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The Holy See (Latin: Sancta Sedes, Italian: Santa Sede) refers to the episcopal jurisdiction of the Catholic Church in Rome. The primacy of Rome makes its bishop the worldwide leader of the church, commonly known as the Pope. Since Rome is the preeminent episcopal see of the church, it contains the central government of the church, including various agencies essential to administration. As such, diplomatically, the Holy See acts and speaks for the whole Catholic Church. It is also recognized by other subjects of international law as a sovereign entity, headed by the Pope, with which diplomatic relations can be maintained."^[1][2]

Although it is often referred to as "the Vatican", the Holy See is not the same entity as the Vatican City State, which came into existence only in 1929; the Holy See, the episcopal see of Rome, dates back to early Christian times. Ambassadors are officially accredited not to the Vatican City State but to "the Holy See", and papal representatives to states and international organizations are recognized as representing the Holy See, not the Vatican City State.

Though all episcopal sees may be considered "holy", the expression "the Holy See" (without further specification) is normally used in international relations (and in the canon law of the Roman Catholic Church)^[3] to refer to the See of Rome viewed as the central government of the Roman Catholic Church.

The British Foreign and Commonwealth Office speaks of Vatican City as the "capital" of the Holy See, although it compares the legal personality of the Holy See to that of the Crown in Christian monarchies and declares that the Holy See and the state of Vatican City are two international identities. It also distinguishes between the employees of the Holy See (2,750 working in the Roman Curia with another 333 working in the Holy See's diplomatic missions abroad) and the 1,909 employees of the state.^[4] The British Ambassador to the Holy See uses more precise language, saying that the Holy See "is not the same as the Vatican City State. … (It) is the universal government of the Catholic Church and operates from the Vatican City State."^[5] This agrees exactly with the expression used by the website of the United States Department of State, in giving information on both the Holy See and the Vatican City State: it too says that the Holy See "operates from the Vatican City State".^[6]

Organisation[link]

Coat of arms of the Holy See

The Pope governs the Catholic Church through the Roman Curia. The Roman Curia consists of a complex of offices that administer church affairs at the highest level, including the Secretariat of State, nine Congregations, three Tribunals, eleven Pontifical Councils, and seven Pontifical Commissions. The Secretariat of State, under the Cardinal Secretary of State, directs and coordinates the Curia. The incumbent, Cardinal Tarcisio Bertone, is the See's equivalent of a prime minister. Archbishop Dominique Mamberti, Secretary of the Section for Relations with States of the Secretariat of State, acts as the Holy See's minister of foreign affairs. Bertone and Mamberti were named in their respective roles by Pope Benedict XVI in September 2006.

Vatican City

The Secretariat of State is the only body of the Curia that is situated within Vatican City. The others are in buildings in different parts of Rome that have extraterritorial rights similar to those of embassies.

Among the most active of the major Curial institutions are the Congregation for the Doctrine of the Faith, which oversees the Catholic Church's doctrine; the Congregation for Bishops, which coordinates the appointment of bishops worldwide; the Congregation for the Evangelization of Peoples, which oversees all missionary activities; and the Pontifical Council for Justice and Peace, which deals with international peace and social issues.

Three tribunals exercise judicial power. The Roman Rota handles normal judicial appeals, the most numerous being those that concern alleged nullity of marriage.^[7] The Apostolic Signatura is the supreme appellate and administrative court concerning decisions even of the Roman Rota and administrative decisions of ecclesiastical superiors (bishops and superiors of religious institutes), such as closing a parish or removing someone from office. It also oversees the work of other ecclesiastical tribunals at all levels.^[8] The Apostolic Penitentiary deals not with external judgments or decrees, but with matters of conscience, granting absolutions from censures, dispensations, commutations, validations, condonations, and other favours; it also grants indulgences.^[9]

The Prefecture for the Economic Affairs of the Holy See coordinates the finances of the Holy See departments and supervises the administration of all offices, whatever be their degree of autonomy, that manage these finances. The most important of these is the Administration of the Patrimony of the Apostolic See.

