A cappella (Italian for "in the manner of the church" or "in the manner of the chapel",^[1] also see gospel music and choir) music is specifically solo or group singing without instrumental sound, or a piece intended to be performed in this way. It contrasts with cantata, which is accompanied singing. A cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato style. In the 19th century a renewed interest in Renaissance polyphony coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists led to the term coming to mean unaccompanied vocal music.^[2] Today, a cappella also includes sample/loop "vocal only" productions by producers like Jimmy Spice Curry, Teddy Riley, Björk, Imogen Heap, Wyclef Jean and others.

Religious traditions[link]

A cappella music originally was, and still often is, used in religious music, especially church music as well as anasheed and zemirot. Gregorian chant is an example of a cappella singing, as is the majority of secular vocal music from the Renaissance. The madrigal, up until its development in the early Baroque into an instrumentally-accompanied form, is also usually in a cappella form. Jewish and Christian music were originally a cappella, and this tradition has existed continuously in both of these religions as well as in Islam.

Christian[link]

This section's factual accuracy is disputed. Please help to ensure that disputed facts are reliably sourced. See the relevant discussion on the talk page.

The polyphony of Christian a cappella music began to develop in Europe around the late 15th century. The early a cappella polyphonies may have had an accompanying instrument, although this instrument would merely double the singers' parts and was not independent. By the 16th century, a cappella polyphony had further developed, but gradually, the cantata began to take the place of a cappella forms.^[3] 16th century a cappella polyphony, nonetheless, continued to influence church composers throughout this period and to the present day. Such is seen in the life of Palestrina becoming a major influence on Bach, most notably in the aforementioned Mass in B Minor.

Eastern Orthodox Christianity[link]

In Eastern Europe, the music performed in the Eastern Orthodox cathedrals and monasteries is exclusively sung without music. Bishop Kallistos Ware says, "The service is sung, even though there may be no choir... In the Orthodox Church today, as in the early Church, singing is unaccompanied and instrumental music is not found."^[4] Liturgies and masses composed by famous composers such as Peter Tchaikovsky, Sergei Rachmaninoff, Alexander Arkhangelsky, and Mykola Leontovych are fine examples of this,

Opposition to instruments in worship[link]

Present-day Christian religious bodies known for conducting their worship services without musical accompaniment include some Presbyterian churches devoted to the regulative principle of worship, Old Regular Baptists, Primitive Baptists, Plymouth Brethren, Churches of Christ, the Old German Baptist Brethren, the Eastern Orthodox Christian Church and the Amish, Old Order Mennonites and Conservative Mennonites. Certain high church services and other musical events in liturgical churches (such as the Roman Catholic Mass and the Lutheran Divine Service) may be a cappella, a practice remaining from apostolic times. Many Mennonites also conduct some or all of their services without instruments. Sacred Harp, a type of religious folk music, is an a cappella style of religious singing, but is more often sung at singing conventions than at church services.

Opponents of musical instruments in the Christian worship believe that such opposition is supported by the New Testament and Church history. The New Testament verses typically referenced are Matthew 26:30; Acts 16:25; Romans 15:9; 1 Corinthians 14:15; Ephesians 5:19; Colossians 3:16; Hebrews 2:12, 13:15; James 5:13, which reveal a command for all Christians to sing.^[5]

There is no reference to instrumental music in the worship of the New Testament or the worship of churches for the first six centuries.^[6] That being said, the reason for such absence is highly debated, though several reasons have been put forth throughout church history.^{[nb 1]} The absence of instrumental music in New Testament worship is significant given the abundance of Old Testament references and commands. After several hundred years of Tabernacle worship without instrumental music, King David introduced musical instruments into Temple worship based upon a commandment from God. God commanded who was to sing, who was to play, and what instruments were to be used, as seen in 2 Chronicles 29:25–29.

Unlike the Israelite worship assembly, which was only able to look on during Temple worship as the Levitical Priest sang, played, and offered animal sacrifices, in the New Testament, all Christians are commanded to sing praises to God. This leaves those opposed to instrumental music in worship with the understanding that if God wanted instrumental music in New Testament worship, he would have commanded not just singing, but singing and playing like he did in the Old Testament. Though God commanded instruments to be used in Temple worship, and the daily life of Israel, the first recorded example of a musical instrument in Roman Catholic worship was an organ introduced by Pope Vitalian into a cathedral in Rome around 670.^{[7][nb 2]} Thus, over time, the expression "a cappella" (Italian for "in the manner of the chapel") came to mean exclusively vocal music in contradistinction to the spreading use of the organ in cathedrals.

Instruments have divided Christendom since their introduction into worship. They were considered a Catholic innovation, not widely practiced until the 18th century, and were opposed vigorously in worship by a number of Protestant Reformers, including Martin Luther (1483–1546),^[8] John Calvin (1509–1564)^[9] and John Wesley (1703–1791).^[10][11] The fact that Christendom has periodically grafted instrumental music into the worship service probably obscures, for contemporary adherents, the long, general and conscientious teaching of a cappella. In Sir Walter Scott's The Heart of Midlothian, for example, the heroine, Jeanie Deans, a Scottish Presbyterian, writes to her father about the church situation she has found in England (bold added):

The folk here are civil, and, like the barbarians unto the holy apostle, have shown me much kindness; and there are a sort of chosen people in the land, for they have some kirks without organs that are like ours, and are called meeting-houses, where the minister preaches without a gown.^[12]

Acceptance of instruments in worship[link]

An alternate viewpoint is that limiting praise to the unaccompanied chant of the early church is not commanded in scripture, and that the churches in any age are free to offer their songs with or without musical instruments.

Since the New Testament never counters this instrumental language with any negative judgment on instruments, opposition to instruments instead comes from an interpretation of history. It is striking that there is no written opposition to musical instruments in any setting in the 1st century and a half of the churches (including scripture).^[13] Toward the end of the 2nd century, however, Christians began condemning the actual instruments themselves.^[14] Those who oppose instruments today believe that emerging opposition of these Church Fathers demonstrates a better understanding of God's desire, but there are significant differences between the teachings of the Church Fathers and Christian opposition to instruments today.

