Arnold Lakhovsky, The Conversation (circa 1935)

People conversing with each other on a sidewalk

Conversation is a form of interactive, spontaneous communication between two or more people who are following rules of etiquette.

Conversation analysis is a branch of sociology which studies the structure and organization of human interaction, with a more specific focus on conversational interaction.

Definition and advantages[link]

Conversations are interactive because contributions to a conversation are response reactions to what has previously been said.

Conversations are spontaneous because a conversation proceeds, to some extent, and in some way, unpredictably. However, the scope of that spontaneity may legitimately be somewhat pre-limited for the purpose of expediency, e.g. a talk show or a debate.

Conversations follow rules of etiquette because conversations are social interactions, and therefore depend on social convention. Failure to adhere to these rules devolves, and eventually dissolves the conversation.

Conversations are sometimes the ideal form of communication, depending on the participants’ intended ends. Conversations may be ideal when, for example, each party desires a relatively equal exchange of information, or when one party desires to question the other. On the other hand, if permanency or the ability to review such information is important, written communication may be ideal. Or if time-efficiency is most important, a speech may be preferable.

Classification[link]

Subject[link]

Many conversations can be divided into four categories according to their major subject content:

• Conversations about subjective ideas, which often serve to extend understanding and awareness.
• Conversations about objective facts, which may serve to consolidate a widely held view.
• Conversations about other people (usually absent), which may be either critical, competitive, or supportive. This includes gossip.
• Conversations about oneself, which sometimes indicate attention-seeking behaviour or can provide relevant information about oneself to particiants in the conversation.

Practically, few conversations fall exclusively into one category. Nevertheless, the proportional distribution of any given conversation between the categories can offer useful psychological insights into the mind set of the participants.

Functions[link]

Most conversations may be classified by their goal. Conversational ends may, however, shift over the life of the conversation.

• Functional conversation is designed to convey information in order to help achieve an individual or group goal.
• Small talk is a type of conversation where the topic is less important than the social purpose of achieving bonding between people or managing personal distance.
• Banter is non-serious conversation, usually between friends, which may rely on humour or in-jokes at the expense of those taking part. The purpose of banter may at first appear to be an offensive affront to the other person's face. However, people engaging in such a conversation are often signaling that they are comfortable enough in each others' company to be able to say such things without causing harm. Banter is particularly difficult for those on the autism spectrum and those with semantic pragmatic disorder.

Special conversents[link]

Differences between men and women[link]

A study completed in July 2007 by Matthias Mehl of the University of Arizona shows that contrary to popular belief, there is little difference in the number of words used by men and women in conversation.^[1] The study showed that on average each of the sexes uses about 16,000 words per day.

Conversation between strangers[link]

There are certain situations, typically encountered while traveling, which result in strangers sharing what would ordinarily be a intimate social space such as sitting together on a bus or airplane. In such situations strangers are likely to share intimate personal information they would not ordinarily share with strangers. A special case emerges when one of the travelers is a mental health professional and the other party shares details of their personal life in the apparent hope of receiving help or advice.^[2]

Conversational narcissist[link]

Conversational narcissism is a term used by sociologist Charles Derber in his book, The Pursuit of Attention: Power and Ego in Everyday Life.

Derber observed that the social support system in America is relatively weak, and this leads people to compete mightily for attention. In social situations, they tend to steer the conversation away from others and toward themselves. "Conversational narcissism is the key manifestation of the dominant attention-getting psychology in America," he wrote. "It occurs in informal conversations among friends, family and coworkers. The profusion of popular literature about listening and the etiquette of managing those who talk constantly about themselves suggests its pervasiveness in everyday life."

What Derber describes as "conversational narcissism" often occurs subtly rather than overtly because it is prudent to avoid being judged an egotist.

Derber distinguishes the "shift-response" from the "support-response".^{[clarification needed]}

Conversation with artificial intelligence[link]

The ability to generate conversation that cannot be distinguished from a human participant has been one test of a successful artificial intelligence (The Turing Test). A human judge engages in a natural language conversation with one human and one machine, each of which tries to appear human. If the judge cannot tell the machine from the human, the machine is said to have passed the test. One limitation is that the conversation is limited to a text.

