aa Ke Na Rastaa Rok Mera 2
Mujhe Jaane De, Mujhe Jaane De
Geeta:
Ek Baar Lout Ke Aa, Thaam Le
Aa Kar Mera Haath Re
Mukesh:
Kismat Mein Bichhadnaa Tha, Huyi Kyon Un Se Mulaaqaat Re
Mukesh:
Tumhaare Liye Huye Badnaam
Na Bhoole Phir Bhi Tumhaara Naam
Tum Jaano Ya Na Jaano
Tumhaari Marazi,Tumhaari Marazi
Shamshad:
O...O...O...
Jaao Ji Jaao Aaye Bade
Muhobbat Karnewaale,Muhobbat Karnewaale
Hamen Chhod Kar Bich Nadi Men
Paar Utar Ne Waale, Paar Utar Ne Waale
Mukesh:
Chaahe Laakh Do Ilzaam
Ham To Kab Se Bane Ghulaam
Tum Maano Ya Na Maano
Tumhaari Marazi,Tumhaari Marazi
Shamshad:
Tum Pardesi ,Pardesi
Tum Pardesi, Tum Harjaaee,Phir Kya Ham Se Mel
Jaao Jaa Kar Aur Kisi Se Khelo Pyaar Ka Khel
Mukesh:
Hmein Auron Se Kya Kaam
Tumhaare Bina Nahin Aaraam
Tum Maano Ya Na Maano
Tumhaari Marazi,Tumhaari Marazi
Shamshad:
O...O...O...
Tum Bhi Zara Jalane Ka Maza Lo
Hamein Jalaane Waale, Hamein Jalaane Waale
Ham Kya Jaane Koun Ho Tum,
O Hamein Manaane Waale, Hamein Manaane Waale
Mukesh:
Ham To Aayenge Subah O Shaam
Ham To Karenge Roz Salaam
Pehchaano Na Pehchaano
Tumhaari Marazi,Tumhaari Marazi
Tumhaare Liye Huye Badnaam..........
Mukesh:
Tu Mahel Men Rahenewaali,
Mein Kutiyaa Men Rahenewaala,
Phir Tera Mera Pyaar Kya
Phir Tera Mera Pyaar Kya
Tu Aasmaan Ka Taara, 2
Mein Ek Zarra Bechaara,
Bataa Phir Tera Mera Pyaar Kya
Phir Tera Mera Pyaar Kya
Shamshad:
O...O...O..
Mere Dil Men Pyaar Ki Aag Piya Haay Lagi Rahi 2
Lagi Rahi 3
Mein Khol Ke Khidaki Mahel Ki Haay Re
Khadi Rahi 3
Mukesh:
Tu Hansti Khadi Us Par 2
Meri Naav Bich Majhadhaar
Bataa Phir Tera Mera Pyaar Kya
Phir Tera Mera Pyaar Kya
Shamshad:
O...O...O..
Teri Mithi Mithi Yaad Mere Dil Men Haay E Haay
Aati Rahi 3
Meri Bhigi Bhigi Ankhiyon Se Nindiyaa Haay E Haay
Jaati Rahi 3
Mukesh:
Teri Jhoothi Hai Har Baat 2
Tu Chhod Gayee Mera Saath,
Bataa Phir Tera Mera Pyaar Kya
Phir Tera Mera Pyaar Kya
Shamshad:
Jab Rim Jhim,Rim Jhim,Rim Jhim 2
Barkhaa Haay E Haay
Hoti Rahi 3
Mein Saawan Ke Baadlon Ke Sang Sang Haay Re
Roti Rahi 3
Mukesh:
Tu Khel Samajh Kar Roti 2
Tere Aansoo Mahel Ke Moti 2
Bataa Phir Tera Mera Pyaar Kya
Mukesh:
Tu Mahel Men Rahenewaali,
Mein Kutiyaa Men Rahenewaala,
Phir Tera Mera Pyaar Kya
Phir Tera Mera Pyaar Kya
Main Dhoondhataa Hoon Jin Ko Raaton Ko Khayaalon Mein
Wo Muz Ko Mil Sake Naa Subah Ke Ujaalon Mein
Suhaanee Pyaar Kee Baaten, Mere Diladaar Kee Baaten
Kabhee Ikaraar Kee Baaten, Kabhee Inkaar Kee Baaten
Yek Dard Saa Chhupaa Hain, Dil Ke Haseen Chhaalon Mein
Jo Yoon Barabaad Hote Hain, Wo Kab Aabaad Hote Hain ?
