Eucalyptus
Buds, capsules, flowers and foliage of E. tereticornis
Scientific classification
Kingdom:	Plantae
(unranked):	Angiosperms
(unranked):	Eudicots
(unranked):	Rosids
Order:	Myrtales
Family:	Myrtaceae
Subfamily:	Myrtoideae
Tribe:	Eucalypteae
Genus:	Eucalyptus L'Hér.
Type species
Eucalyptus obliqua L'Hér.
Diversity
about 700 species
Natural range
Synonyms
Aromadendron Andrews ex Steud. Eucalypton St.-Lag. Eudesmia R.Br. Symphyomyrtus Schauer[1]

Eucalyptus ( /ˌjuːkəˈlɪptəs/)^[2] is a diverse genus of flowering trees and shrubs (including a distinct group with a multiple-stem mallee growth habit) in the myrtle family, Myrtaceae. Members of the genus dominate the tree flora of Australia. There are more than 700 species of Eucalyptus, mostly native to Australia, and a very small number are found in adjacent areas of New Guinea and Indonesia and one, Eucalyptus deglupta, ranges north to the Philippines. Only 15 species occur outside Australia, and only 9 do not occur in Australia. Species of Eucalyptus are cultivated throughout the tropics and subtropics including the Americas, Europe, Africa, the Mediterranean Basin, the Middle East, China and the Indian Subcontinent.

Eucalyptus is one of three similar genera that are commonly referred to as "eucalypts," the others being Corymbia and Angophora. Many, but far from all, are known as gum trees because many species exude copious sap from any break in the bark (e.g. Scribbly Gum). The generic name is derived from the Greek words ευ (eu) "well" and καλυπτος (kalyptos) "covered," referring to the operculum on the calyx that initially conceals the flower.^[3]

Some Eucalyptus species have attracted attention from global development researchers and environmentalists. Such species have desirable traits such as being fast-growing sources of wood, producing oil that can be used for cleaning and functions as a natural insecticide, or an ability to be used to drain swamps and thereby reduce the risk of malaria. Outside their natural ranges, eucalypts are both lauded for their beneficial economic impact on poor populations^[4][5]:22 and criticised for being "invasive water-suckers",^[6] leading to controversy over their total impact.^[7]

Description[link]

Eucalyptus regnans, a forest tree, showing crown dimension, Tasmania, Australia

Eucalyptus camaldulensis, immature woodland trees, showing collective crown habit, Murray River, Tocumwal, New South Wales, Australia

Eucalyptus cretata, juvenile, showing low branching ‘mallee’ form, Melbourne, Victoria, Australia

Eucalyptus angustissima, showing shrub form, Melbourne, Victoria, Australia

Eucalyptus platypus, showing ‘marlock’ form, Melbourne

Size and habitat[link]

A mature Eucalyptus may take the form of a low shrub or a very large tree. There are three main habit and four size categories that species can be divided into.

As a generalisation "forest trees" are single-stemmed and have a crown forming a minor proportion of the whole tree height. "Woodland trees" are single-stemmed although they may branch at a short distance above ground level.

"Mallees" are multi-stemmed from ground level, usually less than 10 m (33 ft) in height, often with the crown predominantly at the ends of the branchlets and individual plants may combine to form either an open or closed formation. Many mallee trees may be so low-growing as to be considered a shrub.

Two other tree forms are notable in Western Australia and described using the native names "mallet" and "marlock". The "mallet" is a small to medium-sized tree that does not produce lignotubers and has a relatively long trunk, a steeply branching habit and often a conspicuously dense terminal crown. This is the normal habit of mature healthy specimens of Eucalyptus occidentalis, E. astringens, E. spathulata, E. gardneri, E. dielsii, E. forrestiana, E. salubris, E. clivicola and E. ornata. The smooth bark of mallets often has a satiny sheen and may be white, cream, grey, green or copper.

The term marlock has been variously used; in Forest Trees of Australia it is defined as a small tree without lignotubers but with a shorter, lower-branching trunk than a mallet. They usually grow in more or less pure stands. Clearly recognisable examples are stands of E. platypus, E. vesiculosa and the unrelated E. stoatei.

The term "morrell" is somewhat obscure in origin and appears to apply to trees of the western Australian wheatbelt and goldfields which have a long, straight trunk, completely rough-barked. It is now used mainly for E. longicornis (Red Morrell) and E. melanoxylon (Black Morrell).

Tree sizes follow the convention of:

• Small — to 10 m (33 ft) in height
• Medium-sized — 10–30 m (33–98 ft)
• Tall — 30–60 m (98–200 ft)
• Very tall — over 60 m (200 ft)

Leaves[link]

Nearly all Eucalyptus are evergreen but some tropical species lose their leaves at the end of the dry season. As in other members of the myrtle family, Eucalyptus leaves are covered with oil glands. The copious oils produced are an important feature of the genus. Although mature Eucalyptus trees are usually towering and fully leafed, their shade is characteristically patchy because the leaves usually hang downwards.

Leaf and flowerbud cluster of Eucalyptus angophoroides

Eucalyptus tetragona, showing glaucous leaves and stems

The leaves on a mature Eucalyptus plant are commonly lanceolate, petiolate, apparently alternate and waxy or glossy green. In contrast, the leaves of seedlings are often opposite, sessile and glaucous. But there are many exceptions to this pattern. Many species such as E. melanophloia and E. setosa retain the juvenile leaf form even when the plant is reproductively mature. Some species, such as E. macrocarpa, E. rhodantha and E. crucis, are sought-after ornamentals due to this lifelong juvenile leaf form. A few species, such as E. petraea, E. dundasii and E. lansdowneana, have shiny green leaves throughout their life cycle. E. caesia exhibits the opposite pattern of leaf development to most Eucalyptus, with shiny green leaves in the seedling stage and dull, glaucous leaves in mature crowns. The contrast between juvenile and adult leaf phases is valuable in field identification.

Four leaf phases are recognised in the development of a Eucalyptus plant: the ‘seedling’, ‘juvenile’, ‘intermediate’ and ‘adult’ phases. However there is no definite transitional point between the phases. The intermediate phase, when the largest leaves are often formed, links the juvenile and adult phases.^[8]

In all except a few species, the leaves form in pairs on opposite sides of a square stem, consecutive pairs being at right angles to each other (decussate). In some narrow-leaved species, for example E. oleosa, the seedling leaves after the second leaf pair are often clustered in a detectable spiral arrangement about a five-sided stem. After the spiral phase, which may last from several to many nodes, the arrangement reverts to decussate by the absorption of some of the leaf-bearing faces of the stem. In those species with opposite adult foliage the leaf pairs, which have been formed opposite at the stem apex, become separated at their bases by unequal elongation of the stem to produce the apparently alternate adult leaves.

