Blondie
Chris Stein and Deborah Harry in 2008
Background information
Origin	New York City, US
Genres	New Wave, punk rock[1][2] dance-rock,[3] pop punk,[3][4] post-punk, power pop
Years active	1974–1982 1997–present
Labels	Chrysalis/EMI Beyond/BMG Epic Sanctuary Private Stock
Website	www.blondie.net
Members
Debbie Harry Chris Stein Clem Burke Leigh Foxx Matt Katz-Bohen Tommy Kessler
Past members
See: Former members

Blondie is an American rock band, founded by singer Deborah Harry and guitarist Chris Stein.^[5] The band was a pioneer in the early American New Wave and punk scenes of the mid-1970s. Their first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles^[6] including "Call Me", "Atomic" and "Heart of Glass" and became noted for its eclectic mix of musical styles incorporating elements of disco,^[1][2] pop,^[1][2][4] rap,^[2][7] and reggae,^[2] while retaining a basic style as a New Wave band.^[8]

Blondie broke up after the release of their sixth studio album The Hunter in 1982. Deborah Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin.^[9]

The band reformed in 1997, achieving renewed success and a number one single in the United Kingdom with "Maria" in 1999. The group toured and performed throughout the world^[10] during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006.^[11] Blondie has sold 40 million records worldwide^[12] and is still active today. Their ninth studio album, Panic of Girls, was released in 2011.^[13]

History[link]

Early career (1974–1978)[link]

Inspired by the burgeoning new music scene at the Mercer Arts Center, Chris Stein sought to join a similar band. He joined The Stilettos in 1973 as their guitarist and formed a romantic relationship with one of the band's vocalists, Deborah Harry, a former waitress and Playboy Bunny.^[14] Harry had been a member of a folk-rock band, The Wind in the Willows, in the late 1960s. In 1974, Stein parted ways with The Stilettos and Elda Gentile, the band's originator. Stein and Harry formed a new band with drummer Billy O'Connor and bassist Fred Smith. By 1975, after some personnel turnover (including sisters Tish and Snooky Bellomo on backing vocals), Stein and Harry were joined by drummer Clem Burke, keyboard player Jimmy Destri and bass player Gary Valentine. Originally billed as Angel and the Snakes,^[15] they renamed themselves Blondie in late 1975. The name derived from comments made by truck drivers who catcalled "Hey, Blondie" to Harry as they drove by.^[16][17]

Blondie became regulars at Max's Kansas City and CBGB.^[18] Their debut album Blondie (UK #75, AUS #14) was issued in December 1976. In September 1977, Blondie bought back its contract with Private Stock and then signed with Chrysalis Records.^[19] The first album was re-released on the new label in October 1977. Rolling Stone's review of the debut album observed the eclectic nature of the group's music, comparing it to Phil Spector and The Who, and commented that the album's two strengths were Richard Gottehrer's production and the persona of Deborah Harry, saying she performed with "utter aplomb and involvement throughout: even when she's portraying a character consummately obnoxious and spaced-out, there is a wink of awareness that is comforting and amusing yet never condescending." It also noted that Harry was the "possessor of a bombshell zombie's voice that can sound dreamily seductive and woodenly Mansonite within the same song".^[20]

The band's first commercial success occurred in Australia in 1977, when the music television program Countdown mistakenly played their video "In the Flesh", which was the B-side of their current single "X-Offender".^[11] Jimmy Destri later credited the show's Molly Meldrum for their initial success, commenting that "we still thank him to this day" for playing the wrong song.^[21] In a 1998 interview, drummer Clem Burke recalled seeing the episode in which the wrong song was played, but he and Chris Stein suggested that it may have been a deliberate subterfuge on the part of Meldrum. Stein asserted that "X-Offender" was "too crazy and aggressive [to become a hit]", while "In the Flesh" was "not representative of any punk sensibility. Over the years, I've thought they probably played both things but liked one better. That's all." In retrospect, Burke described "In the Flesh" as "a forerunner to the power ballad".^[22]

Both the single and album reached the Australian top five in October 1977, and a subsequent double-A release of "X-Offender" and "Rip Her to Shreds" was also popular. A successful Australian tour followed in December, though it was marred by an incident in Brisbane when disappointed fans almost rioted after Harry cancelled a performance, due to illness.^[23]

In February 1978, Blondie released their second album, Plastic Letters (UK #10, US #78). The album was recorded as a four-piece band because Gary Valentine left the band.^[24] Plastic Letters was promoted extensively throughout Europe and Asia by Chrysalis Records.^[11] The album's first single, "Denis", was a cover version of Randy and the Rainbows' 1963 hit. It reached number two on the British singles charts, while both the album and its second single, "(I'm Always Touched by Your) Presence, Dear", reached the British top ten. Chart success, along with a successful 1978 UK tour, including a gig at London's Roundhouse, made Blondie one of the first American New Wave bands to achieve mainstream success in the United Kingdom.^[11] By this time, Gary Valentine had been replaced by Frank Infante (guitar, bass guitar), and shortly after that Nigel Harrison (bass guitar) joined, expanding the band to a six-piece for the first time.

