Look up Portal, portal, or portals in Wiktionary, the free dictionary.

Portal may refer to:

• Portal (architecture), a gate, door, or the extremeties (ends) of a tunnel
• Portal (fiction), a magical or technological doorway that connects two different locations.

Computing[link]

• Enterprise portal, a framework to provide a single point of access to a variety of information and tools
• Intranet portal, a gateway that unifies access to all enterprise information and applications
• Portal rendering, an optimization technique in 3D computer graphics
• Web portal, a site that functions as a point of access to information on the Internet
• Portals network programming api, a high-performance networking programming interface for massively parallel supercomputers

Entertainment[link]

• Portal (interactive novel), a 1986 video game by Activision
• Portal (video game), a 2007 video game by Valve Corporation
• Portal 2, the sequel to Valve's 2007 video game Portal
• Portal (TV series), a series about MMORPGs

Geography[link]

• Portal, California
• Portal, Georgia
• Portal, North Dakota

Music[link]

• Portall, a Thrash-Death Metal band from the Netherlands
• Portal (Australian band), a metal band from Australia
• Portal (UK band), a band from the UK
• Portals (album), a 2009 album by Arsonists Get All The Girls

Other uses[link]

• Portal (comics), a Marvel comic character
• Portal (Magic: The Gathering), a set in the Magic: The Gathering card game
• Portal Bridge, over the Hackensack River in New Jersey
• Portal Software, a company based in Cupertino, California
• Clube Atlético Portal, a football club based in Uberlândia, Brazil
• Portals Athletic F.C., a defunct football club, based in Overton, England
• Portal (magic trick), an illusion performed by David Copperfield

People with the surname[link]

• Antoine Portal (1742–1832), French anatomist, doctor and medical historian
• Charles Portal, 1st Viscount Portal of Hungerford (1893–1971), British Marshal of the RAF and Chief of the Air Staff in World War II
• Wyndham Portal, 1st Viscount Portal (1885–1949), British businessman and public servant
• Michel Portal (born 1935), French composer, saxist, and clarinetist
• Nicolas Portal (born 1979), French professional road bicycle racer
• Gerald Portal (1858–1894), British colonial diplomat

See also[link]

Portal portal

Portal Directory

• El Portal, Florida
• Hepatic portal vein, a vein that drains blood from the digestive system
• Portal venous system, an occurrence where one capillary bed drains into another through veins
• Portal frame, a construction method
• Portal stones, a type of stone monument
• Porthole

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Painting of ballet dancers by Edgar Degas, 1872.

Edgar Degas, Classical Bell Tutus in "The Dance Class" by Degas, 1874.)

Anna Pavlova in Giselle, wearing a Romantic Tutu

Ballet is a type of performance dance, that originated in the Italian Renaissance courts of the 15th century, and which was further developed in France and Russia as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with most of the audience seated on tiers or galleries on three sides of the dance floor. It has since become a highly technical form of dance with its own vocabulary. It is primarily performed with the accompaniment of classical music and has been influential as a form of dance globally. Ballet has been taught in ballet schools around the world, which use their own cultures and societies to inform the art. Ballet dance works (ballets) are choreographed and performed by trained artists, include mime and acting, and are set to music (usually orchestral but occasionally vocal). It is a poised style of dance that incorporates the foundational techniques for many other dance forms. This genre of dance is very hard to master and requires much practice. It is best known in the form of late Romantic ballet or Ballet Blanc, which preoccupies itself with the female dancer to the exclusion of almost all else, focusing on pointe work, flowing, precise acrobatic movements, and often presenting the dancers in the conventional short white French tutu. Later developments include expressionist ballet, neoclassical ballet, and elements of modern dance.

Etymology[link]

The word ballet comes from the French and was borrowed into English around 1630. The French word in turn has its origin in Italian balletto, a diminutive of ballo (dance) which comes from Latin ballo, ballare, meaning "to dance",^[1][2] which in turn comes from the Greek "βαλλίζω" (ballizo), "to dance, to jump about".^[3][4]

History[link]

Harlequin and Columbina from the mime theater at Tivoli Gardens, Copenhagen, Denmark.

