Timed out is a method of dismissal in the sport of cricket. It occurs when an incoming batsman is not ready to play within three minutes of the previous batsman being out. It is very rare to be out in such a fashion, and has never occurred in any international match.

Definition[link]

Law 31 of the Laws of cricket provides that an incoming batsman must be in position to take guard or for his partner to be ready to receive the next ball within three minutes of the fall of the previous wicket. If this requirement is not met, the incoming batsman will be given out, timed out, on appeal.

The "incoming batsman" may be any batsman who has not yet batted. There is no prescribed batting order in cricket. If no batsman has set foot on the field when the appeal is made, the batting captain may pick any player who has not yet batted as the one to be given out.^[1] As a result, if the next batsman was only slightly delayed, the captain would be expected to sacrifice his worst batsman—usually the No. 11.

If there is protracted delay in which no batsman comes to the wicket so that the umpires consider that the batting team is refusing to play, the umpires will award the match to the other team. If, however, no player comes to the wicket because all eligible players are unable to bat (e.g. through injury or illness) then they are not given out timed out; instead the innings is declared closed and 'absent ill/injured/hurt/dead^[2]' is noted next to those players' names as appropriate.

A new shortened version of cricket, Twenty20 cricket, stipulates that a batsman must be on the field within 90 seconds, rather than the three minutes specified in the Laws, although the batsman is not automatically out in this instance; the bowler is allowed to bowl the ball without the batsman there in an attempt to bowl him out. As a result of this rule, rather than sitting in the pavilion, the batsman next in are positioned on a bench on the boundary rather like other team sports such as association football and rugby.

Unusual dismissal[link]

The purpose of the law is to ensure there are no unnecessary delays to the game. It is easily avoided and so it is very unusual for a batsman to get out 'timed out'. As of January 2011^[update], there have been no instances of this type of dismissal in Test match or One Day International cricket and there have only been four instances in first-class cricket as a whole.

Batsmen dismissed 'timed out' in first-class cricket[link]

1. Andrew Jordaan - Eastern Province v Transvaal at Port Elizabeth in 1987–88^[3]
2. Hemulal Yadav - Tripura v Orissa at Cuttack in 1997
3. Vasbert Drakes - Border v Free State at East London in 2002
4. AJ Harris - Nottinghamshire v Durham UCCE at Nottingham in 2003

History[link]

"Timed Out" as a specific method of dismissal was added to the Laws in the 1980 code.^[4] It provided two minutes for the incoming batsman to "step on to the field of play". In the 2000 code, this was revised to three minutes for the batsman to "be in position to take guard or for his partner to be ready to receive the next ball".^[5] However, the first printed Laws of cricket, in 1775, already required the umpires "To allow Two Minutes for each Man to come inn when one is out".^[6]

In 1919, the Sussex cricketer Harold Heygate was given out by the umpire Alfred Street as "timed out" in a first-class County Championship match with Somerset at Taunton. The MCC, then in charge of the Laws, later ruled that the umpire was correct in ending the Sussex innings when Heygate failed to appear within two minutes, but that the batsman should be marked as "absent", which is how it appears in the 1920 edition of Wisden Cricketers' Almanack. Under present rules, Heygate would have been recorded as "absent hurt", and this is how his innings is now recorded in CricketArchive.^[7]

Notes[link]

References[link]

• Wisden Cricketers' Almanack
• The official laws of cricket

The TIMED (Thermosphere Ionosphere Mesosphere Energetics and Dynamics) mission was a two year project to study the dynamics of the Mesosphere and Lower Thermosphere (MLT) portion of the Earth's atmosphere. The mission was launched from Vandenberg Air Force Base in California on December 7, 2001 aboard a Delta II rocket launch vehicle. The project is sponsored and managed by NASA, while the spacecraft was designed and assembled by the Applied Physics Laboratory at Johns Hopkins University. The mission has been extended several times, and has now collected data over almost an entire solar cycle, which helps in its goal to tease out the sun's effects on the atmosphere from other effects.^[1]

The MLT Region of the Atmosphere[link]

The MLT region of the atmosphere to be studied by TIMED is located between 60–180 km above the Earth's surface where energy from solar radiation is first deposited into the atmosphere. This can have profound effects on Earth's upper atmospheric regions, particularly during the peak of the sun's 11-year solar cycle when the greatest amounts of its energy are being released. Understanding these interactions is also important for our understanding of various subjects in geophysics, meteorology, and atmospheric science, as solar radiation is one of the primary driving forces behind atmospheric tides. Changes in the MLT can also affect modern satellite and radio telecommunications.

Scientific instruments onboard[link]

The spacecraft payload consists of the following four main instruments:

• Global Ultraviolet Imager (GUVI): A spatial-scanning, far-ultraviolet spectrograph designed to globally measure the composition and temperature profiles of the MLT region, as well as its auroral energy inputs.

• Solar Extreme Ultraviolet Experiment (SEE): A spectrometer and a suite of photometers designed to measure the solar soft X-rays, extreme-ultraviolet and far-ultraviolet radiation that is deposited into the MLT region.

• TIMED Doppler Interferometer (TIDI): Designed to globally measure the wind and temperature profiles of the MLT region.

• Sounding of the Atmosphere using Broadband Emission Radiometry (SABER): Multichannel radiometer designed to measure heat emitted by the atmosphere over a broad altitude and spectral range, as well as global temperature profiles and sources of atmospheric cooling.

Spacecraft stats[link]

• Mass: 660 kilograms
• Dimensions:
  • 2.72 meters high
  • 1.61 meters wide (launch configuration)
  • 11.73 meters wide (solar arrays deployed)
  • 1.2 meters deep
• Power Consumption: 406 watts per orbit
• Data Downlink: 4 megabits per second
• Memory: 5 gigabits
• Control & Data Handling Processor: Mongoose-V
• Attitude:
  • Control - Within 0.5 degrees
  • Knowledge - Within 0.03 degrees
  • Processor: RTX2010
• Total Mission Cost:
  • Spacecraft: $195 million
  • Ground Operations: $42 million

Instrument Teams[link]

• University of Alaska, Fairbanks, Alaska
• University of California, Berkeley, California
• Jet Propulsion Laboratory, Pasadena, California
• CREES-York University, Toronto, Canada
• University of Colorado, Boulder, Colorado
• National Center for Atmospheric Research, Boulder, Colorado
• National Oceanic and Atmospheric Administration, Boulder, Colorado
• British Antarctic Survey, Cambridge, England
• Rostock University, Rostock, Germany
• The Johns Hopkins University Applied Physics Laboratory, Laurel, Maryland
• Air Force Research Laboratory, Hanscom Air Force Base, Massachusetts
• Stewart Radiance Laboratory, Bedford, Massachusetts
• University of Michigan, Ann Arbor, Michigan
• Astrophysical Institute of Andalucia (IAA), Granada, Spain
• Southwest Research Institute, San Antonio, Texas
• Hovemere Limited, Kent, England
• Utah State University, Logan, Utah
• Computational Physics, Inc., Fairfax, Virginia
• Hampton University, Hampton, Virginia
• NASA Langley Research Center, Hampton, Virginia
• G&A Technical Software Inc., Hampton, Virginia
• Naval Research Laboratory, Washington, D.C.

