Look up clive in Wiktionary, the free dictionary.

Clive may refer to:

Places

• Clive, Alberta, Canada
• Clive, Iowa, United States
• Clive, New Zealand, Napier
• Clive, Shropshire, United Kingdom

People

• Clive of India
• All pages beginning with "Clive", for persons with the given name Clive
• List of Garfield characters

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Clive Wearing (May 11, 1938) is a British musicologist, conductor, tenor and keyboardist suffering from an acute and long-lasting case of anterograde and retrograde amnesia, meaning that he lacks both the ability to form new memories and to recall some aspects of his past memories.

Musical career[link]

Clive Wearing is an accomplished musician, and is known for editing the works of Orlande de Lassus. Wearing sang at Westminster Cathedral as a tenor lay clerk for many years and also had a successful career as a chorus master and worked as such at Covent Garden and the London Sinfonietta Chorus.

In 1968 he founded the Europa Singers of London, an amateur choir specialising in music of the 17th, 18th and 20th centuries. It won critical approval especially for performances of the Monteverdi Vespers. In 1977 it gave the first performance in the Russian Cathedral of Sir John Tavener's setting of the Liturgy of St. John Chrysostom with Roderick Earle as bass soloist, and subsequently made a recording (Ikon Records No. 9007). The Europa Singers also competed in the XXXII Concorso Polifonico Internazionale in Arezzo in 1984, and provided choruses for operas staged by the London Opera Centre, including Lully's Alceste and Mozart's Marriage of Figaro, which was performed at Sadler's Wells.

Wearing also ran The London Lassus Ensemble, designing and staging the 1982 London Lassus Festival to commemorate the composer's 450th Anniversary.

Whilst working at the BBC, Wearing was made responsible for the musical content of Radio 3 for the whole of 29 July 1981, the day of the royal wedding of Prince Charles and Diana Spencer. For that occasion, he chose to recreate, with authentic instruments and meticulously researched scores, a Bavarian royal wedding which took place in 1568. This was arguably the high point of his career as a musical researcher.

Amnesia[link]

On March 27, 1985, Wearing, then an acknowledged expert in early music at the height of his career with BBC Radio 3, contracted Herpesviral encephalitis- a Herpes simplex virus that attacked his central nervous system.^[1] Since this point, he has been unable to store new memories. He has also been unable to control emotions and associate memories well.

Wearing developed a profound case of total amnesia as a result of his illness. Because the hippocampus, an area required to transfer memories from short-term to long-term memory is damaged, he is completely unable to form lasting new memories – his memory only lasts between 7 and 30 seconds.^[2] He spends every day 'waking up' every 20 seconds, 'restarting' his consciousness once the time span of his short term memory elapses (about 30 seconds). He remembers little of his life before 1985; he knows, for example, that he has children from an earlier marriage, but cannot remember their names. His love for his second wife Deborah, whom he married the year prior to his illness, is undiminished. He greets her joyously every time they meet, either believing he has not seen her in years or that they have never met before, even though she may have just left the room to fetch a glass of water. When he goes out dining with his wife, he can remember the name of the food (e.g. chicken); however he cannot link it with taste, as he has forgotten.^{[citation needed]}

Despite having retrograde as well as anterograde amnesia, and thus only a moment-to-moment consciousness, Wearing still recalls how to play the piano and conduct a choir – all this despite having no recollection of having received a musical education. This is because his procedural memory was not damaged by the virus. As soon as the music stops, however, Wearing forgets that he has just played and starts shaking spasmodically. These jerkings are physical signs of an inability to control his emotions, stemming from the damage to his inferior frontal lobe.^{[citation needed]} His brain is still trying to fire information in the form of action potentials to neurostructures that no longer exist. The resulting encephalic electrical disturbance leads to fits.

In a diary provided by his caretakers, Clive was encouraged to record his thoughts. Page after page is filled with entries similar to the following:

8:31 AM: Now I am really, completely awake.
9:06 AM: Now I am perfectly, overwhelmingly awake.
9:34 AM: Now I am superlatively, actually awake.

