Sarat Chandra Chattopadhyay শরত্চন্দ্র চট্টোপাধ্যায়
Born	(1876-09-15)15 September 1876 Debanandapur, Hooghly, Bengal, British India
Died	16 January 1938(1938-01-16) (aged 61) Kolkata, Bengal, British India
Pen name	Anila Devi
Occupation	Writer
Nationality	British India
Ethnicity	Bengali Hindu
Citizenship	Indian
Period	19th century
Genres	Novelist
Literary movement	Bengal Renaissance

Sarat Chandra Chattopadhyay (Bengali: শরত্চন্দ্র চট্টোপাধ্যায়)^[1] (15 September 1876 – 16 January 1938) is one of the most popular Bengali novelists and short story writers of early 20th century.

Background and writing[link]

Sarat Chandra was born into poverty in Debanandapur, Hooghly, India. His family was occasionally supported by other family members and Sarat Chandra's lack of financial stability would influence his writing in years to come. He started his education at "Pyarai Pandits" pathshala and then he took admission at Hooghly Branch High School. Although he began as a fine arts student, Chattopadhyay left his studies due to his persistent state of poverty. He received his early education while residing at his paternal uncle's house in Bhagalpur. He spent 20 years of his life in Bhagalpur and a significant portion of his novels were either written in Bhagalpur or based on his experience in Bhagalpur.

His work represented rural Bengali society and he often wrote against social superstitions and oppression. For a short period he was a sannyasi, a Hindu ascetic who abandons the material and social worlds. His first published story was "Mandir". He was particularly sensitive to the cause of women.

After the death of his parents Sarat Chandra left his college education midway and went to Burma in 1903. There he found employment with a Government Office as clerk. He did not remain at his job in Burma for long and decided to return to his homeland but before his departure he submitted a short story for a prize competition under his uncle's name, Surendranath Ganguli. It won first prize in 1904.

Sarat Chandra's biography is available in Hindi, written by a well-known author, Vishnu Prabhakar. Prabhakar traveled for fourteen years continuously to collect material for this book.

Though he was always known to be an intrepid champion of the marginalised when it comes to novels, personally he was always a shy and private person. There was an occasion when his name was already announced and he was supposed to meet his readers but he left and the curtain was raised on an empty stage.

He died in Kolkata of liver cancer in 1938.

House of Sarat Chandra Chattopadhyay[link]

Sarat Chandra's house at Samta.

Room of Sarat Chandra in his house at Samta.

Sarat Chandra Chattopadhyay was born into poverty in Debanandapur, Hooghly, West Bengal in India but he spent the early years of his lifetime as a novelist here in Samta. His house in Samtaber is often called by and shown as Sarat Chandra Kuthi (Bengali: শরত্চন্দ্র কুঠী) in the map of Samtaber or Samta, in the Howrah district of West Bengal. He used to live in Samta and stay in his house with the fishermen and washer men. So the villagers separated him from the village, as fishermen and washer men were considered to be of low caste. So he along with the houses where he lived with the fishermen and washer men, used to call as a separate village called "Samtaber".

The temple of Sarat Chandra in his house.

The Rupnarayan River then used to flow right outside the window of Sarat Chandra’s ground floor study. Now, the river has changed its route and has moved far away. The author would often gaze at the sparkling river while writing Abhagir Swarga, Kamal Lata, Shesh Prashna, Palli Samaj, Ramer Sumati, Pather Dabi and Mahesh. The two storied Burmese style house was also home to Sarat Chandra's brother, Swami Vedananda, who was a disciple of Belur Math. His along with his brother Swami Vedananda's samadhi can still be seen there. Swami Vedananda was a disciple in Belur Math. The trees like that of bamboo, galoncho and the guava trees planted by the renowned author are still tourist attractions.^[2]

Inside Sarat Chandra's house.

The trees planted by Sarat Chandra.

Parts of the house-like the mud-walled kitchen-collapsed and the house was damaged in the 1978 floods, the Zilla Parishad undertook its repair spending 77000. After it was declared as a Heritage or Historical Site by the Clause 2 of the West Bengal Heritage Commission Act 2001 (Act IX of 2001)^[3][4] Act IX of 2001 in 2009 the whole house was renovated and the belongings of Sarat Chandra like his furniture, walking stick, shoes etc. were polished and are restored in showcases. The tress which was almost going to fall down and die was given proper care and support. The house’s boundary has been extended until the Samadhis, surrounding them which earlier used to lie on the road. Except these tress have been planted around the house which add to its beauty.

Opposite to the house there is also a pond, which he mentioned in his novel Palli Samaj; he mentioned about two fishes of the pond,-who lived there-as Kartika and Ganesh, in the novel.

Sarat Mela[link]

Sarat Mela is an annual fair which is held in late January every year for seven days to showcase the different lifetimes of Sarat Chandra. The fair is solely dedicated to Sarat Chandra and his works. Sarat Mela was started in 1972. Complete with countless stalls of handicrafts and local products, giant wheels, merry-go-rounds, stalls of jalebi, papad, toys, utensils, etc. Cultural programmes mostly held by local talents, debate and singing competition is also held. Students display their handicrafts as do amateur and professional gardeners. They also display uniques like oversized vegetables and plants, series of terracotta relief plaques depicting the various phases of Sarat Chandra’s life like his childhood, his marriage, his homeopathic clinic for the poor, his last journey to Kolkata’s Park Nursing Home in a palanquin and so on which catch the eye. Also such clay “illustrations” of Sarat Chandra’s works like Mahesh are installed. The fair ends late at night with Chhau dance and a fireworks display.

The fair is held on the Panitras High School grounds some distance from Sarat Chandra’s house but if it could be shifted to the open space where the Rupnarayan River once flowed right in front of the house people could link the two more easily. The Government of West Bengal does not provide funds, only private and public donations allow the villagers to hold the fair. However, sometime the number of people it draws is reduced due to unpleasant weather conditions like rainfall.

Works[link]

Sarat Chandra Chattopadhyaya visits Surendranath Roy in 1927.

• Borodidi, (The Elder Sister) 1907
• Bindur Chhele, (Bindu's Son) 1913
• Parinita/Parineeta, 1914
• Biraj Bou, (Mrs. Biraj) 1914
• Ramer Shumoti, (Ram Returning to Sanity) 1914
• Palli Shomaj, 1916
• Arakhsanya, 1916
• Debdas/Devdas, 1917 (written in 1901)
• Choritrohin, (Characterless) 1917
• Srikanto, (4 parts, 1917, 1918, 1927, 1933)
• Datta, 1917–19
• Grihodaho, 1919
• Dena Paona, (Debts and Demands) 1923
• Pather Dabi, (Demand for a Pathway) 1926
• Ses Prasna, (The Final Question) 1931
• Bipradas, 1935
• Nishkriti
• Mejho Didi
• Chandranath
• Bilashi
• Mandir
• Pandit Mashay
• Dhare Alo
• Naba Bidhan
• Shesher Parichoy
• Boikunter Will
• Shubhoda
• Swami (The Husband)
• Ekadoshi Bairagi
• Mahesh (The Drought)
• Anuradha
• Anupamar Prem
• Andhare Aalo
• Dorpochurno (Broken Pride)
• Harilakshmi
• Kashinath
• Abhagir Swargo
• Aalo O Chhaya
• Srikanta
• Sharda (published posthumously)

Films[link]

Kundal Lal Saigal and Jamuna in Devdas.

His works have been made into some fifty films in many Indian languages,^[5] particularly his novel Devdas made into eight versions, from Bengali, Hindi to Telugu, Parineeta also been made twice, Majhli Didi (1967) by Hrishikesh Mukherjee and Swami (1977) for which he was awarded Filmfare Award for Best Story. Another famous film Chhoti Bahu (1971) is based on his novel Bindur Chhele.His Novel 'Datta' was adapted into a Bengali film (1976) starring Suchitra Sen and Soumitra Chatterjee in the lead roles.

There was another movie based on his novel called Nishkriti, Apne Paraye (1980) by Basu Chatterjee, starring Amol Palekar.^[6] The Telugu film Thodi Kodallu (1957) is also based on this novel. Gulzar's 1975 film, Khushboo is majorly inspired by his work entitled Pandit Mashay. The 1961 Telugu film Vagdanam by Acharya Atreya is loosely based on his novel Datta. Also the 2011 film Aalo Chhaya is based on his short story, Aalo O Chhaya.

Awards and Degrees[link]

• Kuntolin puraskar (For Mandir)
• D-Lit (Given by University of Dhaka, now in Bangladesh)

Textbooks[link]

• Golpo Songroho (Collected Stories), the national text book of B.A. (pass and subsidiary) course of Bangladesh, published by University of Dhaka in 1979 (reprint in 1986).
• Bangla Sahitya (Bengali Literature), the national text book of intermediate (college) level of Bangladesh published in 1996 by all educational boards.

See also[link]

• Films based on works by Sarat Chandra Chattopadhyay.
• Samtaber, the village where Sarat Chandra spent his life's early years as a novelist.
• Sarat Chandra Kuthi, the house of Sarat Chandra at Samtaber.

