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The Westinghouse Broadcasting Company, also known as Group W, was the broadcasting division of Westinghouse Electric Corporation. It owned several radio and television stations across the United States and distributed television shows for syndication.

Westinghouse Broadcasting was formed in the 1920s as Westinghouse Radio Stations, Inc. It was renamed Westinghouse Broadcasting Company in 1954, and adopted the Group W moniker on May 20, 1963. It was a self-contained entity within the Westinghouse corporate structure; while the parent company was headquartered in Pittsburgh, Pennsylvania, Westinghouse Broadcasting maintained headquarters in New York City. It kept national sales offices in Chicago and Los Angeles.

Group W stations are best known for using a distinctive corporate typeface, introduced in 1963, for their logos and on-air imaging. Similarly-styled typefaces had been used on some non-Group W stations as well and several former Group W stations still use it today. The Group W corporate typeface is closely, but not accurately, mimicked in Ray Larabie's freeware font "Anklepants." The font is also used in the video game Damnation.

Westinghouse Broadcasting was also well known for two long-running television programs, the Mike Douglas Show and PM Magazine (called Evening Magazine in Group W's core broadcast markets).

History[link]

Radio origins[link]

The Westinghouse Electric and Manufacturing Company entered broadcasting with the November 2, 1920 sign-on of KDKA radio in Pittsburgh. The oldest surviving licensed commercial radio station in the United States, KDKA was an outgrowth of experimental station 8XK, a 75-watt station that was located in the Pittsburgh suburb of Wilkinsburg, and founded in 1916 by Westinghouse assistant chief engineer Frank Conrad.

Westinghouse launched three more radio stations in 1921: WJZ, originally licensed to Newark, New Jersey, in September; WBZ, first located in Springfield, Massachusetts, in October; and KYW, originally based in Chicago, in November. WBZA in Boston, a station which shared WBZ's frequency and simulcasted WBZ's programming, signed on in November 1924.

Westinghouse was one of the founding owners of the Radio Corporation of America in 1919, and in 1926 RCA established the National Broadcasting Company, a group of 24 radio stations that made up the first radio network in the United States. Westinghouse initially owned a 20 percent stake in NBC, and as a result all of Westinghouse's stations became affiliates of NBC's Blue Network when it was launched on January 1, 1927. Most of the Blue Network's programming originated at WJZ, which in 1923 had its license moved to New York City, and its ownership transferred to RCA.

In 1931, Westinghouse switched the call letters of its two Massachusetts stations, with WBZA moving to Springfield and WBZ going to Boston. The two stations had suffered from interference problems, though the Boston facility was the more powerful of the two. In 1934, KYW was moved from Chicago to Philadelphia following a Federal Communications Commission-dictated frequency realignment. Westinghouse's next station was its first purchase: WOWO in Fort Wayne, Indiana joined the group in August 1936.

The North American Radio Broadcasting Agreement of 1941 saw all of Westinghouse's original stations move to their current dial positions. With WOWO's power increase to 50,000 watts later that year, the Westinghouse stations were now also clear-channel stations. A decade later, the FCC forbade common ownership of two or more clear channel stations with overlapping nighttime coverage, though the commission allowed Westinghouse to keep WBZ, KYW, KDKA and WOWO together under a grandfather clause.^{[citation needed]} Between them, the four stations' nighttime signals blanketed almost all of the eastern half of North America. Despite the assignments which resulted from NARBA, WBZA became a 1,000-watt daytime-only operation as it continued to share a frequency with WBZ.

The Westinghouse group survived the government-dictated split of NBC's radio division in 1943. WBZ/WBZA, KDKA and KYW became affiliates of NBC's Red Network while WOWO, which had a secondary affiliation with the Blue Network, fell back on its primary relationship with CBS. Westinghouse expanded to the West Coast in 1944 with its purchase of 5,000-watt KEX in Portland, Oregon, a station which also shared a frequency with WOWO. Westinghouse would increase KEX's power to 50,000 watts in 1948.

Later in the 1940s, Westinghouse moved on to develop FM and television stations as the FCC began to issue permits for those services. Westinghouse built FM sister stations for WBZ/WBZA, KDKA, KYW, KEX and WOWO, all of which were on the air by the end of the decade. FM radio was, initially, an unsuccessful venture for Westinghouse, and the company would silence most of its FM stations during the 1950s. Of the early Westinghouse FMs, only the original KDKA-FM (now WLTJ) and the second WBZ-FM facility (now WMJX) proved to be worth keeping, and Westinghouse sold those outlets in the early 1980s.

Moving back to AM radio, Westinghouse returned to Chicago with its 1956 purchase of WIND. In 1962 Westinghouse re-entered the New York market when it bought WINS, then a local Top-40 powerhouse. That same year the company also agreed to buy another top-rated music station, KFWB in Los Angeles. Since Westinghouse was already at the FCC's then-limit of seven AM stations, it had to sell two of its existing AM stations. The company sold KEX to actor and singer Gene Autry, and later decided to shut down WBZA and return its license to the FCC. The KFWB deal was not finalized until 1966.

On April 19, 1965 WINS dropped music and instituted a 24-hour, all-news format, which continues to this day. KYW went all-news six months later on September 12, three months after Westinghouse regained control of the station (see The 1956 Trade with NBC, below). KFWB would adopt the format on March 11, 1968. The three stations all prospered with their new formats, usually ranking among the five highest-rated stations in their markets. During the 1970s and 1980s, WIND also tinkered with a part-time news format, though it had little success against the dominant all-news station in Chicago, CBS-owned WBBM.

Over the next quarter-century, Westinghouse would purchase several other radio stations, including KFBK in Sacramento, California; WMAQ in Chicago, WNEW-FM in New York, and WMMR-FM in Philadelphia. WOWO was sold to other interests in 1982, and WIND was spun off in 1985, three years before Group W bought WMAQ from NBC after that network closed its radio division.