Earlier entries are usually crossed out, since he forgets having made an entry within minutes and dismisses the writings–he does not know how the entries were made or by whom, although he does recognize his own writing.^[3] Wishing to record the important life event of "waking up for the first time", he still wrote diary entries in 2007, more than two decades after he started them.

Wearing can learn new practices and even a very few facts–not from episodic memory or encoding, but by acquiring new procedural memories through repetition. For example, having watched a certain video recording multiple times on successive days, he never had any memory of ever seeing the video or knowing the contents, but he was able to anticipate certain parts of the content without remembering how he learned them.^[4]

Reports[link]

His wife Deborah has written a book about her husband's case entitled Forever Today.^[5]

His story was told in a 1986 documentary entitled Equinox: Prisoner of Consciousness, in which he was interviewed by Jonathan Miller. An updated story was told in the 2005 ITV documentary The Man with the 7 Second Memory (although Wearing's short term memory can span much longer than that).

He also appears in the 2006 documentary series Time, where his case is used to illustrate the effect of losing one's perception of time.

His story was also told in episode #304 - "Memory and Forgetting" on the show Radio Lab on New York Public Radio, WNYC. The show is available on-line at WNYC - Radio Lab and via podcast through iTunes.

He appears in Dr. Eric Kandel's holiday lectures on the Howard Hughes Medical Institute, which can be found here.

Oliver Sacks wrote about Wearing in a chapter in his 2007 book, Musicophilia: Tales of Music and the Brain, and an article in The New Yorker titled "The Abyss".

His story was also featured on an episode of the TLC series Medical Incredible.

See also[link]

Other neurological trauma/damage cases[link]

• Henry Molaison (H.M.)
• Phineas Gage
• KC (patient)
• Scott Bolzan

Other areas[link]

• Anterograde amnesia
• Cognitive neuropsychology

References[link]

1. ^ http://www.telegraph.co.uk/health/3313452/The-man-who-keeps-falling-in-love-with-his-wife.html
2. ^ http://www.learner.org/vod/vod_window.html?pid=1618
3. ^ The Mind BBC series episode – Part 1
4. ^ The Mind BBC series episode – Part 2
5. ^ Wearing, Deborah (2005). Forever today: a memoir of love and amnesia. Corgi. ISBN 0-552-77169-4. 

External links[link]

• Article in The Observer magazine on Clive Wearing, January 2005
• Article in The New Yorker, September 2007
• The Man with the 7 Second Memory at the Internet Movie Database

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2012)

"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.^[1]

History[link]

The earliest recorded use^{[citation needed]} of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." ^{[2][dubious – discuss]} In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.

It was also used as a term for a drug dealer in the 1950s and 1960s and can be seen in such media as Curtis Mayfield's "No Thing On Me", William Burroughs's novel Naked Lunch, and in the Velvet Underground song "I'm Waiting for the Man", in which Lou Reed sings about going to Uptown Manhattan, specifically Lexington Avenue and 125th Street, to buy heroin.

The use of this term was expanded to counterculture groups and their battles against authority, such as the Yippies, which, according to a May 19, 1969 article in U.S. News and World Report, had the "avowed aim ... to destroy 'The Man', their term for the present system of government". The term eventually found its way into humorous usage, such as in a December 1979 motorcycle ad from the magazine Easyriders which featured the tagline, "California residents: Add 6% sales tax for The Man."

In present day, the phrase has been popularized in commercials and cinema, featuring particularly prominently as a recurring motif in the 2003 film School of Rock.^[3][4][5][6]

Use as praise[link]

The term has also been used as an approbation or form of praise. This may refer to the recipient's status as the leader or authority within a particular context, or it might be assumed to be a shortened form of a phrase like "He is the man (who is in charge)." One example of this usage dates to 1879 when Otto von Bismarck commented, referring to Benjamin Disraeli's pre-eminent position at the Congress of Berlin, "The old Jew, he is the man."^{[7][dubious – discuss]}

In more modern usage, it can be a superlative compliment ("you da man!") indicating that the subject is currently standing out amongst his peers even though they have no special designation or rank, such as a basketball player who is performing better than the other players on the court. It can also be used as a genuine compliment with an implied, slightly exaggerated or sarcastic tone, usually indicating that the person has indeed impressed the speaker but by doing something relatively trivial.