References[link]

General[link]

• Ganguly, Swagato. "Introduction." In Parineeta by Saratchandra Chattopadhyay. New Delhi: Penguin Books, 2005. (English translation)
• Guha, Sreejata. "Introduction." In Devdas by Saratchandra Chattopadhyay. New Delhi: Penguin Books, 2002. (English translation)
• Roy, Gopalchandra. Saratchandra, Ananda Publishers Pvt. Ltd., Kolkata
• Sarat Rachanabali, Ananda Publishers Pvt. Ltd., Kolkata
• Prithwindra Mukherjee. "Introduction" in Mahesh et autres nouvelles by Saratchandra Chatterji. Paris: Unesco/Gallimard, 1978. (French translation of Mahesh, Bindur chhele and Mejdidi by Prithwindra Mukherjee. Foreword by Jean Filliozat)
• Online web portal: http://sarat-rachanabali.becs.ac.in

External links[link]

An Evaluation of Saratchandra:

• http://www.suci.in/works3/sarat/sarat.htm

Biographies:

• Banglapedia biography
• Bengalonline biography
• Calcuttaweb biography
• Sharat Chandra Chattopadhyay at the Internet Movie Database
• भारतीय साहित्य संग्रह में शरत् साहित्य
• www.independentindian.com

Articles:

• The man behind Devdas, Parineeta
• Perfectly All Right?

Hema Malini
Born	Hema Malini R. Chakravarthy (1948-10-16) 16 October 1948 (age 63)[1] Ammankudi, Tiruchirappalli district, Tamil Nadu, India[1]
Occupation	actress, director, producer, politician
Years active	1965–present
Spouse	Dharmendra (1980–present)
Children	Esha Deol Ahana Deol

Hema Malini (Tamil: ஹேமா மாலினி, Hēmā Māliṉi ^?; born 16 October 1948) is an Indian actress, director and producer, as well as a Bharatanatyam dancer-choreographer. Making her acting debut in Sapno Ka Saudagar (1968), she went on to appear in numerous Bollywood films, most notably those with actor and future-husband Dharmendra.^[2] She was initially promoted as "Dream Girl", and in 1977 starred in a film of the same name.^[3] During this period, she established herself as one of Hindi cinema's leading actresses, noted for both her comic and dramatic roles, her beauty, and her accomplished classical dancing.^[4][5][6]

Malini is one of the most successful female film stars in the history of Indian cinema.^[5][7][8] Appearing in over 150 films in a career span of 40 years, she has starred in a large number of successful films, and her performances in both commercial and arthouse cinema, were often recognised.^[5] During her career, she has been nominated 11 times for the Filmfare Award for Best Actress, of which she won once in 1972. In 2000, she was presented with the Filmfare Lifetime Achievement Award. In the same year, she was honoured with the Padma Shri, the fourth-highest civilian honour, by the Government of India.^[9] She also served as the Chairperson of the National Film Development Corporation. She was awarded the prestegious "SaMaPa Vitasta Award 2006" in Delhi by SaMaPa - "Sopori Academy of Music And Performing Arts" by Music Legend Pandit Bhajan Sopori for her lifetime contribution and service to Indian culture and Dance.

Of late Malini spends most of her time on charitable and social ventures, while making occasional appearances in films. She is a member of India's Bharatiya Janata Party and was nominated member by the party in Rajya Sabha, the upper House of parliament during 2003–2009.^[10]

Early life and family[link]

Hema Malini Chakravarty was born into a Tamil Iyengar family in Ammankudi, Tiruchirappalli to V.S. Ramanujam Chakravarthy^[11] and Jaya Chakravarthy on 16 October 1948.^[1] Her mother was a film producer. Malini was the youngest of the three children and has two brothers.^[12] She was not interested in academic studies but enjoyed history, her favourite subject in school.^[12] She was educated at Andhra Mahila Sabha in Chennai.^[11]

Some of Bollywood's most popular Bollywood actors like Sanjeev Kumar and Jeetendra have proposed to Hema Malini.^[13][14] In her authorized biography, Hema Malini mentions she almost accepted Jeetendra's proposal, but later backed out.^[13] Unable to tolerate the rejection, Sanjeev Kumar was reportedly driven to alcoholism and remained unmarried till his death in 1985.^[13]

Hema fell in love with her co-star Dharmendra during the filming of Sholay.^[15] She eventually married him in 1980. Before they married, they both converted to Islam,^[16] since Dharmendra was already married to Prakash Kaur^[17][18][19] who refused to divorce him. Apart from Sholay, the Dharmendra-Hema pair appeared together in films like Seeta Aur Geeta, Dreamgirl, Charas and The Burning Train. After her marriage she became the step-mother of Sunny Deol and Bobby Deol, both popular actors in Bollywood. She has two daughters with Dharmendra, Esha Deol (born 1982) and Ahana Deol (born 1984). Her elder daughter Esha is a well-known actress in Bollywood while her younger daughter Ahana is an aspiring director^[20] who worked as an assistant director to Sanjay Leela Bhansali in his film Guzarish (2010) which starred Hrithik Roshan and Aishwarya Rai.^[21][22]

Hema Malini's niece is actress Madhoo who had starred in films Phool Aur Kaante (1991), Roja (1992)^[23] and Annayya (1993)

Film career[link]

Debut: 1960s[link]

Hema was considered for a Tamil film when she was 15 but rejected by director C. V. Sridhar saying that she was too thin.^[24] In 1965, she got an opportunity to act in a short episode as dancer in Pandava Vanavasam, a Telugu film. Later Ananthaswamy, a film poducer offered her a role opposite Raj Kapoor in his film Sapno Ka Saudagar (1968).^[24] She was promoted as the dream girl of Bollywood right from that film itself.^[24]

Breakthrough: 1970s[link]

In Johnny Mera Naam (1970), she was cast in a more pivotal role and the film became a blockbuster. She took challenging roles which most of the heroines of the 1960s refused to do. She played the role of a young widow in Andaaz (1971) and in Lal Patthar (1971) she played a character with negative shades.^[24] The following year, Hema double-roled with Dharmendra and Sanjeev Kumar in Seeta Aur Geeta.^[25] Even after many years the film remains one of the best in her career.^[25] The film was a blockbuster and earned her first Filmfare Best Actress Award.^[26] Within four years of making her debut, she established herself as one of the leading actresses in Bollywood.^[4]

During the mid 70s, her fans started calling her "Dream Girl", an allusion to the movie of the same name where she starred opposite Dharmendra.^[24]

A majority of her films released during this period were highly successful; Sanyasi, Dharmatma and Pratigya. Sholay, released in 1975, became a box-office phenomenon, where she played the role of Basanti, an unforgettable role of a talkative girl.^[24]

Malini starred in many movies throughout the 1970s and is perhaps best remembered for her glamour, style, and accomplished classical dancing.^[13][27] The Dharmendra-Hema pair had back to back hits from the early 70's like Sharafat, Tum Haseen Main Jawan, Naya Zamana, Raja Jani, Seeta Aur Geeta starring together in 28 movies in all, eventually marrying him in 1980.^[24] The pair continued with box office hit movies like Patthar Aur Payal, Dost, Charas, Jugnu, Azaad, Dillagi and Dil Kaa Heera. She also achieved some strong dramatic or comic moments in films like Trishul, Joshila and Khushboo. In the late 1970s she acted in female-centric movies like Kinara (1977) and Meera (1979), directed by Gulzar.

Post marriage: 1980–1999[link]

After her marriage she continued to work in films like Kranti, Naseeb, Satte Pe Satta and Vijay Anand's Rajput. The couple Dharmendra Hema Malini were paired together even after marriage, in the eighties in Alibaba Aur 40 Chor, Baghavat, Samraat and Razia Sultan.In 1983 she starred in Andha Kanoon which marked the debut of Tamil actor Rajinikanth in Bollywood. In the film she played the sister of Rajinikanth, seeking revenge for the death of her parents. The following year she acted in K. Balachander's Ek Nai Paheli, a remake of his Tamil film Apoorva Raagangal. She portrayed the role of a classical singer in the film.