Expansion into television[link]

Westinghouse entered television on June 9, 1948 with the sign-on of WBZ-TV in Boston. It is the only television station to have been built by the company. Westinghouse's first station purchase was with WPTZ in Philadelphia, in 1953. KPIX in San Francisco was bought in 1954; WDTV (now KDKA-TV) in Pittsburgh was added in 1955; and WAAM-TV (now WJZ-TV) in Baltimore was purchased in 1957. Westinghouse's only other outright television station purchase was in Charlotte, North Carolina, where it purchased WRET-TV from Ted Turner in early 1980, and changed its call letters to WPCQ-TV.

The company also purchased cable TV system operator TelePrompTer in 1981, which it renamed Group W Cable the following year. The TelePrompTer acquisition also brought animation producer Filmation into the Group W fold. However, Westinghouse would leave the cable TV system business in 1986, and would later sell Filmation to L'Oréal in 1988. During that period, Group W was known in full as Westinghouse Broadcasting and Cable, Inc.

The 1956 trade with NBC[link]

In June 1955 Westinghouse announced that it would sell its Philadelphia stations, KYW radio and WPTZ-TV, to NBC. In exchange, Westinghouse received NBC's Cleveland stations, WTAM radio and WNBK television, along with $3 million in compensation. After the deal was approved in February 1956, Westinghouse moved the KYW call letters to Cleveland, NBC renamed the Philadelphia stations WRCV (AM) and WRCV-TV, and both companies also transferred much of their respective on-air personnel and management to their new cities. Most notably, both The Mike Douglas Show and the Eyewitness News format originated on KYW-TV during its' tenure in Cleveland.

However, the ink had barely dried on the trade when the FCC and the United States Department of Justice opened an investigation into the deal, on claims that NBC had employed extortion and coercion. The Justice Department believed that NBC used its power as a broadcast network by threatening to withhold or cancel affiliations with Westinghouse-owned stations unless Westinghouse signed off on the deal. A civil suit was filed against NBC and its parent company RCA, on behalf of Westinghouse in December 1956.

According to several sources, the coercion and extortion charges stemmed from NBC's threat to drop its programming from WPTZ unless Westinghouse agreed to the trade. NBC also reportedly promised to disaffiliate from Boston's WBZ-TV, and to withhold a primary affiliation from newly-acquired KDKA-TV in Pittsburgh (that station would sign with CBS as a primary affiliate) and any other major-market network affiliated station Westinghouse would purchase in the future.

In August 1964, after a nearly eight-year-long investigation, the FCC ordered a reversal of the swap. NBC appealed the ruling, extending the ordeal by another year, but to no avail. Westinghouse was also allowed to keep the cash compensation from the original deal. When Westinghouse regained control of the Philadelphia stations on June 19, 1965, it restored the KYW calls to the radio station and renamed the television station KYW-TV. And in a reversal of nine years prior, both NBC and Westinghouse relocated various personnel between both cities.^[1][2]

Later years in television[link]

Throughout its history as an operator of television stations, Westinghouse Broadcasting had relationships with all three major networks. KYW-TV, WBZ-TV, and WPCQ-TV were NBC affiliates, KPIX and KDKA-TV were aligned with CBS, and WJZ-TV was an ABC station. All of Group W's stations were located within the top thirty television markets.

Westinghouse's television stations were all known for their very deep connection to their home markets. They often pre-empted network programming in favor of local programs, and all of them carried programming produced by Group W, which was a major force in television syndication (see Syndication programs, below). However, for the most part the networks did not seem to mind. Most of them were among their networks' strongest performers. KDKA-TV and WJZ-TV dominated their markets, while WBZ-TV and KPIX were solid runners-up. The only exceptions were KYW-TV and WPCQ. KYW-TV had been one of Westinghouse's (and NBC's) crown jewels for many years, but faltered in the late 1970s and eventually became NBC's weakest major-market affiliate by the middle 1980s.

Westinghouse found no success in the Charlotte market, as WPCQ remained an also-ran during its Group W years. Despite the record purchase price, Group W ran the station on a shoestring budget. Under Group W, WPCQ had a minimal local news presence and a program schedule more typical of an independent station, with a large number of cartoons and second-hand syndicated programming. WPCQ was also a UHF network affiliate competing against two long-established network stations on VHF. It also had to deal with three longer-established NBC affiliates, on VHF channels from nearby cities, that were also available over-the-air in large parts of the Charlotte market. Westinghouse was able to escape Charlotte when it sold WPCQ (now WCNC-TV) to Renaissance Broadcasting in 1984.

Merger with CBS[link]

Within a year-long span during 1994-95, a series of surprising events occurred which not only changed the look of the television industry, but also ended Westinghouse's uniqueness among television station operators.

In 1994, the Fox Broadcasting Company agreed to a multi-year, multi-station affiliation deal with New World Communications, resulting in most of New World's stations switching to Fox. Among these stations were longtime CBS affiliates WJBK-TV in Detroit and WJW-TV in Cleveland. To avoid being consigned to the UHF band in two major markets, CBS pursued ABC affiliates WXYZ-TV in Detroit and WEWS in Cleveland. Both stations were owned by the E.W. Scripps Company, who used this leverage to strike a similar affiliation deal of its own with ABC. Unwilling to risk losing two of its strongest and longest-standing affiliates, ABC agreed to 10-year affiliation contracts with WEWS, WXYZ and four other Scripps stations. One of them was Baltimore's then-NBC affiliate, WMAR-TV, which would displace that city's longtime ABC affiliate, Group W-owned WJZ-TV. In turn, the NBC affiliation would be reacquired by the Hearst-Argyle-owned WBAL-TV, which had been Baltimore's CBS affiliate since 1981, when it swapped affiliations with WMAR-TV.

