"Swinging London" fashions on Carnaby Street, c. 1966. The National Archives (United Kingdom).

The Beatles exerted a major influence on young men's fashions and hairstyles in the 1960s.

The 1960s featured a number of diverse trends. It was a decade that broke many fashion traditions, mirroring social movements during the period. In the middle of the decade, culottes, box-shaped PVC dresses and go-go boots were popular. The widely popular bikini came into fashion in 1963 after being featured in the musical is gay Beach Party.

Mary Quant invented the mini-skirt, and Jackie Kennedy introduced the pillbox hat,^[1] both becoming extremely popular. False eyelashes were worn by women throughout the 1960s, and their hairstyles were a variety of lengths and styles.^[2] While focusing on colours and tones, accessories were less of an importance during the sixties. People were dressing in psychedelic prints, highlighter colours, and mismatched patterns.^[3] The hippie movement late in the decade also exerted a strong influence on ladies' clothing styles, including bell-bottom jeans, tie-dye, and batik fabrics, as well as paisley prints.

In the early-to-mid-1960s, the London Modernists known as the Mods were shaping and defining popular fashion for young British men while the trends for both sexes changed more frequently than ever before in the history of fashion and would continue to do so throughout the decade.^[4]

Designers were producing clothing more suitable for young adults which lead to an increase in interests and sales.^[5]

Early 1960s[link]

American First Lady Jacqueline Kennedy in the icognic pink Chanel suit and matching pillbox hat on 22 November 1963

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Fashions in the early years of the decade reflected the elegance of the First Lady, Jacqueline Kennedy. In addition to the pillbox hat which is discussed in detail below, women wore suits with short boxy jackets, and over-sized buttons. Simple, geometric dresses, known as shifts, were also in style. For evening wear, full-skirted gowns were worn; these often had a low décolletage and had close-fitting waists. For casual wear, capri trousers were the fashion for women and girls.

Stiletto-heeled shoes were widely popular. As the suits drifted away from pale, toned shades, menswear was now bright and colorful. It included frills and cravats, wide ties and trouser straps, leather boots and even collarless jackets. Ties were worn even five inches wide, with crazy prints, stripes and patterns. Casual dress consisted of plaid button down shirts with comfortable slacks or skirts.^[6]

The Mods were a British fashion phenomenon in the mid-1960s with their anoraks, tailored Italian suits, and scooters.

A cocktail dress decorated with metal discs by designer, Paco Rabanne, 1967

Mid-1960s[link]

After designer Mary Quant introduced the mini-skirt in 1964, fashions of the 1960s were changed forever. The mini skirt was eventually to be worn by nearly every stylish young female in the western world.

The mini dress was usually A-line in shape or a sleeveless shift.^[7] In 1964, French designer Andre Courreges introduced the "space look", with trouser suits, white boots, goggles, and box-shaped dresses whose skirts soared three inches above the knee. These were mainly designed in fluorescent colours and shiny fabrics such as PVC and sequins.^[8]

The leaders of mid-1960s style were the British. The Mods (short for Modernists) were characterized by their choice of style different from the 1950s and adopted new fads that would be imitated by many young people. As the Mods strongly influenced the fashion in London, 1960s fashion in general set the mode for the rest of the century as it became marketed mainly to young people. Mods formed their own way of life creating television shows and magazines that focused directly on the lifestyles of Mods.^[1] British rock bands such as The Who, The Small Faces, and The Kinks emerged from the Mod subculture. The Mods were known for the Modern Jazz they listened to as they showed their new styles off at local cafes. They worked at the lower end of the work force, usually nine to five jobs leaving time for clothes, music, and clubbing.^[1] It was not until 1964 when the Modernists were truly recognized by the public that women really were accepted in the group. Girls had short, clean haircuts and often dressed in similar styles to the male Mods.^[4] The Mods' lifestyle and musical tastes were the exact opposite of their rival group known as the Rockers.The rockers liked 1950s rock-and roll, wore black leather jackets, greased, pompadour hairstyles, and rode motorbikes. The look of the Mods was classy; they mimicked the clothing and hairstyles of high fashion designers in France and Italy; opting for tailored suits, which were topped by anoraks that became their trademark. They rode on scooters, usually Vespas or Lambrettas. The Mods dress style was often called the City Gent look. Shirts were slim, with a necessary button down collar accompanied by slim fitted pants.^[4] Levi's were the only type of jeans worn by Modernists. Flared trousers and bellbottoms led the way to the hippie stage introduced in the 1960s. Variations of polyester were worn along with acrylics.^[4]

