"Beautiful Day" is a song by the rock band U2. It is the first track from their 2000 album, All That You Can't Leave Behind, and it was released as the album's lead single. It was a commercial success, helping launch the album to multi-platinum status, and is one of U2's biggest hits to date. Like many tracks from All That You Can't Leave Behind, "Beautiful Day" harkens back to the group's past sound. The tone of The Edge's guitar was a subject of debate amongst the band members, as they disagreed on whether he should use a sound similar to that from their early career in the 1980s. Lead vocalist Bono explained that the upbeat track is about losing everything but still finding joy in what one has.

The song received positive reviews, and it became their fourth number-one single in the UK and their first number-one in the Netherlands. The song peaked at number 21 in the United States, the band's highest position since "Discothèque" in 1997. In 2001, the song won three Grammy Awards for Song of the Year, Record of the Year, and Best Rock Performance by a Duo or Group with Vocal. The group has played "Beautiful Day" at every one of their concerts since the song's 2001 live debut on the Elevation Tour.

Writing and recording[link]

"Beautiful Day" was written in several stages, originating from a composition called "Always"^[3] (later released as a B-side) that the band created in a small room at Hanover Quay Studio.^[4] However, they were initially unimpressed with it, as guitarist The Edge said, "As a straight rock song, it was pretty ho-hum."^[4] After lead vocalist Bono came up with the "beautiful day" lyric, the song went in a different direction.^[3] The Edge's backing vocals for the chorus were improvised one night with co-producer Daniel Lanois,^[4] an addition he called "the key" to the chorus and its new lyrics.^[3]

During the recording process for the All That You Can't Leave Behind album, the band decided to distance themselves from their 1990s experimentation with electronic dance music in favour of a "return to the traditional U2 sound". At the same time, the band was looking for a more forward-looking sound.^[4] This led to debate amongst the band when The Edge was playing the song on his Gibson Explorer guitar with a tone used in much of their early material up to their 1983 album War. Bono was particularly resistant to the guitar tone The Edge was playing with, but The Edge ultimately won the disagreement. As he explains, "It was because we were coming up with some innovative music that I felt a license to use some signature guitar sounds."^[4] Although the group wished to establish a more stripped-down, conventional sound, one of the song's breakthroughs came after co-producer Brian Eno provided "electronification of the chords with a beat box" and a synthesised string part to the beginning.^[4] The Edge believes the contrast between these more electronic qualities of the track and his backing vocals with Lanois benefited the song.^[4]

The mixing process proved difficult, lasting two weeks.^[4] Several changes were made during this period; Bono added a guitar part that played the song's chord progression to double the bass, an addition that "solidified everything", according to The Edge.^[4] The Edge also changed the bass line in the chorus and converted a keyboard idea of Bono's into a guitar part that added a "sour quality" to balance the track's positivity.^[4] Lanois described the completed song as "one of those little gifts where you think, my god, we've got it!"^[5]

Composition[link]

"Beautiful Day" is played at a tempo of 136 beats per minute in a 4/4 time signature.^[6] The song opens with a reverberating electric piano playing over a string synthesiser, introducing the chord progression of A–Bm₇–D–G–D₉–A.^[7] This progression continues throughout the verses and chorus, the changes not always one to a bar.^[7] After the opening line, "The heart is a bloom", the rhythm enters, comprising repeated eighth notes on bass guitar and a drum machine.^[7] In the first verse, Bono's vocals are in the front in the mix and their production is dry.^[7] At 0:29, a guitar arpeggio pattern by The Edge first appears, echoing across channels.^[7] The verses are relatively quiet until the chorus, when The Edge begins playing the song's guitar riff and Mullen's drums enter. During the chorus, Bono sings in a restrained manner, contrasting with The Edge's "loud, bellowing" background vocals, a sustained cry of "day".^[7]