This development did not sit well with Westinghouse. At the time, WJZ-TV had been affiliated with ABC for 47 years, longer than any station that wasn't owned by the network. Westinghouse sought an affiliation deal of its own, and after 6 months of on and off negotiations with CBS, NBC, and Fox, Westinghouse agreed to affiliate its entire television unit with CBS. Under the terms of the deal, all five Group W stations would carry the entire CBS schedule with no pre-emptions except for local news emergencies (as noted above, prior to this, Group W stations were known for pre-empting selected programming of their affiliated networks with Group W-mandated content).

The deal resulted in a three-way transaction between Group W, CBS and NBC, which unfolded between the summer of 1994 and the summer of 1995. The terms were as follows:

• In September 1994, KPIX and KDKA-TV ended their long-standing policies of pre-empting some CBS shows, and began carrying the entire CBS schedule with no pre-emptions. (KPIX however at the time aired CBS prime time programming an hour earlier than normal, a practice that continued until 1998.)
• On January 2, 1995, WJZ-TV and WBZ-TV switched from ABC and NBC, respectively, to CBS.
• On September 10, 1995, KYW-TV switched from NBC to CBS.
• Also on September 10, CBS traded its previous Philadelphia station, WCAU-TV, to NBC in return for KCNC-TV in Denver and KUTV in Salt Lake City. CBS then traded controlling interest in KCNC and KUTV to Westinghouse in return for a minority stake in KYW-TV. (KCNC's station history page erroneously implies that this trade was between NBC and Westinghouse.)
• On September 10, CBS-owned WCIX in Miami swapped channel locations with NBC-owned WTVJ. CBS and NBC traded their Miami broadcasting facilities to compensate each other for the loss of stations. WCIX changed its call letters to WFOR-TV, and CBS sold controlling interest in the station to Westinghouse.
• Westinghouse and CBS formed a joint venture that assumed ownership of KYW-TV, KCNC, KUTV and WFOR, with Westinghouse as majority owner.

A short time later, Westinghouse announced it was buying CBS proper, a transaction which closed in early 1996. As a condition of the merger, both CBS and Group W were forced to sell off several radio stations due to the FCC's then-current ownership limits. CBS also had to sell recently-acquired WPRI-TV in Providence, Rhode Island due to a significant signal overlap with WBZ-TV. At the time, the FCC normally did not allow common ownership of stations with overlapping signals.

Epilogue[link]

Following the completion of the CBS takeover, the former Westinghouse Broadcasting operations took on the CBS name and identity, though the Group W name survived until the end of the 1990s as a holding company within the merged entity's structure. The Westinghouse-CBS merger resulted in several longtime rivals on the radio dials of New York City, Los Angeles, Chicago and Philadelphia becoming sister stations. Excluding WMAQ (shut down in 2000 to allow all-sports WSCR to move to its old dial position) and KFWB (placed in a holding trust as a consequence of CBS's purchase of KCAL-TV), all of the former Group W radio stations are part of CBS Radio.

From that point forward, however, Westinghouse proceeded to transform itself from its legendary role as a diversified conglomerate with a strong industrial heritage into a media giant. Over the next year, it sold off almost all of its nonbroadcast properties. In 1997, Westinghouse changed its name to CBS Corporation and moved its headquarters to New York. In 1998, the company created a new licensing subsidiary under the Westinghouse Electric Corporation name. In this sense, the Westinghouse-CBS merger turned out to be a "wag the dog" transaction.

After selling off its nuclear assets to BNFL in 1999, CBS Corporation was merged into Viacom a year later, thus shutting down the Original Westinghouse for good. Viacom, however, changed its name to CBS Corporation in 2005 and spun off most of its cable and movie interests as a new Viacom. With a few exceptions, the current CBS Corporation holds the same properties that the old CBS Corporation held prior to the Viacom merger, including the new Westinghouse. National Amusements retains majority control of both CBS Corporation and Viacom.

A few of the former Westinghouse radio stations still use the former Group W font today (e.g. KDKA, KYW, and WINS). WOWO, now owned by Pathfinder Communications Corporation, and two television stations, WJZ-TV and KPIX, continue to use this font as well. The other stations discontinued using the typeface early in the 21st century.

Former Westinghouse-owned stations[link]

Stations are arranged in alphabetical order by state and city of license.

Note: Two boldface asterisks appearing following a station's call letters (**) indicate a station that was built and signed-on by Westinghouse.

Television stations[link]

This list does not include KCNC-TV in Denver, WFOR-TV in Miami, and KUTV in Salt Lake City. These stations were taken over by Group W in the interim period before the completion of CBS's acquisition by Westinghouse.

Radio Stations[link]

(a partial listing)

This film, television or video-related list is incomplete; you can help by expanding it with reliably sourced additions.

Syndicated programs[link]

Some of their best-known programs were syndicated and seen in primetime and early/late fringe through its syndication division, Group W Productions, which was originally known as WBC Productions until 1968. Many of these programs were also sold internationally.

Late night talk/variety shows[link]

• PM East (with Mike Wallace and Joyce Davidson)/PM West (with Terrence O'Flaherty) (1961–1962)
• The Steve Allen Show (1962–1964)
• That Regis Philbin Show! (1964–1965)
• The Merv Griffin Show (1965–1969)
• The David Frost Show (1969–1972)

Daytime shows[link]

• The Mike Douglas Show (1963–1980)
• The John Davidson Show (1980–1982)
• Hour Magazine, hosted by Gary Collins (1980–1990)
• The Wil Shriner Show (1986–1987)
• Couch Potatoes, game show hosted by Marc Summers (1989)
• Every Second Counts, game show hosted by Bill Rafferty, produced by Charles Colarusso Productions (1984)
• Vicki!, talk show hosted by Vicki Lawrence (1992–1994)
• Marilu, talk show hosted by Marilu Henner (1994–1995)
• Morning Stretch, exercise and fitness program hosted by Joanie Greggains (produced at KPIX during the 1980s)

Group W also syndicated and franchised the program PM Magazine (alternatively titled Evening Magazine on stations owned and operated by Westinghouse Broadcasting) to local stations.