She was a part of the hit multi-starrers Baghavat and Raaj Tilak both opposite Dharmendra, and continued to gain success in films focusing on her character like Aandhi Toofan, Durgaa and Ramkali in 1985, Sitapur Ki Geeta in 1987 saw her doing action oriented roles while Ek Chaddar Maili Si (1986), Rihaee and Jamai Raja (1990), saw her playing more matured roles.^[24]

Hema also directed a film, Dil Aashna Hai which was a commercial failure and her career tapered off as she chose to concentrate more on her dance ballets and Television serials.^[24]

Comeback: 2000s[link]

After taking a break from films for a number of years in the 1990s and early 2000s, Hema made a comeback with Baghban (2003).^[24] The film had Amitabh Bachchan playing her husband and also earned her a Filmfare Best Actress Award nomination. She also played a cameo in the 2004 film Veer-Zaara. In both films, she played a self-possessed, elderly married woman. In 2011, She directed her second feature film that featured her daughter Esha Deol in the lead role alongside her husband Dharmendra in Tell Me O Khuda which released on Diwali of 2011.^[28][29]

Political career[link]

Hema Malini and her husband have been involved in politics, as members of the Bharatiya Janata Party (BJP). She was elected to the Rajya Sabha, the upper house of the Parliament of India, with the support of the Bhratiya Janata Party.^[30][31] She campaigned for the BJP candidate, Vinod Khanna, former Bollywood actor in the 1999 Lok Sabha Elections in Gurdaspur in Punjab.^[30] In 2004, Hema Malini joined the Bharatiya Janata Party.^[30]

In February 2004, she joined the party (BJP) officially.^[30] With her film career less hectic, she has been an active member of the party, attending party meetings and rallies and campaigning for the party through various elections. In March 2010, she was made general secretary of the BJP. In February 2011, it was reported that Hema Malini has been recommended by H.N.Ananth Kumar, party general secretary.^[31]

Other work[link]

Malini performing at a concert

Hema Malini is a trained Bharatanatyam artist, a classical dance of India. Her daughters are well trained in the same dance form; the three have performed together at charity dance concerts.^[32][33] Malini is also trained in Odissi by Guru Kelucharan Mahapatra. Her refulgent smile eased her portrayal of a wide range of characters ranging from the fiery Narasimha to a graceful Rama on Tulasidas's Ramcharitmanas.^[34] In 2007, she performed in Mysore on the eve of Dussera, where she played the roles of Sati, Parvati and Durga.^[35] She had performed at the Khajuraho Dance Festival with her daughters.^[36]

In 2003, she played the role very well of Goddess Durga in television serial Jai Mata Ki, directed by Puneet Issar and aired on Star Plus.^[37] She directed and starred in the television serial Noopur, in which she played the role of a Bharatanatyam dancer.^[24] She owned the editorship of New Woman, a Hindi woman's magazine.^[38][39] In 2000 she was appointed as the first-ever woman chairperson of the National Film Development Corporation for three years.^[11][40] She owns a dance school, Natya Vihar Kalakendra.^[41]

In 2007, she was signed by Kent, a mineral water purifier system, as its brand ambassador.^[42] She is one of the three brand ambassadors of Pothys, a textile showroom in Chennai (the others being Sudha Ragunathan and Trisha Krishnan).^[43]

The first biography of Malini, Diva Unveiled-Hema Malini, was written by Ram Kamal Mukherjee and first published in 2005.^[44]

Latest filmography[link]

See also[link]

• List of awards and nominations received by Hema Malini
• List of Indian film actresses

References[link]

Further reading[link]

• Somaaya, Bhawana (2007). Hema Malini: the authorized biography. New Delhi: Lotus Collection. ISBN 81-7436-467-6. 
• Raheja, Dinesh. "Hema Malini: Bollywood's Dreamgirl". Rediff. http://www.rediff.com/entertai/2002/oct/25dinesh.htm. Retrieved 15 June 2011. 

External links[link]

Wikimedia Commons has media related to: Hema Malini

• Hema Malini at the Internet Movie Database

Asha Bhosle
Background information
Birth name	Asha Mangeshkar
Born	(1933-09-08) September 8, 1933 (age 78) Sangli, Bombay Presidency, British India
Genres	Pop, folk, Indian classical music
Occupations	Singer, playback singer
Years active	1943–present

Asha Bhosle^[1] (born September 8, 1933) is an Indian singer. She is best-known as a playback singer in Hindi cinema, although she has a wider repertoire.^[2][3][4] Bhosle's career started in 1943 and has spanned over six decades. She has done playback singing for over a thousand Bollywood movies. In addition, she has recorded several private albums and participated in numerous solo concerts in India and abroad.^[5][6] Bhosle is the sister of playback singer Lata Mangeshkar.

Renowned for her voice range and often credited for her versatility,^[2][7][8] Bhosle's work includes film music, pop, ghazals, bhajans, traditional Indian classical music, folk songs, qawwalis, and Rabindra Sangeets. Apart from Hindi, she has sung in over 20 Indian and foreign languages.^[9] In 2006, Asha Bhosle stated that she had sung over 12,000 songs,^[10] a figure repeated by several other sources.^[9][11] The World Records Academy, an international organization which certifies world records, recognised her as the "Most Recorded Artist" in the world, in September 2009.^[12] In 2011 she was officially acknowledged by the Guinness Book of World Records as the most recorded artist in music history.^[13] The Government of India honoured her with the Dadasaheb Phalke Award in 2000 and the Padma Vibhushan^[14] in 2008.

Biography[link]

Asha Bhosle was born in the small hamlet of Goar in Sangli, Bombay Presidency (now in Maharashtra), into the musical family of Master Deenanath Mangeshkar, who belongs to Gomantak Maratha Samaj. Her father was a theater actor and classical singer. When she was nine years old, her father died. The family moved from Pune to Kolhapur and then to Mumbai. She and her elder sister Lata Mangeshkar began singing and acting in films to support their family. She sang her first film song '"Chala Chala Nav Bala" for the Marathi film Majha Bal (1943). The music for the film was composed by Datta Davjekar. She made her Hindi film debut when she sang the song "Saawan Aaya" for Hansraj Behl's Chunariya (1948).^[15] Her first solo Hindi film song was for the movie Raat Ki Raani (1949).

At the age of 16, she eloped with 31-year-old Ganpatrao Bhosle, marrying him against her family's wishes. Ganpatrao was Lata's personal secretary. The marriage failed miserably. Her husband and in-laws mistreated her. After a few years of marriage, Asha was turned out (around 1960) by a suspicious Ganpatrao^[16] and she went to her maternal home with two children and pregnant with her third child. She continued to sing in films to earn money.

At that time, prominent playback singers like Geeta Dutt, Shamshad Begum and Lata Mangeshkar monopolized the singing for the female lead and the big films, whilst Asha used to get the assignments they refused: singing for the bad girls and vamps, or songs in the second-grade movies. In the 1950s, she sang more songs than most playback singers in Bollywood (not counting Lata). Most of these were in low budget B or C-grade films. Her earliest songs were composed by A R Qureshi, Sajjad Hussain and Ghulam Mohammed, most of which failed to do well.^[15] Singing in Sangdil (1952), composed by Sajjad Hussain, she got reasonable recognition. Consequently, film director Bimal Roy gave her a chance to sing in Parineeta (1953). Raj Kapoor signed her to sing "Nanhe Munne Bachche" with Mohammed Rafi in Boot Polish (1954), which gained popularity.

O. P. Nayyar gave Asha a break in C.I.D. (1956). She first achieved success in B. R. Chopra's Naya Daur (1957), composed by him. Her duets with Rafi like "Maang Ke Saath Tumhara", "Saathi Haath Badhana" and "Uden Jab Jab Zulfein Teri", penned by Sahir Ludhianvi, earned her recognition. It was the first time she sang all the songs for a film's leading actress. Chopra approached her for several of his later prosuctions, including Gumrah (1963), Waqt (1965), Hamraaz (1965), Aadmi Aur Insaan (1966) and Dhund (1973). Nayyar's future collaboration with Bhosle also resulted in success. Gradually, she established her status and received the patronage of such composers as Sachin Dev Burman and Ravi. Bhosle and Nayyar had a professional and personal parting of ways in the 1970s.

In 1966, Bhosle's performances in the duets from one of music director R.D. Burman's first soundtracks, for the movie Teesri Manzil, won popular acclaim. Reportdly, when she first heard the dance number "Aaja Aaja", she felt she would not be able to sing this westernised tune. While Burman offered to change the music, she refused, taking it as a challenge. She completed the song after ten days of rehearsals, and "Aaja Aaja", along with such other songs as "O Haseena Zulfonwali" and "O Mere Sona Re" (all three duets with Rafi), became successful. Shammi Kapoor, the film's leading actor, was once quoted as saying– "If I did not have Mohammad Rafi to sing for me, I would have got Asha Bhosle to do the job". Bhosle's collaboration with Burman resulted in numerous hits and a marriage. During the 1960-70s, she was the voice of Bollywood's actress and dancer, Helen, on whom "O Haseena Zulfon Wali" was picturised. It is said that Helen would attend her recording sessions so that she could understand the song better and plan dance steps accordingly.^[17] Some of their other popular numbers include "Piya Tu Ab To Aaja" (Caravan) and "Yeh Mera Dil" (Don), among others.

By the 1980s, Bhosle, although highly regarded^{[by whom?]} for her abilities and versatility, had sometimes been stereotyped^{[by whom?]} as a "cabaret singer" and a "pop crooner". In 1981 she attempted a different genre by singing several ghazals for the Rekha-starrer Umrao Jaan, including "Dil Cheez Kya Hai", "In Aankhon Ki Masti Ke", "Yeh Kya Jagah Hai Doston" and "Justaju Jiski Thi". The film's music director Khayyam, had lowered her pitch by half a note. Bhosle herself expressed surprise that she could sing so differently. The ghazals won her the first National Film Award of her career. A few years later, she won another National Award for the song "Mera Kuchh Saamaan" from Ijaazat (1987).

