- published: 09 Oct 2011
- views: 4412
- author: adithyasampath100
0:14
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Championship Point 2008 French Open
2008 French Open Championship point, Ana Ivanovic of Serbia won the final beating Dinara S...
published: 09 Oct 2011
author: adithyasampath100
Championship Point 2008 French Open
Championship Point 2008 French Open
2008 French Open Championship point, Ana Ivanovic of Serbia won the final beating Dinara Safina of Russia.- published: 09 Oct 2011
- views: 4412
- author: adithyasampath100
9:21
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Foals - XXXXX & The French Open (Live @ Glastonbury 2008)
Foals intense intro at the Glastonbury Festival 2008. Video Copyright of the BBC. This was...
published: 12 Apr 2009
author: djsmithy
Foals - XXXXX & The French Open (Live @ Glastonbury 2008)
Foals - XXXXX & The French Open (Live @ Glastonbury 2008)
Foals intense intro at the Glastonbury Festival 2008. Video Copyright of the BBC. This was the best intro performance i've seen of Glastonbury that year.- published: 12 Apr 2009
- views: 130307
- author: djsmithy
0:00
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Semi Finals (Match 1) - 2013 Yonex French Badminton Open
The 2013 Yonex French Badminton Open is the 10th leg of the OSIM BWF World Superseries and...
published: 23 Oct 2013
Semi Finals (Match 1) - 2013 Yonex French Badminton Open
Semi Finals (Match 1) - 2013 Yonex French Badminton Open
The 2013 Yonex French Badminton Open is the 10th leg of the OSIM BWF World Superseries and takes place in Paris from the 22nd till the 27th of October 2013. Live streaming of this Superseries tournament will begin from the Quarter Finals on 25th October through to the Finals on 27th October. The OSIM BWF World Superseries is a 12-tournament series that attracts the participation of the top 32 badminton players from around the world. The top eight in each of the five disciplines on the Superseries standings will stand to fight for the Championship in season grand finale, the BWF Superseries Finals. *********************************** It is BWF's goal to provide the live streaming of the Yonex French Badminton Open 2013 and delayed videos in as many countries as possible. However, due to reasons including government internet and media rights restrictions, it will be unavailable to viewers in Denmark, France, Germany, Hong Kong, Malaysia, and Singapore. Check out your local TV listing for more broadcast. Delays/match replays on BadmintonWorld.TV will be available worldwide a day after the end of event, except in host country (France).- published: 23 Oct 2013
- views: 11
3:35
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Foals - The French Open (Live on KEXP)
Foals perform "The French Open" on KEXP 90.3 FM in Seattle. From the album "Antidotes" on ...
published: 11 Jul 2008
author: kexpradio
Foals - The French Open (Live on KEXP)
Foals - The French Open (Live on KEXP)
Foals perform "The French Open" on KEXP 90.3 FM in Seattle. From the album "Antidotes" on Sub Pop.- published: 11 Jul 2008
- views: 156403
- author: kexpradio
2:55
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Serena Williams vs. Maria Sharapova final highlights - French Open 2013
Serena Williams defeated Maria Sharapova 6-4, 6-4....
published: 09 Jun 2013
author: FootballSky
Serena Williams vs. Maria Sharapova final highlights - French Open 2013
Serena Williams vs. Maria Sharapova final highlights - French Open 2013
Serena Williams defeated Maria Sharapova 6-4, 6-4.- published: 09 Jun 2013
- views: 2674
- author: FootballSky
3:45
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Foals - The French Open Drum Cover
Song: "The French Open" Artist: Foals Album: "Antidotes" (2008) www.myspace.com/ghostsoldi...
published: 07 Nov 2008
author: callen1034
Foals - The French Open Drum Cover
Foals - The French Open Drum Cover
Song: "The French Open" Artist: Foals Album: "Antidotes" (2008) www.myspace.com/ghostsoldiermusic ----------------------------- Recorded on November 5, 2008:...- published: 07 Nov 2008
- views: 34824
- author: callen1034
69:05
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Nitya Krishinda Maheswari/Greysia Polli vs Wang Xiaoli/Yu Yang - French Open 2013
Indonesia vs China
Playlist 2013 French Open http://goo.gl/meYgkQ
QF Women Double Match - ...
