An early pirate 8 track mixtape from 1974

The compact audio cassette

A mixtape or mixed-tape is the generic name given to any compilation of songs recorded onto a Compact Cassette, CD, music file, or any other audio format^[1].

A mixtape, which usually reflects the musical tastes of its compiler, can range from a casually selected list of favorite songs, to a conceptual mix of songs linked by a theme or mood, to a highly personal statement tailored to the tape's intended recipient. Essayist Geoffrey O'Brien has called the personal mix tape "the most widely practiced American art form",^[2] and many^[who?] mix tape enthusiasts believe that by carefully selecting and ordering the tracks in a mix, an artistic statement can be created that is greater than the sum of its individual songs.

With the advent of affordable, consumer-level digital audio, creating and distributing mixes in the form of compact disc or MP3 playlists has become the contemporary method of choice, but the term mix tape is still commonly used, even for mixes in different media (for example, CD, MP3, MiniDisc, audio cassette 8 track).^{[citation needed]} Video mixtapes have emerged as well.

History[link]

The examples and perspective in this article deal primarily with the United States and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (December 2010)

The most common early mix tapes were bootleg 8 track tapes that were sold at flea markets and truck stops in the late 1960s through the early 1980s, with names like "Super 73", "Country Chart Toppers" or "Top Pops 1977".

Homemade mix tapes became common in the 1980s. Although the compact audio cassette by Philips appeared at the 1963 Berlin Radio Show,^[3] the sound quality of cassettes was not good enough to be seriously considered for music recording until further advances in tape formulations, including the advent of chrome and metal tape. Before the introduction of the audio cassette, the creation of a pop music compilation required specialized or cumbersome equipment, such as a reel-to-reel or 8 track recorder, that was often inaccessible to the casual music fan. As cassette tapes and recorders grew in popularity and portability, these technological hurdles were lowered to the point where the only resources required to create a mix were a handful of cassettes and a cassette recorder connected to a source of prerecorded music, such as a radio or LP player. The 8-track tape cartridge was more popular for music recording during much of the 1960s, as the cassette was originally only mono and intended for vocal recordings only, such as in office dictation machines. But improvements in fidelity finally allowed the cassette to become a major player. The ready availability of the cassette and higher quality home recording decks to serve the home casual user allowed the cassette to become the dominant tape format, to the point that the 8 track tape nearly disappeared shortly after the turn of the 1980s. The growth of the mixtape was also encouraged by improved quality and increased popularity of audio cassette players in car entertainment systems, and by the introduction of the Sony Walkman in 1979.

A distinction should be drawn between a private mixtape, which is usually intended for a specific listener or private social event, and a public mixtape, or "party tape", usually consisting of a recording of a club performance by a DJ and intended to be sold to multiple individuals. In the 1970s, such DJs as Grandmaster Flash and the Furious Five, Afrika Bambaataa and the Soulsonic Force, Kool Herc and the Herculoids, DJ Breakout, the Funky Four, and DJ Hollywood would often distribute recordings of their club performances via audio cassette, as well as customized recordings (often prepared at exorbitant prices) for individual tape purchasers. These recordings tended to be of higher technical ability than home-made mixtapes and incorporated techniques such as beatmatching and scratching. One 12 October 1974 article in Billboard Magazine reported, "Tapes were originally dubbed by jockeys to serve as standbys for times when they did not have disco turntables to hand. The tapes represent each jockey's concept of programming, placing, and sequencing of record sides. The music is heard without interruption. One- to three-hour programs bring anywhere from $30 to $75 per tape, mostly reel-to-reel, but increasingly on cartridge and cassette." Club proprietors, as well as DJs, would often prepare such tapes for sale.

The CD-R disc is currently the most common medium for homemade mixes

Throughout the 1980s, mixtapes were a highly visible element of youth culture. However, the increased availability of CD burners and MP3 players and the gradual disappearance of cassette players in cars and households have led to a decline in the popularity of the compact audio cassette as a medium for homemade mixes. The high point of traditional mixtape culture was arguably the publication of Nick Hornby's novel High Fidelity in 1995. Since then, mixtapes have largely been replaced by mix CDs and shared MP3 playlists, which are more durable, can hold more songs, and require minutes (rather than hours) to prepare. While some mixtape enthusiasts bemoan the obsolescence of the cassette tape, others concede that the greater convenience offered by the mix CD has expanded the possibilities and accessibility of the medium, as indicated by the recent resurgence of mix-swapping clubs that trade mix CDs by regular mail. Some mix enthusiasts also appreciate the potential of the mix CD for extended, continuous mixes and creative album art.

Today, websites concerned with electronic music provide mixes in a digital format.^[4][5][6] These usually consist of recorded DJ sets of live, beat-matched mixes of songs, which are used by DJs seeking to demonstrate their mixing skills to an online audience. Some radio shows worldwide specialize in mix series, including The Breezeblock on BBC Radio 1, The Solid Steel Show (formerly on KISS-FM), Eddy Temple-Morris/The Remix on Xfm and The BTTB Show.

Additionally, DJs such as Grandmaster Flash, DJ QBert, DJ Spooky, DJ Z-Trip or DJ Shadow, The Avalanches, and Rjd2 have gained fame for creating new songs by combining fragments of existing songs (which need not necessarily belong to the same genre). The resulting remix or mash-up can be seen as an evolution of the mixtape, in that it appropriates existing songs to give them new meanings through their juxtaposition, but does so in a quicker, more integrated style. This practice is heavily derived from the use of song loops as musical backdrops for an MC's rhymes in hip hop music, which is also related to turntablism.

Mixtapes vs. compilations[link]

This unreferenced section requires citations to ensure verifiability.

Many commercially available compilations of pop music initially seem to share certain important characteristics with mixtapes. Like many private mixes, a significant number of the earliest pop LPs were essentially collections of popular singles, and such compilation albums have often taken cues from underground mixes of the same era. One example is Disco Par-r-r-ty, the first nonstop dancing LP record, which was released by Spring Records in October 1974. Consisting of a continuous mix of songs by such artists as James Brown, Mandrill, and Barry White, it was clearly inspired by the bootleg DJ mixes that were becoming popular at the same time. However, the relative anonymity of the compilers of such albums is arguably inconsistent with the rationale behind most mixtapes, which typically reflect the musical tastes of a single compiler. While the editors of such compilations do exercise a certain amount of discretion over song order and selection, the term mixtape is generally restricted to a compilation where the identity of the compiler is clearly associated with the album itself. For example, Starbucks, the coffee chain, sells a compilation CD series called Artist's Choice, which consists of mixes based on selections by such artists as Johnny Cash, Tony Bennett, and Sheryl Crow. Similarly, Apple Computer's iTunes Store features Celebrity Playlists, downloadable mixtapes in AAC-compatible form, selected by such artists as Moby, Barry Manilow, and Andrew W.K. The Late Night Tales series has seen artists such as Four Tet and Turin Brakes make their own compilations that are distributed in mainstream record shops such as HMV.

