Painting of ballet dancers by Edgar Degas, 1872.

Edgar Degas, Classical Bell Tutus in "The Dance Class" by Degas, 1874.)

Anna Pavlova in Giselle, wearing a Romantic Tutu

Ballet is a type of performance dance, that originated in the Italian Renaissance courts of the 15th century, and which was further developed in France and Russia as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with most of the audience seated on tiers or galleries on three sides of the dance floor. It has since become a highly technical form of dance with its own vocabulary. It is primarily performed with the accompaniment of classical music and has been influential as a form of dance globally. Ballet has been taught in ballet schools around the world, which use their own cultures and societies to inform the art. Ballet dance works (ballets) are choreographed and performed by trained artists, include mime and acting, and are set to music (usually orchestral but occasionally vocal). It is a poised style of dance that incorporates the foundational techniques for many other dance forms. This genre of dance is very hard to master and requires much practice. It is best known in the form of late Romantic ballet or Ballet Blanc, which preoccupies itself with the female dancer to the exclusion of almost all else, focusing on pointe work, flowing, precise acrobatic movements, and often presenting the dancers in the conventional short white French tutu. Later developments include expressionist ballet, neoclassical ballet, and elements of modern dance.

Etymology[link]

The word ballet comes from the French and was borrowed into English around 1630. The French word in turn has its origin in Italian balletto, a diminutive of ballo (dance) which comes from Latin ballo, ballare, meaning "to dance",^[1][2] which in turn comes from the Greek "βαλλίζω" (ballizo), "to dance, to jump about".^[3][4]

History[link]

Harlequin and Columbina from the mime theater at Tivoli Gardens, Copenhagen, Denmark.

The history of ballet began in the Italian Renaissance courts of the fifteenth and sixteenth centuries as a dance interpretation of fencing. It quickly spread to the French court of Catherine de' Medici where it was developed even further. The creation of classical ballet as we know it today occurred under Louis XIV, who in his youth was himself an avid dancer and performed in ballets by Pierre Beauchamp and Jean-Baptiste Lully. In 1661 Louis founded the Académie Royale de Danse (Royal Dance Academy) which was charged with establishing standards for the art of dance and the certification of dance instructors. In 1672, following his retirement from the stage, Louis XIV made Lully the director of the Académie Royale de Musique (Paris Opera) in which the first professional ballet company, the Paris Opera Ballet, arose.^[5] This origin is reflected in the predominance of French in the vocabulary of ballet. Despite the great reforms of Jean-Georges Noverre in the eighteenth century, ballet went into decline in France after 1830, though it was continued in Denmark, Italy, and Russia. It was reintroduced to western Europe on the eve of the First World War by a Russian company: the Ballets Russes of Sergei Diaghilev, who came to be influential around the world. Diaghilev's company came to be a destination for many of the Russian trained dancers fleeing the famine and unrest that followed the Bolshevik revolution. These dancers brought many of the choreographic and stylistic innovations that had been flourishing under the czars back to their place of origin.

In the 20th century, ballet had a strong influence on broader concert dance. For example, in the United States, choreographer George Balanchine developed what is now known as neoclassical ballet. Subsequent developments now include contemporary ballet and post-structural ballet, seen in the work of William Forsythe in Germany.

Classical ballet[link]

Classical ballet is the most methodical of the ballet styles; it adheres to traditional ballet technique. There are variations relating to area of origin, such as French ballet, Danish Bournonville ballet, Italian ballet and Russian ballet, although most ballet of the last two centuries is ultimately founded on the teachings of Carlo Blasis. The most well-known styles of ballet are the Paris Opera Ballet School Method, the Russian Method, the Italian Method, the Danish Method, the Balanchine Method or New York City Ballet Method, and the Royal Academy of Dance and Royal Ballet School Methods, derived from the Cecchetti method, created in England. The first pointe shoes were actually regular ballet slippers that were heavily darned at the tip. It would allow the girl to briefly stand on her toes to appear weightless. It was later converted to the hard box that is used today.

Classical ballet adheres to these rules:

• A step called 'plié' is often used and is where both legs are bent at the same time.
• Everything is turned out except when playing more unusual characters e.g. The Beatrix Potter Ballet's frog for which the legs may be turned in
• When the feet are not on the floor, they're pointed except when playing unusual characters (as above) for which the feet may be flexed.
• When the leg is not bent, it's stretched completely or put behind in a semi-classical position where the leg is slightly bent, but not completely.
• Posture, alignment, strength, balance, feeling and flexibility are vital for becoming a classical ballet dancer.