In 1995, 62-year-old Bhosle sang for actress Urmila Matondkar in the movie Rangeela. The soundtrack featured songs like "Tanha Tanha" and "Rangeela Re" sung by her, and composed by music director A. R. Rahman, who would go on to record several songs with her. During the 2000s, several of Bhosle's numbers became chartbusters, including "Radha Kaise Na Jale" from Lagaan (2001), "Kambakht Ishq" from Pyaar Tune Kya Kiya (2001), "Yeh Lamha" from Filhaal (2002), "Lucky Lips" from Lucky (2005). In October 2004, The Very Best of Asha Bhosle, The Queen of Bollywood, a compilation album of songs recorded by Bhosle for albums and Bollywood films that were released between 1966 and 2003, was released.

Partnership with music directors[link]

O.P. Nayyar

Music director O. P. Nayyar's association with Asha is part of Bollywood lore. He was the composer who first gave Asha her own identity. Many people have speculated about a romantic relationship between the two.

Nayyar first met Asha in 1952, at the music recording of Chham Chhama Chham.^[18] He first called her for a film called Mangu (1954), and gave her a big break in CID (1956). However, it was the success of Naya Daur (1957), that made the duo very popular. After 1959, she was emotionally and professionally involved with Nayyar.

The team of O.P. Nayyar and Asha Bhosle is best remembered for their breezy and sometimes sirenish songs. Some good examples of their sensuous numbers are "Aaiye Meherbaan" picturised on Madhubala (Howrah Bridge, 1958) and "Yeh Hai Reshmi Zulfon Ka Andhera" picturised on Mumtaz (Mere Sanam, 1965). "Aao Huzoor Tumko" (Kismat) and "Jaaiye Aap Kahan" (Mere Sanam) were also popular. They also recorded songs for many hit movies like Tumsa Nahin Dekha (1957), Ek Musafir Ek Hasina (1962), Kashmir Ki Kali (1964). O.P. Nayyar used the Asha Bhosle-Mohammad Rafi duo for his most popular duets such as "Ude Jab Jab Zulfein Teri" (Naya Daur), "Main Pyaar Ka Rahi Hoon" (Ek Musafir Ek Haseena), "Deewana Hua Baadal" and '"Ishaaron Ishaaron Mein" (Kashmir Ki Kali).

Asha recorded her last song for O.P. Nayyar in the movie Pran Jaye Par Vachan Na Jaye (1974). The solo number "Chain Se" got many awards, but it was not included in the movie.

They split on August 5, 1972. It is not clear what made them part their ways. On being asked the reason for their parting, O P Nayyar once said, "I know astrology very well. I knew that one day I had to part with her. Something also happened, that upset me, so I left her."^[18] Nevertheless, he also said "...now that I am seventy-six, I can say that the most important person in my life was Asha Bhosle. She was the best person I ever met."

The parting of Asha Bhosle and O.P. Nayyar was bitter, and probably therefore she has hesitated to give Nayyar his due. While talking about O.P. Nayyar in an interview with The Times of India, she once remarked - "Whichever composer gave me work, it was because my voice was suited to his music at that point. No one musician did me any favor by asking me to sing for him."^[19] She gives the credit for her first big break to B. R. Chopra, the producer of Naya Daur.

Khayyam

Another music director who recognized Asha's talent early was Khayyam. Their partnership dates back to his first movie Biwi (1948). Khayyam gave her some good assignments in the 1950s, including Dard and Phir Subah Hogi. But the team is chiefly remembered for the songs of Umrao Jaan.

Ravi

Music composer Ravi considered Asha one of his favorite singers. She sang for his first movie Vachan (1955). The melodious lullaby from the movie, "Chandamama Door Ke! became an overnight hit among young mothers in India. Ravi got her to sing bhajans for the movies Gharana, Grihasti, Kajal and Phool Aur Patthar, at a time when most of the composers remembered her only when they needed to record B-grade songs picturized on the vamps or the side-heroines. Ravi and Asha recorded a variety of songs, including the popular funny duet with Kishore Kumar - "C A T...Cat. Cat Maane Billi" (Dilli Ka Thug). The bhajan "Tora Maan Darpan" (Kajal) is considered one of Asha's best songs.

They also recorded songs for many popular movies like Waqt, Chaudhvin Ka Chand, Gumrah, Bahu Beti, China Town, Aadmi Aur Insaan, Dhund and Humraaz. For Chaudhvin Ka Chand, Ravi wanted Geeta Dutt (the wife of actor and producer Guru Dutt) to sing the songs. But when she backed out, Guru Dutt insisted that Asha sing the songs.^[15]

Sachin Dev Burman

One of Bollywood's most famous composers, Sachin Dev Burman and his favorite singer, Lata Mangeshkar, were not on good terms from 1957 to 1962.^[20] During this period, S D Burman used Asha as his lead female voice. She and Burman gave many hit songs in movies such as Kaala Pani, Kaala Bazaar, Insaan Jaag Utha, Lajwanti, Sujata and Teen Deviyaan (1965). They recorded many songs together after 1962 as well. Most famous of these songs were Asha's duets with Mohammed Rafi and Kishore Kumar. The song "Ab Ke Baras" in Bimal Roy's Bandini (1963) consolidated her position as a lead singer. The seductive song "Raat Akeli Hai" from Jewel Thief (1967), picturised on Tanuja, became very popular.

Rahul Dev Burman (Pancham)

Asha first met Rahul Dev Burman (a.k.a. "Pancham") when she was the mother of two and he was in 10th grade having dropped out to pursue music. Their partnership was first noticed in Teesri Manzil (1966). She went on to record a variety of songs with him - cabarets, rock, disco, ghazals and classical.

In the 1970s, Asha and Pancham's youthful Western songs took Bollywood music by storm - the raunchy cabaret "Piya Tu Ab To Aaja" (Caravan, picturized on Helen), the rebellious "Dum Maro Dum" (Hare Rama Hare Krishna, 1971), the sexy "Duniya Mein" (Apna Desh, 1972) and the romantic "Chura Liyaa Hai Tumne" (Yaadon Ki Baaraat, 1973). Pancham also recorded many hit duets with Asha and Kishore Kumar such as "Jaane Jaan" (Jawani Diwani) and "Bhali Bhali Si Ek Soorat" (Buddha Mil Gaya).

In 1980s, Pancham and Asha recorded subtle numbers for films like Ijaazat (1987)- "Mera Kuch Saaman", "Khaali Haath Shaam Aayi Hai" and "Katra Katra". They also recorded the popular duet "O Maria!" (Saagar).

Asha used to call R D Burman "Bubs". She married him in 1980. Their partnership lasted until his death.

R D Burman made her sing some of the most legendary songs in Bengali language as well, namely "Mohuyae Jomechhe Aaj Mou Go", "Chokhe Chokhe Kotha Bolo", "Chokhhe Naame Brishti"(Bengali version of "Jaane Kya Baat Hai"), "Baanshi Sune Ki Ghore Thaka Jaye", "Sondhya Belae Tumi Aami" and "Aaj Gungun Gun Gunje Amar" (Bengali version of "Pyaar Deewana Hota Hai").

Ilaiyaraaja

Prolific south Indian film composer Ilaiyaraaja began employing Asha's vocals in the early 1980s, their earliest collaboration being for the film Moondram Pirai (1982) (remade in Hindi as Sadma in 1983). Their association continued, mostly through the latter half of the 1980s and early 1990s. Another notable song from this period is "Shenbagamae" (Enga Ooru Paattukkaaran, 1987, Tamil). In 2000, Asha sung the theme song for Kamal Haasan's political film Hey Ram. The song, "Nee Partha Parvai" (Janmon Ki Jwala in Hindi) (or Aparna's Theme), was a duet with singer Hariharan.

A. R. Rahman

A. R. Rahman is credited with Asha's 'comeback' with Rangeela (1994). Songs like "Tanha Tanha" and "Rangeela Re" were chartbusters. She and Rahman went on to record more hits like "Mujhe Rang De" (Thakshak), "Radha Kaise Na Jale" (Lagaan, duet with Udit Narayan), "Kahin Aag Lage" (Taal), "O Bhanware" (Daud, duet with K. J. Yesudas), "Venilla Venilla" (Iruvar,1999) and "Dhuan Dhuan" (Meenaxi,2004).^[15]

Jaidev

When S D Burman's assistant Jaidev started giving music independently, he got Asha to sing some of his songs as well. They worked in Hum Dono (1961), Mujhe Jeene Do (1963), Do Boond Pani (1971) and other movies. In 1971, the pair released an LP of eight non-film devotional songs and ghazals called An Unforgettable Treat. Asha considered Jaidev a close friend who stood by her when she was struggling personally and professionally. Upon his death in 1987, she released a compilation album of lesser-known songs he had composed for her, called Suranjali.

Shankar-Jaikishan

Shankar-Jaikishan worked relatively little with Asha. However, the trio produced quite a few hits including the seductive "Parde Mein Rehne Do" (Shikar, 1968). Asha got her second Filmfare Award for the song. She also sang "Zindagi Ek Safar Hai Suhaana" (Andaz) for Shankar-Jaikishan, in which she tried to yodel like Kishore Kumar, whose version of the song is more better known. When Raj Kapoor was not on speaking terms with Lata Mangeshkar, Asha got to sing the songs of Mera Naam Joker (1970), composed by Shankar-Jaikishan.