Dila Ye Naashaad Hote Hain, Wo Yek Farayaad Hote Hain
Ulazaa Huaa Hoon Kab Se, Gam Ke Ajeeb Jaalon Mein
Mukesh:
Do Ankhiyaan Jhuki Jhuki Si 2
Kaliyon Se Naazuk Honthon Par Kavitaa Ruki Ruki Si
Do Ankhiyaan Jhuki
Sharamaati Palakon Mein Sapane Jab Aankh Michauli Khelein
Laharaati Zulfen Mukhade Ko Saaye Mein Jab Le Lein
Ik Kushbuu Udi Udi Si
Do Ankhiyaan Jhuki
Lata:
Mere Dil Ki Kaamoshi Mein Halachal Kaun Machaaye
Ik Dhundhali Si Tasvir Bane Aur Banakar Mit Jaaye
Ik Hasarat Dabi Dabi Si
Mukesh:
Do Ankhiyaan Jhuki
Ek Pal Laage Apani Apani Aur Duje Pal Begaani
Kuchh Anjaani Si Surat Hai Kuchh Jaani Pahachaani
Paas Aakar Chhupi Chhupi Si
Do Ankhiyaan Jhuki
Koee Jab Tumhaaraa Hriaday Tod De
Tadapataa Huaa Jab Koee Chhod De
Tab Tum Mere Paas Aanaa Pirye
Meraa Dar Khulaa Hai, Khulaa Hee Rahegaa, Tumhaare Liye
Abhee Tum Ko Meree Jarurat Nahee, Bahot Chaahanewaale Mil Jaayenge
Abhee Rup Kaa Yek Saagar Ho Tum Kanwal Jitane Chaahogee Khil Jaayenge
Darpan Tumhe Jab Daraane Lage, Jawaanee Bhee Daaman Chhoodaane Lage
Tab Tum Mere Paas Aanaa Pirye
Meraa Sar Zukaa Hai, Zukaa Hain Rahegaa, Tumhaare Liye
Koee Sharta Hotee Naheen Pyaar Me, Magar Pyaar Sharton Pe Tum Ne Kiyaa
Najar Mein Sitaare Jo Chamake Jaraa, Buzaane Lagee Aaratee Kaa Diyaa
Jab Apanee Najar Mein Hee Girane Lago, Andhero Mein Apane Hee Ghirane Lago
Tab Tum Mere Paas Aanaa Pirye
Ye Deepak Jalaa Hai, Jalaa Hee Rahegaa Tumhaare Liye
Duniyaan Se Jaanewaale, Jaane Chale Jaataa Hain Kahaa
Kaise Dhoondhe Koee Un Ko, Nahee Kadamon Ke Bhee Nishaan
Jaane Hain Wo Kaun Nagareeyaa, Aaye Jaaye Khat Naa Khabareeyaan
Aaye Jab Jab Un Kee Yaaden, Aaye Hothhon Pe Farayaade
Jaa Ke Fir Naa Aanewaale, Jaane Chale Jaate Hain Kahaa
Mere Bichhade Jeewan Saathee, Saathee Jaise Dipak Baatee
Muz Se Bichhad Gaye Tum Ayese, Saawan Ke Jaate Hee Jaise
Ud Ke Baadal Kaale Kaale, Jaane Chale Jaate Hain Kahaa
Taubaa Ye Matavaali Chaal
Jhuk Jaae Phuulon Ki Daal
Chaand Aur Suuraj Aakar Maangen
Tujhase Rang E Jamaal
Hasinaa! Teri Misaal Kahaan
Sitam Ye Adaaon Ki Raanaaiyaan Hain
Qayaamat Hai Kyaa Teri Angadaaiyaan Hain
Bahaar E Chaman Ho, Ghataa Ho Dhanak Ho
Yeh Sab Teri Suurat Ki Parachhaiyaan Hain
Ke Tan Se, Udataa Gulaal Kahaan
