The main components of a stamp:
1. Image
2. Perforations
3. Denomination
4. Country name

A postage stamp is a small piece of paper that is purchased and displayed on an item of mail as evidence of payment of postage. Typically, stamps are made from special paper, with a national designation and denomination (price) on the face, and a gum adhesive on the reverse side. Postage stamps are purchased from a postal administration or other authorized vendor and are used to pay for the costs involved in moving mail as well as other business necessities such as insurance and registration.

The stamp’s shape is usually that of a small rectangle of varying proportions, though triangles or other shapes are occasionally used. The stamp is affixed to an envelope or other postal cover (i.e., packet, box, mailing cylinder) that the customer wishes to send. The item is then processed by the postal system, where a postmark, sometimes known as a cancellation mark, is usually applied over the stamp and cover; this procedure marks the stamp as used, which prevents its reuse. The postmark indicates the date and point of origin of the mailing. The mailed item is then delivered to the address that the customer has applied to the envelope or cover.

Postage stamps have facilitated the delivery of mail since the 1840s. Before this time, ink and hand-stamps (hence the word 'stamp'), usually made from wood or cork, were often used to frank the mail and confirm the payment of postage. The first adhesive postage stamp, commonly referred to as the Penny Black, was issued in the United Kingdom in 1840. The invention of the stamp was a part of the attempt to reform and improve the postal system in the United Kingdom of Great Britain and Ireland,^[1] which in the early 19th century was in disarray and rife with corruption.^[2] There are varying accounts of the inventor or inventors of the stamp.^[3]

Before the introduction of postage stamps, mail in the UK was paid for by the recipient, a system that was associated with an irresolvable problem: the costs of delivering mail were not recoverable by the postal service when recipients were unable or unwilling to pay for delivered items, and senders had no incentive to restrict the number, size, or weight of items sent, whether or not they would ultimately be paid for.^[4] The postage stamp resolved this issue in a simple and elegant manner, with the additional benefit of room for an element of beauty to be introduced. Later related inventions include postal stationery such as prepaid-postage envelopes, post cards, lettercards, aerogrammes and wrappers, postage meters, and, more recently, specialty boxes and envelopes provided free to the customer by the U.S. postal service for priority or express mailing.

The postage stamp afforded convenience for both the mailer and postal officials, more efficiently recovered costs for the postal service, and ultimately resulted in a better, faster postal system. With the conveniences stamps offered, their use resulted in greatly increased mailings during the 19th and 20th centuries.^[5] Postage stamps during this era were the most popular way of paying for mail, but by the end of the 20th century were rapidly being eclipsed by the use of metered postage and bulk mailing by businesses.^[6][7]) The same result with respect to communications by private parties occurred over the last decade of the 20th century and the first decade of the 21st due to declining cost of long distance telephone communications and the development and explosive spread of electronic mailing ("e-mail" via the Internet) and bill paying systems had.

As postage stamps with their engraved imagery began to appear on a widespread basis, historians and collectors began to take notice.^[8] The study of postage stamps and their use is referred to as philately. Stamp collecting can be both a hobby and a form of historical study and reference, as government-issued postage stamps and their mailing systems have always been involved with the history of nations.^[9][10]

Invention[link]

A photograph of Rowland Hill and a facsimile of his signature.

Throughout modern history various innovations were used to apply or indicate that postage has been paid on a mailed item and as such the invention of the postage stamp has been credited to several different people.

William Dockwra

In 1680 William Dockwra, an English merchant in London, and his partner Robert Murray established the London Penny Post, a mail system that delivered letters and small parcels inside the city of London for the sum of one penny. The postage for the mailed item was prepaid by the use of a hand-stamp to frank the mailed item, confirming payment of postage. Though this 'stamp' was applied to a letter instead of a separate piece of paper it is considered by many historians as the world's first postage stamp.^[11]

Lovrenc Košir

In 1835 the Austro-Hungarian subject Lovrenc Košir, who was of Slovenian nationality, suggested the use of "artificially affixed postal tax stamps"^[12] using "gepresste papieroblate" which translates as "pressed paper wafers" but although the suggestion was looked at in detail, it was not adopted.^[13][14]

Rowland Hill

The Englishman Sir Rowland Hill started to take an interest in postal reform in 1835.^[15] In 1836, a Member of Parliament, Robert Wallace, provided Hill with numerous books and documents, which Hill described as a "half hundred weight of material".^[16] Hill commenced a detailed study of these documents, which led him to the publication, in early 1837, of a pamphlet entitled "Post Office Reform its Importance and Practicability". He submitted a copy of this to the Chancellor of the Exchequer, Thomas Spring-Rice, on 4 January 1837.^[17] This first edition was marked "private and confidential" and was not released to the general public. The Chancellor summoned Hill to a meeting during which the Chancellor suggested improvements and changes to be presented in a supplement, which Hill duly produced and supplied on 28 January 1837.^[18]

Rowland Hill then received a summons to give evidence before the Commission for Post Office Enquiry on 13 February 1837. During his evidence, he read from the letter he had written to the Chancellor, which included the statement that a notation of paid postage could be created "…by using a bit of paper just large enough to bear the stamp, and covered at the back with a glutinous wash…".^[19][20] This is the first publication of an unambiguous description of a modern adhesive postage stamp (though the term "postage stamp" did not yet exist at that time). Shortly afterward, the second edition of Hill’s booklet, dated 22 February 1837, was published, and made available to the general public. This booklet, containing some 28,000 words, incorporated the supplement he gave to the Chancellor and the statements he made to the Commission.

Hansard records that on 15 December 1837, Benjamin Hawes asked the Chancellor of the Exchequer "whether it was the intention of the Government to give effect to the recommendation of the Commissioners of the Post-office, contained in their ninth report relating to the reduction of the rates of postage, and the issuing of penny stamps?"^[21]

Hill’s ideas for postage stamps and charging postage based upon weight soon took hold and were adopted in many countries throughout the world. With the new policy of charging by weight, using envelopes for mailing documents became the norm. Hill’s brother Edwin Hill invented a prototype envelope-making machine that folded paper into envelopes quickly enough to match the pace of the growing demand for postage stamps.^[22]

Rowland Hill and the postal reforms he introduced to the UK postal system are commemorated on several postage issues of the United Kingdom.^[22]

James Chalmers

The claim that the Scotsman James Chalmers was the inventor of the postage stamp first surfaced in 1881 when the book "The Penny Postage Scheme of 1837", written by his son, Patrick Chalmers, was published.^[23] In this book, the son claims that James Chalmers first produced an essay describing and advocating a stamp in August 1834. However, no evidence for this is provided in the book. Patrick Chalmers continued to campaign until he died in 1891 to have his father recognised as the inventor of the postage stamp.