Anu Malik

Composer Anu Malik and Asha have recorded many hit songs together, including songs for his first movie Sohni Mahiwal (1984). Their most popular songs include "Ye Lamhaa Filhaal" (Filhaal) and "Kitabein Bahut Si" (Baazigar) among others. The four lines sung by Asha in Malik's "Jab Dil Mile" (Yaadein) stood out among voices of Sukhwinder Singh, Udit Narayan and Sunidhi Chauhan. Asha had also sung for Anu's father Sardar Malik in the 1950s and 1960s, most notably in Saranga (1960).

Other Composers

Madan Mohan recorded a number of songs with Asha, including the popular folk number "Jhumka Gira Re" from Mera Saaya (1966). In Chhoti Si Baat (1975), Asha sang the "Jaaneman Jaaneman" number with K. J. Yesudas for Salil Chowdhury. Salil's 1956 movie Jagte Raho also had a number recorded by Asha, "Thandi Thandi Saawan Ki Phuhaar". Another Asha patron is the young composer Sandeep Chowta, who got her to sing "Kambakht Ishq", a duet with Sonu Nigam for the movie Pyaar Tune Kya Kiya(2001). The song gained major popularity among the Indian youth.

Asha has worked with Lata-patrons like Laxmikant-Pyarelal, Naushad, Ravindra Jain, N Dutta and Hemant Kumar. When Naushad was asked to sum up the essential difference between Lata and Asha, he said that Asha "lacks certain something which Lata, and Lata alone has". Later he accepted in an interview, "May be I said it because I then had a closed ear on Asha".^[21] Naushad, later in his life, also admitted that he has been unfair to Asha. Asha has also worked with other noted Bollywood composers like Jatin-Lalit, Bappi Lahiri, Kalyanji-Anandji, Usha Khanna, Chitragupt, and Roshan.

Non-Bollywood music[link]

Private albums[link]

In a rare feat, noted lyricist Gulzar, music director R.D. Burman and Asha Bhosle, came together in 1987, to create a double album, titled, Dil Padosi Hai, which was released on September 8, 1987.^[22] In 1995, Asha underwent the gatha bandan (thread-tying) ceremony with Hindustani classical music maestro Ali Akbar Khan to learn a classical repertoire held within the Maihar gharana (stylistic school of Indian classical music), as handed down to Khan by his father Allauddin Khan (the guru of Ravi Shankar). Later, Asha and Ustad Ali Akbar Khan recorded eleven fixed compositions (or bandishes) in California for Legacy, a private album that earned them a Grammy Award nomination.

In 1990s, Asha experimented with remixed R.D. Burman songs. She was criticized by many, including Khayyam for tampering with old melodies. Nevertheless, albums like Rahul And I became quite popular. In 1997, Asha did a private Indipop album Janam Samjha Karo with Leslie Lewis. The album was hugely popular and won her many awards including the 1997 MTV Award.

Asha had been once asked by director B R Ishaara to compose music for one of his films, but she had politely declined. In 2002, she turned music composer with the album Aap Ki Asha, an eight-song music and video album. The lyrics were written by Majrooh Sultanpuri (his last lyrics). The album was released by Sachin Tendulkar on May 21, 2001 at a lavish party in Mumbai. The album received mixed reviews.

Asha had spotted Pakistani singer Adnan Sami's talent when he was about 10 years old. At that time, she was performing in London, with R D Burman. It was she who had asked him to pursue his interests in music seriously. When Adnan grew up and became a professional musician, Asha sang the title duet with him for his best-selling album Kabhi to nazar milao. The two came together again in the album Barse Badal. The album comprises eight songs, based on Indian Classical music. She contributed the song Yun Na Thi to the recording Womad Talking Book Volume Four: An Introduction to Asia 1 on Womad Records.

Asha has sung ghazals for many albums like Meraj-E-Ghazal, Aabshar-E-Ghazal and Kashish. In 2005, Asha released a self-titled album as a tribute to the four ghazal maestros - Mehdi Hassan, Ghulam Ali, Farida Khanum and Jagjit Singh. The album features eight of her favorite ghazals like Farida Khanum’s Aaj Jaane Ki Zid Na Karo, Ghulam Ali’s Chupke Chupke, Aawargi and Dil Mein Ek Lahar, Jagjit Singh’s Ahista Ahista and Mehdi Hassan’s Ranjish Hi Sahi, Rafta Rafta and Mujhe Tum Nazar Se. These classic ghazals were recreated with modern sounds by musician Pandit Somesh Mathur. The album was aimed at the younger generation, who, according to Asha, are "turned off" by the traditional sounds of tabla and sarangi.

Numerous compilations of Asha's songs have been released as well. To commemorate her 60th birthday, EMI India released three cassettes: Bala Main Bairagan Hoongi (devotional songs), The Golden Collection: Memorable Ghazals (non-film ghazals by composers such as Ghulam Ali, R.D. Burman and Nazar Hussain), and The Golden Collection: The Ever Versatile Asha Bhosle (44 popular film songs).

In 1996, Asha Bhosle sang Channeache Rati among several other songs in Rajendra Talak's Konkani album Daryachya Deger with Suresh Wadkar.

In 2006, she recorded an album Asha and Friends, singing duets, with film actors Sanjay Dutt and Urmila Matondkar and famous cricket player Brett Lee, with whom she sang, You're the One for Me (Haan Main Tumhara Hoon). All these songs composed by Shamir Tandon were shot on video by journalist turned director S Ramachandran.

Concerts and collaborations with foreign artists[link]

In 1980s and 1990s, Asha went globe-trotting, staging concerts in Canada, Dubai, UK, U.S. and many other countries. In 1989, during a world tour, she performed in 13 US cities in 20 days. Immediately after this, she had an already sold-out concert scheduled in Stockholm, Sweden. Due to the stressful schedule, Asha suffered a massive attack of colitis, together with fever, cough and weakness. In Stockholm, a pre-concert crisis meeting was called, attended by Asha's son (and manager) Anand and the sponsors. It was decided that the orchestra will play many instrumental tracks, the accompanying singers like Suresh Wadkar will shoulder the load, and Asha will make a small appearance. But Asha rejected all such proposals, and sang at the concert with great difficulty, in a not-so-good voice. Her first set of six Bollywood songs did not receive any response from the audience, which consisted mostly of Indian and Pakistani expats. Before the start of the second set of songs, a fan in the crowd requested her to sing a Marathi song. Asha obliged and sang Naach-naachuni ati mi damale ("I'm very tired of this endless dancing"). When the song ended, the auditorium erupted with claps and the encores started. After the concert, Asha was in bed for a month, recuperating from overexertion. In October 2002, she did a concert with Sudesh Bhosle and others, in London, for "Help the Aged" to help raise funds for the elderly in India. In 2007 she toured the US, Canada, and West Indies in a tour called "The Incredibles". In this tour, she was accompanied by singers Sonu Nigam, Kunal Ganjawala and Kailash Kher. This tour, originally scheduled for only 12 concerts, went on to hold more than 20.

In the mid-1980s, Asha sang with Boy George (Bow down mister) and Stephen Lauscombe. In 1997, she sang a love song with the boy band Code Red, at the age of 64. She also recorded the song The Way you Dream (One Giant Leap, [1]) with Michael Stipe that was used in the English movie, Bulletproof Monk. The song was also released on the album 1 Giant Leap for 2002.

In 1997, the British band Cornershop paid tribute to Asha with their song Brimful of Asha, an international hit which was later remixed by Fatboy Slim. In 2001, the CD single of Nelly Furtado's "I'm Like A Bird" included a "Nellie vs. Asha Remix" created by Digital Cutup Lounge.

In 2003, British opera pop singer Sarah Brightman sampled her song "Dil Cheez Kya Hai" on her album Harem. It was used as the intro for her song "You Take My Breath Away".

In 2005, American string quartet Kronos Quartet re-recorded R D Burman compositions like Chura Liya, Piya Tu, Mera Kuchh Saaman among others and got Asha to sing them. Despite her age, she recorded three to four songs in a day, leaving the quartet members stupefied. On August 23, 2005, You've stolen my heart - Songs From R D Burman's Bollywood was released in US. The album was nominated for Grammy Awards 2006 in the category of "Best Contemporary World Music Album". In the 1990s, a friend had introduced David Harrington of Kronos Quartet to the song Aaj ki raat. Harrington was mesmerised, and the song ended up on the album Kronos Caravan.

Also in 2005, The Black Eyed Peas sampled her songs "Ae Naujawan Sab Kuchh Yahan" (Apradh, 1972) and "Yeh Mera Dil Pyaar Ka Diwana" (Don, 1978) in their hit single "Don't Phunk with My Heart". In late 2006, Asha collaborated with Australian test cricket star, Brett Lee. The single, You're the One for Me, debuted at number 4 on the charts and reached a peak position of number 2.

In 2006 Asha recorded one song for the soundtrack of Pakistani movie Mein Ek Din Laut Kay Aaaonga. She sang the song, titled Dil Key Taar Bajey, with famous Pakistani pop singer Jawad Ahmed. It was aired as part of the film's promotional campaign and became very popular, featuring on top music charts.