The presence of an identifiable compiler whose tastes are reflected in song selection and arrangement allow retail mix CDs to be distinguished from other types of compilations. The distinction can be rather subtle. For example, while most "greatest hits" compilations of individual recording artists consist of a collection of singles in chronological order, others include album tracks, new songs, or obscure selections in addition to established hits, and sometimes reorder the songs for optimal listening. As such, these compilations can be seen as "artist-specific" mixes selected and arranged by the artists themselves.

One could also argue that the modern movie soundtrack, which often consists of selected pop music tracks (rather than the traditional orchestral score) is a mixtape with songs selected by the film's director or music supervisor.

Legal issues in the United States[link]

An important distinction between homemade mixes and retail compilations of pop music is that the latter generally obtain permissions for the use of copyrighted songs, while the former do not. As a result, mixtapes, such as those produced and sold by club DJs in the 1970s, are illegal. Most^[who?] mixtape enthusiasts assume that private mixtapes are inoffensive from a fair use standpoint, but this is far from clear. Frank Creighton, a director of anti-copyright infringement efforts for the Recording Industry Association of America, was quoted in New York Times as saying that "money did not have to be involved for copying to be illegal."^[7] While mixes on cassette tapes may not have inspired the wrath of the record industry in the past, Mr. Creighton said, "digital mixes have better sound quality". And given the proliferation of CD burning for friends and relatives, "it would be naïve of us to say that we should allow that type of activity".

Aesthetics[link]

While the process of recording a mix onto an audio cassette from LPs or compact discs is technically straightforward, many music fans who create more than one mixtape are eventually compelled to confront some of the practical and aesthetic challenges involved in the mixtape format. From a practical standpoint, such issues as avoiding an excessive amount of blank tape at the end of one side (which requires careful planning of the length of each side of the mix) and reducing the audible click between songs (which requires mastery of the pause button on the cassette recorder) have been identified as part of the shared experience of mixtape aficionados. From an aesthetic point of view, many enthusiasts believe that because a tape player, unlike a CD player, lacks the ability to skip from song to song, the mixtape needs to be considered in its entirety. This requires the mixtape creator to consider the transitions between songs, the effects caused by juxtaposing a soft song with a loud song, and the overall "narrative arc" of the entire tape. One notable listing of such aesthetic "rules" can be found in a paragraph from Nick Hornby's High Fidelity:

Many enthusiasts also devote substantial attention to the packaging of a mix tape intended as a gift, sometimes going so far as to create cover art and customized liner notes. The cover of the original McSweeney's edition of 31 Songs, a 2003 essay collection by Nick Hornby, was intended to suggest the packaging of a homemade mix CD. It also came with an actual CD featuring ten of the songs discussed in the text. Indeed, the look of mix tapes, featuring hand-written notes on the recording medium manufacturer's supplied labels, has become one of the aesthetic conventions of modern design, a distinct style that designers may attempt to copy or cite. Many have been so widely distributed that the CDDB has logged and can identify ID3 tags when a disc mix tape is inserted into a PC.

From an artistic point of view, many creators of mix tapes seem to regard them as a form of emotional self-expression, although whether a mix tape retains the same web of emotional associations when passed from its creator to the recipient is, at best, debatable. Some argue that in selecting, juxtaposing, or even editing originally unrelated tracks of pop music into a new work of art, the "author" of a mix tape moves from passive listener to archivist, editor, and finally active participant in the process of musical creation. (Some legitimacy for this viewpoint was provided by Cassette Stories, a 2003 exhibition at the Museum of Communication in Hamburg, Germany, which featured stories and submissions from eighty mix tape enthusiasts.) However, this perception of the mix tape as a work of art has been criticized as resulting in a sort of elitism, with creators becoming more concerned with finding arcane and surprising combinations of tracks than with creating a tape that is listenable, enjoyable, or appropriate to its intended recipient. (In High Fidelity, for example, the narrator's girlfriend complains that his mix tapes are too didactic.) On a very basic level, the creation of a mix tape can be seen as an expression of the individual compiler's taste in music, often put forward for the implicit approval of the tape's recipient, and in many cases as a tentative step towards building the compiler's personal canon of pop music.

Types of Mix Tapes[link]

Although a "comprehensive" list of the different genres or categories of mixtapes could be extended indefinitely, creating a taxonomy of mix tapes is a project that many mix tape enthusiasts have intuitively attempted.^{[citation needed]} The different types of mix tapes identified on community sites, such as FoundTrack and Art of the Mix (which lists over two hundred genres), indicate the variety of potential categories. Beyond basic genres as the simple taping of an entire album, the collection of favorite songs, and the "snapshot"^{[clarification needed]} mix of recent favorites, some of the more commonly cited categories include the driving mix, the workout mix, the party mix, the krazy mix (eclectic selections of obscure, rare or otherwise unconventional tracks), the didactic mix (intended to educate the recipient as to the essential works of a particular artist or genre), the concept / theme mix (a mix of Christmas songs, songs about cars, or covers of songs by a particular artist or similar), and the mood mix (simply a mix of songs intended to sustain a specific mood, stated or unstated — notable sub genres include the romantic mix and the break-up mix). Mixtapes eventually made their way onto television screens by video mix DJs (i.e., Jordan Laws 'Fit to Fill Video Mixtape' DJ SWB^{[Full citation needed]}).