published: 25 Oct 2013
Nitya Krishinda Maheswari/Greysia Polli vs Wang Xiaoli/Yu Yang - French Open 2013
Nitya Krishinda Maheswari/Greysia Polli vs Wang Xiaoli/Yu Yang - French Open 2013
Indonesia vs China Playlist 2013 French Open http://goo.gl/meYgkQ QF Women Double Match - 2013 French Open Nitya Krishinda Maheswari/Greysia Polli vs Xiaoli WANG/Yang YU Nitya Krishinda Maheswari/Greysia Polli vs Wang Xiaoli/Yuyang - French Open 2013 Video Nitya Krishinda Maheswari/Greysia Polli vs Wang Xiaoli/Yuyang - French Open 2013 Nitya Krishinda Maheswari/Greysia Polli vs Wang Xiaoli/Yuyang - French Open 2013 Download Bulutangkis Indonesia Nitya Krishinda Maheswari/Greysia Polli vs Wang Xiaoli/Yuyang - French Open 2013 Indonesia vs China Indonesia vs China Indonesia vs China- published: 25 Oct 2013
- views: 11375
3:37
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Foals - The French Open (live at Sala Mynt, Madrid, Nov 30th 2008)
Foals - The French Open (live at Sala Mynt, Madrid, Nov 30th 2008)...
published: 01 Dec 2008
author: paquitobzh
Foals - The French Open (live at Sala Mynt, Madrid, Nov 30th 2008)
Foals - The French Open (live at Sala Mynt, Madrid, Nov 30th 2008)
Foals - The French Open (live at Sala Mynt, Madrid, Nov 30th 2008)- published: 01 Dec 2008
- views: 810
- author: paquitobzh
1:02
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China's Li Na in Historic Win at French Open
For more news and videos visit ☛ http://english.ntdtv.com Follow us on Twitter ☛ http://tw...
published: 06 Jun 2011
author: NTDTV
China's Li Na in Historic Win at French Open
China's Li Na in Historic Win at French Open
For more news and videos visit ☛ http://english.ntdtv.com Follow us on Twitter ☛ http://twitter.com/NTDTelevision Add us on Facebook ☛ http://facebook.com/NT...- published: 06 Jun 2011
- views: 2728
- author: NTDTV
3:46
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foals - french open (album version)
on the album "antidotes". there is many diffrent versions of this song for some reason but...
published: 13 May 2008
author: xfunkologyx
foals - french open (album version)
foals - french open (album version)
on the album "antidotes". there is many diffrent versions of this song for some reason but, this one is my favourite(favorite)- published: 13 May 2008
- views: 174552
- author: xfunkologyx
6:13
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My trip to the French Open Final 2008
Roger Federer v Rafael Nadal Roland Garros Final Sorry abt the shaky hands i was excited :...
published: 13 Mar 2009
author: nia glyn
My trip to the French Open Final 2008
My trip to the French Open Final 2008
Roger Federer v Rafael Nadal Roland Garros Final Sorry abt the shaky hands i was excited :P All footage filmed by me, so don't remove it again youtube claimi...- published: 13 Mar 2009
- views: 3947
- author: nia glyn
2:04
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Agassi Moya French Open 1999 (3/3)
4th round Andre Agassi vs. Carlos Moya (last moments)...
published: 16 Feb 2008
author: neibaf3
Agassi Moya French Open 1999 (3/3)
Agassi Moya French Open 1999 (3/3)
4th round Andre Agassi vs. Carlos Moya (last moments)- published: 16 Feb 2008
- views: 29180
- author: neibaf3
0:16
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Rafael NADAL (*1986 / ESP) - Matchpoint - 2008 French Open - Paris / France
Match point in the winning match of Rafael Nadal (ESP) against Fernando Verdasco (ESP) in ...
published: 27 Jun 2008
author: Martin Baroch
Rafael NADAL (*1986 / ESP) - Matchpoint - 2008 French Open - Paris / France
Rafael NADAL (*1986 / ESP) - Matchpoint - 2008 French Open - Paris / France
Match point in the winning match of Rafael Nadal (ESP) against Fernando Verdasco (ESP) in the round of last 16 during the 2008 French Open which Nadal clearl...- published: 27 Jun 2008
- views: 11913
- author: Martin Baroch
Vimeo results:
78:24
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The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. Th...
published: 22 Sep 2009
author: Victoria and Albert Museum
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. The purpose of the lecture is to celebrate the legacy of the Museum’s founding director, and explore its implications for museums, culture and society today.