Hoon Main Bhi Divaanon Kaa Ik Shahazaadaa
Tujhe Dekhakar, Ho Gayaa Kuchh Zyaadaa
Khudaa Ke Lie Mat Buraa Maan Jaanaa
Yeh Lab Chhuu Liye Hain, Yuun Hi Be Iraadaa
Nashe Men Itanaa Kayaal Kahaan
Yehi Dil Men Hai Tere Nazadik Aa Ke
Miluun Tere Palakon Pe Palake Jhukaa Ke
Jo Tujh Saa Hasin Saamane Ho To Kaise
Chalaa Jaauun Pahaluu Men Dil Ko Dabaa Ke
Ki Meri Itani Majaal Kahaan
Sabse Bada Naadaan Wohi
Hai Jo Samjhe Naadaan Mujhe
Sabse Bada Naadaan Wohi
Hai Jo Samjhe Naadaan Mujhe
Kaun Kaun Kitne Pani Mein
Sabki Hai Pehchaan Mujhe
Sabse Bada Naadaan Wohi
Hai Jo Samjhe Naadaan Mujhe
Kaun Kaun Kitne Pani Mein
Sabki Hai Pehchaan Mujhe
Sabse Bada Naadaan Wohi Hai
Daulat Hai Tere Kadmon Mein
Kismat Hain Tere Hathon Mein
Khushiyan Hai Teri Palkon Mein
Masti Hain Teri Aankhon Mein
Sab Kuchh Tujhko Malik Ne Diya
Mein Tujhko Kya De Sakta Hoooon
Ek Roop Ko Bhent Ki Rishwat Se
Na Lagta Hai Apmaan Mujhe
Kaun Kaun Kitni Pani Mein
Sabki Hai Pehchaan Mujhe
Sabse Bada Naadaan Wohi Hai
Koi Shaan Ki Khatir Paise Ko
Pani Ki Tarah Bahaata Hai
Kahin Bin Kimat Malik Ka Diya
Pani Paise Se Bikta Hai
Is Sabha Ke Sunder Cehron Se
Raunak To Badhti Hai Lekin
Raunak Wale Chehron Ke
Pichhe Mile Hain Dil Sunsaan Mujhe
Kaun Kaun Kitni Pani Mein
Sabki Hai Pehchaan Mujhe
Sabse Bada Naadaan Wohi Hai
Dharam Karam Sabhita Mariyada
Nazar Na Aai Mujhe Kahin
Geeta Gyaan Ki Baatein
Dekho Aaj Kisi Ko Yaad Nahin
Maaf Mujhe Kar Dena Bhaiyon
Jhuthh Nahi Main Bolungaa
Wohi Kahoonga Aap Se Jo
Geeta Se Mila Hai Gyaan Mujhe
Kaun Kaun Kitni Pani Mein
Sabki Hai Pehchaan Mujhe
Sabse Bada Naadaan Wohi
Hai Jo Samjhe Naadaan Mujhe
Kaun Kaun Kitne Pani Mein
Sabki Hai Pehchaan Mujhe
Sabse Bada Naadaan Wohi Hai
Aaya Na Humko Pyar Jatana
Pyar Kabhi Se Tujhe Karte Hain
Bhola Pan Tera Bha Gaya Humko
Saadgi Par Teri Marte Hain
Jisne Hamare Dil Ko Samjha
Woh Ek Tera Hi Dil Hai
Tera Aanchal Bas
Apni Yahi To Manzil Hai
Bhola Pan Tera ...
Surat Acchi Sirat Acchi
Tu To Ek Hai Lakhon Mein
Khud Pe Bharosa Badh Jaata Hai
Jab Tere Saath Gujarte Hain
Bhola Pan Tera ...
Ek Hi Jeevan Mein To Dil Ki
Pyaas Bujha Nahin Payenge
Tujko Phir Paane Ke Liye
Hum Aagle Janam Mein Aayange
Pyar Amar Hai Amar Hi Rahega
Marne Wale Insaan Marte Hain
Bhola Pan Tera ...
