- published: 06 Feb 2013
- views: 14616
- author: footylovr
10:01
Ron Barassi interview with Gary Ablett Snr
Today Tonight exclusive from way back in 1996. The great Ron Barassi visits Gary to talk a...
published: 06 Feb 2013
author: footylovr
Ron Barassi interview with Gary Ablett Snr
Ron Barassi interview with Gary Ablett Snr
Today Tonight exclusive from way back in 1996. The great Ron Barassi visits Gary to talk about life outside football and allows viewers to get a glimpse of t...- published: 06 Feb 2013
- views: 14616
- author: footylovr
4:57
Gary Ablett (AFL) - Highlight Reel 1
Highlights from one of the greatest AFL players of all time - Gary Ablett. Featuring play ...
published: 29 Jan 2007
author: sirsteve77
Gary Ablett (AFL) - Highlight Reel 1
Gary Ablett (AFL) - Highlight Reel 1
Highlights from one of the greatest AFL players of all time - Gary Ablett. Featuring play from early in his career Ablett, Superman, God or just simply Gary,...- published: 29 Jan 2007
- views: 87601
- author: sirsteve77
3:19
Junior Senior - Move Your Feet (Official music video, HD)
iTunes: http://www.itunes.com/juniorsenior Spotify: http://spoti.fi/tdIbMQ Rdio: http://on...
published: 14 Mar 2011
author: CrunchyFrogDK
Junior Senior - Move Your Feet (Official music video, HD)
Junior Senior - Move Your Feet (Official music video, HD)
iTunes: http://www.itunes.com/juniorsenior Spotify: http://spoti.fi/tdIbMQ Rdio: http://on.rdio.com/11wtsjm The official music video made by Shynola. "Move Y...- published: 14 Mar 2011
- views: 4745847
- author: CrunchyFrogDK
8:04
Justin Pugh: Snr Bowl
LT/LG (#67). You can't miss him, he has the orange cuse helmet. He is mostly at left tackl...
published: 01 May 2013
author: NYGiantCentral
Justin Pugh: Snr Bowl
Justin Pugh: Snr Bowl
LT/LG (#67). You can't miss him, he has the orange cuse helmet. He is mostly at left tackle here, and there are some snaps of him at left guard too. He goes ...- published: 01 May 2013
- views: 2789
- author: NYGiantCentral
4:17
George Formby Snr. - Plink Plonk (1909)
An Edison Amberol cylinder record by George Formby Senior, 'Plink Plonk' which is subtitle...
published: 13 Jul 2012
author: VintageBritishComedy
George Formby Snr. - Plink Plonk (1909)
George Formby Snr. - Plink Plonk (1909)
An Edison Amberol cylinder record by George Formby Senior, 'Plink Plonk' which is subtitled 'The skin of a Spanish onion'. George Formby was the stage name o...- published: 13 Jul 2012
- views: 174
- author: VintageBritishComedy
7:02
George Formby Snr. - Standing at the Corner of the Street / Playing The Game In The West (1910)
Like many of Formby Snrs. recordings (and many early records generally), these tracks were...
published: 12 Jun 2012
author: VintageBritishComedy
George Formby Snr. - Standing at the Corner of the Street / Playing The Game In The West (1910)
George Formby Snr. - Standing at the Corner of the Street / Playing The Game In The West (1910)
Like many of Formby Snrs. recordings (and many early records generally), these tracks were released on a couple of different labels with different backing so...- published: 12 Jun 2012
- views: 1720
- author: VintageBritishComedy
3:32
Gary Ablett vs Gary Ablett, father vs Gold Coast sun, Jr vs Snr. Who do you think is the Best
Who is the better Gary Ablett, Jr or Sr? Looking back: Gary Ablett Jnr v Snr News for gary...
