This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2009)

Arthur Siskind (born 11 October 1938) is a lawyer and businessperson. He has been an executive director of the News Corporation since 1991. He served as their group general counsel from March 1991 until December 2004. He was succeeded by Lawrence Jacobs. Mr. Siskind remains on News Corporation’s Board of Directors and continues to serve the Company as Senior Advisor to the Chairman. ^[1]

As executive director of New Corp., his salary was USD$1.7 million with a $5 million annual bonus in 2005.^[2]

He graduated from Cornell University. Siskind became an adjunct professor of law at Georgetown University Law Center in 2005 and has been a member of the bar of the State of New York since 1962.

References[link]

This article relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (June 2008)

Sarah Siskind (born 1978) is a singer and songwriter based in Nashville and grounded in folk and Appalachian roots. Her music has been classified as: rock, folk, americana, and alternative. Alison Krauss has championed Sarah and values her songs so highly that she’s recorded two of them, both of which became singles and videos that received widespread airplay. Bluegrass/Folk legend Tim O'Brien calls her a rare talent.

Biography[link]

Siskind grew up in a music-filled household in North Carolina, surrounded by not only the bluegrass and old-time her parents played at many jam sessions, but a wide slice of other genres. By 4 years old she was singing and playing piano. She wrote songs starting at age 11, and when she was 14, she completed her first album. Over the next few years she won songwriting competitions and appeared on stage with Doc Watson and Maya Angelou. By the time she moved to Nashville at 21, she had released her third recording.

In 2002, Sarah released “Covered." Despite its title, it featured mostly original songs that dealt with love, family and relationships. It included contributions from guest Jennifer Kimball, whose 1990s vocal duo The Story with Jonatha Brooke had been an important influence on Sarah and who supported her development. Sarah invited Bill Frisell, a modern-day giant of jazz guitar, to anchor the studio band.

She continues to achieve new landmarks. In 2006, she made a keepsake double EP featuring intimate performances from her home, co-produced and engineered by her first husband Brian Siskind, titled "Studio.Living Room." She recently collaborated on the first album by Old Black Kettle, a genre-bending band with friends and fellow artists Julie Lee and Jodi Haynes. Her song “Simple Love” became the signature single from Alison Krauss’s “A Hundred Miles or More” compilation album of 2007. The recording earned a Grammy nomination for Best Female Country Performance. In 2006, Sarah signed with Nashville publisher Big Yellow Dog Music, home to such writers as Mindy Smith and Shawn Camp.

Indie-rock act Bon Iver was so taken with Sarah's song “Lovin’s For Fools” that the group closed most of their 2008 tour sets with the song each night, and invited her to join them on their December 2008 European tour. In addition, Ireland's artist, Paul Brady, invited her to join him on-stage for a collaboration in New York City that same year, and had her contribute backing vocals on his new album.

Sarah Siskind’s sixth release, her 2009 album "Say it Louder" is co-produced and engineered by Jason Lehning. The 13-song album narrates a journey through difficult trials, ultimately arriving at a renewed embrace of life. Union Station member Jerry Douglas contributed guitar licks to “Keep Me Alive.” Siskind also enlisted her longtime Old Black Kettle bandmates Julie Lee and Jody Seyfriend to sing harmonies, and her electric band (Joe MacMahan on guitar, Lex Price on bass and Ian Fitchuk on drums) to play on the recording.

In December 2010, Sarah opened several shows for Over the Rhine, during which she featured songs from her EP, All Come Together Now, containing six holiday themed original songs.

Discography[link]

Albums[link]

Singles[link]

External links[link]

• Official web site

Paul Brady
Background information
Birth name	Paul Joseph Brady
Born	(1947-05-19) 19 May 1947 (age 65)
Origin	Strabane, County Tyrone, Northern Ireland
Genres	Folk, pop, traditional Irish
Occupations	Musician, songwriter, record producer
Instruments	Vocals, guitar, piano, mandolin, bouzouki, tin whistle
Years active	1965–present
Associated acts	Planxty, The Johnstons
Website	http://www.paulbrady.com/