See also[link]

• Upper Atmosphere Research Satellite

References[link]

External links[link]

• TIMED mission page at JHU/APL
• TIMED mission page at NASA GSFC
• Solar EUV Experiment (SEE) page at the Laboratory for Atmospheric and Space Physics

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2010)

The Dave Brubeck Quartet
The Dave Brubeck Quartet in 1967
Background information
Origin	San Francisco, California, United States
Genres	Jazz
Years active	1951–present
Website	davebrubeck.com
Members
Dave Brubeck Bobby Militello Michael Moore Randy Jones
Past members
Paul Desmond Bob Bates Joe Dodge Ron Crotty Lloyd Davis Joe Morello Norman Bates Eugene Wright Gerry Mulligan Jack Six Alan Dawson Darius Brubeck Chris Brubeck Dan Brubeck

The Dave Brubeck Quartet is an American jazz quartet, founded in 1951 by Dave Brubeck and originally featuring Paul Desmond on saxophone and Brubeck on piano.^[1] They took up a long residency at San Francisco's Blackhawk nightclub and gained great popularity touring college campuses, releasing a series of albums with such titles as Jazz at Oberlin, Jazz Goes to College, and Jazz Goes to Junior College.

By 1958, after a handful of different drummers and bassists, the "Classic Quartet" — so-called because it remained as such virtually consistently until the group dissolved — had been assembled, consisting of Brubeck, Desmond, Joe Morello on drums, and Eugene Wright on bass.^[1] In 1959, the Dave Brubeck Quartet released Time Out, an album their label was enthusiastic about but nonetheless hesitant to release. The album contained all original compositions, almost none of which were in common time. Nonetheless, on the strength of these unusual time signatures (the album included "Take Five", "Blue Rondo à la Turk", and "Pick Up Sticks"), it quickly went platinum. The quartet followed up its success with several more albums in the same vein, including Time Further Out (1961), Countdown: Time in Outer Space, Time Changes, and Time In. These albums were also known for using contemporary paintings as cover art, featuring the work of S. Neil Fujita on Time Out, Joan Miró on Time Further Out, Franz Kline on Time in Outer Space, and Sam Francis on Time Changes (no artist's work, however, was featured on the cover of Time In). A high point for the group was their classic 1963 live album At Carnegie Hall, described by critic Richard Palmer as "arguably Dave Brubeck's greatest concert".

The "classic" Dave Brubeck Quartet broke up in 1967, except for a 25th anniversary reunion in 1976.^[1] Brubeck formed a new quartet in 1968. Today, the Dave Brubeck Quartet continues to tour the world, performing hits from the classic Quartet era as well as new material.

Members[link]

Main lineups:

(1951–1956)

• Dave Brubeck – piano
• Paul Desmond – alto saxophone
• Bob Bates – double bass
• Joe Dodge – drums

(on Jazz at Oberlin, 1953)

• Dave Brubeck – piano
• Paul Desmond – alto saxophone
• Ron Crotty – double bass
• Lloyd Davis – drums

(1956–1958) Transitional quartet – enter Joe Morello

• Dave Brubeck – piano
• Paul Desmond – alto saxophone
• Norman Bates – double bass
• Joe Morello – drums

(1958–1967) Classic quartet – enter Eugene Wright

• Dave Brubeck – piano
• Paul Desmond – alto saxophone
• Eugene Wright – double bass (also credited "Gene Wright")
• Joe Morello – drums

And after the breakup:

(1968–1972) Quartet as "The Dave Brubeck Trio & Gerry Mulligan"

• Dave Brubeck – piano
• Gerry Mulligan – baritone saxophone (almost permanent member)
• Jack Six – double bass
• Alan Dawson – drums

+

• Paul Desmond – alto saxophone (October 1972 quintet for We're All Together Again)

(1972–1976) As "The Darius Brubeck Ensemble" – with three of his sons and one guest; also performed as "Two Generations of Brubeck"

• Dave Brubeck – piano
• Darius Brubeck – piano, electric piano
• Chris Brubeck – bass trombone, electric upright bass, electric fretless bass
• Dan Brubeck – drums (also credited "Daniel Brubeck")

+

• Paul Desmond – alto saxophone (guest soloist on some concerts)
• Gerry Mulligan – baritone saxophone (guest soloist on some concerts)

(1976) Classic quartet reunion – 25th anniversary

• Dave Brubeck – piano
• Paul Desmond – alto saxophone
• Eugene Wright – double bass (also credited "Gene Wright")
• Joe Morello – drums

(1977–1990s) As "The New Brubeck Quartet" – with three of his sons and varying guests

• Dave Brubeck – piano
• Darius Brubeck – piano, electric piano
• Chris Brubeck – bass trombone, electric upright bass, electric fretless bass
• Dan Brubeck – drums (also credited "Daniel Brubeck")

+

• Matthew Brubeck – cello (guest on a few sets)
• Bill Smith – clarinet (guest, such as 1987's Moscow Nights and In Moscow)
• Bobby Militello – alto saxophone, tenor saxophone, flute (guest, such as 1993's Late Night Brubeck)
• Jack Six – double bass (guest on some sets)
• Randy Jones – drums (guest on some sets)

(Early 2000s–present) The Dave Brubeck Quartet

• Dave Brubeck – piano
• Bobby Militello – alto saxophone, tenor saxophone, flute (since 1982)
• Michael Moore – double bass
• Randy Jones – drums (since 1979)

(Not every temporary lineup is listed.)

Discography[link]

References[link]

Dave Brubeck
Dave Brubeck at the White House for the 2009 Kennedy Center Honors
Background information
Birth name	David Warren Brubeck
Born	(1920-12-06) December 6, 1920 (age 91) Concord, California United States
Genres	Jazz Cool jazz West Coast jazz Third stream
Occupations	Pianist Composer Bandleader
Instruments	Piano
Years active	1940s–present
Associated acts	Dave Brubeck Quartet

David Warren "Dave" Brubeck (born December 6, 1920) is an American jazz pianist. He has written a number of jazz standards, including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranges from refined to bombastic, reflecting his mother's attempts at classical training and his improvisational skills. His music is known for employing unusual time signatures, and superimposing contrasting rhythms, meters, and tonalities.

His long-time musical partner, alto saxophonist Paul Desmond, wrote the Dave Brubeck Quartet's best remembered piece, "Take Five",^[1] which is in 5/4 time and has endured as a jazz classic on the top-selling jazz album, Time Out.^[2] Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, and "Blue Rondo à la Turk" in 9/8. He is also a respected composer of orchestral and sacred music, and wrote soundtracks for television such as Mr. Broadway and the animated mini-series This Is America, Charlie Brown.