The first independent evidence for Chalmers' claim is the essay and proposal he submitted for adhesive postage stamps to the General Post Office, dated 8 February 1838 and received by the Post Office on 17 February 1838.^[24] In this approximately 800-word document about methods of franking letters he states, "Therefore, of Mr Hill’s plan of a uniform rate of postage … I conceive that the most simple and economical mode … would be by Slips … in the hope that Mr Hill’s plan may soon be carried into operation I would suggest that sheets of Stamped Slips should be prepared … then be rubbed over on the back with a strong solution of gum …". Chalmers' original document is now in the UK's National Postal Museum.

As the postage amounts stated in James Chalmers' essay mirrored those that were proposed by Rowland Hill in February 1837, it is clear that Chalmers was aware of Hill’s proposals. It is unknown whether he had obtained a copy of Hill’s booklet or if he had simply read about it in The Times newspaper, which had, on two occasions, on 25 March 1837^[25] and on 20 December 1837,^[26] reported in great detail Hill’s proposals. However, in neither article was there any mention of "a bit of paper just large enough to bear the stamp", so merely reading the Times would not have made Chalmers aware that Hill had already made that proposal; this suggests either that he had read Hill's booklet and was merely elaborating on Hill's idea, or that he in fact independently developed the idea of the modern postage stamp.

James Chalmers organized petitions "for a low and uniform rate of postage". The first such petition was presented in the House of Commons on 4 December 1837 (from Montrose).^[27] Further petitions organised by him were presented on 1 May 1838 (from Dunbar and Cupar), 14 May 1838 (from the county of Forfar) and 12 June 1839. Many other people were concurrently organizing petitions and presenting them to Parliament. All these petitions were presented after Hill’s proposals had been published.

Other claimants

Other claimants include or have included^[28]

• Dr John Gray of the British Museum
• Samuel Forrester, a Scottish tax official
• Charles Whiting, a London stationer
• Samuel Roberts of Llanbrynmair, Wales
• Francis Worrell Stevens, schoolmaster at Loughton
• Ferdinand Egarter of Spittal, Austria
• Curry Gabriel Treffenberg from Sweden

History[link]

The Penny Black, the world’s first postage stamp.

Although a number of people laid claim to the concept of the postage stamp, it is well documented that stamps were first introduced in the United Kingdom on 1 May 1840, as a part of postal reforms promoted by Sir Rowland Hill. With its introduction, the postage fee was now to be paid by the sender and not the recipient, though it was still possible to send mail without prepaying. Postmarks have been applied over stamps since the first postage stamps came into use.^[29][30]

The first stamp, the penny black, was put on sale on 1 May, to be valid as of 6 May 1840; two days later the two pence blue was introduced. Both show an engraving of the young Queen Victoria, with smooth, unperforated edges. At the time, there was no reason to include the United Kingdom’s name on the stamp; the UK remains the only country not to identify itself by name on postal stamps,^[31][32] as it simply uses the current monarch’s head as implicit identification. Following the introduction of the postage stamp in the UK, the number of letters increased dramatically as the use of the stamp rapidly accelerated. Before 1839 the number of letters sent was 76 million. By 1850 this had increased fivefold to 350 million and continued to grow rapidly thereafter,^[5] until the end of the 20th century when newer methods drastically reduced the use of delivery systems requiring stamps.

Other countries soon followed with their own stamps. The Canton of Zürich in Switzerland issued the Zurich 4 and 6 rappen on 1 March 1843. Although the Penny Black could be used to send a letter less than half an ounce anywhere within the United Kingdom, the Swiss did not initially adopt that system, instead continuing to calculate mail rates based on distance to be delivered. Brazil issued the Bull’s Eye stamp on 1 August 1843. Using the same printer as for the Penny Black, Brazil opted for an abstract design instead of a portrait of Emperor Pedro II, so that his image would be not be disfigured by a postmark. In 1845 some postmasters in the United States issued their own stamps, but it was not until 1847 that the first official U.S. stamps were created, 5 and 10 cent issues depicting Benjamin Franklin and George Washington. A few other countries issued stamps in the late 1840s. Many others, such as India, initiated their use in the 1850s, and by the 1860s most countries had stamps.

Perforations began in January 1854,^[33] and the first officially perforated stamps were issued in February 1854. However, stamps from Henry Archer's perforation trials had been issued the last few months of 1850, then during the 1851 parliamentary session of 1851,^[33] at the House of Commons, and finally in 1853/54 after the government paid Mr. Archer £4,000 for his machine and the patent.^[33]

Design[link]

When the first postage stamps premiered in the 1840s, they followed an almost identical standard in their shape, size and general subject matter. They were rectangular in shape. They bore the images of Queens, Presidents and other political figures. They also depicted the denomination of the postage and, with the exception of the United Kingdom,^[34] depicted the name of the country from which it was issued.^[35] Nearly all early postage stamps depicted the images of national leaders only, but before long, other subjects and designs began to appear. Sometimes the new designs were welcomed, while at other times changes were widely criticized. For example, in 1869, the U.S. Post Office broke from its tradition of depicting presidents or other famous historical figures on the face of postage and instead used other subjects, for example, a train or a horse. The change was greeted with general disapproval and sometimes harsh criticism from the American public.^[36][37]

Perforations[link]

Rows of perforations in a sheet of postage stamps.

Perforations are small holes made between individual postage stamps on a sheet or page of stamps, allowing for the easier separation of individual stamps. The resulting frame-like rippled edge that surrounds the separated stamp has become part of the characteristic appearance of a postage stamp.

For about the first ten years of postage stamp use (depending on the country), stamps were issued without perforations. Scissors or other cutting tools had to be used to separate individual stamps. If cutting tools were not used, individual stamps were torn off, as evidenced by the ragged edges of surviving such examples. This proved to be quite an inconvenience for postal clerks and businesses, both of which had to deal with large numbers of individual stamps on a daily basis. By 1850, various methods such as rouletting wheels were being devised in an effort to make stamp separation more efficient and to allow for large numbers of stamps to be quickly separated.^[38]

The Penny Red, 1854 issue. The first officially perforated postage stamp.

The United Kingdom was the first country to issue postage stamps with perforations, after years of struggle with the unsatisfactory cutting or tearing methods. The first machine specifically designed to perforate postage stamps was invented in London by Henry Archer, an Irish landowner and railroad man from Dublin, Ireland.^[39] The 1850 Penny Red.^[38][40][41] was the first stamp to be perforated in the course of the trials of Archer's perforating machine. After a period of trial and error and modifications of Archer's invention, new machines based on the principles pioneered by Archer were purchased and in 1854 the U.K. postal authorities started continuously issuing perforated postage stamps in the Penny Red and all subsequent designs.