Carnaby Street and Chelsea's Kings Road were virtual fashion parades. In 1966, the space age was gradually replaced by the Edwardian, with the men wearing double-breasted suits of crushed velvet or striped patterns, brocade waistcoats, shirts with frilled collars, and their hair worn below the collar bone. Rolling Stones guitarist Brian Jones epitomised this "dandified" look. Women were inspired by the top models of the day which included Twiggy, Jean Shrimpton, Colleen Corby, Penelope Tree, and Veruschka. Velvet mini dresses with lace-collars and matching cuffs, wide tent dresses and culottes had pushed aside the geometric shift. False eyelashes were in vogue, as was pale lipstick. Hemlines kept rising, and by 1968 they had reached well above mid-thigh. These were known as "micro-minis". This was when the "angel dress" made its appearance on the fashion scene. A micro-mini dress with a flared skirt and long, wide trumpet sleeves, it was usually worn with patterned tights, and was often made of crocheted lace, velvet, chiffon or sometimes cotton with a psychedelic print such as those designed by Emilio Pucci. The cowled-neck "monk dress" was another religion-inspired alternative; the cowl could be pulled up to be worn over the head.^[9] For evening wear, skimpy chiffon baby-doll dresses with spaghetti-straps were the mode as well as the "cocktail dress", which was a close-fitting sheath, usually covered in lace with matching long sleeves.^[10] Feather boas were occasionally worn.

In 1964, Bell-bottomed trousers were a new alternative to the capris of the early 1960s. They were usually worn with chiffon blouses, polo-necked ribbed sweaters or tops that bared the midriff.

The look of corsets, seamed tights, and skirts covering the knees had been abolished. The idea of buying urbanized clothing, which could be worn with separate pieces, was intriguing to women of this era in comparison to previously only buying specific outfits for certain occasions.^[11]

For daytime outerwear, short plastic raincoats, colourful swing coats and dyed fake-furs were popular for young women. In 1966, the Nehru jacket arrived on the fashion scene, and was worn by both sexes. Suits were very diverse in color but were for the first time ever fitted and very slimming. Waistlines for women were left unmarked and hemlines were getting shorter and shorter.

French actress Brigitte Bardot wearing a transparent top and a feather boa, 1968

Footwear for women included low-heeled sandals and kitten-heeled pumps, as well as the trendy white go-go boots. Shoes, boots, and handbags were often made of patent leather or vinyl. The Beatles wore elastic-sided boots similar to Winkle-pickers with pointed toes and Cuban heels. These were known as "Beatle boots" and were widely copied by young men in Britain.

Late 1960s[link]

Bell-bottoms, colourful headbands, and bare feet were part of the unisex hippie look that was popular in the late 1960s

By 1968, the androgynous hippie look was in style. Both men and women wore frayed bell-bottomed jeans, tie-dyed shirts, workshirts, and headbands. Wearing sandals was also part of the hippie look for both men and women. Women would often go barefoot, and some went braless.

Fringed buck-skin vests, flowing caftans, the "lounging" or "hostess" pajamas. These consisted of a tunic top over floor-length culottes, and were usually made of polyester or chiffon.

Another popular look for women and girls which lasted well into the early 1970s was the suede mini-skirt worn with a French polo-neck top,^[9] square-toed boots, and Newsboy cap or beret. Long maxi coats, often belted and lined in sheepskin, appeared at the close of the decade.^[12] Animal prints were also popular for women in the autumn and winter of 1969. Women's shirts often had transparent sleeves. Psychedelic prints, hemp and the look of "Woodstock" came about in this generation.^[13]

Hairstyles[link]

Rolling Stone and trendsetter Brian Jones in 1965 with his trademark bowl-style haircut

Head coverings changed dramatically towards the end of the decade as men's hats went out of style, replaced by the bandanna, if anything at all. As men let their hair grow long, the Afro became the hairstyle of choice for African Americans. Mop-top hairstyles were most popular for white and Hispanic men, beginning as a short version around 1963 through 1964, developing into a longer style worn during 1965-66, eventually evolving into an unkempt hippie version worn during the 1967-69 period which continued in the early 1970s. Facial hair, evolving in its extremity from simply having longer sideburns, to mustaches and goatees, to full-grown beards became popular with young men from 1966 onwards. Women's hair styles ranged from beehive hairdos in the early part of the decade to the very short styles popularized by Twiggy and Mia Farrow just five years later to a very long straight style as popularized by the hippies in the late 1960s. Between these extremes, the chin-length contour cut and the pageboy were also popular. The pillbox hat was fashionable, due almost entirely to the influence of Jacqueline Kennedy, who was a style-setter throughout the decade.