Neoclassical ballet[link]

Neoclassical ballet is a ballet style that uses traditional ballet vocabulary but is less rigid than the classical ballet. For example, dancers often dance at more extreme tempos and perform more technical feats. Spacing in neoclassical ballet is usually more modern or complex than in classical ballet. Although organization in neoclassical ballet is more varied, the focus on structure is a defining characteristic of neoclassical ballet.

Scene from Act 4 of Swan Lake, Vienna State Opera, 2004

Balanchine brought modern dancers in to dance with his company, the New York City Ballet. One such dancer was Paul Taylor, who, in 1959, performed in Balanchine's Episodes. Balanchine worked with modern dance choreographer Martha Graham, expanding his exposure to modern techniques and ideas. During this time period, Tetley began to consciously combine ballet and modern techniques in experimentation.

Tim Scholl, author of From Petipa to Balanchine, considers George Balanchine's Apollo in 1928 to be the first neoclassical ballet. Apollo represented a return to form in response to Serge Diaghilev's abstract ballets.

Contemporary ballet[link]

A ballet dancer

Contemporary ballet is a form of dance influenced by both classical ballet and modern dance. It takes its technique and body control using abdominal strength from classical ballet, although it permits a greater range of movement that may not adhere to the strict body lines or turnout set forth by schools of ballet technique. Many of its concepts come from the ideas and innovations of 20th century modern dance, including floor work and turn-in of the legs. This style is generally danced barefoot.

Arms in Cecchetti's "Spanish fourth" position.

George Balanchine is often considered to have been the first pioneer of contemporary ballet through the development of neoclassical ballet. One dancer who danced briefly for Balanchine was Mikhail Baryshnikov, an exemplar of Kirov Ballet training. Following Baryshnikov's appointment as artistic director of American Ballet Theatre in 1980, he worked with various modern choreographers, most notably Twyla Tharp. Tharp choreographed Push Comes To Shove for ABT and Baryshnikov in 1976; in 1986 she created In The Upper Room for her own company. Both these pieces were considered innovative for their use of distinctly modern movements melded with the use of pointe shoes and classically trained dancers—for their use of "contemporary ballet".

Twyla Tharp also worked with the Joffrey Ballet company, founded in 1957 by Robert Joffrey. She choreographed Deuce Coupe for them in 1973, using pop music and a blend of modern and ballet techniques. The Joffrey Ballet continued to perform numerous contemporary pieces, many choreographed by co-founder Gerald Arpino.

Today there are many contemporary ballet companies and choreographers. These include Alonzo King and his company, Alonzo King's Lines Ballet; Complexions Contemporary Ballet, under the direction of Dwight Rhoden; Nacho Duato's Compañia Nacional de Danza; William Forsythe, who has worked extensively with the Frankfurt Ballet and today runs The Forsythe Company; and Jiří Kylián, currently the artistic director of the Nederlands Dans Theatre. Traditionally "classical" companies, such as the Kirov Ballet and the Paris Opera Ballet, also regularly perform contemporary works.

Gallery[link]

See also[link]

Pas de deux

	Ballet portal
	Dance portal

• Glossary of ballet terms

• Ballet styles
  • Ballet d'action
  • Classical ballet
  • Contemporary ballet
  • Neoclassical ballet
  • Romantic ballet

• Ballet techniques
  • French ballet
  • Russian Vaganova method
  • Italian Cecchetti method
  • English Royal Academy of Dance
  • American Balanchine Technique
• Ballet company
• Ballet music
• Ballet costume (French)
• Ballet tutu
• Barre
• En pointe
• Pointe shoes
• Health risks of professional dancers
• Orchestral enhancement
• The Sergeyev Collection
• Western stereotype of the male ballet dancer
  • Dance belt

References[link]