Paul Joseph Brady (born 19 May 1947)^[1] is an Irish singer-songwriter, whose work straddles folk and pop. He was interested in a wide variety of music from an early age. During his career he has passed through several major bands and on to a successful solo phase. Initially popular for playing traditional Irish music in a duo with Andy Irvine and later with Tommy Peoples and Matt Molloy, he later turned to a more rock inspired electric style with poignant political lyrics. Among his most popular songs are "Crazy Dreams", "Nothing but the Same Old Story", "The Island", "Night Hunting" (covered by Santana), and "Steel Claw" and "Paradise is Here"(covered by Tina Turner). ^[2]

Background[link]

Brady was born in the small town of Strabane in County Tyrone, Northern Ireland, on the border with County Donegal, Republic of Ireland. His father Seán Brady was a music teacher teaching the flute. Brady was educated at Sion Mills Primary School, St. Columb's College, Derry and University College Dublin.^[3] He is prominently featured in the documentary film The Boys of St. Columb’s. He began learning piano around age six and by the age of eleven he had begun to play guitar, spending hours of his school holidays learning every tune the Shadows and The Ventures recorded, and was also strongly influenced by Chuck Berry. In 1963, Brady began performing as a hotel piano player in Bundoran, Donegal. He attended University College Dublin in October 1964 and performed with a string of RnB groups, covering songs by the likes of Ray Charles and James Brown. The first of these was 'The Inmates' (late 1964-about April 1965), who evolved into 'The Kult' (about April–December 1965), featuring Brady, Jackie McAuley (ex-Them, and future Belfast Gypsies and Trader Horne), Brendan Bonass, and Dave Pennefather. Brady can be seen in the film Charlie Is My Darling waiting outside Dublin's Adelphi Theatre for the Rolling Stones' 3 September 1965 concert. He next joined 'Rootzgroup' (late 1965-May 1966) and 'Rockhouse' (about May–December 1966).^[4]

Musical career[link]

1960s and 1970s[link]

During his time at college in Dublin, the country saw a huge rise in interest in traditional Irish music. Brady joined the popular Irish band The Johnstons when Michael Johnston left in May 1967. They moved to London, UK in 1969 and subsequently to New York City in 1972 to expand their audience. Despite some success, Brady returned to Ireland in 1974 to join the Irish group Planxty. This was the band that was to launch the solo careers of Andy Irvine, Liam O'Flynn, Dónal Lunny, and Christy Moore. Planxty dissolved and from 1976 to 1978 he played as a duo with Andy Irvine, a relationship which produced Andy Irvine and Paul Brady. The album was hugely successful and garnered much critical acclaim. The next few years saw him establish his popularity and reputation as one of Ireland's best interpreters of traditional songs. His versions of ballads like Arthur McBride and The Lakes of Pontchartrain were considered definitive and are still popular at concerts today. In 1975 in New York he recorded three albums for Shanachie Records as guitar accompanist to resident Irish fiddlers Andy McGann, Paddy Reynolds and John Vesey. He also recorded a 1976 album for the same label with Irish fiddler Tommy Peoples.^[5]

Solo career[link]

In 1978, Brady released his first solo album, Welcome Here Kind Stranger.^[6] It won him critical acclaim and it was awarded the Melody Maker Folk Album of the Year, however, it would prove to be Brady's last album with traditional material. He decided to delve into pop and rock music, and released his first album of this genre in 1981, Hard Station. The completely self-penned record received mixed reviews, some fans of his older traditional material were not convinced, while the majority recognised his great talent of writing rock music. Brady released a number of successful solo albums throughout the 1980s, True For You (1983), Back to the Centre (1985), and Primitive Dance (1987). By the end of the decade, Brady was recognised and accepted as a respected performer and songwriter. His songs were being covered by a number of other artists, including Santana and Dave Edmunds. For a full list of artists who have covered his songs see his own website http://www.paulbrady.com . Contrary to what is often written, Brady doesn't write for other artists but for his own self-expression. Other artists pick up on his songs because of the inherent quality. When Tina Turner heard a demo of his song 'Paradise Is Here' she recorded it for her Break Every Rule album of 1986. By now he was a favourite songwriter among such artists as Bob Dylan and Bonnie Raitt, who would do a duet with Brady on his 1991 LP, Trick or Treat. A couple of Brady songs soon appeared on Raitt's album Luck of the Draw, including the title track.