• Modern Christians typically believe it is acceptable to play instruments or to attend weddings, funerals, banquets, etc., where instruments are heard. The Church Fathers made no exceptions.^[15] Since the New Testament never condemns instruments themselves, much less in any of these settings, it is conceded that “the church Fathers go beyond the New Testament in pronouncing a negative judgment on musical instruments.”^[16]
• Written opposition to instruments in worship began near the turn of the 5th century.^[17] Modern opponents of instruments do not make the same assessment of instruments as these writers,^[18] who argued that God had allowed David the “evil” of using musical instruments in praise.^[19] Contrary to their teaching, the Old Testament scripture shows that God specifically asked for instruments rather than merely tolerating an evil.^[20]

Since “a cappella” singing brought a new polyphony with instrumental accompaniment, it is not surprising that Protestant reformers who opposed the instruments (such as Calvin and Zwingli) also opposed the polyphony.^[21] While Zwingli was burning organs in Switzerland – Luther called him a fanatic – the Church of England was burning books of polyphony.^[22]

Jewish[link]

While services in the Temple in Jerusalem included musical instruments (2 Chronicles 29:25–27), traditional Jewish religious services in the Synagogue, both before and after the destruction of the Temple, did not include musical instruments^[23] given the practice of scriptural cantillation.^[24] The use of musical instruments is traditionally forbidden on the Sabbath out of concern that players would be tempted to repair their instruments, which is forbidden on those days. (This prohibition has been relaxed in many Reform and some Conservative congregations.) Similarly, when Jewish families and larger groups sing traditional Sabbath songs known as zemirot outside the context of formal religious services, they usually do so a cappella, and Bar and Bat Mitzvah celebrations on the Sabbath sometimes feature entertainment by a cappella ensembles. During the Three Weeks use of musical instruments is traditionally prohibited. Many Jews consider a portion of the 49-day period of the counting of the omer between Passover and Shavuot to be a time of semi-mourning and instrumental music is not allowed during that time.^[25] This has led to a tradition of a cappella singing sometimes known as sefirah music.^[26]

The popularization of the Jewish chant may be found in the writings of the Jewish philosopher Philo, born 20 BCE. Weaving together Jewish and Greek thought, Philo promoted praise without instruments, and taught that "silent singing" (without even vocal chords) was better still.^[27] This view parted with the Jewish scriptures, where Israel offered praise with instruments by God's own command (e.g.: 2 Chronicles 29:25). The shofar or keren (horn) is the only temple instrument still being used today in the synagogue,^[28] and it is only used from Rosh Chodesh Elul through the end of Yom Kippur. The shofar is used by itself, without any vocal accompaniment, and is limited to a very strictly defined set of sounds and specific places in the synagogue service.^{[citation needed]}

Muslim[link]

Many Muslim musicians also perform a form of a cappella music called nasheed or Tawasheeh. Some well known composers in the western world include Kamal Uddin, Labbayk, Abdullah Rolle, Naseeha amongst others. Some Nasheed singers avoid instruments in background due to the opinion of certain scholars that their use is prohibited.

In the United States[link]

Peter Christian Lutkin, dean of the Northwestern University School of Music, helped popularize a cappella music in the United States by founding the Northwestern A Cappella Choir in 1906. The A Cappella Choir was "the first permanent organization of its kind in America."^[29][30]

A strong and prominent a cappella tradition was begun in the midwest part of the United States in 1911 by F. Melius Christiansen, a music faculty member at St. Olaf College in Northfield, Minnesota. The St. Olaf College Choir was established as an outgrowth of the local St. John's Lutheran Church, where Christiansen was organist and the choir was composed at least partially of students from the nearby St. Olaf campus. The success of the ensemble was emulated by other regional conductors, and a rich tradition of a cappella choral music was born in the region at colleges like Concordia College (Moorhead, Minnesota), Augustana College (Rock Island, Illinois), Wartburg College (Waverly, Iowa), Luther College (Decorah, Iowa), Gustavus Adolphus College (St. Peter, Minnesota), Augustana College (Sioux Falls, South Dakota), and Augsburg College (Minneapolis, Minnesota). The choirs typically range from 40 to 80 singers and are recognized for their efforts to perfect blend, intonation, phrasing and pitch in a large choral setting.

Major movements in modern a cappella over the past century include Barbershop and doo wop. The Barbershop Harmony Society, Sweet Adelines International, and Harmony Inc. host educational events including Harmony University, Directors University, and the International Educational Symposium, and international contests and conventions, recognizing international champion choruses and quartets.

In the 1950s several recording groups, notably The Hi-Los and the Four Freshmen, introduced complex jazz harmonies to a cappella performances. The King's Singers are credited with promoting interest in small-group a cappella performances in the 1960s. In 1983 an a cappella group known as The Flying Pickets had a Christmas 'number one' in the UK with a cover of Yazoo's (known in the US as Yaz) "Only You". A cappella music attained renewed prominence from the late 1980s onward, spurred by the success of Top 40 recordings by artists such as The Manhattan Transfer, Bobby McFerrin, Huey Lewis and the News, All-4-One, The Nylons, Backstreet Boys and Boyz II Men.^{[citation needed]}

Recording artists[link]

Contemporary a cappella includes many vocal groups and bands who add vocal percussion or beatboxing to create a pop/rock sound, in some cases very similar to bands with instruments. Examples of such professional groups include The House Jacks, Rockapella, Mosaic (vocal band), M-pact, and InsideOut. There also remains a strong a cappella presence within Christian music, as some denominations purposefully do not use instruments during worship. Examples of such groups are Take 6, Glad and Acappella. Arrangements of popular music for small a cappella ensembles typically include one voice singing the lead melody, one singing a rhythmic bass line, and the remaining voices contributing chordal or polyphonic accompaniment.

A cappella can also describe the practice of using just the vocal track(s) from a multitrack, instrumental recording to be remixed or put onto vinyl records for DJs. Artists sometimes release the vocal tracks of their popular songs so that fans can remix them. One such example is the a cappella release of Jay-Z's Black Album, which Danger Mouse mixed with The Beatles' White Album to create The Grey Album.

A cappella's growth is not limited to live performance, with hundreds of recorded a cappella albums produced over the past decade. As of December 2006, the Recorded A Cappella Review Board (RARB) had reviewed over 660 a cappella albums since 1994, and its popular discussion forum had over 900 users and 19,000 articles.