The history of ballet began in the Italian Renaissance courts of the fifteenth and sixteenth centuries as a dance interpretation of fencing. It quickly spread to the French court of Catherine de' Medici where it was developed even further. The creation of classical ballet as we know it today occurred under Louis XIV, who in his youth was himself an avid dancer and performed in ballets by Pierre Beauchamp and Jean-Baptiste Lully. In 1661 Louis founded the Académie Royale de Danse (Royal Dance Academy) which was charged with establishing standards for the art of dance and the certification of dance instructors. In 1672, following his retirement from the stage, Louis XIV made Lully the director of the Académie Royale de Musique (Paris Opera) in which the first professional ballet company, the Paris Opera Ballet, arose.^[5] This origin is reflected in the predominance of French in the vocabulary of ballet. Despite the great reforms of Jean-Georges Noverre in the eighteenth century, ballet went into decline in France after 1830, though it was continued in Denmark, Italy, and Russia. It was reintroduced to western Europe on the eve of the First World War by a Russian company: the Ballets Russes of Sergei Diaghilev, who came to be influential around the world. Diaghilev's company came to be a destination for many of the Russian trained dancers fleeing the famine and unrest that followed the Bolshevik revolution. These dancers brought many of the choreographic and stylistic innovations that had been flourishing under the czars back to their place of origin.

In the 20th century, ballet had a strong influence on broader concert dance. For example, in the United States, choreographer George Balanchine developed what is now known as neoclassical ballet. Subsequent developments now include contemporary ballet and post-structural ballet, seen in the work of William Forsythe in Germany.

Classical ballet[link]

Classical ballet is the most methodical of the ballet styles; it adheres to traditional ballet technique. There are variations relating to area of origin, such as French ballet, Danish Bournonville ballet, Italian ballet and Russian ballet, although most ballet of the last two centuries is ultimately founded on the teachings of Carlo Blasis. The most well-known styles of ballet are the Paris Opera Ballet School Method, the Russian Method, the Italian Method, the Danish Method, the Balanchine Method or New York City Ballet Method, and the Royal Academy of Dance and Royal Ballet School Methods, derived from the Cecchetti method, created in England. The first pointe shoes were actually regular ballet slippers that were heavily darned at the tip. It would allow the girl to briefly stand on her toes to appear weightless. It was later converted to the hard box that is used today.

Classical ballet adheres to these rules:

• A step called 'plié' is often used and is where both legs are bent at the same time.
• Everything is turned out except when playing more unusual characters e.g. The Beatrix Potter Ballet's frog for which the legs may be turned in
• When the feet are not on the floor, they're pointed except when playing unusual characters (as above) for which the feet may be flexed.
• When the leg is not bent, it's stretched completely or put behind in a semi-classical position where the leg is slightly bent, but not completely.
• Posture, alignment, strength, balance, feeling and flexibility are vital for becoming a classical ballet dancer.

Neoclassical ballet[link]

Neoclassical ballet is a ballet style that uses traditional ballet vocabulary but is less rigid than the classical ballet. For example, dancers often dance at more extreme tempos and perform more technical feats. Spacing in neoclassical ballet is usually more modern or complex than in classical ballet. Although organization in neoclassical ballet is more varied, the focus on structure is a defining characteristic of neoclassical ballet.

Scene from Act 4 of Swan Lake, Vienna State Opera, 2004

Balanchine brought modern dancers in to dance with his company, the New York City Ballet. One such dancer was Paul Taylor, who, in 1959, performed in Balanchine's Episodes. Balanchine worked with modern dance choreographer Martha Graham, expanding his exposure to modern techniques and ideas. During this time period, Tetley began to consciously combine ballet and modern techniques in experimentation.

Tim Scholl, author of From Petipa to Balanchine, considers George Balanchine's Apollo in 1928 to be the first neoclassical ballet. Apollo represented a return to form in response to Serge Diaghilev's abstract ballets.

Contemporary ballet[link]

A ballet dancer

Contemporary ballet is a form of dance influenced by both classical ballet and modern dance. It takes its technique and body control using abdominal strength from classical ballet, although it permits a greater range of movement that may not adhere to the strict body lines or turnout set forth by schools of ballet technique. Many of its concepts come from the ideas and innovations of 20th century modern dance, including floor work and turn-in of the legs. This style is generally danced barefoot.