The first officially perforated United States stamp (1857).

The United States government and the Post Office were quick to follow the lead of the U.K. In the U.S., the use of postage stamps caught on quickly and became more widespread when on March 3, 1851, the last day of its legislative session, Congress passed the Act of March 3, 1851 (An Act to reduce and modify the Rates of Postage in the United States).^[42] Similarly introduced on the last day of the Congressional session four years later, the Act of March 3, 1855 required the prepayment of postage on all mailings. Thereafter, postage stamp use in the U.S. quickly doubled, and by 1861 had quadrupled.^[38] In 1856, under the direction of Postmaster General James Campbell, Toppan and Carpenter, (commissioned by the U.S. government to print U.S. postage stamps through the 1850s) purchased a rotary machine designed to separate stamps, patented in England in 1854 by William and Henry Bemrose, who were printers in Derby, England.^[43] The original machine cut slits into the paper rather than punching holes, but the machine was soon modified.^[40] The first stamp issue to be officially perforated, the 3-cent George Washington, was issued by the U.S. Post Office on February 24, 1857. Between 1857 and 1861 all stamps originally issued between 1851 to 1856 were reissued with perforations. Initial capacity was insufficient to perforate all stamps printed, thus perforated issues used between February and July 1857 are scarce and quite valuable.^[44][45]

Shapes and materials[link]

In addition to the most common rectangular shape, stamps have been issued in geometric (circular, triangular and pentagonal) and irregular shapes. The United States issued its first circular stamp in 2000 as a hologram of the earth.^[46][47] Sierra Leone and Tonga have issued stamps in the shapes of fruit. Stamps that are printed on sheets are generally separated by perforations, though, more recently, with the advent of gummed stamps that do not have to be moistened prior to affixing them, designs can incorporate smooth edges (although a purely decorative perforated edge is often present).

Stamps are most commonly made from paper designed specifically for them, and are printed in sheets, rolls, or small booklets. Less commonly, postage stamps are made of materials other than paper, such as embossed foil (sometimes of gold). Switzerland made a stamp that contained a bit of lace and one of wood. The United States produced one of plastic. East Germany issued a stamp of synthetic chemicals. In the Netherlands a stamp was made of silver foil. Bhutan issued one with its national anthem on a playable record.

Graphic characteristics[link]

The subjects found on the face of postage stamps are generally what defines a particular stamp issue to the public and are often a reason why they are saved by collectors or history enthusiasts. Graphical subjects found on postage stamps have ranged from the early portrayals of kings, queens and presidents to later depictions of ships, birds and satellites,^[37] famous people,^[48] historical events, comics, dinosaurs, hobbies (knitting, stamp collecting), sports, holiday themes, and a wealth of other subjects too numerous to list.

Artists, designers, engravers and administrative officials are involved with the choice of subject matter and the method of printing stamps. Early stamp images were almost always produced from engravings — a design etched into a steel die, which was then hardened and whose impression was transferred to a printing plate. Using an engraved image was deemed a more secure way of printing stamps as it was nearly impossible to counterfeit a finely detailed image with raised lines unless you were a master engraver. In the mid-20th century, stamp issues produced by other forms of printing began to emerge, such as lithography, photogravure, intaglio and web offset printing. These later printing methods were less expensive and typically produced images of lesser quality.

Types[link]

A Costa Rica Airmail stamp of 1937.

• Airmail stamp — for payment of airmail service. The term "airmail" or an equivalent is usually printed on special airmail stamps. Airmail stamps typically depict images of airplanes and/or famous pilots and were used when airmail was a special type of mail delivery separate from mail delivered by train, ship or automobile. Aside from mail with local destinations, today almost all other mail is transported by aircraft and thus airmail is now the standard method of delivery.^[49] Scott has a separate category and listing for U.S. Airmail Postage. Prior to 1940, Scotts Catalogue did not have a special designation for airmail stamps.^[50] The various major stamp catalogs have different numbering systems and may not always list airmail stamps the same way.

• Booklet stamp — stamps produced and issued in booklet format.
• Carrier's stamp.
• Certified mail stamp.
• Coil stamps — tear-off stamps issued individually in a vending machine, or purchased in a roll.
• Commemorative stamp — a stamp that is issued for a limited time to commemorate a person or event. Anniversaries of birthdays and historical events are among the most common examples.
• Computer vended postage — advanced secure postage that uses information-based indicia (IBI) technology. IBI uses a two-dimensional bar code (Datamatrix or PDF417) to encode the originating address, date of mailing, postage and a digital signature to verify the stamp.^[51]
• Customised stamp — a stamp on which the image can be chosen by the purchaser by sending in a photograph or by use of the computer. Some are not true stamps but technically meter labels.

Joseph Stalin and Mao Zedong on a Chinese postage stamp, 1950.

• Definitive stamps — stamps for everyday postage and are usually produced to meet current postal rates. They often have less appealing designs than commemoratives, though there are notable exceptions.^[52] The same design may be used for many years. The use of the same design over an extended period may lead to unintended color varieties. This may make them just as interesting to philatelists as are commemoratives. A good example would be the US 1903 regular issues, their designs being very picturesque and ornamental.^[52] Definitive stamps are often issued in a series of stamps with different denominations.
• Express mail stamp / special delivery stamp.
• Late fee stamp — issued to show payment of a fee to allow inclusion of a letter or package in the outgoing dispatch although it has been turned in after the cut-off time.
• Local post stamps — used on mail in a local post; a postal service that operates only within a limited geographical area, typically a city or a single transportation route. Some local posts have been operated by governments, while others, known as private local posts, have been operated by for-profit companies.
• Military stamp — stamp for a country’s armed forces, usually using a special postal system.
• Minisheet — a commemorative issue smaller than a regular full sheet of stamps, but with more than one stamp. Minisheets often contain a number of different stamps, and often having a decorative border. See also souvenir sheets.

The Red Mercury, a rare 1856 newspaper stamp of Austria.