Bob Dylan was sufficiently impressed by Brady's work to name-check him in the booklet of his 1985 box set "Biograph'. The actual quote was “..people get too famous too fast these days and it destroys them. Some guys got it down- Leonard Cohen, Paul Brady, Lou Reed, secret heroes,- John Prine, David Allen Coe,Tom Waits. I listen more to that kind of stuff than whatever is popular at the moment. They’re not just witchdoctoring up the planet, they don’t set up barriers…". Again, contrary to what has become accepted fact, Bob Dylan never said that Paul Brady was 'one of the five artists worth getting out of bed for'. That was a paraphrase of the original quote by a journalist in an 80's UK music paper.

Since his Hard Station album (1981) Brady has been on various major labels until the late 90s when he started his own label, PeeBee Music. He released three albums in the 1990s, Trick or Treat, a remixed compilation of earlier songs 'Songs And Crazy Dreams' and Spirits Colliding. They were met with critical acclaim. Trick or Treat was on Fontana/Mercury Records, and received a lot of promotion. As a result, some critics considered it his debut and noted that the record benefited from the expertise of experienced studio musicians as well as producer Gary Katz, who worked with the rock group Steely Dan. Rolling Stone, after praising Brady's earlier but less-known solo records, called Trick or Treat Brady's "most compelling collection."

To date (Nov 2010) Brady has gone on to record several other albums (15 in total since he went solo in 1978) and collaborated with Bonnie Raitt and Richard Thompson to name but two. For a complete list of his many collaborations see his own website. In 2006 he collaborated with Cara Dillon on the track The Streets of Derry from her album After the Morning. He has also worked with Fiachra Trench.

He performed Gaelic songs as a character in the 2002 Matthew Barney film Cremaster 3. He also played tin whistle on the single "One" by Greg Pearle in 2008, from the album Beautiful You a collaboration between Greg Pearle and John Illsley. This song "One" featured in the 2008 film Anton, directed by Graham Cantwell.

Brady's fifteenth studio album 'Hooba Dooba' was released in March 2010.^[7] Widely acclaimed as one of his finest (see reviews on his website) he continues to tour, record and collaborate in a variety of creative projects around the globe.

Awards[link]

In 2009 Brady received an honorary degree of Doctor of Letters from the University of Ulster in recognition of his services to traditional Irish music and songwriting.^[8][9]

Solo discography[link]

• Welcome Here Kind Stranger (1978)
• Hard Station (1981)
• True for You (1983)
• Back to the Centre (1985)
• Full Moon (1986)
• Primitive Dance (1987)
• Trick or Treat (1991)
• Songs & Crazy Dreams (Compilation) (1992)
• Spirits Colliding (1995)
• Nobody Knows: The Best of Paul Brady (Compilation) (1999)
• Oh What a World (2000)
• 'The Paul Brady Songbook' (album and DVD) Live recordings for RTE TV series (2002)
• 'The (Missing) Liberty Tapes' (2003) [Recorded Live at Liberty Hall, Dublin, July 21, 1978]
• Say What You Feel (2005)
• 'Hooba Dooba' (2010)
• 'Dancer In The Fire: A Paul Brady Anthology' (Compilation) (2012)

With Andy Irvine[link]

• Andy Irvine and Paul Brady (1976)

With Tommy Peoples[link]

• The High Part of the Road (1975)

With Matt Molloy and Tommy Peoples[link]

• Molloy, Brady, Peoples (1977)

With Andy McGann and Paddy Reynolds[link]

• Fiddle Duet (1976)

With Andy McGann[link]

• It's A Hard Road to Travel (1977)

With John Kavanagh[link]

• The Green Crow Caws (1980)

DVDs[link]

• The Transatlantic Sessions Series 3 (2007) (various artists)
• The Paul Brady Songbook (2002)

External links[link]

• Paul Brady Homepage
• Paul Brady on Facebook
• Paul Brady on Twitter
• Paul Brady & Andy Irvine - Paddy's Green Shamrock Shore
• Paul Brady & Andy Irvine - The Lakes of Ponchartrain

References[link]

Maria Elizabeth Rothmann (M.E.R.) (28 August 1875 – 7 September 1975) was an Afrikaans writer, and co-founder of the Voortrekkers youth movement. Her unique contribution to Afrikaans literature was an ethical didactic, cultural historic review of a bygone Afrikaans society.