Conversing with one's self[link]

Also called intrapersonal communication, conversing with one's self is sometimes able to help solve problems, or serve therapeutic purposes, such as the avoidance of silence. However, conversing with one's self has also been linked with some mental illnesses, such as schizophrenia.

In the media[link]

As a prominent and useful figure in most human lives, conversation is often used in the media, e.g. talk shows such as William F. Buckley's Firing Line or the Dick Cavett Show.

Literature[link]

Authors who have written extensively on conversation and attempted to analyze its nature include:

• Milton Wright wrote The Art of Conversation, a comprehensive treatment of the subject, in 1936. The book deals with conversation both for its own sake, and for political, sales, or religious ends. Milton portrays conversation as an art or creation that people can play with and give life to.
• Kerry Patterson, Joseph Grenny, Al Switzler, and Ron McMillan have written two New York Times bestselling books on conversation. The first one, Crucial Conversations: Tools for Talking When Stakes are High, McGraw-Hill, 2002, teaches skills for handling disagreement and high-stakes issues at work and at home. The second book, Crucial Confrontations: Tools for Resolving Broken Promises, Violated Expectations, and Bad Behavior, McGraw-Hill, 2005, teaches important skills for dealing with accountability issues.
• Charles Blattberg has written two books defending an approach to politics that emphasizes conversation, in contrast to negotiation, as the preferred means of resolving conflict. His From Pluralist to Patriotic Politics: Putting Practice First, Oxford and New York: Oxford University Press, 2000, ISBN 0-19-829688-6, is a work of political philosophy; and his Shall We Dance? A Patriotic Politics for Canada, Montreal and Kingston: McGill-Queen's University Press, 2003, ISBN 0-7735-2596-3, applies that philosophy to the Canadian case.
• Paul Drew & John Heritage - Talk at Work, a study of how conversation changes in social and workplace situations.
• Neil Postman - Amusing Ourselves to Death (Conversation is not the book's specific focus, but discourse in general gets good treatment here)
• Deborah Tannen
  • The Argument Culture: Stopping America's War of Words
  • Conversational Style: Analyzing Talk Among Friends,
  • Gender and Discourse
  • I Only Say This Because I Love You
  • Talking from 9 to 5: Women and Men at Work
  • That's Not What I Meant!
  • You Just Don't Understand: Women and Men in Conversation
• Daniel Menaker - A Good Talk: The Story and Skill of Conversation (published 2010)
• Stephen Miller - Conversation: A History of a Declining Art: provides an extensive history of conversation which dates back to the ancient Greeks with Socrates, and moving forward, to coffeehouses around the world, as well as the modern forces of the electronic age, talk shows, etc.

See also[link]

• A Complete Collection of Genteel and Ingenious Conversation (book)
• Aizuchi
• Awkward silence
• Bohm Dialogue
• Comments
• Conversation Theory
• Conversational narcissism
• "Conversation" Sharp MP ^[3] Doyen of the Georgian period conversationalists.
• Dialogue
• 'King of Clubs’ - famous Whig conversation club
• Online chat
• Small talk
• Speech (public address)

References[link]

External links[link]

Wikimedia Commons has media related to: People in conversation

• Basicincome.com, a short summary of Milton Wright's The Art Of Conversation
• Conversation Café, devoted to creating a "culture of conversation."
• Empathic listening skills How to listen so others will feel heard, or listening first aid (University of California). Download a one hour seminar on empathic listening and attending skills.
• Converse online and discuss
• "The art of conversation", Economist, 19 December 2006
• The home of LAD banter