Dil Jalata Hai To Jalane De
Aansu Na Baha Fariyaad Na Kar
Dil Jalata Hai To Jalane De
Tu Parada Nasheen Ka Aashiq Hai
Yoon Naam E Vafa Barabaad Na Kar
Dil Jalata Hai To Jalane De
Maasoom Najar Ke Teer Chala
Bismil Ko Bismil Aur Bana
Ab Sharm O Haya Ke Parade Mein
Yoon Chhup Chhup Ke Bedaad Na Kar
Dil Jalata Hai To Jalane De
Ham Aas Lagaaye Baithe Hain
Tum Vada Karake Bhool Gaye
Ya Soorat Aake Dikha Jaao
Ya Kaha Do Hamako Yaad Na Kar
Dil Jalata Hai, Dil Jalata Hai, Dil Jalata Hai ...
Saath Kisiike Koi Kab Aata Hai
Saath Kisiike Kab Jaata Hai
Pal Do Pal Ka Saath Sabhi Ka
Pal Do Pal Ka Naata Hai
Kachche Ghade Jaisi Ye Duniya
Paar Kisi Ko Taare Kya
Khud Hi Sahaara Dhoondhane Vaale
Tujhako Denge Sahaare Kya 2
Jo Na Mile Kya Usaka Gam
Jab Mile Hue Kho Jaate Hain
Sapane Nahi Jis Neend Ke Andar
Aisi Neend So Jaate Hain 2
Aansoo Bhari Hain Yeh Jeevan Ki Raahen
Koi Unse Keh De Hamein Bhool Jaayen
Aansoo Bhari Hain...
Waade Bhula De Kasam Tod De Woh
Haalat Pe Apni Hamein Chhod De Woh
Aise Jahaan Se Kyon Hum Dil Lagaayen
Koi Unse Keh De...
Barbaadiyon Ki Ajab Daastan Hoon
Shabnam Bhi Roye Maein Woh Aasman Hoon
Tumhe Ghar Mubarak, Hamein Apni Raahen
Koi Unse Keh De...
Mu : Dilli Hai Dil Hindustaan Ka
Ye To Teerath Hai Saare Jahaan Ka
Dilli Hai Dil ...
La : Kahane Ko Chhota Sa Ik Naam Hai Yah
Socho To Isake Matalab Hazaar
Dil Se Bana Hai Dilli Jabhi To Karata Hai
Dil Se Sabhi Ko Pyaar
Cho : Dil Se Bana Hai ...
Mu : Pyaara Hai Roos Ingalistaan Ka
Cho : Ye To Teerath Hai ...
Mu : Bikhara Hai Itihaas Galiyon Mein Isaki
Sadiyon Ke Baaki Yahaan Par Nishaan
Hogi Kashish Kuch Maati Mein Isaki
Baapu Ne Tyaage Yaheen Par Jo Praan
Cho : Hogi Kashish Kuch ...
Mu : Kya Kahana Isaki Shaan Ka
Cho : Ye To Teerath Hai ...
La : Charcha Hai Isaka Saare Jahaan Mein
Beshaq Yahi To Bhaarat Ka Taaj
Mu : Shobha Hai Is Taaj Ki Vo Javaahar
Jisaka Hamaare Dilon Par Hai Raaj
Cho : Shobha Hai Is Taaj ...
La : Raxak Bhaarat Ki Aan Ka
Cho : Ye To Teerath Hai ...
Mu : Na Milate Ham To Kaho Tum Kidhar Gaye Hote
La : Tumhaara Pyaar Na Milata To Mar Gaye Hote
Agar Aise Mein Ham Na Tumhen Pa Jaate
Chhupaaye Munh Ko Andhere Mein Ashq Barasaate Ham Ashq Barasaate
Mu : Vo Ashq To Meri Aankhon Mein Bhar Gaye Hote
La : Tumhaara Pyaar Na ...
Mu : Hamein To Furaqat Mein Isi Gam Ne Maara
Meri Bahaar Bhatakati Phiregi Aavaara Phiregi Aavaara
La : Tumhaari Raah Mein Hote Jidhar Gaye Hote
Mu : Na Milate Ham To ...
La : Jaane Phir Kya Hota Ye Na Poochho Hamase
Zamaana Chheen Hi Leta Hamein Agar Tumase 2
Mu : Deewane Phir To Koi Kaam Kar Gaye Hote
La : Tumhaara Pyaar Na ...
