Sadie (サディ) is a visual keirock band from Japan, formed in 2005. Sadie is signed to Face Music and Mijinko Records.
Sadie was founded by Mao, Tsurugi, Aki, Mizuki and Sora in February 2005, and comes from the English word "sad", according to vocalist, Mao. Sora departed in January 2006 for "artistic differences", and in March, Kei joined the band to replace Sora.
Their first live appearance was on March 18, 2005 at Osaka Big Cat, when they were the opening act for D, Fatima, Doremidan, shulla, Kra and others.
On July 27, 2005 Sadie released their first maxi single, "Kokui no Shita no Yokubou to, Kunou no Hate ni Mita Hyakkei no Yuritachi", limited to 2000 copies that sold out rapidly.
On December 3, Sadie had their first oneman called "Dekiai ~ As a Sad Matter of Fact ~" in the Osaka Muse Hall in front of 250 people, introducing their new single "Dekiai", which came out a few days later and the single "Oboreru Sakana", exclusive for visitors of their concert.
After Sora left the group in January, Sadie were featured on an Omnibus compilation CD called sawayaka sankumi with the song "meisai". This CD was limited to 777 copies and came with only 3 tracks, one by Sadie, one by Billy and one by The Pumpkin Head.
The Milk-Eyed Mender is the debut album by American singer-songwriter Joanna Newsom, released on March 23, 2004 on the Drag City label (see 2004 in music).
Joanna Newsom wrote all the songs on the album except for "Three Little Babes", a traditional Appalachian song by Texas Gladden. According to the liner notes, Joanna plays "a Lyon & Healy style 15 harp, a wurlitzer electric piano, a harpsichord, and piano."
A bandmate in San Francisco band The Pleased, Noah Georgeson, produced and recorded the album, as well as contributing guitar to two tracks and backing vocals to one. Cover art embroidery is by Emily Prince and photographs are by Alissa Anderson. Newsom thanks former touring partners Will Oldham, Devendra Banhart, and Vetiver, along with many others.
The album received general acclaim upon its release, earning Newsom several accolades that same year and by the end of the decade. The Sunday Times ranked it at #28 on its best albums of the decade list, and in 2009, Pitchfork Media named The Milk-Eyed Mender the 47th greatest album of the 00's. The website also named "Peach, Plum, Pear" the 197th Greatest Song of the 2000s (decade) and "Sprout & The Bean" the 229th.Slant Magazine named the album the 83rd best album of its decade.The Milk-Eyed Mender was also ranked number 76 inside Tiny Mix Tapes's greatest records of the 2000s (decade) list.
The Perhapanauts is an American comic book series created by writer Todd Dezago and artist Craig Rousseau in 2005.
The first two mini-series, "First Blood" and "Second Chances," were published by Dark Horse Comics, although it was announced on October 31, 2007, that forthcoming Perhapanauts comics would be published by Image Comics.
The Image Comics series began with an annual in February 2008, "Jersey Devil", followed by what may either be numerous upcoming mini-series or an ongoing series. The first series is "Triangle" taking the team into the Bermuda Triangle, which starts publication in April 2008.
The story follows a team of supernatural investigators (in that they both investigate the supernatural, and are supernatural beings who investigate) working for Bedlam, a top-secret government agency. The main focus of the stories are on Blue Group, one team of Bedlam operatives.
The members of Blue Group are Arisa Hines, the group's leader who has psychic powers; Big, a Sasquatch whose intelligence has been artificially raised; Choopie, a Chupacabra with a somewhat erratic personality; MG, a mysterious being who appears human but has the power to travel to other dimensions; and Molly MacAllistar, a ghost. Other characters in the series include Joann DeFile, a psychic who works as an adviser for Bedlam; Peter Hammerskold, a former Marine with psychic powers who is the leader of Bedlam's Red Group and sees Blue Group as rivals; the Merrow, a water elemental fairy who works on Red Group; and Karl, a Mothman who is a Bedlam reservist and would like to be a full-time member of Blue Group.
Big is the fourth studio album by American singer and songwriter Macy Gray, released on March 21, 2007 by Geffen Records. It is Gray's first studio album in four years. The album debuted at number 39 on the US Billboard 200, selling 23,000 copies in its first week.
Three singles were released from the album: "Finally Made Me Happy" (a collaboration with Natalie Cole), "Shoo Be Doo", and "What I Gotta Do". The latter was included on the Shrek the Third soundtrack. Music from this album was also featured in the I Love New York season one reunion. The album's cover art was widely illustrated on iPhone ads and featured on the first boxes of the iPod Touch.
Big Six or Big 6 may refer to:
Wet is the condition of containing liquid or being covered in liquid. Wetness is also a measure of how well a liquid sticks to a solid rather than forming a sphere on the surface. The greater the amount of surface that touches the more wet the condition.
Wet or WET may also refer to:
"Wet" is a song by American recording artist Nicole Scherzinger, taken from her debut solo studio album Killer Love (2011). The song was written by Ester Dean and Traci Hale, co-written and produced by Norwegian duo StarGate (Tor E. Hermansen and Mikkel S. Eriksen) and Sandy Vee. The song was serviced as the fourth single from the album to British radio stations on August 28, 2011, by Polydor Records, while in Australia it was released in the following month.
The dance-pop and pop song speak of Scherzinger singing that "her body is aching for a man's touch". It received generally positive reviews from music critics. The song received moderate commercial success where it peaked at number twenty-one on the UK Singles Chart, in addition to peaking at number ten on the Irish Singles Chart, where it also became one of her highest charting releases. The accompanying music video for "Wet" was directed by Justin Francis. It was generally received by critics which favored Scherzinger's intricate choreography.