Personal life[link]

Asha's house is situated in Prabhukunj Apt on Peddar Road area of South Mumbai. She has three children and five grandchildren. The eldest of her three children, Hemant Bhosle (named after Hemant Kumar), spent most of his early years as a pilot and quit to have a brief career as a music director. Asha's daughter Varsha worked as a columnist for The Sunday Observer and Rediff. Asha's youngest child, Anand Bhosle, has studied business and film direction. He manages Asha's career. Her grandson, Chaitanya (Chintu) Bhosle (Hemant's son) is a part of the world of music. He is a member of India's first & only boy band, "A Band of Boys". Her sisters Lata and Usha Mangeshkar are playback singers. Her other, sister Meena Mangeshkar and brother Hridayanath Mangeshkar are music directors.

Asha married Rahul Dev Burman in 1980.^{[13][23][24][25]} This was second marriage for both Rahul and Asha. Rahul, 6 years younger than her, earlier got divorced from Rita Patel in 1971.^[26] Asha, at the age of 16, had eloped with 31-year-old Ganpatrao Bhosle. They separated in 1960. They have 3 children.

Asha is an excellent cook and cooking is her favorite hobby. She often gets flooded with requests by Bollywood celebrities for kadai ghosht and biryani dishes and has rarely turned down a request. In fact, her paya curry, Goan fish curry and dal are very popular with the Kapoor family of Bollywood. Once, when asked in a Times of India interview, what if her singing career had not taken off, she said "I would have become a cook. I'd have cooked in four houses and made money."

Asha is a successful restaurateur and runs restaurants in Dubai and Kuwait, called Asha's. Asha's offers traditional north-western Indian cuisine. It has a presence in the Wafi City development in Dubai, as well as three restaurants in Kuwait, at The Avenues Mall, the Marina Mall and a brand new third outlet at the Spoons Complex. Other restaurants can be found in Abu Dhabi's Khaldiya Mall, Doha's Villagio and Bahrain's City Center Mall, with future outposts planned for Dubai's Mall of the Emirates and Cairo, Egypt. Asha Bhosle has a 20% stake in the business. Asha is not involved in day-to-day running of the restaurant which is looked after by the Wafi Group. She takes care of the kitchen and the décor. She personally trained the chefs for almost six months. According to a December 2004 report in the Menu Magazine,^[27] Russell Scott, a former head of Harry Ramsden's (the fish and chips chain), secured the UK rights to the Asha's brand and planned to open up to 40 restaurants over the next five years. As part of her chain of restaurants, Asha has recently opened a new restaurant in Birmingham, UK.

Asha's fashion statement is white saree with sparkling embroidery, pearls around her neck and a touch of diamonds. Harrington said "The first time I met Ashaji she was dressed in the most beautiful sari with diamonds and looked very regal. Then I looked down and saw that she was wearing tennis shoes! I thought I love this woman."

Asha is a good mimicry artist as well. At a concert at World Trade Center in Dubai on April 22, 2004, she mimicked the song Kabhi To Nazar Milaao in the voices of Noor Jehan, Lata Mangeshkar and Ghulam Ali.

Nowadays, apart from singing and her restaurant, Asha is also working on her autobiography.

Rivalry with Lata Mangeshkar[link]

Asha's sibling rivalry with Lata Mangeshkar is often talked about, in spite of their insistence that these are just tales.^[19] As young children, they were very close. As a child, Lata used to carry Asha all the time. They were so inseparable that when Lata went to school she would take Asha with her. One day the teacher protested and said that they cannot have two students on one fee. Lata refused to return to school without Asha and quit her studies.^[28]

Lata considered Asha's act of eloping with her lover as irresponsible, leaving her alone to sing and earn for the family. This led to tensions between them. Asha herself accepted in an interview^[28] — "It was a love marriage and Lata didi did not speak to me for a long time. She disapproved of the alliance." At one time, their relationship was very adversarial and there have been periods of non-communication.

In her initial days in the industry, Asha always played second fiddle to her elder sister. Some say that Lata had once criticised Asha's relationship with O. P. Nayyar. This widened the rift between the two sisters and O P Nayyar also decided that he would never work with Lata. O.P. Nayyar had once revealed "Asha and Lata, staying in opposite flats at Bombay's Peddar Road, had a common maidservant. Now this maidservant had merely to come and tell the younger sister that Lata had just recorded something wonderful for Asha to lose her vocal poise. Such was her Lata phobia that it took me some months to convince Asha that she had a voice individualistic enough to evolve a singing style all of her own."^[21] Asha once said that she has worked for years to create a voice and a style that was different from Lata, so that she could carve her own niche and not be banished to live in her sister's shadow.^[28]

Asha and Lata have also sung together. Their first duet was for the film Daman (1951).^[21] Some of their songs include Man Bhawan Ke Ghar aye (Chori Chori, 1956), Sakhi ri sun bole papihaa us paar (Miss Mary, 1957), O chaand jahaan woh jaaye (Sharada, 1957), Mere Mehboob Mein Kya Nahi (Mere Mehboob, 1963), Ai kash kisi deewane ko (Aaye Din Bahar Ke, 1966), Main Chali Main Chali (Padosan, 1968), Chhap tilak sab (Main Tulsi Tere Aangan Ki, 1978), and Man kyun behka (Utsav, 1984). While singing, Lata used to hold her notebook in her right hand, while Asha held hers in the left hand. This meant Lata had her face away from Asha, making it difficult for them to "anticipate" each other.^[28]

The movie Saaz, was supposedly based on Lata and Asha's rivalry.^[29] Asha said about the movie — "To have two women in long plaits, take a couple of incidents and exaggerate them into a 3-hour film is such a waste of time."^[28] In the last few years, Asha and Lata have often been seen in public, enjoying each other's company. In an interview with The Times of India, Asha once said - "I remember, sometimes both of us would be at a function and some industry types would ignore me and interact only with her, as if to prove their loyalty. Later, didi and I would have a good laugh!"

Awards[link]

Filmfare awards

Asha Bhosle has won seven Filmfare Best Female Playback Awards of 18 nominations.^[30] She won her first two awards in 1967 and 1968. (Mangeshkar asked not to be considered for the award nominations after 1969 to promote new talent). After receiving the award in 1979, Bhosle emulated her elder sister and requested that her name not be considered for the nominations hereafter. Despite this, Bhosle is the most frequent winner of this award to date, tying with Alka Yagnik. She was later given a Special Award for Rangeela in 1996, and the Filmfare Lifetime Achievement Award in 2001. Following is the list of her Filmfare Awards:

Filmfare Best Female Playback Award:

• 1968: "Garibon ki Suno" (Dus Lakh, 1966)
• 1969: "Parde Mein Rehne Do" (Shikar, 1968)
• 1972: "Piya Tu Ab To Aaja" (Caravan, 1971)
• 1973: "Dum Maro Dum" (Hare Rama Hare Krishna, 1972)
• 1974: "Hone Lagi Hain Raat" (Naina, 1973)
• 1975: "Chain Se Humko Kabhi" (Pran Jaye Par Vachan Na Jaye, 1974)
• 1979: "Yeh Mera Dil" (Don, 1978)

Other Awards:

• 1996 - Special Award (Rangeela, 1995)
• 2001 - Filmfare Lifetime Achievement Award

National Film Awards

Asha has won the National Film Award for Best Female Playback Singer twice:

• 1981: Dil Cheez Kya Hai (Umrao Jaan)
• 1986: Mera Kuch Samaan (Ijaazat)

Other awards

Asha has won numerous other awards, including:

• 1987: Nightingale Of Asia Award (from the Indo–Pak Association, UK).^[30]
• 1989: Lata Mangeshkar Award (Government of Madhya Pradesh).^[30]
• 1997: Screen Videocon Award (for the album Jaanam Samajha Karo).^[30]
• 1997: MTV Award (for the album Jaanam Samajha Karo).^[30]
• 1997: Channel V Award (for the album Jaanam Samjha Karo).^[30]
• 1998: Dayawati Modi Award.^[31]
• 1999: Lata Mangeshkar Award (Government of Maharashtra)
• 2000: Singer of the Millennium (Dubai).
• 2000: Zee Gold Bollywood Award (for Mujhe Rang De from Thakshak).
• 2001: MTV Award (for Kambakht Ishq).
• 2002: BBC Lifetime Achievement Award (presented by the UK Prime Minister Tony Blair).
• 2002: Zee Cine Award for Best Playback Singer - Female (for Radha Kaise Na Jale from Lagaan).
• 2002: Zee Cine Special Award for Hall of Fame.
• 2002: Sansui Movie Award (for Radha Kaise Na Jale from Lagaan).
• 2003: Swaralaya Yesudas Award for outstanding contributions to Indian music.^[30]
• 2004: Living Legend Award by the Federation of Indian Chamber of Commerce and Industry.^[32]
• 2005: MTV Immies, Best Female Pop Act for Aaj Jaane Ki Zid Na Karo.^[33]
• 2005: Most Stylish People in Music.^[34]