A cappella exists in Japan, with groups such as the Gospellers performing. In USA in July 1943, as a result of the American Federation of Musicians boycott of US recording studios, the a cappella vocal group The Song Spinners had a best-seller with "Comin' In On A Wing And A Prayer". A South-Korean group named Dong Bang Shin Ki (DBSK) or Tong Vfang Xien Qi (TVXQ) was formed in 2003, and currently holds the world record for the biggest fanclub.^{[citation needed]}

Recording artist Brandy Norwood included a song on her 2008 album Human titled "A Capella (Something's Missing)". Brandy uses her voice for background music in this song, showing her capabilities of using her voice as an instrument. No instruments are used, except for maybe an electric guitar, though fans are claiming it to be her synthesized voice.^{[citation needed]}

In 2010, American dance recording artist Kelis released a song called "Acapella" as the first single from her album Flesh Tone. The song is not actually performed a cappella, but rather, explains that before her son was born, her life was without music.

Composer Dinesh Subasinghe became the first Sri Lankan to write a cappella pieces for SATB choirs. He wrote "The Princes of the Lost Tribe" and "Ancient Queen of Somawathee" for Menaka De Shabandu and Bridget Halpe's choirs, respectively, based on historical incidents in ancient Sri Lanka.^[31][32][33]

In Australia, there is a growing trend bringing people back to singing thanks to TV shows like Glee. As a result, a cappella singing is once again growing, with a handful of internationally acclaimed groups (The Idea Of North, Suade, Coco's Lunch, Akasa), and a growing local scene. In 2010, the Australian a cappella Quartet The Idea of North was nominated for an ARIA for their seventh studio album, "Feels Like Spring",^[34] bringing a cappella music back into pop culture. Like the USA, Australia has an a cappella association (Vocal Australia) who organizes events, education and resources for the vocal music community.

Musical theater[link]

A cappella has been used as the sole orchestration for original works of Musical Theater that have had commercial runs Off-Broadway (theaters in New York City with 99 to 500 seats) only three times. The first was Avenue X which opened on 28 January 1994 and ran for 77 performances. It was produced by Playwrights Horizons with book by John Jiler, music and lyrics by Ray Leslee. The musical style of the show's score was primarily Doo-Wop as the plot revolved around Doo-Wop group singers of the 1960s.^[35][36]

In 2001, The Kinsey Sicks, produced and starred in the critically acclaimed off-Broadway hit, "DRAGAPELLA! Starring the Kinsey Sicks" at New York's legendary Studio 54. That production received a nomination for a Lucille Lortel award as Best Musical and a Drama Desk nomination for Best Lyrics. It was directed by Glenn Casale with original music and lyrics by Ben Schatz.^[37]

The third a cappella musical to appear Off-Broadway, In Transit, premiered 5 October 2010 and was produced by Primary Stages with book, music, and lyrics by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan, and Sara Wordsworth. Set primarily in the New York City subway system its score features an eclectic mix of musical genres (including jazz, hip hop, Latin, rock, and country). In Transit incorporates vocal beat boxing into its contemporary a cappella arrangements through the use of a subway beat boxer character. Beat boxer and actor Chesney Snow performed this role for the 2010 Primary Stages production.^[38] According to the show's website, it is scheduled to reopen for an open-ended commercial run in the Fall of 2011.^[39] In 2011 the production received four Lucille Lortel Award nominations including Outstanding Musical, Outer Critics Circle and Drama League nominations, as well as five Drama Desk nominations including Outstanding Musical and won for Outstanding Ensemble Performance.

No show with a cappella orchestrations has ever run on Broadway.

Barbershop style[link]

Barbershop music is one of the few uniquely American art forms. The earliest reports of this style of a cappella music involved African Americans. The earliest documented quartets all began in barbershops. In 1938, the first formal men's barbershop organization was formed, known as the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (S.P.E.B.S.Q.S.A), and in 2004 rebranded itself and officially changed its public name to the Barbershop Harmony Society (BHS). Today the BHS has over 30,000 members in 800 chapters across the United States, and the barbershop style has spread around the world with organizations in many other countries. The Barbershop Harmony Society provides a highly organized competition structure for a cappella quartets and choruses singing in the barbershop style.

In 1945, the first formal women's barbershop organization, Sweet Adelines, was formed. In 1953 Sweet Adelines became an international organization, although it didn't change its name to Sweet Adelines International until 1991. The membership of nearly 25,000 women, all singing in English, includes choruses in most of the fifty United States as well as in Australia, Canada, England, Finland, Germany, Ireland, Japan, New Zealand, Scotland, Sweden, Wales and the Netherlands. Headquartered in Tulsa, Oklahoma, the organization encompasses more than 1,200 registered quartets and 600 choruses.

In 1959, a second women's barbershop organization started as a break off from Sweet Adelines due to ideological differences. Based on democratic principles which continue to this day, Harmony, Inc. is smaller than its counterpart, but has an atmosphere of friendship and competition. With about 2,500 members in the United States and Canada, Harmony, Inc. uses the same rules in contest that the Barbershop Harmony Society uses. Harmony, Inc. is registered in Providence, Rhode Island.

In Europe[link]

A list of European a cappella groups:

• The Flying Pickets (Great Britain)
• Bjelleklang (Norway)
• Canal'do (Belgium)
• Klapa Fa Lindjo (Croatia)
• Klapa Šufit (Croatia)
• Rajaton (Finland)
• Bolyki Brothers (Hungary)
• Fool Moon (Hungary)
• The Real Group (Sweden)
• SONO (Denmark)
• Van Canto (Germany)
• Wise Guys (Germany)
• Viva Voce (Germany)
• Maybebop (Germany)
• Basta (Germany)
• Rock4 (Netherlands)
• The Polyphonics (Ireland)
• Close Harmony Friends^[40] (Slovakia)
• The King's Singers (England)
• Voces8 (England)
• The Swingle Singers (England)
• Fragile (Slovakia)^[41]
• Pikkardiyska Tertsiya (Ukraine)
• Cosmos (Latvia)
• Latvian Voices (Latvia)
• Pow woW (France)
• Montezuma's Revenge (Netherlands)
• Witloof Bay (Belgium)
• 4TET (Czech Republic)
• Vozes da Rádio (Portugal)
• Acapella Sens(Roumania)^[42]
• Neri per Caso (Italy)
• Alti & Bassi (Italy)
• Out of The Blue (Oxford University) (England)

Collegiate types[link]