Notes

Sources

• Anderson, Jack (1992). Ballet & Modern Dance: A Concise History (2nd ed. ed.). Princeton, NJ: Princeton Book Company, Publishers. ISBN 0-87127-172-9. 
• Au, Susan (2002). Ballet & Modern Dance (2nd ed. ed.). London: Thames & Hudson world of art. ISBN 0-500-20352-0. 
• Bland, Alexander (1976). A History of Ballet and Dance in the Western World. New York: Praeger Publishers. ISBN 0-275-53740-4. 
• Chantrell, Glynnis, ed. (2002). The Oxford Essential Dictionary of Word Histories. New York: Berkley Books. ISBN 0-425-19098-6. 
• Craine, Deborah; MacKrell, Judith (2000). The Oxford Dictionary of Dance. Oxford University Press. ISBN 978-0-19-860106-7.
• Darius, Adam (2007). Arabesques Through Time. Harlequinade Books, Helsinki. ISBN 951-98232-4-7
• Gordon, Suzanne (1984). Off Balance: The Real World of Ballet. McGraw-Hill. ISBN 0-07-023770-0. 
• Kirstein, Lincoln; Stuart, Muriel (1952). The Classic Ballet. New York: Alfred A Knopf. 
• Lee, Carol (2002). Ballet In Western Culture: A History of its Origins and Evolution. New York: Routledge. ISBN 0-415-94256-X. 

External links[link]

Wikimedia Commons has media related to: Ballet

• American Ballet Theatre: Ballet Terms Dictionary

•  Chisholm, Hugh, ed. (1911). "Ballet". Encyclopædia Britannica (11th ed.). Cambridge University Press. 

v t e Ballet General information ballets companies glossary history music timeline Ballet terminology Ballet d'action Barre Ballet blanc Comic ballet Contemporary ballet Ballets de cour Demi-soloist Divertissement Narrative ballet Neoclassical ballet Opéra-ballet Pas de deux Pas de quatre Pas de trois Pièce d'occasion Pointe shoes Romantic ballet Turnout Tutu Variation Ballet by genre character classical contemporary neoclassical Ballet by region British French Italian Russian Dancers American British French Russian Technique Balanchine Bournonville Cecchetti Royal Academy Vaganova Ballet apparel dance belt leotard pointe shoes slippers tights tutu unitard Schools The National Ballet School of Canada Stuttgart Ballet Cuban National Ballet School Elmhurst School for Dance English National Ballet School Moscow State Academy of Choreography Royal Ballet School School of American Ballet La Scala Theatre Ballet School Vaganova Academy of Russian Ballet Royal Winnipeg Ballet Companies American Ballet Theatre Anaheim Ballet Atlanta Ballet Ballet Manila Ballet Philippines Barcelona Ballet Berlin State Ballet Birmingham Royal Ballet Bolshoi Ballet Boston Ballet Cairo Opera Ballet Company Cape Town City Ballet Carolina Ballet Cincinnati Ballet Cuban National Ballet Dayton Ballet Donetsk Ballet Dutch National Ballet English National Ballet Finnish National Ballet Georgian National Ballet Greek National Opera Guangzhou Ballet Hamburg Ballet Hong Kong Ballet Houston Ballet Iaşi Romanian National Opera Iranian National Ballet Company Joffrey Ballet K-ballet Kiev Ballet Korea National Ballet Company La Scala Theatre Ballet Les Ballets de Monte Carlo Les Grands Ballets Canadiens Los Angeles Ballet Mariinsky Ballet Moldova National Opera Ballet National Ballet of Canada National Ballet of China National Ballet Theater of Puerto Rico National Opera and Ballet National Theatre Munich New Jersey Ballet New York City Ballet Norwegian National Opera and Ballet Oklahoma City Ballet Oregon Ballet Theatre Pacific Northwest Ballet Paris Opera Ballet Philippine Ballet Theatre Polish National Ballet Queensland Ballet Royal Danish Ballet Royal New Zealand Ballet Royal Swedish Ballet Royal Winnipeg Ballet San Francisco Ballet Scottish Ballet Shanghai Ballet Company Spanish National Dance Company Stuttgart Ballet The Australian Ballet The Royal Ballet Tokyo Ballet Tulsa Ballet Universal Ballet West Australian Ballet Ballet portal Did you know? today's news today's article today's biography today's picture recent news 2009 2008

Gelsey Kirkland (born 29 December 1952, in Bethlehem, Pennsylvania) is an American ballerina. Kirkland joined the New York City Ballet in 1968 at age fifteen, at the invitation of George Balanchine. She was promoted to soloist in 1969 and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor including Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading.

She is perhaps most famous to the general public for dancing the role of "Clara" in Baryshnikov's 1977 televised production of The Nutcracker. She left the ABT in 1984.