The lecture, entitled 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum' was delivered by Professor Sir Christopher Frayling. He presented new research on the “chamber of horrors” (a contemporary nickname for one of the V&A;'s earliest galleries, 'Decorations on False Principles', that opened in 1852) and the myths and realities of its reception, then opened up a wider debate on design education and museums from the nineteenth century to the present day.
Transcript:
Mark Jones: The annual Henry Cole lecture has been initiated to celebrate Henry Cole's legacy and to explore the contribution that culture can make to education and society today. It has also been launched to celebrate the opening of the Sackler Centre for arts education, including the Hochhauser Auditorium in which we sit tonight. There could be no one better than Professor Sir Christopher Frayling to give the inaugural Henry Cole Lecture. Christopher is a rare being: an intellectual who is a great communicator; a theorist who has a firm grip on the practical realities of life: a writer who truly and instinctively understands the words of making design and visual communication. As an enormously successful and respected Rector of the Royal College of Art, as Chairman of the Arts Council, and as a member and chair of boards too numerous to mention - but not forgetting the Royal Mint Advisory Committee which has recently been responsible for redesigning the coinage (personal interest) and as by far the longest-serving Trustee of the V&A;, he brings together culture, education and public service in a way which Henry Cole would have approved and admired. So it's more than fitting that he should be giving this first Henry Cole Lecture, 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum'.
CHRISTOPHER FRAYLING:
Thank you very much indeed Mark and thank you very much for inviting me to give this first Henry Cole Lecture. Just how much of an honour it is for me will I hope become clear as the lecture progresses.
Mark, Chairpeople, ladies and gentlemen:
Hidden away in the garden of the South Kensington Museum - now the Madejski Garden of the V&A; - there is a small and easily overlooked commemorative plaque that doesn't have a museum number. It reads: 'In Memory of Jim Died 1879 Aged 15 Years, Faithful Dog of Sir Henry Cole of this Museum'. Jim had in fact died on 30 January 1879. He was with Henry Cole in his heyday, as the king of South Kensington - its museums and colleges - and saw him through to retirement from the public service and beyond. And next to this inscription there's another one dedicated to Jim's successor, Tycho, and dated 1885. The dogs are actually buried in the garden. Now we know from Henry Cole's diary that between 1864 and 1879 Jim, who was a cairn terrier, was often to be seen in public at his master's side. In 1864 they were together inspecting the new memorial to the Great Exhibition of 1851 just behind the Albert Hall - a statue of Prince Albert by Joseph Durham on a lofty plinth covered in statistics about the income, expenditure and visitor numbers to the Great Exhibition: 6,039,195 to be exact. Cole had been a tireless champion of Prince Albert and according to the Princess Royal (later Empress of Prussia) there was a family saying in Buckingham Palace at the time, invented by Albert himself, that when things needed doing 'when we want steam we must get Cole'. We may therefore assume that when looking at the memorial, Cole was interested in the inscription, the statistics and the likeness of Prince Albert, while Jim was more interested in the possibilities of the plinth. In early 1866 - these are five studies of Jim, an etching by Henry Cole himself of 1864. In early 1866, first thing in the morning, soon after the workmen's bell had rung, Henry and Jim would set forth together from Cole's newly constructed official residence in the Museum (where he moved in July 1863) to tour the building sites of South Kensington - a name which was first invented by Cole when he re-named the museum The South Kensington Museum to describe the new developments happening around Brompton Church. According to 'The Builder' magazine, these two well-known figures would 'be seen clambering over bricks, mortar and girders up ladders and about scaffolding'. Several buildings in the South Kensington Renaissance Revival style were springing up all around them: The Natural History Museum, The College of Science, the extension to this Museum. And on the morning the Bethnal Green Museum opened - 24 June 1872 - Jim showed a healthy distaste for his master's well-known predilection for pomp and
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Joshua God Wars Pt 9: Fathers Becoming Men of God
Congratulations to all our Fathers this morning. Believe it or not, God thinks Fathers are...
published: 22 Jun 2009
author: Jim Tompkins
Joshua God Wars Pt 9: Fathers Becoming Men of God
Congratulations to all our Fathers this morning. Believe it or not, God thinks Fathers are important. God will never allow a test tube to replace Father’s. Father’s are absolutely essential in God’s overall plan of providing an inheritance for His Son. We are in a Cultural War men, one which relegates the Father to the role of bumbling idiot. God sees each one of us a Fighters, Infantry Soldiers in the Battle for the Inheritance for His Son, Jesus Christ.
