Ieoh Ming Pei (born April 26, 1917), commonly known as I. M. Pei, is a Chinese American architect, often called a master of modern architecture. Born in Canton, China and raised in Hong Kong and Shanghai, Pei drew inspiration at an early age from the gardens at Suzhou. In 1935 he moved to the United States and enrolled in the University of Pennsylvania's architecture school, but quickly transferred to the Massachusetts Institute of Technology. He was unhappy with the focus at both schools on Beaux-Arts architecture, and spent his free time researching the emerging architects, especially Le Corbusier. After graduating, he joined the Harvard Graduate School of Design (GSD) and became friends with the Bauhaus architects Walter Gropius and Marcel Breuer. In 1939, he married Eileen Loo, who had introduced him to the GSD community. They have been married for over seventy years, and have four children, including architects C.C. "Didi" Pei and L.C. "Sandi" Pei.

Pei spent ten years working with New York real estate magnate William Zeckendorf before establishing his own independent design firm that eventually became Pei Cobb Freed & Partners. Among the early projects on which Pei took the lead were the L'Enfant Plaza Hotel in Washington, DC and the Green Building at MIT. His first major recognition came with the National Center for Atmospheric Research in Colorado; his new stature led to his selection as chief architect for the John F. Kennedy Library in Massachusetts. He went on to design Dallas City Hall and the East Building of the National Gallery of Art.

Louis Isadore Kahn (born Itze-Leib Schmuilowsky) (February 20, 1901 or 1902 – March 17, 1974) was an American architect, based in Philadelphia, Pennsylvania, United States. After working in various capacities for several firms in Philadelphia, he founded his own atelier in 1935. While continuing his private practice, he served as a design critic and professor of architecture at Yale School of Architecture from 1947 to 1957. From 1957 until his death, he was a professor of architecture at the School of Design at the University of Pennsylvania. Influenced by ancient ruins, Kahn's style tends to the monumental and monolithic; his heavy buildings do not hide their weight, their materials, or the way they are assembled. Louis Kahn's works are considered as monumental beyond modernism.

Louis Kahn, whose original name was Itze-Leib (Leiser-Itze) Schmuilowsky (Schmalowski), was born into a poor Jewish family in Pärnu and spent the rest of his early childhood in Kuressaare on the Estonian island of Saaremaa, then part of the Russian Empire. At age 3, he saw coals in the stove and was captivated by the light of the coal. He put the coal in his apron which caught on fire and seared his face. He carried these scars for the rest of his life.

American Masters is a PBS television show which produces biographies on the artists, actors and writers of the United States who have left a profound impact on the nation's popular culture. It is produced by WNET in New York City. The show debuted on PBS in 1986.

Groups or organizations featured include: Actor's Studio, Algonquin Round Table, Group Theatre, Sweet Honey in the Rock, Women of Tin Pan Alley, Negro Ensemble Company, Juilliard School, the Beat Generation, The Singer-songwriters of the 1970s, Sun Records, Vaudeville, and Warner Bros. Pictures.

American Masters, a series "devoted to America's 'greatest native-born and adopted' artists," was originally scheduled to premier in September 1985; for "logistical scheduling reasons" the premiere was delayed until summer 1986, though on October 16, 1985, an American Masters "special" called Aaron Copland: A Self-Portrait was aired.

The first of the 15 first-season episodes was Private Conversations, a "cinema-verite documentary by Christian Blackwood done in that trickiest of cinematic forms: a film about a film, in this instance the television version of Death of a Salesman, directed by Volker Schlöndorff". It aired on June 23, 1986, as one of two episodes not specifically commissioned for the show's first season.

Barry Bergdoll is a Professor of architectural history in the Department of Art History and Archaeology at Columbia University and the Philip Johnson Chief Curator of Architecture and Design at the Museum of Modern Art (MoMA) in New York City.

Bergdoll graduated from Columbia University in 1977 and studied at Cambridge University on a Kellett Fellowship 1977-79 before returning to Columbia to complete his Ph.D in 1986.

Bergdoll's chief interest is architectural history, particularly that of France and Germany since 1750. He studies architecture from an art historical approach, however, tying it to history, sociology, and culture. He has studied cultural representation in architecture, the evolution of architecture as a profession, and the intersections between artistic genres such as architecture and film. He has also worked on the problems of museological exhibitions of architecture. Prior to joining MoMA, Bergdoll was the chair of the Department of Art History at Columbia. In 1993, he received a grant from the Graham Foundation for study on the impact of the fall of Communism on architectural teachings in Eastern Europe and Russia.