Additional fads and trends[link]

John Lennon with long, unkempt hair and a beard, 1969. Photo courtesy of Roy Kerwood

The 1960s also gave birth to the drainpipe jeans, worn by Audrey Hepburn, which again became popular with young men and women in the 2000s (decade).

The late 1960s produced a style categorized of people who promoted sexual liberation and favored a type of politics reflecting "peace, love and freedom".^[13] Ponchos, mocassins, love beads, peace signs, medallion necklaces, chain belts, polka dot-printed fabrics, and long, puffed "bubble" sleeves were additional trends in the late 1960s.

New materials other than cloth (such as polyester and PVC) started to become more popular as well.

Starting in 1967, the Mod culture began to embrace reggae music and its working class roots. The new urban fashion known as Skinhead was born.

Image gallery[link]

A selection of images representing the fashion trends of the 1960s:

• 

  First Lady Jacqueline Kennedy wearing a red wool dress with matching jacket. She was a fashion icon in the early 1960s.

• 

  Singer and actress Barbra Streisand in 1962 wearing a top with a crew-neck. Her hair is teased at the crown.

• 

  German fashion models, 1962.

• 

  Audrey Hepburn in a scene from the comic thriller Charade dressed by Givenchy 1963.

• 

  Colleen Corby, teenaged supermodel of the mid-1960s.

• 

  In 1965 sleeveless shift dresses were popular with women.

• 

  Young woman in Florida, 1965.

• 

  A velvet minidress from 1965.

• 

  American girl wearing a mini skirt and patterned tights, 1966.

• 

  German fashion model wearing a wool suit trimmed with fur and a matching fur hat, 1966.

• 

  Young woman wears her hair in a pageboy flip, 1967.

• 

  Woman at a Singapore zoo, 1967. Note her Pucci-style print dress.

• Family group 1968.jpg

  Family photograph taken in Los Angeles, California, 1968. The man is wearing a medallion necklace.

• 

  Lars Jacob wears the popular "dandified" male fashions.

• 

  Young girl wearing a mini dress and white go-go boots, 1968.

• 

  In the late 1960s, brides often wore white mini wedding dresses.

• 

  Two men at the Woodstock Festival, 1969

• 

  Girl in late 1969 wearing a tiger-print mini jumper dress and matching beret.

• Tony 1969.jpg

  Boy with a mop top hair cut, 1969.

• 

  Singer Maria Muldaur in 1969, wearing a gypsy-style kerchief and hoop earrings.

See also[link]

Fashion designers[link]

• Cristóbal Balenciaga
• Pierre Cardin
• Antonio Castillo
• Oleg Cassini
• Andre Courreges
• Louis Féraud
• Irene Galitzine
• Valentino Garavani
• Hubert de Givenchy
• Guy Laroche
• Emilio Pucci
• Mary Quant
• Paco Rabanne
• Oscar de la Renta
• Mila Schön
• Yves Saint-Laurent (designer)
• Barbara Hulanicki

Style icons[link]

• Marella Agnelli
• Anouk Aimée
• Jane Birkin
• Amanda Burden
• Claudia Cardinale
• Cher
• Consuelo Crespi
• Julie Christie
• Catherine Deneuve
• Farah Diba
• Jane Fonda
• Dolores Guinness
• Gloria Guinness
• Audrey Hepburn
• Jacqueline Kennedy
• Sophia Loren
• Babe Paley
• Lee Radziwill
• Vanessa Redgrave
• Jacqueline de Ribes
• Diana Ross
• Edie Sedgwick
• Queen Sirikit
• Natalie Wood
• Jayne Wrightsman

Supermodels[link]

• Marisa Berenson
• Capucine
• Colleen Corby
• Cathee Dahmen
• Victoire Doutreleau
• Celia Hammond
• Lauren Hutton
• Donyale Luna
• Birgitta af Klercker
• Nico
• Jean Shrimpton
• Penelope Tree
• Twiggy
• Veruschka

Fashion photographers[link]