The Prefecture of the Papal Household is responsible for the organization of the papal household, audiences, and ceremonies (apart from the strictly liturgical part).

The Holy See does not dissolve upon a Pope's death or resignation. It instead operates under a different set of laws sede vacante. During this interregnum, the heads of the dicasteries of the Roman Curia (such as the prefects of congregations) cease immediately to hold office, the only exceptions being the Major Penitentiary, who continues his important role regarding absolutions and dispensations, and the Camerlengo of the Holy Roman Church, who administers the temporalities (i.e., properties and finances) of the See of St. Peter during this period. The government of the See, and therefore of the Catholic Church, then falls to the College of Cardinals. Canon law prohibits the College and the Camerlengo from introducing any innovations or novelties in the government of the Church during this period.

In 2001, the Holy See had a revenue of 422.098 billion Italian lire (about 202 million USD at the time), and a net income of 17.720 billion Italian lire (about 8 million USD).^[10]

Status in international law[link]

The Holy See has been recognised, both in state practise and in the writing of modern legal scholars, as a subject of public international law, with rights and duties analogous to those of States. Although the Holy See, as distinct from the Vatican City State, does not fulfil the long-established criteria in international law of statehood—having a permanent population, a defined territory, a stable government and the capacity to enter into relations with other states^[11]—its possession of full legal personality in international law is shown by the fact that it maintains diplomatic relations with 179^[12] states, that it is a member-state in various intergovernmental international organizations, and that it is: "respected by the international community of sovereign States and treated as a subject of international law having the capacity to engage in diplomatic relations and to enter into binding agreements with one, several, or many states under international law that are largely geared to establish and preserving peace in the world."^[13]

Diplomacy[link]

Foreign relations with the Holy See.

  Diplomatic relations

  Other relations

  No relations

Since medieval times the episcopal see of Rome has been recognized as a sovereign entity. The Holy See (not the State of Vatican City) maintains formal diplomatic relations with 179 sovereign states,^[12] and also with the European Union, and the Sovereign Military Order of Malta, as well as having relations of a special character with the Palestine Liberation Organization;^[14][15] 69 of the diplomatic missions accredited to the Holy See are situated in Rome. The Holy See maintains 180 permanent diplomatic missions abroad, of which 74 are non-residential, so that many of its 106 concrete missions are accredited to two or more countries or international organizations. The diplomatic activities of the Holy See are directed by the Secretariat of State (headed by the Cardinal Secretary of State), through the Section for Relations with States. There are 15 internationally recognized states with which the Holy See does not have relations.^[16] The Holy See is the only European subject of international law that has official diplomatic relations with the Republic of China (Taiwan).

The Holy See is a member of various International organizations and groups including the International Atomic Energy Agency (IAEA), International Telecommunication Union, the Organization for Security and Co-operation in Europe (OSCE), the Organization for the Prohibition of Chemical Weapons (OPCW) and the United Nations High Commissioner for Refugees (UNHCR). The Holy See is also a permanent observer in various international organizations, including the United Nations General Assembly, the Council of Europe, UNESCO (United Nations Educational, Scientific and Cultural Organization), the World Trade Organization (WTO), and the Food and Agriculture Organization (FAO).

Military and police[link]

Though, like various European powers, earlier Popes recruited Swiss mercenaries as part of an army, the Pontifical Swiss Guard was founded by Pope Julius II on 22 January 1506 as the personal bodyguard of the Pope and continues to fulfil that function. It is listed in the Annuario Pontificio under "Holy See", not under "State of Vatican City". At the end of 2005, the Guard had 134 members. Recruitment is arranged by a special agreement between the Holy See and Switzerland. All recruits must be Catholic, unmarried males with Swiss citizenship who have completed their basic training with the Swiss Army with certificates of good conduct, be between the ages of 19 and 30, and be at least 175 cm (5 ft 9 in) in height. Members are armed with small arms and the traditional halberd (also called the Swiss voulge), and trained in bodyguarding tactics.