Made-for-TV movies[link]

• Mafia Princess, starring Tony Curtis and Susan Lucci (1986)^{[citation needed]}

Children's/animated series[link]

• Teenage Mutant Ninja Turtles (1987 version)
• Speed Racer (1993 version)
• Way Cool (1991–1992) ([1])
• The Filmation library (He-Man and the Masters of the Universe, She-Ra: Princess of Power, Fat Albert and the Cosby Kids, Ghostbusters, Bravestarr, among other titles)

First-run syndicated shows[link]

• Fight Back! with David Horowitz (1976–1992)
• The George Michael Sports Machine (1991–1995)
• Martha Stewart Living (1993–2004)

After the merger with CBS in 1996, Group W Productions was renamed Eyemark Entertainment, with CBS Broadcast International acquiring the overseas rights to the Group W backlog. Eyemark was in turn folded into King World Productions following the latter company's acquisition by CBS in 2000. King World gained control of most of the Group W and Eyemark libraries from 2000-2005. These libraries are now controlled by CBS Television Distribution. The Filmation library is now the property of Boomerang Media subsidiary Classic Media and the 1987 Teenage Mutant Ninja Turtles series is now owned by Viacom with Lionsgate Home Entertainment owning DVD rights. Couch Pototoes is co-owned by Disney-ABC Domestic Television and CBS.

Cable networks[link]

• The Nashville Network (TNN) (then co-owned with Gaylord Entertainment; Group W later bought Gaylord's stake in the channel; later owned by Viacom's MTV Networks as Spike TV)
• The Disney Channel (then co-owned with the Walt Disney Company; Disney later bought Group W's 50 percent stake)
• Home Team Sports (now Comcast SportsNet Mid-Atlantic) (Baltimore\Washington network) and FSN Southwest (Dallas network)
• Satellite News Channel (co-owned with ABC; Network went defunct after a year and transponder space was sold to Ted Turner, who used it to start CNN Headline News)
• Showtime (50 percent stake with Viacom from 1981 [when Group W acquired TelePrompter], until they sold their half of Showtime back to Viacom in 1982)
• Wisconsin Sports Network (co-owned with the Milwaukee Time Warner Cable franchise from 1996–1998, then merged into CBS Cable's Midwest Sports Channel (MSC). Later bought by Fox in 2000 and became FSN North and FSN Wisconsin). (No relation to the present-day website of the same name.)
• Z Channel (under TelePrompter-owned Theta Cable)

References[link]

1. ^ "Philadelphia circle is complete." Broadcasting, Aug. 3, 1964, pg. 23.
2. ^ "Nine-year history of that trade in Philadelphia." Broadcasting, Aug. 3, 1964, pg. 24-25.

For the photographer, see Frederic Wolf Photography Official Website

Fred Wolf (born 1932) is an American animator. His works include the 1967 short subject The Box, for which he won an Academy Award; television specials such as The Point! and Free to Be... You and Me, and television series such as Teenage Mutant Ninja Turtles, James Bond Jr., and Sarah Ferguson's Budgie the Little Helicopter. Wolf was also responsible for the famous Tootsie Pops "How Many Licks" commercial.

In the 1960s, Wolf set up a studio in Hollywood, California with Japanese-American animator Jimmy Murakami (later of The Snowman). The studio was called Murakami-Wolf Films. In 1978, animator Charles Swenson became a partner, and the company became known as Murakami-Wolf-Swenson. Both Murakami and Swenson eventually left the company, and in 1992 it became Fred Wolf Films.

In 1989, MWS established a satellite studio in Dublin, Ireland, known as Murakami-Wolf Dublin before eventually adopting its current name (Fred Wolf Films Dublin). In this studio, each project is produced by a dedicated Irish crew

Fred Wolf also served in the U.S. Army and is a Combat Veteran of the Korean War.

Productions[link]

Among the various series produced by or involving Fred Wolf are:

• Alvin and the Chipmunks (1988)
• Barnyard Commandos (1990)
• The California Raisin Show
• Ducktales (1987)
• Hollywood Dogs (1989)
• Dino Babies (1994)
• James Bond Jr. (1991)
• Little Clowns of Happytown (1987)
• Pretty Piggies (1990)
• Teenage Mutant Ninja Turtles (1987)
• The Wuzzles (1985)

Movies produced/Directed by Fred Wolf:

• The Point! (1971)
• The Mouse and His Child (1978)
• Adventures of the American Rabbit (1986)

External links[link]

• Fred Wolf Films Official Website

This article relating to an animator is a stub. You can help Wikipedia by expanding it. v t e

Dame Shirley Bassey
Shirley Bassey at Wembley Arena, 2006
Background information
Birth name	Shirley Veronica Bassey
Born	(1937-01-08) 8 January 1937 (age 75) Tiger Bay, Cardiff, Wales
Genres	Popular music
Occupations	Singer
Instruments	Vocals
Years active	1953–present
Labels	Philips, Columbia, United Artists, Decca, Geffen
Website	www.dameshirleybassey.com

Dame Shirley Bassey, DBE (born 8 January 1937^[1]), is a Welsh singer. She found fame in the mid-1950s and was "one of the most popular female vocalists in Britain during the last half of the 20th century".^[2][3] In the US, in particular, she is best known for recording the theme songs to the James Bond films Goldfinger (1964), Diamonds Are Forever (1971), and Moonraker (1979) and is the only artist to record more than one Bond theme song. Bassey is also a UNESCO Artist for Peace.^[2][4][5]

Birth to 1959[link]