Biography[link]

She was born in Swellendam, in the then Cape Colony. She was one of the first South African women to attend a university. She acquired a B.A.-degree at the South African college in Cape Town. At the age of 22 she started working as a teacher, first in Johannesburg, later in Grahamstown and eventually at Swellendam. On 18 September 1902, while in Grahamstown, she married Herbert Charles Gordon Oakshott, a school principal. From this marriage James Rothmann (later Jacobus or Koos) was born in 1903, and Anna in 1904. The couple reached a divorce on 4 July 1911.

M.E.R.'s writing career started in 1918 in the lowveld. She became involved with journalism – first at Die Boerevrou (1920 to 1922) in Pretoria, and afterwards at Die Burger (1922 to 1928) in Cape Town. She became the first woman editor of the latter. In 1928, she was appointed the organizing secretary of the A.C.V.V.. She traveled the country in this capacity, while investigating the question of poor whites.

In 1929, she was a co-founder of the Voortrekkers youth movement and afterwards also vice chairperson of the Cape Province's National Party. She also served on the Carnegie Commission. In 1938, she was awarded a Carnegie grant which she used to visit the USA.

She received the Hertzog Prize in 1953 for her oeuvre of prose. In 1961, she received the Scheepersprys vir Jeugliteratuur for Die tweeling trek saam (The twins join the Trek). In 1970, she received the Tienie Holloway-medalje vir Kleuterliteratuur for Karlien en Kandas (Karlien and Kandas).

She received two honorary doctorate degrees, one from the University of Cape Town in 1951 and another from the University of South Africa in 1973; inter alia for her contributions to social work. She died ten days after her 100th birthday, at her home Kom nader (Come hither) in Swellendam.

Bibliography[link]

Note: The English titles given here are translated from Afrikaans, and are not available as such.

• Kinders van die Voortrek (Children of the Front Trek) -- 1920
• Die Sokka-boek: stories van 'n skaaphond (The Sokka book: stories of a sheep dog) -- 1926
• Vanmelewe: stories van die voorouers (Times past: stories of the forebears) -- 1926
• Onweershoogte en ander verhale (Stormy heights and other stories) -- 1927
• Die kammalanders (Denizens of Kammaland) -- 1928
• Die oorwinnaar: verhale van President Steyn (The victor: stories of President Steyn) collected by M.E.R. -- 1929
• Jong dae: 'n meisies-storie (Young days: a girls story) -- 1933
• Sokka se plaas (Sokka's farm) -- 1933
• Na vaste gange (Towards firm corridors) -- 1944
• Drie vertellings (Three narratives) -- 1944
• Uit en tuis (Home and away) -- 1946
• Stoute bengel: 'n verhaal uit die lewe (Wayward boy: a story from life) -- 1947
• Die eindelose waagstuk (The endless wager) -- 1948
• Die gewers (The givers) -- 1950
• Goedgeluk (Fortuity) -- 1958
• The drostdy at Swellendam (The Drostdy at Swellendam), with A. Rothmann—1960
• Die tweeling trek saam (The twins join the Trek) -- 1960
• Kom nader; bloemlesing uit die werk van M.E.R. (Come hither; anthology from the work of M.E.R.) -- 1965
• So is onse maniere (Thus are our customs) -- 1965
• Vroue wat Jesus geken het (The women who knew Jesus) -- 1965
• Karlien en Kandas (Karlien and Kandas) -- 1969
• My beskeie deel; 'n outobiografiese vertelling (My humble share; an autobiographical narrative) -- 1972
• Familiegesprek: briewe aan haar dogter (Family conversation: letters to her daughter) -- 1976
• Van naby gesien: ’n keur uit die kortkuns van M.E.R. (Seen from nearby: choice selection from the short stories of M.E.R.), compiled by Elize Botha) -- 1976
• ’n Kosbare erfenis: briewe 1916-1975 (A treasured inheritance: letters 1916-1975) compiled by Alba Bouwer, Anna Rothmann and Rykie van Reenen -- 1977
• M.E.R.-versebundel (M.E.R. poem volume), compiled by Carl Lohann, music by Awie van Wyk, illustrations by Ina Pfeiffer—1985

She translated the following works from Dutch to Afrikaans:

• Tant Alie van Transvaal: die dagboek van Alie Badenhorst (Aunt Alie of Transvaal: the diary of Alie Badenhorst) -- 1939
• Oorlogsdagboek van ’n Transvaalse burger te velde 1900 — 1901 (War diary of a Transvaal citizen in the field 1900 — 1901), a candid diary of her brother Fritz Rothmann—1976