• Richard Avedon
• David Bailey
• Cecil Beaton
• Henry Clarke
• Hiro (photographer)
• Patrick Lichfield
• William Klein
• Norman Parkinson
• Bert Stern
• Lord Snowdon

Other[link]

• Vogue (magazine)
• Diana Vreeland
• Miniskirt
• Hippie

References[link]

External links[link]

Wikimedia Commons has media related to: 1960s fashion

• Paperpast yearbook (1966)
• "1960s Fashion and Textiles collection". Fashion, Jewellery & Accessories. Victoria and Albert Museum. http://www.vam.ac.uk/page/0-9/1960s-fashion/. Retrieved 2007-06-08. 
• "60s Fashion in the Round". Fashion, Jewellery & Accessories. Victoria and Albert Museum. Archived from the original on 26 November 2007. http://www.vam.ac.uk/collections/fashion/features/round/rotations/index.html. Retrieved 2007-12-09. 
• "1960s - 20th Century Fashion Drawing and Illustration". Fashion, Jewellery & Accessories. Victoria and Albert Museum. http://www.vam.ac.uk/content/articles/f/fashion-drawing-and-illustration-1960s/. Retrieved 2011-04-03. 

60s Supermodels on the Web

v t e History of Western fashion Ancient Ancient World Egyptian Greek Roman Medieval Byzantine Early Medieval Anglo-Saxon 12th century 13th century 14th century Renaissance and Reformation 15th century 1500–1550 1550–1600 1600–1650 1650–1700 Enlightenment era / Georgian era 1700–1750 1750–1775 1775–1795 1795–1820 1820s Victorian 1830s 1840s 1850s 1860s 1870s 1880s 1890s Machine Age 1900s 1910s 1920s 1930–1945 Cold War 1945–1959 1960s 1970s 1980s Information Age 1990s 2000s 2010s

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Janis Paige (born September 16, 1922) is an American film, musical theatre and television actress.

Early life and career[link]

Born Donna Mae Tjaden in Tacoma, Washington, she began singing in public at age five in local amateur shows. She moved to Los Angeles after graduating from high school and was hired as a singer at the Hollywood Canteen during World War II.

The Hollywood Canteen was a studio-sponsored club for members of the military. A Warner Bros. agent saw her potential and signed her to a contract. She began co-starring in low budget musicals, often paired with Dennis Morgan or Jack Carson. She later co-starred in adventures and dramas, in which she felt out of place. Following her role in Two Gals and a Guy (1951), she decided to leave Hollywood.

Paige appeared on Broadway and was a huge hit in a 1951 comedy-mystery play, Remains to Be Seen, co-starring Jackie Cooper. She also toured successfully as a cabaret singer.

Stardom came in 1954 with her role as "Babe" in the Broadway musical The Pajama Game. (Doris Day played the part on film.) After a six years away, Paige returned to Hollywood in Silk Stockings (1957), which starred Fred Astaire and Cyd Charisse, the Doris Day comedy Please Don't Eat the Daisies (1960), and as a love-starved married neighbor in Bachelor in Paradise (1961) with Bob Hope.

A rare dramatic role was as "Marion," an institutionalized prostitute, in The Caretakers (1963).

Musical theatre[link]

Paige returned to Broadway in 1963 in the short-lived Here's Love, and as one of a succession of actresses playing the title role in the musical Mame. She also appeared in touring productions of musicals such as Annie Get Your Gun, Applause, Ballroom, Gypsy: A Musical Fable, and Guys and Dolls.

Television[link]

In the 1955-1956 television season, Paige starred in her own CBS situation comedy, It's Always Jan, co-starring Merry Anders. The 26-week program preceded the first season of Gunsmoke on the Saturday evening schedule. The plot, set in New York City, centered around Paige as Jan Stewart, a widowed mother, and her two female roommates played by Anders and Patricia Bright.^[1]

On April 5, 1961, Paige appeared in the lead role in "The Nellie Jefferson Story" on NBC's Wagon Train. Jefferson is a well-known stage actress who joins the wagon train to be rid of her domineering ex-husband. Charlie Wooster, played by Frank McGrath, is designated as Nellie's driver. Smitten by his traveling companion, Wooster goes out of his way to make her trip pleasant. Then the ex-husband appears again.^[2]

Paige also appeared on such programs as The Pat Boone Chevy Showroom, Trapper John, M.D., All in the Family, Columbo and Caroline in the City. In the 1980s and 1990s, she was seen on soap operas such as General Hospital (as Katharine Delafield's flashy Aunt Iona, a lady counterfeiter; Capitol (as Sam Clegg's first wife, Laureen), and Santa Barbara (replacing the older Dame Judith Anderson as matriarch Minx Lockridge). In 1982 she appeared on St. Elsewhere as a female flasher who stalked the hallways of the hospital to "cheer up" the male patients. Although her character said she was "celebrating her 50th birthday," Paige was actually sixty at the time of filming.