Mixtapes in hip hop[link]

In hip hop's earliest days, the music only existed in live form, and the music was spread via tapes of parties and shows.^[8] Hip hop mixtapes first appeared in the mid-1970s in New York City, featuring artists such as Kool Herc and Afrika Bambaata.^[8] As more tapes became available, they began to be collected and traded by fans. In the mid-1980s, DJs, such as Brucie B, began recording their live music and selling their own mixtapes, which was soon followed by other DJs such as Kid Capri and Doo Wop.^[8] Ron G moved the mixtape forward in the early 1990s by blending R&B a cappellas with hip hop beats (known as "blends").^[8] Blend tapes became increasingly popular by the mid-1990s^{[citation needed]}, and fans increasingly looked for exclusive tracks and freestyles on the tapes. In the hip hop scene, mix tape is often displayed as a single term mixtape.

See also[link]

Music portal

• DJ mix
• Mix Tape: The Art of Cassette Culture
• MP3 CD

References[link]

Further reading[link]

• Corn, Doron Porat (c2002). "History of Mixtapes" AllMixTapes.com
• Ellis, Bret Easton (1986). Less Than Zero. ISBN 0-679-78149-8
• Erdman, Sarah (2003). Nine Hills to Nambonkaha: Two Years in the Heart of An African Village. ISBN 0-8050-7381-7
• Gallagher, David (30 January 2003). For the mix tape, a digital upgrade and notoriety. The New York Times.
• Hornby, Nick (1995). High Fidelity. ISBN 1-57322-551-7
• Hornby, Nick (2003). Songbook. ISBN 1-57322-356-5
• Keller, Joel (22 January 2004). PCs killed the mix-tape star. Salon.com.
• Mobley, Max (5 December 2007). "Requiem for the Mixtape". Crawdaddy!.
• Moore, Thurston (2004). Mix Tape. ISBN 0-7893-1199-2
• McMahon, Andrew (2005): "The Mixed Tape", Everything In Transit — Jack's Mannequin
• O'Brien, Geoffrey (2004). Sonata for Jukebox. ISBN 1-58243-192-2
• Paul, James (26 September 2003). Last night a mix tape saved my life. The Guardian.
• Sante, Luc (13 May 2004). Disco Dreams. The New York Review of Books. (This review of Songbook and Sonata for Jukebox describes the mix tape as "one part Victorian flower album, one part commonplace book, one part collage, and one part recital.")
• Stuever, Hank (29 October 2002). Unspooled: In the digital age, the quaint cassette is sent reeling into history's dustbin. Washington Post.
• Vowell, Sarah (2001). Take the Cannoli: Stories from the New World. ISBN 0-7432-0540-5
• Warner, Alan (1995). Morvern Callar. ISBN 0-385-48741-X

William Leonard Roberts II (born January 28, 1976), better known by his stage name Rick Ross (often stylized as RICK RO$$), is an American rapper. He derived his stage name from the drug trafficker "Freeway" Ricky Ross, to whom he has no connection. Ross founded the record label Maybach Music Group, on which he released his studio albums Deeper Than Rap and Teflon Don, Ross was also the first artist signed to Diddy's management company Ciroc Entertainment. In early 2012, MTV named Ross as the Hottest MC In The Game.^[3]

Early life[link]

William Leonard Roberts II was born in Coahoma County, Mississippi.^[1] and raised in Carol City, Florida, near Miami.^[2] After graduating from Carol City Senior High School, he later attended the historically black college Albany State University on a football scholarship.^[4]

Music career[link]

After being signed to Suave House Records, former label for rap duo 8Ball & MJG, he eventually signed a deal with Slip-n-Slide Records, which has been under the Def Jam umbrella since 2006. While signed to Slip-n-Slide, Ross toured with fellow rapper Trick Daddy and made guest performances on other Slip-n-Slide albums.^[2]

[edit] Port of Miami (2006)

His debut album Port of Miami was released in August 2006 and debuted at the top spot on the Billboard 200 album chart, with sales at 187,000 units after its first week.^[5][6] Christian Hoard of Rolling Stone magazine predicted that it would be "the summer's biggest rap record".^[7] The second single was "Push It", which samples "Scarface (Push It to the Limit)", the theme song off the gangster film Scarface.^[8] The music video for "Push It" was modeled after the film.^[9] During that time, Ross made guest performances on two singles from DJ Khaled's debut Listennn... the Album: "Born-N-Raised" and "Holla at Me". Port of Miami received Gold certification from the Recording Industry Association of America on November 8, 2006.

[edit] Trilla (2008)

In March 2008, his second album Trilla was released and, as its predecessor Port of Miami had, debuted at the top of the Billboard 200.^[10] Its lead single "Speedin'" featuring R. Kelly peaked at #121 on the Billboard Hot 100; the next one, "The Boss" featuring T-Pain peaked at #17 on the Hot 100. The third single "Here I Am" featured Nelly and Avery Storm.^[11] MTV News ranked Ross on the fourth spot in its 2008 "Hottest MCs In The Game" list among ten rappers.^[12] The fourth single "This Is The Life" featured Trey Songz and was released in July.

[edit] Deeper Than Rap (2009)

"I look at the game and the business and all different aspects, it's a lot of great lyricists on the corner that will never properly understand the business and know how to market themselves and get in a position where they can gain capital. I look at all the strategies people use and what made them successful. What made Birdman just as relevant today after selling 50 million records? That intrigues me. To see the class of Jay-Z, his accomplishments and see how he sits backs and accurately makes his moves."^[13]

A track from the album called "Valley of Death" was what stood out to MTV reporters. In the song, Ross speaks briefly on his controversial stint as a prison guard. "Keep it trilla, nigga, never had a gun and badge," which he stresses, leaving the word that he was indeed an officer of the law. "Kept a nice watch, smoking on a hundred sack/ Back in the day I sold crack for some nice kicks/ Skippin' school, I saw my friend stabbed with an ice pick/ Can't criticize niggas trying to get jobs/ Better get smart, young brother, live yours." Later, he implies that while he was working as a corrections officer, he was on the streets. "Only lived once and I got two kids/ And for me to feed them, I'll get two gigs," he raps. "I'll shovel shit, I'll C.O./ So we can bow our heads and pray over the meatloaf." Although, he still provided no explanation for lying about being a C.O. to begin with, nor did he explain why he failed to pay child support for his children.^[14][15]

The cover of the May 2009 issue of XXL magazine, titled "Rick Ross Up in Smoke", featured Ross wearing a pair of Louis Vuitton sunglasses. After publication, a spokesperson for the luxury-goods maker contacted XXL to inform them that Ross was sporting fake sunglasses in the cover image.^[16] It was later revealed that the rapper was wearing authentic Louis Vuitton sunglasses which were altered by Jacob Bernstein, known as "The Sunglass Pimp". Bernstein defended his customizations despite Louis Vuitton's insistence that such modification and resale of trademarked property is not legal.^[17]

[edit] Teflon Don and other works (2010)

Rick Ross released his fourth studio album entitled Teflon Don, which was released on July 6, 2010. The lead is "Super High" featuring Ne-Yo. Actress Stacey Dash made an appearance in the music video. A second official single was released titled "Live Fast, Die Young" which features and is produced by Kanye West. The album debuted at #2 on the Billboard 200 selling 176,000 copies in its first week.