This article's lead section may not adequately summarize its contents. Please consider expanding the lead to provide an accessible overview of the article's key points. (September 2009)

Glen Hansard
Background information
Born	(1970-04-21) 21 April 1970 (age 42) Ballymun, Dublin Republic of Ireland
Genres	folk rock
Occupations	Musician, songwriter, actor
Instruments	Vocals, guitar, mandolin
Years active	1983–present
Labels	Plateau, Overcoat Recordings, Island
Associated acts	The Frames, The Swell Season, Markéta Irglová
Website	www.theframes.ie

Glen Hansard, live at Vicar Street, Dublin, 31 December 2006

Hansard and Markéta Irglová playing at Cool Discs record store, Derry, Northern Ireland, April 2006

Glen Hansard (born 21 April 1970 in Dublin, Ireland)^[1] is the Academy Award–winning principal songwriter and vocalist/guitarist for Irish group The Frames and one half of folk rock duo, The Swell Season. He is also known for his acting, having appeared in the BAFTA winning film The Commitments, as well as starring in the film Once. His song, "Falling Slowly", from Once, co-written with his co-star Markéta Irglová, won the Academy Award for Best Original Song in 2007, and earned him ten other major awards or nominations between 2007-08.^[2]

Career[link]

Hansard quit school at age 13 to begin busking on local Dublin streets.^[3] He formed The Frames in 1990, and they've been staples of the Irish music scene ever since. Their first album, Another Love Song, was released on Island Records in 1991, and their most recent, The Cost, was released in 2006.^{[citation needed]}

Hansard came to international attention as guitar player Outspan Foster in the 1991 Alan Parker film The Commitments, after attending the New York Film Academy School of Acting. He has often stated that he regretted taking the role, because he felt it distracted him from his music career. In 2003, he presented the television programme Other Voices: Songs from a Room, which showcased Irish music talent on RTÉ.

On 22 April 2006, he released his first album without The Frames, The Swell Season, on Overcoat Recordings in collaboration with Czech singer and multi-instrumentalist Markéta Irglová, Marja Tuhkanen from Finland on violin and viola, and Bertrand Galen from France on cello. Hansard also spent part of 2006 in front of the cameras for a music-infused Irish film Once, in which Hansard plays a Dublin busker, and Irglová an immigrant street vendor. The film had its American premiere at the Sundance Film Festival in 2007 and received the Festival's World Cinema Audience Award. During the promotional tour, he and Irglová began dating.^[4] Said Hansard about his relationship with Irglova: "I had been falling in love with her for a long time, but I kept telling myself she's just a kid".^[5] One of the songs they wrote ("Falling Slowly") won an Oscar for Best Song in February 2008. Hansard became the first Irish-born person to win in that category. He was accompanied by his mother, Catherine Hansard.

Hansard and Irglová recorded a version of Bob Dylan's "You Ain't Goin' Nowhere" for the film I'm Not There in 2007. In 2009, Hansard said that he and Irglova were no longer romantically linked, and that they are now "good friends".^[6] Aside from his projects with The Frames and Irglová, Hansard also took part as a member of the band on the 2006 Oxfam charity album, The Cake Sale.

Hansard has recorded several cover songs, both alone and with band member Colm Mac Con Iomaire, for the Today FM discs Even Better than the Real Thing. Songs that he has recorded include Justin Timberlake's "Cry Me a River" on Even Better than the Real Thing Vol. 1 and Britney Spears' "Everytime" on Vol. 2.

He voiced a role on an episode ("In the Name of the Grandfather") on The Simpsons as an Irish busker. A new album of original songs recorded as The Swell Season with Markéta Irglová and entitled Strict Joy was released on October 27, 2009 on the ANTI- record label.^[7]

On 14 August 2009, Hansard sang "Amazing Grace" at the funeral of Eunice Kennedy Shriver. In December 2009, he was joined by Bono, Damien Rice and other Irish musicians on Grafton Street in Dublin, to busk in aid of the Simon Community. In January 2010, Glen and fellow musician Mark Geary auctioned off a house concert on eBay in aid of Haitian relief after the catastrophic earthquake left the country in dire need of assistance. The pair would travel anywhere within a 2 hour drive of Dublin and play a private gig in the highest bidder's house. In the end the two musicians played for the highest bidder and a selection of other fans in a central Dublin cafe. The auction raised in the region of €6,000 (six thousand euro) for charity.^{[citation needed]}