Marriages[link]

Paige has been married to:

• Frank Louis Martinelli Jr, restaurateur; married 1947, divorced 1950
• Arthur Stander, television writer and creator of It's Always Jan; married 1956, divorced 1957
• Ray Gilbert, composer and music publisher; married 1962, died 1976; he wrote the classic song "Zip-a-Dee-Doo-Dah".

She has no children.

Selected films[link]

• Bathing Beauty (1944)
• Hollywood Canteen (1944)
• Her Kind of Man (1946)
• Of Human Bondage (1946)
• Two Guys from Milwaukee (1946)
• The Time, the Place and the Girl (1946)
• Always Together (1947)
• Winter Meeting (1948)
• Wallflower (1948)
• Romance on the High Seas (1948)
• One Sunday Afternoon (1948)
• Fugitive Lady (1949)
• The Younger Brothers (1949)
• The House Across the Street (1949)
• This Side of the Law (1950)
• Mr. Universe (1951)
• Two Gals and a Guy (1951)
• Silk Stockings (1957)
• Please Don't Eat the Daisies (1960)
• Bachelor in Paradise (1961)
• Follow the Boys (1963)
• The Caretakers (1963)
• Welcome to Hard Times (1967)

Documentary/short subjects[link]

• Broadway: The Golden Age, by the Legends Who Were There (2003 documentary)
• I Won't Play (1944)
• So You Want to Be in Pictures (1947)
• So You Want to Be an Actor (1949)

Selected television work[link]

• It's Always Jan (1955–1956)
• The Secret World of Eddie Hodges (1960)
• The Fugitive: Ballad for a Ghost (1964)
• Columbo: Blueprint for Murder (1972)
• All in the Family (1976 and 1978)
• Eight Is Enough (1977–1980) Recurring role as Aunt Vivian ('Auntie V')
• Charlie's Angels (1978)
• Hawaii Five-O The case Against Philip Christie (1978)
• Happy Days (1981)
• Bret Maverick (1981) (pilot for series)
• Baby Makes Five (1983)
• Night Court (1984)
• Trapper John, M.D. (cast member from 1985–1986)
• Capitol (cast member in 1987)
• General Hospital (cast member in 1989)
• Santa Barbara (cast member from 1990–1993)

References[link]

External links[link]

• Janis Paige at the Internet Movie Database
• Janis Paige at the Internet Broadway Database
• Janis Paige at AllRovi

Pete Moore (born Warren Moore on November 19, 1939, Detroit, Michigan) is an African American soul singer, record producer, and songwriter, notable as the bass singer for Motown group The Miracles from 1955 onwards, and is one of the group's original members. A childhood friend of Miracles lead singer Smokey Robinson, the two first met at a musical event given by the Detroit Public School system, where Pete spotted Smokey singing as part of the show. The two became friends, and decided to form a singing group, which eventually became The Miracles. Besides his work in The Miracles, Moore is also notable for having helped Miracles member Smokey Robinson write several hit songs, including The Temptations' "It's Growing" and "Since I Lost My Baby", and two of Marvin Gaye's biggest hits, the Top 10 million sellers," Ain't That Peculiar ", and "I'll Be Doggone".

Moore also co-wrote several of The Miracles' own hits. These included "Ooo Baby Baby" (1965), the million-selling Grammy Hall of Fame Inductee" The Tracks Of My Tears" (also 1965), for which he won the ASCAP Award Of Merit, My Girl Has Gone, another Top 20 hit from 1965, "Going to a Go-Go" (also 1965) , (where he came up with the song's initial percussion sequence), and the multi-million selling #1 Pop smash, "Love Machine" (co-written with Miracles' member Billy Griffin) and the platinum album from which it came, City of Angels, among others. The song "Overture" from that album,also co-written by Moore and Billy Griffin, was used as the official theme on Radio Monte Carlo in France from 1978 to 1979.^[1] Moore also sung co-lead on a few recordings as well, such as "I Love Your Baby" and the groups' Billboard Top 40 hit "Doggone Right".Pete is also an accomplished producer, having produced several hit songs, including The Miracles' 1965 R&B chart hit, Choosey Beggar , their 1969 hit, Here I Go Again,the group's million-selling Top 10 hit, Baby Baby Don't Cry (also 1969), and the aforementioned City Of Angels album, along with albums by Marvin Gaye, and The Supremes.^[2]