See also[link]

• Absentee landlord
• Big Brother (Nineteen Eighty-Four)
• New World Order (conspiracy theory)
• Ruling class
• The Establishment
• Power elite
• Corrections officer
• YTMND

Notes[link]

References[link]

• Lighter, J.E. (Ed.). (1997). Random House Dictionary of American Slang. New York: Random House.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2007)

Clive Burr (born 8 March 1957, East Ham, east London) is a British drummer, best known as a member of Iron Maiden from 1979 to 1982.^[1][2]

Career[link]

Previously a member of Samson, Burr joined Iron Maiden in 1979. An acquaintance of then-Iron Maiden guitarist Dennis Stratton, Burr played on their first three records: Iron Maiden, Killers and their breakthrough release The Number of the Beast. Burr left the band in 1982 due to Iron Maiden's tour schedule and personal problems. He was replaced by the band's current drummer, Nicko McBrain. Burr co-wrote one song on The Number of the Beast, "Gangland", and another song, "Total Eclipse", that was cut from the album and showed up as the b-side of the "Run to the Hills" single, and later on the Number Of The Beast remastered CD re-release.

Clive Burr appears on The Number of the Beast video.

After leaving Iron Maiden, Burr briefly played in the French group Trust, thus switching places with McBrain, and briefly with the American band Alcatrazz. Burr was featured in the short-lived NWOBHM supergroup Gogmagog which also included ex-Iron Maiden vocalist Paul Di'Anno and future Maiden guitarist Janick Gers. He also had a band known as Clive Burr's Escape (later known as Stratus), featuring former Praying Mantis members, which disbanded after releasing one album. Burr then joined Dee Snider in his post-Twisted Sister outfit Desperado, which was never fully realized due to a falling out with the band's record company. Burr performed with British bands Elixir and Praying Mantis in the 1990s, but did not become a member of either.

Burr's signature white drum kit was donated to the Hard Rock Cafe in London in 2005.

Iron Maiden lead singer Bruce Dickinson still considers Clive Burr to be '...the best drummer the band ever had. That's not taking anything away from [present drummer] Nicko. Technically, Nicko's probably a far more competent drummer than Clive. It's just that Clive had this incredible feel, and you can't learn that, and I regret that he wasn't given more time to try and sort himself out.'^[3]

Iron Maiden guitarist Adrian Smith also praises Burr's drumming ability. 'Clive was a great drummer, an Ian Paice-type drummer, steady and solid with a nice feel to everything.'^[4] 'Clive is a great drummer and a great guy, as far as I'm concerned.'^{[cite this quote]}

Illness[link]

Burr has since been diagnosed with multiple sclerosis, the treatment of which left him deeply in debt. Iron Maiden staged a series of charity concerts and were involved in the founding of the Clive Burr MS Trust Fund. Burr now uses a wheelchair because of the MS.

Burr is now patron of the charity Clive Aid, a charity formed in 2004. Clive Aid has since continued to raise awareness and funds for various Cancer and Multiple Sclerosis (MS) programs around the world through the staging of rock events.^[5] Clive attends many of these events. Official Site of Clive Aid

Equipment[link]

Clive used Ludwig drums and Paiste Cymbals on the first two Maiden albums. His most recognised kit was his 1982 custom Tama kit used on the "Beast on the Road Tour"; depth=diameter "square" tom sizes:

Drums by Tama

• 08” × 08” Tom
• 10” × 10” Tom
• 12” × 12” Tom
• 13” × 13” Tom
• 16” × 16” Floor Tom
• 18” × 16” Floor Tom
• 22” × 16” Bass Drum
• 14”x6.5” (Ludwig Black Beauty Snare)
• 4 Octobans
• Tama Camco Pedals