Early life and career[link]

Brubeck was born in Concord, California^[1] and grew up in Ione. He is of English (maternal), Swiss and possibly Native American Modoc Tribe ^[3] multi-ethnic (paternal) ancestry^[4] His father, Howard "Pete" Brubeck, was a cattle rancher, and his mother, Elizabeth (née Ivey), who had studied piano in England under Myra Hess and intended to become a concert pianist, taught piano for extra money.^[5] Brubeck originally did not intend to become a musician (his two older brothers, Henry and Howard, were already on that track), but took lessons from his mother. He could not read sheet music during these early lessons, attributing this difficulty to poor eyesight, but "faked" his way through, well enough that this deficiency went mostly unnoticed.^[6]

Intending to work with his father on their ranch, Brubeck entered the College of the Pacific (now the University of the Pacific) studying veterinary science, but transferred on the urging of the head of zoology, Dr. Arnold, who told him "Brubeck, your mind's not here. It's across the lawn in the conservatory. Please go there. Stop wasting my time and yours".^[7] Later, Brubeck was nearly expelled when one of his professors discovered that he could not read music. Several of his professors came forward, arguing that his ability with counterpoint and harmony more than compensated. The college was still afraid that it would cause a scandal, and agreed to let Brubeck graduate only after he promised never to teach piano.^[8]

After graduating in 1942, Brubeck was drafted into the army and served overseas in George Patton's Third Army. He was spared from service in the Battle of the Bulge when he volunteered to play piano at a Red Cross show; he was such a hit he was ordered to form a band. Thus he created one of the US armed forces' first racially integrated bands, "The Wolfpack".^[8] While serving in the military, Brubeck met Paul Desmond in early 1944.^[9] He returned to college after serving nearly four years in the army, this time attending Mills College and studying under Darius Milhaud, who encouraged him to study fugue and orchestration, but not classical piano. While on active duty, he received two lessons from Arnold Schoenberg at UCLA in an attempt to connect with High Modernism theory and practice.^[10] However, the encounter did not end on good terms since Schoenberg believed that every note should be accounted for, an approach which Brubeck could not accept.

After completing his studies under Milhaud, Brubeck helped to establish Berkeley, California's Fantasy Records. He worked with an octet (the recording bears his name only because Brubeck was the best-known member at the time), and a trio including Cal Tjader and Ron Crotty. Highly experimental, the group made few recordings and got even fewer paying jobs. The trio was often joined by Paul Desmond on the bandstand, at Desmond's prodding.^[11]

Quartet era[link]

Following a near-fatal swimming accident which incapacitated him for several months, Brubeck organized The Dave Brubeck Quartet in 1951, with Desmond on saxophone. They took up a long residency at San Francisco's Black Hawk nightclub and gained great popularity touring college campuses, recording a series of albums with such titles as Jazz at Oberlin (1953), Jazz at College of the Pacific (1953), and Brubeck's debut on Columbia Records, Jazz Goes to College (1954). In that same year, he was featured on the cover of Time magazine, the second jazz musician to be so honored (the first was Louis Armstrong on February 21, 1949^[13]). Brubeck personally found this accolade embarrassing since he considered Duke Ellington more deserving of it and was convinced that himself being Caucasian as opposed to Ellington being African American was a factor for why he was favored.^[14]

Early bassists for the group included Ron Crotty, Bob Bates, and Bob's brother Norman Bates; Lloyd Davis and Joe Dodge held the drum chair. In 1956, Brubeck hired Joe Morello, who had been working with Marian McPartland; Morello's presence made possible the rhythmic experiments that were to come. In 1958 Eugene Wright joined for the group's US State Department tour of Europe and Asia. Wright became a permanent member in 1959, making the "classic" Quartet's personnel complete. Wright, however, is African-American. During the late 1950s and early 1960s Brubeck canceled several concerts because the club owners or hall managers continued to resisted the idea of an integrated band on their stages. He also canceled a television appearance when he found out that the producers intended to keep Wright off-camera.{Citation needed|date=May 2012}}

In 1959, the Dave Brubeck Quartet recorded Time Out, an album their label was enthusiastic about but nonetheless hesitant to release. Featuring the album art of S. Neil Fujita, the album contained all original compositions, almost none of which were in common time: 9/8, 5/4, 3/4, and 6/4 were used inspired by Eurasian folk music they experienced during that US State Department sponsored tour.^[15] Nonetheless, on the strength of these unusual time signatures (the album included "Take Five", "Blue Rondo à la Turk", and "Three To Get Ready"), it quickly went platinum.

Dave Brubeck Quartet 1967. From left to right: Joe Morello, Eugene Wright, Brubeck and Paul Desmond.

Time Out was followed by several albums with a similar approach, including Time Further Out: Miro Reflections (1961), using more 5/4, 6/4, and 9/8, plus the first attempt at 7/4; Countdown: Time in Outer Space (dedicated to John Glenn) (1962), featuring 11/4 and more 7/4; and Time Changes (1963), with much 3/4, 10/4 (which was really 5+5), and 13/4. These albums were also known for using contemporary paintings as cover art, featuring the work of Joan Miró on Time Further Out, Franz Kline on Time in Outer Space, and Sam Francis on Time Changes.

A high point for the group was their 1963 live album At Carnegie Hall, described by critic Richard Palmer as "arguably Dave Brubeck's greatest concert".

In the early 1960s, Brubeck and his wife Iola developed a jazz musical, The Real Ambassadors, based in part on experiences they and their colleagues had during foreign tours on behalf of the US State Department. The soundtrack album, which featured Louis Armstrong, Lambert, Hendricks & Ross, and Carmen McRae was recorded in 1961; the musical itself was performed at the 1962 Monterey Jazz Festival.

At their peak in the early '60s, the Brubeck Quartet was releasing as many as four albums a year. Apart from the 'College' and the 'Time' series, Brubeck recorded four LPs featuring his compositions based on the group's travels, and the local music they encountered. Jazz Impressions of the USA (1956, Morello's debut with the group), Jazz Impressions of Eurasia (1958), Jazz Impressions of Japan (1964), and Jazz Impressions of New York (1964) are less well-known albums, but all are brilliant examples of the quartet's studio work, and they produced Brubeck standards such as "Summer Song," "Brandenburg Gate," "Koto Song," and "Theme From Mr. Broadway." (Brubeck wrote, and the Quartet performed, the theme song for the Craig Stevens CBS drama series; the music from the series became material for the "New York" album.)

In 1961 Dave Brubeck appeared in a few scenes of the British Jazz/Beat film All Night Long, which starred Patrick McGoohan and Richard Attenborough. Brubeck merely plays himself, and his piano playing includes closeups of his fingerings. Brubeck performs "It's a Raggy Waltz" from the Time Further Out album and duets briefly with bassist Charles Mingus in "Non-Sectarian Blues".

In the early 1960s Dave Brubeck was the program director of WJZZ-FM radio (now WEZN). He achieved his vision of an all jazz format radio station along with his friend and neighbor John E. Metts, one of the first African Americans in senior radio management.

The final studio album for Columbia by the Desmond/Wright/Morello quartet was Anything Goes (1966) featuring Cole Porter songs. A few concert recordings followed, and The Last Time We Saw Paris (1967) was the "Classic" Quartet's swansong.

Later career[link]

Brubeck in a 1972 performance in Hamburg

Brubeck's disbanding of the Quartet at the end of 1967 allowed him more time to compose the longer, extended orchestral and choral works that were occupying his attention (to say nothing of Brubeck's desire to spend more time with his family). February 1968 saw the premiere of The Light in the Wilderness for baritone solo, choir, organ, the Cincinnati Symphony Orchestra conducted by Erich Kunzel, and Brubeck improvising on certain themes within. The piece is an oratorio on Jesus's teachings. The next year, Brubeck produced The Gates of Justice, a cantata mixing Biblical scripture with the words of Dr. Martin Luther King, Jr.