• • • See: Vatican City#Military and police for more on this subtopic

Relationship with the Vatican City and other territories[link]

The Holy See participates as an observer in AU, Arab League, Council of Europe, OAS, IOM, and in the UN and its agencies FAO, ILO, UNCTAD, UNEP, UNESCO, UN-HABITAT, UNHCR, UNIDO, UNWTO, WFP, WHO, WIPO. It participates as a guest in NAM, and as a full member in IAEA, OPCW, OSCE.

Although the Holy See is closely associated with the Vatican City, the independent territory over which the Holy See is sovereign, the two entities are separate and distinct. After the Italian takeover of the Papal States in 1870, the Holy See had no territorial sovereignty. In spite of some uncertainty among jurists as to whether it could continue to act as an independent personality in international matters, the Holy See continued in fact to exercise the right to send and receive diplomatic representatives, maintaining relations with states that included the major powers of Russia, Prussia and Austria-Hungary. Where, in accordance with the decision of the 1815 Congress of Vienna, the Nuncio was not only a member of the Diplomatic Corps but its Dean, this arrangement continued to be accepted by the other ambassadors. In the course of the 59 years during which the Holy See held no territorial sovereignty, the number of states that had diplomatic relations with it, which had been reduced to 16, actually increased to 29.^[17]

The State of the Vatican City was created by the Lateran Treaty in 1929 to "ensure the absolute and visible independence of the Holy See" and "to guarantee to it an indisputable sovereignty in international affairs" (quotations from the treaty). Archbishop Jean-Louis Tauran, the Holy See's former Secretary for Relations with States, said that the Vatican City is a "minuscule support-state that guarantees the spiritual freedom of the Pope with the minimum territory".^[18]

The Holy See, not the Vatican City, maintains diplomatic relations with states.^[19] Foreign embassies are accredited to the Holy See, not to the Vatican City, and it is the Holy See that establishes treaties and concordats with other sovereign entities. When necessary, the Holy See will enter a treaty on behalf of the Vatican City.

Under the terms of the Lateran Treaty, the Holy See has extraterritorial authority over 23 sites in Rome and five Italian sites outside of Rome, including the Pontifical Palace at Castel Gandolfo. The same authority is extended under international law over the Apostolic Nunciature of the Holy See in a foreign country.

"Holy See" and "Apostolic See"[link]

Every episcopal see is considered holy. In Greek, the adjective "holy" or "sacred" (ἱερά) is constantly applied to all such sees as a matter of course. In the West, the adjective is not commonly added, but it does form part of an official title of two sees: as well as Rome, the Bishopric of Mainz (the former Archbishopric of Mainz), which was also of electoral and primatial rank, bears the title of "the Holy See of Mainz" (Latin: Sancta Sedes Moguntina).

The term "see" comes from the Latin word "sedes", meaning "seat", which refers to the Episcopal throne (cathedra). The term "Apostolic See" can refer to any see founded by one of the Apostles, but, when used with the definite article, it is used in the Catholic Church to refer specifically to the see of the Bishop of Rome, whom that Church sees as successor of Saint Peter, the Prince of the Apostles.^[20]

See also[link]

• Diocese of Rome
• Global organisation of the Catholic Church
• Holy Roman Church
• Patriarchate
• The Vatican Today News Portal

References[link]

Further reading[link]

• La Due, William J. The Chair of Saint Peter: A History of the Papacy. (ISBN 1-57075-249-4)
• Heribert Franz Koeck, Die völkerrechtliche Stellung des Heiligen Stuhls. Dargestellt an seinen Beziehungen zu Staaten und internationalen Organisationen, Berlin 1975
• Heribert Franz Koeck, Holy See, in: Encyclopedia of Public International Law, Bd. 2, Oxford etc. 1995

External links[link]

Wikimedia Commons has media related to: Holy See

• The Holy See
• The Holy See News Portal (News.va)
• YouTube Vatican Channel
• Primacy of the Apostolic See
• CIA World Factbook on Holy See
• Between Venus and Mars, the Church of Rome Chooses Both—The Holy See’s geopolitics analyzed in the light of the dominant doctrines
• The Holy See in the course of time, from an Orthodox perspective

