Archery competition in West Germany in the early 1980s

A Rikbaktsa archer competes at Brazil's Indigenous Games

Tibetan archer, 1938

Master Heon Kim demonstrating Gungdo, traditional Korean archery (Kuk Kung), 2009

Archery is the art, practice, or skill of propelling arrows with the use of a bow, from Latin arcus. Historically, archery has been used for hunting and combat, while in modern times, its main use is that of a recreational activity. A person who participates in archery is typically known as an "archer" or "bowman", and one who is fond of or an expert at archery can be referred to as a "toxophilite".^[1]

History[link]

The bow seems to have been invented in the late Paleolithic or early Mesolithic periods. The oldest indication for its use in Europe comes from the Stellmoor in the Ahrensburg valley north of Hamburg, Germany and date from the late Paleolithic, about 10,000–9000 BCE. The arrows were made of pine and consisted of a mainshaft and a 15–20 centimetre (6–8 inches) long fore shaft with a flint point. There are no definite earlier bows; previous pointed shafts are known, but may have been launched by spear-throwers rather than bows. The oldest bows known so far come from the Holmegård swamp in Denmark. Bows eventually replaced the spear-thrower as the predominant means for launching shafted projectiles, on every continent except Australia, though spear-throwers persisted alongside the bow in parts of the Americas, notably Mexico (where the Nahuatl word for "spear-thrower" is atlatl) and amongst the Inuit.

Bows and arrows have been present in Egyptian culture since its predynastic origins. In the Levant, artifacts which may be arrow-shaft straighteners are known from the Natufian culture, (c. 12,800–10,300 BP (before present)) onwards. The Khiamian and PPN A shouldered Khiam-points may well be arrowheads.

Classical civilizations, notably the Assyrians, Persians, Somalis, Parthians, Indians, Koreans, Chinese, Japanese and Turks fielded large numbers of archers in their armies. The Sanskrit term for archery, dhanurveda, came to refer to martial arts in general.

Archery was highly developed in Asia and in the Islamic world. In East Asia, Goguryeo, one of the Three Kingdoms of Korea was well known for their regiments of exceptionally skilled archers.^[2][3] Central Asian tribesmen (after the domestication of the horse) and American Plains Indians (after gaining access to horses) were extremely adept at archery on horseback, with especially Mongol horsemen being renowned for fielding mounted archers in their armies. The lightly armoured, but highly mobile Mongol archers proved to be excellently suited to warfare in the Central Asian steppes, helping to conquer a large part of the known world at that time. In Europe, the English longbow proved its worth for the first time in Continental warfare at Crecy, France, in the year 1346.^[4]

Decline and survival of archery[link]

The development of firearms rendered bows obsolete in warfare. Despite the high social status, ongoing utility, and widespread pleasure of archery in Armenia, China, Egypt, England, America, India, Japan, Korea, Turkey and elsewhere almost every culture that gained access to even early firearms used them widely, to the relative neglect of archery. Early firearms were vastly inferior in rate-of-fire, and were very susceptible to wet weather. However, they had longer effective range^[3] and were tactically superior in the common situation of soldiers shooting at each other from behind obstructions. They also required significantly less training to use properly, in particular penetrating steel armour without any need to develop special musculature. Armies equipped with guns could thus provide superior firepower by sheer weight of numbers, and highly-trained archers became almost obsolete on the battlefield. However, archers are still effective and have seen action even in the 21st century.^[5] Traditional archery remains in use for sport, and for hunting in many areas.

In the United States, competition archery and bowhunting for many years used English-style longbows. The revival of modern primitive archery may be traced to Ishi, who came out of hiding in California in 1911^[6] Ishi was the last of the Yahi Indian tribe.^[7] His doctor, Saxton Pope, learned many of Ishi's archery skills, and passed them on.^[8][9] The Pope and Young Club, founded in 1961 and named in honor of Pope and his friend, Arthur Young, is one of North America's leading bowhunting and conservation organizations. Founded as a nonprofit scientific organization, the Club is patterned after the prestigious Boone and Crockett Club. The Club advocates and encourages responsible bowhunting by promoting quality, fair chase hunting, and sound conservation practices.