Personal life[link]

Four of Brubeck's six children are professional musicians. Darius, the eldest, is an accomplished pianist, producer, educator and performer. (He was named after Dave Brubeck's mentor Darius Milhaud.^[16]) Dan is a renowned percussionist, Chris is a multi-instrumentalist and composer. Matthew, the youngest, is a versatile cellist with an impressive list of composing and performance credits. Brubeck's children often join with him in concerts and in the recording studio.

Brubeck in 2005

Brubeck believed what he saw during World War II contradicted the Ten Commandments, and the war evoked a spiritual awakening.^{[citation needed]} He became a Catholic in 1980, shortly after completing the Mass To Hope which had been commissioned by Ed Murray, editor of the national Catholic weekly Our Sunday Visitor. Although he had spiritual interests before that time, he said, "I didn't convert to Catholicism, because I wasn't anything to convert from. I just joined the Catholic Church."^[17] In 1996, he received the Grammy Lifetime Achievement Award. In 2006, Brubeck was awarded the University of Notre Dame's Laetare Medal, the oldest and most prestigious^[18] honor given to American Catholics, during the University's commencement. He performed "Travellin' Blues" for the graduating class of 2006.

Brubeck founded the Brubeck Institute with his wife Iola at their alma mater, the University of the Pacific in 2000. What began as a special archive, consisting of the personal document collection of the Brubecks has since expanded to provide fellowships and educational opportunities in jazz for students, also leading to having one of the main streets the school resides on named in his honor, Dave Brubeck Way.^[19]

Recognition[link]

Dave Brubeck (third from left), amongst Kennedy Center honorees 2009, flanked by President and Mrs. Obama at the Blue Room, White House, December 6, 2009.

On April 8, 2008, United States Secretary of State Condoleezza Rice presented Brubeck with a "Benjamin Franklin Award for Public Diplomacy" for offering an American "vision of hope, opportunity and freedom" through his music.^[20] "As a little girl I grew up on the sounds of Dave Brubeck because my dad was your biggest fan," said Rice.^[21] The State Department said in a statement that "as a pianist, composer, cultural emissary and educator, Dave Brubeck's life's work exemplifies the best of America's cultural diplomacy."^[20] At the ceremony Brubeck played a brief recital for the audience at the State Department.^[20] "I want to thank all of you because this honor is something that I never expected. Now I am going to play a cold piano with cold hands," Brubeck stated.^[20]

California Governor Arnold Schwarzenegger and First Lady Maria Shriver announced on May 28, 2008 that Brubeck would be inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts. The induction ceremony occurred December 10, and he was inducted alongside eleven other legendary Californians.^[22]

In September 2009, the Kennedy Center for the Performing Arts announced Brubeck as a Kennedy Center Honoree for exhibiting excellence in performance arts.^[23] The Kennedy Center Honors Gala took place on Sunday, December 6 (Brubeck's 89th birthday) and was broadcast nationwide on CBS on December 29 at 9:00 pm EST.

On September 20, 2009, at Monterey Jazz Festival, Brubeck was awarded an honorary Doctor of Music degree (D.Mus. honoris causa) from Berklee College of Music.^[24]

On May 16, 2010, Brubeck was awarded an honorary Doctor of Music degree (honoris causa) from The George Washington University in Washington, DC. The ceremony took place on the National Mall.^{[citation needed]}

On July 5, 2010, Brubeck was awarded the Miles-Davis Award at the Montreal International Jazz Festival.^{[citation needed]}In 2010, Bruce Ricker and Clint Eastwood produced a documentary Dave Brubeck: In His Own Sweet Way about Brubeck for Turner Classic Movies (TCM) to commemorate his 90th birthday in December 2010.^[25]

Brubeck has become a supporter of the Jazz Foundation of America in their mission to save the homes and the lives of elderly jazz and blues musicians, including musicians that survived Hurricane Katrina.^[26] Brubeck supported the Jazz Foundation by performing in their annual benefit concert "A Great Night in Harlem" in 2006.^[27]

Awards[link]

• Connecticut Arts Award (1987)
• National Medal of Arts, National Endowment for the Arts (1994)
• DownBeat Hall of Fame (1994)
• Grammy Lifetime Achievement Award (1996)
• Doctorate honoris causa University of Fribourg, Switzerland (2004)
• Laetare Medal (University of Notre Dame) (2006)
• BBC Jazz Lifetime Achievement Award (2007)
• Benjamin Franklin Award for Public Diplomacy (2008)^[20]
• Inducted into California Hall of Fame (2008)
• Kennedy Centre Honour (2009)^[28]
• George Washington University Honorary Degree (2010)^[29]
• Honorary Fellow of Westminster Choir College, Princeton, New Jersey (2011)

Discography[link]