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Hans Zimmer
Hans Zimmer receiving his star at the Hollywood Walk of Fame (2010)
Background information
Birth name	Hans Florian Zimmer
Born	(1957-09-12) 12 September 1957 (age 54) Frankfurt am Main, Germany
Genres	Film score, Video game score
Occupations	Film composer, Video game composer, Music producer
Instruments	Piano, Keyboard, MIDI Master Keyboard, Synthesizer, Guitar
Years active	1977–present
Labels	Remote Control Productions
Website	hanszimmer.com

Hans Florian Zimmer, German pronunciation: [hans ˈfloːʁi̯aːn ˈtsɪmɐ]; (born 12 September 1957) is a German film composer and music producer. He has composed music for over 100 films, including award winning film scores for The Lion King (1994), Crimson Tide (1995), Gladiator (2000), The Last Samurai (2003),The Dark Knight (2008), and Inception (2010).

Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions.^[1]

Zimmer's works are notable for integrating electronic music sounds with traditional orchestral arrangements. He has received four Grammy Awards, two Golden Globes, a Classical BRIT Award, and an Academy Award. He was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph.^[2]

Early life[link]

Zimmer was born in Frankfurt am Main, Germany. As a young child, he lived in Königstein-Falkenstein, where he played the piano at home, but had piano lessons only briefly as he disliked the discipline of formal lessons.^[3] He moved to London as a teenager, where he attended Hurtwood House school.^[4] In an interview with the German television station ZDF in 2006, he commented: "My father died when I was just a child, and I escaped somehow into the music and music has been my best friend."^[5]

Early career[link]

Zimmer began his career playing keyboards and synthesizers. He worked with The Buggles, a New Wave band formed in 1977 with Trevor Horn, Geoff Downes, and Bruce Woolley. Zimmer can be seen briefly in The Buggles' music video for the 1979 song "Video Killed the Radio Star".^[6] After working with The Buggles, he started to work for the Italian group Krisma, a New Wave band formed in 1976 with Maurizio Arcieri and Christina Moser. He was a featured synthesist for Krisma’s third album, Cathode Mamma. He has also worked with the band Helden (with Warren Cann from Ultravox).^[7] Both Zimmer (on keyboards) and Cann (on drums), were invited to be part of the Spanish group Mecano for a live performance in Segovia (Spain) in 1984. Two songs from this concert were included in the "Mecano: En Concierto" album released in 1985 only in Spain. In 1980 Zimmer co-produced a single, "The History Of The World Part 1," with, and for, UK Punk band The Damned, which was also included on their 1980 LP release, "The Black Album," and carried the description of his efforts as "Over-Produced by Hans Zimmer."

While living in London, Zimmer wrote advertising jingles for Air-Edel Associates.^[7] In the 1980s, Zimmer partnered with Stanley Myers, a prolific film composer who wrote the scores for over sixty films. Zimmer and Myers co–founded the London–based Lillie Yard recording studio. Together, Myers and Zimmer worked on fusing the traditional orchestral sound with electronic instruments.^[8] Some of the films on which Zimmer and Myers worked are Moonlighting (1982), Success is the Best Revenge (1984), Insignificance (1985), and My Beautiful Launderette (1985). Zimmer's first solo score was Terminal Exposure for director Nico Mastorakis in 1987, for which he also wrote the songs. Zimmer acted as score producer for the 1987 film The Last Emperor, which won the Academy Award for Best Original Score.^[7]

One of Zimmer's most durable works from his time in the United Kingdom is the theme song for the television game show Going for Gold, which he composed with Sandy McClelland in 1987. In an interview with the BBC, Zimmer said: "Going For Gold was a lot of fun. It's the sort of stuff you do when you don't have a career yet. God, I just felt so lucky because this thing paid my rent for the longest time."^[9]

Hollywood film scoring[link]