Eucalyptus leucoxylon var. ‘Rosea’ showing flowers and buds with operculum present

Eucalyptus melliodora, showing flowers and opercula

Flowers[link]

Flower buds and opercula of E. erythrocorys

The most readily recognisable characteristics of Eucalyptus species are the distinctive flowers and fruit (capsules or "gumnuts"). Flowers have numerous fluffy stamens which may be white, cream, yellow, pink or red; in bud, the stamens are enclosed in a cap known as an operculum which is composed of the fused sepals or petals or both. Thus flowers have no petals, but instead decorate themselves with the many showy stamens. As the stamens expand, the operculum is forced off, splitting away from the cup-like base of the flower; this is one of the features that unites the genus. The name Eucalyptus, from the Greek words eu-, well, and kaluptos, cover, meaning "well-covered", describes the operculum. The woody fruits or capsules are roughly cone-shaped and have valves at the end which open to release the seeds. Most species do not flower until adult foliage starts to appear; Eucalyptus cinerea and Eucalyptus perriniana are notable exceptions.

The dark, fissured ‘ironbark’ of Eucalyptus sideroxylon

Bark[link]

Bark detail of, Eucalyptus angophoroides, Apple Box

The extraordinary coloured bark of Eucalyptus deglupta native to South East Asia

The box bark of Eucalyptus quadrangulata, or White Box

The appearance of Eucalyptus bark varies with the age of the plant, the manner of bark shed, the length of the bark fibres, the degree of furrowing, the thickness, the hardness and the colour. All mature eucalypts put on an annual layer of bark, which contributes to the increasing diameter of the stems. In some species, the outermost layer dies and is annually deciduous, either in long strips (as in Eucalyptus sheathiana) or in variably sized flakes (E. diversicolor, E. cosmophylla or E. cladocalyx). These are the gums or smooth-barked species. The gum bark may be dull, shiny or satiny (as in E. ornata) or matte (E. cosmophylla). In many species, the dead bark is retained. Its outermost layer gradually fragments with weathering and sheds without altering the essentially rough-barked nature of the trunks or stems — for example E. marginata, E. jacksonii, E. obliqua and E. porosa.

Many species are ‘half-barks’ or ‘blackbutts’ in which the dead bark is retained in the lower half of the trunks or stems — for example, E. brachycalyx, E. ochrophloia and E. occidentalis — or only in a thick, black accumulation at the base, as in E. clelandii. In some species in this category, for example E. youngiana and E. viminalis, the rough basal bark is very ribbony at the top, where it gives way to the smooth upper stems. The smooth upper bark of the half-barks and that of the completely smooth-barked trees and mallees can produce remarkable colour and interest, for example E. deglupta.^[8]

Bark characteristics[link]

• Stringybark — consists of long fibres and can be pulled off in long pieces. It is usually thick with a spongy texture.
• Ironbark — is hard, rough and deeply furrowed. It is impregnated with dried kino (a sap exuded by the tree) which gives a dark red or even black colour.
• Tessellated — bark is broken up into many distinct flakes. They are corkish and can flake off.
• Box — has short fibres. Some also show tessellation.
• Ribbon — this has the bark coming off in long thin pieces but still loosely attached in some places. They can be long ribbons, firmer strips or twisted curls.

Carbon dioxide absorption of a Eucalyptus is 300 kg/yr

Species and hybridism[link]

There are over 700 species of Eucalyptus; refer to the List of Eucalyptus species for a comprehensive list of species. Some have diverged from the mainstream of the genus to the extent that they are quite isolated genetically and are able to be recognised by only a few relatively invariant characteristics. Most, however, may be regarded as belonging to large or small groups of related species, which are often in geographical contact with each other and between which gene exchange still occurs. In these situations many species appear to grade into one another, and intermediate forms are common. In other words, some species are relatively fixed genetically, as expressed in their morphology, while others have not diverged completely from their nearest relatives.

Hybrid individuals have not always been recognised as such on first collection and some have been named as new species, such as E. chrysantha (E. preissiana × E. sepulcralis) and E. "rivalis" (E. marginata × E. megacarpa). Hybrid combinations are not particularly common in the field, but some other published species frequently seen in Australia have been suggested to be hybrid combinations. For example, E. erythrandra is believed to be E. angulosa × E. teraptera and due to its wide distribution is often referred to in texts.^[8]

Renantherin, a phenolic compound present in the leaves of some Eucalypstus species, allows chemotaxonomic discrimanation in the sections renantheroideae and renantherae^[9] and the ratio of the amount of leucoanthocyanins varies considerably in certain species.^[10]

Related genera[link]

A small genus of similar trees, Angophora, has also been known since the 18th century. In 1995 new evidence, largely genetic, indicated that some prominent Eucalyptus species were actually more closely related to Angophora than to the other eucalypts; they were split off into the new genus Corymbia. Although separate, the three groups are allied and it remains acceptable to refer to the members of all three genera, Angophora, Corymbia and Eucalyptus, as "eucalypts".

Eucalyptus regnans exceeding 80 metres, in an area of extensive logging, Tasmania

Tall timber[link]

Several eucalypts are among the tallest trees in the world. Eucalyptus regnans, the Australian Mountain Ash, is the tallest of all flowering plants (Angiosperms); today, the tallest measured specimen named Centurion is 99.6 m (327 ft) tall.^[11] Only Coast Redwood is taller and Coast Douglas-fir about the same; they are conifers (Gymnosperm). Six other eucalypt species exceed 80 metres in height: Eucalyptus obliqua, Eucalyptus delegatensis, Eucalyptus diversicolor, Eucalyptus nitens, Eucalyptus globulus and Eucalyptus viminalis.

Frost intolerance[link]

Most eucalypts are not tolerant of frost, or only tolerate light frosts down to −5 °C (23 °F); the hardiest are the so-called Snow Gums, such as Eucalyptus pauciflora which is capable of withstanding cold and frost down to about −20 °C (−4 °F). Two subspecies, E. pauciflora subsp. niphophila and E. pauciflora subsp. debeuzevillei in particular are even hardier and can tolerate even quite severe winters. Several other species, especially from the high plateau and mountains of central Tasmania such as Eucalyptus coccifera, Eucalyptus subcrenulata, and Eucalyptus gunnii, have produced extreme cold-hardy forms and it is seed procured from these genetically hardy strains that are planted for ornament in colder parts of the world.

Animal relationships[link]

Phascolarctos cinereus Koala eating eucalyptus leaves

Sawfly larvae feeding on eucalyptus leaves

An essential oil extracted from Eucalyptus leaves contains compounds that are powerful natural disinfectants and can be toxic in large quantities. Several marsupial herbivores, notably koalas and some possums, are relatively tolerant of it. The close correlation of these oils with other more potent toxins called formylated phloroglucinol compounds allows koalas and other marsupial species to make food choices based on the smell of the leaves. For koalas, these compounds are the most important factor in leaf choice.

Eucalyptus flowers produce a great abundance of nectar, providing food for many pollinators including insects, birds, bats and possums. Although Eucalyptus trees are seemingly well-defended from herbivores by the oils and phenolic compounds, they have insect pests. These include the Eucalyptus Longhorn Borer Phoracantha semipunctata and the aphid-like psyllids known as "bell lerps", both of which have become established as pests throughout the world wherever eucalypts are cultivated.

Adaptation to fire[link]

Epicormic shoots sprouting vigorously from epicormic buds beneath the bushfire damaged bark on the trunk of a Eucalyptus tree

Eucalyptus forest in a state of regeneration

Eucalypts originated between 35 and 50 million years ago, not long after Australia-New Guinea separated from Gondwana, their rise coinciding with an increase in fossil charcoal deposits (suggesting that fire was a factor even then), but they remained a minor component of the Tertiary rainforest until about 20 million years ago, when the gradual drying of the continent and depletion of soil nutrients led to the development of a more open forest type, predominantly Casuarina and Acacia species.