Trent Reznor
Background information
Birth name	Michael Trent Reznor
Born	(1965-05-17) May 17, 1965 (age 47) Mercer, Pennsylvania, U.S.
Genres	Industrial rock, industrial metal, post-industrial, dark ambient, alternative rock, experimental rock
Occupations	Musician, songwriter, sound designer, record producer, film score composer
Instruments	Vocals, guitar, piano, synthesizer, mellotron, keyboards, bass guitar, saxophone, cello, double bass, drums, tuba, sousaphone, harmonium, marimba, pan flute, harpsichord, vibraphone, swarmatron
Years active	1982–present
Labels	The Null Corporation, Nothing, Interscope, Universal, TVT
Associated acts	Option 30, The Innocent, Exotic Birds, Nine Inch Nails, How to Destroy Angels, Tapeworm, Atticus Ross, Marilyn Manson, David Fincher
Website	www.nin.com

Michael Trent Reznor (born May 17, 1965) is an American singer–songwriter, composer, and record producer. As both a vocalist and a multi-instrumentalist, Reznor has led the industrial rock project Nine Inch Nails beginning in 1988, and as of 2010 he and his wife, Mariqueen Maandig, are also members of the post-industrial^[1][2] band How to Destroy Angels alongside fellow composer Atticus Ross,^[1][3] with whom Reznor has scored two films. Reznor was previously associated with the bands Option 30, Exotic Birds, and Tapeworm, among others. Reznor left Interscope Records in 2007, and is now an independent recording artist.

Reznor began creating music early in his life, and cites his Western Pennsylvania childhood as an early influence. After being involved with a number of synthesizer-based bands in the mid-80s, Reznor gained employment at Right Track Studios in Cleveland, Ohio and began creating his own music during the studio's closing hours under the moniker Nine Inch Nails. Reznor's first release as Nine Inch Nails, Pretty Hate Machine (1989), was a commercial and critical success, and he has since released seven major studio releases. Outside of Reznor's chief project Nine Inch Nails, he has contributed to many other artists' albums, including Marilyn Manson and Saul Williams. In 1997, Reznor appeared in Time magazine's list of the year's most influential people, and in Spin magazine he was described as "the most vital artist in music."^[4]

Reznor, in collaboration with Atticus Ross, composed the score for the soundtrack to The Social Network, a 2010 theatrical film about the founding of Facebook. The duo won the 2010 Golden Globe Award for Best Original Score and the Academy Award for Best Original Score for their collaboration. Reznor and Ross also composed the score to the US film adaptation of the novel The Girl with the Dragon Tattoo, which was released in late 2011. Both soundtrack albums were released by The Null Corporation, Reznor's own independent record label.

Early life[link]

Reznor was born in Mercer, Pennsylvania, halfway between Pittsburgh and Erie, the son of Nancy Lou (née Clark) and Michael Reznor.^[5] After his parents divorced, he lived with his maternal grandparents, while his sister Tera lived with their mother.^[6] Reznor is a direct descendant of George Reznor, who founded the Reznor Company, a heating and air conditioning company, in 1888. The family sold the business in the 1960s.^[5][7]

Reznor began playing the piano at the age of five and showed an early aptitude for music. In a 1995 interview, his grandfather, Bill Clark, remarked, "Music was his life, from the time he was a wee boy. He was so gifted."^[8] His former piano teacher Rita Beglin said "Reznor always reminded me of Harry Connick, Jr." when he played.^[8]

Reznor has acknowledged that his sheltered life in Pennsylvania left him feeling isolated from the outside world. In a 1994 interview with Rolling Stone, he references his choices in the music industry.

However, Reznor later said, "I don't want to give the impression it was a miserable childhood."^[10]

At Mercer Area Junior/Senior High School, Reznor learned to play the tenor saxophone and tuba. He was a member of both the jazz and marching band. Former Mercer High School band director Dr. Hendley Hoge remembered Reznor as "very upbeat and friendly."^[8] Reznor also became involved in theater while in high school. He was voted "Best in Drama" by classmates for his roles as Judas in Jesus Christ Superstar and Professor Harold Hill in The Music Man. Reznor graduated from this high school in 1983 and enrolled at Allegheny College, where he studied computer engineering.^[11]

Music career[link]

Early musical projects[link]