Arms in Cecchetti's "Spanish fourth" position.

George Balanchine is often considered to have been the first pioneer of contemporary ballet through the development of neoclassical ballet. One dancer who danced briefly for Balanchine was Mikhail Baryshnikov, an exemplar of Kirov Ballet training. Following Baryshnikov's appointment as artistic director of American Ballet Theatre in 1980, he worked with various modern choreographers, most notably Twyla Tharp. Tharp choreographed Push Comes To Shove for ABT and Baryshnikov in 1976; in 1986 she created In The Upper Room for her own company. Both these pieces were considered innovative for their use of distinctly modern movements melded with the use of pointe shoes and classically trained dancers—for their use of "contemporary ballet".

Twyla Tharp also worked with the Joffrey Ballet company, founded in 1957 by Robert Joffrey. She choreographed Deuce Coupe for them in 1973, using pop music and a blend of modern and ballet techniques. The Joffrey Ballet continued to perform numerous contemporary pieces, many choreographed by co-founder Gerald Arpino.

Today there are many contemporary ballet companies and choreographers. These include Alonzo King and his company, Alonzo King's Lines Ballet; Complexions Contemporary Ballet, under the direction of Dwight Rhoden; Nacho Duato's Compañia Nacional de Danza; William Forsythe, who has worked extensively with the Frankfurt Ballet and today runs The Forsythe Company; and Jiří Kylián, currently the artistic director of the Nederlands Dans Theatre. Traditionally "classical" companies, such as the Kirov Ballet and the Paris Opera Ballet, also regularly perform contemporary works.

Gallery[link]

See also[link]

Pas de deux

	Ballet portal
	Dance portal

• Glossary of ballet terms

• Ballet styles
  • Ballet d'action
  • Classical ballet
  • Contemporary ballet
  • Neoclassical ballet
  • Romantic ballet

• Ballet techniques
  • French ballet
  • Russian Vaganova method
  • Italian Cecchetti method
  • English Royal Academy of Dance
  • American Balanchine Technique
• Ballet company
• Ballet music
• Ballet costume (French)
• Ballet tutu
• Barre
• En pointe
• Pointe shoes
• Health risks of professional dancers
• Orchestral enhancement
• The Sergeyev Collection
• Western stereotype of the male ballet dancer
  • Dance belt

References[link]

Notes

Sources

• Anderson, Jack (1992). Ballet & Modern Dance: A Concise History (2nd ed. ed.). Princeton, NJ: Princeton Book Company, Publishers. ISBN 0-87127-172-9. 
• Au, Susan (2002). Ballet & Modern Dance (2nd ed. ed.). London: Thames & Hudson world of art. ISBN 0-500-20352-0. 
• Bland, Alexander (1976). A History of Ballet and Dance in the Western World. New York: Praeger Publishers. ISBN 0-275-53740-4. 
• Chantrell, Glynnis, ed. (2002). The Oxford Essential Dictionary of Word Histories. New York: Berkley Books. ISBN 0-425-19098-6. 
• Craine, Deborah; MacKrell, Judith (2000). The Oxford Dictionary of Dance. Oxford University Press. ISBN 978-0-19-860106-7.
• Darius, Adam (2007). Arabesques Through Time. Harlequinade Books, Helsinki. ISBN 951-98232-4-7
• Gordon, Suzanne (1984). Off Balance: The Real World of Ballet. McGraw-Hill. ISBN 0-07-023770-0. 
• Kirstein, Lincoln; Stuart, Muriel (1952). The Classic Ballet. New York: Alfred A Knopf. 
• Lee, Carol (2002). Ballet In Western Culture: A History of its Origins and Evolution. New York: Routledge. ISBN 0-415-94256-X. 