It is not clear exactly where collegiate a cappella began. The Rensselyrics of Rensselaer Polytechnic Institute (formerly known as the RPI Glee Club), established in 1873 is perhaps the oldest known collegiate a cappella group.^[43] However the longest continuously-singing group is probably The Whiffenpoofs of Yale University,^[44] which was formed in 1909 and once included Cole Porter as a member.^[44] Collegiate a cappella groups grew throughout the 20th century. Some notable historical groups formed along the way include Colgate University's The Colgate 13 (1942), Dartmouth College's Aires (1946), Cornell University's Cayuga's Waiters (1949) and The Hangovers (1968), the Columbia University Kingsmen (1949), the Jabberwocks of Brown University (1949), and the University of Rochester YellowJackets (1956). All-women a cappella groups followed shortly, frequently as a parody of the men's groups: the Smiffenpoofs of Smith College (1936), The Shwiffs of Connecticut College (The She-Whiffenpoofs, 1944), and The Chattertocks of Brown University (1951). A cappella groups exploded in popularity beginning in the 1990s, fueled in part by a change in style popularized by the Tufts University Beelzebubs and the Boston University Dear Abbeys. The new style used voices to emulate modern rock instruments, including vocal percussion/"beatboxing". Some larger universities now have multiple groups. Groups often join one another in on-campus concerts, such as the Georgetown Chimes' Cherry Tree Massacre, a 3-weekend a cappella festival held each February since 1975, where over a hundred collegiate groups have appeared, as well as International Quartet Champions The Boston Common and the contemporary commercial a cappella group Rockapella. Co-ed groups have produced many up-and-coming and major artists, including John Legend, an alumnus of the Counterparts at the University of Pennsylvania, and Sara Bareilles, an alumna of Awaken A Cappella at University of California, Los Angeles. Mira Sorvino is an alumna of the Veritones of Harvard College where she had the solo on Only You by Yaz.

A cappella is gaining popularity among South Asians with the emergence of primarily Hindi-English College groups. The first South Asian a cappella group was Penn Masala, founded in 1996 at the University of Pennsylvania. Other groups include: Northwestern University's Brown Sugar, Chai-Town from the University of Illinois, Raagapella from Stanford University, Andaaz from the University of California, Irvine, and Maize Mirchi from University of Michigan. Co-ed South Asian a cappella groups are also gaining in popularity. The first co-ed south Asian a capella was Anokha, from the University of Maryland, formed in 2001. Also, Dil se, another co-ed a cappella from UC Berkeley, hosts the "Anahat" competition at the University of California, Berkeley annually. Maize Mirchi, the co-ed a cappella group from the University of Michigan hosts "Sa Re Ga Ma Pella", an annual South Asian a cappella invitational with various groups from the Midwest. Other co-ed groups include RAAG (Rutgers Asian A cappella Group) from Rutgers University, Naya Zamaana from UCLA, UW Awaaz from the University of Washington and Dhamakapella from Case Western Reserve University.

Jewish-interest groups such as the University of Chicago's Shircago and Yale University's Magevet are also gaining popularity across the U.S.

Increased interest in modern a cappella (particularly collegiate a cappella) can be seen in the growth of awards such as the Contemporary A Cappella Recording Awards (overseen by the Contemporary A Cappella Society) and competitions such as the International Championship of Collegiate A Cappella for college groups and the Harmony Sweepstakes for all groups. In December 2009, a new television competition series called The Sing-Off aired on NBC. The show featured eight a cappella groups from the United States and Puerto Rico vying for the prize of $100,000 and a recording contract with Epic Records/Sony Music. The show was judged by Ben Folds, Shawn Stockman, and Nicole Scherzinger and was won by an all-male group from Puerto Rico called Nota. The show returned for a second and third season, won by Committed and Pentatonix, respectively.

Each year, hundreds of Collegiate a cappella groups submit their strongest songs in a competition to be on The Best of College A Cappella (BOCA), an album compilation of tracks from the best college a cappella groups around the world. The album is produced by Varsity Vocals, which also produces the International Championship of Collegiate A Cappella. A group chosen to be on the BOCA album earns much credibility among the a cappella community.^{[citation needed]}

Along with BOCA, Collegiate a cappella groups may submit their tracks to Voices Only, a two-disc series released at the beginning of each school year. This album is known internationally for its award winning sound and prestigious title. Some featured groups on the album series include the USC SoCal VoCals, Tufts Beelzebubs, Berklee Pitch Slapped, BYU Noteworthy and Oregon On the Rocks. A Voices Only album has been released every year since 2005.^{[citation needed]}

Another successful a cappella group is Straight No Chaser (SNC), which is actually two separate but related groups, one of which is an a cappella, collegiate group from Indiana University in the USA. The other SNC group consists of 10 former members of the IU's SNC who reunited 10 years after their college years.

Emulating instruments[link]

In addition to singing words, some a cappella singers also emulate instrumentation by reproducing the melody with their vocal cords. One of the earliest 20th century practitioners of this method was The Mills Brothers whose early recordings of the 1930s clearly stated on the label that all instrumentation was done vocally. More recently, "Twilight Zone" by 2 Unlimited was sung a cappella to the instrumentation on the comedy television series Tompkins Square. Another famous example of emulating instrumentation instead of singing the words is the theme song for The New Addams Family series on Fox Family Channel (now ABC Family). Groups such as Vocal Sampling and Undivided emulate Latin rhythms a cappella. In the 1960s, the Swingle Singers used their voices to emulate musical instruments to Baroque and Classical music. Vocal artist Bobby McFerrin is famous for his instrumental emulation.

The Swingle Singers used nonsense words to sound like instruments, but have been known to produce non-verbal versions of musical instruments. Like the other groups, examples of their music can be found on YouTube. Beatboxing is a form of a cappella music popular in the hip-hop community, where rap is often performed a cappella also. Petra Haden used a four-track recorder to produce an a cappella version of The Who Sell Out including the instruments and fake advertisements on her album Petra Haden Sings: The Who Sell Out in 2005. Haden has also released a cappella versions of Journey's "Don't Stop Believin'", The Beach Boys' "God Only Knows" and Michael Jackson's "Thriller". In 2009, Toyota commissioned Haden to perform three songs for television commercials for the third-generation Toyota Prius, including an a cappella version of the Bellamy Brothers 1970s song "Let Your Love Flow".^{[citation needed]}

Christian rock group Relient K recorded the song "Plead the Fifth" a cappella on its album Five Score and Seven Years Ago. The group recorded lead singer Matt Thiessen making drum noises and played them with electronic drums to make the song.

The German metal band van Canto uses vocal noises to imitate guitars on covers of well-known rock and metal songs (such as "Master of Puppets" by Metallica) as well as original compositions. Although they are generally classified as a cappella metal, the band also includes a drummer, and use amplifiers on some songs to distort the voice to sound more like a real guitar.