While he was enrolled in Allegheny College, Reznor joined local band Option 30, playing three shows a week with them. After only a year of college, Reznor dropped out and moved to Cleveland, Ohio to pursue a career in music.^[8] In 1985, he joined The Innocent as a keyboardist. They released one album, Livin' in the Street, but Reznor quit after just three months. In 1986, Reznor joined local band Exotic Birds, during this time, Reznor also contributed on keyboards to the band Slam Bamboo. He also appeared with them as the fictional band "The Problems" in the 1987 film Light of Day.^[12]

Reznor got a job at Cleveland's Right Track Studio as an assistant engineer and janitor.^[13] Studio owner Bart Koster later commented that Reznor was "so focused in everything he [did]. When that guy waxed the floor, it looked great."^[8] Reznor asked Koster for permission to record demos of his own songs for free during unused studio time. Koster agreed, remarking that it cost him "just a little wear on [his] tape heads".^[8] While assembling these, the earliest Nine Inch Nails recordings, Reznor was unable to find a band that could articulate his songs as he wanted. Instead, inspired by Prince, he played all the instruments himself, except drums.^[14] This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Several labels responded favorably to the demo material, and Reznor signed with TVT Records.^[13] Nine selections from the Right Track demos were unofficially released in 1988 as Purest Feeling; many of these songs had appeared in revised form on his 1989 debut studio album under the stage name Nine Inch Nails.

Formation of Nine Inch Nails[link]

Reznor performing at the Lollapalooza festival, 1991.

Most of Reznor's work as a musician has been as founding and primary member of Nine Inch Nails. Nine Inch Nails' debut album, Pretty Hate Machine was released in 1989. It was a moderate commercial success, and was certified Gold in 1992.^[15] Amid pressure from Reznor's record label to produce a follow-up to Pretty Hate Machine, Reznor secretly began recording under various pseudonyms to avoid record company interference, resulting in the Broken EP, released in 1992.^[16] In the summer of 1991 Nine Inch Nails was included in the Lollapalooza package tour. They later won a Grammy Award in 1993 for the song "Wish" in the Best Heavy Metal Performance category.^[17]

Nine Inch Nails' second full-length album, The Downward Spiral, entered the Billboard 200 chart in 1994 at number two,^[18] and remains the highest-selling Nine Inch Nails release in the United States.^[15] To record the album, Reznor rented and moved into the 10050 Cielo Drive mansion, site of the 1969 Manson Family murders.^[19] Reznor built a studio space in the house, which he renamed Le Pig, after the word that was scrawled on the front door in Sharon Tate's blood by her murderers.^[19] Reznor told Entertainment Weekly that despite the notoriety attached to the house, he chose to record there because, "I looked at a lot of places, and this just happened to be the one I liked most".^[19]

Nine Inch Nails toured extensively over the next few years, including a performance at Woodstock '94, although he admitted to the audience that he did not like to play large venues.^[20] Around this time, Reznor's studio perfectionism,^[21] struggles with addiction, and bouts of writer's block prolonged the production of a follow-up.^[22]

Collaboration with other artists[link]

One of Reznor's earliest collaborations was a Ministry side project in 1990 under the name of 1000 Homo DJs. Reznor sang vocals on a cover of Black Sabbath's Supernaut. Due to legal issues with Reznor's label, Reznor's vocals had to be distorted enough to make his voice indistinguishable. The band also recorded additional versions with Al Jourgensen doing vocals.^[23] While there is still debate as to which version is Reznor and which is Jourgensen, it has been definitively stated that Reznor's vocals were used in the TVT Record's Black Box Box set.^[24] Reznor sang backing vocals on Tori Amos' 1994 album Under the Pink on a track called "Past The Mission." Reznor produced Marilyn Manson's first album Portrait of an American Family (1994), several tracks on Marilyn Manson's albums Smells Like Children (1995), and Antichrist Superstar (1996), as well as the film soundtracks for Oliver Stone's Natural Born Killers (1994) and David Lynch's Lost Highway (1997). Reznor is credited for "Driver Down" and "Videodrones; Questions" on the soundtrack for Lost Highway, while another track, "The Perfect Drug", is credited to Nine Inch Nails instead. In 1998 Reznor produced a remix of Notorious B.I.G.'s song "Victory" which also featured Busta Rhymes.^[25] He also unofficially worked with Garrett Ahlstrom on "Big Black Bomb" a remix on "Burn" he stated on the spiral, "I never worked on the song but I still consider it an official mix"