• Newspaper stamp — used to pay the cost of mailing newspapers and other periodicals.
• Official mail stamp — issued for use by the government or a government agency.
• Occupation stamp — a stamp for use by an occupying army or by the occupying army or authorities for use by civilians
• Non-denominated postage — postage stamp that remains valid even after the price has risen. Also known as a permanent or "forever" stamp.
• Overprint - A regularly issued stamp, such as a commemorative or a definitive issue, that has been changed after issuance by "printing over" some part of the stamp. Denominations can be changed in this manner.
• Perforated stamps — while this term usually refers to perforations around a stamp to divide a sheet into individual stamps, it can also be used for stamps perforated across the middle with letters or a pattern or monogram, which are known as "perfins." These modified stamps are usually purchased by corporations to guard against theft by employees.
• Personalised stamps — allow the user to add his or her own image.
• Pneumatic post stamps — for mail sent using pressurized air tubes, only produced in Italy.
• Postage currency postage stamps used as currency rather than as postage
• Postage due — a stamp showing that the full postage has not been paid, and indicating the amount owed. The United States Post Office Department has issued "parcel post postage due" stamps.
• Postal tax — a stamp indicating that a tax above the postage rate required for sending letters has been paid. This is often mandatory on mail issued on a particular day or for a few days.

Polish revenue stamps affixed to a passport.

• Revenue stamps — used to collect taxes or fees on items such as documents, tobacco, alcoholic drinks, hunting licenses and medicines.
• Self-adhesive stamp — not requiring moisture to stick. Self-sticking.
• Semi-postal / charity stamp — a stamp with an additional charge for charity. The use of semi-postal stamps is at the option of the purchaser. Countries such as Belgium and Switzerland that often use charitable fund-raising design stamps that are desirable for collectors.
• Souvenir sheet — a commemorative issue in large format valid for postage often containing a perforated or imperforate stamp as part of its design. See also minisheet.
• Specimen stamp — sent to postmasters and postal administrations so that they are able to identify valid stamps and to avoid forgeries.
• Telegraph stamp — for sending telegrams.
• Test stamp — a label not valid for postage, used by postal authorities to test sorting and cancelling machines or machines that can detect a stamp on an envelope. May also be known as dummy or training stamps.
• Variable value stamps - dispensed by machines that print the cost of the postage at the time the stamp is dispensed.
• War tax stamp — A variation on the postal tax stamp to defray the cost of war.
• Water-activated stamp — for many years, water-activated stamps were the only type available, so this term entered into use with the advent of self-adhesive stamps. The adhesive or gum on a water-activated stamp must be moistened (usually by licking, thus the stamps are also known as "lick and stick").

First day covers[link]

A philatelic First Day Cover from Abu Dhabi.

Postage stamps are first issued on a specific date, often referred to as the First day of issue. A first day cover usually consists of an envelope, a postage stamp and a postmark with the date of the stamp’s first day of issue thereon.^[53] Starting in the mid-20th century some countries, including the U.S., began assigning the first day of issue to a place associated with the subject of the stamp design, such as a specific town or city.^[54] There are two basic types of First Day Covers (FDCs) noted by collectors. The first and often most desirable type among advanced collectors is a cover sent through the mail in the course of everyday usage, without the intention of the envelope and stamp ever being retrieved and collected. The second type of FDC is often referred to as "Philatelic," that is, an envelope and stamp sent by someone with the intention of retrieving and collecting the mailed item at a later time and place. The envelope used for this type of FDC often bears a printed design or cachet of its own in correspondence with the stamp’s subject and is usually printed well in advance of the first day of issue date. The latter type of FDC is usually far more common, and is usually inexpensive and relatively easy to acquire. Covers that were sent without any secondary purpose are considered non-philatelic and often are much more challenging to find and collect.'^[53][54]

Souvenir or miniature sheets[link]

A 1987 Faroe Islands miniature sheet, in which the stamps form a part a larger image.

Postage stamps are sometimes issued in souvenir sheets or miniature sheets containing one or a small number of stamps. Souvenir sheets typically include additional artwork or information printed on the selvage, the border surrounding the stamps. Sometimes the stamps make up a greater picture. Some countries, and some issues, are produced as individual stamps as well as sheets.

Stamp collecting[link]

Stamp collecting is a popular hobby. Collecting is not the same as philately, which is defined as the study of stamps. It is not necessary to closely study stamps in order to enjoy collecting them. Many casual collectors enjoy accumulating stamps without worrying about the details. The creation of a valuable or comprehensive collection, however, may require some philatelic knowledge.

Stamp collectors are an important source of revenue for some small countries that create limited runs of elaborate stamps designed mainly to be bought by stamp collectors. The stamps produced by these countries may far exceed their postal needs. Hundreds of countries, each producing scores of different stamps each year, resulted in 400,000 different types of stamps in existence by the year 2000. Annual world output averages about 10,000 types.

Le Philateliste by François Barraud (1929).

Some countries authorize the production of postage stamps that have no postal use,^[55] but are intended instead solely for collectors. Other countries issue large numbers of low denomination stamps that are bundled together in starter packs for new collectors. Official reprints are often printed by companies who have purchased or contacted for those rights and such reprints see no postal use.^[56][57] All of these stamps are often found "canceled to order", meaning they are postmarked without ever having passed through the postal system. Most national post offices produce stamps that would not be produced if there were no collectors, some to a far more prolific degree than others. It is up to individual collectors whether this concerns them; collecting such issues is as legitimate an endeavor as any other collection, but is unlikely to result in a collection of any value or to provide a monetary return on an investment (though it may be found worthwhile in other ways, such as teaching geography or collecting methods to a child, or sheer pleasure in the beauty of some of these issues). Others may argue that since these stamps are virtually worthless, they will be discarded in large numbers and eventually become less common and thus collectable in their own right, though this process would likely take many decades.

Sales of stamps to collectors who do not use them for mailing can result in large profits. Good examples of excessive issues have been (1) the stamps produced by Nicholas F. Seebeck and (2) stamps produced for the component states of the United Arab Emirates. Seebeck operated in the 1890s as an agent of Hamilton Bank Note Company. He approached Latin American countries with an offer to produce their entire postage stamp needs for free. In return he would have exclusive rights to market stamps to collectors. Each year a new issue would be produced, but would expire at the end of the year. This assured Seebeck of a continuing supply of remainders.^[56][57] In the 1960s, printers such as the Barody Stamp Company contracted to produce stamps for the separate Emirates and other countries. The sparse population of the desert states made it wholly unlikely that many of these stamps would ever be used for mailing purposes, and earned them the name of the "sand dune" countries. Another example of what might be considered by some to be excessive issues is that, at the time of the millennium, the United Kingdom issued 96 different stamps over about 24 months, all for pre-existing values with the same four rates for each set.