In November 2010, rapper and frequent collabourator, Diddy, who in 2009 signed Ross to a management deal with his Ciroc Entertainment, announced from his YouTube account, that him and Ross are working on an EP together, which is going to be released in 2011.^{[dated info]} A single has been released for the project, called "Another One".^[18]

[edit] God Forgives, I Don't (2011 - present)

Rick Ross had also announced the release of his next album, "God Forgives, I Don't", for December 13, 2011, however it was confirmed on November 17, 2011 it has been pushed back for release in 2012.^[19][20]

Rick Ross premiered two songs from his new album "God Forgives, I Don't", titled "You The Boss" and "I Love My Bitches".^[21]

Along with his music projects, Rick Ross was nominated by The Source as its "Man of the Year".^[22]

Rick Ross performed at BET Awards 2011, which aired on June 26, 2011.^[23] He also received a nomination for Best Male Hip Hop Artist.^[24] In early 2012, Ross was named the Hottest MC In The Game.^[3]

Personal life[link]

Correctional officer photos[link]

In July 2008, The Smoking Gun produced details linking Ross' social security number to an eighteen month stint as a correctional officer at the South Florida Reception Center, along with a photograph purporting to be Ross in his correctional officer uniform.^[25] Ross initially denied that the photograph was of him;^[26] after overwhelming evidence of his past came into the public's eye, Ross later admitted that he did work as a correctional officer in Florida during the early 1990s.^[27] In a 2008 interview with AllHipHop.com,^[28] "Freeway" Ricky Ross, claimed offense that Roberts used his name and identity when he learned that The Smoking Gun posted documents revealing Roberts' previous employment as a Florida correctional officer.^[29]

Legal issues[link]

Mugshot of Rick Ross taken in 2008.

In January 2008, Ross was arrested on gun and marijuana charges. During a deposition of Officer Rey Hernandez, a Miami Beach cop who arrested Ross, Ross's lawyer, Allan Zamren, asked Hernandez why Ross’s case was assigned to the gang task force. The officer stated that it was because Ross claimed affiliation with Carol City Cartel and other known gang members. Zamren then pressed Hernandez for a personal link between Ross and the gang members, but ultimately one could not be established.^[30]

In August 2008, YouTube entertainer DJ Vlad filed a lawsuit against Ross for assault and battery. Vlad claimed Ross organized an ambush on him at the 2008 Ozone Awards in Houston, Texas for asking questions about his past as a correctional officer.^[31]

On June 18, 2010, Freeway Ricky Ross sued Rick Ross for using his name,^[32] filing a copyright infringement lawsuit in a California Federal Court.^[32] Jay-Z had been called to testify in the lawsuit, as he was CEO of Def Jam when Ross/Roberts was signed.^[32] The reformed drug kingpin was looking for 10 million dollars in the lawsuit.^[32] Also, the release of his album, Teflon Don, was threatened to be blocked by Freeway Ricky Ross. A week after the filing of the lawsuit, Rick Ross responded to the charges: "It’s like owning a restaurant, you’re gonna have a few slip and falls. You get lawsuits, you deal with them, and get them out your way…sometimes you lose."^[33] He then denied rumors that he would change his name to "Ricky Rozay" as a consequence of the lawsuit. The lawsuit was thrown out of court on July 3, 2010^[34] and his album, Teflon Don, was released on July 20 as scheduled.

On March 26, 2011, Ross was arrested in Shreveport for possession of marijuana. According to the police records, a strong odor of marijuana was detected from his room at the Hilton in Downtown Shreveport.^[35]

Religion[link]

Rick Ross is a Christian,^[36] and in an interview with Corey "Coco Brother" Condrey on Lift Every Voice, he indicated that "I had told myself at one point no matter what I go through, I never question God."^[37] In addition, Ross indicated that he prays every time he goes on stage to perform.^[38]

Seizures[link]

On October 14, 2011 Rick Ross suffered two seizures in the same day, once in the morning and once again early evening. Following the morning seizure, he was unconscious and CPR was being performed. He did, however, post a video to his Twitter account later in the day saying that he was OK.^{[citation needed]} Ross boarded another plane later in the day and suffered another seizure. On October 14, the University of Alabama at Birmingham Hospital confirmed that Ross had been admitted to the emergency room. TMZ, who first reported the seizure, updated their story originally posted at 4:45 PST, stating that Ross was in stable condition.^{[citation needed]}

Feud with 50 Cent[link]

In January 2009, Ross started a feud with rapper 50 Cent because he supposedly looked at him the wrong way at the BET Awards. 50 Cent told news sources that he did not remember seeing Ross there.^[39] In late January, "Mafia Music", by Ross, leaked onto the Internet. There were several lines that seemed to diss 50 Cent. Days later, 50 Cent released "Officer Ricky (Go Head, Try Me)" in response to Ross's disparaging remarks on his "Mafia Music" song.

Before going to Venezuela, 50 Cent uploaded a video entitled "Warning Shot," wherein he stated: "Rick Ross- I'mma fuck your life up for fun." In addition, 50 Cent released the first of a series of "Officer Ricky" cartoons. Early in February, 50 Cent once again made a video which he uploaded to YouTube in which he interviewed "Tia", the mother of one of Ross's children. She verifies that he was a correctional officer and claims his whole persona is fake and fraudulent.^[40] On Thursday, February 5, 2009, Game, who 50 Cent has a long-standing "beef" with, called up Seattle R&B station KUBE. When asked about the beef between 50 Cent and Ross, Game sided with 50 Cent and said that things are not looking good for Ross. He offered to help, stating, "Rick Ross, holla at your boy, man," and, "50 eating you, boy."^[41] On his album Deeper Than Rap, Ross references 50 Cent in the song "In Cold Blood". A video for the song was released that portrayed 50 Cent's mock funeral. Upon release, Ross stated that he has ended 50 Cent's career.^[42] That same day Ross released a new diss track called "Push 'Em Over The Edge". The next day 50 Cent released the controversial video "A Psychic Told Me", dissing DJ Khaled. On February 12, 50 Cent responded with "Tia Told Me", along with Lloyd Banks' response "Officer Down" and Tony Yayo's "Somebody Snitched".