Under the band name Tapeworm, Reznor collaborated over the span of nearly 10 years with Danny Lohner, Maynard James Keenan, and Atticus Ross, but the project was eventually terminated before any official material was released.^[26] The only known released Tapeworm material is a reworked version of a track called "Vacant," retitled "Passive", on A Perfect Circle's 2004 album eMOTIVe,^[27] as well as a track called "Potions," on Puscifer's 2009 "C" Is for (Please Insert Sophomoric Genitalia Reference Here).

In 2006, Reznor played his first "solo" show(s) at Neil Young's annual Bridge School Benefit. Backed by a four piece string section, he performed stripped-down versions of many Nine Inch Nails songs.^[28] Reznor featured on El-P's 2007 album I'll Sleep When You're Dead, guesting on the track "Flyentology". The accompanying music video for the song and its artwork was created by Adult Swim, who aired the music video.

Reznor co-produced Saul Williams' 2007 album The Inevitable Rise and Liberation of NiggyTardust! after Williams toured with Nine Inch Nails in 2005 and 2006. Reznor convinced Williams to release the album as a free download, while giving fans the option of paying $5 for higher quality files, or downloading all of the songs at a lower quality for free.^[29][30] Reznor was also credited as "Musical Consultant" on the 2004 film Man on Fire.^[31] The movie features six Nine Inch Nails songs.^[32] He has produced a number of songs for Jane's Addiction in his home studio in Beverly Hills. The first recordings, new versions of the early tracks "Chip Away" and "Whores", were released simultaneously on Jane's Addiction's website and the NINJA 2009 Tour Sampler digital EP.

How to Destroy Angels[link]

In April 2010, it was announced that Reznor had formed a new band with his wife, Mariqueen Maandig, and Atticus Ross, called How to Destroy Angels. The group released a self-titled six song EP digitally on June 1, 2010, with the retail edition becoming available on July 6, 2010.^[33]

As an independent artist[link]

Trent Reznor and Robin Finck, Santa Barbara, California 2009.

In May 2008 Reznor founded The Null Corporation and Nine Inch Nails released the studio album The Slip as a free digital download. In his appreciation for his following and fan base, and having no contractual obligation, he made "The Slip" available for free on his website, stating “This one’s on me.”^[34] A month and a half after its online release, The Slip had been downloaded 1.4 million times from the official Nine Inch Nails website.^[35]

In February 2009, Reznor posted his thoughts about the future of Nine Inch Nails on NIN.com, stating that "I've been thinking for some time now it's time to make NIN disappear for a while."^[36] Reznor noted in an interview on the official website that while he has not stopped creating music as Nine Inch Nails, the group will not be touring in the foreseeable future.^[37][38]

Video games[link]

The original music from id Software's video game Quake is credited to "Trent Reznor and Nine Inch Nails";^[39] Reznor helped record sound effects and ambient audio, and the NIN logo appears on the nailgun ammunition boxes in the game.^[40] Reznor's association with id Software began with Reznor being a fan of the original Doom. He reunited with id Software in 2003 as the sound engineer for Doom 3, though due to "time, money and bad management",^[41] he had to abandon the project, and his audio work did not make it into the game's final release.