The aridification of Australia during the mid-tertiary period (25-40 million years ago), combined with the annual penetration of tropical convection storms, and associated lightning, deep into the continental interior stimulated the gradual evolution, diversification and geographic expansion of the flammable biota. The absence of great rivers or mountain chains meant that there were no geographic barriers to check the spread of fires. From the monsoonal 'cradle', fire-promoting species expanded into higher rainfall environments, where lightning was less frequent, gradually displacing the Gondwanan rainforest from all but the most fire-sheltered habitats.^[12]

The two valuable timber trees, Alpine Ash E. delegatensis and Australian Mountain Ash E. regnans, are killed by fire and only regenerate from seed. The same 2003 bushfire that had little impact on forests around Canberra resulted in thousands of hectares of dead ash forests. However, a small amount of ash survived and put out new ash trees as well. There has been some debate as to whether to leave the stands or attempt to harvest the mostly undamaged timber, which is increasingly recognised as a damaging practice.

Hazards[link]

The two most common hazards of Eucalyptus species to people are fire and falling branches.

Fire hazard[link]

Eucalyptus trees bent over due to the high winds and heat of the October 2007 California Wildfires. They are located in the San Dieguito River Park of San Diego County and leaning west

On warm days vaporised Eucalyptus oil rises above the bush to create the characteristic distant blue haze of the Australian landscape. Eucalyptus oil is highly flammable (ignited trees have been known to explode^[7][13]) and bushfires can travel easily through the oil-rich air of the tree crowns. Eucalypts obtain their long-term fire survivability from their ability to regenerate from epicormic buds situated deep within their thick bark, and lignotubers,^[14] or by producing serotinous fruits.

In seasonally dry climates oaks are often fire-resistant, particularly in open grasslands, as a grass fire is insufficient to ignite the scattered trees. In contrast a eucalyptus forest tends to promote fire because of the volatile and highly combustible oils produced by the leaves, as well as the production of large amounts of litter which is high in phenolics, preventing its breakdown by fungi and thus accumulates as large amounts of dry, combustible fuel.^[14] Consequently, dense eucalypt plantings may be subject to catastrophic firestorms. In fact, almost thirty years before the 1991 Oakland, California fires, a study of Eucalyptus in the area warned that the litter beneath the trees builds up very rapidly and should be regularly monitored and removed.^[15] It has been estimated that 70% of the energy released through the combustion of vegetation in the Oakland fire was due to eucalyptus.^[16] In a National Park Service study, it was found that the fuel load (in tons per acre) of non-native Eucalyptus woods is almost three times as great as native oak woodland.^[16]

Falling branches[link]

Fallen E. camaldulensis limbs on a walking track

Some species of gum trees drop branches unexpectedly. In Australia, Parks Victoria warns campers not to camp under River Red Gums.^[17] Some Councils in Australia such as Gosnells, Western Australia, have removed eucalypts after reports of damage from dropped branches, even in the face of lengthy, well publicised protests to protect particular trees.^[18] A former Australian National Botanic Gardens director and consulting arborist, Robert Boden, has been quoted referring to "summer branch drop".^[19] Dropping of branches is recognised in Australia literature through the fictional death of Judy in Seven Little Australians. Although all large trees can drop branches, the weight of eucalyptus wood is high because of its density and high resin content.^{[citation needed]}

Cultivation and uses[link]

Eucalyptus niphophila in Namadgi National Park

Eucalyptus was first introduced from Australia to the rest of the world by Sir Joseph Banks, botanist, on the Cook expedition in 1770. It was subsequently introduced to many parts of the world, notably California, Brazil, Ecuador, Colombia, Ethiopia, Morocco, Portugal, South Africa, Uganda, Israel, Galicia and Chile. On the order of 250 species are under cultivation in California. ^[20]. In Portugal and also Spain, eucalypts have been planted in pulpwood plantations. Eucalyptus are the basis for several industries, such as sawmilling, pulp, charcoal and others. Several species have become invasive and are causing major problems for local ecosystems, mainly due to the absence of wildlife corridors and rotations management. Eucalypts have many uses which have made them economically important trees, and have become a cash crop in poor areas such as Timbuktu, Africa^[5]:22 and the Peruvian Andes,^[4] despite concerns that the trees are invasive in some countries like South Africa.^[6] Best-known are perhaps the varieties Karri and Yellow box. Due to their fast growth, the foremost benefit of these trees is their wood. They can be chopped off at the root and grow back again. They provide many desirable characteristics for use as ornament, timber, firewood and pulpwood. It is also used in a number of industries, from fence posts and charcoal to cellulose extraction for biofuels. Fast growth also makes eucalypts suitable as windbreaks and to reduce erosion.

Eucalypts draw a tremendous amount of water from the soil through the process of transpiration. They have been planted (or re-planted) in some places to lower the water table and reduce soil salination. Eucalypts have also been used as a way of reducing malaria by draining the soil in Algeria, Lebanon, Sicily,^[21] elsewhere in Europe, in Caucasus (Western Georgia), and California.^[22] Drainage removes swamps which provide a habitat for mosquito larvae, but can also destroy ecologically productive areas. This drainage is not limited to the soil surface, because the eucalyptus roots are up to 2.5 m (8.2 ft) in length and can, depending on the location even reach the phreatic zone.^{[citation needed]}

Pulpwood[link]

Eucalyptus is the most common short fibre source for pulpwood to make pulp.^[23] Eucalyptus globulus and Eucalyptus grandis are the most used varieties in papermaking.^{[citation needed]} The fibre length of Eucalyptus is relatively short and uniform with low coarseness compared with other hardwoods commonly used as pulpwood. The fibres are slender, yet relatively thick walled. This gives uniform paper formation and high opacity that are important for all types of fine papers. The low coarseness is important for high quality coated papers.^[23] Eucalyptus is suitable for many tissue papers as the short and slender fibres gives a high number of fibres per gram and low coarseness contributes to softness.^[23]

Eucalyptus oil[link]

Eucalyptus oil is readily steam distilled from the leaves and can be used for cleaning and as an industrial solvent, as an antiseptic, for deodorising, and in very small quantities in food supplements, especially sweets, cough drops, toothpaste and decongestants. It has insect repellent properties (Jahn 1991 a, b; 1992), and is an active ingredient in some commercial mosquito repellents (Fradin & Day 2002).^[24] Eucalyptus globulus is the principal source of Eucalyptus oil worldwide.

Honey[link]

The nectar of some eucalypts produces high-quality monofloral honey.

Music instrument[link]

Eucalypt wood is also commonly used to make digeridoos, a traditional Australian Aboriginal wind instrument. The trunk of the tree is hollowed out by termites, and then cut down if the bore is of the correct size and shape.