See also[link]

• Barbershop music – four-part a cappella (in close harmony)
• Collegiate a cappella
• List of collegiate a cappella groups
• List of collegiate a cappella groups in the UK
• List of professional a cappella groups
• Sweet Adelines International

Notes[link]

1. ^ The absence of instrumental music is rooted in various hermeneutic principles restricting the appropriateness of worship. Such views are the regulative principle of worship, Sola scriptura, the history of hymn in "Christianity". The Hebrew writer spent a great deal of time contrasting Old Testament and New Testament worship, which brings forth a theological understanding. In short, all of the Old Testament and its practices have been replaced by New Testament and teachings of Jesus.
2. ^ McKinnon maintained that the organ was the first instrument to be introduced into worship service and the next was the trumpet. He noted accounts of an organ being sent from Byzantium to Pippin in 757, and another to Charlemagne in 812. See McKinnon (1965), The Church Fathers and Musical Instruments (PhD Dissertation, Columbia University) p265

References[link]

External links[link]

• Contemporary A Cappella Society of America (CASA)
• Harmony Sweepstakes A Cappella Festival
• A Cappella News
• Primarily A Cappella
• The Recorded A Cappella Review Board (RARB)
• In Transit the Musical
• Melbourne A Cappella Festival

David Guetta
David Guetta at the 2011 MuchMusic Video Awards
Background information
Birth name	Pierre David Guetta
Born	(1967-11-07) 7 November 1967 (age 44) Paris, France
Genres	House, electro house, hip house
Occupations	DJ, record producer, songwriter
Years active	1984–present
Labels	EMI Music France, Virgin, Positiva, Astralwerks, Jack Back Records
Website	DavidGuetta.com

Pierre David Guetta (7 November 1967), known professionally as David Guetta (French pronunciation: [daˌvid ɡɛˈta]), is a French house music producer and DJ.^[1] Originally a DJ at nightclubs during the 1980s and 1990s, he co-founded Gum Productions and released his first album, Just a Little More Love, in 2002. Later, he released Guetta Blaster (2004) and Pop Life (2007). His 2009 album One Love included the hit singles "When Love Takes Over" (featuring Kelly Rowland), "Gettin' Over You" (featuring Chris Willis, Fergie & LMFAO) and "Sexy Bitch" (featuring Akon), the last becoming a top five hit in the United States and all three reaching #1 in the United Kingdom, as well as another internationally known single called "Memories" featuring Kid Cudi which became a top five hit in many countries. Guetta has sold over three million albums and 15 million singles worldwide.^[2] He is currently one of the most sought-after music producers.^[3] As at 2012 David Guetta is the world's most popular DJ, claiming the #1 poll position of the DJ Mag 100 popularity poll.^[4]

Biography[link]

1984–2000: Early life and career[link]

At age 17, Guetta began DJing at the Broad Club in Paris.^[5] He first played popular songs, and he discovered house music when he heard a Farley master Funk track on French radio in 1987. The next year, he began hosting his own club nights.^[6] In 1990, he released "Nation Rap", a hip-hop collaboration with French rapper Sidney Duteil.^[7]

In the mid 1990s Guetta played in clubs including Le Centrale, the Rex, Le Boy, and Folies Pigalle.^[5][8] Released in 1994^[7] Guetta's second single, a collaboration with American house vocalist Robert Owens titled "Up & Away", was a minor club hit.^[6] In 1994, David Guetta became the manager of Le Palace nightclub and he continued to organise parties there and in other clubs, such as the "Scream" parties in Les Bains Douches.^[9]

[edit] 2001–2006: Just a Little More Love and Guetta Blaster

In 2001, David Guetta along with Joachim Garraud founded Gum Productions, and in the same year Guetta's first hit single, "Just a Little More Love", featuring American singer Chris Willis was released. Willis was vacationing in France when he met Guetta.^[6] Guetta's debut album Just a Little More Love was released in 2002 on Virgin Records and sold over 300,000 copies. The follow-up singles, ("Love Don't Let Me Go", "People Come People Go" and "Give Me Something"), were released in 2002. Guetta released a compilation, Fuck Me I'm Famous, in 2003, named after his party in Ibiza. It included "Just for One Day (Heroes)", a remix of David Bowie's song "Heroes".^[6] Later in his career, Guetta continued recording compilations under that title.

Guetta's second album, Guetta Blaster, was released in 2004. It released four singles: "Money" and "Stay" featuring Chris Willis and "The World Is Mine" and "In Love With Myself" featuring JD Davis. In 2006 the Just a Little More Love single "Love Don't Let Me Go" was re-released as a mash-up with the Tocadisco remix of "Walking Away" by The Egg. The mash-up single entitled "Love Don't Let Me Go (Walking Away)" was charted higher than the original release of the song.

[edit] 2007–2008: Pop Life

Guetta performing, May 2007

In 2007, Guetta's third album Pop Life was released. The album was successful in the UK and Ireland as well as in mainland Europe. According to EMI in 2010, the album has sold a total of 530,000 copies worldwide. The lead single "Love Is Gone" reached Number 1 on the American Dance Chart and charted on the Billboard Hot 100.

He played in many countries around the world to promote the album. He played in Mauritius in January 2008, accompanied by French rapper JoeyStarr. In the same year, he and his wife Cathy also planned a new event which took place in the Stade de France on 5 July 2008. The event was called "UNIGHTED", he performed with Tiësto, Carl Cox, Joachim Garraud and Martin Solveig in front of a crowd of 40,000.^[10]

In 2009, he was placed third in the "Top 100 DJs" poll by DJ Magazine,^[11] and was elected "Best House DJ" by DJ Awards in 2008. Since April 2009, Guetta had his own radio show on the internet radio station RauteMusik on Saturday evening. The show was afterwards moved into Radio 538, being aired every Friday evening after Tiësto's Club Life. Its name is DJ Mix. Guetta performs a one-hour set of house music, presenting mainly new talents inside.