Nine Inch Nails' 2007 major studio recording, Year Zero, was released alongside an accompanying alternate reality game.^[42] With its lyrics written from the perspective of multiple fictitious characters, Reznor described Year Zero as a concept album criticizing the United States government's current policies and how they will affect the world 15 years in the future.^[43]

Film composition[link]

In 2001, Reznor was asked by Mark Romanek to provide the score for One Hour Photo, but the music did not work for the film and was not used. These compositions eventually evolved into Still.^[44]

In 2009, Trent Reznor composed "Theme for Tetsuo" for the Japanese cyberpunk film Tetsuo: The Bullet Man from Shinya Tsukamoto.^[45]

Reznor collaborated with Atticus Ross to compose the score for David Fincher's The Social Network, a 2010 drama film about the founding of Facebook. Says Reznor, "When I actually read the script and realized what he was up to, I said goodbye to that free time I had planned."^[46] The score was noted for portraying "Mark Zuckerberg the genius, developing a brilliant idea over ominous undertones,"^[47] and received nearly unanimous praise across the board. On September 16, 2010, Reznor announced that the film's score would be released in October 2010 in multiple formats, including digital download, compact disc, 5.1 surround on Blu-ray disc, and vinyl record.^[48] A 5-song sampler EP was released for free via digital download.^[49] In 2011 Reznor and Ross won the Golden Globe Award for Best Original Score^[50] and the Academy Award for Original Score^[51] for this work.

On January 7, 2011, Reznor announced that he would again be working with Fincher, this time to provide the score for the American adaptation of The Girl with the Dragon Tattoo.^[52] A cover of "Immigrant Song" by Led Zeppelin produced by Reznor and Ross, with Karen O (of the Yeah Yeah Yeahs) as featured singer, was released by way of a trailer for the film. The cover extended for the entirety of the trailer and was well received by critics.^[53] Reznor and Ross were announced as nominees for the 2012 Golden Globe Award for Best Original Score for their score.

Business activity[link]

Suit and counter-suit with John Malm[link]

In 2004, Reznor's former manager John Malm Jr. filed suit in the United States district court of Ohio against Reznor for over $2 million in deferred commissions. The suit alleged that Reznor "reneged on every single contract he and Malm ever entered into", and that Reznor refused to pay Malm payments which he was contractually entitled to.^[54] Weeks later, Reznor filed a counter-suit in the U.S. District Court of New York, charging Malm with fraud and breach of fiduciary duties.^[55] Reznor's suit arose from a five-year management contract signed in the early days of Nine Inch Nails, between Reznor and Malm's management company J. Artist Management. This contract, according to the suit, was unlawful and immoral in that it secured Malm 20% of Reznor's gross earnings, rather than his net earnings, as is the standard practice between artists and their management. The suit also alleged that the contract secured this percentage even if Malm was no longer representing Reznor, and for all Reznor's album advances.^[56] The suit also described how Malm had misappropriated the ownership rights regarding Nine Inch Nails, including the trademark name "NIN".^[57] According to testimony by Malm, Reznor gave him half of the "NIN" trademark "as a gift."^[57]

Reznor stated that he began to fully understand his financial situation after tackling his addiction to drugs and alcohol.^[56] Reznor requested a financial statement from Malm in 2003, only to discover that he had only $400,000 in liquid assets. "It was not pleasant discovering you have a 10th as much as you've been told you have," Reznor told the court.^[58] Malm's lawyers, however, claimed that Malm had worked for years "pro bono", and that Reznor's inability to release an album or tour and his uninhibited spending were the reasons for Reznor's financial situation.^[59]

After a three week trial in 2005, jurors sided with Reznor, awarding him upwards of $2.95 million and returning to him complete control of his trademarks.^[58] After adjustment for inflation, Reznor's award rose to nearly $5 million.^[57]

Independence from major record labels[link]

Following the release of Year Zero, Reznor announced later that Nine Inch Nails had split from its contractual obligations with Interscope Records, and would distribute its next major albums independently. The last Nine Inch Nails release on Interscope was Year Zero Remixed, based on material from Year Zero.^[60]

Criticism of the music industry[link]