In an interview, 50 Cent said Ross is "Albert From CB4. You ever seen the movie? He's Albert," he added. "It never gets worse than this. You get a guy that was a correctional officer come out and base his entire career on writing material from a drug dealer's perspective."^[43]

Discography[link]

Solo albums[link]

• 2006: Port of Miami
• 2008: Trilla
• 2009: Deeper Than Rap
• 2010: Teflon Don
• 2012: God Forgives, I Don't ^[20]

Maybach Music Group Albums[link]

• 2011: Self Made Vol. 1 (with Maybach Music Group)
• 2012: Self Made Vol. 2 (with Maybach Music Group)^[44]

Collaboration albums[link]

• 2009: Custom Cars & Cycles (with Triple C's)
• TBA: Bugatti Boyz (with Diddy)^[45][46]

Compilation albums[link]

• 2007: Rise to Power

References[link]

External links[link]

Wikimedia Commons has media related to: Rick Ross

• Rick Ross Official Def Jam Website
• Rick Ross at the Internet Movie Database

Lil Wayne
Lil Wayne in 2006
Background information
Birth name	Dwayne Michael Carter, Jr.
Born	(1982-09-27) September 27, 1982 (age 29)
Origin	New Orleans, Louisiana, U.S.
Genres	Hip hop
Occupations	Rapper, songwriter
Years active	1992–present
Labels	Cash Money, Young Money,Universal Republic
Associated acts	Birdman, Drake, Cash Money Millionaires, Hot Boys, Young Money, The B.G.'z, Nicki Minaj, Juelz Santana[1]
Website	lilwayne-online.com

Dwayne Michael Carter, Jr. (born September 27, 1982), better known by his stage name Lil Wayne, is an American rapper. At the age of nine, Lil Wayne joined Cash Money Records as the youngest member of the label, and half of the duo, The B.G.'z, with B.G.. In 1997, Lil Wayne joined the group Hot Boys, which also included rappers Juvenile, B.G., and Young Turk. Hot Boys debuted with Get It How U Live! that year. Lil Wayne gained most of his success with the group's major selling album Guerrilla Warfare, released in 1999. Also in 1999, Lil Wayne released his Platinum debut album Tha Block Is Hot, selling over one million copies in the U.S.

Although his next two albums Lights Out (2000) and 500 Degreez (2002) were not as successful (only reaching Gold status), Lil Wayne reached higher popularity in 2004 with Tha Carter, which included the single "Go D.J." Wayne also appeared on the Destiny's Child top ten single "Soldier" that year. In 2005, the sequel to Tha Carter, Tha Carter II, was released. In 2006 and 2007, Lil Wayne released several mixtapes and appeared on several popular rap and R&B singles. His most successful album, Tha Carter III, was released in 2008 and sold over 1 million copies in the U.S. its first week of release. It included the number-one single "Lollipop" featuring Static Major. It also includes the singles "A Milli" and "Got Money" featuring T-Pain and won the Grammy Award for Best Rap Album.

Lil Wayne released his debut rock album, Rebirth, in 2010 to primarily negative reception from critics. The album eventually went gold. In March 2010, Lil Wayne began serving an 8-month prison sentence in New York after being convicted of criminal possession of a weapon stemming from an incident in July 2007. While in prison he released another album entitled I Am Not a Human Being in September 2010, featuring Young Money artists such as Drake, Nicki Minaj and Lil Twist. His ninth studio album and first since being released from prison, Tha Carter IV, was released on August 29, 2011.^[2] The album includes the songs "6 Foot 7 Foot" featuring Cory Gunz, "How to Love" and "She Will" featuring Drake. It sold 964,000 copies in the U.S. its first week out.

Early life[link]

Lil Wayne was born Dwayne Michael Carter, Jr. and grew up in the Hollygrove neighborhood of New Orleans, Louisiana.^[3] Carter was born when his mother, a chef, was 19 years old. His parents were divorced when he was 2, and his father permanently abandoned the family. Carter enrolled in the gifted program of Lafayette Elementary School and in the drama club of Eleanor McMain Secondary School.^[4]

He wrote his first rap song at age eight.^[5] In the summer of 1991, he met Bryan Williams, rapper and owner of Cash Money Records. Carter recorded freestyle raps on Williams's answering machine, leading him to mentor the young Carter and include him in Cash Money-distributed songs. He also recorded his first ever collaboration album True Story with rapper B.G.. At the time, Carter was 11, and B.G. was 14, and was billed as "The B.G.'z".^[6] When he was 12, he played the part of the Tin Man in his middle school drama club's production of The Wiz.^[7] At age 13, he accidentally shot himself with a 9 mm handgun, and off-duty police officer Robert Hoobler drove him to the hospital.^[8] At McMain Magnet School, Carter was an honor student, but he dropped out at the age of 14 to focus on a musical career.^[9]

Career[link]

1997–99: Hot Boys[link]

In 1997, Carter joined the Hot Boys along with rappers Juvenile, B.G., and Turk. At age 15, Carter was the youngest member at that time. Hot Boys' debut album Get It How U Live! was released the same year, followed in 1999 by the group's major-label debut Guerrilla Warfare,^[3] which reached No. 1 on the Billboard magazine Top R&B/Hip-Hop Albums chart and No. 5 on the Billboard 200.^[10] During their career, the Hot Boys had two charting singles, "We on Fire" from Get It How U Live! and "I Need a Hot Girl" from Guerrilla Warfare.^[11] Carter was also featured on Juvenile's single "Back That Azz Up", which reached No. 18 on the Billboard Hot 100 and No. 5 on the Hot R&B/Hip-Hop Singles & Tracks.^[12] Let 'Em Burn, a compilation album of unreleased tracks recorded during 1999 and 2000, came out in 2003, several years after the group disbanded.^[13] It reached No. 3 on the Top R&B/Hip-Hop Albums chart and No. 14 on the Billboard 200.^[10]

Carter's debut solo album Tha Block Is Hot at age 17 featured significant contributions from the Hot Boys and was certified platinum, debuting at No. 3 on the Billboard album charts.^[3] The album earned him a 1999 Source magazine award nomination for "Best New Artist",^[14] and also became a Top Ten hit.^[3] The lead single was "Tha Block Is Hot". After the release of Tha Block is Hot, Carter was featured on the single, "Bling Bling", with B.G., Juvenile, and Big Tymers. His verse was featured on the radio edition, and on the album version, only his hook was featured on the single.