Dil Hi Bujha Hua Ho To Fasl E Bahaar Kya
Saaqi Nacha, Sharaab Hansa, Ab ??? Kya
Duniya Chale Chala Hai Jab Hasaraton Ka Bojh
Saathi Nahin Hai, Sar Pe Gunaahon Ka Bojh Kya
Dil Hi Bujha Hua
Baad E Pana Quzun ? Hai Naam O Nishaan Kisike
Jab Ham Nahin Rahe To Rahega Mazaar Kya
Dil Hi Bujha Hua
Chandan Saa Badan Chanchal Chitawan
Dheere Se Teraa Ye Musakaanaa
Muze Dosh Naa Denaa Jagawaalon
Ho Jaaoo Agar Main Deewaanaa
Ye Kaam Kamaan Bhawe Teree
Palako Ke Kinaare Kajaraare
Maathepar Sindooree Suraj
Hothhon Pe Dahakate Angaare
Saayaa Bhee Jo Teraa Pad Jaaye
Aabaad Ho Dil Kaa Wiraanaa
Tan Bhee Sundar, Man Bhee Sundar
Too Sundarataa Kee Murat Hai
Kisee Aaur Ko Shaayad Kam Hogee
Muze Teree Bahot Jarurat Hai
Pahale Bhee Bahot Dil Tarasaa Hai
Too Aaur Naa Dil Ko Tarasaanaa
Mu : Tum Pyaar Se Dekho Ham Pyaar Se Dekhen
Jeevan Ke Andhere Mein Bikhar Jaaye Ujaala
Sha : Tum Pyaar Se Dekho ...
Mu : Ham Tum Par Jo Bhaari The Vo Din Beet Gae Hain
Matavaali Dagar Pe Jo Mile Meet Nae Hain
Sha : Kushiyon Ki Lahar Aur Chaand Jod Gai Hai
Ham Pyaar Karane Vaalon Ki Duniya Hi Nai Hai 2
Mu : Tum Pyaar Se Dekho
Sha : Ham Pyaar Se Dekhen
Do : Jeevan Ke Andhere ...
Ko : Tum Pyaar Se Dekho ...
Mu : Phir Aaj Dhadakata Hua Dil Bol Raha Hai
Phir Se Kaheen Ud Jaane Ko Par Khol Raha Hai
Sha : Nagari Javaan Aramaanon Ki Ye Premanagar Hai
Har Dil Uchhal Raha Hai Mohabbat Ka Asar Hai
Mu : Tum Pyaar Se Dekho
Sha : Ham Pyaar Se Dekhen
Do : Jeevan Ke Andhere ...
Ko : Tum Pyaar Se Dekho ...
Aa:
Bhare Hain Aankh Mein Aansuu Kushi Kam Hoti Jaati Hai
Mu:
Vo Kyaa Bichhade Hain Hamase Zindagi Kam Hoti Haati Hai
Kahaan Jaayen Kidhar Jaayen Nigaahon Mein Andheraa Hai
Tamannaa Zindagi Ki Ab To Dil Mein Soti Jaati Hai
Bhare Hain Aankh Mein
Mu:
Muqaddar Ban Ke Bigadaa Hai Gilaa Duniyaa Se Kyaa Kije
Aa:
Hamaaraa Dil Dhadakataa Hai Zaraa Aavaaz To Dije
Tumhaaraa Naam Le Le Kar Mohabbat Roti Jaati Hai
Bhare Hain Aankh Men
Hai Ye Zamin Hamaari Vo Aasamaan Hamaaraa
Lo Aaj Vaqt Badalaa Saaraa Jahaan Hamaaraa Hai
Hai Ye Zamin Hamaari
Ham Jis Taraf Chale Hain Duniyaa Badal Gayi Hai
Tuufaan Hat Gayaa Hai Aandhi Sambhal Gayi Hai
Karataa Hai Naaz Khud Par Har Ek Javaan Hamaaraa
Lo Aaj Vaqt Badalaa
Kashti Ko Le Chale Maujon Pe Ham Kushi Ki
Aavaaz Aa Rahi Hai Kaanon Mein Zindagi Ki
Roke Nahin Rukegaa Ab Kaaravaan Hamaaraa
Lo Aaj Vaqt Badalaa
Ye Chimaniyaan Milon Ki Ye Taaj Ki Minaaren
Gangaa Ki Bahati Mauj Jamanaa Ke Tej Dhaare