Dye[link]

All parts of Eucalyptus may be used to make dyes that are substantive on protein fibres (such as silk and wool), simply by processing the plant part with water. Colours to be achieved range from yellow and orange through green, tan, chocolate and deep rust red.^[25] The material remaining after processing can be safely used as mulch or fertiliser.^{[citation needed]}

Eucalyptus as an invasive species[link]

Due to similar favourable climatic conditions, Eucalyptus plantations have often replaced oak woodlands, for example in California, Spain and Portugal. The resulting monocultures have raised concerns about loss of biological diversity, through loss of acorns that mammals and birds feed on, absence of hollows that in oak trees provide shelter and nesting sites for birds and small mammals and for bee colonies, as well as lack of downed trees in managed plantations. A study of the relationship between birds and eucalyptus in the San Francisco Bay Area found that bird diversity was similar in native forest vs. eucalyptus forest but the species were different.^[26] One way in which the avifauna changes is that cavity nesting birds including woodpeckers, owls, chickadees, wood ducks, etc. are depauperate in eucalyptus groves because the decay-resistant wood of these trees prevents cavity formation by decay or excavation. Also those bird species that glean insects from foliage, such as warblers and vireos, have population declines when eucalyptus replace oak forest. Birds that do well in eucalyptus groves in California like tall vertical habitat like herons and egrets (possibly because redwood trees are less available), or have longer bills, which may play a role in preventing their nostrils from being clogged by eucalyptus resin/pitch.^[27] The Point Reyes Bird Observatory observes that sometimes short-billed birds like the Ruby-crowned Kinglet are found dead beneath eucalyptus trees with their nostrils clogged with pitch.^[16]

Monarch butterflies use eucalyptus in California for over-wintering, but in some locations have a preference for Monterey pines.^[16]

North America[link]

California. In the 1850s, Eucalyptus trees were introduced to California by Australians during the California Gold Rush. Much of California has a similar climate to parts of Australia. By the early 1900s, thousands of acres of eucalypts were planted with the encouragement of the state government. It was hoped that they would provide a renewable source of timber for construction, furniture making and railroad ties. It was soon found that for the latter purpose eucalyptus was particularly unsuitable, as the ties made from eucalyptus had a tendency to twist while drying, and the dried ties were so tough that it was nearly impossible to hammer rail spikes into them.

"They went on to note that the promise of eucalyptus in California was based on the old virgin forests of Australia. This was a mistake as the young trees being harvested in California could not compare in quality to the centuries-old eucalyptus timber of Australia. It reacted differently to harvest. The older trees didn't split or warp as the infant California crop did. There was a vast difference between the two, and this would doom the California eucalyptus industry."^[28]

One way in which the eucalyptus, mainly the blue gum E. globulus, proved valuable in California was in providing windbreaks for highways, orange groves, and other farms in the mostly treeless central part of the state. They are also admired as shade and ornamental trees in many cities and gardens.

Eucalyptus forests in California have been criticised because they compete with native plants and do not support native animals. Fire is also a problem. The 1991 Oakland Hills firestorm which destroyed almost 3,000 homes and killed 25 people was partly fuelled by large numbers of eucalypts close to the houses.^[29]

In some parts of California, eucalypt forests are being removed and native trees and plants restored. Individuals have also illegally destroyed some trees and are suspected of introducing insect pests from Australia which attack the trees.^[30]

Eucalyptus trees do exceptionally well in the Pacific Northwest: Washington, Oregon and parts of British Columbia.

South America[link]

Uruguay. Antonio Lussich introduced Eucalyptus into Uruguay in approximately 1896, throughout what is now Maldonado Department, and it has spread all over the south-eastern and eastern coast. There had been no trees in the area because it consisted of dry sand dunes and stones. (Lussich also introduced many other trees, particularly Acacia and Pines, but they have not expanded so massively.)

Brazil. Eucalyptus was introduced to Brazil in 1910, for timber substitution and the charcoal industry. It has thrived in the local environment, and today there are around 5 million hectares planted. The wood is highly appreciated by the charcoal and pulp and paper industries. The short rotation allows a larger wood production and supplies wood for several other activities, helping to preserve the native forests from logging. When well managed, the plantations are sustainable and the soil can sustain endless replanting. Eucalyptus plantations are also used as wind breaks. Brazil's plantations have world-record rates of growth, typically over 40 cubic metres per hectare per year,^[31] and commercial harvesting occurs after years 5. Due to the continual development and governmental funding, year-on-year growth is consistently being improved. Eucalyptus can produce up to 100 cubic metres per hectare per year. Brazil has become the top exporter and producer of Eucalyptus roundwood and pulp, and has played an important role in developing the Australian market through the country's^{[clarification needed]} committed research in this area. The local iron producers in Brazil rely heavily on sustainably grown Eucalyptus for charcoal; this has greatly pushed up the price of charcoal in recent years. The plantations are generally owned and operated for national and international industry by timber asset companies such as Thomson Forestry, Greenwood Management or cellulose producers such as Aracruz Cellulose and Stora Enso.

Overall, South America is expected to produce 55% of the world's Eucalyptus round-wood by 2010.

Africa[link]

Ethiopia. Eucalyptus was introduced to Ethiopia in either 1894 or 1895, either by Emperor Menelik II's French advisor Mondon-Vidailhet or by the Englishman Captain O'Brian. Menelik II endorsed its planting around his new capital city of Addis Ababa because of the massive deforestation around the city for firewood. According to Richard R.K. Pankhurst, "The great advantage of the eucalypts was that they were fast growing, required little attention and when cut down grew up again from the roots; it could be harvested every ten years. The tree proved successful from the onset".^[32] Plantations of eucalypts spread from the capital to other growing urban centres such as Debre Marqos. Pankhurst reports that the most common species found in Addis Ababa in the mid-1960s was E. globulus, although he also found E. melliodora and E. rostrata in significant numbers. David Buxton, writing of central Ethiopia in the mid-1940s, observed that eucalyptus trees "have become an integral -- and a pleasing -- element in the Shoan landscape and has largely displaced the slow-growing native 'cedar' Juniperus procera)."^[33]

It was commonly believed that the thirst of the Eucalyptus "tended to dry up rivers and wells", creating such opposition to the species that in 1913 a proclamation was issued ordering a partial destruction of all standing trees, and their replacement with mulberry trees. Pankhurst reports, "The proclamation however remained a dead letter; there is no evidence of eucalypts being uprooted, still less of mulberry trees being planted."^[34] Eucalypts remain a defining feature of Addis Ababa.

Madagascar. Much of Madagascar's original native forest has been replaced with Eucalyptus, threatening biodiversity by isolating remaining natural areas such as Andasibe-Mantadia National Park.