published: 28 Jul 2013
author: DaheflersPuppets
Gary Ablett vs Gary Ablett, father vs Gold Coast sun, Jr vs Snr. Who do you think is the Best
Gary Ablett vs Gary Ablett, father vs Gold Coast sun, Jr vs Snr. Who do you think is the Best
Who is the better Gary Ablett, Jr or Sr? Looking back: Gary Ablett Jnr v Snr News for gary ablett snr vs gary ablett jnr Dad the greatest player, end of argu...- published: 28 Jul 2013
- views: 60
- author: DaheflersPuppets
14:59
Killalane Road Races 2011 Onboard Gary Miller #117 Snr Support
Killalane Road Races 2011 Onboard Gary Miller #117 Senior Support Riding a Suzuki GSXR 750...
published: 14 Sep 2011
author: SuperGixxerBoi
Killalane Road Races 2011 Onboard Gary Miller #117 Snr Support
Killalane Road Races 2011 Onboard Gary Miller #117 Snr Support
Killalane Road Races 2011 Onboard Gary Miller #117 Senior Support Riding a Suzuki GSXR 750 Finished 3rd 2011 Senior Support Irish Road Race Champion.- published: 14 Sep 2011
- views: 2019
- author: SuperGixxerBoi
19:11
OAP n SNR BattleField3 team deathmatch
PS3 BattleField3 team deathmatch with OAP fellow clan members on the SNR BF3 server. [OAP]...
published: 25 Jul 2012
author: Kenny MacKenzie
OAP n SNR BattleField3 team deathmatch
OAP n SNR BattleField3 team deathmatch
PS3 BattleField3 team deathmatch with OAP fellow clan members on the SNR BF3 server. [OAP] clan AKA "Old Age Playstationers" (http://www.oaps.org) Old Age Pl...- published: 25 Jul 2012
- views: 75
- author: Kenny MacKenzie
3:50
Gary Ablett - Top 10 High Flying Marks
Here are the top 10 greatest marks by Gary Ablett. So many amazing grabs was not an easy t...
published: 06 Aug 2009
author: footylovr
Gary Ablett - Top 10 High Flying Marks
Gary Ablett - Top 10 High Flying Marks
Here are the top 10 greatest marks by Gary Ablett. So many amazing grabs was not an easy task trying to narrow it down to only 10 so an alternate top 10 vers...- published: 06 Aug 2009
- views: 84601
- author: footylovr
2:48
Hank Williams Snr. - I'm So Lonesome I Could Cry
Coverd by many. Here's the original from 1947....
published: 20 Jul 2008
author: Valur Þór
Hank Williams Snr. - I'm So Lonesome I Could Cry
Hank Williams Snr. - I'm So Lonesome I Could Cry
Coverd by many. Here's the original from 1947.- published: 20 Jul 2008
- views: 873834
- author: Valur Þór
Vimeo results:
19:02
OVERVIEW
Check out the trailer for our feature film CONTINUUM: https://vimeo.com/60234866
If you'd ...
published: 06 Dec 2012
author: Planetary Collective
OVERVIEW
Check out the trailer for our feature film CONTINUUM: https://vimeo.com/60234866
If you'd like more information about CONTINUUM and how you can support & even pre-order the film, check out: http://www.continuumthemovie.com.
On the 40th anniversary of the famous ‘Blue Marble’ photograph taken of Earth from space, Planetary Collective presents a short film documenting astronauts’ life-changing stories of seeing the Earth from the outside – a perspective-altering experience often described as the Overview Effect.
The Overview Effect, first described by author Frank White in 1987, is an experience that transforms astronauts’ perspective of the planet and mankind’s place upon it. Common features of the experience are a feeling of awe for the planet, a profound understanding of the interconnection of all life, and a renewed sense of responsibility for taking care of the environment.
‘Overview’ is a short film that explores this phenomenon through interviews with five astronauts who have experienced the Overview Effect. The film also features insights from commentators and thinkers on the wider implications and importance of this understanding for society, and our relationship to the environment.