External links[link]

Wikimedia Commons has media related to: Ballet

• American Ballet Theatre: Ballet Terms Dictionary

•  Chisholm, Hugh, ed. (1911). "Ballet". Encyclopædia Britannica (11th ed.). Cambridge University Press. 

v t e Ballet General information ballets companies glossary history music timeline Ballet terminology Ballet d'action Barre Ballet blanc Comic ballet Contemporary ballet Ballets de cour Demi-soloist Divertissement Narrative ballet Neoclassical ballet Opéra-ballet Pas de deux Pas de quatre Pas de trois Pièce d'occasion Pointe shoes Romantic ballet Turnout Tutu Variation Ballet by genre character classical contemporary neoclassical Ballet by region British French Italian Russian Dancers American British French Russian Technique Balanchine Bournonville Cecchetti Royal Academy Vaganova Ballet apparel dance belt leotard pointe shoes slippers tights tutu unitard Schools The National Ballet School of Canada Stuttgart Ballet Cuban National Ballet School Elmhurst School for Dance English National Ballet School Moscow State Academy of Choreography Royal Ballet School School of American Ballet La Scala Theatre Ballet School Vaganova Academy of Russian Ballet Royal Winnipeg Ballet Companies American Ballet Theatre Anaheim Ballet Atlanta Ballet Ballet Manila Ballet Philippines Barcelona Ballet Berlin State Ballet Birmingham Royal Ballet Bolshoi Ballet Boston Ballet Cairo Opera Ballet Company Cape Town City Ballet Carolina Ballet Cincinnati Ballet Cuban National Ballet Dayton Ballet Donetsk Ballet Dutch National Ballet English National Ballet Finnish National Ballet Georgian National Ballet Greek National Opera Guangzhou Ballet Hamburg Ballet Hong Kong Ballet Houston Ballet Iaşi Romanian National Opera Iranian National Ballet Company Joffrey Ballet K-ballet Kiev Ballet Korea National Ballet Company La Scala Theatre Ballet Les Ballets de Monte Carlo Les Grands Ballets Canadiens Los Angeles Ballet Mariinsky Ballet Moldova National Opera Ballet National Ballet of Canada National Ballet of China National Ballet Theater of Puerto Rico National Opera and Ballet National Theatre Munich New Jersey Ballet New York City Ballet Norwegian National Opera and Ballet Oklahoma City Ballet Oregon Ballet Theatre Pacific Northwest Ballet Paris Opera Ballet Philippine Ballet Theatre Polish National Ballet Queensland Ballet Royal Danish Ballet Royal New Zealand Ballet Royal Swedish Ballet Royal Winnipeg Ballet San Francisco Ballet Scottish Ballet Shanghai Ballet Company Spanish National Dance Company Stuttgart Ballet The Australian Ballet The Royal Ballet Tokyo Ballet Tulsa Ballet Universal Ballet West Australian Ballet Ballet portal Did you know? today's news today's article today's biography today's picture recent news 2009 2008

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2008)

News is the communication of selected^[1] information on current events which is presented by print, broadcast, Internet, or word of mouth to a third-party or mass audience.

Etymology[link]

One theory claims that the English word "news" developed in the 14th century as a special use of the plural form of "new". In Middle English, the equivalent word was newes, like the French nouvelles and the German neues. Similar developments are found in the Slavic languages – the Czech and Slovak noviny (from nový, "new"), the cognate Polish nowiny and Russian novosti – and in the Celtic languages: the Welsh newyddion (from newydd) and the Cornish nowodhow (from nowydh).

History[link]

Before the invention of newspapers in the early 17th century, official government bulletins and edicts were circulated at times in some centralized empires.^[2]

The first documented use of an organized courier service for the diffusion of written documents is in Egypt, where Pharaohs used couriers for the diffusion of their decrees in the territory of the State (2400 BC).^[3] This practice almost certainly has roots in the much older practice of oral messaging and may have been built on a pre-existing infrastructure.

In Ancient Rome, Acta Diurna, or government announcement bulletins, were made public by Julius Caesar. They were carved in metal or stone and posted in public places.

In China, early government-produced news sheets, called tipao, circulated among court officials during the late Han dynasty (second and third centuries AD). Between 713 and 734, the Kaiyuan Za Bao ("Bulletin of the Court") of the Chinese Tang Dynasty published government news; it was handwritten on silk and read by government officials. In 1582 there was the first reference to privately published newssheets in Beijing, during the late Ming Dynasty.^[4]

In Early modern Europe, increased cross-border interaction created a rising need for information which was met by concise handwritten newssheets. In 1556, the government of Venice first published the monthly Notizie scritte, which cost one gazetta.^[5] These avvisi were handwritten newsletters and used to convey political, military, and economic news quickly and efficiently to Italian cities (1500–1700) — sharing some characteristics of newspapers though usually not considered true newspapers.^[6] Due to low literacy rates, news was at times disseminated by town criers.