[edit] 2009–2010: One Love and international breakthrough

David Guetta's fourth studio album, One Love, was released in August 2009. Its first single "When Love Takes Over", which featured Kelly Rowland, peaked at #1 on the UK Singles Chart and topped many other countries worldwide. His second single from the album, "Sexy Bitch" featuring Akon, became his second #1 in the UK. "One Love" featuring Estelle, "Memories" featuring Kid Cudi and "Gettin' Over You" featuring Chris Willis, Fergie and LMFAO followed. As of May 2011 the album had sold three million copies worldwide.^[12] Guetta's fourth studio album One Love was nominated as "Best Electronic/Dance Album" at the 52nd Grammy Awards.^[13] His song "When Love Takes Over" featuring American R&B singer Kelly Rowland received two nominations; Best Dance Recording and Best Remixed Recording, Non-Classical, and won the latter. After conflicts over whether or not an album re-issue should go ahead, One More Love was released on 29 November 2010. First single, titled "Who's That Chick?" featuring Rihanna was released a few weeks prior.^[14]

On 16 June 2009, The Black Eyed Peas released the David Guetta-produced "I Gotta Feeling" as their second single from their fifth studio album, The E.N.D.. It became a worldwide hit topping the charts in seventeen countries. It became the most downloaded song of all-time in the United States with almost 7.5 million downloads and in the United Kingdom selling more than 1 million copies.^[15][16] He was nominated twice for his work with The Black Eyed Peas at the 52nd Grammy Awards; in the category Record of the Year for "I Gotta Feeling" and Album of the Year for their album The E.N.D.. In 2010, David Guetta co-wrote and produced Kelly Rowland's "Commander" from her third album Here I Am. It peaked at number one on Billboard's Hot Dance Club Songs chart in the United States, and reached top ten positions in Belgium and the United Kingdom. Guetta has also co-produced "Forever and a Day", which was Kelly's next UK single from that album.^[17][18] Guetta also produced the singles "Acapella" and "Scream" for American singer-songwriter Kelis's fifth studio album, Flesh Tone, released on 14 May 2010. "Acapella" was released as the lead single on 23 February 2010 and topped the dance charts in the United Kingdom and United States. On 28 June 2010 American rapper Flo Rida released the single "Club Can't Handle Me" featuring David Guetta. The song is included on the soundtrack album to the American 3D dance film Step Up 3D.

Guetta on the One Love Tour, January 2010.

[edit] 2011–present: Nothing But the Beat

Guetta's fifth studio album, Nothing But the Beat was released on August 30, 2011. It was released as a double-disc album; one disc being vocal and the other being electronic.^[19] The French DJ was inspired by rock bands such as Kings of Leon and Coldplay to add rock influences to his dance productions.^[20] "Where Them Girls At" featuring Nicki Minaj and Flo Rida, the first single off the album, was released worldwide on May 2, 2011.^[21][22] "Little Bad Girl" featuring Ludacris and Taio Cruz, was released as the second single on June 28, 2011.^[19][23] The third single "Without You" featuring Usher was released on September 27, 2011. Guetta also released three promotional singles for Nothing But the Beat, "Titanium" featuring Sia, "Lunar" with Afrojack and "Night of Your Life" featuring Jennifer Hudson. The album also features the hit single "Sweat" with Snoop Dogg.

Guetta is also scheduled to perform alongside Nicky Romero and Nervo at London's Alexandra Palace on June 1, 2012.^[24]

Personal life[link]

Guetta and his wife Cathy in January 2012 at the NRJ Music Awards ceremony.

His father was a restaurateur of Moroccan Jewish descent,^[25] and his mother is of Belgian descent.^[26][27][28] He is married to socialite and night club manager Cathy Guetta; they have two children, Tim Elvis Eric (born 2004) and Angie (born 2007).^[29]

Discography[link]

• Just a Little More Love (2002)
• Guetta Blaster (2004)
• Pop Life (2007)
• One Love (2009)
• Nothing but the Beat (2011)

Awards and nominations[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2010)

References[link]

External links[link]

• David Guetta on Myspace
• David Guetta on Twitter
• David Guetta's channel on YouTube
• David Guetta at the Internet Movie Database
• David Guetta official store
• David Guetta information at Ultra Records
• Review of 'Memories' on the Daily Music Guide
• David Jeffries. "David Guetta biography". Allmusic. http://www.allmusic.com/artist/p572357. Retrieved 2008-09-22. 
• David Guetta in PACHA NEWS
• David Guetta at Billboard.com
• Review of 'Gettin Over you' on the Daily Music Guide

Jimmy Fallon
Jimmy Fallon, 2010
Birth name	James Thomas Fallon, Jr.
Born	(1974-09-19) September 19, 1974 (age 37) Brooklyn, New York, U.S.
Medium	Stand-up, music, television, film
Nationality	American
Years active	1990–present
Genres	Satire/political satire/news satire, observational comedy, musical comedy, surreal humor, awkward
Subject(s)	American culture, American politics, pop culture, current events, mass media/news media
Influences	Dana Carvey, Robin Williams
Spouse	Nancy Juvonen (2007–present)
Notable works and roles	Saturday Night Live Late Night with Jimmy Fallon (host, 2009–present)

James Thomas "Jimmy" Fallon, Jr. (born September 19, 1974) is an American actor, comedian, singer, musician and television host. He currently hosts Late Night with Jimmy Fallon, a late-night talk show that airs Monday through Friday on NBC. Prior to that he appeared in several films, and was best known as a cast member on Saturday Night Live from 1998–2004.

Early life[link]

James Thomas Fallon, Jr., was born in Brooklyn, New York. Jimmy is the son of Gloria and James Fallon, Sr.,^[1] who is a Vietnam War veteran.^[2] His family later settled in Saugerties, New York, while his father worked at IBM in nearby Kingston, New York. He is of Irish descent.^[3] As a child, he and his older sister, Gloria, would reenact the “clean parts” of Saturday Night Live that his parents had taped for him.^[4] Fallon was such a fan of Saturday Night Live that he made a weekly event of watching it in his dormitory during college. In his teens, he impressed his parents with different impersonations, the first being of James Cagney.^[5][6] He was also musically inclined, and started playing guitar at age 13. He would go on to mix comedy and music in contests and shows.^[6]

Education[link]

Fallon attended St. Mary of the Snow, a Roman Catholic parochial school, and Saugerties High School, from which he graduated in 1992. He attended The College of Saint Rose in Albany, New York. He was a Computer Science major, but switched to Communications in his senior year, dropping out a semester shy of a degree.^[7][8] "I was a Computer Science major. I got out once it got really hard. I made it up to C++. Then I couldn't do the math – it got really confusing. I switched to Communications, which is a ridiculous major – let's be honest," he recalls.^[9] On May 9, 2009, Fallon received a B.A. in Communications and^[10] an honorary doctorate degree from The College of Saint Rose after presenting college officials with his portfolio, which satisfied all requisites for his degree.^[7] In addition to receiving a BA, Fallon spoke at the school's 86th commencement. That night, on Saturday Night Live, he held up his diploma during the closing of the show. Additionally, he showed excerpts from the ceremony on his late night show May 11, 2009.