Mainstream success (1978–1981)[link]

Parallel Lines (UK #1, US #6, Australia #2) Blondie's third album, released in September 1978 was produced by Mike Chapman, became the group's most successful effort, selling 20 million copies worldwide.^[25] The album's first two singles were "Picture This" (UK #12) and "Hanging on the Telephone" (UK #5).

"Heart of Glass" was their first U.S. hit. The disco-infused^[1][2] track topped the U.S. charts in April 1979. It was a reworking of a rock and reggae-infused song that the group had performed since its formation, updated with strong elements of disco music. Clem Burke later said the revamped version was inspired partly by Kraftwerk and partly by the Bee Gees' "Stayin' Alive", whose drum beat Burke tried to emulate. He and Stein gave Jimmy Destri much of the credit for the final result, noting that Destri's appreciation of technology had led him to introduce synthesizers and to rework the keyboard sections.^[26] Although some members of the British music press condemned Blondie for "selling out", the song became a success, worldwide. Selling more than a million copies and garnering major airplay, the single reached number one in many countries including the U.S., where Blondie had previously been considered an "underground" band. The song was accompanied by a music video that showcased Harry's hard-edged and playfully sexual persona, and she began to attain a celebrity status that set her apart from the other band members, who were largely ignored by the media.

Blondie's next single in the U.S. was a more aggressive rock song, "One Way or Another" (US #24), which became their second hit single in the United States. Meanwhile, in the UK, an alternate single choice, "Sunday Girl", became a #1 hit. Parallel Lines is ranked #140 on Rolling Stone's list of 500 greatest albums of all time.^[27] In June 1979, Blondie, photographed by Annie Leibovitz, was featured on the cover of Rolling Stone magazine.^[28]

Their fourth album, Eat to the Beat (UK #1, US #17, Australia #9), released in October 1979, was well-received by critics as a suitable follow-up to Parallel Lines, but in the U.S., its singles failed to achieve the same level of success^[11] as in the UK, where "Atomic" (UK #1, US #39) reached number one, "Dreaming" (UK #2, US #27) reached number two, and "Union City Blue" (UK #13) charted in the top 20.^[11] In a daring move, Chrysalis Records' Linda Carhart asked Jon Roseman Productions US division to shoot videos for every song and make it the first ever video album. David Mallet directed and Paul Flattery produced it at various locations and studios in and around New York.

Blondie's next single, the Grammy-nominated "Call Me" was the result of Deborah Harry's collaboration with the Italian songwriter and producer Giorgio Moroder, who had been responsible for Donna Summer's biggest hits. This track was not included on any Blondie studio album; rather, it was the title theme of the soundtrack for the Richard Gere film American Gigolo. Released in February 1980, "Call Me" spent six consecutive weeks at #1 in the U.S. and Canada, reached #1 in the U.K. and became a hit throughout the world. The single was also #1 on Billboard magazine's 1980 year-end chart.

In November 1980, Blondie's fifth studio album, Autoamerican (UK #3, US #7, Australia #8) was released and contained two more #1 US hits: the reggae-styled "The Tide Is High", a cover version of a 1967 song by The Paragons, and the rap-flavored^[2] "Rapture", which was one of the earliest songs containing elements of rap vocals to reach number one in the U.S. In the song Harry mentions downtown graffiti and hip hop icon Fab Five Freddy who also appears in the video for the song. "Rapture" would be the band's only single to achieve a higher chart position on the U.S. charts than in the UK, where it peaked at #5. Autoamerican was a departure from previous Blondie records, featuring less New Wave and rock in favor of stylistic experiments, including acoustic jazz: "Faces", and from an early Broadway show, "Camelot", came "Follow Me". As the title somewhat suggested, a recurring general theme of the album was the car as a subject; obvious for example in the song "T-Birds", referring to the Ford Thunderbird, and Harry's spoken intro after the first instrumental track, "Europa". Autoamerican was, however, not generally well-received by critics.