In the United States there is concern among some collectors that the United States Postal Service has become a promotional agent for the media and entertainment industry, as it has frequently issued entire sets of stamps featuring movie stars and cartoon characters like Mickey Mouse and Bart Simpson^[58] Over the decades the annual average number of new postage stamp issued by the U.S.P.S. has significantly increased.^[59]

Famous stamps[link]

The Basel Dove stamp.

• Basel Dove
• British Guiana 1c magenta
• Hawaiian Missionaries
• Inverted Head 4 Annas
• Inverted Jenny
• Mauritius "Post Office"
• Penny Black
• Scinde Dawk
• Treskilling Yellow
• Uganda Cowries

See also[link]

Philately portal

• List of entities that have issued postage stamps
• Philatelic fakes and forgeries
• Philately
• Stamp catalog
• Stamp collecting
• Variable value stamp

References[link]

External links[link]

Wikimedia Commons has media related to: Stamps

• Stamp Collecting News — Provides updates on new stamp issues from around the world
• History of postage stamps and collecting of stamps
• First Postage Stamps

LiliAna Rose (born 15 Jun 1984), is a folk-pop, singer-songwriter from New York City, of English and Italian descent. She is best known for a reimagining of the classic "You Are My Sunshine." Rose has been a fixture of the West Village acoustic scene since her debut at The Bitter End in 2000.

Music[link]

The Wall Street Journal calls Rose's voice "fluttery, with an almost country twang."^[1] CNN has stated "If Reba McEntire were a teenager today, she might sound like this girl."^[2]

Rose is a member^[1] of the new folk revival ^[2] which began in England in the late 2000s with acts such as Mumford and Sons and Laura Marling.^[3] and has continued onto American shores with acts such as The Relatives, and Andrew Duncan.

Since the late nineties Rose has collaborated with many musicians, including JoGa, Jason Szkutek, Daniel Cohen, and Jake White Project. She has appeared as the lead singer on independently released EPs by JoGa and Jake White Project.

Influences[link]

A poet and songwriter, she cites [Neil Young and Bob Dylan] as two of her greatest influences.^[4] "We Can Be," off of her debut EP "Postage Stamp," was recorded in the same room where Young had just completed his 2009 album "Fork in the Road." "Postage Stamp," was self-released in February 2009 at the request of thousands of online fans who encouraged the singer to self-produce.

The album cut of "You are My Sunshine" was featured on a 2009 national Charter Communications advertisement. http://www.splendad.com/ads/songs/2010

This version of "You are My Sunshine" was also Rose's audition song for the Fox television show X Factor in 2011.

Personal[link]

She hails from a family of poets, actors, and musicians dating back to the 1100s. Her paternal ancestors began the comedy troupe Commedia Del Arte in the 12th Century;^[5] Isabella Andreini, the Inamorata of the group, inspired many of the French poets, notably Isaac du Ryer (d. c. 1631). Andreini was also a poet herself, releasing Rime, a collection of 359 poems in fall of 1601.^[6] Rose’s “Want You” opens with “you’re an ancient mariner’s rime,” which many believe is not only a reference to the Coleridge poem but also a veiled reference to her late relative.

Releases[link]

• Postage Stamp EP

1. "Postage Stamp"
2. "Get To Me"
3. "We Can Be"
4. "Carry On"
5. "Want You"
6. "You Are My Sunshine"
7. "Brighten the Corner"

• 'Recreation' (Jake White Project 2004)

(lead vocals on 'forever', 'hold on to the night', 'blind', 'from beginning to end')

• 'Tabula Rasa' (JoGa 2009)

(lead vocals on 'game over' + 'surprise store')

• 'Dinosaurs' (JoGa 2010)

(lead vocals on 'tabula rasa', 'brainwashed', 'freudian slips')

Notes[link]

External links[link]

• Official Website
• Myspace
• Youtube

Ray Charles
Ray Charles in 1990
Background information
Birth name	Ray Charles
Born	(1930-09-23)September 23, 1930 Albany, Georgia, United States
Origin	Greenville, Florida, United States
Died	June 10, 2004(2004-06-10) (aged 73) Beverly Hills, California, United States
Genres	Rhythm and blues, soul, blues, soul blues, rock and roll, jazz, vocal jazz, country, pop, gospel
Occupations	Composer, musician, arranger, bandleader
Instruments	Vocals, piano, keyboards, alto saxophone, trombone
Years active	1947–2004
Labels	Atlantic, ABC, Warner Bros., Swing Time, Concord, Columbia, Flashback
Associated acts	The Raelettes, Quincy Jones, Betty Carter, Marvin Gaye, Billy Joel, James Brown, Little Richard
Website	Official website

Ray Charles Robinson (September 23, 1930 – June 10, 2004), known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records.^[1][2][3] He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums.^[4][5][6] While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company.^[2] Frank Sinatra called Charles “the only true genius in show business.”

The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, Louis Armstrong. His playing reflected influences from country blues and barrelhouse, and stride piano styles.

Rolling Stone ranked Charles number ten on their list of "100 Greatest Artists of All Time" in 2004,^[7] and number two on their November 2008 list of "100 Greatest Singers of All Time".^[8] In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley. I don't know if Ray was the architect of rock & roll, but he was certainly the first guy to do a lot of things . . . Who the hell ever put so many styles together and made it work?"^[9]

Early life: 1930–1945[link]

Ray Charles Robinson was the son of Aretha Robinson, a sharecropper, and Bailey Robinson, a railroad repair man, mechanic and handyman.^[10] Aretha Robinson was a devout Christian and the family attended the New Shiloh Baptist Church.^[11] When Ray was an infant, his family moved from Albany, Georgia, where he was born, to the poor black community on the western side of Greenville, Florida. In his early years, Charles showed a curiosity for mechanical things and he often watched the neighborhood men working on their cars and farm machinery. His musical curiosity was sparked at Mr. Wiley Pit's Red Wing Cafe when Pit played boogie woogie on an old upright piano. Pit would care for George, Ray's brother, so as to take the burden off Williams. However, George drowned in the Williams' bath tub when he was four years old.^{[citation needed]} After witnessing the death of his brother, Ray would feel an overwhelming sense of guilt later on in life.

Charles started to lose his sight at the age of five. He went completely blind by the age of seven, apparently due to glaucoma.^[12][13] He attended school at the Florida School for the Deaf and the Blind in St. Augustine from 1937 to 1945,^[14] where he developed his musical talent.^[12] During this time he performed on WFOY radio in St. Augustine. His father died when he was 10 and his mother died five years after.