Books[link]

In 1986, Gelsey Kirkland had published Dancing On My Grave, co-written by her then husband Greg Lawrence, a startling memoir chronicling her artistic transformation from George Balanchine's "baby ballerina" to one of the most acclaimed ballerinas in her generation. The book describes in detail her struggles with her domestic family problems, anorexia, bulimia, drug addiction, her quest for artistic perfection, and her complicated love affair with ballet superstar Mikhail Baryshnikov and numerous other men, most of which she encountered in the ballet world.

Her second autobiography published in 1990 titled The Shape Of Love, dealt with her move to England to dance with the Royal Ballet, her attempts to get a fresh start with her first husband, and her return to American Ballet Theatre with a clean slate and a renewed outlook on life.

After these two intensely graphic autobiographies, she and her husband/co-writer collaborated on one more book--a children's book called "The Little Ballerina and Her Dancing Horse" in 1993.

Current career[link]

She currently lives in New York, with her second husband, choreographer and teacher, Michael Chernov, who was also with ABT. In 2006, she was awarded the Dance Magazine Award. (For years, they lived in Australia.)

She is currently teaching at STEPS on Broadway, and has recently choreographed (with Chernov and ABT artistic director Kevin McKenzie) a new production of Tchaikovsky's The Sleeping Beauty, in which, after a more than twenty years absence from the stage, she danced the role of "Carabosse, the Wicked Fairy". In 2010, Ms. Kirkland and Mr Chernov established the Gelsey Kirkland Academy of Classical Ballet (GKACB), where they serve as co-Artistic Directors.^[1]

Trivia[link]

• Dear friend of Anthony Dowell.
• She appeared as guest artist with the Royal Ballet 1980-86.
• Danced with Mikhail Baryshnikov, Rudolf Nureyev, Peter Martins, Edward Villella, Anthony Dowell, Stephen Jeffries, Patrick Bissell and Peter Schafuss.
• Her father was Jack Kirkland, a renowned playwright who penned the Broadway adaptations of Tobacco Road and Tortilla Flat. ^[2]
• She applied for the position of Artistic Director of a major ballet company in Ireland, she declined in favor of teaching directly. She eventually went on to found her own company.
• Her older sister Johnna also studied at the School of American Ballet and danced with the New York City Ballet.

^[3] Johnna gave up ballet in 1983, two years after breaking her foot (a career-ending injury) and because the company she was then dancing with (the Los Angeles Ballet, which she co-founded) ceased to pay the dancers' salaries. Last heard, she was still living in L.A. but now making artisan floor cloths and place mats. Although she retired rather early, videos of her dance performances are available for free to download on the internet.

• Among her injuries throughout her career, Gelsey Kirkland broke her foot, had a hairline fracture, and her feet swelled up due to lack of proper circulation from pointework.
• She was featured on the 1 May 1978 cover of Time. ^[4]
• Balanchine rechoreographed his version of Stravinsky's The Firebird specifically for her.^[5]

References[link]

1. ^ faculty, GKACB
2. ^ http://www.ibdb.com/person.php?id=6543
3. ^ http://www.time.com/time/magazine/article/0,9171,919577,00.html
4. ^ http://www.time.com/time/covers/0,16641,19780501,00.html
5. ^ http://www.time.com/time/magazine/article/0,9171,919577-1,00.html

Further reading[link]

• Kirkland, Gelsey, and Greg Lawrence. Dancing on My Grave. Garden City, New York: Doubleday and Company, 1986 (ISBN 0-385-19964-3).

• Kirkland, Gelsey, and Greg Lawrence. The Shape of Love: The Story of Dancing on My Grave Continues. New York, New York: Doubleday and Company, Inc., 1990 (ISBN 0-385-24918-7).