"Born above a brothel in a docklands slum",^[6] Shirley Veronica Bassey was the sixth and last child of Eliza Jane Start^[7] and Henry Bassey in Tiger Bay, Cardiff, Wales (now called Cardiff Bay), of paternal Nigerian and maternal English descent.^[2][8][9] Bassey's mother also had four children from previous relationships, two of whom lived in the Bassey household. Eliza had married previously, to Alfred Metcalfe, and upon her marriage to Bassey, Eliza Jane Metcalfe listed Alfred Metcalfe as her father on the marriage registry. It has thus been theorized that she never divorced Alfred, and that her marriage to Bassey was bigamous.^[10] Eliza and Henry's second child died in infancy, so Shirley was born into a household of three sisters, two half-sisters, and one brother.^[11] A year later her father was arrested and charged with having sex with a minor, was tried, imprisoned for five years, then deported.^[12] After Henry's arrest, Eliza and the children moved to the nearby steelworking district of Splott.^[13]

As a preteen attending Moorland Road School, Bassey's strong voice was noticed by teachers and students alike, though without encouragement: "...everyone told me to shut up. Even in the school choir the teacher kept telling me to back off till I was singing in the corridor! [A classmate] recalled her singing 'Can't help lovin' that man of mine' from Showboat with such feeling that she made [their] teacher uncomfortable."^[14] After leaving Splott Secondary Modern School at the age of 14, Bassey first found employment packing at a local factory while singing in local public houses and clubs in the evenings and weekends.^[15]

In 1953, Bassey signed her first professional contract, to sing in a touring variety show Memories of Jolson, a musical based on the life of Al Jolson.^[16] She next took up a professional engagement in Hot from Harlem, which ran until 1954. By this time Bassey had become disenchanted with show business, and had become pregnant at 16 with her elder daughter, Sharon—the father has not been identified—^[6] so she went back to waiting tables in Cardiff.

In 1955, a chance recommendation to Michael Sullivan, a booking agent, put Bassey firmly on course for her destined career. He saw talent in Bassey, and decided he would make her a star. She toured various theatres until she was seen by Jack Hylton whose interest in her put her firmly on the road to stardom. He invited her to star in Al Read's Such Is Life at the Adelphi Theatre in London's West End. During the show's run, Philips A&R and record producer Johnny Franz spotted her on television, was impressed, and offered her a recording deal. Bassey recorded her first single, entitled "Burn My Candle", and Philips released it in February 1956, when Bassey was 19. Owing to the suggestive lyrics, the BBC banned it, but it sold well nonetheless, backed with her powerful rendition of "Stormy Weather". Further singles followed, and in February 1957, Bassey had her first hit with "The Banana Boat Song", which reached No. 8 in the UK Singles Chart.^[17] During that year, she also recorded under the direction of American producer Mitch Miller in New York for the Columbia label, producing the single "If I Had a Needle and Thread" b/w "Tonight My Heart She Is Crying". She then travelled to Las Vegas to make her American stage début at El Rancho Vegas.^[18] In mid-1958, she recorded two singles that would become classics in the Bassey catalogue. "As I Love You" was released as the B-side of another ballad, "Hands Across the Sea"; it did not sell well at first, but after a chance appearance at the London Palladium things began to pick up. In January 1959, it reached No. 1 and stayed there for four weeks. It thus became the first number 1 single by a Welsh artist.^[19] Bassey also recorded "Kiss Me, Honey Honey, Kiss Me" at this point, and while "As I Love You" raced up the charts, so too did this record, with both songs being in the top three at the same time. A few months later, Bassey signed to EMI's Columbia label, and the second phase in her recording career had begun.

1960 to 1979[link]

In the early and mid-1960s, Bassey had numerous hits on the UK charts, and five albums in the Top 15. Her 1960 recording of "As Long As He Needs Me" from Lionel Bart's Oliver! reached No. 2, and had a chart run of 30 weeks.^[5] On 13 November 1960, Bassey made her début performance on American television, appearing on The Ed Sullivan Show.^[20] In 1962, Bassey's collaboration with Nelson Riddle and his orchestra produced the album Let's Face the Music (No. 12) and the single "What Now My Love" (No. 5). Other Top Ten hits of the period included her second No. 1, the double A-side "Reach for the Stars"/"Climb Ev'ry Mountain" (1961), "I'll Get By" (also 1961), and a cover version of the Ben E. King hit "I (Who Have Nothing)" in 1963.^[17] During this period, Bassey appeared on the cover of Ebony magazine, and sang at a Washington gala celebrating the end of President Kennedy's second year in office.^[21]

In 1965, Bassey enjoyed her only U.S. Top 40 Billboard Hot 100 hit with the title song of the James Bond film, Goldfinger. The single peaked at No. 8, while the original soundtrack of Goldfinger hit No. 1 in the U.S. that same year. Also in 1965, she sang the title track for the spoof James Bond film The Liquidator, and had a Top 20 live album recorded during a sell-out run at London's Pigalle.

From 1964 onwards the "Goldfinger" single had a lasting impact on her career: writing for the sleeve notes of Bassey's 25th Anniversary Album, Clayton (1978) notes that: "Acceptance in America was considerably helped by the enormous popularity of ("Goldfinger")...But she had actually established herself there as early as 1961, in cabaret in New York. She was also a success in Las Vegas...'I suppose I should feel hurt that I've never been really big in America on record since "Goldfinger"...But, concertwise, I always sell out.'..."^[22] This was reflected in the fact that Bassey had only one solo LP to reach the Top 20 in a US chart (R&B, Live at Carnegie Hall), and she was technically a one-hit wonder, making only one appearance in the Top 40 of the Billboard Hot 100, "Goldfinger". But in the aftermath of "Goldfinger" her UK sales started to falter as well: only two of her singles would enter the UK Top 40 until 1970. She had signed to United Artists, and her first album on that label, 1966's I've Got a Song for You, spent one week on the chart; from there until 1970, only two albums would chart, one of those a compilation. In 1967 came the release of one of her best-known singles "Big Spender", although it charted just outside the UK Top 20.^[17]

Bassey started living as a tax exile in 1968, and was not permitted to work in Britain for almost two years.^[9][23] Also in 1968, at the Sanremo Festival in Italy, she performed "La vita", an Italian song by Bruno Canfora and Antonio Amurri, with some lyrics re-written in English by Norman Newell for her performance. Her version of the song with chorus sung in Italian became a Top 40 hit on the Italian chart, and Bassey recorded several songs in Italian, some appearing on a 1968 Italian album titled La vita.^[24] (Later, Newell would write English lyrics for the rest of "La vita", and the result was "This Is My Life".) But her UK sales continued to suffer.