Honours and recognitions

• In 1997, Asha became the first Indian singer to be nominated for the Grammy Award, for Legacy, an album with Ustad Ali Akbar Khan.
• She has received seventeen Maharashtra State Awards.
• She received the Dadasaheb Phalke Award in 2000 for her outstanding contribution to Indian cinema.^[30]
• She holds honorary doctorates from the University of Amravati and University of Jalgaon in Literature.
• She has received The Freddie Mercury Award for Outstanding Achievement in Arts.
• The Birmingham Film Festival paid her a special tribute in November 2002.
• She was honoured with the Padma Vibhushan by the Government of India.^[35]
• She was among top 20 music icons of the past 50 years.^[36][37]
• In 2011 the Guinness Book of World Records officially acknowledged Bhosle as the most recorded artist in the history of music. She was awarded a certificate for "the most studio recordings (singles) for recording up to 11,000 solo, duet and chorus-backed songs and in over 20 Indian languages since 1947".^[38]

Footnotes and references[link]

Further reading[link]

• Cakrabarti, Atanu (1999) (in Bengali). Āśā Bhom̐śale, jībana o gāna. Kolkata: Madela Publishing House. ISBN 978-81-7616-040-7. OCLC 42764343. 
• Ciṭakārā, Mukeśa (2006) (in Hindi). Āśā Bhoṃsale : gāne, kôrḍsa, aura svaralipi. Delhi: Music Books. ISBN 978-81-89511-00-5. OCLC 71351425. 

External links[link]

Wikimedia Commons has media related to: Asha Bhosle

• Asha Bhosle at the Internet Movie Database
• Asha Bhosle: The Voice Of Bollywood And More - audio report by NPR

Uttam Kumar (3 September 1926 – 24 July 1980) is one of the most famous names of Indian Bengali Cinema.^[1] Born Arun Kumar Chatterjee in 1926 at Ahiritola, North Calcutta he is widely known as Uttam Kumar and Mahanayak (The great hero). He remains as much of a cultural icon as he had been in his lifetime. A versatile actor, director, producer, singer and music director, his multifaceted talent earned him much acclaim and adulation.^[2]

Early life and family[link]

Uttam Kumar was born in Kolkata in the home of his maternal uncle at Ahiritola, while his ancestral house is on Girish Mukherjee Road, Bhowanipore, Kolkata. After his schooling in South Suburban School (Main), he went for higher studies in Goenka College of Commerce and Business Administration, a college affiliated to the University of Calcutta. He could not, however, complete his studies and started working at the Kolkata Port as a clerk. During this period, he acted in amateur theatre groups. His prodigious joint family had its own theatre group, the Suhrid Samaj, which staged many amateur shows.

Uttam Kumar was the eldest of three sons (Arun, Barun and Tarun) of Satkari Chatterjee and Chapala Debi. The youngest, whose screen name was Tarun Kumar, acted in several Bengali films and grew to become an actor of considerable repute, in screen and on stage. There are several films in which Uttam Kumar and Tarun Kumar starred together like Saptapadi, Sonar Harin, Maya Mriga, Sesh Anka, Deya Neya, Jeeban-Mrityu, Dhanyi Meye,"Mon Niye" Sanyasi Raja, and Agniswar. Uttam Kumar married Gauri Debi [Chatterjee]. Their only son, Gautam, a businessman, died of cancer at the age of 53. His grandson, Gaurav is a Tollywood actor. Pulak Bandyopadhyay, a famous lyricist, was his uncle.Uttam kumar is generally perceived in Bengal as "Mahanayak' means the great actor.

Career[link]

Debut and breakthrough[link]

Uttam's first release was Drishtidan (The gift of sight) directed by Nitin Bose, though he worked in an earlier unreleased film called Mayador (Embrace of affection). He came into prominence in the film Basu Paribar and his breakthrough film was Agni Pariksha that began the roaring success of the all-time romantic pair of Uttam Kumar - Suchitra Sen; though they had first starred in Sharey Chuattor (74 and a half anna). Altogether, this pair starred in about 30 films between 1954 and 1974-75.

Coming in the wake of the Indian Partition of 1947, and unprecedented mass migration from the then East Pakistan to Kolkata (then known as Calcutta), the Uttam-Suchitra pair gave expression to the yearnings of a new, transformed city. They played out on screen the new desires of a young audience trying to come to terms with industrial modernity and a new form of urban existence. The stylized, black-and-white romanticism of landmark Uttam-Suchitra films of the 1950s like "Agni Pariksha", "Shapmochan",Sagarika (1956), Shilpi (1956), or Harano Sur, Indrani, Sabar Uparey, Surjyo Toron reflected a novel, youthful urban desire to break free from the confines of the feudal joint family and set up a nucleated, private space for the couple in love. In contrast to the earlier phase of Bengali cinema mostly dominated by the dramatised style of the New Theaters' films (in the 1940s), the Uttam-Suchitra films were marked by a more naturalistic acting style, a bit dramatic-stylized, soft-focus black-and-white cinematography with chiaroscuro effects, and a more popular and modern form of music that broke away more decisively from earlier dependence on classical types . These features were put in place by a new generation of cinematographers like Dinen Gupta and Ajoy Kar, a fresh batch of directors (Kar himself,Sudhir Mukherjee, Naresh Mitra, Sushil Majumdar, the combines of Jatrik and Agradoot) and musicians like Nachiketa Ghosh, Rabin Chattopadhyay, Anupam Ghatak, Hemanta Mukherjee Anil Bagchi, Sudhin Dasgupta and Salil Chowdhury, along with lyricists like Gauriprasanna Majumdar, Pranab Roy, Pulak Bandopadhyay. A number of them hailed from the left wing Indian People's Theater Association (IPTA) movement.

Uttam Kumar was especially adored for his effortless naturalism in front of the camera and a distinctively urbane charisma that broke free from the prototypical Bengali screen hero of the past. He went on to form successful screen pairs with many leading ladies like Supriya Choudhuri, Sabitri Chatterjee, Madhabi Mukherjee, Sharmila Tagore, Anjana Bhaumick, Aparna Sen and Sumitra Mukherjee; apart from Sandhyarani in the 50s, Arundhati Debi and Mala Sinha in the 60s and Kaberi Bose and Tanuja in the 60s and 70s. Often hailed as the one-man industry, he dominated Bengali cinema for three decades until his death. This near-total reign was somewhat slightly disturbed during the politically turbulent era of the late sixties up to the emergency, when Uttam Kumar's regular, politically passive or relatively conservative romantic film persona sometimes found it difficult to fit into the narratives of unrest that came to the fore.

Never quite satisfied with his undisputed matinée idol status, Uttam Kumar started experimenting with character roles early in his career, as evidenced by films like Khokababur Pratyabartan, (1960), Mayamriga, (1960) or Thana Theke Aschi (1965) and Bicharak. In Marutirtha Hinglaj (1959), he essayed a mentally disturbed character. In Kuhak he was a murderous thief, while in Sesh Anka, he was a suave businessman who had murdered his wife and was romantically engaged to the daughter of a social elite and rich nobleman. In Aparichita (1969) he also played the role of a villain. Such departures were unusual in relation to set formats of stardom in Indian popular cinematic cultures, where deviating from established 'star images' were often considered to be risky. However, this brought Uttam Kumar early recognition as a genuine actor of substance apart from a box office superstar and stood him in good stead later, especially in his collaborations with Satyajit Ray in Nayak (1966) and Chiriyakhana. A perfectionist, Uttam Kumar performed on stage for a full year, opposite Sabitri Chatterjee in Star Theatre in the play "Shyamali" [On screen, he played opposite Kaberi Bose]to hone up his skill as an actor.

Stardom and legacy[link]

Apart from Bengali, Uttam Kumar also acted in some Hindi films such as Chhoti Si Mulaqat (along with Vyjayanthimala), Amanush,Anand Ashram, Dooriyaan (with Sharmila Tagore), and Kitaabwith Vidya Sinha. But his towering contribution was to Bengali cinema and the Bengali film industry on the whole.

Perhaps his most lauded appearances was in Satyajit Ray's Nayak (The Hero). It is now widely accepted that Ray wrote the script with Uttam in mind. Many people feel the film bears resemblance to Uttam Kumar's own life — the sense of anxiety and restlessness mirrored Uttam's insecurities about his phenomenal success and abiding fear that his superstardom might not last. Uttam made the role of Arindam (Mukherjee) his own and Ray later confessed that if Uttam had refused the film, he would have abandoned it. He worked with Ray the following year in Chiriyakhana (1967).^[3]

When the Indian government instituted the National Film Awards for National Film Award for Best Actor and National Film Award for Best Actress in 1967, Uttam Kumar was the first-ever recipient of the Best Actor Award for his performances in Anthony Firangee and Chiriyakhana in 1967.

He explored new avenues of film-making by trying his hand at production, singing, composing music, screenplay writing and directing. The success of his Bengali films as producer — Harano Sur, Saptapadi, Bhrantibilash, Jotugriha (1964), Grihadah — won great acclaim.^[4] Later, Uttam directed much-lauded films such as Sudhu Ekti Bochhor and Bon Palashir Padaboli. He composed music for the film Kaal Tumi Aleya in which Hemanta Mukherjee and Asha Bhonsle sang to his tune.