Career[link]

Stand-up[link]

Fallon gives credit to troll dolls for his big break. He was given a troll doll with a graduation cap in his senior year of high school. His mother heard about an impression contest at Bananas Comedy Club in Poughkeepsie, NY. Fallon came up with a stand-up routine that was a commercial for troll dolls. He would impersonate various celebrities auditioning to be the spokesperson. He won the contest and after college he began to do stand-up tours across the country. When he was in Los Angeles, he took improv classes with The Groundlings.^[5]

Early work[link]

Fallon appeared in the feature film The Scheme (originally entitled The Entrepreneurs). His one line in Father's Day was cut but he can still be seen in the background. In 1998 Fallon appeared briefly on the show Spin City in the second season as a man selling photographs. By late 1998, Fallon was studying at the Groundlings Theater in Los Angeles, making $7.50 a set at The Improv Theater, when he was summoned to New York to audition for the long-running late night sketch comedy show, Saturday Night Live. Fallon did his impersonations of Jerry Seinfeld,^[11] French Stewart, Pat O'Brien, Chris Rock, Hilary Swank, Gilbert Gottfried, Enrique Iglesias, Adam Sandler, Jeff Foxworthy, Eddie Murphy, Larry the Cable Guy, many of which drew laughter from producer Lorne Michaels, which is generally unheard of. Fallon also did musical impersonations of Bono of U2, Adam Duritz of Counting Crows, Alanis Morissette, and Robert Smith of The Cure.^[4]

[edit] Saturday Night Live

Fallon's impersonations helped land him on Saturday Night Live as a featured player in the 1998–1999 season,^[12] and he was promoted to full cast member in the summer of 1999.^[4] Among his signature bits were his song parodies, which he performed when Colin Quinn was doing Update and continued to showcase on special occasions after he had replaced him. He became co-anchor of Weekend Update with Tina Fey with the October 7, 2000 season premiere.^[13] Fallon left SNL in 2004 and began pursuing a film career.

Fallon returned to SNL, hosting the December 17, 2011 episode, having made several cameos in episodes in the years since his departure.^[14]

Recurring characters[link]

• Dave, a young man in the Will Ferrell/Rachel Dratch recurring sketch, "The Lovers", often used as a pawn in Roger and Virginia's matchmaking.
• Jarret (from Jarret's Room), a stoner who hosts his own Internet webcam show.
• Jeffrey's clerk, one of the clerks (the other being a male host for the show) of an upscale department store.
• Joey Mack, an obnoxious radio DJ who mocks his celebrity guests.
• Kip Bloder, brother to Chris Parnell's Wade Bloder.
• The Leather Man, an intense man who owns a shop filled with leather clothes.
• Nick Burns, a sarcastic tech support representative who helps office workers with computer problems (and is almost always exposed as not knowing as much as he should by one of the workers). He frequently used the catchphrase "Moooooove!" when ousting people from their desk so he could fix the problem.
• Pat Sullivan, nicknamed "Sully", one of the Boston Teens, boyfriend of Rachel Dratch's Denise character.
• Patrick Fitzwilliam, a surly Irishman who hosts a show called Top O' The Morning with his friend, William Fitzpatrick (played by Seth Meyers)
• Randy Goldman, from "Wake Up Wakefield", Megan's (Maya Rudolph) crush who does not know she exists.
• Rodney "The Zipper" Calzoun, the MC at the Rialto Grande
• Señor Guadalupe Ramirez, one of the guitar players on the recurring sketch, "The 'How Do You Say, Ah, Yes' Show"
• Wade, one of the members of the boy band 7 Degrees Celsius
• Barry Gibb, in the skit called "The Barry Gibb Talk Show", he hosts along with his brother Robin Gibb (played by Justin Timberlake).
• Carson Daly, whom he impersonated with the catch phrase "I am a massive tool."^[15]
• Pat O'Brien, who "doesn't breathe through his nose ever!"

[edit] Late Night with Jimmy Fallon

Fallon succeeded fellow Saturday Night Live alumnus Conan O'Brien as the host of NBC's Late Night after O'Brien left the show to prepare to take over The Tonight Show from Jay Leno in 2009.^[16] The deal for the long-expected succession was confirmed April 24, 2008, with an official announcement made on May 12, 2008 at NBC's upfront presentation.^[17][18] The official press conference was released on Hulu.com.^[19]

The show, titled Late Night with Jimmy Fallon, first aired on March 2, 2009 with guests Robert De Niro, Justin Timberlake, Nick Carter, and musical guest Van Morrison. Guests on the show's first week included Tina Fey, Jon Bon Jovi, Cameron Diaz, Donald Trump, and Drew Barrymore.

"Late Night with Jimmy Fallon" sometimes features parodies by Fallon impersonating various musicians, and he has been praised for his ability to pull off spot-on impressions. Fallon often changes the lyrics to honour a recent event in popular culture and videos of these performances tend to go viral. In one segment, on May 26, 2011, Fallon impersonated Neil Young, singing along with guests Graham Nash and David Crosby, of Crosby, Stills, Nash & Young. Recent victims include Fallon making parodies of Eddie Vedder and Pearl Jam performing "Jeremy (Lin)" in light of the hysteria surrounding New York Knicks shocking standout Jeremy Lin, the Doors singing the theme song to the PBS children's show "Reading Rainbow", Neil Young's version of the "Fresh Prince of Bel Air" theme song, and David Bowie's "Space Oddity" with inspiration by Denver Broncos quarterback Tim Tebow. First appearing in January 2012, and dubbing himself as "Tebowie", Fallon's impersonation of the famously-religious quarterback went viral. Due to overwhelmingly positive acclaim from the public, Fallon revived the act on March 20, 2012 after the Denver Broncos acquired superstar and future hall of fame quarterback Peyton Manning, and revealed their intentions to trade Tebow. Fallon continues to do impersonations, in some of the show's comedy segments, especially impersonations of famous singers.