In October 1981, Chrysalis Records released The Best of Blondie (UK #4, US #30, Australia #1), the group's first greatest hits compilation.

[edit] Hiatus, The Hunter, and breakup (1981–1982)

Following their success of 1978-80, Blondie took a brief break in 1981. That year, Deborah Harry and Jimmy Destri both released solo albums; Stein worked on Harry's album KooKoo (UK #6, US #28) and Burke with Destri's Heart on a Wall.^[29] Frank Infante sued the band regarding a lack of involvement during the Autoamerican sessions; it was settled out of court, and Infante remained in the band (though Harry has subsequently said Infante was not on the next LP).

The band reconvened in 1981 to record and release a new album, The Hunter, in 1982 (UK #9, US #33, Australia #15). In contrast to their earlier commercial and critical successes, The Hunter was poorly received. The album did have two moderate hit singles: "Island of Lost Souls" (UK# 11, US, #37, Australia #13) and "War Child" (UK #39).^[30][31] The album also included "For Your Eyes Only", a track the band had been commissioned to write and record for the 1981 James Bond film of the same name, but was rejected by the film's producers (the producers ultimately chose another song that would be recorded by Sheena Easton).

With tensions within the band on the rise due to the act's commercial decline and the attendant financial pressures that brought, as well as the constant press focus on Harry to the exclusion of the other band members, events reached a breaking point when Stein was diagnosed with the life-threatening illness pemphigus.^[32]

As a result of Stein's illness, coupled with drug use by members of the band, financial mismanagement, and slow ticket sales, Blondie canceled their tour plans early in August 1982. Shortly thereafter, the band splintered, with at least one (unspecified) member quitting and instigating lawsuits against the other group members. The group formally announced their split in November 1982.^[33]

Stein and Harry, still a couple at the time, stayed together and retreated from the public spotlight for a while. Harry made attempts to resume her solo career in the mid 1980s, but two singles (1983's "Rush Rush" and 1985's "Feel The Spin") met with little success. Harry was forced to sell the couple's five-story mansion to pay off debts that the band had run up, Stein owed in excess of $1 million, and drug use was becoming an increasing concern for them. Harry decided to call off her intimate relationship to Stein and moved downtown. She stated in a 2006 interview that she felt she was having a sort of breakdown due to all the stress. After Stein recovered from his illness, Harry resumed her solo career with a new album (Rockbird) in 1986, with active participation from Stein. The album was a moderate success in the UK where it gave her a top ten single. Meanwhile, Burke became a much-in-demand session drummer, playing and touring for a time with Eurythmics, and Destri maintained an active career as a producer and session musician.

A remix album entitled Once More into the Bleach was released in 1988, and featured remixes of classic Blondie tracks and material from Harry's solo career.

[edit] Reformation and No Exit (1997–2004)

During the 1980s and 1990s, Blondie's past work began to be recognized again by a new generation of fans and artists including Garbage and No Doubt.^[26][34] Chrysalis/EMI Records also released several compilations and collections of remixed versions of some of its biggest hits.

Harry continued her moderately successful solo career after the band broke up, releasing albums in 1989 and 1993 which helped keep the band in the public eye. In 1990, she reunited with Stein and Burke for a summer tour of mid-sized venues, as part of an "Escape from New York" package with Jerry Harrison, the Tom Tom Club and the Ramones.

In 1996, Stein and Harry began the process of reuniting Blondie and contacted original members Burke, Destri, and Valentine. Valentine had by this time moved to London and become a full-time writer under his real name Gary Lachman; his New York Rocker: My Life in the Blank Generation (2002) is a memoir of his years with the band.^[35] Former members Nigel Harrison and Frank Infante did not participate in the reunion, and they unsuccessfully sued to prevent the reunion under the name Blondie.^[36]

In 1997, the original five-piece band reformed, including Valentine on bass, did three live performances, all at outdoor festivals sponsored by local radio stations. Their first reunion performance occurred on May 31, 1997, when they played the HFStival at R.F.K. Stadium in Washington, DC.^[37] An international tour in late 1998 and early 1999 followed.^[38]

A new album, No Exit (UK #3, US #18), was released in February 1999. The band was now officially a four-piece, consisting of Harry, Stein, Burke and Destri. Valentine by this point had left the group, and did not play on the album or contribute to the writing of any songs. (The two songs on the album co-authored by "Valentine" were in fact co-authored by Kathy Valentine of the Go-Go's, no relation to Gary Valentine.) Session musicians Leigh Foxx (bass) and Paul Carbonara (guitar) played on this and subsequent Blondie releases.^[39]

No Exit reached number three on the UK charts, and the first single, "Maria", which Destri had written thinking about his high school days,^[40] became Blondie's sixth UK number one single exactly 20 years after their first chart-topper, "Heart of Glass". This gave the band the distinction of being one of only two American acts to reach number one in the UK singles charts in the 1970s, 1980s and 1990s (the other being Michael Jackson who had No. 1 hits with The Jacksons and solo in the same decades).

