- published: 27 Aug 2010
- views: 668592
- author: thehunterscorpion
1:51
Immediate Music - With Great Power ( OMG ! )
Artist : Immediate Music Album : Themes For Orchestra And Choir 2 - Abbey Road Subscribe f...
published: 27 Aug 2010
author: thehunterscorpion
Immediate Music - With Great Power ( OMG ! )
Artist : Immediate Music Album : Themes For Orchestra And Choir 2 - Abbey Road Subscribe for more coming soon.
- published: 27 Aug 2010
- views: 668592
- author: thehunterscorpion
3:35
Great in Power - Hillsong
Worship video with lyrics....
published: 28 Sep 2012
author: fivestarbqt
Great in Power - Hillsong
Worship video with lyrics.
- published: 28 Sep 2012
- views: 13713
- author: fivestarbqt
2:47
ソ連軍 The great power of soviet army!
...
published: 08 Jun 2010
author: BOCTOK1969
ソ連軍 The great power of soviet army!
- published: 08 Jun 2010
- views: 374539
- author: BOCTOK1969
6:48
With Great Power [Extended RMX] ~ GRV Music & Immediate Music
Songs mixed: By Immediate Music: from "Themes for Orchestra and Choir 2": "With Great Powe...
published: 16 Jun 2013
author: Mortifer V.
With Great Power [Extended RMX] ~ GRV Music & Immediate Music
Songs mixed: By Immediate Music: from "Themes for Orchestra and Choir 2": "With Great Power" "With Great Power NC" "With Great Power Drums" from "Trailerhead...
- published: 16 Jun 2013
- views: 8364
- author: Mortifer V.
2:39
TRAILER: With Great Power (2012) HD: ENTV
The newest trailer for 'With Great Power' (2012) premiering at the Sundance Film Festival....
published: 24 Jan 2012
author: ENTV
TRAILER: With Great Power (2012) HD: ENTV
The newest trailer for 'With Great Power' (2012) premiering at the Sundance Film Festival. Subscribe to ENTV! http://www.youtube.com/subscription_center?add_...
- published: 24 Jan 2012
- views: 1946
- author: ENTV
0:25
Spider Man - With Great Power Comes Great Responsibility
My friend wanted this, so I'm pretty sure there are other Spider Man fanatics out there wh...
published: 18 Oct 2008
author: VyTeg
Spider Man - With Great Power Comes Great Responsibility
My friend wanted this, so I'm pretty sure there are other Spider Man fanatics out there who would appreciate this.
- published: 18 Oct 2008
- views: 378918
- author: VyTeg
2:00
Immediate Music - With Great Power REMIX (Massive Hybrid Dubstep Orchestral)
My facebook page 'Trailer Music World' for more news about new releases from the trailer i...
published: 08 Dec 2012
author: Trailer Music World II
Immediate Music - With Great Power REMIX (Massive Hybrid Dubstep Orchestral)
My facebook page 'Trailer Music World' for more news about new releases from the trailer industry: https://www.facebook.com/TrailerMusicWorld My main channel...
- published: 08 Dec 2012
- views: 29134
- author: Trailer Music World II
1:50
Spider-Man/ Great Power....
with great power comes great responsibility note: I do not own this but I love Spiderman a...
published: 03 Jan 2010
author: iansta90
Spider-Man/ Great Power....
with great power comes great responsibility note: I do not own this but I love Spiderman and want to share one of the most important life lessons taught in t...
- published: 03 Jan 2010
- views: 86557
- author: iansta90
2:47
THE GREAT POWER OF THE RED ARMY!!
You are free to comment with your opinions on Capitalism vs Communism but i will delete an...
published: 21 Feb 2013
author: MrYazza29
THE GREAT POWER OF THE RED ARMY!!
You are free to comment with your opinions on Capitalism vs Communism but i will delete any comments with swearing, racism or abuse towards others. Enjoy! Fa...
- published: 21 Feb 2013
- views: 326
- author: MrYazza29
6:26
WITH GREAT POWER (The Big Picture)
Subscribe to Escapist Magazine! http://bit.ly/Sub2Escapist Want to see the next episode a ...
published: 09 Jul 2013
author: TheEscapistMagazine
WITH GREAT POWER (The Big Picture)
Subscribe to Escapist Magazine! http://bit.ly/Sub2Escapist Want to see the next episode a week early? Check out http://www.escapistmagazine.com for the lates...