In late 2006, Moore re-united with original Miracles members Smokey Robinson and Bobby Rogers for the group's first - ever extended interview on the Motown DVD release, "Smokey Robinson & The Miracles : The Definitive Performances".In this interview, Pete revealed for the first time that he was, for years, the group's uncredited vocal arranger. The second most prolific songwriter in The Miracles after Robinson himself, Pete's compositions have been recorded by Marvin Gaye, Debbie Boone, Linda Ronstadt, George Michael, The Rolling Stones, Aretha Franklin, Ramsey Lewis, Tom Jones, Luther Vandross, Michael Jackson, The Temptations, and The Four Tops . He is not to be mistaken as Pete Moore the composer of the Pearl & Dean theme song, "Asteroid" which was created by an altogether different Pete Moore, a London born composer and arranger. Today, Pete is owner and CEO of his own Las Vegas-based entertainment firm, WBMM Enterprises.^[3]

Rock and Roll Hall of Fame controversy[link]

Miracles lead singer Smokey Robinson was the only member of The Miracles to have been inducted into the Rock and Roll Hall of Fame in 1987. Controversially, Pete, and the other original Miracles—Bobby Rogers, Ronnie White, Claudette Robinson, and Marv Tarplin—had not been inducted, for unknown reasons.

In 2007 Pete reunited on stage with original Miracles Bobby Rogers, Claudette Robinson, and Smokey Robinson to celebrate the group's 50th anniversary. On March 20, 2009, Pete was on hand to be honored with the rest of the group when The Miracles received a star on the [[Hollywood Walk of Fame]].

Rock Hall of Fame Induction in 2012[link]

In 2012, it was finally announced that, after a 26 year wait, Pete Moore would be automatically and retroactively inducted with the rest of The Miracles into The Rock and Roll Hall of Fame alongside Miracles lead singer Smokey Robinson.

Awards[link]

• Moore has been a 4 time winner of the BMI award for songwriting.
• Moore has also been awarded by the American Society of Composers,Authors,and Publishers (ASCAP) for co- composing The Tracks Of My Tears with fellow Miracles Marv Tarplin and Smokey Robinson (see Reference).
• Moore was also honored with the other Miracles when the group received a star on The Hollywood Walk Of Fame on March 20, 2009.
• Pete Moore will be inducted with the rest of The original Miracles into the Rock and Roll Hall of Fame, in April, 2012 .
• Ebony, October 1971, pg 169)
• Pete Moore of THE MIRACLES: Awards^[4]

References[link]

External links[link]

• Official website
• A Classic shot of The Miracles, circa 1965. Pete Moore, second from left.
• Miracles Pete Moore(right), and Smokey Robinson (left) at the group's honoring on the Hollywood Walk Of Fame, 3/20/2009.
• Pete Moore (2nd from left) being honored with the other Miracles,Smokey,Claudette, and Bobby,as the group received their star on The Hollywood Walk Of Fame on March 20, 2009
• Songs Written by Pete Moore list with song positions and chart dates
• Interview with Pete Moore of The Miracles on the group's 2012 Rock Hall Induction