Bassey performing in Germany in 1973

Bassey's UK comeback came in 1970, leading to one of the most successful periods of her career. In this year, she returned to the UK with a record breaking run of performances at the Talk of the Town nightclub. Also in that year, she released the album Something, which showcased a new Bassey style, a shift from traditional pop to more contemporary songs and arrangements (the single of the same name was more successful in the UK charts than the original Beatles recording - the only artist to have achieved this), though Bassey would never completely abandon what had been her forte, standards, show tunes, and torch songs. "Something" was also a Top 10 U.S. hit on the Adult Contemporary chart. Other singles of this period included the top ten hit "Never Never Never" (1973) – the latter reaching the Top 10 in the U.S. Adult Contemporary Chart, the UK Top 10 and and number one in Australia and South Africa. The success of "Something" (single No. 4, album No. 5) spawned a series of successful albums on the UA label, including Something Else (1971), And I Love You So (1972), I Capricorn (1972), Never Never Never (1973), Good, Bad but Beautiful (1975), Love, Life and Feelings (1976), You Take My Heart Away (1977) and Yesterdays (1978). Bernard Ighner wrote and duetted with Bassey for the track "Davy" on the Nobody Does It Like Me album (1974). Additionally, two of Bassey's earlier LPs entered the charts, 1967's And We Were Lovers (re-issued as Big Spender), and 1962's Let's Face the Music (re-issued as What Now My Love). Two compilations, The Shirley Bassey Singles Album (1975) and 25th Anniversary Album (1978) both made the UK top three: The Shirley Bassey Singles Album her highest charting album at number two and earning a gold disc, and 25th Anniversary Album going platinum.^[17][25]

Between 1970 and 1979, Bassey had 18 hit albums in the UK Albums Chart.^[5] Her 1978 album The Magic Is You featured a portrait by the photographer, Francesco Scavullo. In 1973, her sold-out concerts at New York's Carnegie Hall were recorded and released as a two-LP set, Shirley Bassey: Live at Carnegie Hall. This album and the majority of her recordings from this period have been re-mastered and released on CD by EMI and BGO Records. In 1971, she recorded the theme song for Diamonds Are Forever. The recording featured as part of Sydney, Australia's 2007 New Year's celebration.

Bassey appeared on the Morecambe and Wise Christmas Show, broadcast on Christmas Day in 1971.^[26] In 1976, Bassey starred in the six-episode The Shirley Bassey Show, the first of her television programs for the BBC, followed by a second series of six episodes in 1979. The final show of the first series was nominated for the Golden Rose of Montreux in 1977. The series featured guests including Neil Diamond, Michel Legrand, The Three Degrees and Dusty Springfield; filmed in various locations throughout the world as well as in the studio. In 1978, Bassey pleaded guilty to being drunk and disorderly "after shouting abuse in the street and pushing a policeman".^[4] Bassey closed out the decade with her third title theme for the Bond films, Moonraker (1979).

1980 to 1999[link]

Throughout most of the 1980s, Bassey focused on charitable work and performing occasional concert tours throughout Europe, Australia, and the United States, having ended her contract with EMI-United Artists and taking what she referred to as 'semi-retirement'. In 1982 Bassey recorded an album entitled All by Myself and made a TV special for Thames Television called A Special Lady with guest Robert Goulet. In 1983 she recorded a duet with Alain Delon, "Thought I'd Ring You", which became a hit single in Europe. Bassey was now recording far less often but released an album in 1984 of her most famous songs, I Am What I Am, performed with the London Symphony Orchestra conducted by Carl Davis. In 1986, she released a single and video to support the London Tourist Board, "There's No Place Like London", co-written by Lynsey de Paul and Gerard Kenny. In 1987 she recorded an album of James Bond themes, The Bond Collection, but was apparently unhappy with the results so she declined to release it. (Five years later it was released anyway, Bassey sued in court, and all unsold copies were withdrawn).^[27] Also in 1987, Bassey provided vocals for Swiss artists Yello on "The Rhythm Divine", a song co-written by Scottish singer Billy Mackenzie.^[2] In 1989, she released an album sung entirely in Spanish, La Mujer. In the latter mid-1980s Bassey had started working with a vocal coach, a former opera singer, and her 1991 album Keep the Music Playing displayed a grand, operatic pop style on several songs (perhaps also influenced by her album with the LSO seven years earlier).

In 1994 EMI released the five-CD box set Bassey – The EMI/UA Years 1959 – 1979. The accompanying booklet opened with a poem by Marc Almond. In 1996, Bassey collaborated with Chris Rea in the film La Passione, appearing in the film as herself and releasing the single "'Disco' La Passione". The remix of this single proved a major club hit throughout Europe^{[citation needed]}, though charting just outside the UK top 40.^[17] Bassey released a new recording the following year, "History Repeating", written for her by the Propellerheads and scoring a No. 1 on the UK Dance Chart, and No. 10 on the US Dance Chart.^[28] It was also a top ten hit in Italy.^[24] The liner notes of the Propellerheads' album Decksandrumsandrockandroll included the lines "We would like to extend our maximum respect to Shirley Bassey for honouring us with her performance. We are still in shock ..." Bassey celebrated her 60th birthday in 1997 with two open-air concerts, at Castle Howard and Althorp Park, and another TV special. The resulting live album The Birthday Concert received a Grammy Award nomination for Best Traditional Pop Vocal Performance.^[29] On 7 October 1998 in Egypt, Bassey performed for a benefit at an open air concert close to the Sphinx and the Great Pyramid.