External links[link]

v t e Ballet General information ballets companies glossary history music timeline Ballet terminology Ballet d'action Barre Ballet blanc Comic ballet Contemporary ballet Ballets de cour Demi-soloist Divertissement Narrative ballet Neoclassical ballet Opéra-ballet Pas de deux Pas de quatre Pas de trois Pièce d'occasion Pointe shoes Romantic ballet Turnout Tutu Variation Ballet by genre character classical contemporary neoclassical Ballet by region British French Italian Russian Dancers American British French Russian Technique Balanchine Bournonville Cecchetti Royal Academy Vaganova Ballet apparel dance belt leotard pointe shoes slippers tights tutu unitard Schools The National Ballet School of Canada Stuttgart Ballet Cuban National Ballet School Elmhurst School for Dance English National Ballet School Moscow State Academy of Choreography Royal Ballet School School of American Ballet La Scala Theatre Ballet School Vaganova Academy of Russian Ballet Royal Winnipeg Ballet Companies American Ballet Theatre Anaheim Ballet Atlanta Ballet Ballet Manila Ballet Philippines Barcelona Ballet Berlin State Ballet Birmingham Royal Ballet Bolshoi Ballet Boston Ballet Cairo Opera Ballet Company Cape Town City Ballet Carolina Ballet Cincinnati Ballet Cuban National Ballet Dayton Ballet Donetsk Ballet Dutch National Ballet English National Ballet Finnish National Ballet Georgian National Ballet Greek National Opera Guangzhou Ballet Hamburg Ballet Hong Kong Ballet Houston Ballet Iaşi Romanian National Opera Iranian National Ballet Company Joffrey Ballet K-ballet Kiev Ballet Korea National Ballet Company La Scala Theatre Ballet Les Ballets de Monte Carlo Les Grands Ballets Canadiens Los Angeles Ballet Mariinsky Ballet Moldova National Opera Ballet National Ballet of Canada National Ballet of China National Ballet Theater of Puerto Rico National Opera and Ballet National Theatre Munich New Jersey Ballet New York City Ballet Norwegian National Opera and Ballet Oklahoma City Ballet Oregon Ballet Theatre Pacific Northwest Ballet Paris Opera Ballet Philippine Ballet Theatre Polish National Ballet Queensland Ballet Royal Danish Ballet Royal New Zealand Ballet Royal Swedish Ballet Royal Winnipeg Ballet San Francisco Ballet Scottish Ballet Shanghai Ballet Company Spanish National Dance Company Stuttgart Ballet The Australian Ballet The Royal Ballet Tokyo Ballet Tulsa Ballet Universal Ballet West Australian Ballet Ballet portal Did you know? today's news today's article today's biography today's picture recent news 2009 2008

Nicki Minaj
Minaj at 2010 MTV Music Awards
Background information
Birth name	Onika Tanya Maraj
Born	(1982-12-08) December 8, 1982 (age 29)[1] Saint James, Trinidad and Tobago
Origin	South Jamaica, Queens, New York, U.S.
Genres	Hip hop, R&B, pop
Occupations	Rapper, singer-songwriter
Years active	2002–present
Labels	Cash Money Records, Young Money Entertainment, Universal Republic Records, Universal Motown
Associated acts	Young Money
Website	mypinkfriday.com

Onika Tanya Maraj (born December 8, 1982), known by her stage name Nicki Minaj ( /mɪˈnɑːʒ/), is a Trinidadian-born American rapper and singer-songwriter. She was born in Saint James, Trinidad and Tobago and when she was 5 years of age she moved to the New York City borough of Queens, where she grew up.

After releasing three mixtapes between 2007 and 2009 and being signed to Young Money Entertainment in August 2009, Minaj released her debut album, Pink Friday, in November 2010. It quickly became a commercial success, peaking at number one on the U.S. Billboard 200 and being certified Platinum by the Recording Industry Association of America (RIAA) a month after its release.^[2][3] She became the first female solo artist to have seven singles on the Billboard Hot 100 at the same time.^[4] Her second single, "Your Love", reached number 1 on the Billboard Hot Rap Songs chart, making Minaj the first female artist to top the chart unaccompanied since 2002.^[5] She also became the first female artist to be included on MTV's Annual Hottest MC List.^[6] Minaj was named the 2011 Rising Star by Billboard.^[7] Her second studio album, Pink Friday: Roman Reloaded was released on April 3, 2012.