After the second chorus, a bridge section begins at 1:55, playing the chord progression F♯m–G–D–A, heightening the track's emotion as Bono sings "Touch me / Take me to that other place".^[7] The bridge links to the middle eight with a section in which The Edge repeats a modulated two-note phrase on guitar, beginning at 2:08. After seven seconds, the rhythm breaks and the middle eight begins. The chords in this section follow a progression of Em–D–Em–G–D–Em–G–D–A, implying a key of D major.^[7] The bass plays a G note beneath the Em chord, implying a chord change does not occur.^[7] The lyrics for this section are set in space above Earth and describe the sights that one witnesses, including China, the Grand Canyon, tuna fleets, and Bedouin fires.^[8] After the third chorus and a return of the bridge section, the song suddenly ends in a "low-key" fashion; most of the instrumentation stops and a regeneration of a guitar signal drifts back and forth between channels before fading out.^[7]

According to Bono, "Beautiful Day" is about "a man who has lost everything, but finds joy in what he still has."^[9] Blender interpreted the song and the line "it's a beautiful day" as "a vision of abandoning material things and finding grace in the world itself".^[5] In his 2001 book Inside Classic Rock Tracks, Rikki Rooksby described the lyrics as having a "fuzzy" quality and covering an "ambiguous subject area between religion and romance". He found "grace and salvation" in the verses' lyrics and believed that despite not explicitly explaining how to emotionally persevere, the song has "so many suggestive images that it's enough".^[7]

In an episode of the Sundance Channel's Iconoclast, R.E.M. vocalist Michael Stipe said, "I love that song. I wish I'd written it, and they know I wish I'd written it. It makes me dance; it makes me angry that I didn't write it."

Release[link]

"Beautiful Day" was first single released from the All That You Can't Leave Behind album. The song reached number one on the singles charts in Australia, Canada, the United Kingdom and Ireland, and also boosted sales of All That You Can't Leave Behind.^{[citation needed]} "Beautiful Day" is included on the compilations The Best of 1990-2000 and U218 Singles. A version of the song known as the Quincy and Sonance Mix appears on U2's EP 7.

Music video[link]

The song's video showed the band walking around in Paris' Charles de Gaulle International Airport, with scenes of the band playing on a runway interspliced with large jets taking off and landing overhead.

An alternative video for the song, shot in Èze, France, was featured on U2 Exclusive CD!,^[10] the bonus DVD from The Best of 1990–2000, and the U218 Videos DVD. A month before the album release, a live version of the song was filmed in Dublin on the rooftop of The Clarence hotel. It is featured on the extra features of the Elevation 2001: Live from Boston DVD (although it is marked on the DVD as "Toronto, Canada").

Live performances[link]

A video of astronaut Mark Kelly was featured prior to the song at concerts on the final leg of the U2 360° Tour.

Ever since its tour debut at the first date of the Elevation Tour on 24 March 2001 in Miami, "Beautiful Day" has been played at every single full tour concert as well as a number of promotional appearances and concerts not connected with a tour. On the Elevation Tour, "Beautiful Day" was normally the second song played though it did open one show and was played late in the setlist at two concerts. During the Vertigo Tour, it appeared in the first half of the main set. It is featured on the live films Elevation 2001: Live from Boston, U2 Go Home: Live from Slane Castle, and Vertigo 2005: Live From Chicago.

The song was also performed on stage during U2's set at the Live 8 concert in Hyde Park in London. with slightly different lyrics in the bridge that mentioned the different cities where the Live 8 concerts took place. It was performed live in New Orleans for Super Bowl XXXVI and for the New Orleans Saints first game in New Orleans since Hurricane Katrina. During the band's five-night stand on The Late Show with David Letterman to promote their album No Line on the Horizon in March 2009, "Beautiful Day" was the only song not from that album that was played.

The song was also used during much of the 360° Tour. During the final leg of the tour in 2011, a recorded video from NASA astronaut Mark Kelly was used as a lead-in to the song.^[11] Kelly had previously chosen the song for a wake up call on Space Shuttle flight STS-134.