Dharati Kaa Zarraa Zaraa Hai Raazadaan Hamaaraa
Lo Aaj Vaqt Badalaa
Paigaam De Rahe Hain Ham Sabako Dosti Kaa
Dankaa Bajaa Rahe Hain Ham Duniyaa Mein Shaanti Kaa
Insaaniyat Kaa Jhandaa Hai Ab Nishaan Hamaaraa
Lo Aaj Vaqt Badalaa
Hum Ne Apanaa Sab Kuchh Khoyaa, Pyaar Teraa Paane Ko
Chhod Diyaa Kyo Pyaar Ne Tere, Dar Dar Bhatakaane Ko
Wo Aansoo Jo, Bah Naheen Paaye
Wo Baaten Jo, Kah Naheen Paaye
Dil Mein Chhupaaye Firate Hain Hum Ghootakar Mar Jaane Ko
Us Kee Rahe Too, Jis Kee Ho Lee
Tuz Ko Mubaarak, Pyaar Kee Dolee
Baithh Gaye Hum Gam Kee Chitaa Par, Jindaa Jal Jaane Ko
Har Dil Jo Pyaar Karega, Voh Gaana Gaayega 2
Deewana Sekdon Mein Pehchaana Jaayega 2
Deewana
Aap Hamaare Dil Ko Churaakar Aankh Churaaye Jaate Hain
Yeh Ek Tarfa Rasm E Vafa Hum Phir Bhi Nibhaaye Jaate Hain
Chaahat Ka Dastoor Hai Lekin Aap Ko Hi Maaloom Nahin, O
Jis Mehfil Mein Shamma Ho Parwaana Jaayega
Deewana Sekdon Mein Pehchaana Jaayega
Deewana
Har Dil Jo Pyaar Karega, Voh Gaana Gaayega
Deewana Sekdon Mein Pehchaana Jaayega
Deewana
Bhooli Bisri Yaadein Mein Hanste Gaate Bachpan Ki
Raat Beraat Chali Aati Hai Neend Churaane Nainan Ki
Ab Keh Doongi Karte Karte Kitne Saawan Beet Gaye, Ho
Jaane Kab In Aankhon Ka Sharmaana Jaayega
Deewana Sekdon Mein Pehchaana Jaayega
Deewana
Har Dil Jo Pyaar Karega, Voh Gaana Gaayega
Deewana Sekdon Mein Pehchaana Jaayega
Deewana
Apni Apni Sabne Keh Li, Lekin Hum Chupchaap Rahe
Dard Paraaya Jisko Pyaara, Voh Kya Apni Baat Kahe
Khaamoshi Ka Yeh Afsaana Reh Jaayega Baad Mere, O
Apna Ke Har Kisi Ko Begaana Jaayega
Deewana Sekdon Mein Pehchaana Jaayega
Har Dil Jo Pyaar Karega, Voh Gaana Gaayega
Deewana Sekdon Mein Pehchaana Jaayega
Deewana
Deewana
Dost Dost Na Raha, Pyaar Pyaar Naa Raha
Zindagi Hamein Tera, Aitbaar Na Raha, Aitbaar Na Raha
Amaanatein Main Pyaar Ki, Gaya Tha Jisko Saunp Kar
Woh Mere Dost Tum Hi The, Tumhi To The
Jo Zindagi Ki Raah Me Bane The Mere Hamsafar
Woh Mere Dost Tum Hi The, Tumhi To The
Saare Bhed Khul Gaye, Raazdaar Na Raha
Zindagi Hamein Tera, Aitbaar Na Raha, Aitbaar Na Raha
Dost Dost Na Raha...
Safar Ke Waqt Mein Palak Pe Motiyo Ko Taulti
Woh Tum Na Thi To Kaun Tha Tumhi To Thi
Nashe Ki Raat Dhhal Gayi Ab Khumaar Na Raha
Zindagi Hamein Tera, Aitbaar Na Raha, Aitbaar Na Raha
Dost Dost Na Raha...
O Mehbooba O Mehbooba
O Mehbooba Tere Dil Ke Paas Hi Hai Meri Manzil Emaqsood
Vo Kaun Si Mahafil Hai Jahaan Tu Nahin Maujood
O Mehbooba...
