Don Wesley Reno (February 21, 1927 – October 16, 1984) was an American bluegrass and country musician best known as a banjo player in partnership with Red Smiley, and later with guitarist Bill Harrell.
Born in Buffalo, South Carolina, Don Reno grew up on a farm in Haywood County, North Carolina. He began playing the banjo at the age of five. His father gave him a guitar four years later; and in 1939 12-year-old Reno joined the Morris Brothers in performing at a local radio station. He left one year later to join Arthur Smith, with whom he would years later record "Feudin' Banjos". In 1943 he received an offer from Bill Monroe to become a member of the Bluegrass Boys, but chose instead to enlist in the United States Army. Trained as a horse soldier at Fort Riley, Kansas, he was sent to the Pacific Theater to fight on foot. He eventually served in Merrill's Marauders and was wounded in action.
Influenced by old-time banjo player Snuffy Jenkins and others, Reno developed his own three finger "single-string" style that allowed him to play scales and complicated fiddle tunes note-for-note. The Reno style encompasses much more than just single-string picking; double-stops, double-time picking, triple-pull offs—all of these, and other techniques make Reno's playing recognizable. According to his son, Don Wayne Reno, "My dad told me more than once that the reason he started his own style of banjo picking was this: When he came out of the service, many people said 'You sound just like Earl Scruggs.' He said that really bothered him considering he never played a banjo while he was in the service, and when he returned to the U.S., he continued to play in the style he had always played before."
Tony Rice (born David Anthony Rice, June 8, 1951, Danville, Virginia) is an American acoustic guitarist and bluegrass musician. He is considered one of the most influential acoustic guitar players in bluegrass, progressive bluegrass, newgrass and acoustic jazz.
Rice spans the range of acoustic music, from traditional bluegrass to jazz-influenced New Acoustic music, to songwriter-oriented folk. Over the course of his career, he has played alongside J. D. Crowe and the New South, David Grisman (during the formation of “Dawg Music”) and Jerry Garcia, led his own Tony Rice Unit, collaborated with Norman Blake, recorded with his brothers Wyatt, Ron and Larry and co-founded the Bluegrass Album Band. He has recorded with drums, piano, soprano sax, as well as with traditional bluegrass instrumentation.
Rice was born in Danville, Virginia but grew up in Los Angeles, California, where he was introduced to bluegrass by his father, a semi-professional musician named Herb Rice. Tony and his brothers learned the fundamentals of bluegrass and country music from hot L.A. pickers like the Kentucky Colonels, led by Roland and Clarence White. Clarence White in particular became a huge influence on Tony Rice. Crossing paths with fellow enthusiasts like Ry Cooder, Herb Pedersen and Chris Hillman reinforced the strength of the music he had learned from his father.
William Smith Monroe (September 13, 1911 – September 9, 1996) was an American musician who created the style of music known as bluegrass, which takes its name from his band, the "Blue Grass Boys," named for Monroe's home state of Kentucky. Monroe's performing career spanned 60 years as a singer, instrumentalist, composer and bandleader. He is often referred to as The Father of Bluegrass.
Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. He recalled that his brothers insisted he remove four of the mandolin's eight strings so he would not play too loudly.
Monroe's mother died when he was ten, followed by his father six years later. As his brothers and sisters had moved away, after bouncing among uncles and aunts, Monroe settled in with his disabled uncle Pendleton Vandiver, often accompanying him when Vandiver played the fiddle at dances. This experience inspired one of Monroe's most famous compositions, "Uncle Pen," recorded in 1950, and the 1972 album, "Bill Monroe's Uncle Pen." On that album, Monroe recorded a number of traditional fiddle tunes he had often heard performed by Vandiver. Uncle Pen has been credited with giving Monroe "a repertoire of tunes that sank into Bill's aurally trained memory and a sense of rhythm that seeped into his bones." Also significant in Monroe's musical life was Arnold Shultz, an influential fiddler and guitarist who introduced Monroe to the blues.
Malcolm B. Wiseman (born May 23, 1925), better known as Mac Wiseman, is an American bluegrass singer, nicknamed The Voice with a Heart. The bearded singer is one of the cult figures of bluegrass.
Born in Crimora, Virginia, he studied at the Shenandoah Conservatory of Music in Dayton, Virginia and started his career as a disc jockey at WSVA-AM in Harrisonburg, Virginia.
His musical career began as upright bass player in the band of country singer Molly O'Day. When Lester Flatt and Earl Scruggs left Bill Monroe's band, Wiseman became the guitarist for their new band, the Foggy Mountain Boys. Later he played with Bill Monroe's Bluegrass Boys. After a performance on Louisiana Hayride he became popular as solo artist. In the 1950s, he was the star of The Old Dominion Barn Dance on WRVA in Richmond, Va.
During the folk revival in the 1960s, Wiseman had successful concerts at the Hollywood Bowl and Carnegie Hall.
He joined producers Randall Franks and Alan Autry for the In the Heat of the Night cast CD Christmas Time’s A Comin’ released on Sonlite and MGM/UA for one of the most popular Christmas releases of 1991 and 1992 with Southern retailers.
Ralph Stanley (born February 25, 1927), also known as Dr. Ralph Stanley, is an American bluegrass artist, known for his distinctive singing and banjo playing.
Ralph Edmond Stanley was born, grew up, and lives today in rural southwestern Virginia—"in a little town called McClure at a place called Big Spraddle, just up the holler" from where he moved in 1936 and has lived ever since in Dickenson County. The son of Lee and Lucy Stanley, Ralph did not grow up around a lot of music in his home. As he says, his "daddy didn't play an instrument, but sometimes he would sing church music. And I'd hear him sing songs like 'Man of Constant Sorrow,' 'Pretty Polly' and 'Omie Wise.'"
He learned to play the banjo, clawhammer style, from his mother:
He graduated from high school on May 2, 1945 and was inducted into the Army on May 16, serving "little more than a year." He immediately began performing when he got home:
After initially considering a course in "veterinary," he decided to throw in with his older guitar-playing brother, Carter, and form the Clinch Mountain Boys, in 1946. Drawing heavily on the musical traditions of the area, which included the unique minor-key singing style of the Primitive Baptist Universalist church and the sweet down-home family harmonies of the Carter Family, the Stanleys began playing on local radio stations. They first performed at Norton, Virginia's WNVA, but didn't stay long there, moving on instead to Bristol, Virginia and WCYB to start the show Farm and Fun Time where they stayed "off and on for 12 years."