South Africa. Numerous Eucalyptus species have been introduced into South Africa, mainly for timber and firewood but also for ornamental purposes. They are popular with beekeepers for the honey they provide.^[35] However, in South Africa they are considered invasive, with their water-sucking capabilities threatening water supplies. They also release a chemical into the surrounding soil which kills native competitors.^[6]

Eucalyptus seedlings are usually unable to compete with the indigenous grasses, but after a fire when the grass cover has been removed, a seed-bed may be created. The following Eucalyptus species have been able to become naturalised in South Africa: E. camaldulensis, E. cladocalyx, E. diversicolor, E. grandis and E. lehmannii.^[35]

Zimbabwe. As in South Africa, many Eucalyptus species have been introduced into Zimbabwe, mainly for timber and firewood, and E. robusta and E. tereticornis have been recorded as having become naturalised there.^[35]

Europe[link]

In continental Portugal, the Azores and the North of Spain (especially in the provinces of Cantabria, Vizcaya, Asturias, and Galicia) numerous oak forests have been replaced with eucalyptus, which are farmed for pulpwood, with severe effects on wildlife and the regional environments. Most of the wildfires that have raged the Iberian Peninsula in recent years have taken place in plantations of eucalyptus rather than in the more humid indigenous woods that are left.^[36][37]

In Italy, the eucalyptus only arrived at the turn of the 19th century and large scale plantations were started at the beginning of the 20th century with the aim of drying up swampy ground to defeat malaria. This, their rapid growth in the Italian climate and excellent function as windbreaks, has made them a common sight in the centre and south of the country, including the islands of Sardinia and Sicily. They are also valued for the characteristic smelling and tasting honey that is produced from them. The variety of eucalyptus most commonly found in Italy is E. camaldulensis.^[38]

Asia[link]

Eucalyptus trees were planted in Israel by Jewish settlers in the beginning of the 20th century in order to dry out marshy lands that caused diseases. These Eucalyptus trees still exist today in many parts of Israel^{[citation needed]}. The Nilgiri Hills in Tamil Nadu state in Southern India have Eucalyptus trees growing in great abundance. They were introduced in the 1830s by state forestry officer Sir Henry Rhodes Morgan as their leaves would provide fuel for the tea workers. They are still gathered to this day, but mostly to produce the essential oil that is now known in India as Nilgiri oil.

History[link]

Although eucalypts must have been seen by the very early European explorers and collectors, no botanical collections of them are known to have been made until 1770 when Joseph Banks and Daniel Solander arrived at Botany Bay with Captain James Cook. There they collected specimens of E. gummifera and later, near the Endeavour River in northern Queensland, E. platyphylla; neither of these species was named as such at the time.

In 1777, on Cook's third expedition, David Nelson collected a eucalypt on Bruny Island in southern Tasmania. This specimen was taken to the British Museum in London, and was named Eucalyptus obliqua by the French botanist L'Héritier, who was working in London at the time. He coined the generic name from the Greek roots eu and calyptos, meaning "well" and "covered" in reference to the operculum of the flower bud which protects the developing flower parts as the flower develops and is shed by the pressure of the emerging stamens at flowering. It was most likely an accident that L'Heritier chose a feature common to all eucalypts.

The name obliqua was derived from the Latin obliquus, meaning "oblique", which is the botanical term describing a leaf base where the two sides of the leaf blade are of unequal length and do not meet the petiole at the same place.

E. obliqua was published in 1788-89, which coincided with the first official European settlement of Australia. Between then and the turn of the 19th century, several more species of Eucalyptus were named and published. Most of these were by the English botanist James Edward Smith and most were, as might be expected, trees of the Sydney region. These include the economically valuable E. pilularis, E. saligna and E. tereticornis.

The first endemic Western Australian Eucalyptus to be collected and subsequently named was the Yate (E. cornuta) by the French botanist Jacques Labillardière, who collected in what is now the Esperance area in 1792.^[8]

Several great Australian botanists were active during the 19th century, particularly Ferdinand von Mueller, whose work on eucalypts contributed greatly to the first comprehensive account of the genus in George Bentham's Flora Australiensis in 1867, which today remains the only complete Australian flora. The account is the most important early systematic treatment of the genus. Bentham divided it into five series whose distinctions were based on characteristics of the stamens, particularly the anthers (Mueller, 1879–84), work elaborated by Joseph Henry Maiden (1903–33) and still further by William Faris Blakely (1934). The anther system became too complex to be workable and more recent systematic work has concentrated on the characteristics of buds, fruits, leaves and bark.

In the 20th century, scientists around the world experimented with Eucalyptus species. They hoped to grow them in the tropics, but most experimental results failed until breakthroughs in in the 1960s-1980s in species selection, silviculture, and breeding programs "unlocked" the potential of Eucalypts in the tropics. Prior to then, as Brett Bennett noted in a 2010 article, eucalypts were something of the "El Dorado" of forestry. Today, Eucalyptus is the most widely planted species in plantations around the world.^[39]

See also[link]

• Currency Creek Arboretum
• Eucalyptol
• Eucalyptus oil
• List of Eucalyptus species

Photo gallery[link]

• 

  Eucalyptus sideroxylon, showing fruit (capsules) and buds with operculum present.

• 

  Eucalyptus forest in East Gippsland, Victoria. Mostly Eucalyptus albens (white box).

• 

  Eucalyptus forest in East Gippsland, Victoria. Mostly Eucalyptus albens (white box).

• Eucalypt forest.jpg

  Eucalyptus forest in East Gippsland, Victoria. Mostly Eucalyptus albens (white box).

• Eucalyptustreewithsun.JPG

  A Eucalyptus tree with the sun shining through its branches.

• 

  Eucalyptus bridgesiana (Apple box) on Red Hill, Australian Capital Territory.

• 

  Eucalyptus gunnii planted in southern England. The lower part of the trunk is covered in ivy.

• 

  Eucalyptus cinerea x pulverulenta - National Botanical Gardens Canberra

• 

  Eucalyptus gall

• CPonte Eucalyptus.jpg

  Eucalyptus grandis. Province of Buenos Aires, Argentina.

• 

  Eucalyptus plantation near Viveiro, in Galicia in Northwest Spain. Mostly Eucalyptus globulus

• 

  A Snow Gum (E. pauciflora), in winter in the Australian Alps

• 

  Eucalyptus rubida (Candlebark gum) in Burra, New South Wales.

• 

  Sydney Blue Gums west of Port Macquarie, New South Wales

• Coast Eucalyptus.JPG

  Corymbia maculata trees South Coast New South Wales

• 

  Eucalyptus chapmaniana (Bogong Gum) in Kew Gardens, London

• 

  Eucalyptus regnans trees in Sherbrooke Forest, Victoria

• 

  Dr. Dean Nicolle & Eucalyptus deanei, Blue Mountains National Park, Australia

Notes[link]

References[link]

External links[link]

Wikispecies has information related to: Eucalyptus

Find more about Eucalyptus on Wikipedia's sister projects:
	Definitions and translations from Wiktionary
	Images and media from Commons
	Learning resources from Wikiversity
	News stories from Wikinews
	Quotations from Wikiquote
	Source texts from Wikisource
	Textbooks from Wikibooks

• EUCLID Sample, CSIRO
• The Eucalypt Page
• EucaLink
• Currency Creek Arboretum - Eucalypt Research
• Eucalyptus Online Book & Newsletter by Celso Foelkel (2005-current)
• Eucalyptus globulus Diagnostic photos: tree, leaves, bark
• L'Héritier's original diagnosis of the genus online on Project Gutenberg
• Handbook of Energy Crops Duke, James A. 1983.
• The Eucalyptus of California: Seeds of Good or Seeds of Evil? Santos, Robert. 1997 Denair, CA : Alley-Cass Publications
• Impacts of Monoculture: The Case of Eucalyptus Plantations in Thailand a paper for the Monocultures: Environmental and Social Effects and Sustainable Alternatives Conference, June 2–6, 1996, Songkhla, Thailand, prepared by Areerat Kittisiri, Rural Reconstruction and Friends Association (RRAFA), Bangkok, Thailand
• EUCALYPTOLOGICS: Information Resources on Eucalyptus cultivation around the World Iglesias Trabado, Gustavo (2007-current)
• American Botanical Council Web site Eucalyptus, Eucalyptus essential oil information from The American Botanical Council
• Israel presents eucalyptus researchers with tree-saving solution
• Eucalyptus camaldulensis in wildflowers of Israel