Reception[link]

Critical response[link]

"Beautiful Day" received mostly positive reviews from critics. Olaf Tyaransen of Hot Press called the song "surprisingly straightforward but still infectiously catchy",^[8] while the magazine's Peter Murphy said the track broke the band's trend of releasing lead singles that broke new sonic ground but were not the best songs from their respective albums. Murphy called the song a "patented U2 cavalry charge from U2 3 through The Joshua Tree to Jubilee 2000".^[12] The Guardian said the song "strikes an appropriate note of putting the past behind you and getting on with the rest of your life". The review praised the track for its "bustling beat", "contagious chorus and vintage guitar chimes from Edge".^[13] Robert Hilburn of the Los Angeles Times called the track proof that the band's music had once again been "graced by the glorious textures of Edge's guitar, and [that] Bono has dropped the masks".^[14] Rolling Stone called the song "poised, then pouncing" and said it was one of many from the album that has a "resonance that doesn't fade with repeated listening".^[15] The Philadelphia Inquirer was critical of the song, saying it was not "driven by the fire of true believers", but rather by the band's need for a hit, and that it was "a move to solidify a base that may already have slipped away".^[16]

David Browne of Entertainment Weekly was very receptive to "Beautiful Day", noting that the chorus "erupts into a euphoric bellow so uplifting" that it was played during a television broadcast of the 2000 Summer Olympics. Browne called the "classic U2 arrangement" of the song "corny", but said, "damn if it isn't effective". He said the song made him reminiscent of the band's glory days in the late 1980s when so much popular music sought to be "sonically and emotionally uplifting".^[17] Edna Gundersen of USA Today was enthusiastic about the song, calling it "euphoric" and suggesting it was "breathing fresh air into playlists choking on synthetic pop and seething rap-rock".^[18] The Detroit Free Press was critical of the album for being pedestrian but called "Beautiful Day" one of the album's "flashes of triumph", describing it as "a gloriously busy, layered song that recalls Bono's lyrically astute Achtung Baby days".^[19] NME published a negative review of the song after its single release that suggested John Lennon's assassin, Mark David Chapman, should be released from prison to shoot Bono, a statement that Hot Press called "poisonous" and "tasteless".^[8] The publication was more receptive to the song after the release of All That You Can't Leave Behind, saying the album "eas[es] in with the heat-hazy optimism" of the track.^[20]

Accolades and legacy[link]

"Beautiful Day" finished in 4th place on the "Best Singles" list from The Village Voice's 2000 Pazz & Jop critics' poll.^[21] The song won three Grammy Awards in 2001—Record of the Year, Song of the Year, and Best Rock Performance by a Duo or Group with Vocal.^[22] In 2003, a special edition issue of Q, titled "1001 Best Songs Ever", placed "Beautiful Day" at number 747 on its list of the greatest songs.^[23] In 2005, Blender ranked the song at number 63 on its list of "The 500 Greatest Songs Since You Were Born".^[5] In 2009, in an end-of-decade rankings list, Rolling Stone listed "Beautiful Day" as the ninth-best song and readers ranked it as the third-best single of the 2000s.^[24] In 2010, Rolling Stone updated its list of "The 500 Greatest Songs of All Time" and placed "Beautiful Day" at number 345, making it one of eight U2 songs on the list.^[25] In 2011, VH1 listed "Beautiful Day" at number 15 on its list of The 100 Greatest Songs of '00s.^[26] Kurt Nilsen, the Norwegian Idol winner sang it during the World Idol competition^[27] on 25 December 2003 and won the competition with the song. This was the only World Idol title and was not repeated in consequent years. In 2004, Sanctus Real recorded a version on the album In the Name of Love: Artists United for Africa. In 2007, the German guitarist Axel Rudi Pell recorded his version on his album Diamonds Unlocked. In 2008, the song was chosen to play over the end titles of the children's film Nim's Island, starring Abigail Breslin, Jodie Foster and Gerard Butler. In 2010, a cover of "Beautiful Day" was released by Lee DeWyze as his first single following his victory in the ninth season of American Idol. DeWyze commented "I like that song a lot (...) Is it something that is necessarily in my genre? No. There were songs on the table, and I went with the one I thought would represent the moment the best."^[28] The cover reached number 24 on the Billboard Hot 100.^[29] "Beautiful Day" was also covered by 2010 X Factor Australia winner Altiyan Childs for his self-titled debut album.