Relation aller Fürnemmen und gedenckwürdigen Historien, from 1605, is recognized as the world's first newspaper.^[7]

The oldest news agency is the Agence France-Presse (AFP).^[8] It was founded in 1835 by a Parisian translator and advertising agent, Charles-Louis Havas as Agence Havas.

In modern times, printed news had to be phoned in to a newsroom or brought there by a reporter, where it was typed and either transmitted over wire services or edited and manually set in type along with other news stories for a specific edition. Today, the term "breaking news" has become trite as commercial broadcasting United States cable news services that are available 24-hours a day use live satellite technology to bring current events into consumers' homes as the event occurs. Events that used to take hours or days to become common knowledge in towns or in nations are fed instantaneously to consumers via radio, television, mobile phone, and the Internet.

Newspapers[link]

Most large cities in the United States historically had morning and afternoon newspapers. As the media evolved and news outlets increased to the point of near over-saturation, most afternoon newspapers were shut down. Morning newspapers have been gradually losing circulation, according to reports advanced by the papers themselves. Commonly, news content should contain the "Five Ws" (who, what, when, where, why, and also how) of an event. There should be no questions remaining. Newspapers normally place hard news stories on the first pages, so the most important information is at the beginning. Busy readers can read as little or as much as they desire. Local stations and networks with a set format must take news stories and break them down into the most important aspects due to time constraints. Cable news channels such as BBC News, Fox News, MSNBC, and CNN, are able to take advantage of a story, sacrificing other, decidedly less important stories, and giving as much detail about breaking news as possible.

News organizations are often expected to aim for objectivity; reporters claim to try to cover all sides of an issue without bias, as compared to commentators or analysts, who provide opinion or personal point-of-view. The result is a laying out of facts in a sterile, noncommittal manner, and then standing back to "let the reader decide" which view is true.^[9] Several governments impose certain constraints or police news organizations against bias. In the United Kingdom, for example, limits are set by the government agency Ofcom, the Office of Communications. Both newspapers and broadcast news programs in the United States are generally expected to remain neutral and avoid bias except for clearly indicated editorial articles or segments. Many single-party governments have operated state-run news organizations, which may present the government's views.

Even in those situations where objectivity is expected, it is difficult to achieve, and individual journalists may fall foul of their own personal bias, or succumb to commercial or political pressure. Similarly, the objectivity of news organizations owned by conglomerated corporations fairly may be questioned, in light of the natural incentive for such groups to report news in a manner intended to advance the conglomerate's financial interests. Individuals and organizations who are the subject of news reports may use news management techniques to try to make a favourable impression.^[10] Because each individual has a particular point of view, it is recognized that there can be no absolute objectivity in news reporting.^[11]

Newsworthiness[link]

Newsworthiness is defined as a subject having sufficient relevance to the public or a special audience to warrant press attention or coverage.^[12]

In some countries and at some points in history, what news media and the public have considered "newsworthy" has met different definitions, such as the notion of news values.^[13] For example, mid-twentieth-century news reporting in the United States focused on political and local issues with important socio-economic impacts, such as the landing of a living person on the moon or the cold war. More recently, the focus similarly remains on political and local issues; however, the news mass media now comes under criticism for over-emphasis on "non-news" and "gossip" such as celebrities' personal social issues, local issues of little merit, as well as biased sensationalism of political topics such as terrorism and the economy. The dominance of celebrity and social news, the blurring of the boundary between news and reality shows and other popular culture, and the advent of citizen journalism may suggest that the nature of ‘news’ and news values are evolving and that traditional models of the news process are now only partially relevant.^[14] Newsworthiness does not only depend on the topic, but also the presentation of the topic and the selection of information from that topic.