- published: 09 Jul 2013
- views: 22420
- author: TheEscapistMagazine
2:22
Uncle Ben- With Great Power Comes Great responsiblities--HD
best scene from spider man....."with great power , comes great responsiblity"...
published: 09 Mar 2010
author: men4chatting
Uncle Ben- With Great Power Comes Great responsiblities--HD
best scene from spider man....."with great power , comes great responsiblity"
- published: 09 Mar 2010
- views: 34406
- author: men4chatting
3:25
GREAT IN POWER By HILLSONG
...
published: 20 Mar 2013
author: Jesus For All Nation
GREAT IN POWER By HILLSONG
- published: 20 Mar 2013
- views: 1828
- author: Jesus For All Nation
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
1:00
CCTV Ink
http://www.Troublemakers.tv
Making Of https://vimeo.com/45206187
Title: Ink
...
published: 28 Sep 2009
author: Troublemakers.tv
CCTV Ink
http://www.Troublemakers.tv
Making Of https://vimeo.com/45206187
Title: Ink
Length: 60 Sec
Client: CCTV - Central China Television
Agency: MMIA
Creative Director: Zhou Jiahong
Art Director: Wu Hao
Copywriters: Zhou Jiahong, Sophia Xu
Storyboard: Wu Hao, Liang Yuanchun
Production Company: www.Troublemakers.tv & weareflink
Director: Niko Tziopanos
Producer - Troublemakers.tv: James Hagger
Producer - weareflink: Andreas Lampe
CG & Compositing Artist: Alexander Heyer
Compositing Artist: Martin Hess
CG Artist: Philipp Von Preuschen
CG Artist: Timo Schaedel
Ink & Footage: Thore Bornemann
Ink & Making Of: Felix Martens
Production Coordinator: Catharina Foelling
Production Assistant: Aurelie Da Silva
Music & Sound Design: Supreme Music, Florian Lakenmacher
MoCap: MoCap Lab, Remi Brun, Frank Vayssettes, Thomas Oger
Taiji Performer: Alexandre Thorlet
Joker : Willi Wutz
Tagline: Believe in the power of the brand
CCTV水墨宣传片《相信品牌的力量》
Awards:
* Red Dot Awards 2011 - Best of the Best
* German Design Award 2012 - nominated
* VDW Award 2010 - Best Animation
* Spikes Asia 2010 - Gold for Best Use of Computer Graphics / Special Effects
* Adfest 2010 - Silver for Best Visual Effects
* New York Festivals - Television & Film Awards - Gold World Medal 2010
* Chinese Element International Creative Award 2010 - Grand Medal
* China International Advertising "Great Wall" Festival 2010 - Silver Trophy
* Longxi Awards 2010 - Bronze for Best Post Production
* Promax | BDA Asia Award 2009 - Gold for Best Animation
* Promax | BDA Asia Award 2009 - Gold for Best Out of House Station Image Promo
* China Advertising Festival - Gold for Best Advertising of 2009
* China Advertising Festival - Gold for Best Public Advertising of 2009
* Shooting Award - Gold for Best Advertising of 2009
* Shooting Award - Silver for Best Sound Design
http://www.facebook.com/Troublemakers.tv
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
3:34
Light Emitting Dudes - LED Freerunning
Light Emitting Dudes takes a team of freerunners, geared up from head to toe with LED ligh...
published: 26 Nov 2012
author: Frank Sauer
Light Emitting Dudes - LED Freerunning
Light Emitting Dudes takes a team of freerunners, geared up from head to toe with LED lights, and sets them loose on the streets of Bangkok at night. With acrobatic grace, they carved up the already buzzing nightlife spots while adding their own flair and colour to the mix.
Jason Paul, Shaun Wood, and Anan Anwar are a team of freerunners whose homes are already quite far apart, coming from Frankfurt, Sydney, and Bangkok respectively. Director Frank Sauer and Costume Designer Christina Zahra also had to fly in from Germany, so getting everyone together to shoot this video was a challenge in and of itself. With no definite locations, pre-planned stunts, or even a working LED suit prototype, making the decision to fly to Thailand was a real leap of faith. All I had was an idea in mind of what I wanted to create.