Medicinal resources, eucalyptus essential oil[link]

• http://www.botanical.com/botanical/mgmh/e/eucaly14.html
• http://www.henriettesherbal.com/eclectic/bpc1911/eucalyptus_oleu.html

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2012)

Lara Fabian
Background information
Birth name	Lara Crokaert
Born	(1970-01-09) January 9, 1970 (age 42)
Origin	Etterbeek, Belgium
Genres	Pop, French pop, pop rock, adult contemporary, acoustic, dance
Occupations	Singer, songwriter, musician, actress
Instruments	Vocals, piano, keyboards
Years active	1986–present
Labels	Polydor Sony Music Universal Music Group
Website	www.larafabian.com

Lara Fabian (born Lara Crokaert, January 9, 1970) is a Belgian-Italian international singer who holds Canadian citizenship. Multilingual, she sings in French, Italian and English. She has also sung in Spanish, Portuguese, Russian, Hebrew, Greek, and German.

She has sold over 10 million records worldwide.^{[citation needed]} She is a lyric soprano with a vocal range that spans four octaves from E-flat 3 to G#6 in live performances, and has reached up to A5.^[1]

Early life[link]

Born to a Belgian father and a Sicilian mother in Etterbeek, Belgium, Fabian spent her first five years in her mother's hometown of Catania in Sicily, before moving back to Brussels, Belgium. She began singing, dancing and taking piano lessons at a young age, and began formal music lessons at age eight. She began writing and performing her own songs during her ten years of formal music study. Fabian's songs were influenced by her classical vocal and music theory training, and by contemporary artists such as Barbra Streisand and Queen.^{[citation needed]}

Music career[link]

1986-1993: Early music career[link]

During the 1980s, Fabian entered a number of European competitions and won several prizes. She released her first single, "L'Aziza est en pleurs" / "Il y avait" in 1986. Both songs were written by the Belgian composer Marc Lerchs as an homage to Daniel Balavoine.

In 1988, the RTL TV channel in Luxembourg invited Fabian to represent the country at the 33rd Eurovision Song Contest, held that year in Dublin, Ireland. The song was a composition of Jacques Cardona and Alain Garciac entitled Croire (Trust) which reached a respectable fourth place. The single became a hit in Europe, selling nearly 500,000 copies.^{[citation needed]}

In 1990, Fabian and musical collaborator Rick Allison moved to Montreal, Canada to embark on a career in North America. They began their own music label and publishing company, Productions Clandestines.

In August 1991, the self-titled, French-language, debut album, Lara Fabian, was released in Canada and sold over 100,000 copies. The album went gold in 1993, and platinum the following year. The success of upbeat Dance-pop singles such as "Le jour où tu partira", "Les murs", and "Qui pense à l'amour" gave Fabian the radio exposure she needed. She received several nominations at the 1993 ADISQ awards, and a poll published around that time^[when?] voted her Quebec's most promising singer.

[edit] 1994-1996: Breakthrough album: Carpe diem

Constant touring in Quebec helped Fabian's 1994 album Carpe diem become her breakthrough album. The album went Gold three weeks after its release, and spawned three hit singles: "Tu t'en vas", "Si tu m'aimes", and "Leïla". The following year, the album went Triple Platinum.

The success of Carpe diem was recognized at the 1995 ADISQ gala. Fabian received two Félix awards: Best Show Of The Year and Best Female Singer Of The Year (a category that is voted for by the public).

In 1996, Walt Disney Studios asked Fabian to voice the character of Esmeralda in the French version of the animated feature The Hunchback of Notre Dame. Disney also included Fabian's French version of the song "Que Dieu aide les exclus" (God Help The Outcasts) on the film's English soundtrack album beside Bette Midler's version.

[edit] 1997-1999: Mainstream international success: Pure and Live

After the success of Carpe diem, Fabian signed a contract with the French Polydor label for several albums and Pure was released in June 1997. Pure sold over two million copies in France alone^{[citation needed]} and the album went platinum in less than two weeks, and spawned several hit singles: "Tout", "Je t'aime", "Humana", each of which sold more than a million copies, and the anti-homophobia anthem "La Différence". The album won a Félix for Popular Album Of The Year at the 1997 ADISQ gala and was nominated for two Juno Awards in the Best Selling French Album category, and for Fabian as Best Female Singer.

In February 1998, Fabian received the Discovery Of The Year award during the Victoires de la Musique Gala. Also in 1998, Polydor released Carpe diem in Europe, securing her international popularity. In November 1998, she received the Félix Award for Artist With The Most Recognition Outside Quebec at the 'ADISQ Gala'. In December, she was voted Revelation Of The Year by Paris Match, which put her on its cover to mark this occasion.

In March 1999, Fabian released her first live album, simply named Live, which debuted at #1 on the French charts. This helped seal an international recording contract with Sony Music. In May 1999, Fabian was honoured at the World Music Awards in Monaco, where she received Best Selling Record for the Year 1998 for her album Pure. In July 1999, with over six million records already sold across Europe, Polydor rereleased Fabian’s self-titled debut album.

[edit] 1999-2001: Extension of success to the US and Latin America: Lara Fabian

In the summer of 1999, Fabian recorded her first English-language album, Lara Fabian, in New York and San Francisco for the Sony label. The songs were written and produced with Rick Allison and Dave Pickell, Walter Afanasieff, Glen Ballard and Patrick Leonard.

The album debuted at #1 on the Billboard 'Heatseekers' album chart, reached #1 on the French album chart and #2 on the Belgian album chart. For the Asian version of the album, Fabian collaborated with American-Taiwanese pop star Leehom Wang on the song "Light of My Life".

The Dance-pop song, "I Will Love Again", her first English single, reached #1 on the US Billboard Hot Dance Music/Club Play, and peaked #32 on the Billboard Hot 100, #10 Adult Contemporary, as well as appearing in several international charts. This included the UK Singles Chart, where it peaked at #63.^[2] The follow-up ballad, "Love By Grace", entered the Adult Contemporary chart, peaking at #24. In February 2001, "Love By Grace" became the theme song of the lead couple in the Brazilian soap opera Laços de Família, broadcast by TV Globo in Brazil and Portugal. For several weeks, the song was number 1 on most Brazilian and Portuguese radio stations. The third single, Dance-pop song "I Am Who I Am", remixed by Hex Hector, became an underground club hit, but did not chart. In Europe, the single "Adagio" charted at #5 on the French singles chart and #3 on the Belgian singles chart.

During this period, Fabian recorded songs for several Hollywood motion picture soundtracks, including "The Dream Within" for the Final Fantasy: The Spirits Within soundtrack, and "For Always" for the AI:Artificial Intelligence soundtrack, which contained both a solo version and a duet with Josh Groban.