New ecology of news[link]

“Everything we thought we once knew about journalism needs to be rethought in the Digital Age”,^[15] professor of Sociology and Communication Michael Schudson points out. Today the work of journalism can be done from anywhere and done well. It requires no more than a reporter and a laptop. In that way, journalistic authority seems to have become more individual- and less institution-based. But does the individual reporter always have to be an actual journalist? Or can journalistic work be done from anywhere and by anyone? These are questions that refers to the core of journalistic practice and the definition of “news” itself. As Schudson has given emphasis to, the answer is not easily found; “the ground journalists walk upon is shaking, and the experience for both those who work in the field and those on the outside studying it is dizzying”.^[15]

Schudson has identified the following six specific areas where the ecology of news in his opinion has changed: 1. The line between the reader and writer has blurred 2. The distinction among tweet, blog post, newspaper story, magazine article, and book has blurred 3. The line between professionals and amateurs has blurred, and a variety of “pro-am” relationships has emerged 4. The boundaries delineating for-profit, public, and non-profit media have blurred, and the cooperation across these models of financing has developed 5. Within commercial news organizations, the line between the news room and the business office has blurred 6. The line between old media and new media has blurred, practically beyond recognition ^[16]

These alterations inevitably has fundamental ramifications for the contemporary ecology of news. “The boundaries of journalism, which just a few years ago seemed relatively clear, and permanent, have become less distinct, and this blurring, while potentially the foundation of progress even as it is the source of risk, has given rise to a new set of journalistic principles and practices”,^[17] Schudson puts it. It is indeed complex, but it seems to be the future.

References[link]

Further reading[link]

• Stephens, Mitchell. "The History of News - 3rd Ed" Oxford University Press, New York, 2007.

External links[link]

• News media by country at the Open Directory Project

Shelved record boxes of an archive.

An archive is a collection of historical records, or the physical place they are located.^[1] Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the function of an organization.

In general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost always unique, unlike books or magazines for which many identical copies exist. This means that archives (the places) are quite distinct from libraries with regard to their functions and organization, although archival collections can often be found within library buildings.^[2]

A person who works in archives is called an archivist. The study and practice of organizing, preserving, and providing access to information and materials in archives is called archival science.

When referring to historical records or the places they are kept, the plural form archives is chiefly used.^[3] Archivists tend to prefer the term "archives" (with an S) as the correct terminology to serve as both the singular and plural, since "archive," as a noun or a verb, has acquired meanings related to computer science.^{[citation needed]}

Etymology[link]

First attested in English in early 17th century, the word archive ( /ˈɑrkaɪv/) is derived from the French archives (plural), in turn from Latin archīum or archīvum,^[4] which is the romanized form of the Greek ἀρχεῖον (arkheion), "public records, town-hall, residence or office of chief magistrates",^[5] itself from ἀρχή (arkhē), amongst others "magistracy, office, government"^[6] (compare an-archy, mon-archy), which comes from the verb ἄρχω (arkhō), "to begin, rule, govern".^[7]

The word originally developed from the Greek ἀρχεῖον (arkheion) which refers to the home or dwelling of the Archon, in which important official state documents were filed and interpreted under the authority of the Archon. The adjective formed from archive is archival.

History[link]

The use of keeping official documents is very old. Archeologists have discovered archives of hundreds (and sometime thousands) of clay tablets going back to the third and second millennia BC in sites like Ebla, Mari, Amarna, Hattusas, Ugarit, Pylos. And these discoveries have been fundamental to know ancient alphabets, languages, literatures and politics.
Archives were well developed by the ancient Chinese, the ancient Greeks, and ancient Romans (who called them Tabularia). However, they have been lost, since documents were written on organic materials like papyrus and paper.
On the contrary, many archives founded since Middle Age by churches, kingdoms and cities survive and often have kept their official status uninterruptedly till now. They are the basic tool for historical research on these ages.
Modern archival thinking has many roots in the French Revolution. The French National Archives, who possess perhaps the largest archival collection in the world, with records going as far back as A.D. 625, were created in 1790 during the French Revolution from various government, religious, and private archives seized by the revolutionaries.^[8]

Users and institutions[link]

Historians, genealogists, lawyers, demographers, filmmakers, and others conduct research at archives.^[9] The research process at each archive is unique, and depends upon the institution in which the archive is housed. While there are many different kinds of archives, the most recent census of archivists in the United States identified five major types: academic, business (for profit), government, non-profit, and other.^[10] There are also four main areas of inquiry involved with archives: material technologies, organizing principles, geographic locations, and tangled embodiments of humans and non-humans. These areas help to further categorize what kind of archive is being created.