Drumheads

• Remo Pinstripe

Cymbals - All cymbals by Paiste

• 17" RUDE Crash
• 18" 2002 Medium
• 19" 2002 Medium
• 20" 2002 Medium
• 21" RUDE Crash
• 16" RUDE Crash
• 20" Sound Creation Dark Ride
• 20" 2002 Heavy Ride
• 14" Formula 602 Ex. Heavy Hi-Hats
• 22" 2002 China Type
• 20" 2002 China Type

Sticks

• Custom made by Chas. Foots

Ludwig kits: Burr had 2 Ludwig Maple drum sets; the earlier in an off-white colour, the later in white cortex. His 2nd kit used the same sizes as his Tama, minus the gong drum and octobans. His 1st Ludwig kit, which he usually played without bottom heads, had the same sizes as his second, but without the 8" tom, and a 14" added after the 13".

Discography[link]

With Iron Maiden[link]

• Iron Maiden (1980)
• Killers (1981)
• Maiden Japan (1981)
• The Number of the Beast (1982)

With Trust[link]

• Trust IV (1983)
• Man's Trap (1984)
• The Best of (1997)

With Stratus (previously Escape)[link]

• Throwing Shapes (1984)

With Gogmagog[link]

• I Will Be There EP (1985)

With Elixir[link]

• Lethal potion (1990)
• Sovereign Remedy (2004)

With Desperado[link]

• Bloodied But Unbowed (1996)

With Praying Mantis[link]

• Captured Alive in Tokyo City (1996)
• Demorabilia (1999) (compilation, contains demos of Clive Burr's Escape)

References[link]

Wall, Mick (2004). Iron Maiden: Run to the Hills, the Authorised Biography (third ed.). Sanctuary Publishing. ISBN 1-86074-542-3

External links[link]

• Official Site of Clive Aid

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (November 2011)

Clive Barker
Clive Barker in 2007 at the EMP/Science Fiction Museum in Seattle.
Born	(1952-10-05) 5 October 1952 (age 59) Liverpool, England, UK
Occupation	Author, film director, screenwriter, producer, actor, playwright, painter, illustrator & visual artist
Nationality	British
Genres	Horror, Fantasy
Influences William Blake, William S. Burroughs, Jean Cocteau, H. P. Lovecraft, Edgar Allan Poe, Stephen King
Influenced Neil Gaiman, Alan Moore, John Sunseri, Dax Riggs
www.clivebarker.info

Clive Barker (born 5 October 1952) is an English author, film director and visual artist best known for his work in both fantasy and horror fiction. Barker came to prominence in the mid-1980s with a series of short stories which established him as a leading young horror writer. He has since written many novels and other works, and his fiction has been adapted into motion pictures, notably the Hellraiser and Candyman series.

Early life[link]

Clive Barker was born in Liverpool, England, the son of Joan Rubie (née Revill), a painter and school welfare officer, and Leonard Barker, a personnel director for an industrial relations firm.^[1][2] Educated at Dovedale Primary School and the former Quarry Bank High School now Calderstones Quarry Bank High School, he studied English and Philosophy at Liverpool University. The Damnation Game and Volume 2 of The Books of Blood are dedicated to John Gregson^[who?].

Personal life[link]

In 2003, Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards, presented "to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities".^[3] While Barker is critical of organized religion, he has identified himself as a Christian^[4] and has stated that the Bible influences his work.^[5]

Barker said in a December 2008 online interview (published March 2009) that he had polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars.^[6] On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. According to his website,^{[citation needed]} the surgery went well and was without complications.

In early February 2012 Barker fell into a coma after a dentist visit led to blood poisoning. Barker remained in a coma for seven days but eventually came out of it. Fans were notified on his Twitter page about some of the experience and that Barker was recovering after the ordeal, but left with many strange visions.