Guzarun Main Idhar Se Kabhi, Guzarun Main Udhar Se
Milata Hai Har Ik Raasata, Jaa Kar Tere Dar Se
O Mehbooba ...
Baahon Ke Tujhe Haar Main Pahanaaunga Ik Din
Sab Dekhate Rah Jaayenge, Le Jaaunga Ik Din
O Mehbooba...
Kis Baat Se Naaraaz Ho, Kis Baat Ka Hai Gham
Kis Soch Men Doobi Ho Tum, Ho Jaayega Sangam
O Mehbooba...
Mere Man Ki Ganga Aur Tere Man Ki Jamuna Ka
Bol Radha Bol Sangam Hoga Ke Nahin
Are Bol Radha Bol Sangam Hoga Ke Nahin
Nahin...Nahin...Nahin
Kitni Sadiyan Beet Gayi Hain Hai Tujhe Samjhane Mein
Mere Jaisa Dheeraj Wala Hai Koi Aur Zamane Mein
Dil Ka Badhta Bojh Kabhi Kam Hoga Ke Nahin
Bol Radha Bol Sangam Hoga Ke Nahin
Nahin...Nahin...Kabhi Nahin...Chup
Do Nadiyon Ka Mail Agar Itna Paavan Kehlata Hai
Kyon Na Jahan Do Dil Milte Hain
Swarg Wahin Ban Jata Hai
Har Mausam Hai Pyar Ka Mausam Hoga Ke Nahin
Bol Radha Bol Sangam Hoga Ke Nahin
Jaoo Na Kyon Satate Ho...Hoga ...Hoga... Hoga.
Chal Akelaa, Chal Akelaa, Chal Akelaa
Teraa Melaa Peechhe Chhootaa Raahee Chal Akelaa
Hajaaro Meel Lanbe Raasate, Tuz Ko Bulaate
Yahaa Dukhade Sahane Ke Waasate Tuz Ko Bulaate
Hai Kaun Saa Wo Insaan Yahaa Par Jisane Dukh Naa Zelaa
Teraa Koee Saath Naa De To, Too Khud Se Pareet Jod Le
Bichhaunaa Dharatee Ko Kar Ke, Are Aakaash Odh Le
Yahaa Pooraa Khel Abhee Jeewan Kaa Toone Kahaa Hain Khelaa
Jis Dil Mein Basa Tha Pyar Tera
Us Dil Ko Kabhi Ka Tod
Diya, Hay, Tod Diya
Badanam Na Hone Denge Tujhe
Tera Nam Hi Lena Chhod
Diya, Hay, Chhod Diya
Jis Dil Mein Basa Tha Pyar Tera
Jab Yad Kabhi Tum Aoge
Samajhenge Tumhen Chaha Hi Nahin
Rahon Mein Agar Mil Jaoge
Sochenge Tumhen Dekha Hi Nahin
Jo Dar Pe Tumhare Jati Thin
Un Rahon Ko Hamane
Chhod Diya Hay, Chhod Diya
Jis Dil Mein Basa Tha Pyar Tera
Ham Kaun Kisi Ke Hote Hain
Koi Hamako Yad Karega Kyun
Apane Do Ansu Bhi Ham Par
(Koi Barabad Karega Kyun) 2
Us Manjhi Ko Bhi Gila Hamase
Manjhadhar Mein Jisane
Chhod Diya, Hay, Chhod Diya
Jis Dil Mein Basa Tha Pyar Tera ...
Mera Pyar Bhi Tu Hai, Yeh Bahaar Bhi Tu Hai
Tu Hi Nazron Mein Jaane Tamanna
Tu Hi Nazaaron Mein
Jaagi Nazar Ka Khwaab Hai Jaisa
Dekh Milan Ka Din Hai Suhanaa
Aankh To Tere Jalwon Mein Goom Hai
Dekhoon Tujhe Ya Dekhoon Zamaana
Bekhud Hai Deewana
Mera Pyar...
Manzil Mere Dil Ki Yahi Hai
Saaya Jahaan Dildaar Hai Tera,
Parbat Parbat Teri Baahein
Gulshan Hi Gulshan Pyar Hai Tera
Mehke Hai Aanchal Mera
Mera Pyar ...