Academic[link]

Charles Sturt University Regional Archives.

Archives in colleges, universities, and other educational facilities are typically housed within a library, and duties may be carried out by an archivist. professors may also run a smaller archive.^[11] Academic archives exist to preserve and celebrate the history of their school and academic community.^[12] An academic archive may contain items such as the administrative records of the institution, papers of former professors and presidents, memorabilia related to school organizations and activities, and items the academic library wishes to remain in a closed-stack setting, such as rare books or thesis copies. Access to the collections in these archives is usually by prior appointment only; some have posted hours for making enquiries. Users of academic archives can be undergraduates, graduate students, faculty and staff, scholarly researchers, and the general public. Many academic archives work closely with alumni relations departments or other campus institutions to help raise funds for their library or school.^[13] Because of their library setting, a degree certified by the American Library Association is preferred for employment in an academic archive in the United States.^{[verification needed]}

Business (for profit)[link]

Archives located in for-profit institutions are usually those owned by a private business. Examples of prominent business archives in the United States include Coca-Cola (which also owns the separate museum World of Coca-Cola), Procter and Gamble, Motorola Heritage Services and Archives, and Levi Strauss & Co. These corporate archives maintain historic documents and items related to the history and administration of their companies.^[14] Business archives serve the purpose of helping their corporations maintain control over their brand by retaining memories of the company's past. Especially in business archives, records management is separate from the historic aspect of archives. Workers in these types of archives may have any combination of training and degrees, from either a history or library background. These archives are typically not open to the public and only used by workers of the owner company, although some will allow approved visitors by appointment.^[15] Business archives are concerned with maintaining the integrity of their company, and are therefore selective of how their materials may be used.^[16]

Government[link]

Storage facility at the National Archives and Records Administration

Government archives include those maintained by local and state government as well as those maintained by the national (or federal) government. Anyone may use a government archive, and frequent users include reporters, genealogists, writers, historians, students, and people seeking information on the history of their home or region. Many government archives are open to the public and no appointment is required to visit.^[17]

In the United States, National Archives and Records Administration (NARA) maintains central archival facilities in the District of Columbia and College Park, Maryland, with regional facilities distributed throughout the United States.^[18] Some city or local governments may have repositories, but their organization and accessibility varies widely.^[19] State or province archives typically require at least a bachelor's degree in history for employment, although some ask for certification by test (government or association) as well.^{[citation needed]}

In the UK the National Archives [2], formerly known as the Public Record Office, is the government archive for England and Wales. The National Monuments Record^[20] is the public archive of English Heritage. The National Archives of Scotland [3], located in Edinburgh, serve that country while the Public Record Office of Northern Ireland [4] in Belfast is the government archive for Northern Ireland.

A network of local authority-run record offices and archives exists throughout England, Wales and Scotland and holds many important collections, including local government, landed estates, church and business records. Many archives have contributed catalogues to the national Access 2 Archives [5] programme and online searching across collections is possible.

In France, the French Archives Administration (Service interministériel des Archives de France) in the Ministry of Culture manages the National Archives (Archives nationales) which possess 406 km. (252 miles) of archives as of 2010 (the total length of occupied shelves put next to each other), with original records going as far back as A.D. 625, as well as the departmental archives (archives départementales), located in the préfectures of each of the 100 départements of France, which possess 2,297 km. (1,427 miles) of archives (as of 2010), and also the local city archives, about 600 in total, which possess 456 km. (283,4 miles) of archives (as of 2010).^[21] Put together, the total volume of archives under the supervision of the French Archives Administration is the largest in the world.

In India the National Archives^[22] are located in New Delhi.

In Taiwan the National Archives Administration [6] are located in Taipei.

Most intergovernmental organisations keep their own historical archives. However, a number of European organisations, including the European Commission, choose to deposit their archives with the European University Institute in Florence.^{[citation needed]}

Church[link]

A prominent Church Archives is the Vatican Secret Archive.^[23] Archdioceses, dioceses and parishes also have archives in the Roman Catholic and Anglican Churches. Very important are monastery archives, because of their antiquity, like the ones of Monte Cassino, Saint Gall and Fulda. The records in these archives include manuscripts, papal records, local Church records, photographs, oral histories, audiovisual materials, and architectural drawings.