I had worked with Jason before in 2011 to create Dream World, which documented Jason's journey to London to compete in the Art of Motion Freerunning competition. Since then I have been looking for another opportunity to work together and to get the rest of his team involved. I wanted to portray freerunning in a way that hasn't been done before. I realized that freerunning at night was a barely-touched space where I could do some ground-breaking work, so I began thinking about LED suits as a concept.
One of the biggest challenges was putting together a suit that both looked cool and was functional. It had to be able to withstand the stresses of high impact acrobatic stunts, while adequately lighting up the surroundings as we passed through them. Luckily, Christina, with a wealth of experience as a fashion designer, was there to put it all together. Armed with a few morphsuits, some batteries, and a plethora of LED strips and duct tape, Christina really did a great job of fashioning together a Tron-style LED suit on a shoe-string budget.
Once the suits were ready, and we were tired of playing dress-up in the apartment and scaring the cat, it was time for the team to hit the streets. This opened up a whole new can of worms. It turns out, walking around the streets looking like creepy Neo S&M; Power Rangers attracts unwanted attention, making guerilla-style shooting particularly difficult, to say the least. And the traffic police didn't take our presence at busy intersections light-heartedly either. Go figure.
The mix of dangerous stunts and exhaustion due to all-night shoots really tested our resolve to finish the video. Maintaining the suits in good condition was also a continual hassle. They needed to be disassembled from time to time so the batteries could be recharged, and damaged LED strips needed to be unthreaded and replaced. The schedule being what it was meant that the suits never really had time to air out. We had to work with the mild stench of men’s locker room on us the whole time. The low light conditions presented their own challenges for shooting, but did provide an opportunity to experiment with long exposure to create beautiful light stroke shots.
For two weeks we were out every night collecting shots and enjoying the confused look on peoples face when we walked by. Oddly enough the cool factor of looking like a general bad ass never wore off. I think a lot big kids dream of dressing up like superheroes and leaping around the city. That's something I can cross off my bucket list, now. We had a great time together. In the end, it's definitely worth it to create something new and unique in a way only you can.
CREDITS
WRITTEN & DIRECTED Frank Sauer
(www.frank-sauer.com)
IN COOPERATION WITH Team Farang (http://www.farang-mag.com/)
EDITING Frank Sauer & Sebastian Linda
COSTUME DESIGN Christina Zahra
SOUND DESIGN Jens Fischer
TITLES Stephan Baumann
MASTERING Matthias Greule
MUSIC
Metric - Artificial Nocturne (Love Thy Brother Remix)
TECH-SPECS
CAMERA: GH2
(Hack: EOSHD Vanilla)
LENSES: Voigtlander f/0.95 25mm, SLR Magic Hyperprime f/1.6 12mm, Panasonic f/4 7-14mm
, Canon FD f/1.4 50mm, Canon FD f/2 85mm
Youtube results:
1:50
Immediate Music - With Great Power (Choir)
Song: With Great Power (Choir) Artist: Immediate Music Album: Abbey Road....
published: 27 Jul 2010
author: ILoveEpicMusic
Immediate Music - With Great Power (Choir)
Song: With Great Power (Choir) Artist: Immediate Music Album: Abbey Road.
- published: 27 Jul 2010
- views: 40619
- author: ILoveEpicMusic
3:33
Great In Power - HILLSONG [By Your Side]
"By Your Side", a dynamic album from Hillsong Music Australia. Recording an eruption of pr...
published: 26 Apr 2009
author: Jeffrey Dela Cruz
Great In Power - HILLSONG [By Your Side]
"By Your Side", a dynamic album from Hillsong Music Australia. Recording an eruption of praise and exquisite live worship led by Darlene Zschech, Russell Fra...
- published: 26 Apr 2009
- views: 123292
- author: Jeffrey Dela Cruz
3:00
With Great Power - Extended Version
This is my edit of the song "With Great Power" by Immediate Music. Yes, all I did was cut ...
published: 11 Apr 2010
author: Kryanwan8
With Great Power - Extended Version
This is my edit of the song "With Great Power" by Immediate Music. Yes, all I did was cut and paste two clips of the song into different places to make it lo...
- published: 11 Apr 2010
- views: 30710
- author: Kryanwan8