The reformed band released the follow-up album The Curse of Blondie (UK #36, US #160) in October 2003. Curse proved to be Blondie's lowest-charting album since their debut in 1976, although the single "Good Boys" managed to reach number 12 on the UK charts.

In 2004, Jimmy Destri left the group in order to deal with drug addiction, leaving Harry, Stein and Burke as the only members of the original line-up still with the band. Though Destri's stint in rehab was successful, he was not invited back into the band.^[41] He intended to work on their 2011 album Panic Of Girls, but did not contribute as either a songwriter or a musician to the finished product.^[42]

[edit] Parallel Lines 30th anniversary tour, Panic of Girls, and 10th Studio Album (2008–present)

On June 5, 2008, Blondie commenced a world tour to celebrate the 30th anniversary of Parallel Lines with a concert at Ram's Head Live in Baltimore, Maryland. The tour covered some Eastern and Midwestern US cities throughout the month of June. In July, the tour took the band overseas to Israel, the UK, Russia, Europe and Scandinavia, wrapping up on August 2, 2008 at Rockefeller in Oslo, Norway.

Clem Burke and Paul Carbonara both told interviewers in 2008 and 2009 that the band was working on another record, which would be their first new album since the release of The Curse of Blondie in 2003. Carbonara described it as "a real Blondie record."^[43][44]

Blondie undertook a North American tour of mid-sized venues with Pat Benatar and The Donnas in the summer of 2009. Following the tour, in October, the band began recording sessions for their ninth studio album with producer Jeff Saltzman in Woodstock, New York.^[45] In December 2009, the band released the song "We Three Kings" to coincide with the Christmas holiday. The new album, to be titled Panic of Girls, which was being mixed at the time, was said to follow in 2010. Chris Stein stated that Dutch artist Chris Berens would provide the cover art.^[46] In April 2010, it was announced that guitarist Paul Carbonara had amicably left Blondie to pursue other projects and was replaced by Tommy Kessler.

In June 2010, Blondie began the first leg of a world tour named "Endangered Species Tour", which covered the United Kingdom and Ireland, supported by UK band Little Fish. The set lists featured both classics and new material from the forthcoming Panic of Girls. After a break in July, the tour resumed in August and covered the United States and Canada over a course of six weeks. Blondie then took the "Endangered Species Tour" to Australia and New Zealand in November–December 2010, co-headlining with the Pretenders. It was revealed that the band's album was going to be released first in Australia on the Australian Sony label in December 2010, but Sony later backed out of the deal, leaving the album still unreleased. The album's release date was finally set for mid-2011 without the involvement of a major record label. The album was first released in May 2011 as a limited edition "fan pack" in the UK with a 132 page magazine and various collectible items, before being released as a regular CD later in the summer. The lead single, "Mother", was released beforehand as a free download. A music video for the song was on May 18, 2011. The video was directed by Laurent Rejto, and includes cameos by Kate Pierson of The B-52s, James Lorinz (Frankenhooker), Johnny Dynell, Chi-Chi Valenti, The Dazzle dancers, Rob Roth, Barbara Sicuranza, Larry Fessenden, Alan Midgette (Andy's Warhol double), The Five Points Band, Guy Furrow, Kitty Boots, and Hattie Hathaway. As of July 2011, Clem Burke confirmed on the band's "Panic Of Girls" Facebook page, that the next single will be "What I Heard".

It was revealed that "Batwoman" artist J.H Williams III, will be doing the album art for Blondie's 2012 album. No further details have been announced as of January 2012.