In school, Charles was taught only classical music, but he wanted to play the jazz and blues he heard on the family radio.^[14] While at school, he became the school's premier musician. On Fridays, the South Campus Literary Society held assemblies where Charles would play piano and sing popular songs. On Halloween and Washington's birthday, the Colored Department of the school had socials where Charles would play. It was here he established "RC Robinson and the Shop Boys" and sang his own arrangement of "Jingle Bell Boogie."^[15] He spent his first Christmas at the school, but later the staff pitched in so that Charles could return to Greenville, as he did each summer.

Henry and Alice Johnson, who owned a store not unlike Mr. Pit's store in Greenville, moved to the French town section of Tallahassee, just west of Greenville; and they, as well as Freddy and Margaret Bryant, took Charles in. He worked the register in the Bryants' store under the direction of Lucille Bryant, their daughter. It's said he loved Tallahassee and often used the drug store delivery boy's motorbike to run up and down hills using the exhaust sound of a friend's bike to guide him. Charles found Tallahassee musically exciting too and sat in with the Florida A&M University student band. He played with the Adderley brothers, Nat and Cannonball, and began playing gigs with Lawyer Smith and his Band in 1943 at the Red Bird Club and Deluxe Clubs in Frenchtown and roadhouse theaters around Tallahassee, as well as the Governor's Ball.^[16]

Career[link]

Early career: 1946–1952[link]

After his mother died in 1946, Charles was 15 years old and didn't return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Then he moved to Orlando, and later Tampa, where he played with a southern band called The Florida Playboys. This is where he began his habit of always wearing sunglasses, made by designer Billy Stickles.^[17]

Charles had always played for other people, but he wanted his own band. He decided to leave Florida for a large city, but Chicago and New York City were too big. After asking a friend to look in a map and note the city in the United States that was farthest from Florida, he moved to Seattle in 1947^[12] (where he first met and befriended, under the tutelage of Robert Blackwell, a 14-year-old Quincy Jones)^[18][19] and soon started recording, first for the Down Beat label as the Maxin Trio with guitarist G.D. McKee and bassist Milton Garrett, achieving his first hit with "Confession Blues" in 1949. The song soared to No. 2 on the R&B charts. He joined Swing Time Records and under his own name ("Ray Charles" to avoid being confused with boxer Sugar Ray Robinson)^[10] recorded two more R&B hits, "Baby, Let Me Hold Your Hand" (No. 5) in 1951 and "Kissa Me Baby" (No. 8) in 1952. The following year, Swing Time folded and Ahmet Ertegün signed him to Atlantic Records.^[12]

Atlantic Records: 1953–1958[link]

Charles laid low from recording until early 1953 as Atlantic executives cleared out Charles' contract with Swingtime. Charles began recording jump blues and boogie-woogie style recordings as well as slower blues ballads where he continued to show the vocal influences of Nat "King" Cole and Charles Brown. "Mess Around" became Charles' first Atlantic hit in 1953 and he later had hits the following year with "It Should Have Been Me" and "Don't You Know". He also recorded the songs, "Midnight Hour" and "Sinner's Prayer". Some elements of his own vocal style showed up in "Sinner's Prayer", "Mess Around" and "Don't You Know".

Late in 1954, Charles recorded his own composition, "I Got a Woman" and the song became Charles' first number-one R&B hit in 1955 and brought him to national prominence.^[20] The elements of "I Got a Woman" included a mixture of gospel, jazz and blues elements that would later prove to be seminal in the development of rock 'n' roll and soul music. He repeated this pattern throughout 1955 continuing through 1958 with records such as "This Little Girl of Mine", "Drown in My Own Tears", "Lonely Avenue", "A Fool For You" and "The Night Time (Is the Right Time)".

However, Charles didn't stop his ambitions of jazz recording a couple of instrumental jazz albums with vibraphonist Milt Jackson while also promoting his R&B career. By 1958, Charles was not only headlining black venues such as The Apollo Theater and The Uptown Theater but also bigger venues such as The Newport Jazz Festival. It was at the Newport festival where he cut his first live album. In 1956, Charles recruited a young all-female singing group named the Cookies, and reshaped them as The Raelettes. Before then, Charles had used his wife and other musicians to back him up on recordings such as "This Little Girl of Mine" and "Drown In My Own Tears". The Raelettes' first recording session with Charles was on the bluesy-gospel inflected "Leave My Woman Alone".

Crossover success: 1959–1967[link]

Charles in 1971. Photo: Heinrich Klaffs.

Charles reached the pinnacle of his success at Atlantic with the release of "What'd I Say", a complex song that combined gospel, jazz, blues and Latin music and a song that Charles would later say he composed spontaneously as he was performing in clubs and dances with his small band. Despite some radio stations banning the song because of its sexually suggestive lyrics, the song became a crossover top ten pop record, Charles' first record to do so.^[21] Later in 1959, Charles recorded and released his first country song, a cover of Hank Snow's "Movin' On", and had recorded three more albums for the label including a jazz record (later released in 1961 as The Genius After Hours), a blues record (released in 1961 as The Genius Sings the Blues) and a traditional pop/big band record (The Genius of Ray Charles). The Genius of Ray Charles provided his first top 40 album entry where it peaked at #17 and was later held as a landmark record in Charles' career but Charles saw a bigger opportunity following his Atlantic contract expiring in the fall of 1959 when several big labels offered him record deals.

Choosing not to renegotiate his contract with Atlantic, Ray Charles signed with ABC-Paramount Records in November 1959, obtaining a much more liberal contract than other artists had at the time.^[22] Following the success of "What'd I Say" and The Genius of Ray Charles, ABC offered Charles a $ 50,000 annual advance, higher royalties than previously offered and eventual ownership of his masters — a very valuable and lucrative deal at the time.^[23] During his Atlantic years, Charles was heralded for his own inventive compositions, however, by the time of the release of the instrumental jazz LP Genius + Soul = Jazz (1960) for ABC's subsidiary label Impulse!, Charles had virtually given up on writing original material and had begun to follow his eclectic impulses as an interpreter.^[21]

With his first hit single for ABC-Paramount, Charles received national acclaim and a Grammy Award for the Sid Feller-produced "Georgia on My Mind", originally written by composers Stuart Gorrell and Hoagy Carmichael, released as a single by Charles in 1960.^[21][24] The song served as Charles's first work with Feller, who arranged and conducted the recording. Charles also earned another Grammy for the follow-up "Hit the Road Jack", written by R&B singer Percy Mayfield.^[25] By late 1961, Charles had expanded his small road ensemble to a full-scale big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to crossover into mainstream pop with such a level of creative control.^[21][26] This success, however, came to a momentary halt in November 1961, as a police search of Charles's hotel room in Indianapolis, Indiana during a concert tour led to the discovery of heroin in his medicine cabinet. The case was eventually dropped, as the search lacked a proper warrant by the police, and Charles soon returned his focus on music and recording.^[26]

The 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. His version of the Don Gibson song, I Can't Stop Loving You topped the Pop chart for five weeks and stayed at No. 1 R&B for ten weeks in 1962. It also gave him his only number one record in the UK. In 1962, he founded his own record label, Tangerine Records, which ABC-Paramount promoted and distributed.^[27][28] He also had major pop hits in 1963 with "Busted" (US No. 4) and Take These Chains From My Heart (US No. 8). With the rise of younger soul performers such as James Brown, Otis Redding and Motown singers such as Smokey Robinson, Marvin Gaye and its own blind artist, Stevie Wonder, Charles' successes on the pop and R&B charts peaked after 1964 though he remained a huge concert draw.