[edit] 2000-03: Lights Out and 500 Degreez

His 2000 follow-up album Lights Out failed to attain the level of success achieved by his debut^[3] but was certified gold by RIAA.^[15] Critics pointed to the lack of coherent narratives in his verses as evidence that he had yet to mature to the level of his fellow Hot Boys.^[16] The lead single was "Get Off The Corner" which was noticed for an improvement in lyrical content and style, it also received a music video. The second single which received less attention was "Shine" featuring The Hot Boys. Near the release of Lights Out, Lil Wayne was featured on the single, "1# Stunna" with Big Tymers and Juvenile, which rose to 24th place on the Hot Rap Tracks charts.

Lil Wayne's third album 500 Degreez, released in 2002, followed the format of his previous two, with significant contributions from the Hot Boys and Mannie Fresh. While certified Gold like its predecessor,^[15] it too failed to match the success of his debut.^[3] The title was a reference to the recently estranged Hot Boys member Juvenile's recording, 400 Degreez.^[17] The lead single was "Way Of Life" which like the album failed to match the success of his previous singles. After the release of 500 Degreez, he was featured in the single "Neva Get Enuf" by 3LW.^[18]

[edit] 2003-05: Tha Carter and Tha Carter II

In the summer of 2004, Wayne's album Tha Carter was released, marking what critics considered advancement in his rapping style and lyrical themes.^[19] In addition, the album's cover art featured the debut of Wayne's now-signature dreadlocks.^[3] Tha Carter gained Wayne significant recognition, selling 878,000 copies in the United States, while the single "Go DJ" became a Top 5 Hit on the R&B/Hip-Hop chart.^[20] After the release of Tha Carter, Lil Wayne was featured in Destiny's Child's single "Soldier" with T.I., which peaked at No. 3 on the U.S. Hot 100 and the U.S. R&B Charts.^[21]

Tha Carter II, the follow-up to the original Tha Carter album, was released in December 2005, this time without production by longtime Cash Money Records producer Mannie Fresh, who had since left the label. Tha Carter II sold more than 238,000 copies in its first week of release, debuting at No. 2 on the Billboard 200 albums chart, and went on to sell 2,000,000 copies world wide. The lead single, "Fireman," became a hit in the US, peaking at 32 on the Billboard Hot 100 chart. Other singles included "Grown Man", "Hustler Muzik", and "Shooter" (featuring R&B singer Robin Thicke). Lil Wayne also appeared on a remix of Bobby Valentino's "Tell Me", which rose to No. 13 on the U.S. R&B Charts. In 2005, Lil Wayne was named president of Cash Money, and in the same year he founded Young Money Entertainment as an imprint of Cash Money.^[22] However, as of late 2007, Lil Wayne reported that he has stepped down from the management of both labels and has handed management of Young Money over to Cortez Bryant.^[23]

Lil Wayne performing at the Beacon Theatre on July 23, 2007

[edit] 2006-08: Like Father, Like Son, Mixtapes and collaborations

In 2006, Lil Wayne collaborated with rapper Birdman for the album Like Father, Like Son, whose first single "Stuntin' Like My Daddy", reached No. 21 on the Billboard Hot 100.

Instead of a follow-up solo album, Lil Wayne reached his audience through a plethora of mixtapes and guest appearances on a variety of pop and hip-hop singles.^[3] Of his many mixtapes, Dedication 2 and Da Drought 3 received the most media exposure and critical review. Dedication 2, released in 2006, paired Lil Wayne with DJ Drama and contained the acclaimed socially conscious track "Georgia Bush," in which Lil Wayne critiqued former US president George W. Bush's response to the effects of Hurricane Katrina on the city of New Orleans. Da Drought 3 was released the following year and was available for free legal download. It contained Lil Wayne rapping over a variety of beats from recent hits by other musicians. Numerous of features in prominent hip-hop magazines such as XXL^[24] and Vibe^[9] covered the mixtape. Christian Hoard of Rolling Stone magazine considered the mixtapes Da Drought 3 and The Drought Is Over 2 "among the best albums of 2007."^[4]

Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, "You" by Lloyd, and "We Takin' Over" by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), "Duffle Bag Boy" by Playaz Circle, "Sweetest Girl (Dollar Bill)" by Wyclef Jean (also featuring Akon), and the remix to "I'm So Hood" by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100, Hot Rap Tracks, and Hot R&B/Hip-Hop Songs charts. On Birdman's 2007 album 5 * Stunna, Lil Wayne appeared on the singles "100 Million" and "I Run This" among several other tracks. Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West and Insomniac by Enrique Iglesias. "Make it Rain", a Scott Storch production that peaked at number 13 on the Hot 100 and number two on the Hot Rap Tracks chart,^[25] was nominated for the Grammy Award for Best Rap Performance by a Duo or Group for 2008.^[26]

Vibe magazine ranked a list of 77 of Lil Wayne's songs from 2007 and ranked his verse in DJ Khaled's "We Takin Over" as his best of 2007, with "Dough Is What I Got" (a freestyle over the beat of Jay-Z's "Show Me What You Got") from Da Drought 3 the second song.^[9] At the end of 2007, an MTV poll selected Lil Wayne as "Hottest MC in the Game",^[27] The New Yorker magazine ranked him "Rapper of the Year",^[6] and GQ magazine named him "Workaholic of the Year".^[28] In 2008 he was named "Best MC" by Rolling Stone.^[4] Another article, built around Lil Wayne's 2007 mixtape work, cites his creative practice as an example of post performance creative practice.^[29]