Early life[link]

Maraj was born in 1982^{[1][note 1]} in Saint James, a suburb of Trinidad and Tobago's capital city Port of Spain.^[8][9][10] Her parents are of mixed Indian and Afro-Trinidadian ancestry^[11][12] and she lived in Saint James with her grandmother until age five, because her parents were looking for a place to live in the Queens borough of New York City at the time. Her mother would occasionally visit, and one day, when Minaj was five, her mother picked her up to move to Queens.^[13] According to Minaj, her father drank heavily, took drugs, and once tried to kill her mother by setting the house on fire.^[14]

She attended Elizabeth Blackwell Middle School 210, where she played the clarinet.^[13] She graduated from LaGuardia High School.^[15][16] At LaGuardia, a school specializing in music and the visual and performing arts, Minaj participated in the drama program.^[15] She had initially planned to sing at LaGuardia but lost her voice on the day of the audition.^[15]

Career[link]

2007–09: Mixtapes and Young Money[link]

Minaj released her first mixtape in 2007 after releasing Playtime Is Over with Dirty Money Records. She released another mixtape on July 7, 2008, titled Sucka Free, under the label Be. On April 18, 2009, Minaj released a third mixtape and appeared in XXL magazine.^[17] She won the Female Artist of the Year award at the 2008 Underground Music Awards.^[18] Minaj released Beam Me Up Scotty, another mixtape, in April 2009 under the label of Trapaholics Records; it received positive coverage on both BET and MTV.^[19][20]

In August 2009, Minaj signed a record deal with Young Money Entertainment, with distribution from Universal Motown Records, after fellow American rapper Lil Wayne discovered her and secured the record deal.^[17][21] She then had a solo rap verse in their single "BedRock," which became a commercial success, reaching number 2 on the Billboard Hot 100. Minaj also appeared on "Roger That", which charted at number 56. The song, and in particular Minaj, received positive reviews from critics.^[22] Both songs were included in Young Money Entertainment's debut collaborative studio album We Are Young Money, which was released in December 2009. The album charted in the top ten on the Billboard 200, reaching number 9 and later receiving a Gold Certification by the RIAA. She was then chosen by Mariah Carey to be featured on her single and music video for "Up Out My Face". Critics praised her collaboration for helping to maintain Carey's feminine image and providing a polite track for the female R&B singer.^[23]

[edit] 2010–11: Pink Friday

Britney Spears and Minaj performing the Femme Fatale Remix of "Till the World Ends" in the Femme Fatale Tour.

After a major record label bidding war, Young Money Entertainment announced on August 31, 2009 that Minaj had been released from a 360 deal with the label in which she retains and owns all of her 360 rights – including merchandising, sponsorships, endorsements, touring and publishing.^[24] In an interview with 95.8 Capital FM, Rihanna stated that after the two collaborated on "Raining Men" from her album Loud that the duo would be teaming up together for a possible second collaboration on Minaj's Pink Friday.^[25] Hip-hop rap artist and producer Kanye West was also confirmed for the album.^[26] On August 3, 2010 Minaj revealed on a Ustream.tv channel that the album's name would be Pink Friday, in reference to Black Friday.^[27]

Pink Friday was released on November 19, 2010 in both standard and deluxe versions.^[28][29] A buzz single, "Massive Attack", was released in April.^[30] In August, Minaj released "Your Love" as the first official single from her debut album. The single peaked at 14 on the Billboard Hot 100, 7 on the Hot R&B/Hip-Hop Songs chart and topped the Rap Songs chart. Minaj became the first female artist to be included on MTV's Annual Hottest MC List^[6] and the first female artist to top the chart unaccompanied since 2002.^[31] In October 2010, Minaj became the first artist to have seven songs on the Billboard Hot 100 chart simultaneously.^[4] Minaj released a joint single with The Black Eyed Peas front man, will.i.am titled, "Check It Out", which is Minaj's most successful single to date in Europe. "Right thru Me" was released September 24, 2010; the music video was released in late October. "Moment 4 Life" was released as the fourth single. The track featured Canadian rapper Drake and was released on December 7, 2010, becoming a success on the Billboard Hot 100. The single peaked at number 5 on the Hot Rap Songs.^[32] The album gained a Platinum certification in the United States a month after the release.^[3]

On January 29, 2011, Minaj appeared on Saturday Night Live as the musical guest, performing "Right Thru Me" and "Moment 4 Life". On February 9, 2011, it was announced that Pink Friday had reached number one on the Billboard 200 in its eleventh week on the chart.^[33] It was hinted by Simon Cowell that Minaj would join the judging panel of the American version of the The X Factor.^[34] Starting in June 2011, Minaj will be supporting Pink Friday by serving as an opening act along with Jessie and the Toy Boys and Nervo on Britney Spears' sixth concert tour, the Femme Fatale Tour, in support of her seventh studio album, Femme Fatale.^[35] She also was featured on the official remix of Spears' track "Till the World Ends" along with Spears and singer Kesha, which charted at number 3 in the US in April 2011.^[36] "Super Bass" was released from Pink Friday in May 2011, the single charted within the top 10 in many countries including; United Kingdom, United States, Australia, Canada and more.^[37] The song gained positive reviews from critics.^[38][39] Minaj will voice a character in the 3D animated film, Ice Age: Continental Drift, as an unknown character.^[40][41] Minaj is also featured on French DJ David Guetta's 2011 album, Nothing but the Beat on "Where Them Girls At" and "Turn Me On".