A turning point in Zimmer's career occurred with the 1988 film Rain Man.^[8] Hollywood director Barry Levinson was looking for someone to score Rain Man, and his wife heard the soundtrack CD of the anti-Apartheid drama A World Apart, for which Zimmer had composed the music. Levinson was impressed by Zimmer's work, and hired him to score Rain Man.^[10] In the score, Zimmer uses synthesizers (mostly a Fairlight CMI) mixed with steel drums. Zimmer explained that "It was a road movie, and road movies usually have jangly guitars or a bunch of strings. I kept thinking don't be bigger than the characters. Try to keep it contained. The Raymond character doesn't actually know where he is. The world is so different to him. He might as well be on Mars. So, why don't we just invent our own world music for a world that doesn't really exist?".^[11] Zimmer’s score for Rain Man was nominated for an Academy Award in 1989, and the film won four Academy Awards including Best Picture.^[12]

A year after Rain Man, Zimmer was asked to compose the score for Bruce Beresford's Driving Miss Daisy which, like Rain Man, won an Academy Award for Best Picture. Driving Miss Daisy’s instrumentation consisted entirely of synthesizers and samplers, played by Zimmer. According to an interview with Sound On Sound magazine in 2002, the piano sounds heard within the score come from the Roland MKS–20, a rackmount synthesizer. Zimmer joked: "It didn't sound anything like a piano, but it behaved like a piano."^[13]

1991's Thelma & Louise soundtrack by Zimmer featured the trademark slide guitar performance by Pete Haycock on the "Thunderbird" theme in the film. As a teenager, Zimmer was a fan of Haycock, and their collaboration on film scores includes K2 and Drop Zone.^[14]

For the 1992 film The Power of One, Zimmer traveled to Africa in order to use African choirs and drums in the recording of the score. On the strength of this work, Disney Animation Studios approached Zimmer to compose the score for the 1994 film The Lion King. This was to be his first score for an animated film. Zimmer said that he had wanted to go to South Africa to record parts of the soundtrack, but was unable to visit the country as he had a police record there "for doing 'subversive' movies" after his work on The Power of One. Disney studio bosses expressed fears that Zimmer would be killed if he went to South Africa, so the recording of the choirs was organized during a visit by Lebo M.^[15] Zimmer won numerous awards for his work on The Lion King, including an Academy Award for Best Original Score, a Golden Globe, and two Grammys. In 1997, the score was adapted into a Broadway musical version which won the Tony Award for Best Musical in 1998.^[16][17] As of April 2012^[update], the musical version of The Lion King is the highest grossing Broadway show of all time, having grossed $853.8 million.^[18]

	Crimson Tide - "Roll Tide" noicon A clip from the score of the 1995 film Crimson Tide.
Problems listening to this file? See media help.

Zimmer's score for Crimson Tide (1995) won a Grammy Award for the main theme, which makes heavy use of synthesizers in place of traditional orchestral instruments. For The Thin Red Line (1998), Zimmer said that the director Terrence Malick wanted the music before he started filming, so he recorded six and a half hours of music.^[11] Zimmer's next project was The Prince of Egypt (1998), which was produced by DreamWorks Animation. He introduced Ofra Haza, an Israeli Yemenite singer, to the directors, and they thought she was so beautiful that they designed one of the characters in the film to look like her.^[11]

Work: 2000–present[link]

	Gladiator - "Battle" noicon A clip from the score of the 2000 film Gladiator.
Problems listening to this file? See media help.