In the summer of 2011, he joined Eddie Vedder on his American solo tour in support of Vedder's solo album, Ukulele Songs. He also played his own solo concert at the opening of New York's Metropolitan Museum of Art Guitar Heroes exhibit in May^[8] and on Cape Cod at the Cape Cinema on 17 June.^[9] On 3-4 September 2011, he played at Pearl Jam's 20th Anniversary Festival PJ20 at the Alpine Valley Theatre outside of East Troy, Wisconsin.

Hansard plays a Takamine NP15 acoustic guitar, which he calls "The Horse".^[10] In a recent interview^[when?] in the Huffington Post with Irglova, it was revealed that Hansard was preparing a solo album and that there was a very possible third release from the Swell Season. This solo album was later revealed to be titled Rhythm and Repose^[11]

Influences[link]

Hansard has remarked about his musical influences: "In my house, when I was a kid, there was the holy trinity, which was Leonard Cohen, Van Morrison and Bob Dylan with Bob sitting center."^[12] Hansard and The Frames toured as the support act for Bob Dylan in Australia and New Zealand in August 2007 and Hansard often performs Van Morrison's songs in concert. Two such songs include "Into the Mystic", and "And the Healing Has Begun" which were included on the collector's edition of the soundtrack for the film Once.

Awards and nominations[link]

Awards[link]

• Academy Award 2008 Achievement in Music Written for a Motion Picture (Original Song) - "Falling Slowly" from Once"Awards for Glen Hansard". IMdb. 2010. http://www.imdb.com/name/nm0360598/awards. Retrieved 5 May 2010. 
• Critics' Choice Award 2008 Best Original Song - "Falling Slowly" from Once
• Los Angeles Film Critics Association Award 2008 Best Original Score - for Once

Nominations[link]

• Grammy Award 2008 (50th Annual Grammy Awards) Best Song Written for Motion Picture, Television or Other Visual Media - "Falling Slowly" from Once
• Grammy Award 2008 (50th Annual Grammy Awards) Best Compilation Soundtrack Album for Motion Picture, Television or Other Visual Media - Once

Discography[link]

The Frames[link]

Albums[link]

• Another Love Song (1991) (Out of production, though available for download from iTunes)
• Fitzcarraldo (1995) (as The Frames DC)

	"Revelate" (1995) noicon from the 1995 album "Fitzcarraldo"
Problems listening to this file? See media help.

• Fitzcarraldo (1996)
• Dance the Devil (1999)
• For the Birds (2001)
• Breadcrumb Trail (2002) (live album)
• Set List (2003) (live album)
• Burn the Maps (2004)

	"Fake" (2003) noicon from the 2004 album "Burn the Maps"
Problems listening to this file? See media help.

• The Cost (2006)
• DEBUT SOLO ALBUM - RHYTHM AND REPOSE (JUNE 2012)

Singles and EPs[link]

• "The Dancer" (1991)
• "Masquerade" (1992)
• Turn On Your Record Player EP (1992)
• Picture of Love (1993)
• Angel at My Table (1994)
• "Revelate" (1995)
• "Monument" (1996)
• I am the Magic Hand (February 15, 1999)
• Pavement Tune (1999)
• Rent Day Blues EP (1999)
• Come On Up to the House (1999—Compilation featuring "Star Star" by The Frames)
• Lay Me Down (2001)
• Headlong (2002)
• The Roads Outgrown EP (2003)
• "Fake" (12 September 2003)
• "Finally" (20 August 2004)
• "Sideways Down" (28 January 2005)
• "Happy" (Radio Single Only; 2005)
• "Falling Slowly/No More I Love Yous" (1 September 2006)
• "Take the Heartland" (2012)

The Swell Season[link]

• The Swell Season (2006)
• Once Soundtrack (2007)
• Strict Joy (2009)

Films and television[link]

• The Commitments (1991)
• Once (2007)
• Austin City Limits (2008)^[13]
• Ballymun Lullaby (2011) - Documentary
• Play (2011)

See also[link]

• The Stars Are Underground – 24-minute film documenting the underground music scene in Dublin (1996)

References[link]