"My friends, Clive here. I'm at home now after a while in hospital, thanks to a nearly fatal case of Toxic Shock brought on by a visit to my dentist. Apparently this is not uncommon. In my case the dental work unloaded such a spillage of poisonous bacteria into my blood that my whole system crashed, putting me into a coma. I spent several days in Intensive Care, with a machine breathing for me. Later, my Doctors said that they had not anticipated a happy ending until I started to fight, repeatedly pulling out the tubes that I was constantly gagging on. After a few days of nightmarish delusions I woke up to my life again, tired, twenty pounds lighter but happy to be back from a very dark place. And here in the world I intend to stay. I've books to write, films to make and paintings to paint. I seem to have come home with my sight clearer somehow, and my sense of purpose intensified. Thank you all for your messages your prayers and love. What better reason to wake to life than knowing I have such friends? Again, thank you. My love to"^[7]

Relationships[link]

Barker has been openly gay^[8] since the early 1990s, first mentioning his dating life to US audiences in The Advocate magazine.^{[citation needed]}

Writing career[link]

Barker is one of the leading authors^{[citation needed]} of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.

Barker's distinctive style is characterized by the notion of hidden fantastical worlds coexisting with our own, the role of sexuality in the supernatural and the construction of coherent, complex and detailed universes. Barker has referred to this style as "dark fantasy" or the "fantastique". His stories are notable for a deliberate blurring of the distinction between binary opposites such as hell and heaven, or pleasure and pain (the latter particularly so in The Hellbound Heart).

When the Books of Blood were first published in the United States in paperback, Stephen King was quoted on the book covers: "I have seen the future of horror, his name is Clive Barker."^[9] Critical studies of Barker's work include Clive Barker's Short Stories (1994) by Gary Hoppenstand^[10] and an essay in S. T. Joshi's The Modern Weird Tale (2001). As influences on his writing, Barker lists Herman Melville, Edgar Allan Poe, Ray Bradbury, William S. Burroughs, William Blake, and Jean Cocteau, among others.^[11]

He is also the writer of the best-selling Abarat series, and plans on producing two more novels in the series.

Barker's basic philosophy and approach are revealed in his foreword to H.R. Giger's illustrated work, "Necronomicon."

Film work[link]

Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou.^[12] Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim. He had been working on a series of movie adaptations of his The Abarat Quintet books under Disney's management, but has admitted that because of creative differences, this project will not go ahead. He is developing a film based on his Tortured Souls line of toys from McFarlane Toys.

In October 2006, Barker announced through his official website that he will be writing the script to a forthcoming remake of the original Hellraiser movie.^[13][14]

A short story titled "The Forbidden", from Barker's Books of Blood, provided the basis for the film Candyman and its two sequels.

Japanese director Ryuhei Kitamura directed the 2008 film Midnight Meat Train from Jeff Buhler's screenplay based on Barker's short story of the same name for Lakeshore Entertainment and Lionsgate.

In 2008, a movie was made from one of his "Book of Blood" short stories.^[15] Clive Barker's Book of Blood was moderately well received, but was not very profitable.

In 2009 Barker's short story Dread (also from the Books of Blood) was made into a film and received good reviews. Dread (2009) on IMDb

Visual art and plays[link]

Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early '90s; on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996); and on the second printing of the original UK publications of his Books of Blood series. Barker also provided the artwork for his young adult novel The Thief of Always and for the Abarat series. His artwork is exhibited at Bert Green Fine Art in Chicago, IL, and in the past has been shown at the Bess Cutler Gallery in New York and La Luz De Jesus in Los Angeles. Many of his sketches and paintings can be found in the collection Clive Barker, Illustrator, published in 1990 by Arcane/Eclipse Books, and in Visions of Heaven and Hell, published in 2005 by Rizzoli Books. The most complete selection of Clive Barker's paintings and drawings are available to view in a gallery setting on the website.