In the 2000s, Zimmer has composed scores for Hollywood blockbuster films including Gladiator (2000), Black Hawk Down and Hannibal (2001), The Last Samurai (2003), The Da Vinci Code (2006) The Simpsons Movie (2007), Angels and Demons (2009) and Sherlock Holmes (2009). While writing the score for The Last Samurai, Zimmer felt that his knowledge of Japanese music was extremely limited. He began doing extensive research, but the more he studied, the less he felt he knew. Finally, Zimmer took what he had written to Japan for feedback and was shocked when he was asked how he knew so much about Japanese music.^[11]

During the scoring of The Last Samurai in early 2003, Zimmer was approached by the producer Jerry Bruckheimer, with whom he had worked previously on Crimson Tide, The Rock and Pearl Harbor. Bruckheimer had finished shooting Pirates of the Caribbean: The Curse of the Black Pearl, but was unhappy with the music composed for the film by Alan Silvestri and wanted a replacement score.^[19] Bruckheimer wanted Zimmer to rescore the film, but due to his commitments on The Last Samurai, the task of composing and supervising music for Pirates of the Caribbean: The Curse of the Black Pearl was given to Klaus Badelt, one of Zimmer's colleagues at Media Ventures. Zimmer provided some themes that were used in the film, although he is not credited on screen.^[20][21] Zimmer was hired as the composer for the three subsequent films in the series, Pirates of the Caribbean: Dead Man's Chest (2006), Pirates of the Caribbean: At World's End (2007), and Pirates of the Caribbean: On Stranger Tides (2011), collaborating with Rodrigo y Gabriela.^[22]

For the 2009 film Sherlock Holmes, "The Daily Variety" reported that Zimmer purchased an out-of-tune piano for 200 dollars and used it throughout the scoring process because of its "quirkiness".^[23]

Hans Zimmer in 2008

Zimmer is also noted for his work on the scores of Christopher Nolan's Batman Begins (2005) and The Dark Knight (2008), on which he collaborated with James Newton Howard.^[9] The scores for these films were disqualified from receiving Academy Award nominations for Best Original Score due to too many composers being listed on the cue sheet.^[24] Zimmer succeeded in reversing the decision not to nominate The Dark Knight in December 2008, arguing that the process of creating a modern film score was collaborative, and that it was important to credit a range of people who had played a part in its production.^[25] Zimmer explained his approach to scoring with other musicians in an interview with Soundtrack.net in 2006:

	Hans Zimmer and Lisa Gerrard - "Now We Are Free" noicon A clip from the score of the 2000 film Gladiator.
Problems listening to this file? See media help.

"Originally I had this idea that it should be possible to create some kind of community around this kind of work, and I think by muddying the titles - not having "you are the composer, you are the arranger, you are the orchestrator" - it just sort of helped us to work more collaboratively. It wasn't that important to me that I had "score by Hans Zimmer" and took sole credit on these things. It's like Gladiator: I gave Lisa Gerrard the co-credit because, even though she didn't write the main theme, her presence and contributions were very influential. She was more than just a soloist, and this is why I have such a problem with specific credits."^[26]

Zimmer is also composing the score for The Dark Knight Rises, the final installment of Christopher Nolan's Batman trilogy. The film is scheduled for release in July 2012.^[27]

Zimmer works with other composers through his company Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly.^[28] His colleagues at the studio have included Harry Gregson-Williams, James Dooley, Geoff Zanelli, Henning Lohner, Steve Jablonsky, Mark Mancina, John Van Tongeren, John Powell and Thomas J. Bergersen.

In October 2000, Zimmer performed live in concert for the first time with an orchestra and choir at the 27th Annual Flanders International Film Festival in Ghent.^[29] He has received a range of honors and awards, including the Lifetime Achievement Award in film Composition from the National Board of Review, the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival, ASCAP’s Henry Mancini Award for Lifetime Achievement, and BMI's Richard Kirk Award for lifetime achievement in 1996. Recent work includes the Spanish language film Casi Divas,^[30] Sherlock Holmes, The Burning Plain (2009), and Inception (2010). He composed the theme for the television boxing series The Contender, and worked with Lorne Balfe on the music for Call of Duty: Modern Warfare 2, which was his first video game project.^[31] Zimmer also collaborated with composers Borislav Slavov and Tilman Sillescu to create the score for the video game Crysis 2.^[32]

In December 2010, Zimmer received a star on the Hollywood Walk of Fame. He dedicated the award to his publicist and long term friend Ronni Chasen, who was shot dead in Beverly Hills the previous month.^[33]