• Brubeck Trio with Cal Tjader, Volume 1 (1949)
• Brubeck Trio with Cal Tjader, Volume 2 (1949)
• Brubeck/Desmond (1951)
• Stardust (1951)
• Dave Brubeck Quartet (1951)
• Jazz at the Blackhawk (1952)
• Dave Brubeck/Paul Desmond (1952)
• Jazz at Storyville (live) (1952)
• featuring Paul Desmond In Concert (live) (1953)
• Two Knights at the Black Hawk (1953)
• Jazz at Oberlin (1953) Fantasy Records
• Dave Brubeck & Paul Desmond at Wilshire Ebell (1953)
• Jazz at the College of the Pacific (1953) Fantasy Records
• Jazz Goes to College (1954) Columbia Records
• Dave Brubeck at Storyville 1954 (live) (1954)
• Brubeck Time (1955)
• Jazz: Red Hot And Cool (1955)
• Brubeck Plays Brubeck (1956)
• Dave Brubeck and Jay & Kai at Newport (1956)
• Jazz Impressions of the U.S.A. (1956)
• Plays and Plays and... (1957) Fantasy Records
• Reunion (1957) Fantasy Records
• Jazz Goes to Junior College (live) (1957)
• Dave Digs Disney (1957)
• In Europe (1958)
• Complete 1958 Berlin Concert (released 2008)
• Newport 1958
• Jazz Impressions of Eurasia (1958)
• Gone with the Wind (1959) Columbia Records
• Time Out (1959) Columbia Records/Legacy (RIAA: Platinum)
• Southern Scene (1960)
• The Riddle (1960)
• Brubeck and Rushing (1960)
• Brubeck a la Mode (1961) Fantasy Records
• Tonight Only with the Dave Brubeck Quartet (1961, with Carmen McRae)
• Take Five Live (1961, Live, Columbia Records, with Carmen McRae, released 1965)
• Near-Myth (1961) Fantasy Records
• Bernstein Plays Brubeck Plays Bernstein (1961)
• Time Further Out (1961) Columbia Records/Legacy
• Countdown—Time in Outer Space (1962) Columbia Records
• The Real Ambassadors (1962)
• Music From West Side Story (1962)
• Bossa Nova U.S.A. (1962)
• Brubeck in Amsterdam (1962, released 1969)
• Brandenburg Gate: Revisited (1963) Columbia Records
• At Carnegie Hall (1963)
• Time Changes (album) (1963)
• Dave Brubeck in Berlin (1964)
• Jazz Impressions of Japan (1964) Columbia Records/Legacy
• Jazz Impressions of New York (1964) Columbia Records/Legacy
• Angel Eyes (1965)
• My Favorite Things (1965)
• The 1965 Canadian Concert (released 2008)
• Time In (1966) Columbia Records
• Anything Goes (1966)
• Bravo! Brubeck! (1967)
• Buried Treasures (1967, released 1998)
• Jackpot (1967) Columbia Records
• The Last Time We Saw Paris (1968)
• Adventures in Time (Compilation, 1972) Columbia Records
• The Light in the Wilderness (1968)
• Compadres (1968)
• Blues Roots (1968)
• Brubeck/Mulligan/Cincinnati (1970)
• Live at the Berlin Philharmonie (1970)
• The Last Set at Newport (1971) Atlantic Records
• Truth is Fallen (1972)
• We're All Together Again For the First Time (1973)
• Two Generations of Brubeck (1973)
• Brother, the Great Spirit Made Us All (1974)
• All The Things We Are (1974)
• Brubeck & Desmond 1975: The Duets
• DBQ 25th Anniversary Reunion (1976) A&M Records
• The New Brubeck Quartet Live at Montreux (1978)
• A Cut Above (1978)
• La Fiesta de la Posada (1979)
• Back Home (1979) Concord Records
• A Place in Time (1980)
• Tritonis (1980) Concord Records
• To Hope! A Celebration By Dave Brubeck (A Mass in the Revised Roman Ritual) - Original now out-of-print 1980 recording conducted by Erich Kunzel. Pastoral Arts Associates (PAA) of North America, Old Hickory, Nashville, Tennesses 37187 LP record number DRP-8318. Music Copyright 1979 St. Francis Music. Recording Copyright 1980 Our Sunday Visitor, Inc.
• Paper Moon (1982) Concord Records
• Concord on a Summer Night (1982)
• For Iola (1984)
• Marian McPartland's Piano Jazz with guest Dave Brubeck (1984, released 1993)
• Reflections (1985)
• Blue Rondo (1986)
• Moscow Night (1987)
• New Wine (1987, released 1990)
• The Great Concerts (Compilation, 1988)
• Quiet As The Moon (Charlie Brown soundtrack) (1991)
• Once When I Was Very Young (1991)
• Time Signatures: A Career Retrospective (Compilation, 1992) Sony Colombia Legacy
• Trio Brubeck (1993)
• Late Night Brubeck (1994)
• Just You, Just Me (solo) (1994)
• Nightshift (1995)
• Young Lions & Old Tigers (1995)
• To Hope! A Celebration (1996)
• A Dave Brubeck Christmas (1996)
• In Their Own Sweet Way (1997)
• So What's New? (1998)
• The 40th Anniversary Tour of the U.K. (1999)
• One Alone (2000)
• Double Live From the USA & UK (2001)
• The Crossing (2001)
• Vocal Encounters (Compilation, 2001) Sony Records
• Classical Brubeck (with the London Symphony Orchestra, 2003) Telarc
• Park Avenue South (2003)
• The Gates of Justice (2004)
• Private Brubeck Remembers (solo piano + Interview disc w. Walter Cronkite) (2004)
• London Flat, London Sharp (2005) Telarc
• Indian Summer (2007) Telarc
• Live at the Monterey Jazz Festival 1958–2007 (2008)
• Yo-Yo Ma & Friends Brubeck tracks: Joy to the World, Concordia. (2008)Sony BMG
• Everybody Wants To Be A Cat: Disney Jazz Volume 1 Brubeck tracks: Some Day My Prince Will Come, Alice In Wonderland (with Roberta Gambarini) (2011)
• Their Last Time Out (DBQ recorded Live, 12/26/67) (2011)

References[link]

Bibliography[link]

• Isenberg, Barbara. State of the Arts: California Artists Talk About Their Work. 2005

Others[link]

• Photographs, documents, and video clips of oral history interviews from the Brubeck Collection are available at the University of the Pacific Library's Digital Collections.

External links[link]

Wikimedia Commons has media related to: Dave Brubeck

• Official website

Justin Timberlake
Timberlake at the premiere of Shrek The Third in 2007.
Background information
Birth name	Justin Randall Timberlake
Born	(1981-01-31) January 31, 1981 (age 31) Memphis, Tennessee
Origin	Shelby Forest, Tennessee, United States
Genres	Pop, dance, R&B
Occupations	Singer-songwriter, musician, record producer, dancer, actor, businessman
Instruments	Vocals, keyboards, guitar, beatboxing
Years active	1993–present
Labels	Jive, RCA
Associated acts	'N Sync, The Y's, Timbaland, Nelly Furtado
Website	justintimberlake.com

Justin Randall Timberlake (born January 31, 1981)^[1] is an American singer, actor, and businessman. He achieved early fame when he appeared as a contestant on Star Search, and went on to star in the Disney Channel television series The New Mickey Mouse Club, where he met future bandmate JC Chasez. Timberlake became famous in the late 1990s as the lead singer and youngest member of the boy band 'N Sync, whose launch was financed by Lou Pearlman.

In 2002, he released his debut solo album, Justified, which sold more than seven million copies worldwide. The album was a commercial success, spawning the hits "Cry Me a River" and "Rock Your Body". Timberlake continued his success with his second solo album, FutureSex/LoveSounds (2006), debuting at number one on the Billboard 200 chart, and produced the US number-one hit singles "SexyBack", "My Love", and "What Goes Around... Comes Around".

Timberlake has won six Grammy Awards and four Emmy Awards. His first two albums made him one of the most commercially successful singers in the world, each selling in excess of 7 million copies. He also has an acting career, having starred in films such as The Social Network, Bad Teacher and Friends with Benefits. His other ventures include record label Tennman Records, fashion label William Rast, and the restaurants Destino and Southern Hospitality.

Early life[link]

Timberlake was born in Memphis, Tennessee, the son of Lynn Harless (née Bomar) and Randall Timberlake.^[1] Timberlake is of almost entirely English descent, however he has some very distant German and Native American ancestry.^[2][3][4] His paternal grandfather, Charles L. Timberlake, was a Baptist minister, and Timberlake was raised Baptist, though now considers himself more "spiritual than religious".^[5]

Timberlake's parents divorced in 1985, and both have remarried. His mother, who now runs an entertainment company called Just-in Time Entertainment, remarried to Paul Harless, a banker, when her son was five. His father, a choir director at a Baptist church, has two children, Jonathan (born c. 1993) and Steven Robert (born August 14, 1998), from his second marriage to Lisa Perry. Timberlake's half-sister, Laura Katherine, died shortly after birth on May 14, 1997, and is mentioned in his acknowledgments in the album *NSYNC as "My Angel in Heaven."^[6] Timberlake grew up in Shelby Forest, a small community between Memphis and Millington. His first attempts at a singing career were country music songs on Star Search as "Justin Randall."^[7]

In 1993, Timberlake joined the cast of The Mickey Mouse Club. His castmates included future girlfriend and pop superstar Britney Spears, future tourmate Christina Aguilera, future bandmate JC Chasez, and future movie actor Ryan Gosling.^[8] The show ended in 1994, but late in 1995 Timberlake recruited Chasez to be in an all-male singing group organized by boy band manager Lou Pearlman^[9] that eventually became 'N Sync.