Later years: 1967-2004[link]

1972 meeting of President Nixon and Ray Charles taken by Oliver F. Atkins

By 1967, Charles' commercial success had begun peaking on both pop and R&B charts though he would remain a concert draw both in the states and overseas. In 1965, Charles' career after being arrested for a third time for heroin halted after he agreed to go to rehab to avoid jail time. Charles kicked his habit at a clinic in Los Angeles. After spending a year on parole, Charles reemerged on the charts in 1966 with a series of hits composed with the fledgling team of Ashford & Simpson including the dance number, "I Don't Need No Doctor" (later covered in a hard rock style by British supergroup Humble Pie), "Let's Go Get Stoned", which became his first #1 R&B hit in several years, and "Crying Time", which reached #6 on the pop chart and later helped Charles win a Grammy Award the following March.

In 1967, he had a top twenty hit with another ballad, "Here We Go Again".^[29] Charles' renewed chart success, however, proved to be short lived and by the late 1960s his music was rarely played on radio stations partly due to the rise of psychedelic rock and harder forms of rock and R&B music and also due to Charles choosing to record pop standards and covers of then-modern day rock and soul hits as he had no desire to write due to him earning masters. Most of his recordings between 1966 and 1973 were either received well or poorly.^[12] Nonetheless, Charles continued to have an active recording career. Charles' 1972 album, Message from the People, included his unique gospel-influenced version of "America the Beautiful". In 1974, he left ABC Records and recorded several albums on his own Crossover Records label. His 1975 recording of Stevie Wonder's hit, "Living for the City" later helped Charles win another Grammy.

In 1977, he reunited with Ahmet Ertegun and Jerry Wexler and re-signed to Atlantic Records where he recorded the album, True to Life. However, the label had now begun focusing on rock acts and some of the label's prominent soul artists such as Aretha Franklin were starting to be neglected. Charles stayed with his old label until 1980. In November 1977 he appeared as the host of NBC's Saturday Night Live.^[30] In April of 1979, Charles' version of "Georgia On My Mind" was proclaimed the state song of Georgia. An emotional Charles performed the song on the floor of the state legislature.^[12] Though he notably supported the civil rights movement and Martin Luther King, Jr. in 1960s, Charles would be criticized for performing at South Africa's Sun City resort in 1981 during an international boycott of its apartheid policy.^[12] In 1983, Charles signed a contract with Columbia Records and recorded a string of country albums. Charles also began having a string of country hits often with duet singers such as George Jones, Chet Atkins, B.J. Thomas, Mickey Gilley, Hank Williams, Jr. and lifelong friend Willie Nelson, for which he recorded the #1 country duet, "Seven Spanish Angels". After 1987, his Columbia contract ended and Charles returned to recording pop music after signing with Warner Bros. Records. Prior to the release of his first Warner release, Would You Believe, Charles made a return on the R&B charts with a cover of The Brothers Johnson's "I'll Be Good to You", a duet with his lifelong buddy Quincy Jones and singer Chaka Khan. The song hit number-one on the R&B charts in 1990 and won Charles and Khan a Grammy for their dual work. Prior to this, Charles returned on the pop charts in another duet, with singer Billy Joel on the song, "Baby Grand" and in 1989, recorded a cover of the Southern All Stars' "Itoshi no Ellie", releasing it as "Ellie My Love" for a Japanese TV ad for Suntory releasing it in Japan where it reached #3 on its Oricon chart.^[31] Charles' 1993 album, My World became his first album in some time to reach the Billboard 200 and his cover of Leon Russell's "A Song for You" gave him a charted hit on the adult contemporary chart as well as his twelfth and final Grammy he would receive in his lifetime.

By the beginning of the 1980s, Charles would reach younger audiences by appearances in various films and TV shows. In 1980, he made a cameo on the film, The Blues Brothers. While he never appeared on the show, Charles' version of "Night Time is the Right Time" was played during the popular "Cosby Show" episode, "Happy Anniversary". In 1985, he appeared among a slew of other popular musicians in the USA for Africa charity recording, "We Are the World". Charles' popularity increased among younger audiences in 1991 after he appeared where he popularized the catchphrase "You Got the Right One, Baby" The catchphrase came from a song that was composed by Kenny Ascher, Joseph C. Caro and Helary Jay Lipsitz.^[32]

Charles with President Ronald Reagan and First Lady Nancy Reagan in 1984.

Charles also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 for Bill Clinton's first.^[33] In the late 1980s/early 1990s, Charles made appearances on the Super Dave Osbourne TV show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. During the sixth season of Designing Women, Charles sang "Georgia on My Mind", instead of the song being rendered instrumentally by other musicians as in the previous five seasons. He also appeared in 4 episodes of the popular TV comedy The Nanny in Seasons 4 & 5 (1997 & 1998) as 'Sammy', in one episode singing "My Yiddish Mamma" to December romance and later fiancee of character Gramma Yetta, played by veteran actress Ann Guilbert. From 2001-2002, Charles appeared in commercials for the New Jersey Lottery to promote its "For every dream, there's a jackpot" campaign.