To celebrate the second anniversary on March 2, 2011, Ben & Jerry's launched a personalized "Late Night Snack" ice cream. This was immediately parodied on The Colbert Report the next day and the two show hosts engaged in a brief ice cream personality war. Colbert used numerous "fecal matter" jokes to describe the flavor of the ice cream named after Jimmy Fallon.^[20]

On November 21, 2011 U.S. Representative Michele Bachmann, who was active in the Republican Presidential Primaries at the time, appeared as a guest on Late Night with Jimmy Fallon. As she walked onto the stage, the band played a funk song titled "Lyin' Ass Bitch," without any lyrics. Hours earlier, the band's drummer Questlove had sent a tweet about the song choice: “late night walkon song devotees: you love it when we snark: this next one takes the cake. ask around cause i aint tweeting title.” After a prominent Democratic Congress woman complained, Fallon made a general apology by tweet.^[21] Fallon began his tweet with the words: "I'm honored that @michelebachmann was on our show yesterday and I'm so sorry about the intro mess."^[22] Fallon also used his Twitter account to tease his Roots bandleader Ahmir "Questlove" Thompson that he was "grounded".^[22]

Fallon in April 2007

Fallon has appeared in Taxi, Anything Else, Almost Famous, Fever Pitch, Band of Brothers, Doogal, Factory Girl and Whip It. He occasionally does stand up comedy at the Comedy Club in New York City and has also performed at the House of Blues in Boston, Massachusetts on occasions.

In 2002, Fallon released the comedy album The Bathroom Wall. In a mixed review, Rolling Stone praised the album's songs, calling the album the "second-best Prince parody ever, after Beck's 'Debra'." However the magazine panned the album's comedy routines, ultimately giving it two-out-of-five stars.^[23] The album was nominated for a Grammy in 2003 for Best Spoken Comedy Album. Fallon co-hosted the 2001 MTV Movie Awards with Kirsten Dunst on June 7, 2001.^[24] Fallon has played Neo in Sex and the Matrix, a comedic two-in-one parody of Sex and the City and The Matrix.^[25] He hosted the 2002 MTV Video Music Awards alone that year.^[26] His opening number included parodies of videos by Eminem, Avril Lavigne, Nelly, The White Stripes, Dave Matthews and Enrique Iglesias.

Also in 2002, Fallon appeared in The Rutles 2: Can't Buy Me Lunch as the son of Melvin Hall, and constantly pesters his father, often stealing his mike, claiming that the film is "his documentary."^[27]

Fallon also hosted the 2005 MTV Movie Awards and played Anakin Skywalker in comedic parody of Star Wars Episode III: Revenge of the Sith's Mustafar scene, in which Anakin and Padme have their last conversation. Fallon was named one of People magazine's 50 Most Beautiful People in 2002, an honor Fallon found embarrassing.^[28]

Following the Boston Red Sox's World Series clinching game over the St. Louis Cardinals in 2004, Fallon ran onto the field at Busch Stadium with Drew Barrymore to film a scene for their movie Fever Pitch.

In 2006, Fallon starred in "Spontaneous Combustion", a Traktor-directed Pepsi television commercial with actress Parker Posey. In the ad, Fallon and Posey can be seen dancing and jumping around to the song Streamline by Newton. In October of that year, Fallon appeared on stage in The Secret Policeman's Ball, a charity gig filmed to raise awareness of Amnesty International at the Royal Albert Hall. Fallon made three appearances during the show, the first in a sketch in which he performed impressions of people such as David Bowie, Jerry Seinfeld and David Blaine in order to get past a doorman (Shaun Williamson) who claims Fallon is not on the list. The doorman finally recognizes him for his role in Taxi, but still will not let him in. He later masqueraded as Russell Brand before being led off by Williamson, and made one final appearance in a cameo role as the front of a pantomime horse in the Al Murray "pub landlord" routine. He also provided the voice of Dylan in Doogal.

In 2007, Fallon wrote the song "Car Wash for Peace" and donated all proceeds to charity. He performed the song on The Tonight Show with Jay Leno and The View and dedicated a MySpace page to the cause. Around the same time, a video circulated on various Internet sites called lonelyfallon32, in which Fallon parodied YouTube celebrity Jessica Rose (a.k.a. lonelygirl15) and later performed the song.

Fallon, along with his sister Gloria, wrote I Hate This Place: The Pessimist's Guide to Life for TV Books in 1999. A second book is anticipated but has not yet been released, to be titled "I Hate This Place 2: Tokyo Drift."^[4] Fallon has also written a children's book, illustrated by Adam Stower, entitled Snowball Fight.

Fallon also appeared on Diggnation's 185th show.^[29]

On May 4, 2010, NBC announced that Fallon would host the 62nd Primetime Emmy Awards.^[30] With Fallon as host, viewership of the 2010 Emmy Awards increased by over 200,000 viewers from the year before.^[31]

On April 24, 2012, Jimmy Fallon filmed his live show in Chapel Hill, NC on the campus of the University of North Carolina. His guest was President Barack Obama, who spoke primarily about Congress potentially doubling the interest rates of student loans. His musical guest was Dave Matthews.

Personal life[link]

Fallon married Nancy Juvonen on December 22, 2007.^[32] Juvonen and Drew Barrymore own the production company Flower Films.

On February 22, 2011, Fallon was on The Dr. Oz Show. He had a mole removed from his left hand in front of a live studio audience by visiting cosmetic surgeon Arthur Perry.^[33][34]

Television[link]

• Saturday Night Live (1998–2004)
• Spin City (1998)
• Band of Brothers as 2nd Lt. George C. Rice in "Crossroads"(2001)
• 30 Rock (2009)
• Late Night with Jimmy Fallon (2009–present)
• The Electric Company (2009)
• Family Guy (2009)
• Saturday Night Live (December 17, 2011)
• Silent Library (2011)
• 30 Rock (2012) - Young Jack
• iCarly (2012) - As Himself

Filmography[link]

• Almost Famous (2000)
• The Rutles 2: Can't Buy Me Lunch (2002)
• Anything Else (2003)
• The Entrepreneurs a.k.a. The $cheme (filmed in 1998, released in 2003)
• Taxi (2004)
• Fever Pitch (2005)
• The Magic Roundabout (2006) (voice)
• Arthur and the Invisibles (2006) (voice)
• Factory Girl (2006)
• The Year of Getting to Know Us (2008)
• Whip It (2009)
• Alvin and the Chipmunks: The Squeakquel

Discography[link]

Albums[link]

• The Bathroom Wall (2002)
• Blow Your Pants Off (2012)

Singles[link]

• "Idiot Boyfriend" (2002)
• "Car Wash for Peace" (2008)
• "Drunk On Christmas (feat. John Rich)" (2010)

Further reading[link]

• Baldwin, Kristen (2002-05-10), "Update with Destiny". Entertainment Weekly. (653):26
• Thank You Notes (Jan 2012)

References[link]