Entertainment career[link]

1995–2002: 'N Sync[link]

Timberlake and JC Chasez were the two lead singers of the popular 1990s boy band 'N Sync.^[10] The group formed in 1995, started its career 1996 in Europe, and hit it big in the United States in 1998 with the U.S. release of its debut album *NSYNC, which sold 11 million copies.^[11] The album included a number of hit singles, including "Tearin' Up My Heart". For the next two years, encouraged by similar developments with the Backstreet Boys, 'N Sync engaged in a lengthy legal battle with manager Lou Pearlman. Eventually the band signed with Jive Records.^[12] In March 2000, 'N Sync released a long-awaited album, No Strings Attached, which became the fastest-selling album of all time with 2.4 million copies sold in its first week^[13] and produced a #1 single, "It's Gonna Be Me". The release was followed by the band's third album, Celebrity, which was the second-fastest selling album of all time. In 2002, after the completion of a Celebrity Tour and the release of "Girlfriend", the third single from Celebrity, the group decided to take time off, at which point Timberlake began work on his first solo album and the group went into a hiatus. In its lifetime, 'N Sync was internationally famous and performed at the Academy Awards,^[14] the Olympics,^[15] and the Super Bowl,^[16] as well as selling more than 50 million copies worldwide,^[17] becoming the third-best selling boy band in history.^[18]

In late 1999, Timberlake made his acting debut in the Disney Channel movie Model Behavior. He played Jason Sharpe, a model who falls in love with a waitress after mistaking her for another model. It was released on March 12, 2000.^[19]

As a member of 'N Sync, Timberlake developed into a major celebrity in his own right in addition to achieving respect as a musician, since he was the writer or co-writer of all three singles from Celebrity. The rise of his own stardom and the general decline in the popularity of boy bands led to the dissolution of 'N Sync. Band member Lance Bass has stated that he believes the group is finished,^[20] and is openly critical of Timberlake's actions in his memoir Out of Sync. On the other hand, Chris Kirkpatrick remarked in August 2008 that the five remain friends, and he believed a reunion was possible:^[21] he repeated that opinion in October 2009.^[22] In September 2008, Bass also made conciliatory comments.^[23] However, in 2011 and 2012, JC Chasez said that a reunion will probably never happen.^[24][25][26]

[edit] 2002–04: Justified and Super Bowl

In August 2002, after months of recording Justified, his debut solo album, Timberlake performed at the 2002 MTV Video Music Awards. He premiered his first single, "Like I Love You", a sparse dance track produced by The Neptunes.^[27] The song reached #11 on the Billboard Hot 100.^[28] Following the single, Timberlake released Justified on November 5, 2002.^[29] The album sold fewer copies than previous 'N Sync efforts. It debuted at #2 on the Billboard 200 album chart, selling 439,000 copies in its first week of release. It eventually went on to sell more than three million copies in the U.S. and more than seven million copies worldwide.^[30] The album also received critical acclaim, thanks to its heavy R&B influence provided by hip-hop producers The Neptunes and Timbaland.^[31] It spun off hits throughout late 2002 and 2003, including the top ten singles "Cry Me a River" and "Rock Your Body".^[28] Timberlake supported the album by co-headlining the Justified/Stripped Tour with Christina Aguilera in the summer of 2003.^[32] At the end of the year, Timberlake recorded a song entitled "I'm Lovin' It". It was used by McDonald's as the theme to its "I'm Lovin' It" campaign. The deal with McDonald's earned Timberlake an estimated $6 million. A tour entitled Justified and Lovin' It Live was included with the deal as well.^[33] Timberlake was featured on Nelly's song, "Work It", which was remixed and included on Nelly's 2003 remix album.^[34]

In February 2004, during the halftime show of the Super Bowl XXXVIII broadcast on the CBS television network, Timberlake performed with Janet Jackson before a television audience of more than 140 million viewers. At the end of the performance, as the song drew to a close, Timberlake tore off a part of Jackson's black leather costume in a "costume reveal" meant to accompany a portion of the song lyrics. According to CBS, "both Jackson and Timberlake had confirmed they planned it 'independently and clandestinely' without informing anyone."^[35] Part of the costume detached, and Jackson's breast was briefly exposed.^[36] Timberlake apologized for the incident, stating he was "sorry that anyone was offended by the wardrobe malfunction during the halftime performance of the Super Bowl...."^[37] The phrase "wardrobe malfunction" has since been used by the media to refer to the incident and has entered pop culture.^[38] As a result of the controversy, Timberlake and Jackson were threatened with exclusion from the 2004 Grammy Awards unless they agreed to apologize on screen at the event.^[39] Timberlake attended and issued a scripted apology when accepting the first of two Grammy Awards he received that night (Best Pop Vocal Album for Justified and Best Male Pop Vocal Performance for "Cry Me a River").^[40] He had also been nominated for Album of the Year for Justified, Record of the Year for "Cry Me a River", and Best Rap/Sung Collaboration for "Where Is the Love?" with The Black Eyed Peas.^[41] In 2004 American Idol judge Simon Cowell described Timberlake in People Magazine as "just some white kid who's tried to act black over the last several years".

2004–06: Collaborations and acting[link]

After the Super Bowl controversy, Timberlake put his recording career on hold to act in several films, having starred in a few feature films earlier in his music career.^[8] The first role he took during this time was as a journalist in the thriller Edison Force, which was filmed in 2004 and received a direct-to-video release on July 18, 2006.^[42] He also appeared in the films Alpha Dog, Black Snake Moan, Richard Kelly's Southland Tales, and voiced Prince Artie Pendragon in the animated film Shrek the Third, released on May 18, 2007.^[43] He also appeared as a young Elton John, in the video for John's song "This Train Don't Stop There Anymore".^[44] Timberlake was considered to play the role of Roger Davis in the film version of the rock musical Rent, but director Chris Columbus had insisted that only the original Broadway members could convey the true meaning of Rent.^[45]

He continued to record with other artists. After "Where Is the Love?", he again collaborated with the Black Eyed Peas on the 2005 track "My Style" from their album Monkey Business.^[46] When recording the 2005 single "Signs" with Snoop Dogg, Timberlake discovered a throat condition.^[47] Nodules were subsequently removed from his throat in an operation that took place on May 5, 2005.^[48] He was advised not to sing or speak loudly for at least a few months.^[49] In the summer of 2005, Timberlake started his own record company, JayTee Records.^[50]

Timberlake made a cameo in the video for Nelly Furtado and Timbaland's single "Promiscuous", released on May 3, 2006.