[edit] 2011–present: Pink Friday: Roman Reloaded

Minaj's second studio album, Pink Friday: Roman Reloaded, was first announced through Twitter in November 2011 and was released on April 2, 2012 in the United Kingdom and April 3, 2012 in the United States. The album features collaborations with producers Hit-Boy, Dr. Luke, Rico Beats, Kenoe, RedOne and Oak. Cash Money A&R Joshua Berkman told HitQuarters that Minaj was extremely particular about the beats and music she used saying: "She wouldn't just rap or sing on anything – I could give her a thousand tracks and she may only like one or two."^[42] Preceding the album's release, three promotional singles were released: Roman in Moscow (which didn't make the final cut of the album), "Stupid Hoe," and "Roman Reloaded." The album's first single, "Starships", was released on February 14.^[43] "Starships" became Minaj's best-peaking single in the United Kingdom, when it reached a peak of 2. It has also peaked at number 5 on the US Billboard Hot 100, making it her second top 10 arrival following, "Super Bass" in 2011. The music video was released on April 26th, 2012.^[44]

On February 12, 2012, Minaj debuted her song "Roman Holiday" at the 54th Grammy Awards. It was the first song ever performed on the Grammy stage by a solo female rapper.^[45] The exorcism-themed performance drew a mixed response online.^[46][47]

She was featured on Madonna's twelfth studio album, titled MDNA, alongside M.I.A. on its lead single "Give Me All Your Luvin'", for which a music video has been directed by Megaforce.^[48] The trio performed the song for the Super Bowl XLVI halftime show.^[49] She was also featured on a song called "I Don't Give A", another track from the album.

She released her second single, "Right by My Side", which features Chris Brown, on March 27, 2012, after premiering on Minaj's website on March 20, 2012.^[50] Following the album's release, it peaked at number 24 on the US Hot R&B/Hip-Hop Songs Chart. It also peaked in the lower regions of the UK singles chart, at position #101. The third single, "Beez in the Trap", which features 2 Chainz was released to U.S. Urban radio on April 24, 2012. It was premiered on DJ Flex's radio show at Hot 97 on March 20, 2012. It has peaked at number 24 on the US Billboard Rap Songs Chart.^[51] The video was premiered on April 6, 2012 on Minaj's official VEVO account.^[52]

Artistry[link]

Minaj in 2011 during Femme Fatale Tour

Image[link]

Minaj has been noted by the media for her curvaceous figure.^{[53][54][55][56]} In an interview with Vibe Minaj discussed her sexual image stating, "[w]hen I grew up I saw females doing certain things, and I thought I had to do that exactly. The female rappers of my day spoke about sex a lot... and I thought that to have the success they got, I would have to represent the same thing. When in fact I didn’t have to represent the same thing."^[57] In an interview with Interview, Minaj commented on her sexual image again stating, "I made a conscious decision to try to tone down the sexiness, I want people—especially young girls—to know that in life, nothing is going to be based on sex appeal. You’ve got to have something else to go with that.”^[58] Minaj has a tattoo in Chinese characters that reads "上帝與你常在" (shàngdì yǔ nǐ cháng zài)^[59] on her left arm, meaning, "God is always with you."^[60]

Alter egos[link]

While growing up, Minaj's home life was often chaotic, with her parents constantly fighting.^[61] As a means of escape, she would create characters and live her life through them.^[61] In an interview with New York she stated, "To get away from all their fighting, I would imagine being a new person. 'Cookie' was my first identity – that stayed with me for a while. I went on to 'Harajuku Barbie,' then 'Nicki Minaj'. Fantasy was my reality."^[61]

On November 18, 2010, Minaj assumed a different alter-ego named "Nicki Teresa".^[62] Wearing a colorful scarf around her head, she went around as the "healer to her fans" as she visited them at The Garden of Dreams Foundation at Fuse studios in New York City.^[62] Minaj made an appearance on Lopez Tonight on December 6, 2010 and presented a different alter-ego for the Spanish-inspired occasion, named "Rosa" (pronounced Rrrrrosa).^[63]