In the 1998 film Little Voice, Bassey was one of three central figures along with Marilyn Monroe and Judy Garland, and Bassey's track "Goldfinger" featured in the movie. Jane Horrocks, the lead actress in the film, went on to impersonate Bassey both on record and television, as well as during a UK tour.

In 1998 Bassey was sued in a breach of contract case by her former personal assistant, who also accused Bassey of hitting her and making an ethnic slur. Bassey won the case.^[4] The episode was lampooned by Alexander Baron in his one-act play, The Trial of Shirley Bassey.

The following year, she performed the official song for the rugby World Cup, "World in Union", with Bryn Terfel at the opening ceremony at The Millennium Stadium, Cardiff, wearing a gown designed on the Welsh flag. Their single made the Top 40, and Bassey contributed two more songs to the official album Land of My Fathers, which reached No. 1 on the UK compilations chart, and went silver.^[25][30]

2000 to date[link]

In 2001, Bassey was principal artiste at the Duke of Edinburgh's 80th Birthday celebration. On 3 June 2002 Shirley Bassey was one of a prestigious line up of artists including Elton John, Paul McCartney, Queen, The Corrs, Annie Lennox, Eric Clapton, Tony Bennett, Cliff Richard, Joe Cocker, Rod Stewart, Ricky Martin, Phil Collins and Tom Jones who performed at the Queen’s 50th Jubilee Party at Buckingham Palace. Then, in 2003, Bassey celebrated 50 years in show business, releasing the CD Thank You for the Years, which was another Top 20 album. A gala charity auction of her stage costumes at Christie's, Dame Shirley Bassey: 50 Years of Glittering Gowns, raised £250,000 (US$500,000) for the Dame Shirley Bassey Scholarship at the Royal Welsh College of Music and Drama and the Noah's Ark Children's Hospital Appeal.^[31] Bassey topped the bill at the 2005 Royal Variety Performance, introducing her new song "The Living Tree".

Two popular Audiences with Shirley Bassey have aired on British television, one in 1995 that attracted more than 10 million viewers in the UK, with the most recent in 2006. Bassey returned to perform in five arenas around the UK in June the same year, culminating at Wembley. She also performed a concert in front of 10,000 people at the Bryn Terfel Faenol Festival in North Wales broadcast by BBC Wales.

Marks & Spencer signed her for their Christmas 2006 James Bond-style television advertising campaign. Bassey is seen in a glamorous Ice Palace singing a cover version of Pink's song "Get the Party Started", wearing an M&S gown.

"The Living Tree", written, produced and originally recorded by the group Never the Bride, was released as a single on 23 April 2007, marking Bassey's 50th anniversary in the UK Singles Chart – and the record for the longest span of Top 40 hits in UK chart history.^[5] Bassey performed a 45 minute set at the 2007 Glastonbury Festival wearing a pink Julien Macdonald dress, and customised Wellington boots.^[32] A new album, Get the Party Started, was subsequently released on 25 June 2007 and entered the UK Albums Chart at No. 6.^[17] The single of the title song reached No. 3 on the U.S. Dance Chart.^[33] The same year, Bassey performed "Big Spender" with Elton John at his annual White Tie and Tiara Ball to raise money for The Elton John AIDS Foundation.^[34] In 2007, Bassey performed in Fashion Rocks in aid of The Prince's Trust at the Royal Albert Hall.

From left to right: Sting, Debbie Harry, Lady Gaga, Elton John, Bassey and Bruce Springsteen at Carnegie Hall 2010

She was rushed to hospital in Monaco on 23 May 2008 to have an emergency operation on her stomach after complaining of abdominal pains. She was forced to pull out of the Nelson Mandela 90th Birthday Tribute concert because of her illness.^[35] A biography, Diamond Diva, was published in 2008. In 2009 her granddaughter appeared on The X Factor.^[36]

In 2009, Bassey recorded the album, The Performance, with James Bond composer David Arnold as co-producer (with Mike Dixon). A number of artists wrote songs expressly for Bassey, including Manic Street Preachers, Gary Barlow, KT Tunstall, Pet Shop Boys, Nick Hodgson of the Kaiser Chiefs, John Barry and Don Black.

Bassey headlined at the BBC Electric Proms on 23 October 2009, in her only full live set of 2009.^[4][37]

In November 2009, she performed several of the new songs from The Performance on various TV shows: The Graham Norton Show, The Paul O'Grady Show and as the guest singer on Strictly Come Dancing.

Bassey performed at the Rainforest Foundation Fund 21st Birthday concert at Carnegie Hall, New York City on 13 May 2010.

On 30 March 2011, Bassey performed at a gala celebrating the 80th birthday of Mikhail Gorbachev.^[38] She also performed at the Classical Brit Awards in 2011, singing "Goldfinger" in tribute to John Barry.^[39]

On 21 May 2011, Bassey became the godmother of P&O Cruise's latest ship Adonia at the naming ceremony in Southampton, England.

On 20 June 2011, Bassey sang "Diamonds Are Forever" and "Goldfinger", accompanied by the Royal Philharmonic Orchestra, at the John Barry Memorial Concert the Royal Albert Hall in London.

On 29 September 2011, the BBC broadcast a 70 minute drama, entitled Shirley, depicting Bassey's early life and career.^[40] Ruth Negga played the title role.