In May 2007, Reznor made a post on the official Nine Inch Nails website condemning Universal Music Group—the parent company of the band's record label, Interscope Records—for their pricing and distribution plans for Nine Inch Nails' 2007 album Year Zero.^[61] He labeled the company's retail pricing of Year Zero in Australia as "ABSURD," concluding that "as a reward for being a 'true fan' you get ripped off". Reznor went on to say that as "the climate grows more and more desperate for record labels, their answer to their mostly self-inflicted wounds seems to be to screw the consumer over even more."^[62] Reznor's post, specifically his criticism of the recording industry at large, elicited considerable media attention.^[63] In September 2007, Reznor continued his attack on Universal Music Group at a concert in Australia, urging fans there to "steal" his music online instead of purchasing it legally.^[64] Reznor went on to encourage the crowd to "steal and steal and steal some more and give it to all your friends and keep on stealin'."^[65]

Musical style and influence[link]

Reznor is a fan of David Bowie, and has cited Bowie's 1977 album Low as one of his favorite albums. Reznor has stated that he played the album constantly during the recording of The Downward Spiral for inspiration.^[10] In 1995, Nine Inch Nails and David Bowie toured as a co-headlining act on the Outside Tour. Reznor also appeared in Bowie's video for "I'm Afraid of Americans", cast as Bowie's stalker. Reznor also made several remixes for the single release of the same song, as well as a remix of "The Hearts Filthy Lesson".^[66] Reznor also states in the 2010 documentary Rush: Beyond the Lighted Stage that the band Rush had played a major part in his childhood influences. He also stated that he considered Rush to be "one of the best bands ever" and had gained a perspective on how keyboards could be introduced into hard rock after listening to their 1982 album Signals. Reznor also stated "Freddie Mercury's death meant more to me than John Lennon's" and covered Queen's "Get Down Make Love", which was produced by Paul Barker & Al Jourgensen of Ministry and released on the single for "Sin". In many interviews in Musician, Spin, and Alternative Press, Reznor mentioned The Cars, The Jesus and Mary Chain, Soft Cell,^[67] Prince, Gary Numan, and The Cure's 1985 album, The Head on the Door, as important influences. In a radio interview, Reznor stated the first song he ever wrote "Down in It" was a "total rip-off" of the Skinny Puppy song "Dig It."^[68]

Reznor's work as Nine Inch Nails has influenced many newer artists, which according to Reznor range from "generic imitations" dating from the band's initial success to younger bands echoing his style in a "truer, less imitative way".^[69] Following the release of The Downward Spiral, mainstream artists began to take notice of Nine Inch Nails' influence: David Bowie compared NIN's impact to that of The Velvet Underground.^[70] In 1997, Reznor appeared in Time magazine's list of the year's most influential people, and Spin magazine described him as "the most vital artist in music."^[4] Bob Ezrin, producer for Pink Floyd, Kiss, Alice Cooper, and Peter Gabriel, described Reznor in 2007 as a "true visionary" and advised aspiring artists to take note of his no-compromise attitude.^[71] During a rare appearance at the Kerrang! Awards in London that year, Reznor accepted the Kerrang! Icon, honoring Nine Inch Nails' long-standing influence on rock music.^[72] Steven Wilson of progressive rock band Porcupine Tree has stated that he much admires Reznor's production work, in particular The Fragile. Timbaland, one of pop music's most successful producers in recent years, has cited Reznor as his favorite studio producer.^[73]

Personal life[link]

During the five years following the release of The Downward Spiral (1994), Reznor struggled with depression, social anxiety disorder, and the death of his grandmother, who raised him. During this period of intense grief, Reznor began abusing alcohol and other drugs. He eventually became addicted to alcohol and cocaine.^[74] Five years elapsed before Nine Inch Nails' next album, The Fragile, a double CD that debuted in September 1999 at number one on the Billboard 200, selling 228,000 copies in its first week and receiving favorable reviews.^[75]

In 2001, Reznor successfully completed rehab, and eventually moved from New Orleans to Los Angeles. In a 2005 interview with Kerrang!, Reznor reflected on his self-destructive past: "There was a persona that had run its course. I needed to get my priorities straight, my head screwed on. Instead of always working, I took a couple of years off, just to figure out who I was and working out if I wanted to keep doing this or not. I had become a terrible addict; I needed to get my shit together, figure out what had happened".^[22] In contrast with his former suicidal tendencies, Reznor also admitted in another interview that he is "pretty happy".^[76] Nine Inch Nails' next full-length album, With Teeth (2005), reached number one on Billboard 200.^[77][78]