Most Protestant denominations have archives as well, including the Presbyterian U.S.A Historical Society,^[24] The Southern Baptist Historical Library and Archives,^[25] the United Methodist Archives and History Center of the United Methodist Church^[26] and the Christian Church (Disciples of Christ).^[27]

Films[link]

This section requires expansion.

Non-profit[link]

Non-profit archives include those in historical societies, not-for-profit businesses such as hospitals, and the repositories within foundations. Non-profit archives are typically set up with private funds from donors to preserve the papers and history of specific persons or places. Often these institutions rely on grant funding from the government as well as the private funds.^[28] Depending on the funds available, non-profit archives may be as small as the historical society in a rural town to as big as a state historical society that rivals a government archives. Users of this type of archive may vary as much as the institutions that hold them. Employees of non-profit archives may be professional archivists, para-professionals, or volunteers, as the education required for a position at a non-profit archive varies with the demands of the collection's user base.^[29]

Web archiving[link]

The process of collecting data from the World Wide Web and preserving it in an archive, such as an archive site, for the web user to see. See Website Archiving. Examples of web archives:

• Side bars
• Blogs
• Calendar
• Tag cloud
• News websites

Other[link]

Some archives defy categorization. There are tribal archives within the Native American nations in North America, and there are archives that exist within the papers of private individuals. Many museums keep archives in order to prove the provenance of their pieces. Any institution or persons wishing to keep their significant papers in an organized fashion that employs the most basic principles of archival science may have an archive. In the 2004 census of archivists taken in the United States, 2.7% of archivists were employed in institutions that defied categorization. This was a separate figure from the 1.3% that identified themselves as self-employed.^[30]

Another type of archive is public secrets [7]. This is an interactive testimonial in which women incarcerated in the California State Prison System reveal their stories about what happened to them. The function of the archive is to unfold the stories of the women who want to express themselves and want their stories to be heard. This collection of stories includes the women's direct speeches and also a recording of the women saying their speech.

The archives of an individual may include letters, papers, photographs, computer files, scrapbooks, financial records or diaries created or collected by the individual – regardless of media or format. The archives of an organization (such as a corporation or government) tend to contain other types of records, such as administrative files, business records, memos, official correspondence and meeting minutes.

Standardization[link]

The International Council on Archives (ICA) has developed a number of standards on archival description including the General International Standard Archival Description ISAD(G).^[31] ISAD(G) is meant to be used in conjunction with national standards or as a basis for nations to build their own standards.^[32] In the United States, ISAD(G) is implemented through Describing Archives: A Content Standard, popularly known as "DACS".^[33] In Canada, ISAD(G) is implemented through Rules for Archival Description, also known as "RAD".^[34]

ISO is currently working on standards.^[35][36]

See also[link]

• Archivist
• List of archives and List of national archives
• Archival informatics
• Archival research
• Archival science
• Archive Fever (book by Jacques Derrida)
• BS 5454
• Collection (museum)
• Computer data storage
• Data proliferation
• Digital preservation
• Discovered text (archaeology)
• Greenstone (software)
• Information repository
• Internet Archive
• International Council on Archives
• Manuscript processing
• Preservation (library and archival science)
• Web archiving
• Database

Notes[link]

External links[link]

Look up archive in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Archives

• International Council on Archives
• Archives Hub — gateway to descriptions of archives held in UK universities and colleges, part of the National Archives Network
• InterPARES Project — international research project on the long-term preservation of authentic digital records
• Access to Archives (A2A) — the English strand of the UK archives network
• Online-Guide to Archives around the globe
• The Changing World of Records Storage
• AIM25 – archives within the UK M25 area.
• British Cartoon Archive associated with the University of Kent
• The Digital Archive of Literacy Narratives
• Banco di San Giorgio – Genova Italy: Archive (1407–1805): nearly 40,000 books catalogued with full description. www.giuseppefelloni.it
• Forward Anywhere
• Public Secret
• R-Shief
• Database as a Sybolic Form – An Essay by Lev Manovitch
• Slavic Archives