Personal life[link]

Bassey has been married twice, her husbands being:

• Kenneth Hume (died 1967), a gay film producer, whom she married in 1961.^[6][41] The couple separated in 1964 and divorced in 1965, in the wake of the singer's affair with actor Peter Finch. Bassey then announced to the press that she and Finch would not be marrying, telling the press, "It simply wouldn't work out. Just now I am not ready for marriage to anyone. I feel I have to be free".^[42] A year later, Hume sued the actor and another man, John McAuliffe, for being "indiscreet" with the singer.^[43] Both Finch and McAuliffe were cited as co-respondents in the Hume-Bassey divorce.^[44] For her part, Bassey was named as co-respondent in 1965 when Finch's wife, South African actress Yolande Turner, divorced the actor.^[45]

• Sergio Novak, the assistant manager of the Excelsior Hotel in Rome, Italy. Bassey and Novak were married from 1968 until they divorced in 1979.^[46] Novak served as Bassey's manager throughout this time. With Novak she adopted her grand-nephew, Mark.^[8][9]

The fathers of Bassey's two daughters, Sharon Bassey (aka Sharon Novak, born 1954) and Samantha Bassey (aka Samantha Novak, born 1963), are unknown.^[47][48] However, Bassey's first husband suggested that Samantha, born during the couple's marriage, was the result of an affair between Bassey and Peter Finch. In 1965, according to an article in Jet, "There is a big dispute in London over who is the father of tempestuous singer Shirley Bassey's baby. Although one-time boy friend English actor Peter Finch agreed that the child may not belong to Shirley's divorced husband, Kenneth Hume, Finch insists it does not belong to him ... "^[43][49]

In 1985, Samantha Novak, age 21, was found dead in the River Avon in Bristol, England. Bassey has always maintained that the death of her daughter was not a suicide.^[4] On 24 March 2010, Avon and Somerset Police confirmed they were undertaking fresh inquiries into the death of Novak, and specifically claims that the convicted killer Michael Moffat was involved in her death.^[50] However, in October 2010 it was reported that the investigation came to an end and concluded that there "is no evidence of any criminal act involved" in Novak's death.^[51]

Bassey's granddaughter Tatjana Novak-Kimsey, daughter of the singer's one-time estranged son, Mark Novak, was a contestant on The X Factor.^[52] (In a 2009 interview, Bassey stated that she and her son had reconciled.)^[4]

Bassey has four grandsons through her daughter, Sharon Novak.^[53]

Bassey currently resides in Monte Carlo.

Awards and achievements[link]

"For services to entertainment", Bassey was created a Dame Commander of the Order of the British Empire (DBE) on 31 December 1999 by Queen Elizabeth II.^[54] She was invited to perform in 2002 at the Party at the Palace, a public celebration of the Queen's Golden Jubilee. She was awarded France's top honour, the Legion d'Honneur, to signify her popularity and importance in the culture of France.

• 1972 (1972) – Best Female Singer – TV Times
• 1973 (1973) – Best Female Singer – TV Times
• 1974 (1974) – Best Female Entertainer – American Guild of Variety Artists
• 1976 (1976) – Best Female Singer – Music Week
• 1976 (1976) – 22-day British tour to mark twenty years as a recording artist
• 1976 (1976) – EMI Award for twenty years as a recording artist – UK
• 1977 (1977) – Best British Female Solo Artist in the previous 25 years – BRIT Award
• 1977 (1977) – Golden Rose of Montreux nomination for The Shirley Bassey Show
• 1991 (1991) – Walk of Fame, Star Boulevard – plaque unveiled in Rotterdam^[55]
• 1993 (1993) – CBE – Commander of the Order of the British Empire
• 1995 (1995) – Showbusiness Personality of the Year – Variety Club of Great Britain
• 1997 (1997) – Grammy nomination – The Birthday Concert (recorded live at Althorp Park)
• 1998 (1998) – Longest run by a solo artist (ten shows) – Royal Festival Hall, London
• 1999 (1999) – Légion d'Honneur – France
• 1999 (1999) – Madam Tussaud's waxwork unveiled in London (second model in Las Vegas)
• 2000 (2000) – DBE – Dame Commander of the Order of the British Empire
• 2000 (2000) – Most Successful British Female Singer – Guinness Book of Records^{[citation needed]}
• 2003 (2003) – Outstanding Contribution to Music – National Music Awards, UK^[56]
• 2003 (2003) – Lifetime Achievement Award (inaugural award) – Western Mail Welsh Woman of the Year Awards^[57]
• 2004 (2004) – 100 Great Black Britons, Bassey voted into the top ten
• 2004 (2004) – Artist for Peace Award – UNESCO
• 2005 (2005) – Avenue of Stars – plaque unveiled in London
• 2008 (2008) – "Goldfinger" – United Artists single (1964) inducted into the Grammy Hall of Fame^[58]

Discography[link]

Bibliography[link]

• Miss Shirley Bassey - John L. Williams (2010)
• Shirley Bassey: Diamond Diva – Peter Hogan (2008)
• Cardiff: Rebirth of a Capital (Foreword by Shirley Bassey) – Ungersma, Hurn (2005)
• Shirley Bassey: Welsh History Stories – Evans, Stokes, ap Emlyn, ap Emlyn (2003)
• Shirley Bassey: An appreciation – Muriel Burgess (1998, reprinted 1999)
• My Life on Record and in Concert – Shirley Bassey (Bloomsbury, 1998)
• The Trial of Shirley Bassey – A Play in One Act – Alexander Baron (1998)
• Shirley Bassey: This Is My Life (Piano/vocal/guitar) – Sheet music book
• Shirley Bassey: You're the Voice (Piano/vocal/guitar) – Sheet music book
• Guinness Book of British Hit Singles – 14th Edition – ISBN 0-85156-156-X
• Guinness Book of British Hit Singles – 16th Edition – ISBN 0-85112-190-X
• Guinness Book of British Hit Albums – 7th Edition – ISBN 0-85112-619-7
• The Book of Golden Discs – 2nd Edition – ISBN 0-214-20512-6
• The Guinness Book Of 500 Number One Hits – ISBN 0-85112-250-7

See also[link]

	Book: Shirley Bassey
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• List of best-selling music artists

References[link]