He worked on the creative side of a horror video game, Clive Barker's Undying, providing the voice for the character Ambrose. Undying was developed by DreamWorks Interactive and released in 2001. He also worked on Clive Barker's Jericho for Codemasters, which was released in late 2007.

Barker created Halloween costume designs for Disguise Costumes^[16][17]

Comic books[link]

A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles — set outside the Marvel universe — were Ectokid (written first by James Robinson, then by future Matrix co-creator Larry Wachowski, with art by Steve Skroce), Hokum & Hex (written by Frank Lovece, art by Anthony Williams), Hyperkind (written by Fred Burke, art by Paris Cullins and Bob Petrecca) and Saint Sinner (written by Elaine Lee, art by Max Douglas). A 2002 Barker telefilm titled Saint Sinner bore no relation to the comic.

Barker horror adaptations and spinoffs in comics include the Marvel/Epic Comics series Hellraiser, Nightbreed, Pinhead, The Harrowers, Book of the Damned, and Jihad; Eclipse Books' series and graphic novels Tapping The Vein, Dread, Son of Celluloid, Revelations The Life of Death, Rawhead Rex and The Yattering and Jack, and Dark Horse Comics' Primal, among others. Barker served as a consultant and wrote issues of the Hellraiser anthology comic book.

In 2005, IDW published a three-issue adaptation of Barker's children's fantasy novel The Thief of Always, written and painted by Kris Oprisko and Gabriel Hernandez. IDW is publishing a 12 issue adaptation of Barker's novel The Great and Secret Show.

In December 2007, Chris Ryall and Clive Barker announced an upcoming collaboration of an original comic book series, Torakator, to be published by IDW.^[18]

In October 2009, IDW published Seduth (Written by Clive Barker and Chris Monfette; art by Gabriel Rodriguez; colors by Jay Fotos; letters by Neil Uyetake; edits by Chris Ryall; and 3-D conversion by Ray Zone), the first time Barker has created a world specifically for the comic book medium in two decades. The work was released with three variant covers; cover a featuring art by Gabriel Rodriguez and cover b with art by Clive Barker and the third is a "retailer incentive signed edition cover" with art by Clive Barker.^[19]

Bibliography[link]

Novels[link]

• (1985) The Damnation Game
• (1986) The Hellbound Heart
• (1987) Weaveworld
• (1988) Cabal
• (1989) The Great and Secret Show (first "Book of the Art")
• (1991) Imajica
• (1992) The Thief of Always
• (1994) Everville (second "Book of the Art")
• (1996) Sacrament
• (1998) Galilee
• (2001) Coldheart Canyon: A Hollywood Ghost Story
• (2001) Tortured Souls (novelette)
• (2002) Abarat (first book of the Abarat Quintet)
• (2004) Abarat: Days of Magic, Nights of War (second book of the Abarat Quintet)
• (2007) Mister B. Gone
• (2009) Mr. Maximillian Bacchus And His Travelling Circus (limited run by Bad Moon Books)
• (2011) Absolute Midnight (third book of the Abarat Quintet)
• (?) The Candle in the Cloud (limited run by Bad Moon Books)
• (?) The Scarlet Gospels ( featuring the characters and universe that first appeared in The Hellbound Heart centering on the character of Pinhead and Harry D'Amour, from The Last Illusion, The Great and Secret Show, Everville and the film Lord of Illusions.
• (?) Abarat: The Dynasty of Dreamers (The fourth book of the Abarat Quintet)
• (?) Galilee 2 (Clive Barker has expressed that he will work on this book after he has written the Abarat Quintet)
• (?) The Art 3 (Clive Barker has expressed that he will work on this book after he has written the Abarat Quintet)
• (?) Abarat: The Eternal (Working title)
• (?) Thief of Always 2
• (?) Cabal 2 and 3

Collections[link]