[edit] 2001-2003: O Canada 2001 and return to French roots: Nue, Live 2002 and En toute intimité

Nue (Naked), Fabian's fourth French album, was released in the Fall of 2001 in both Québec and France. Nue is a documentation of her emotional ride in the preceding few years caused by the success of the pervious album, and as such is more vulnerable and fragile. The album reached #1 in Belgium and #2 in France but had little impact in Québec. The album was also released in Portugal and reached the top 10 on the album charts during the Fall of 2001.

The first single, released in the summer of 2001, was the anthem "J'y crois encore" was a top 20 French hit. Other singles followed, including Fabian's personal favourite "Immortelle", "Aimer Déjà" and in 2002 "Tu es mon autre" (a duet with fellow Belgian, Maurane which was nominated for song of the year and reached the top 5 in France).

Also in 2001, she collaborated with David Foster and the Vancouver Symphony Orchestra to record the Canadian national anthem, O Canada, in an English version, a French version, and a bilingual (French/English) version, for a promotion of the Government of Canada.

In 2002, Fabian contributed to the World Soccer Championship CD release, with the song World At Your Feet written and produced by Gary Barlow.

Towards the end of 2002, Fabian released her second live album, Live 2002, from her latest tour, together with a DVD showcasing concerts recorded in December 2001 in Belgium at the Forest National and at Le Zénith in Paris.

Her 2003 stint at the Casino de Paris every Monday night were intimate concerts which were released as a live CD and DVD at the end of 2003, under the title En toute intimité.

[edit] 2004: Second English language release: A Wonderful Life

In 2004, Fabian released her second English album, A Wonderful Life.

The project was commercially unsuccessful but critically praised. The more organic sound on the album is attributed to the work of French guitarist Jean-Félix Lalanne, and producers such as Desmond Child, Anders Bagge and the British team True North (composed of Take That singer Gary Barlow and Elliot John Kennedy). The centrepiece, "Review My Kisses" was written by Desmond Child was first recorded by LeAnn Rimes in 2002 for her album Twisted Angel.

The first single released for radio was "The Last Goodbye" in the US and most other countries (except France). In France the song "No Big Deal" was the first single. Neither of the songs achieved success and the album was not promoted; and its release was cancelled in the United States.

In Brazil, the song "I Guess I Loved You" achieved moderate success when included on a soap opera. The song also gained some popularity in Portugal, for the same reason, though it was never officially released or promoted.

[edit] 2005-2006: A new musical direction: 9 and Un Regard 9

After a sabbatical in 2004, Fabian returned to the music scene spring of 2005 with her fifth French album, 9. It marked a different direction in Fabian's musical and personal life. The album is performed differently, with smoothness, serenity and with a lot of joy, far from the in-depth and dramatic vibes of earlier recordings.

9 yielded the hit single "La Lettre", a song co-written with her new partner, Jean-Félix Lalanne, with whom she produced the album's 11 tracks. Other singles released included "Ne lui parlez plus d'elle", "Un Ave Maria", "Il ne manquait que toi" and the gospel-infused "L'homme qui n'avait pas de maison".

In October 2006, Fabian released a CD and DVD of this associated tour, both titled Un regard 9 Live and recorded during the 29 March 2006 concert at Le Zénith in Paris. The CD presents 15 live performances plus a brand new song, "Aime", recorded in a studio in Montreal.

2006-2007: An Italian collaboration and live concerts in Europe[link]

Fabian's next studio album was to be her first Italian-language project, and in June 2007 she worked in Rome and Los Angeles to record sessions for it. No further details have been revealed.

In the meantime, the single "Un Cuore Malato" (with Gigi D'Alessio) reached the top of the Italian charts and #16 in France.

In Los Angeles, Fabian worked with Dave Stewart on a "multilingual" album, reputed to include songs in English, Spanish, French, Italian and a few other languages. This album is expected to be released in late 2008.^{[dated info]}

Also in 2007, Fabian was in Québec to perform a two night concert at the Olympia de Montreal. On 14 October 2007, Fabian was a surprise guest at the only concert Gigi D'Alessio gave in France at the Olympia in Paris, just a few days before the birth of her daughter.

[edit] 2009: Return to the music scene: Toutes les femmes en moi

A few months after her daughter's birth in 2007, Fabian carried out a tour of Ukraine, Russia and Greece. She also made a few TV appearances (such as 60th Anniversary of Israel where Fabian performed a Hebrew song and duetted with Israeli singer Noa).

During 2008, Fabian was in Belgium preparing to record a French album with pianist Mark Herskowitz, who had composed and arranged the hidden instrumental track featured on the 2001 album Nue. The album will be partly recorded in Montreal, Canada. The album, Toutes les femmes en moi, was released on May 26, 2009.

The first single, Soleil, Soleil, is a cover of the Nana Mouskouri song. The second single wsa Toutes les Femmes en moi, the only original song on the album.

[edit] 2010: "Tour Les Femmes Font Leur Show", Mademoiselle Zhivago and her first "Best of" album

This section may be confusing or unclear to readers. Please help clarify the section; suggestions may be found on the talk page. (January 2012)

Throughout the first half of 2010, Fabian embarked on a European tour of concerts specially throughout France, Switzerland and Belgium incorporating the main repertoire of her last album "Toutes Les Femmes En Moi" alongside some classic and fan favourites. She also had the chance of once again performing in Eastern Europe, with a more acoustic set (piano-voice). This time also including some of the English recording from the English album Every Woman In Me. In September 2010 she finally released her 2009 album "Toutes Les Femmes En Moi" in Québec, following a week of promotion. There is a new version on the album for "Nuit Magique" which was recorded as a duet with Canadian singer Coral egan.

Later in 2010, she released an concept album in Russia and Ukraine called Mademoiselle Zhivago. It features 11 songs in different languages by Russian composer Igor Krutoy. Mademoiselle Zhivago tells the story of a woman who crosses different lives over the years and centuries, having a special personal bond to Fabian's origins and family. The whole project is not only musical one, but also cinematographic one, as for all 11 songs different videos were shot, which as a whole creating one big film, produced and directed by Ukrainian film producer Alan Badoev. The album itself, containing a CD and a DVD, was first released in Ukraine on October 25th. 2010 and in Russia on November 19th. 2010. An international release date is yet to be confirmed.

The whole set of songs composed by Fabian with Igor Krutoy is in English, French, Italian, Spanish and also in Russian. Fabian first introduced one of these songs in 2009 during the New Wave Festival in Latvia, performing "Demain n'existe pas". Later on in 2010 she returned to that same stage performing new songs from the already finalized project. Fabian has been promoting this project in both countries on television but also by performing a series of concerts presenting the new songs live to the eastern European public. Ever since Fabian has established herself as a huge superstar in Russia and the Ukraine. Fabian was a guest performer on 30 October show of the Ukrainian X Factor singing "Mademoiselle Hyde" and "Demain N'Existe Pas" taken from the album and also her longtime classic "Adagio".