He came out with an autobiography Amaar Ami in 1979-80. He had a phenomenal fan base which continues even to this day.^[5] Reruns of his films on television decades after his death are still eagerly watched. Uttam Kumar’s time is considered by most as the golden era of Bengali cinema.

Filmography[link]

Late journalist Rintu Mukherjee, in his Khanojonma Uttam, explained the incredible bankability of this star. From 1947 to 1980, both in Bengali and Hindi, Uttam Kumar acted in 202 films. Among them 39 were blockbusters, 57 were superhits, 57 made profits above the average and the rest flopped.

Awards[link]

• B.F.J.A Best Actor Award for Hrod (1955)
• Recognition from the Government of India for Harano Sur (1957)
• B.F.J.A Best Actor award for Saptapadi (1961). Uttam Kumar received the award from the legendary film-maker Debaki Bose.
• B.F.J.A Best Actor award for Nayak (1966). Attended the Berlin Film Festival as a distinguished guest.
• The very first recipient of the National Film Awards in the Best Actor category for both Chiriyakhana and Antony Firingee (1967).
• B.F.J.A Best Actor award for Grihadha (1967).
• B.F.J.A Best Actor award for Ekhane Pinjar (1971).
• Best Actor award from 'Prosad' magazine for Stri (1973). He received the award from Kanan Devi.
• B.F.J.A Best Actor award for Amanush (1974).
• Best Actor Filmfare Award Nomination for Amanush (1975).
• He received the Best Actor award for the same film from the Government of West Bengal on January 26, 1975. The price was worth 5000 rupees.
• B.F.J.A Best Actor award for Bahnisikha (1976).
• Best Actor award both from the Prosad magazine and Sanonskritik Sanbadik Sanostha for Anand Ashram (1977).

Uttam-Suchitra[link]

The on-screen chemistry between Uttam Kumar and Suchitra Sen has always been much adored and admired.They looked like really beautiful couples. Some of Uttam's famous films co-starring Suchitra Sen include "Share Chuattor", "Agni Pariksha", "Shilpi", Saptapadi (Seven Steps),^[6][7] Pathe Holo Deri (Delay on the road), Harano Sur (Lost Music), Chaowa Paowa (Wish and Achievement), Bipasha, Jiban Trishna (Thirst for Life), Sagarika, Trijama, Indrani, Sabar Upare, Surjyo Toron, Rajlakshmi O Sreekanto, "Ekti Raat", "Grihadaha" [also starring Sabitri Chatterjee], Kamallata, Har Mana Har, Alo Amar Alo.^[8][9]

Uttam-Supriya[link]

Shonar Harin (1959) saw Supriya Devi (who would win great accolades for her performance in Ritwik Ghatak's Meghe Dhaka Tara the following year) play the lead opposite Uttam Kumar. As they began to act in more films together, the two got involved off-screen as well. In 1963, Uttam left his family home in Girish Park and stayed with Supriya for the next 17 years till his death. They starred together in several other films like Uttarayan, Chirodiner, Agni Sanskar", "Suno Baranari", "Kal Tumi Aleya", "Lal Pathor", "Andha Ateet", "Sudhu Ekti Bochhor", "Mon Niye", "Bilambita Loy", "Bhola Maira", "Sanyasi Raja, "Bon Palashir Padabali" etc.^[10]

Death[link]

A workaholic, he was rumored to have said that his preferred demise would be on the floor of a studio, doing what he loved best: acting. While filming Ogo Bodhu Shundori in 1980, he suffered a heart attack. Uttam Kumar was admitted to the Belleveue Clinic. The doctors did their best for 16 hours but he died that night on July 24, 1980 at the age of 53. As his hearse wound its way across Bhowanipur and finally to the Keoratala Burning Ghat, traffic in Kolkata came to a halt as thousands flocked the streets to pay their respects and have a last glimpse of the legend.^[11][12]

Quotes[link]

• "I prefer following my own ways of acting, like the ways we talk, get angry,that kind of natural spontaneous acting. More of portraying a character."
• "Sometimes I got scared. So much of accolade... Would they last for long? And that is why I was not ready to get carried away in the waves of admiration. I desire for more work."
• "I never fear work. Rather I derive pleasure out of work."
• "Films, Shilpi Sansad, then there was the world of my own, my privacy: I was confused. As if my every moment has been sold..."
• "Whenever I set to work, one after the other, death news hit me. Again I eased myself by realizing that death is the only truth."

Tributes and appreciations[link]

There is a theatre (Uttam Mancha) named after him in Kolkata. A life-size statue has been erected near Tollygunj metro station which has recently been renamed after the iconic actor by the Central Railway Ministry.^[13] Besides, Shilpi Sansad, the actor's pet project of safegurading the artistes especially the poor and the old, is active still. Celebrating the 83rd birth anniversary of Uttam Kumar, the Department of Posts in 2009, released a series of new postal stamps featuring the actor on them.The Department of Posts also released a brochure on the Uttam Kumar Stamp release with a note that says 'Uttam Kumar – The Legend of Indian Cinema'.^[14]

Distinguished names paying homage to Uttam[link]

• Satyajit Ray

"It is the demise of a leading light of the Bengali film industry...There isn't - there won't be another hero like him."

• Tapan Sinha

"I personally felt that the acting of Uttam Kumar could be compared to the best actor of any country. His great attribute is his diligence...Many are born with talent, but the talent gets eclipsed due to the lack of diligence. Uttam Kumar has both of them. Perhaps, that is the reason why he still sparkles."

• Suchitra Sen

"Uttam is my friend. In a word, he is a great,great artist. But still sometimes i feel as if he is not properly exploited."

• Vyjayanthimala

"Uttam Kumar was the most gifted actor I ever worked with. His first Hindi film, Chhoti Si Mulaqat, was opposite me in 1967...Uttam Kumar was thoroughly professional, cooperative and lip-synced perfectly, especially on "Aye Chand" and "Tujhe Dekha". He lip-synched songs rendered by Hemant Kumar, Manna Dey and Mohammed Rafi as if he was singing them. I was criticised for Chhoti Si Mulaqat but Uttam Kumar never criticised me"^[15]

• Shakti Samanta

"Uttam was a great human being...it can easily be underscored -- actor of his class is a rare kind"

• Madhabi Mukherjee

"...slowly Uttam Kumar got popular. And a fairy tale was born. I was never bothered to know the individual self of the romantic hero of this fairy tale. I would never want to. What if the dream gets shattered! Let the beautiful spell be alive! Long live Uttam Kumar -- The evergreen romantic hero."

• Kanan Devi

"It feels good to see all praising one. Uttam is one such person...He never had any pose or pretension...God gave him everything but a friend."

• Samaresh Basu

"Uttam Kumar, the numero uno hero of Bengal, the most loving."

• Bimal Mitra

"Sri Uttam Kumar is not merely the actor, I regard him as the creator of character. May be as the creator of character, he has achieved such stupendous popularity."

• Ashutosh Mukhopadhyay

"He is the hero and life of many of my fictions."

• Ashapoorna Devi

"Uttam! An extraordinary artist! The artistic self of Uttam Kumar never dies down! Oh God give him Uttam health, Uttam strength, Uttam longevity" (in Sanskrit and in Bengali, 'Uttam' means 'Good')

• Mithun Chakraborty

"Uttam Kumar is my guru. From my childhood, I am a diehard Uttam fan"

• Soumitra Chatterjee

"Many think that I have always been a sharp critic of Uttam Kumar's acting. This is not true. I have rarely seen actor of his stature. I have been fan of his acting, his admirer."

• Rajesh Khanna

"I have seen so many dhuti, kurta-clad Bengalis both on screen and in reality. But Uttam Kumar as the Bengali babu is unique. What I believe is that there is no one who can ever represent the Bengali community like Uttamda did."

• Shatrughan Sinha

"Usually, what we find is that the good-looking guys lack substance, or the reverse. But Uttam Kumar had the both...I have always respected that man...when I was at Pune Film Institute, we used to argue on Dilip Kumar-Uttam Kumar-Raj Kapoor."

• Shashi Kapoor

"My first real meet with Uttam Kumar was in Calcutta and the occasion was the release of Jis Desh Men Ganga Behti Hai. Hemen Ganguly happened to be the distributor of that film. He used to be the 'common friend' of elder brother (Raj Kapoor) and Uttam Kumar. It was my pleasure to see the two greats together. I was awestruck by the royal gaits of the both...I like Uttam Kumar like any common Bengali."

• Hindustan Standard (on Uttam Kumar's directorial debut)

"In Uttam Kumar, we have found a director who shows his brilliance on diverse levels."

Respects[link]

The Tollygunge metro station of Kolkata Metro was renamed as "Mahanayak Uttam Kumar" and decorated the station by movie pictures of Uttam Kumar by Indian Railways.

Kolkata Film Festival 2011 has a special screening of the Mahanayak's "Nayak" and a documentary on him.

References[link]

External links[link]

• Uttam Kumar at the Internet Movie Database
• Biography, filmography at Calcuttaweb