"Wish You Were Here"
Kendall Phelps will never forget the morning two years ago when a picture popped up on his computer in his Silver Lake, Kansas, high school classroom. There stood Chris, his oldest son, in desert camouflage in front of a bombed-out building in Baghdad. He was holding a sign written on the back of a discarded MRE carton: "DAD, WISH YOU WERE HERE. SEMPER FI!" Kendall, a retired Marine, rushed across the street to the elementary school where his wife, Sherma, teaches fourth grade. She had already received the same photo via e-mail and, in a spasm of giddy relief, was printing out copies to post at the church and all over town. Chris had not been heard from since just after the start of Operation Iraqi Freedom a month earlier. Kendall's elation that his son was all right momentarily erased his disappointment over not being in Baghdad himself. "Kendall is a Marine and a dad," explains Sherma. "He could not stand it that he was not over there with Chris, fighting side by side, protecting his son."
This past winter, against all odds, Master Gunnery Sgt. Kendall Phelps, 58, and Maj. Christopher Phelps, 35, deployed to Iraq together for a seven-month tour in the newly formed 5th Civil Affairs Group based in Fallujah. Ever since the five Sullivan brothers from Waterloo, Iowa, tragically died when their cruiser was sunk in World War II, the U.S. military has been reluctant to deploy immediate family members in the same company. No one can remember a Marine father and son serving together. The mission of the 5th Civil Affairs Group is to facilitate the reconstruction of Al Anbar province, an area riddled with suicide bombers and insurgents. Chris, a team leader, is working with the Iraqi police, firefighters and contractors on rebuilding the infrastructure. His dad will use his 30 years of teaching experience to help establish new schools. They both know it won't be easy. "It will be hot and nerve-racking and people are going to die," says Chris. "My buddies say civil affairs is the most dangerous job in the Marine Corps right now. But I also think it's going to be gratifying to get that grid system up and water pumping."
"When I asked him why," says Chris, "he said, 'I want to make a difference. I'm a Marine.' For me, there were no more questions. I understood. As a Marine, you feel your time is never over."
Christian Fathers, God Needs You to Make a Difference. Only This Difference will impact ETERNITY:
An Army brat was boasting about his father to a Marine brat.
"My dad is an engineer. He can do everything. Do you know the Alps?"
"Yes," said the Marine brat.
"My dad has built them."
Then the Marine kid spoke: "And do you know the Dead Sea?"
"Yes."
"My dad killed it!"
The Fathers of Israel were Fighters. They were fighting to take possession of a land they could call their own. After centuries of wandering, being enslaved, they wanted to provide their families with a permanent home, a place they could settle down and start spreading roots.
Their Fathers Witnessed Mighty Miracles
Their fathers before them had witnessed a mighty miracle in the parting of the red sea and the destruction of Pharoah’s army. They had witnessed the victory over the Amalekites. They had seen God miraculously provide manna from heaven, water from a rock. Yet their fathers failed to give their hearts and minds to the awesom God who worked these mighty acts. In fact their fathers all perished in the wilderness, as God told them they would.
Now the sons were fathers, and these fathers too were witnessing mighty acts of the awesome God known as Jehovah. They witnessed the mighty miracle of the parting of the Jordan River. They witnessed the walls of a mighty city fall down with just the blowing of Rams horns and shouting of God’s people. They shared in the foolish defeat at Ai, and then the mighty victory over both Ai and Bethel.
JOSHUA HAS NOW LED THESE FIGHTING FATHERS TO THE VALLEY OF DECISION
BY NOW THE MESSAGE WAS RINGING LOUD AND CLEAR IN THEIR HEARTS AND MINDS. THEY MUST MAKE A DECISION, A DECISION THAT WAS TO MARK THE REST OF THEIR LIVES, A DECISION THAT WAS TO MARK THE LIVES OF THEIR CHILDREN AND GRANDCHILDREN.