Track listings[link]

All music composed by U2.

Charts[link]

See also[link]

• List of covers of U2 songs - Beautiful Day
• List of number-one singles in Australia in 2000
• List of RPM Rock/Alternative number-one singles (Canada)
• Dutch Top 40 number-one hits of 2000
• List of number-one singles of 2000 (Ireland)
• List of number-one hits of 2000 (Italy)
• List of number-one singles from the 2000s (UK)
• List of number-one dance singles of 2001 (U.S.)

References[link]

Footnotes

Bibliography

• Rooksby, Rikky (2001). Inside Classic Rock Tracks. Hal Leonard Corporation. ISBN 978-0-87930-654-0. 
• U2 (2006). McCormick, Neil. ed. U2 by U2. London: HarperCollins. ISBN 0-00-719668-7. 

Michael Bublé
Bublé in February 2011
Background information
Birth name	Michael Steven Bublé
Born	(1975-09-09) 9 September 1975 (age 36) Burnaby, British Columbia, Canada[1]
Genres	Big band, traditional pop, jazz
Occupations	Singer, songwriter, actor
Instruments	Vocals
Years active	1996–present
Labels	143/Reprise
Associated acts	Naturally 7, Jann Arden, Laura Pausini, Boyz II Men, Chris Botti, Leon Jackson, Nelly Furtado
Website	michaelbuble.com

Michael Steven Bublé ( /ˈbuːbleɪ/; born 9 September 1975) is an Italian Canadian singer and actor. He has won several awards, including three Grammy Awards^[2][3] and multiple Juno Awards.^[4] His first album reached the top ten in Canada and the UK. He found a worldwide audience with his 2005 album It's Time, and his 2007 album Call Me Irresponsible which reached number one on the Canadian Albums Chart, the U.K. Albums Chart, the U.S. Billboard 200 albums chart, the Australian ARIA Albums Chart and several European charts. Bublé has sold more than 30 million albums worldwide.^[5]

Early life[link]

Michael Bublé was born in the City of Burnaby, British Columbia, Canada to Lewis Bublé, a salmon fisherman,^[6] and Amber (née Santagà).^[7][8] He has two younger sisters,^[9] Crystal (an actress) and Brandee.^[10] He attended Seaforth Elementary School and Cariboo Hill Secondary School.^[11] According to an Oprah interview on 9 October 2009, Bublé dreamed of becoming a famous singer since age two. When he was a teenager, he slept with his Bible and prayed to become a singer.^[12][13] Bublé's interest in jazz music began around age five^[14] when his family played Bing Crosby's White Christmas album at Christmas time.^[14][15][16] The first time that his family noticed his singing talent was at Christmas time when Bublé was 13 years old, and they heard him powerfully sing the phrase "May your days be merry and bright" when the family was singing to the song "White Christmas" in a car ride.^[12][17]

Bublé had a strong passion for ice hockey and wanted to become a professional ice hockey player for the Vancouver Canucks growing up, but believed he was not good at it,^[18] stating: "I wanted so bad to be a hockey player... If I was any good at hockey, I probably wouldn't be singing right now."^[19] Bublé often played hockey in his youth,^[20][21] watched Vancouver Canucks games with his father,^[22] and said that he "went to every single home game as a kid. . . I remember I wanted to be Gary Lupul, I wanted to be Patrik Sundstrom and Ivan Hlinka. I used to think that being named Michael Bublé was pretty cool because I was close to being called Jiri Bubla."^[20] Bublé also shared his hockey interest with his grandfather.^[23]