Zimmer composed and produced the music for the 84th Academy Awards with Pharrell Williams of The Neptunes.^[34]

Zimmer lives in Los Angeles with his wife Suzanne, and has four children.^[35][36]

Discography and awards[link]

References[link]

External links[link]

	Book: Hans Zimmer
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikimedia Commons has media related to: Hans Zimmer

• Official website
• Hans Zimmer at the Internet Movie Database
• Interview with Hans Zimmer in Film Score Monthly
• Interview with Hans Zimmer about Sherlock Holmes from C Music TV
• Focus.De

v t e Hans Zimmer Soundtracks Angels and Demons  · Driving Miss Daisy  · Batman Begins  · Beyond Rangoon  · Black Hawk Down  · The Da Vinci Code  · The Dark Knight  · Gladiator  · Inception · Kung Fu Panda  · Kung Fu Panda 2  · The Lion King  · Madagascar  · Mission: Impossible II  · Pearl Harbor  · Pirates of the Caribbean: At World's End  · Pirates of the Caribbean: The Curse of the Black Pearl  · Pirates of the Caribbean: Dead Man's Chest  · Pirates of the Caribbean: On Stranger Tides  · Pirates of the Caribbean: Soundtrack Treasures Collection · Rango  · Sherlock Holmes  · The Thin Red Line Songs "Hoist the Colours" Related articles Discography · Remote Control Productions Book:Hans Zimmer  · Category:Hans Zimmer

Jimmy Dore (b. July 26, 1965 in Chicago, Illinois) is an American stand-up comedian who has been performing since 1989.^[1][2]

Life and career[link]

Dore was born into and raised in a Catholic family of 12 on the southwest side of Chicago, Illinois. He is the star of several Comedy Central specials, host of The Jimmy Dore Show, and a writer–performer for the Off-Broadway hit The Marijuana -Logues. His latest effort "CITIZEN JIMMY", a one-hour Comedy Central Special currently airing, was chosen Best Of 2008 by iTunes, and was named one the Top 5 Comedy DVDs of 2008 by Punchline Magazine.

Dore currently lives in Pasadena, California, and hosts his own monthly show Pop and Politics at the UCB theater in Hollywood. Much of his recent material is focused on the absurdity of modern politics. In June 2009 he began producing The Jimmy Dore Show, a one-hour comedic look at the news, which originates at KPFK 90.7 FM Los Angeles and airs nationally on the Pacifica Network. He also hosts the podcast Comedy And Everything Else with his wife Stefane Zamorano and formerly with Todd Glass, who departed from the show in late 2009.

Dore has made many appearances on late-night television on shows such as Jimmy Kimmel Live, The Late Late Show on CBS, and NBC's Late Friday. He has also performed at the Montreal Comedy Festival, the HBO U.S. Comedy Arts Festival Aspen, CO, The Melbourne Comedy in Australia, The Amsterdam Comedy Festival, and for U.S. troops in Afghanistan.^[2] He also appears regularly at the Upright Citizens Brigade Theater in Los Angeles, California.

Dore is a frequent guest host on the political talk show The Young Turks, which airs on Current TV.

Television Appearances[link]

• Citizen Jimmy – Comedy Central
• Late Friday – NBC
• Last Comic Standing – NBC
• Friday Night Videos – NBC
• Jimmy Kimmel Live – ABC
• The Late Late Show with Craig Kilborn – CBS
• Comedy Central Presents – Comedy Central
• Make Me Laugh – Comedy Central
• Premium Blend – Comedy Central
• The Young Turks – Current TV
• Movies at our House – AMC^[3]
• Shorties Watchin' Shorties – Comedy Central

Discography[link]

• It's Not Brain Surgery (2000)
• Really? (2004?)
• Citizen Jimmy (2008)

References[link]

External links[link]

• Official Website
• Dore's Myspace
• Comedy Central Bio
• Comedy and Everything Else
• Jimmy Dore Show page
• Jimmy Dore at the Internet Movie Database

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