THEIR FATHER’S FAILED TO HAVE A HEART BELIEF IN THE TRUE GOD
When it came time for their fathers to make such a decision, here is what they said:
Exodus 24:3 (NASB) Then Moses came and recounted to the people all the words of the Lord and all the ordinances; and all the people answered with one voice and said, "All the words which the
4:39
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Effraction de l'oubli (teaser)
Création 2010
selected Aerowaves 2011
solo 40 minutes
Conception Camille Mutel | Danse Cam...
published: 07 Aug 2013
author: Compagnie Li (luo)
Effraction de l'oubli (teaser)
Création 2010
selected Aerowaves 2011
solo 40 minutes
Conception Camille Mutel | Danse Camille Mutel | Composition musicale Gilles Gobeil (commande d’état) | Création lumière Matthieu Ferry | Masque Olivier Weber
Coproduction L’Actée Théâtre, Centre Culturel André Malraux|Avec le soutien de la DRAC Lorraine, du Conseil Régional de Lorraine, de la Ville de Nancy, des Plateaux Lorrains|Résidences TROIS C-L Luxembourg, Fabrique de l’Ephéméride (Val de Reuil), Duncan 3.0 (Rome). Remerciements ZKM (Karlsruhe)
Effraction de l’oubli est une remontée lente et minutieuse entre intérieur et surface d’un corps oublié par lui-même. Le spectateur est invité à voir quelque chose de ce corps avec précision. Le tout est alors occulté pour la partie ;le corps apparaît morcelé. Le parti pris temporel conduit le spectateur à une préhension relative de la durée, à un refondement de sa perception du temps. C’est à l’intérieur même de cet oubli du temps qu’il peut recréer un lien, figurer une image à partir de ces fragments. La présence du corps oscille entre abstraction et cruauté ; ombres et gouffres se succèdent sur une nudité apparemment familière qui se transforme lentement et échappe sans cesse à une définition. L’espace est millimétré ;ses limites infranchissables dessinées par la lumière l’apparentent à un labyrinthe. Centré, ce corps n’est nulle part. Il n’appartient à aucun espace. Il est sous le regard. Il s’est constitué objet du regard, objet du désir s’il en est. Et l’oeil qui se pose sur ce corps, et malgré lui sculpte, ampute, reforme ce qui est sans forme, tente de prendre, de comprendre, de reformer ces bribes d’insaisi, enfreint l’objet en lui donnant un sens.
Camille Mutel
BURSTING INTO OBLIVION Creation 2010
I began to think about "Bursting into Oblivion" in July 2008, by reading Maurice Blanchot's "Orpheus Look". During the creative process, I wanted to delve deeply into the moment where Orpheus turns towards Eurydice and reveals the emptiness that opens to imagination. But I'm not speaking about the myth.
What am I speaking about? About emptiness as a question. About casting a look that bursts into this emptiness. About desire, fathered and revealed. About the creative process.
What member in the audience is watching? A woman's body. Nude. The body made of flesh is wearing a death mask, which is created from the face of the dancer, by Olivier Weber. The smile on this mask is inspired by the smile of L'inconnue de la Seine (the unknown woman of the Seine) a famous death mask made in the beginning of the 19th century that, for a generation of French artists, has represented the bliss of death. It is not to transform the body into a character but the contrary; to take the body's humanity and transform it into an unamed and unidentified entity, yet conserving the mystery of a body which is neither dead or alive, an image, a recording-oblivion.
The face is the most obvious expression of the body. If I take off that expression and combine it with the look of the body (the mask is blind), I reinforce the state of the body's flesh. What about the consciousness of this flesh? At first, it is perception (warmth of lights, tactile marks on the stage floor), that causes movement. Then it seems that the awareness of being looked at makes the body open towards this look and it is aware of its own image. So the image itself causes movement a second time, its own image and searching to be looked at. From that look, the body is named as a body. It finds an outside identity. Then the notion of limit appears; temporality and boundaries. Cut-the body tries to unveil, to open, to quarter and join the Inexhaustible, the Unthinkable from where it originates and from which it is now exiled. From this attempt to turn back to what is unspeakable, arises a choreographic language that looks for the consciousness of inwardness and the image of this inwardness.