• (1984–1985) Books of Blood (vols. 1 through 6 were released between 1984 and 1985. vols. 4 through 6 were published in the U.S. as The Inhuman Condition (volume 4), In the Flesh (volume 5), and Cabal (volume 6, though the title novella is original to this edition and replaces one of the volume's stories).)
• (1985) Cabal (titular novella was also published as a Nightbreed mass market paperback)
• (1987) The Inhuman Condition
• (1987) In the Flesh
• (1990) Clive Barker, Illustrator
• (1992) Illustrator II: The Art of Clive Barker
• (1995) Incarnations: Three Plays
• (1996) Forms of Heaven: Three Plays
• (2000) The Essential Clive Barker: Selected Fiction
• (2005) Visions of Heaven and Hell
• (?) Black Is the Devil's Rainbow: Tales of a Journeyman

Biographies[link]

• (1991) Clive Barker's Shadows in Eden A collection of essays written by multiple authors and friends of Barker's discussing production on his movies and interspersed with early sketches and drawings, along with snippets from various interviews. Edited by Stephen Jones.
• (2002) Clive Barker: The Dark Fantastic by Douglas E. Winter
• (2009) Memory, Prophecy and Fantasy: The World and Works of Clive Barker – Volume 1. A retrospective look at the background to Barker's published work from his earliest creative years. It includes many otherwise unpublished texts, artwork and photographic pieces alongside a detailed study of his fringe theatre work, written by Phil and Sarah Stokes who run his official website, Revelations.
• (2010) Memory, Prophecy and Fantasy: The World and Works of Clive Barker – Volume 2. A second volume of the retrospective study of Barker's work again includes many otherwise unpublished texts and artwork from direct access to Barker's archives, written by Phil and Sarah Stokes.^[20]

Nonfiction[link]

• (2011) The Painter, The Creature and The Father of Lies: Essays by Clive Barker Collection of Barker's essays and non-fiction writing. According to the Revelations website, the collection includes "introductions to both his own work and the works of others, newspaper and magazine articles, tributes and appreciations and other contributions to books". Published through Earthling Publications in October 2011.^[21]
• (2011) Beneath The Surface of Clive Barker's Abarat Companion volume to Barker's Abarat series. Published in 2011, the volume illustrates Barker's working methods, preliminary sketches, artwork and drafts and includes an extended interview with Barker by Abarat readers in an Alaskan school.^[22]

Filmography[link]

Year	Title	Director	Producer	Writer
1973	Salome	N
1978	The Forbidden	N
1985	Transmutations			N
1986	Rawhead Rex			N
1987	Hellraiser	N		N
1988	Hellbound: Hellraiser II		N
1990	Nightbreed	N
1992	Hellraiser III: Hell on Earth		N
	Candyman		N
1995	Lord of Illusions	N
1996	Hellraiser: Bloodline		N
1998	Gods and Monsters		N
2006	The Plague		N
2008	Book of Blood			N
	The Midnight Meat Train		N
2009	Dread		N
2013	Hellraiser		N
TBA	Tortured Souls: Animae Damnatae	N
TBA	Born		N

Video games[link]

• Clive Barker's Undying
• Clive Barker's Demonik (cancelled)
• Clive Barker's Jericho
• Clive Barker's Nightbreed: The Action Game
• Clive Barker's Nightbreed: The Interactive Movie

See also[link]

Horror portal

• Cenobite
• Lemarchand's box
• List of horror fiction authors
• Splatterpunk

References[link]

Wikiquote has a collection of quotations related to: Clive Barker

External links[link]

• Revelations – The Official Clive Barker Website – Includes a full bibliography, filmography, artwork, links and frequently updated news.
• The Beautiful Moment – The Official Clive Barker Website for All Ages – For younger readers – features Abarat and The Thief of Always.
• Bert Green Fine Art – Art gallery exhibiting Clive Barker artwork.
• Clive Barker Imaginer – The Clive Barker art archive, paintings, drawings, photography and conceptual work.
• Clive Barker at the Internet Movie Database
• Clive Barker at AllRovi
• Clive Barker at the Internet Speculative Fiction Database
• Clive Barker at ComicBookDB.com
• Works by or about Clive Barker in libraries (WorldCat catalog)