[edit] 2008-10: Tha Carter III, We Are Young Money and Rebirth

Initially planned to be released in 2007, Tha Carter III's largest delay came after the majority of the tracks were leaked and distributed on mixtapes, such as "The Drought Is Over Pt. 2" and "The Drought Is Over Pt. 4". Lil Wayne initially decided to use the leaked tracks, plus four new tracks, to make a separate album, titled The Leak. The Leak was to be released December 18, 2007, with the actual album being delayed until March 18, 2008,^[30] The release of The Leak in this format never came to fruition, but an official EP titled The Leak and containing five tracks was released digitally on December 25, 2007.^[31] Tha Carter III was released on June 10, 2008, selling more than a million copies in its first week of release, the first to do so since 50 Cent's The Massacre in 2005.^[32] The first single "Lollipop", featuring Static Major became the rapper's most commercially successful song at that point, topping the Billboard Hot 100, making it the first Top 10 single for Lil Wayne as a solo artist, as well as his first No. 1 on the chart. His third single from Tha Carter III, "Got Money" featuring T-Pain, peaked at No. 13 on the Billboard 100. Tha Carter III also won four Grammy Awards, including best rap album and best rap song, which he won for "Lollipop".^[33] Along with his album singles, Lil Wayne appeared on R&B singles "Girls Around the World" by Lloyd, "Love In This Club, Part II" by Usher, "Official Girl" by Cassie, "I'm So Paid" by Akon, "Turnin' Me On" by Keri Hilson, and "Can't Believe It" by T-Pain; rap singles "My Life" by The Game, "Shawty Say" by David Banner, "Swagga Like Us" by T.I., "Cutty Buddy" by Mike Jones, All My Life (In the Ghetto) by Jay Rock and the remix to "Certified" by Glasses Malone; and pop single "Let It Rock" by new Cash Money artist Kevin Rudolf. On July 14, 2008, the Recording Industry Association of America certified Tha Carter III two times platinum.^[34] In an October 2008 interview with MTV News, Lil Wayne announced plans to re-release this album with all new tracks, including a duet with Ludacris and remixes of "A Milli".^[35]

Lil Wayne performing at General Motors Place concert in Vancouver in January 2009.

The lineup for New Orleans' 2008 Voodoo Experience concert, held in October, featured Lil Wayne. Jonathan Cohen of Billboard magazine reported that the event would mark his biggest hometown headlining set of his career.^[36] Lil Wayne stated that he would reunite with Hot Boys alongside Juvenile, Turk, and B.G. They plan to release an album after B.G.'s solo album Too Hood to Be Hollywood was completed.^[37] Wayne also performed as the 2008 Virgin Mobile Music Fest with Kanye West, performing the remix of "Lollipop" with West and also lip-syncing to Whitney Houston's "I Will Always Love You".^[38] Lil Wayne also performed at the 2008 MTV Video Music Awards with Kid Rock ("All Summer Long"), Leona Lewis ("DontGetIt (Misunderstood)") and T-Pain ("Got Money"). On the season premiere of Saturday Night Live, he performed "Lollipop" and "Got Money".^[39] He later performed at the homecoming rally at Vanderbilt University^[40] and the 2008 BET Hip Hop Awards with 12 nominations.^[41] He won the "MVP" title at the BET Hip Hop Awards and seven others.^[42] It was revealed that M.I.A. dropped out of performing on the tour due to her pregnancy, however Jay-Z is expected to perform with Wayne on the song "Mr. Carter" at select shows.^[43] On November 11, 2008, Wayne became the first hip-hop act to ever perform at the Country Music Association Awards. He played alongside Kid Rock for the song, "All Summer Long", in which Wayne did not rap but instead inaudibly strummed guitar strings alongside the guitarist in Kid Rock's band.^[44] Shortly after, Wayne was nominated for eight Grammys – the most for any artist nominated that year.^[45] Wayne was then named the first ever MTV Man of the Year at the end of 2008.^[46] He won the Grammy Award for Best Rap Solo Performance for "A Milli", Best Rap Performance by a Duo or Group for his appearance in T.I.'s single "Swagga Like Us", and Best Rap Song for "Lollipop". Tha Carter III won the award for Best Rap Album.^[33] MTV News listed Lil Wayne number two on their 2009 list of the Hottest MCs In The Game.^[47]

On December 23, 2009, Wayne released a collaboration album with Young Money, with the first single confirmed as "Every Girl".^[48] The second single is "BedRock", featuring Lloyd. The third single is "Roger That". On May 24, 2010, the album was certified gold by the RIAA with over 500,000 copies sold.^[49] Wayne is featured on the song, "Revolver", with Madonna for her 2009 greatest hits album, Celebration. He was also featured on a Weezer song, "Can't Stop Partying", on their 2009 album, Raditude.^[50] In late 2008, Wayne stated that he would re-release The Carter III with leftover tracks and call it Rebirth, several months later, however, he announced Rebirth would instead release as his debut rock album, maintaining its title as Rebirth.^[51] To support the release of Rebirth and a collaboration album with Young Money Entertainment, Wayne headlined the 'Young Money Presents: America's Most Wanted Music Festival'... a United States and Canada–only concert tour which started on July 29, 2009. The Rebirth album was originally scheduled for a April 7, 2009 release, however after numerous delays, the album was released on February 2, 2010. For the anticipation of Rebirth, Wayne was featured on the cover of Rolling Stone.^[52] "Prom Queen", the first official single, debuted on January 27, 2009 immediately after a live Internet broadcast on Ustream^[53] of his concert in San Diego.^[54] "Prom Queen" peaked at number 15 on the Billboard Hot 100 charts. On December 3, 2009, Lil Wayne's second single from the album, "On Fire", was released on iTunes. "On Fire" was produced by Cool & Dre.^[55] "On Fire" peaked at number 33 on the Billboard Hot 100 charts. "Drop the World", which features Eminem, is the third single from the album.^[55]

[edit] 2010: I Am Not a Human Being

Lil Wayne was thought to be releasing an EP entitled I Am Not a Human Being, but it was confirmed that would be a full length LP. The album was released on September 27, 2010 which was his birthday. The album has sold over 953,000 copies in the U.S.^[56] and has spawned a successful single in "Right Above It" which peaked at No. 6 on the Billboard Hot 100.