Light is the second entity in this creation. Light is the one who shows the body. It selects, sculpts, amputates, and builds an image; the way the light breaks up reveals the body. And it is at the exact place where looking is indicated by the light that part of the body disappears. It disappears into an unceasing birth.
Music stimulates the vision of an inner and an outside landscape with the recording of the voice of the dancer used in a composition made of multiple layers of sound. Layers that open or close the space, with four speakers placed around the defined body to a fixed point and to silence.
Camille Mutel
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The Percy Faith #5 In Beautiful HD Photography!
More Music Videos: ILoveProfHowdy.Com
Lyrics:
1) Take my hand
I'm a stranger in paradis...
published: 20 Aug 2011
author: Henry David Hamilton
The Percy Faith #5 In Beautiful HD Photography!
More Music Videos: ILoveProfHowdy.Com
Lyrics:
1) Take my hand
I'm a stranger in paradise
All lost in a wonderland
A stranger in paradise
If I stand starry-eyed
That's a danger in paradise
For mortals who stand beside
An angel like you
I saw your face
And I ascended
Out of the commonplace
Into the rare
Somewhere in space
I hang suspended
Until I know
There's a chance that you care
Won't you answer the fervent prayer
Of a stranger in paradise
Don't send me in dark despair
From all that I hunger for
But open your angel's arms
To the stranger in paradise
And tell him
That he need be
A stranger no more!
"Stranger in Paradise" is a popular song from the 1953 musical Kismet and is credited to Robert Wright and George Forrest. Like all the music in that show, the melody was based on music composed by Alexander Borodin, in this case, the "Gliding Dance of the Maidens," from the Polovtsian Dances.
Richard Kiley and Doretta Morrow (Man of La Mancha and The King and I) performed the song in the original cast of Kismet. Vic Damone and Ann Blyth performed the song in the 1955 film.
Bing Crosby versions in 1953.
The most popular version was sung by Tony Bennett (1953), but other versions by The Four Aces and Tony Martin also received popular favor in 1954. Bennett's version reached number one in the UK Singles Chart in May 1955.[1] It was not until 1955 that Kismet, and thus the songs from the show, came to London. It was Bennett's debut hit record in the United Kingdom.
Keely Smith, Ray Conniff, Wes Montgomery, George Shearing, Curtis Counce, Isaac Hayes, Sun Ra, The Supremes (for their album I Hear A Symphony), Sarah Brightman, and Saint Etienne have also recorded cover versions of this standard.
The song was also featured in the video game Jikkyō Oshaberi Parodius for the PlayStation. Not only did it appear as background music in Parodius, it was also featured in Ape Escape 3 on the Saru-Mon's (Immobile) Castle stage.
In the 1999 film, Breakfast of Champions, based on the book of the same name by Kurt Vonnegut, Jr., the song is used as a recurring motif.
It also appeared in an anime, Absolute Boy, as a ringtone.
Violinist André Rieu also made an orchestral cover of this song. It is also used in the rap song Prince Igor by The Rapsody, Warren G and Sissel - Wikipedia
2) Laura is the face in the misty light
Footsteps that you hear down the hall
The LAUGH that floats on a summer night
That you can never quite recall
And you see Laura on a train that is passing through
Those eyes how familiar they seem
She gave your very first kiss to you
That was Laura but she's only a dream
She gave your very first kiss to you
That was Laura
But she's only a dream!
"Laura" is a 1945 popular song composed by David Raksin, with lyrics written by Johnny Mercer from the 1944 movie starring Gene Tierney and Dana Andrews. It has since become a jazz standard with over four hundred known recordings. The best known versions are by Billy Eckstine & Bobby Tucker Quartet, Charlie Parker, J. J. Johnson, Woody Herman, Frank Sinatra and Julie London (included on her album Julie Is Her Name). It was adapted from the theme of the 1944 film, Laura.