CAST
• EDGAR MITCHELL – Apollo 14 astronaut and founder of the Institute of Noetic Sciences
• RON GARAN – ISS astronaut and founder of humanitarian organization Fragile Oasis
• NICOLE STOTT – Shuttle and ISS astronaut and member of Fragile Oasis
• JEFF HOFFMAN – Shuttle astronaut and senior lecturer at MIT
• SHANE KIMBROUGH – Shuttle/ISS astronaut and Lieutenant Colonel in the US Army
• FRANK WHITE – space theorist and author of the book ‘The Overview Effect’
• DAVID LOY- philosopher and author
• DAVID BEAVER – philosopher and co-founder of The Overview Institute
———-
CREW
Producer: STEVE KENNEDY
Director: GUY REID
Editor: STEVE KENNEDY
Director of Photography: CHRISTOPHER FERSTAD
Original Score: HUMAN SUITS
Dubbing Mixer: PATCH MORRISON
———-
TECHNICAL INFORMATION
Filmed with Canon 5D Mk ii.
Additional footage from NASA / ESA archives
Duration: 19 minutes
———-
Planetary Collective: http://www.planetarycollective.com/
Overview Microsite: http://www.overviewthemovie.com/
Human Suits (original score): http://www.humansuits.com/
For more information:
The Overview Institute: http://www.overviewinstitute.org/
Fragile Oasis: http://www.fragileoasis.org/
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let\'s feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
4:00
Stardust
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (t...
published: 31 Jan 2013
author: PostPanic
Stardust
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (the unmanned spacecraft launched in 1977 to explore the outer solar system). The probe is the furthest man-made object from the sun and witnesses unimaginable beauty and destruction. The film was triggered by the death of Dutch graphic designer Arjan Groot, who died aged 39 on 16th July 2011 from cancer.
The entire team at PostPanic (the Amsterdam-based creative company) pushed themselves in their own creative post techniques to produce a primarily CG short film crafted with love.
The film's story centers on the idea that in the grand scheme of the universe, nothing is ever wasted and it finds comfort in us all essentially being Stardust ourselves. Voyager represents the memories of our loved ones and lives that will never disappear.
From a creative standpoint, Rozema wanted to explore our preconceived perceptions of how the universe appears which are fed to us by existing imagery from sources such NASA or even sci-fi films. By creating a generated universe, Rozema was able to take his own 'camera' to other angles and places within the cosmos.
Objects and experiences we are visually familiar with are looked at from a different point of view. For example, standing on the surface of the sun looking upwards or witnessing the death and birth of a star - not at all scientifically correct but instead a purely artistic interpretation of such events.
Rozema says, 'I wanted to show the universe as a beautiful but also destructive place. It's somewhere we all have to find our place within. As a director, making Stardust was a very personal experience but it's not intended to be a personal film and I would want people to attach their own meanings to the film so that they can also find comfort based on their own histories and lives.'
Rozema turned to his regular audio partner, Guy Amitai, to create the music for the film. 'I approached Guy to make the music because I trust him and knew he would instinctively understand what I wanted to communicate with this film.' Their long-term collaboration over the years helped them explore different musical approaches before finally settling on a musical journey featuring analogue instruments. Amitai explains, 'Once we started working on this project and I told people about Stardust and what Arjan meant to us all, the offers started pouring in. Musician friends and friends-of-friends all wanting to join in and record even the smallest parts. It was an incredibly emotional and personal journey for us all - not something you can professionally detach yourself from.'
The track is now available for purchase, with all proceeds going to the KWF (Dutch Cancer Society)
Download the song here via iTunes: http://tinyurl.com/a6j2f34
Credits:
A PostPanic Production
Written & directed by Mischa Rozema
Produced by Jules Tervoort
VFX Supervisor: Ivor Goldberg
Associate VFX Supervisor: Chris Staves
Senior digital artists: Matthijs Joor, Jeroen Aerts
Digital artists: Marti Pujol, Silke Finger, Mariusz Kolodziejczak, Dieuwer Feldbrugge, Cara To, Jurriën Boogert
Camera & edit: Mischa Rozema
Production: Ania Markham, Annejes van Liempd
Audio by Pivot Audio , Guy Amitai
Featuring "Helio" by Ruben Samama
copyright 2013 Post Panic BV, All rights reserved
3:35
The V Motion Project
The Motion Project was a collaboration between a lot of clever creative people working tog...