From age 14, Bublé spent six years working during the summer as a commercial fisherman with his father and crewmates.^[6][24] Bublé described his work experience as "The most deadly physical work I’ll ever know in my lifetime. We’d be gone for two, sometimes three months at a time and the experience of living and working among guys over twice my age taught me a lot about responsibility and what it means to be a man."^[9]

His first singing engagements were in nightclubs at the age of 16 and were facilitated by his Italian grandfather Demetrio Santagà,^[7] a plumber originally from the small town of Preganziol,^[25] in the district of Treviso, who offered his plumbing services in exchange for stage time for his grandson.^[9] Bublé's grandfather also paid for his singing lessons. One of his vocal instructors was Joseph Shore, the opera baritone.^[17] Bublé grew up listening to his grandfather's collection of jazz records and credits his grandfather in encouraging his love for jazz music. "My grandfather was really my best friend growing up. He was the one who opened me up to a whole world of music that seemed to have been passed over by my generation. Although I like rock 'n' roll and modern music, the first time my granddad played me the Mills Brothers, something magical happened. The lyrics were so romantic, so real, the way a song should be for me. It was like seeing my future flash before me. I wanted to be a singer and I knew that this was the music that I wanted to sing."^[26] Bublé never stopped believing that he would become a star but admitted he was probably the only one who believed in his dream, stating that even his maternal grandfather thought Bublé was going to be "an opening act for somebody in Las Vegas".^[27] Bublé's maternal grandmother Iolanda Moscone^[28][29] was also Italian, from Carrufo,^[28] Villa Santa Lucia degli Abruzzi, Italy.^[30] Bublé has stated he never learned to read and write music, using only emotion to drive his songwriting ability.^[18][31][32]

At the age of 18, Bublé entered a local talent contest and won. But after winning, he was disqualified by organizer Bev Delich because he was underage. After that, Delich entered Bublé in the Canadian Youth Talent Search, which he won. Following that win, Bublé asked Delich to be his manager. Delich signed on and represented Bublé for the next seven not-so-fruitful years. According to Delich, Bublé would do every gig imaginable, including talent shows, conventions, cruise ships, malls, hotel lounges, bars, clubs, corporate gigs, musical revues, singing telegrams, and even the occasional singing Santa Claus gig.^{[17][24][33][34]}

In 1996, Bublé appeared in TV's "Death Game" (aka Mortal Challenge) as a Drome Groupie. Also in 1996, he appeared (uncredited) in 2 episodes of The X-Files as a Submarine Sailor.^[35]

Bublé's first national TV performance was on a 1997 award-winning Bravo! documentary titled Big Band Boom!, directed by Mark Glover Masterson.

Beginning in 1997, Bublé also became a frequent guest on Vicki Gabereau's national talk show on the CTV network. During its first season the Vancouver-based program aired live, which ultimately worked in Bublé's favour. When a scheduled guest was forced to cancel, the show's music producer (Mark Fuller) often asked Bublé to fill in at the last minute. On one occasion, Bublé shared guest duties with fellow British Columbian Diana Krall, who was already a Grammy-nominated jazz musician. According to Fuller, Krall was suitably impressed with Bublé's performance. The Gabereau appearances provided Bublé with great exposure, but they also helped the singer hone his television skills as a performer and as an interview guest. In a mutual show of gratitude, Bublé appeared on the final Gabereau show in 2005, along with Jann Arden and Elvis Costello.

Bublé received two Genie Award-nominations in 2000 for two songs he wrote for the film Here's to Life! ("I've Never Been in Love Before", "Dumb ol' Heart").^[36] He recorded three independent albums (First Dance, 1996; Babalu, 2001; Dream, 2002).^[37] But by 25 years of age, Bublé moved from British Columbia to Toronto, Ontario and was ready to give up the dream of professional musicianship to move back to Vancouver, British Columbia to pursue a career in journalism, when his lucky break came in 2000.^[17][38]