Notable recordings:
Eric Winstone and His Band Song: Alan Lane. Recorded in London on June 6, 1945. It was released by EMI on the HMV Records label as catalogue number BD 5893
Ella Fitzgerald - Ella Fitzgerald Sings the Johnny Mercer Songbook (1964)
Dick Haymes - The Very Best of Dick Haymes (1997)
Frank Sinatra - From his album Where Are You?
Trini Lopez - From his album The Love Album
Charlie Parker - From his album Charlie Parker with Strings
Percy Faith - orchestral version from the album A Summer Place
3) Oh, you can kiss me on a Monday a Monday a Monday
is very very good
Or you can kiss me on a Tuesday a Tuesday a Tuesday
in fact I wish you would
Or you can kiss me on a Wednesday a Thursday a
Friday and Saturday is best
But never ever on a Sunday a Sunday a Sunday
cause that's my day of rest
Most anyday you can be my guest
Anyday you say but my day of rest
Just name the day that you like the best
Only stay away on my day of rest
Oh, you can kiss me on a cool day a hot day a wet day
which ever one you choose
Or try to kiss me on a grey day a May day a pay day
and see if I refuse
And if you make it on a bleake day a freak day or a week day
Well you can be my guest
But never ever on a Sunday a Sunday the one day
I need a little rest
Oh, you can kiss me on a week day a week day a week day
the day to be my guest!
"Never on Sunday", also known as "Ta Paidia Tou Piraia" (Greek: Τα Παιδιά του Πειραιά; English: The Children of Piraeus) is a popular song by Manos Hadjidakis. A vocal version was also released and performed by Melina Mercouri in the film of same name directed by Jules Dassin and starring Mercouri. The song won the Academy Award for Best Original Song in 1960, a first for a foreign-language picture. The film scor
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0:22
![](http://web.archive.org./web/20131211063917im_/http://i.ytimg.com/vi/e9QDndEnD7g/0.jpg)
Roger FEDERER (*81, CH) - Julien BENNETEAU (*81, FRA) - 2008 French Open - Paris / France
Dramatic point from the match on Court Central during the 2008 French Open in Paris. For m...
published: 28 Jun 2008
author: Martin Baroch
Roger FEDERER (*81, CH) - Julien BENNETEAU (*81, FRA) - 2008 French Open - Paris / France
Roger FEDERER (*81, CH) - Julien BENNETEAU (*81, FRA) - 2008 French Open - Paris / France
Dramatic point from the match on Court Central during the 2008 French Open in Paris. For more exclusive tennis videos and pictures go to http://www.MyTennisW...- published: 28 Jun 2008
- views: 1093
- author: Martin Baroch
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![](http://web.archive.org./web/20131211063917im_/http://i1.ytimg.com/vi/xfhLRXUy_LY/0.jpg)
QF - WD - N.K.MAHESWARI / G.POLII vs WANG X.L. / YU Y. - 2013 French Open
Playlist - 2013 Yonex French Badminton Open
http://www.youtube.com/playlist?list=PLIxA99cX...
published: 26 Oct 2013
QF - WD - N.K.MAHESWARI / G.POLII vs WANG X.L. / YU Y. - 2013 French Open
QF - WD - N.K.MAHESWARI / G.POLII vs WANG X.L. / YU Y. - 2013 French Open
Playlist - 2013 Yonex French Badminton Open http://www.youtube.com/playlist?list=PLIxA99cXcK2F31cnfa-Yc-s6da_GmX-PJ Matches http://www.tournamentsoftware.com/sport/matches.aspx?id=E1B21748-662E-4EEF-B832-1ED615C74E3B BWF https://www.youtube.com/user/bwf/featured- published: 26 Oct 2013
- views: 2343
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![](http://web.archive.org./web/20131211063917im_/http://i.ytimg.com/vi/PTcQUFJU0qs/0.jpg)
Roger FEDERER (*81, CH) - 2008 French Open - Paris / France
Match point finished by successful overhead in Roger's winning match against Julien Bennet...
published: 27 Jun 2008
author: Martin Baroch
Roger FEDERER (*81, CH) - 2008 French Open - Paris / France
Roger FEDERER (*81, CH) - 2008 French Open - Paris / France
Match point finished by successful overhead in Roger's winning match against Julien Benneteau (FRA) in the round of the last 16 during the 2008 French Open i...- published: 27 Jun 2008
- views: 9795
- author: Martin Baroch