- published: 30 Apr 2012
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The Internationale Maifestspiele Wiesbaden (International May Festival, IMF) is a theater festival in Wiesbaden, Germany. Established in the late 19th century after the Bayreuth Festival, the festival is one of the most distinguished international theatre and music festivals in the world. It is presented annually in May at the Hessisches Staatstheater Wiesbaden, the State Theatre of Hesse in the capital Wiesbaden. The festival currently features performances of operas, ballets, plays and musicals. Visiting companies, mostly from European theaters, present their recent productions along with performances of the Theater Wiesbaden. Concerts from a wide array of music genres are featured as well as artistic circus acts and modern dance presentations. Lectures, recitals, cabaret performances, art showings and readings are also part of the program.
In 1896 the festival was established as "Kaiserfestspiele" (Imperial Festival) by Georg von Hülsen, director of the theater in Wiesbaden. He wanted to create a festival to compare with the successful Bayreuth Festival. A festival in Spring was supposed to coincide with the emperor's regular stay at the spa to create a cultural event. The director also wanted to improve the status of his "Neues königliches Hoftheater" (New Royal Court Theatre), which relied mostly on productions from the Royal theater in Berlin. The first festival was presented from 6 to 19 May 1896, with the German emperor William I and the empress Augusta of Saxe-Weimar-Eisenach in attendance. The posters and programs showed "Festspiele auf allerhöchsten Befehl!" (Festival by the very highest order!), referring to the emperor's demand. In the beginning the focus was on the works of Richard Wagner as in Bayreuth, but different from Bayreuth works of other composers were also performed, such as Carl Maria von Weber's Oberon in 1900. The festival closed for the duration of World War I.
Mit einer Komposition von Ernst August Klötzke zum Gralsmotiv aus Richard Wagners Oper "Lohengrin" wurden die Internationalen Maifestspiele in Wiesbaden eröffnet. Weitere Videos aus Wiesbaden und Umgebung sehen Sie auf http://www.wiesbadener-kurier.de/videos/region
Für den Intendanten des Hessischen Staatstheaters Wiesbaden werden es die letzten Maifestspiele sein: Die Intendanz von Manfred Beilharz endet im August 2014 nach 12 Jahren. Werdet ein Fan auf Facebook: https://www.facebook.com/wiesbadenerkurier Folgt uns auf Twitter: https://twitter.com/wknachrichten Weitere Videos aus Wiesbaden und dem Rhein-Main-Gebiet sehen Sie auf http://www.wiesbadener-kurier.de/videos/region
Gaetano Donizetti :l' elisir d'amore "Udite o rustici" - Dulcamara: Paolo Bordogna Direttore Andrea Battistoni Regista Fabio Sparvoli Costumi Alessandra Torella Internationale Maifestspiele Wiesbaden Registrazione live: Maggio 2014
Mit der Uraufführung des eigens für die Maifestspiele komponierten Stücks Beatrice von Ernst August Klötzke wurden in den Theaterkolonnaden die Wiesbadener Maifestspiele eröffnet.
Als erstes deutsches Theater öffnet Wiesbaden wieder die Türen. Statt den Maifestspielen gibt es ein Ersatzprogramm, das vom 18. Mai bis zum 6. Juni gespielt wird. Doch wie hat sich das Hessische Staatstheater auf die Corona-Schutzmaßnahmen vorbereitet?
Gaetano Donizetti:l'elisir d'amore. Duetto Adina - Dulcamara - prima parte Olga Peretyatko - Paolo Bordogna Direttore Andrea Battistoni Regista Fabio Sparvoli Costumi Alessandra Torella Internationale Maifestspiele Wiesbaden Registrazione live: Maggio 2014
Die Musik in Anlehnung an Richard Wagner düster, das Feuer bescheint faszienerend monumental das Wiesbadener Staatstheater. Selten wurden die Internationalen Maifestspiele großartiger gestartet - wagnerwürdig!
Internationale Maifestspiele Wiesbaden 2016 Das hat mit ihrem Singen die Loreley getan Konzept + Rezitation: Chris Pichler Kammermusikvereinigung Staatsorchester Wiesbaden
Nikolaus Habjan & Friends Klavier: Ines Schüttengruber Knopferlharmonika: Helmut Thomas Stippich Cello: Marie Spaemann Violine: Nikolai Tunkowitsch Arrangement: Helmut Thomas Stippich Aufgenommen am 27. Mai 2019 - Staatstheater Wiesbaden - Internationale Maifestspiele Wiesbaden
DIE TRAGÖDIE VON ROMEO UND JULIA von William Shakespeare Thalia Theater Hamburg Inszenierung: Jette Steckel Bühne: Florian Lösche Kostüme: Pauline Hüners Musik: Anja Plaschg (Soap & Skin), Anton Spielmann (1000 Robota) Live-Musik: Anja Plaschg, Anton Spielmann Choreografie: Dorothea Ratzel Dramaturgie: Carl Hegemann Mit Birte Schnöink, Mirco Kreibich, Karin Neuhäuser, Stephan Bissmeier, Julian Greis, Pascal Houdus, Matthias Leja, Oda Thormeyer, Rafael Stachowiak, Sven Schelker 5. & 6. Mai 2015 Infos und Tickets hier: http://www.staatstheater-wiesbaden.de/internationale-maifestspiele/produktionen/schauspiel-und-performance/romeo-und-julia-imf-2015/
The Internationale Maifestspiele Wiesbaden (International May Festival, IMF) is a theater festival in Wiesbaden, Germany. Established in the late 19th century after the Bayreuth Festival, the festival is one of the most distinguished international theatre and music festivals in the world. It is presented annually in May at the Hessisches Staatstheater Wiesbaden, the State Theatre of Hesse in the capital Wiesbaden. The festival currently features performances of operas, ballets, plays and musicals. Visiting companies, mostly from European theaters, present their recent productions along with performances of the Theater Wiesbaden. Concerts from a wide array of music genres are featured as well as artistic circus acts and modern dance presentations. Lectures, recitals, cabaret performances, art showings and readings are also part of the program.
In 1896 the festival was established as "Kaiserfestspiele" (Imperial Festival) by Georg von Hülsen, director of the theater in Wiesbaden. He wanted to create a festival to compare with the successful Bayreuth Festival. A festival in Spring was supposed to coincide with the emperor's regular stay at the spa to create a cultural event. The director also wanted to improve the status of his "Neues königliches Hoftheater" (New Royal Court Theatre), which relied mostly on productions from the Royal theater in Berlin. The first festival was presented from 6 to 19 May 1896, with the German emperor William I and the empress Augusta of Saxe-Weimar-Eisenach in attendance. The posters and programs showed "Festspiele auf allerhöchsten Befehl!" (Festival by the very highest order!), referring to the emperor's demand. In the beginning the focus was on the works of Richard Wagner as in Bayreuth, but different from Bayreuth works of other composers were also performed, such as Carl Maria von Weber's Oberon in 1900. The festival closed for the duration of World War I.