In April 2012, Minaj was asked if Roman, Martha and Rosa come out in the bedroom saying “No, they don’t come out in the bedroom, but other people come out in the bedroom,” she told Big Boy during his “Backstage Breakfast,” adding, “And there’s only one person that would know who that personality is". Minaj did not name her alter-ego.^[64]

For her debut album, Minaj created another alter-ego named "Roman Zolanski".^[65] She stated that in songs like "Bottoms Up" with Trey Songz it is not Minaj rapping, but instead Roman Zolanski, and claims that Roman is her "twin brother". She claims that he was born inside her, out of rage, and becomes him when she is angry. She has also said 'He is a demon inside her'. Roman has been compared to Eminem's alter ego Slim Shady, and on the song "Roman's Revenge" from Pink Friday, Minaj and Eminem collaborate, using these alter egos.^[66] On the collaboration, she said "The new album is going to have a lot of Roman on it ... And if you're not familiar with Roman, then you will be familiar with him very soon. He’s the boy that lives inside of me. He's a lunatic and he's gay and he'll be on there a lot."^[67] Roman also has a "mother" called "Martha Zolanski",^[68] who also appeared on the song "Roman's Revenge", with a British accent,^[69] and on "Roman Holiday", singing for the first time.^[70][71] Martha appears in the video for "Moment 4 Life" where she appears to be Minaj's magical Godmother. In songs such as "All I Do Is Win (Remix)" it is Minaj rapping.^[65] Minaj stated that on her debut album, fans will get to "meet" Nicki, Roman and Onika.^[65]

Influences[link]

Minaj has stated that artists who have influenced her musical style include Lisa "Left Eye" Lopes, Lil Wayne, Lauryn Hill, Jadakiss, Natasha Bedingfield, Foxy Brown, Lil' Kim and Missy Elliott.^[72][73] She was also inspired by Janet Jackson,^[74] Madonna, Britney Spears, Marilyn Monroe, Grace Jones,^[75] M.I.A. and Cyndi Lauper.^[76][77][78]

Product and endorsements[link]

During her career, Minaj has signed contracts with a variety of corporate interests. Companies she contracted with include soft drink manufacturer Pepsi;^[79] Mattel, which produced a custom a Nicki Minaj-themed Barbie;^[80] and MAC Cosmetics, as part of an AIDS-awareness campaign in Latin America.^[81]

Personal life[link]

Minaj is a Christian, and on Christmas Day in 2011, she indicated her faith in Jesus by tweeting John 3:16.^[82][83] In addition, she states that after her father went to rehab and started attending church, "he got saved and started changing his life."^[84] Minaj states that her heroes are "God. And my mother."^[85][86]

While some songs and interviews have implied that Minaj is bisexual,^[87][88] she has said that she does not date nor have sex with women,^[15] but added in an interview with Out magazine, "I don’t date men either."^[89] In an interview with Vibe she commented, "I just embrace all people of all lifestyles and I don’t tell them they are bad people. And I say girls are beautiful and girls are sexy and they need to be told that, and if they don’t have anyone to tell them that and mean it, I’m gonna tell them that. But I feel like people always wanna define me and I don’t wanna be defined."^[90] She reiterated her dislike of being labeled in an interview with Out, saying: "The point is, everyone is not black and white. There are so many shades in the middle, and you’ve got to let people feel comfortable with saying what they want to say when they want to say it."^[89]

During an interview in the May 2010 issue of Details, Minaj was asked if she felt hip-hop was becoming more gay-friendly. She responded, "I think the world is getting more gay-friendly, so hip-hop is too. But it's harder to imagine an openly gay male rapper being embraced, people view gay men as having no street credibility. But I think we'll see one in my lifetime."^[88]

In July 2011, Minaj's cousin Nicholas Telemaque was murdered near his home in Brooklyn, New York City.^[91] Telemaque was referenced in Minaj's song "Champion" in her second studio album.^[92]

Discography[link]

• Pink Friday (2010)
• Pink Friday: Roman Reloaded (2012)

Touring[link]

• Pink Friday Tour (2012)

See also[link]

Nicki Minaj portal

• List of awards and nominations received by Nicki Minaj

References[link]