Reznor married Mariqueen Maandig in October 2009.^[79] Their son, Lazarus Echo, was born in October 2010^[80] and they are currently expecting another child.^[81]

Discography[link]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Trent Reznor

Wikimedia Commons has media related to: Trent Reznor

• Official website

1. REDIRECT Chelsea Handler 

This is a redirect from a title with another method of capitalisation. It leads to the title in accordance with the Wikipedia naming conventions for capitalisation, and can help writing, searching, and international language issues.

Pages linking to any of these redirects may be updated to link directly to the target page. However, do not replace these redirected links with a piped link unless the page is updated for another reason.

For more information, see Category:Redirects from other capitalisations.

Amanda de Cadenet (born 19 May 1972) is a British photographer and former actress.

Biography[link]

De Cadenet is the daughter of racing car driver Alain de Cadenet.^[4][5] She began her career as a co-presenter for The Word, a late-night Channel 4 magazine show.^[6][7] She also co-hosted The Big Breakfast.

Her first marriage was in 1991 to Duran Duran bassist John Taylor by whom she had a daughter, Atlanta.^{[8][9][10][11]} The following year, de Cadenet moved from the U.K. to Los Angeles. The marriage lasted until 1997.^[4]

Upon arrival in L.A., de Cadenet embarked upon a short film career, appearing in Four Rooms by independent film maker Allison Anders, Fall, and Brokedown Palace. But her career then turned to photography.^[12] She worked for magazines such as Spin,^{[13][not in citation given]} Jane and Harper’s Bazaar,^[14] among others. In 2005, she published a book entitled Rare Birds.^[6][4] Her other celebrity popular culture subjects have included Drew Barrymore, Sofia Coppola, Demi Moore, Olivia Wilde, Mary J Blige, Keanu Reeves, Beck Hansen, and the members of The Strokes.^[6]

In 2006 she married Strokes' guitarist Nick Valensi,^[10][11] with whom she has twins.^[1][11]

In 2010, de Cadenet photographed the American reality TV star Kim Kardashian for the 22 November cover of People magazine, who profiled Kardashian for her thirtieth birthday.^[15]

In 2011, it was announced that de Cadenet will be the host of a new television interview series called The Conversation with Amanda de Cadenet, airing on the Lifetime Channel, with Demi Moore as a co-executive producer.^[16] On the show, de Cadenet has interviewed guests like Lady GaGa, Portia de Rossi, Rita Wilson^[17], Gwyneth Paltrow, and Jane Fonda.^[18]

References[link]

Bibliography[link]

External links[link]

• Amanda de Cadenet - Official site
• Amanda de Cadenet - DailyBooth
• Amanda de Cadenet at the Internet Movie Database

Escape the Fate
Escape the Fate performing in 2009
Background information
Origin	Las Vegas, Nevada, USA
Genres	Post-hardcore, metalcore, alternative metal, hard rock[1] emo (early)[2]
Years active	2004–present
Labels	Eleven Seven Music, Universal, DGC, Interscope, Polydor,[3] Epitaph
Website	www.escapethefate.com
Members
Craig Mabbitt Bryan Money Michael Money Robert Ortiz Thomas Bell
Past members
Ronnie Radke Omar Espinosa Carson Allen Max Green

Escape the Fate is an American post-hardcore band from Las Vegas, Nevada formed in 2005 and originally from Pahrump, Nevada. They have released three EPs and three full-length studio albums. Dying Is Your Latest Fashion was the band's debut album and only album to feature vocalist Ronnie Radke. This War Is Ours, released on October 21, 2008, was the band's first album with Craig Mabbitt as the new lead vocalist. Their self-titled third studio album was released on November 2, 2010, first on the major label, DGC/Interscope, and their most successful album to date.