published: 08 Jul 2012
author: Assembly
The V Motion Project
The Motion Project was a collaboration between a lot of clever creative people working together to create a machine that turns motion into music. The client for the project, Frucor (makers of V energy drink), together with their agency Colenso BBDO, kitted-out a warehouse space for this project to grow in and gathered together a group of talented people from a number of creative fields.
http://www.v.co.nz/#the-motion-project
We created and designed the live visual spectacle with a music video being produced from the results. We wanted it to be clear that the technology was real and actually being played live. The interface plays a key role in illustrating the idea of the instrument and we designed it to highlight the audio being controlled by the dancer. Design elements like real time tracking and samples being drawn on as they are played all add to authenticity of the performance. The visuals are all created live and the music video is essentially a real document of the night.
http://www.assemblyltd.com/
Check out the tech behind the project here:
www.custom-logic.com/blog/v-motion-project-the-instrument/
Developers
Jeff Nusz
Paul Sanderson - http://fugitive.co.nz
Music
Joel Little
Ableton
James Hayday
Dancer
Josh Cesan
Agency
Colenso BBDO
Creative Chairman: Nick Worthington
Creative Director: Aaron Turk
Art Director: Jae Morrison
Art Director: Lachlan Palmer-Hubbard
Copywriter: Graeme Clark
Group Account Director: Tim Ellis
Account Director: Samantha Parsons
Senior Account Manager: Stefanie Robertson
Account Executive: Eileen Cosgrove-Moloney
Planner: Andy Mcleish
Client
Frucor Beverage LTD
Marketing Manager: Luke Rive
Senior Brand Manager: Cormac Van Den Hoofdakker
Production:
DOP: Renaud Maire
Camera: Clint Rarm, Dan Max
Post Production:
Editor: Tim Mauger
Colourist: Pete Ritchie
Youtube results:
11:06
Everywoman-Shauna Singh Baldwin & Ms Snr America-09Nov07-Pt2
We talk to Canadian author Shauna Singh Baldwin about her new book 'We Are Not in Pakistan...
published: 12 Nov 2007
author: AlJazeeraEnglish
Everywoman-Shauna Singh Baldwin & Ms Snr America-09Nov07-Pt2
Everywoman-Shauna Singh Baldwin & Ms Snr America-09Nov07-Pt2
We talk to Canadian author Shauna Singh Baldwin about her new book 'We Are Not in Pakistan' and look at beauty pageants for older women in the US.- published: 12 Nov 2007
- views: 2081
- author: AlJazeeraEnglish
3:43
George Formby Snr. - When Father Said He'd Pay The Rent (1910)
An Edison Blue Amberol cylinder record by George Formby Senior. George Formby was the stag...
published: 27 Jun 2012
author: VintageBritishComedy
George Formby Snr. - When Father Said He'd Pay The Rent (1910)
George Formby Snr. - When Father Said He'd Pay The Rent (1910)
An Edison Blue Amberol cylinder record by George Formby Senior. George Formby was the stage name of James Booth, who was born at 26 Hodgson Street, Ashton-un...- published: 27 Jun 2012
- views: 301
- author: VintageBritishComedy
4:42
Classic Cats: Gary Ablett's Mark of the Century - extended coverage and context
The Round 7 match in 1994 between Geelong and Collingwood at the MCG on Mother's Day looke...
published: 06 Jan 2011
author: Geelong Football Club Est. 1859
Classic Cats: Gary Ablett's Mark of the Century - extended coverage and context
Classic Cats: Gary Ablett's Mark of the Century - extended coverage and context
The Round 7 match in 1994 between Geelong and Collingwood at the MCG on Mother's Day looked to be going down to the wire as Collingwood trailed barely and ha...- published: 06 Jan 2011
- views: 90727
- author: Geelong Football Club Est. 1859