Legacy[link]

By 1982, the year the band initially broke up, Blondie had released six studio albums, each exhibiting a stylistic progression from the last. The band is known not only for the striking stage persona and vocal performances of Harry but also for incorporating elements in their work from numerous subgenres of popular music, reaching from their punk roots to embrace New Wave, disco,^[1][2] and rap.^[2] Each of the group's four No. 1 singles in the U.S. demonstrated a different style, or influence, of music including disco ("Heart of Glass"),^[1][2] Europop ("Call Me"), reggae ("The Tide Is High") and rap ("Rapture").^[2]

In March 2006, Blondie, following an introductory speech by Shirley Manson of Garbage,^[47][48] were inducted into the Rock and Roll Hall of Fame. Seven members were invited to the ceremony, which led to an on-stage spat between the extant group and their former bandmates, Nigel Harrison and Frank Infante, who asked during the live broadcast of the ceremony to be allowed to perform with the group, a request refused by Harry.^[49] On May 22, 2006, Blondie was inducted into the Rock Walk of Fame at Guitar Center on Hollywood's Sunset Boulevard. New inductees are voted on by previous Rock Walk inductees.^[50]

Members[link]

Current members

• Debbie Harry – lead vocals (1975–1982, 1997–present)
• Chris Stein – guitar, bass (1975–1982, 1997–present)
• Clem Burke – drums, percussion, backing vocals (1975–1982, 1997–present)
• Leigh Foxx – bass (2004–present; session musician: 1997-2004)
• Matt Katz-Bohen – keyboards, piano, organ (2008–present)
• Tommy Kessler – guitar (2010–present)

Former members

• Fred Smith - bass (1975)
• Billy O'Connor - drums (1975)
• Tish Bellomo - backing vocals (1975)
• Eileen Bellomo - backing vocals (1975)
• Jimmy Destri – keyboards, piano, synthesizer, organ, backing vocals (1975–1982, 1997–2003)
• Gary Valentine – bass, guitar (1975–1977, 1997)
• Frank Infante – guitar, bass, backing vocals (1978–1982)
• Nigel Harrison – bass (1978–1982)
• Paul Carbonara – guitar (2004-2010; session musician: 1997-2004)
• Kevin Patrick (aka Kevin Topping) – keyboards, piano (2004–2007)

Discography[link]

Studio albums

• Blondie (1976)
• Plastic Letters (1978)
• Parallel Lines (1978)
• Eat to the Beat (1979)
• Autoamerican (1980)
• The Hunter (1982)
• No Exit (1999)
• The Curse of Blondie (2003)
• Panic of Girls (2011)

Awards and nominations[link]

• 1980 - Juno Award for Best Selling Single ("Heart of Glass") (Won)
• 1981 - Grammy Award for Best Rock Performance by a Duo or Group with Vocal ("Call Me") (Nominated)
• 1980 - Juno Award for International Single of the Year ("The Tide Is High") (Nominated)
• 1982 - Grammy Award for Video of the Year ("Eat To The Beat") (Nominated)
• 1998 - Q Music Award for Q Inspiration Award (Won)
• 2006 - Rock and Roll Hall of Fame for Inductees (Won)

See also[link]

	Book: Blondie
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• List of best-selling music artists
• List of best-selling albums worldwide

Notes and references[link]

External links[link]

Wikimedia Commons has media related to: Blondie

• Official Blondie website
• Official European Blondie website
• The Complete Blondie Discography
• Blondie discography at MusicBrainz
• Blondie discography at Discogs

v t e Blondie Clem Burke Jimmy Destri Debbie Harry Chris Stein Leigh Foxx Nigel Harrison Frank Infante Paul Carbonara Kevin Patrick Matt Katz-Bohen Tommy Kessler Gary Valentine Studio albums Blondie Plastic Letters Parallel Lines Eat to the Beat Autoamerican The Hunter No Exit The Curse of Blondie Panic of Girls Compilations The Best of Blondie The Complete Picture: The Very Best of Deborah Harry and Blondie Blonde and Beyond The Platinum Collection Denis Picture This - The Essential Blondie Collection Atomic - The Very Best of Blondie Greatest Hits Greatest Hits: Sight + Sound Greatest Hits: Sound & Vision Live albums Picture This Live Livid Live By Request Blondie at the BBC Singles "X Offender" "In the Flesh" "Rip Her to Shreds" "Denis" "(I'm Always Touched by Your) Presence, Dear" "Picture This" "I'm Gonna Love You Too" "Hanging on the Telephone" "Heart of Glass" "Sunday Girl" "One Way or Another" "Dreaming" "Union City Blue" "The Hardest Part" "Atomic" "Call Me" "The Tide Is High" "Rapture" "Island of Lost Souls" "War Child" "Maria" "Nothing Is Real but the Girl" "No Exit" "Good Boys" "Mother" "What I Heard" Remixes Once More into the Bleach Beautiful - The Remix Album Remixed Remade Remodeled - The Remix Project Related articles Discography Book:Blondie