Husna Ye Jaanaan Idhar Aa, Aaeenaa Hoo Main Teraa
Mai Sawaarungaa Tuze, Saare Gam De De Muze
Bheegee Palaken Naa Zookaa, Aaeenaa Hoo Main Teraa
Kitane Hee Daag Uthhaye Toone
Mere Dinaraat Sajaaye Toone
Choom Loo Aa Main Teree Palakon Ko
De Doo Ye Umar Teree Julfon Ko
Le Ke Aakhon Ke Diye, Muskuraa Mere Liye
Meree Tasaweer Ye Wafaa, Aaeenaa Hoo Main Teraa
Teree Chaahat Hain Ibaadat Meree
Dekhataa Rahataa Hoo Soorat Teree
Ghar Tere Dam Se Hain Mandir Meraa
Too Hain Dewee, Main Poojaaree Teraa
Sajade Sau Baar Karu, Aa Tuze Pyaar Karu
Meree Aagosh Mein Aa, Aaeenaa Hoo Main Teraa
Mu : Nain Dvaar Se Man Mein Vo Aake Tan Mein Aag Lagaaye 2
La : Haay Rasiya Haay Re
Koi Chhaliya Chhal Kie Jaaye
Jiyara Lie Jaaye Chain Nahi Aaye
Haay Koi Chhaliya Chhal ...
Mu : Nain Dvaar Se Man Mein ...
Nain Raseele Chaand Sa Mukhada Sundar Roop Suhaana
Par Bedardi Dard Na Samajhe Jaane Bas Tadapaana
Phir Bhi Man Tadapaane Vaala Man Ka Meet Kahaaye
La : Haay Rasiya Haay Re ...
Mu : Jab Vo Aaye Lekar Aaye Din Mein Chaand Sitaare
Jab Vo Jaaye Lekar Jaaye Sab Aramaan Hamaare
La : Haay Rasiya Haay Re ...
La : Haay Ji Ik Chhaliya
Ko : Kaun Tera Rasiya Jo Dil Lie Jaaye
La : Haay Ji Ik Chhaliya Jo Man Ko Bhaaye
Cho : Jiyara Lie Jaaye 3
La : Haay Ri Koi Chhaliya ...
Haan Deewana Hoon Main 2
Gam Ka Maara Hua
Ik Begaana Hoon Main
Haan Deewana Hoon Main
Maangi Khushiyaan Magar Gam Mila Pyaar Mein
Dard Hi Bhar Diya Dil Ke Har Taar Mein
Aaj Koi Nahi Mera Sansaar Mein
Chhod Kar Chal Diye Mujhko Majhadhaar Mein
Haay Teer E Nazar Ka Nishana Hoon Main
Haan Deewana Hoon Main ...
Main Kisika Nahi Koi Mera Nahi
Is Jahaan Mein Kaheen Bhi Basera Nahi
Mere Dil Ka Kaheen Bhi Andhera Nahi
Mere Is Shaam Ka Hai Savera Nahi
Hay Bhula Hua Ik Fasana Hoon Main
Haan Deewana Hoon Main ...
Sansaar Hai Ik Nadiyaa, Duhkh Sukh Do Kinaare Hain
Na Jaane Kahaan Jaayen, Ham Bahate Dhaare Hain
Chalate Hue Jeevan Kee, Raftaar Mein Ik Lay Hai
Ik Raag Mein Ik Sur Mein, Sansaar Ki Har Shay Hai
Sansaar Ki Har Shay Hai ...
Ik Taar Pe Gardish Mein, Ye Chaand Sitaare Hain
Dharati Pe Ambar Ki Aankhon Se Barasati Hai
Ik Roz Yahi Boonden, Phir Baadal Banati Hain 2
Is Banane Bigadane Ke Dastoor Mein Saare Hain
Koi Bhi Kisi Ke Lie, Apana Na Paraaya Hai
Risshte Ke Ujaale Men, Har Aadami Saaya Hai 2
Kudarata Ke Bhi Dekho To, Ye Khel Puraane Hain
Hai Kaun Vo Duniya Men, Na Paap Kiya Jisane
Bin Ulajhe Kaanton Se, Hain Phool Chune Kisane
Hain Phool Chune Kisane ...
Be Daag Nahi Koee, Yahaan Paapi Saare Hain