[edit] 2011-present: Tha Carter IV

Lil Wayne in 2011

In an interview on MTV's Mixtape Monday, Wayne asserted the possibility of the album Tha Carter IV.^[57] Following Tha Carter III's achievement of selling over 3 million copies, becoming 2008's best-selling record, Wayne re-signed with Cash Money Records for a multi-album deal.^[58] Wayne said Tha Carter IV will be released in 2009 just before the holidays.^[59] Birdman had previously stated that Tha Carter IV would be packaged with Rebirth as a double disc album.^[60] However, Wayne denied this idea saying that "Tha Carter IV deserves Tha Carter IV". He went on to say that We Are Young Money may be packaged with Rebirth.^[61][62] However, it was later confirmed that Rebirth and We Are Young Money will be released separately and that Tha Carter IV will be released during 2011. He started from scratch on Tha Carter IV since getting released from prison.^[63] He recorded his first track since being released from prison and it was described as being "a 2010 version of A Milli on steroids." The album is set to feature multiple guests, including Tech N9ne.^[64] The first single "6 Foot 7 Foot" featuring Cory Gunz was released on December 15, 2010. It was available for digital download on iTunes December 16, 2010. The song is produced by Bangladesh, who also produced Lil Wayne's single "A Milli" in 2008.^[65] On March 8, 2011, Lil Wayne released another song called "We Back Soon." The song is produced by StreetRunner; It is more relaxed than "6 Foot 7 Foot" is, but will not be a track on Tha Carter IV.^[66] He also released a second single to Tha Carter IV called "John" on March 24, 2011, which features Rick Ross and is produced by Polow Da Don.^[67] On April 20, 2011, the official cover of Tha Carter IV was released. Tha Carter IV was scheduled to be released on May 16, 2011,^[68] but Mack Maine had confirmed that the forthcoming ninth studio album will be released in June 21, 2011 instead of May 16, 2011, because they need more time to make the album perfect and they'll have a "monster" single coming soon that will possibly be titled "Blows My Brains" or "She's Always In My Head".^{[citation needed]} On May 26, the 3rd single, "How to Love" was released. Tha Carter IV was eventually pushed back to August 29, 2011. A song called "Dear Anne (Stan Part 2)" was released in June, when the snippet was released back in April. Lil Wayne said the song was throw away track for Tha Carter III. He said it was originally suppose to be on Tha Carter IV when it leaked, but decided not to put it one there. He said he's not a fan of the song since it was so old. Lil Wayne said that he that liked the beat, but not the lyrics, and was thinking about redoing "Dear Anne."

For preparation for Tha Carter IV, Lil Wayne released a mixtape titled, Sorry 4 the Wait. He named the mixtape so as an apology to his fans for the delay of the album. It consists of 13 with all the beats on the mixtape coming from other artists song, like his "No Ceilings" mixtape.

In July 2011, Lil Wayne confirmed in an interview with MTV that Tha Carter IV is finished.

The album debuted at No. 1 on the Billboard 200 with 964,000 copies sold in its first week, making it Lil Wayne's third chart topping album of his career. On January 8, 2012, According to Nielsen SoundScan was elected the seventh artist (second male artist) all-time best-selling tracks digital with 36,788,000 million to the end of 2011.^[69]

Future projects[link]

Lil Wayne has announced several possible upcoming projects, including a collaboration album entitled I Can't Feel My Face with rapper Juelz Santana that has been in production for several years. And also working on Tionne "T-Boz" Watkins' album Still Cool in late 2011.^[70][71] He has discussed a possible R&B album titled Luv Sawngz, for which he will heavily rely on a vocoder.^[72] He has also talked with singer Lloyd about doing a collaboration album in the future.^[73] On June 19, 2008, Lil Wayne and T-Pain formed a duo called T-Wayne^[74] and planned to release an album.^[75] According to an interview with Drake in the December 2011 issue of XXL, plans for an upcoming album with Lil Wayne have been scrapped for the time being because of the Jay-Z and Kanye West collaboration Watch the Throne.^[76] Lil Wayne and Baby will release a second Like Father, Like Son.^[77][78] It was announced by Mack Maine that Lil Wayne and Juelz Santana have gone back to working on their collaboration album I Can't Feel My Face which had been delayed for a few years due to "label politics".^[79]

In October 2011 it was reported that Lil Wayne is working on sequels to I Am Not a Human Being and Rebirth.^[80] A couple months later, Birdman announced that I Am Not A Human Being 2 will be released before the summer of 2012 and that him and Lil Wayne have finished recording Like Father, Like Son 2.^[81]

On March 29, 2011, in an interview with Hot 97's Angie Martinez, Lil Wayne announced that he would retire at age 35; saying "I have four kids," and that "I would feel selfish still going to the studio when it's such a vital point in their lives."^[82]

Television and film career[link]

Lil Wayne was a guest debater going up against Skip Bayless on the "1st & 10" segment on the January 6, 2009 edition of ESPN First Take.^[83] On February 10, 2009 he also appeared on ESPN's Around the Horn and beat out veterans Woody Paige, Jay Mariotti and fellow New Orleanian Michael Smith to win that show's episode.^[84] Prior to the 2009 Grammy Awards, Wayne was featured in an interview with Katie Couric.^[85] On February 7, 2009, he presented the Top Ten List on CBS's Late Show with David Letterman.^[86] He then appeared on the April 24, 2009 episode of The View, talking about his GED and addictions.^[87] In September 2009, Wayne was profiled in an episode of VH1's Behind the Music^[88] and was a presenter of the 2009 MTV Movie Awards.^[89]

In film, Wayne produced and composed music for and starred in the direct-to-video film Hurricane Season. A documentary of Lil Wayne titled The Carter was released at the Sundance Film Festival.^[90]

Personal life[link]

Family[link]

Lil Wayne has four children. His first child, daughter Reginae, was born when he was 15,^[5] to his high school sweetheart Antonia "Toya" Carter (née Johnson). Wayne and Johnson married on Valentine's Day of 2004 and divorced in 2006.^[91] Internet rumours started circulating in August 2008 that Wayne's daughter had died in a car crash, which however he quickly cleared up as false saying "Please allow me to dispel any rumors or speculations and report that my daughter is alive, healthy and surrounded by family who care and love her dearly. The rumors are completely false and unfounded; neither Reginae nor any other member of my family has been involved in any car accident."^[92] His second child, Dwayne III, was then born on October 22, 2008 at Christ Hospital in Cincinnati.^[93] His third child, Cameron Carter, was born to actress Lauren London on September 9, 2009.^[94] He had his fourth child, Neal, on November 30, 2009 with singer Nivea.^[95]