Waddy Wachtel
Wachtel, center, with Jackson Browne, left and John Cowsill, right
Background information
Birth name	Robert Wachtel
Born	(1947-05-24) May 24, 1947 (age 65) New York City, New York United States
Genres	Rock, folk rock, pop, jazz
Occupations	Musician, songwriter, producer, bandleader
Instruments	Guitar, piano, vocals
Years active	1970–present
Labels	Arista, Elektra, CBS, WEA, Columbia, EMI, Virgin, Asylum, Warner Bros., Giant
Associated acts	Stevie Nicks, The Cowsills, Jackson Browne, Bernard Fowler, Blondie Chaplin, Keith Richards, Warren Zevon, James Taylor, George Thorogood, Bob Weir, J.D. Souther, Linda Ronstadt
Website	http://waddywachtelinfo.com
Notable instruments
1958 Gibson Les Paul 1956 Fender Stratocaster

Robert "Waddy" Wachtel (b. May 24, 1947 in Jackson Heights, Queens, New York City, New York) is an American musician, composer and record producer, most notable for his guitar work. Wachtel's passion for music and ease of adaptation toward a variety of genres have placed him in a position as one of the most in-demand session musicians throughout his career, playing with high profile rock musicians that include Linda Ronstadt, Stevie Nicks, Keith Richards, James Taylor, Iggy Pop, Warren Zevon, Bryan Ferry and Jackson Browne, amongst others, both in the studio, and on tour.^[1]

Biography[link]

Early years[link]

Wachtel was born May 24, 1947, in the New York City Borough of Queens. At about age 9-10,^[1] Wachtel began to learn to play the guitar, taking lessons with teacher Gene Dell (who insisted that he learn to play right-handed despite being naturally left-handed) until about age 14. This is the age, he says, that he began writing songs. He became proficient at playing all styles of guitar, including folk music, and found he had a special talent, not just for reading music, but also an ability that allowed him a large measure of recall—a true "ear for music".^[2] Wachtel gives much credit for his early training on guitar to Rudolph Schramm, who was the head of the NBC staff orchestra and went on to teach music at Carnegie Hall. Schramm tried to get Wachtel to take piano lessons, but Wachtel was intent on playing guitar so Schramm agreed to give him guitar lessons three times a week about rhythm, melody and harmony.

After performing with local bands in the New York area, Wachtel formed his own band, The Orphans, who played in Connecticut and New Hampshire. Eventually, Waddy and his then-current band settled into a regular bar band routine, playing in Newport, Rhode Island, where he studied seriously for a year, taking lessons from Sal Salvador, who he says taught him more about improvising and soloing than he had learned anywhere else.^{[citation needed]} When the Orphans disbanded, he formed another band, Twice Nicely. At the suggestion of Bud Cowsill (of The Cowsills), he brought Twice Nicely to Los Angeles in 1968 where they recorded a few demos, but after two years, Wachtel decided to work as a session player, and was then persuaded to record with The Cowsills and produce their albums.^[2]

Films[link]

Waddy Wachtel with guitar

In 1972, he was invited to play in a cameo appearance in the film The Poseidon Adventure with the actual band on stage in the dining room when the ship capsizes. Wachtel can be seen in the final film during this sequence. Wachtel has composed the scores for many movies throughout his career, as well as playing various instruments for them. Some of these films include Joe Dirt, Up in Smoke, Nice Guys Sleep Alone, Alabama Love Story, The Longest Yard, The Benchwarmers, Grandma's Boy, The Last Request, Dickie Roberts: Former Child Star, Strange Wilderness, The House Bunny, and Paul Blart: Mall Cop. He has also composed and produced songs with Warren Zevon, Joe Walsh, Jackson Browne and other artists that appear in many other films. He is also featured prominently backing Linda Ronstadt in the 1978 film FM.

Session work[link]

In 1972, he was hired by Warren Zevon to play guitar on The Everly Brothers Stories We Could Tell album and join them in a subsequent tour.

By 1973, he was being approached by various artists and producers to play on their albums, and hooked up with Lindsey Buckingham and Stevie Nicks, playing on their first album Buckingham Nicks (simply featured as 'Waddy'), and touring with the band. Later, when Nicks and Buckingham joined Fleetwood Mac, he played rhythm guitar on their 1975 eponymous album on a few tracks.

In 1980, he wrote, recorded and sang lead vocals on an album for producer Peter Asher with members of Linda Ronstadt's band, including musicians Don Grolnick, Dan Dugmore, and Rick Marotta. Both the group and the album were titled Ronin. Released on the Mercury label, the record never charted. The release party at the Golden Bear nightclub in Huntington Beach was attended by many top names from the California Sound period including Jackson Browne, Andrew Gold, John David Souther and Peter Asher himself. Watchel and Ronin were joined onstage by several others in what was considered a barn burner of an encore for its day.