[edit] 2006–07: FutureSex/LoveSounds

Timberlake at a concert in St. Paul, Minnesota (2007)

Timberlake released his second solo album, FutureSex/LoveSounds, on September 12, 2006.^[51] The album, which Timberlake created from 2005 to 2006, debuted at number one on the Billboard 200 album chart, selling 684,000 copies its first week.^[51] It is the biggest album for pre-orders on iTunes, and beat Coldplay's record for the biggest one-week sales of a digital album.^[52] The album was produced by Timbaland and Danja (who produced a bulk of the album), will.i.am, Rick Rubin and Timberlake himself, and features guest vocals by Snoop Dogg, Three 6 Mafia, T.I. and will.i.am.^[53] A studio representative described it as being "all about sexiness" and aiming for "an adult feel".^[48]

The album's lead single, "SexyBack", was performed by Timberlake at the opening of the 2006 MTV Video Music Awards and reached number one on the Billboard Hot 100, where it remained for seven consecutive weeks.^[54] "My Love", the album's second single, also produced by Timbaland and featuring rapper T.I., reached number one on the Hot 100, as did third single "What Goes Around.../...Comes Around Interlude". The song is reported to have been inspired by the break-up of his childhood friend and business partner, Trace Ayala, with actress Elisha Cuthbert.^[55] In October 2006, Timberlake said that he would focus on his music career rather than his film roles, specifying that leaving the music industry would be a "dumb thing to do at this point".^[54] He was the special guest performer at the 2006 Victoria's Secret Fashion Show for being where he sang SexyBack. In January 2007, Timberlake embarked on the FutureSex/LoveShow tour. "Summer Love/Set the Mood Prelude" was the fourth U.S. single off the album, and the next single in the UK was "LoveStoned/I Think She Knows Interlude". The song "Give It to Me", a Timbaland single on which Timberlake guests with Nelly Furtado, reached the Hot 100 number-one spot.^[56]

In February 2008, Timberlake was awarded two Grammy Awards. At the 50th Grammy Awards ceremony, Timberlake won the Male Pop Performance Award for "What Goes Around...Comes Around", and the Dance Recording Award for "LoveStoned/I Think She Knows".^[57]

2007– present: Last music appearance, return to acting[link]

The song "4 Minutes", was first played by Timbaland at Philadelphia's Jingle Ball on December 17, 2007.^[58] When released on March 17, 2008, "4 Minutes" was revealed to be a duet between Timberlake and Madonna, with backing vocals by Timbaland. It was lead single from Madonna's eleventh studio album Hard Candy, which featured four other song-writing collaborations with Timberlake. The single was an international hit, topping the charts in over 21 countries worldwide.^[59] Timberlake also appears in the music video, which was directed by Jonas & François. On March 30, 2008, Timberlake performed the song at Madonna's Hard Candy Promo Show at Roseland Ballroom in New York City.^[60] On November 6, 2008, Timberlake performed the song with Madonna on the Los Angeles stop of her Sticky & Sweet Tour.^[61]

Timberlake on his Justified World Tour

Around June 2007 Timberlake co-wrote, produced and provided vocals for the songs "Nite Runner" and "Falling Down" for Duran Duran's album Red Carpet Massacre, released on November 13, 2007. "Falling Down" had been released as a single in the UK on the previous day.^[62]

Also in 2007, Timberlake made an appearance on 50 Cent's third album, Curtis. Timberlake, along with Timbaland, is featured on a track called "Ayo Technology", which was the album's fourth single. Also, another possible collaboration was to occur with Lil Wayne for his album Tha Carter III with Nelly Furtado and Timbaland.^[63]

With the wrapping up of the FutureSex/LoveSounds tour of Australasia and the Middle East in November 2007, Timberlake resumed his film career. Projects underway early in 2008 were starring roles in Mike Myers' comedy The Love Guru (released June 20, 2008) and Mike Meredith's drama The Open Road (released August 28, 2009). In March 2008 it was announced that he was to be an executive producer in an American adaptation of the hit Peruvian comedy My Problem with Women for NBC.^[64]

On November 20, 2008, TV Guide reported that Timberlake’s next single, "Follow My Lead", which also featured vocals by Timberlake’s protégée, former YouTube star Esmee Denters, would be available for exclusive download through MySpace. All proceeds would go to Shriners Hospitals for Children, a charity dedicated to improving pediatric care for sick children.^[65]

In 2008 a collaboration between Timberlake and T.I., "Dead and Gone" featured on T.I.'s sixth studio album, Paper Trail, and was released as its fourth single late in 2009. In November 2008, it was confirmed that Timberlake would make a guest appearance and produce some tracks on R&B/pop singer Ciara's upcoming album Fantasy Ride due out May 5, 2009. Timberlake featured on Ciara's second single "Love Sex Magic", the video being shot on February 20, 2009.^[66] The single became a worldwide hit, reaching the top ten in numerous countries and peaking at number one in several countries including Taiwan, India, and Turkey. The single was nominated for Best Pop Collaboration with Vocals at the 52nd Grammy Awards.

Timberlake and his production team The Y's, along with Mike Elizondo, produced and co-wrote the song "Don't Let Me Down" for Leona Lewis's second studio album, Echo, released (in the US) on November 17, 2009.

Timberlake also co-wrote and performed on "Carry Out", the third single from Timbaland's album Shock Value II, released on December 1, 2009.^[67]

From 2010, Timberlake increased his acting work. He played Sean Parker, the founder of Napster, in the acclaimed film The Social Network (2010). He also appeared at the 2010 MTV VMAs on Sept. 12, 2010.^[68]

In 2011, he starred alongside Cameron Diaz in Bad Teacher and then alongside Mila Kunis in Friends with Benefits, and played Will Salas, the protagonist of In Time, a science fiction film by Andrew Niccol.^[69] He directed and made a cameo in the Free Sol music video "Hoodies On, Hats Low" which was released in August 2011.^[70]

On October 7, RCA Music Group announced it was disbanding Jive Records along with Arista Records and J Records. With the shutdown, Timberlake (and all other artists previously signed to these three labels) will release his future material on the RCA Records brand.^[71][72]

Other work[link]

Near the end of 2002, Timberlake was the first celebrity to appear on Punk'd, a "candid camera" type show created by Ashton Kutcher to trick celebrities.^[73] Timberlake, who cried during the episode, later admitted to being under the influence of marijuana when he was pranked.^[74] Three episodes later, he set up Kelly Osbourne to be "punk'd", thus making him the first celebrity to appear on the show more than once.^[75] Timberlake later spoofed Ashton Kutcher and Punk'd in a 2003 episode of NBC's Saturday Night Live.^[76]

Timberlake has hosted many music events, including the European MTV Music Awards in 2006. On December 16, 2006, Timberlake hosted Saturday Night Live, doing double duty as both host and musical guest for the second time. During this appearance, he and Andy Samberg performed an R&B song for a skit entitled "Dick in a Box", which some radio stations have aired as an unofficial single from Timberlake and has become one of the most viewed videos on YouTube. On May 9, 2009, he appeared in another SNL Digital Short opposite Samberg, Susan Sarandon and Patricia Clarkson entitled "Motherlover", a quasi-sequel to "Dick in a Box".^[77]

Timberlake appeared on Jimmy Fallon's debut as host of Late Night with Jimmy Fallon on March 2, 2009.^[78]

In 2004, ABC hired Timberlake to write a song for its NBA coverage.