In 2003, Ray Charles headlined the White House Correspondents Dinner in Washington, D.C. where the President, First Lady, Colin Powell and Condoleezza Rice attended. He also presented one of his greatest admirers, Van Morrison, with his award upon being inducted in the Songwriters Hall of Fame and the two sang Morrison's song "Crazy Love". This performance appears on Morrison's 2007 album, The Best of Van Morrison Volume 3. In 2003 Charles performed "Georgia On My Mind" and "America the Beautiful" at a televised annual electronic media journalist banquet held in Washington, D.C. His final public appearance came on April 30, 2004, at the dedication of his music studio as a historic landmark in the city of Los Angeles.^[12]

Personal life[link]

Family[link]

Charles was married twice and had 12 children with nine different women.^[34][35] His first marriage to Eileen Williams was brief: July 31, 1951 to 1952. He had three children from his second marriage, to Della Beatrice Howard Robinson from April 5, 1955 to April 26, 1977. His long term girlfriend and partner at the time of his death was Norma Pinella. His first child, Evelyn, was born in 1950 to girlfriend Louise Mitchell. His three children with Della, Ray Charles, Jr., David and Robert, were born in 1955, 1958 and 1960 respectively. Another son, Charles Wayne, was born in 1959 during his six-year long affair with original Raelettes vocalist Margie Hendricks. In 1961, a daughter, Raenee, was born during an affair with Mae Mosely Lyles. Two years later, in 1963, Charles and Sandra Jean Betts welcomed daughter Sheila Raye Charles Robinson.^[36] In 1966, a daughter named Alicia was born by a woman who remains unidentified to this day, followed by another daughter, Alexandra, born to a woman named Chantal Bertrand. Charles' next child, Vincent, came from a relationship with Arlette Kotchounian following his divorce from Della Howard in 1977. A year later, daughter Robyn was born to a woman named Gloria Moffett. Charles' youngest child, son Ryan Corey, was born in 1987 to Mary Anne den Bok.

Charles gave 10 of his 12 children checks for one million USD in December 2002 at a family luncheon, while the other two could not make it.^[37]

Substance abuse and legal issues[link]

On November 14, 1961, Charles was arrested on a narcotics charge in an Indiana hotel room, where he waited to perform. The detectives seized heroin, marijuana, and other items. Charles, then 31, stated that he had been a drug addict since the age of 16. While the case was dismissed because of the manner in which the evidence was obtained,^[38] Charles's situation did not improve until a few years later. Individuals such as Quincy Jones and Reverend Henry Griffin felt that those around Charles were responsible for his drug use.

By 1964 Charles' drug addiction caught up with him and he was arrested for possession of marijuana and heroin. Following a self-imposed stay^[38] at St. Francis Hospital in Lynwood, California, Charles received five years' probation. Charles responded to the saga of his drug use and reform with the songs "I Don't Need No Doctor", "Let's Go Get Stoned", and the release of his first album since having kicked his heroin addiction in 1966, Crying Time.^[39][40]

Other interests[link]

Charles played chess using a special board with holes for the pieces and raised squares.^[41] Charles referred to Willie Nelson as "my chess partner" in a 1991 concert.^[42] In 2002, he played and lost to American Grandmaster and former U.S. Champion Larry Evans.^[43]

Death[link]

Charles died on June 10, 2004 at 11:35 a.m. of liver disease at his home in Beverly Hills, California, surrounded by family and friends.^[44][45] He was 73 years old. His body was interred in the Inglewood Park Cemetery.

Star on Hollywood Walk of Fame at 6777 Hollywood Blvd.

His final album, Genius Loves Company, released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis. The album won eight Grammy Awards, including five for Ray Charles for Best Pop Vocal Album, Album of the Year, Record of the Year and Best Pop Collaboration with Vocals for "Here We Go Again" with Norah Jones, and Best Gospel Performance for "Heaven Help Us All" with Gladys Knight; he also received nods for his duets with Elton John and B.B. King. The album included a version of Harold Arlen's "Over the Rainbow", sung as a duet by Charles and Johnny Mathis; this record was played at his memorial service.^[46]

Two more posthumous albums, Genius & Friends (2005) and Ray Sings, Basie Swings (2006), were released. Genius & Friends consisted of duets recorded from 1997 to 2005 with his choice of artists. Ray Sings, Basie Swings consists of archived vocals of Ray Charles from live mid-1970s performances added to new instrumental tracks specially recorded by the contemporary Count Basie Orchestra and other musicians. Charles's vocals recorded from the concert mixing board were added to new accompaniments to create a "fantasy concert" recording.

Legacy[link]

Charles possessed one of the most recognizable voices in American music. In the words of musicologist Henry Pleasants:

Sinatra, and Bing Crosby before him, had been masters of words. Ray Charles is a master of sounds. His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm... It is either the singing of a man whose vocabulary is inadequate to express what is in his heart and mind or of one whose feelings are too intense for satisfactory verbal or conventionally melodic articulation. He can’t tell it to you. He can’t even sing it to you. He has to cry out to you, or shout to you, in tones eloquent of despair — or exaltation. The voice alone, with little assistance from the text or the notated music, conveys the message.

Ray Charles is usually described as a baritone, and his speaking voice would suggest as much, as would the difficulty he experiences in reaching and sustaining the baritone's high E and F in a popular ballad. But the voice undergoes some sort of transfiguration under stress, and in music of gospel or blues character he can and does sing for measures on end in the high tenor range of A, B flat, B, C and ev in full voice, sometimes in an ecstatic head voice, sometimes in falsetto. In falsetto he continues up to E and F above high C. On one extraordinary record, "I’m Going Down to the River’ . . . he hits an incredible B flat . . . giving him an overall range, including the falsetto extension, of at least three octaves.^[47]

In 1979, Charles was one of the first of the Georgia State Music Hall of Fame to be recognized as a musician born in the state.^[48] Ray's version of "Georgia On My Mind" was made the official state song for Georgia.^[49] In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986.^[50] He received the Kennedy Center Honors in 1986.^[51]

In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1993, he was awarded the National Medal of Arts.^[52] In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame.^[53] The Grammy Awards of 2005 were dedicated to Charles.

On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano. Later that month, on December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame. He was also presented with the George and Ira Gershwin Award for Lifetime Musical Achievement, during the 1991 UCLA Spring Sing.^[54]

In 2003, Charles was awarded an honorary degree by Dillard University. Upon his death, he endowed a professorship of African-American culinary history at the school, which is the first such chair in the nation.^[55] A $20 million performing arts center at Morehouse College was named after Charles and was dedicated in September 2010.^[56]

The biopic Ray, released in October 2004, portrays his life and career between 1930 and 1979 and stars Jamie Foxx as Charles. Foxx won the 2005 Academy Award for Best Actor for the role.

Discography[link]

Filmography[link]

• Swingin' Along (1961)
• Ballad in Blue (1964)
• The Big T.N.T. Show (1966) (documentary)
• The Blues Brothers (1980)
• Who's The Boss (himself) 1987
• Limit Up (1989)
• Listen Up: The Lives of Quincy Jones (1990) (documentary)
• Love Affair (1994)
• Spy Hard (1996)
• The Nanny (1999) as Sammy
• The Extreme Adventures of Super Dave (2000)
• Blue's Big Musical Movie (2000)
• Ray (2004)

References[link]