He has appeared on hundreds of albums over the years, and has been a mainstay of the Los Angeles music scene. Among the artists and bands he has worked with are The Everly Brothers, Jackson Browne, Kim Carnes, Rosanne Cash, The Church, The Cowsills, Bob Dylan, Silver Condor, Gilby Clarke, Melissa Etheridge, Bryan Ferry, Bernard Fowler, Andrew Gold, Don Henley, Carole King, Miranda Lambert, The Motels, Maria Muldaur, Randy Newman, Steve Perry, Iggy Pop, Bonnie Raitt, Keith Richards, Linda Ronstadt, Adam Sandler, Bob Seger, Carly Simon, The Rolling Stones, James Taylor, Tom Waits, Warren Zevon and Laura Allan.

Production credits include albums by Keith Richards, Jackson Browne, Bryan Ferry, The Church, Sand Rubies, George Thorogood and the Destroyers and Warren Zevon. Wachtel co-wrote several songs with Zevon including "Werewolves of London," for which he wrote the opening verse (which was voted by BBC Radio 2 listeners as the greatest ever in 2004).^[3] He also co-wrote the Warren Zevon song "Things to Do in Denver When You're Dead." He performed and co-produced the first two Zevon albums, considered his classics, and was a major contributor to the Warren Zevon sound. He is much quoted throughout the new book on Zevon's life, written by Crystal Zevon, entitled I'll Sleep When I'm Dead. Zevon complimented Wachtel on a radio interview with Redbeard in the Studio, when he said that introducing anyone to Wachtel was a wonderful thing to do, and that he'd met a lot of musical connections through him.^[4]

Tours and live performances[link]

Wachtel with The Cowsills

Wachtel has toured with the Everly Brothers, Carole King, James Taylor, Linda Ronstadt, Adam Sandler, Stevie Nicks, and Keith Richards (in the X-Pensive Winos). His distinctive guitar sound, vocal harmonies, arrangement techniques and the ability to add exciting guitar riffs to headlining performer's gigs made him a sought-after entity in the world of live tours. He was also called upon during many of his tours to be Musical Director, using his talents and sensitive musical ear to bring all the musicians on the tours into accord with the music. Wachtel has been touring with Stevie Nicks for many years, serving as her bandleader, musical director, and lead guitarist. He has also appeared on each of her solo albums and on several television shows.

Misconceptions[link]

Wachtel has been credited on some early albums as "Bob Wachtel" (short for his birth-name "Robert"). Erroneous internet sources include the name "Richard Wachtel" in some album credits, but that name was never used in any album liner notes. There was never a "Richard Wachtel" who played on any of those albums.

Legal issues[link]

Wachtel and his wife Annie were arrested in 1998 on suspicion of possession of child pornography after questionable images were found on the computer in their bedroom, after they had taken it in for repair.^[5][6] Wachtel was sentenced to three years probation after pleading no contest to the charges.^[7] In an interview with a Fleetwood Mac fansite in 2000, Wachtel's bandmate in Stevie Nicks' touring band, Brett Tuggle, responded to a question about these charges saying "All I really know is that there were some files on his computer that were questionable when he took it in to be fixed and most of what happened was completely blown way out of proportion by the press and was dismissed anyway ... there is no way Stevie would have him in her band if she thought he was guilty of any wrongdoing".^[8]

Equipment[link]

Wachtel prefers his vintage 1958 Gibson Les Paul and his 1956 Fender Stratocaster for sound. He said in a 1980 interview that the newest made guitar he owned, after twelve years in the music industry was a 1964 Fender Stratocaster.

2000 to present[link]

Wachtel assembled a band bearing his name performing regularly at the Los Angeles venue, The Joint since 2000. The band includes Wachtel, Phil Jones, Rick Rosas, and Jamie Savko, with regular guests Bernard Fowler, Blondie Chaplin and Keith Allison. Special guests who have sat in with the band have included Keith Richards, Joe Walsh, Robert Plant, Eric Burdon, Jackson Browne, Neil Young, Roger Daltrey, Billy Squier, Adam Sandler, P.F. Sloan and others.

Wachtel appeared on the 2010 Grammy Award-television presentation backing Taylor Swift's live presentation. In Swift's duet with Stevie Nicks of the song "Rhiannon", Wachtel was featured on lead guitar.