Timberlake is the executive producer on the MTV reality series The Phone, which premiered on April 21, 2009. According to People Magazine, the series "thrusts contestants into a heart-stopping action adventure worthy of a summer blockbuster. In six hour-long episodes, a mysterious stranger on the phone invites four strangers into the dangerous game. If they accept, they're paired into two teams and dared to perform physical and mental challenges reminiscent of Matt Damon's The Bourne Identity or Shia LaBeouf's Eagle Eye."^[79]

Other ventures[link]

Business[link]

Timberlake has co-owned or provided celebrity endorsement for three restaurants in the United States: "Chi" opened in West Hollywood, California in 2003,^[80] and "Destino" and "Southern Hospitalty" in New York opened in 2006 and 2007, respectively.^[81] He also has his own brand of tequila called 901; the name comes in part from the area code of his hometown of Memphis.^[82]

In 2005, Timberlake launched the William Rast clothing line with childhood friend Juan ("Trace") Ayala. The 2007 line contained cord jackets, cashmere sweaters, jeans and polo shirts.^[83] The pair reports inspiration from fellow Memphis native Elvis Presley: "Elvis is the perfect mixture of Justin and I," Ayala says. "You can go back and see pictures of him in cowboy boots and a cowboy hat and a nice button-down shirt, but then again you can see him in a tux and a collared shirt with rhinestones on it and slacks. We like to think 'If he was alive today, what would he be wearing?'"^[84] Target has announced that a William Rast collection, including denim, outerwear and sportswear for men and women, would launch in December and be available for a month.^[85]

Timberlake provides celebrity endorsement for many commercial products, this aspect of his business being managed by IMG Sports & Entertainment since April 2008.^[86] Major endorsements in 2009 included Sony electronic products,^[87] Givenchy's men's fragrance "Play",^[88] Audi's "A1",^[89] Callaway Golf Company products,^[90][91] and in 2011, MySpace.^[92][93]

An avid amateur golfer, in 2007 Timberlake purchased the run-down Big Creek Golf Course in his home town of Millington, Tennessee, which he redeveloped as the eco-friendly Mirimichi Golf Course at a cost of some $US16 million. It was reopened on 25 July 2009 but closed again on 15 January 2010 for further improvements expected to take six months.^[94] In October 2011, Timberlake received the Futures Award at the Environmental Media Awards for his green-conscious golf course.^[95]

Charitable causes[link]

Timberlake has been active in several charitable pursuits, initially through 'N Sync's "Challenge for the Children" aimed at a range of charities, and since 2001 through his "Justin Timberlake Foundation," which initially funded music education programs in schools, but now has a much broader agenda.^[96] In October 2005, the Grammy Association presented Timberlake with an award for his humanitarian efforts in Tennessee, alongside writer/director Craig Brewer, also a Memphis native.^[97]

In November 2007 he donated $A100,000 from takings from his Australian tour to Wildlife Warriors founded by Steve Irwin.^[98] On March 23, 2008, he donated $100,000 to the Memphis Rock 'n' Soul Museum and another $100,000 to the Memphis Music Foundation.^[99]

Timberlake golfing in 2006.

On November 12, 2007, the PGA Tour announced that Timberlake, an avid golfer who plays to a 6 handicap,^[100] would become the host of the tour's Las Vegas tournament starting in 2008. With Timberlake's agreement to host the tournament, its name was changed to the Justin Timberlake Shriners Hospitals for Children Open. He played in the celebrity pro-am on the day before the competitive tournament and hosted a charity concert during the week of the tournament.^[101] The activity was a success, and was repeated in 2009. A review of the value of celebrities to fundraising concluded that Timberlake's contribution to Shriners Hospitals for Children was the single most valuable celebrity endorsement in the US during 2009, and worth over $US9 million.^[102]

Personal life[link]

Relationships[link]

Early in 1999, Timberlake began what eventually became a high-profile celebrity relationship with fellow pop singer Britney Spears, with whom he had worked on the New Mickey Mouse Club. This ended abruptly in March 2002. Lynn Harless says as a mother she too was devastated regarding the break-up, but to this day speaks warmly of Spears, "Britney grew up on my living room floor. I still love her to death. They (Justin and Britney) were together 10 or 11 years and had, from day one, instant chemistry between them. She's a sweet girl. I just hate what she's going through now." The breakup influenced the lyrics and theme of Timberlake's hit "Cry Me a River", one of the most popular singles from Justified.^[103]

Post-Spears, Timberlake has generally refused to discuss his personal life with the media, as a result of which his relationships have been the subject of much speculation in the tabloid and celebrity press. Prior to Spears, he was briefly romantically involved with Beyonce Knowles^[104] and singer-actress Stacy Ferguson.^[105] He was romantically linked with Janet Jackson (in July 2002),^[106] actress-dancer Jenna Dewan (in mid-2002),^[106] and actress-singer Alyssa Milano (between September and October 2002).^[106] Timberlake began dating actress Cameron Diaz soon after they met at the Nickelodeon Kids' Choice Awards in April 2003. Regular rumours of break-ups reported in the tabloid press were either ignored or occasionally denied.^[107][108] On the December 16, 2006 episode of Saturday Night Live, Diaz introduced Timberlake as the night's musical guest, and the couple officially split shortly afterwards. After the tabloid press alleged an affair between Timberlake and Scarlett Johansson, with whom he had shot the video for his single "What Goes Around.../...Comes Around Interlude",^[109] Diaz and Timberlake issued a joint statement on January 11, 2007:^[110]

Later in January 2007 Timberlake was linked to Jessica Biel when pictures surfaced of the two snowboarding in Park City, Utah during the Sundance Film Festival. On May 12, 2007 romantic pictures of Timberlake and Biel on multiple dates were published.^[112][113] In the August 9–15, 2008 edition of Heat magazine, when Timberlake was asked to describe his perfect woman, he replied "About 5ft.7in.-5ft.8in., nice butt, Midwestern American, kind-of-German last name, green eyes, big pouty lips, fair skin, ahhh....sinewy bod..."^[114] However, during an appearance on The Tonight Show with Jay Leno on June 11, 2008 when Jay Leno questioned him about anything related to rumors of engagement and pregnancy, Timberlake jokingly responded that he "is engaging in a conversation with Leno" and "everybody in general can get pregnant."^[115] After four years together, the couple announced their split in March 2011.^[116][117] However, by fall 2011 the couple appeared to have reunited, and in late December 2011, Timberlake proposed to Biel in the mountains of Jackson, Wyoming.^{[118][119][120]}

Other interests[link]

Timberlake was given Sexiest Man titles by Teen People and Cosmopolitan magazines.^[121] On February 17, 2009, Timberlake was named the "Most Stylish Man in America" by GQ magazine.^[122] In 2011, he ranked No. 46 on AskMen's annual rundown of the 49 Most Influential Men.^[123]

Timberlake is a fan of English football club Manchester United.^[124][125]

Justin Timberlake was asked to take a fan to her unit's annual ball in July 2011 via YouTube, and he attended the Marine Corps Ball with her (Kelsey De Santis) on Sunday, November 13, 2011 in Richmond, Virginia.^[126][127]

Discography[link]

Studio albums[link]

• 2002: Justified
• 2006: FutureSex/LoveSounds

Extended plays[link]

• 2003: Justin & Christina

DVDs[link]

• 2003: Justified: The Videos
• 2003: Live from London
• 2007: Futuresex/Loveshow – Live from Madison Square Garden

Tours[link]

Headlining

• Justified and Lovin' It Live (2003–04)
• FutureSex/LoveShow (2007)

Co-headlining

• Justified/Stripped Tour (2003) (with Christina Aguilera)

Filmography[link]