Discography[link]

Awards[link]

• Etoile Cherie FM:
  • 2005 - Best Female Star of the Year - WON

• Félix Awards:
  • 1993 - Francophone Artist with Biggest Succes in Quebec
  • 1994 - Francophone Artist Achvieving Biggest Succes in Quebec
  • 1995 - Best Selling Album of the Year - Carpe Diem
  • 1995 - Best Show of the Year - Songwriter/Performer - WON
  • 1995 - Female Vocalist of the Year - WON
  • 1995 - Most Popular Song of the Year - Leila
  • 1995 - Popular Album of the Year - Carpe Diem
  • 1996 - Best Selling Album of the Year - Carpe Diem
  • 1997 - Best Selling Album of the Year - Pure
  • 1997 - Best Show of the Year - Songwriter/Performer
  • 1997 - Female Vocalist of the Year
  • 1997 - Most Popular Song of the Year - Tout
  • 1997 - Popular Album of the Year - Pure - WON
  • 1998 - Artist with most Recognition Outside of Quebec - WON
  • 1998 - Female Vocalist of the Year
  • 1998 - Most Popular Song Of the Year - Je T'Aime
  • 1999 - Female Vocalist of the Year
  • 1999 - Quebecian Artist Achieving Biggest Succes Outside of Quebec
  • 2000 - Artist with most Recognition Outside of Quebec
  • 2000 - Quebecian Artist Having Biggest Succes in other Language then French - WON
  • 2002 - Popular Album of the Year - Nue
  • 2006 - Best Concert DVD of the Year - Un regard 9 Live

• IFPI Platinum Europe Award:
  • 1999 - Award for Sales Over 2 Million Units - WON

• Victoires de la Musique:
  • 1998 - Original Song of the Year - Tout
  • 1998 - Revelation of the Year - WON
  • 1999 - Best Female Artist
  • 2003 - Original Song of the Year - Tu es mon autre (with Maurane)

• Women To Women Without Borders:
  • 2000 - GOLD

• World Music Awards:
  • 1999 - Best Selling Benelux Recording Artist of the Year - WON
  • 2001 - Best Selling Benelux Artist of the Year - WON

• Juno Award Nominations:
  • 1996 - Best New Solo Artist of the Year
  • 1996 - Best Selling Francophone Album of the Year - Carpe Diem
  • 1998 - Best Female Vocalist of the Year
  • 1998 - Best Selling Francophone Album of the Year - Pure
  • 2001 - Best Female Artist

Writing for other artists[link]

Fabian has written for other artists such as French female singers Chimène Badi, Nolwenn Leroy and Myriam Abel. She also composed for Daniel Lévi and is said to be currently working with a former contestant from "Nouvelle Star 3", Roland. She has often praised the voice and talent of successful female singer Amel Bent, who was also a contestant on that show.

Acting career[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (February 2008)

• 2004: in the MGM film De-Lovely ^[3][4] the singer performed the numbers "Another Openin', Another Show" (with chorus) and "So in Love" (with Mario Frangoulis) from the Cole Porter musical Kiss Me, Kate.

Personal life[link]

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (February 2008)

Fabian and French singer Patrick Fiori began a relationship at the start of 1998.^[5]

On November 20, 2007 Belgian singer Maurane, revealed, during her concert at the Cirque Royal, that "...little Lou was born this morning!" referring to Fabian's first child, a girl named Lou, born at the Edith Cavell Hospital in Uccle, Belgium.

See also[link]

• List of number-one dance hits (United States)
• List of artists who reached number one on the US Dance chart
• List of awards received by Lara Fabian

References[link]

External links[link]

• Official Web Site (available in French, English and Italian)
• Biography of Lara Fabian, from Radio France Internationale
• Lara Fabian News (in English, Portuguese and French)
• Last.fm - Lara Fabian
• All Lara Fabian's career
• English translations of Lara Fabian's songs
• Singing Je T'Aime with Stunning Audience Interaction

MF DOOM
MF Doom at the Hultsfred Festival 2011 in Sweden
Background information
Also known as	DOOM, King Geedorah, Metal Face, Metal Fingers, Viktor Vaughn, Zev Love X, Madvillain
Born	(1971-01-09) January 9, 1971 (age 41) London, United Kingdom
Origin	Long Island, New York
Genres	East Coast hip hop
Occupations	Rapper, hip hop producer
Instruments	Vocals, sampler, synthesizer, drum machine, Pro Tools
Years active	1988–1993 1997–present
Labels	Elektra (1988–1993) Sub Verse (1997–2003) Fondle 'Em (1997–2001) Metal Face (1997–present) Big Dada (2003) Naturesounds (2003–present) Rhymesayers (2004) Stones Throw (2004–present) Lex (2005–present)
Associated acts	KMD, Madvillain, Danger Doom, Madlib, MF Grimm, Ghostface Killah, J Dilla, Count Bass D, Aesop Rock, Jneiro Jarel, Gorillaz, Masta Ace, De La Soul
Website	Official website

Daniel Dumile (pronounced /ˈduːmɨleɪ/ DOO-mə-lay; born January 9, 1971) is a hip hop artist who has taken on several stage names in his career, most notably MF Doom, often stylized as MF DOOM, where the "MF" stands for metal face, but metal fingers when using his producing name. He has appeared in several collaborative projects such as Danger Doom (with Danger Mouse) and Madvillain (with Madlib).

History[link]

Early years with KMD[link]

Dumile was born on January 9, 1971, in London, England, the son of a Trinidadian mother and Zimbabwean father.^[1] He then moved with his family to New York and was raised in the city of Long Beach, New York on Long Island.

As Zev Love X, he formed the group KMD in 1988 with his younger brother DJ Subroc and another MC called Rodan. When Rodan left the group, Zev found another MC to replace Rodan named Onyx the Birthstone Kid.^[1] A&R rep Dante Ross learned of KMD through the hip hop group 3rd Bass, and signed the group to Elektra Records.^[2]

Dumile and KMD's recorded debut came on 3rd Bass's song "The Gas Face" from The Cactus Album,^[1] followed in 1991 with KMD's album Mr. Hood, which became a minor hit through its singles "Peachfuzz", "Who Me?" and heavy video play on cable TV's Yo! MTV Raps and Rap City.

Subroc was struck and killed by a car in 1993 while attempting to cross the Long Island Expressway before the release of a second KMD album, titled Black Bastards.^[1] The group was subsequently dropped from Elektra Records that same week. Before the release of the album, it was shelved due to controversy over its cover art,^[2] which featured a cartoon of a stereotypical pickaninny or sambo character being hung from the gallows.

With the loss of his brother, Dumile retreated from the hip hop scene from 1994 to 1997. He testifies to disillusionment and depression, living "damn near homeless, walking the streets of Manhattan, sleeping on benches.^[1][3]" In the late 1990s, he left New York City and settled in Atlanta. According to interviews with Dumile, he was also "recovering from his wounds" and swearing revenge "against the industry that so badly deformed him."^[1] Black Bastards had become bootlegged at the time, leading to Doom's rise in the underground hip hop scene.

Birth of MF DOOM[link]

In 1997, Dumile began freestyling incognito at open-mic events at the Nuyorican Poets Café in Manhattan, obscuring his face by putting a stocking over his head. He meanwhile had taken on a new identity, MF Doom, patterned after and wearing a mask similar to that of Marvel Comics super-villain Doctor Doom, who is depicted rapping on the cover of the 1999 album Operation: Doomsday. He wears this mask while performing and isn't photographed without it, except for very short glimpses in videos such as Viktor Vaughn's "Mr. Clean", "?", and in earlier photos with KMD.^[1] MF Doom's mask has undergone at least one design revision since its adoption (it is now an altered version of the mask worn by the character Maximus Decimus Meridius in the film Gladiator).