Discography (partial)[link]

With Karla Bonoff[link]

With Stevie Nicks[link]

With Keith Richards and the X-Pensive Winos[link]

With Linda Ronstadt[link]

With James Taylor[link]

With Warren Zevon[link]

Filmography (Partial)[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Waddy Wachtel

• Waddy Wachtel Band Website

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2010)

Blondie Chaplin
Woodstock Reunion 1979
Background information
Birth name	Terrence William Chaplin
Also known as	Blondie Chaplin
Born	(1951-07-07) July 7, 1951 (age 60)
Genres	Rock, pop
Occupations	Musician, Songwriter, producer
Years active	1969–present
Labels	Brother Records, Reprise Records, Capitol Records, Columbia
Associated acts	Beach Boys, The Flames, Rick Danko, The Rolling Stones, The Byrds, The Band

Terence William 'Blondie' Chaplin is a musician from Durban, South Africa who first became known to international audiences through his brief stint in the early 1970s as a singer and guitarist for The Beach Boys.^[1] Chaplin was also listed as a co-producer, sang lead vocals with fellow South African musician Ricky Fataar (drummer) and composed, with Fataar, "Here She Comes" and "Hold On Dear Brother" on the twenty-third official Beach Boys album, Carl and the Passions - "So Tough", released in 1972. He is well known in recent years as a long term backing vocalist, percussionist and acoustic rhythm guitarist for the Rolling Stones on their tours.

Blondie Chaplin, along with drummer Ricky Fataar, joined the Beach Boys when original drummer Dennis Wilson suffered a hand injury which left him unable to play the drums for almost two years. For the Beach Boys, it was a period in which long-time member Bruce Johnston had departed the band, and one-time leader Brian Wilson's participation in the group was very limited. As a result, Chaplin and Fataar joined the Beach Boys as full-fledged members and not merely as backing musicians. Chaplin left the group in 1973 after a dispute with the Beach Boys' management; Fataar remained with the band until the following year (and has performed with Bonnie Raitt's band since the 1980s).

Both Chaplin and Fataar were members of South African rock band The Flames before joining The Beach Boys. The Flames were discovered by Beach Boy Carl Wilson while performing in London. Wilson signed the band to the Beach Boys' Brother Records label and produced their self-titled album, The Flame (changed from Flames, to avoid confusion with the group that played with James Brown) which featured soulful rock/pop songs in the vein of The Beach Boys and Badfinger. The Flame were the only band aside from The Beach Boys to record for Brother Records.

Chaplin sang lead on at least three Beach Boys songs, "Sail On, Sailor," "Leaving This Town" and "Funky Pretty" (all from the 1973 album Holland). During the late 1980s Chaplin toured with The Band, replacing some of Richard Manuel's vocals and playing guitar. In the 1980s, Chaplin toured with a band featuring Rick Danko and Paul Butterfield, and was guitarist and vocalist on Paul Butterfield's last studio album, "The Legendary Paul Butterfield Rides Again," released in 1986. Chaplin was also a featured player in former Byrds members Gene Clark and Michael Clarke's new band, titled "The 20th Anniversary Celebration of the Byrds". Chaplin then appeared on the Jennifer Warnes albums The Hunter and The Well. Since the late 1990s and the Bridges to Babylon Tour, Chaplin has been a backing vocalist, percussionist, and occasional guitar player for The Rolling Stones. The "Bridges to Babylon" album lists Chaplin's credits as "backing vocals, tambourine, piano, bass guitar, percussion, shaker, maracas."

Chaplin is the vocalist, songwriter, and lead guitar player with Skollie, a band formed with fellow South Africans Keith Lentin, on bass, and, on drums, Anton Fig (drummer with the CBS Orchestra on the Late Show with David Letterman). Chaplin has released three solo albums, most recently Between Us in 2006.

Discography[link]

Other albums from the Blondie Chaplin catalogue:

• The Flames - "Burning Soul/Soulfire!" - 1968/69
• The Flames - "The Best of the Flames," Teal Records, 1994
• The Flame - The Flame, Brother Records, 1970
• Blondie Chaplin - Blondie Chaplin, Asylum Records, 1977
• David Johansen - Here Comes The Night, Blue Sky Records, 1981
• Skollie - Ostrich Man, PVB Records, 1992
• Blondie Chaplin - Fragile Thread, unreleased (but in circulation), 2001
• Rick Danko - Cryin Heart Blues, 2005
• Anton Fig - Figments, 2002

References[link]

External links[link]

Wikimedia Commons has media related to: Blondie Chaplin

• Blondie Chaplin.com