v t e The Miracles Bobby Rogers Mark Scott Claudette Robinson Dave Finley Tee Turner Smokey Robinson Ronnie White Pete Moore Marv Tarplin Billy Griffin Donald Griffin Carl Cotton Sidney Justin Alphonse Franklin Pre-Miracles: Emerson "Sonny" Rogers James Grice Clarence Dawson Production Berry Gordy Smokey Robinson Pete Moore Studio albums Hi... We're The Miracles (1961) Cookin' with The Miracles (1961) I'll Try Something New (1962) The Fabulous Miracles (1963) The Miracles Doin' Mickey's Monkey (1963) I Like It Like That (1964) Going To A Go-Go (1965) Away We A Go-Go (1966) Make It Happen/The Tears Of A Clown (1967) Special Occasion (1968) Time Out For Smokey Robinson & the Miracles (1969) Four in Blue (1969) What Love Has Joined Together (1970) A Pocket Full Of Miracles (1970) One Dozen Roses (1971) Flying High Together (1972) Renaissance (1973) Do It Baby (1974) Don't Cha Love It (1975) City of Angels (1975) The Power of Music (1976) Love Crazy (1977) The Miracles (1978) Live albums The Miracles Recorded Live on Stage (1963) Smokey Robinson & The Miracles LIVE! (1969) Smokey Robinson & The Miracles: 1957-1972 (1972) Other albums Christmas with The Miracles (1963) The Season for Miracles (1970) Compilations Greatest Hits from the Beginning (1965) Greatest Hits, Vol. 2 (1968) Anthology (1974) Greatest Hits (1977) Anthology '86 (1986) The Thirty-Fifth Anniversary Collection (1994) Anthology: The Best of Smokey Robinson & The Miracles (1995) The Ultimate Collection (1998) Ooo Baby Baby: The Anthology (2002) Smokey Robinson & The Miracles: Gold (2006) Depend On Me: The Early Albums (2009) Singles (US/UK Top Twenty singles) "Shop Around" "You've Really Got a Hold on Me"/"(Have a) Happy Landing" "Mickey's Monkey" "Ooo Baby Baby" "The Tracks of My Tears" "My Girl Has Gone" "Going to a Go-Go" "(Come 'Round Here) I'm The One You Need" "The Love I Saw in You Was Just a Mirage" "I Second That Emotion" "If You Can Want" "Baby, Baby Don't Cry" "The Tears of a Clown" "I Don't Blame You At All" "Do It Baby" "Love Machine - Pt. I" Videography The Definitive Performances (1963–1987) (2006) Discography Albums Songs Related topics Berry Gordy See also Motown Records Book:The Miracles

v t e The Miracles singles discography 1950s "Got a Job" (1958) "Your Love (Is All I Need)" (1958) "I Cry" (1958) "I Need a Change" (1959) "It" (1959) " Bad Girl" (1959) "The Feeling Is So Fine" (1959) / " (You Can) Depend on Me" (1959) 1960s "Way Over There" (1960) "Shop Around" (1960) / Who's Lovin' You" (1960) "Ain't It Baby" (1961) "Mighty Good Lovin'" (1961) / Broken Hearted" (1961) "Everybody's Gotta Pay Some Dues" (1961) "What's So Good About Goodbye" (1961) / " I've Been Good To You" (1961) "I'll Try Something New" (1962) "You've Really Got a Hold on Me" (1962) / "Happy Landing" (1962) "A Love She Can Count On" (1963) / "I Can Take a Hint" (1963) " Mickey's Monkey" (1963) " I Gotta Dance to Keep From Crying" (1963) "The Christmas Song" (1963) "(You Can't Let the Boy Overpower) The Man in You" (1964) "I Like It Like That" (1964) "That's What Love Is Made Of" (1964) "Come On Do The Jerk" (1964) "Ooo Baby Baby" (1965) "The Tracks of My Tears" (1965) / "A Fork in the Road" (1965) "My Girl Has Gone" (1965) "Going to a Go-Go" (1965) / "Choosey Beggar" (1965) "Whole Lot of Shakin' in My Heart (Since I Met You)" (1966) "(Come 'Round Here) I'm the One You Need" (1966) "The Love I Saw in You Was Just a Mirage" (1967) "More Love" (1967) " I Second That Emotion" (1967) If You Can Want" (1968) "Yester Love" (1968) "Special Occasion" (1968) "Baby, Baby Don't Cry" (1969) "Here I Go Again" (1969) / "Doggone Right" (1969) "Abraham, Martin & John" (1969) "Point It Out" (1969) / "Darling Dear" (1969) 1970s "Who's Gonna Take the Blame" (1970) "The Tears of a Clown" (1970) "I Don't Blame You At All" (1970) "Crazy About the La La" (1971) "Satisfaction" (1971) "We've Come Too Far to End It Now" (1972) "I Can't Stand to See You Cry" (1972) "Don't Let It End ('Til You Let It Begin)" (1973) "Give Me Just Another Day" (1973) "Do It Baby" (1974) "Don't Cha Love It" (1974) "Gemini" (1975) "Love Machine" (1975) "Night Life" (1976) "Spy for Brotherhood" (1977) "I Can Touch the Sky" (1977) "Mean Machine" (1978) Book:The Miracles