From the 1920s, professional engineers took an interest in archery, previously the exclusive field of traditional craft experts.^[10] They led the commercial development of new forms of bow including the modern recurve and compound bow. These modern forms are now dominant in modern Western archery; traditional bows are in a minority. In the 1980s, the skills of traditional archery were revived by American enthusiasts, and combined with the new scientific understanding. Much of this expertise is available in the Traditional Bowyer's Bibles (see Additional reading). Modern game archery owes much of its success to Fred Bear, an American bow hunter and bow manufacturer.^[11]

Eighteenth-century revival[link]

A print of the 1822 meeting of the "Royal British Bowmen" archery club.

At the end of the eighteenth-century archery became popular among the English gentry thanks to a fashion for the gothic, curious and medieval. Encouraged by Royal patronage and, later, the popularity of the work of Sir Walter Scott, archery societies were set up across the country, each with its own strict entry criteria, outlandish costumes and extravagant balls. The clubs were "the drawing rooms of the great country houses placed outside" and thus came to play an important role in the social networks of local elites. As well as its emphasis on display and status, the sport was notable for its popularity with females. Young women could not only compete in the contests but retain and show off their "feminine forms" while doing so. Thus, archery came to act as a forum for introductions, flirtation and romance.^[12]

Mythology[link]

Deities and heroes in several mythologies are described as archers, including the Greek Artemis and Apollo, the Roman Diana and Cupid, the Germanic Agilaz, continuing in legends like those of William Tell, Palnetoke, or Robin Hood. Armenian Hayk and Babylonian Marduk, Indian Karna, Arjuna, Rama, Abhimanyu, and Shiva, and Persian Arash were all archers. Earlier Greek representations of Heracles normally depict him as an archer. The Nymphai Hyperboreioi (Νύμφαι Ὑπερβόρειοι) were worshipped on the Greek island of Delos as attendants of Artemis, presiding over aspects of archery; Hekaerge (Ἑκαέργη), represented distancing, Loxo (Λοξώ), trajectory, and Oupis (Οὖπις), aim.^[13] In East Asia, Yi the archer features in several early Chinese myths,^[14] and the historical character of Zhou Tong features in many fictional forms. Jumong, the first Taewang of the Goguryeo kingdom of the Three Kingdoms of Korea, is claimed by legend to have been a near-godlike archer. Archery features in the story of Oguz Khagan. In West African Yoruba belief, Osoosi is one of several deities of the hunt who are identified with bow and arrow iconography and other insignia associated with archery.

Equipment[link]

Types of bows[link]

While there is great variety in the construction details of bows (both historic and modern) all bows consist of a string attached to elastic limbs that store mechanical energy imparted by the user drawing the string. Bows may be broadly split into two categories: those drawn by pulling the string directly and those that use a mechanism to pull the string.

Directly drawn bows may be further divided based upon differences in the method of limb construction, notable examples being self bows, laminated bows and composite bows. Bows can also be classified by the bow shape of the limbs when unstrung; in contrast to simple straight bows, a recurve bow has tips that curve away from the archer when the bow is unstrung. The cross-section of the limb also varies; the classic longbow is a tall bow with narrow limbs that are D-shaped in cross section, and the flatbow has flat wide limbs that are approximately rectangular in cross-section. The classic D-shape comes from the use of the wood of the yew tree. The sap-wood is best suited to the tension on the back of the bow, and the heart-wood to the compression on the belly. Hence, a limb sector of yew wood shows the narrow, light-coloured sap-wood on the 'straight' part of the D, and the red/orange heartwood forms the curved part of the D, to balance the mechanical tension/compression stress. Cable-backed bows use cords as the back of the bow; the draw weight of the bow can be adjusted by changing the tension of the cable. They were widespread among Inuit who lacked easy access to good bow wood. One variety of cable-backed bow is the Penobscot bow or Wabenaki bow, invented by Frank Loring (Chief Big Thunder) about 1900.^[15] It consists of a small bow attached by cables on the back of a larger main bow.

A compound bow is a bow designed to reduce the force required to hold the string at full draw, hence allowing the archer more time to aim with less muscular stress. Most compound designs use cams or elliptical wheels on the ends of the limbs to achieve this. A typical let-off is anywhere from 65%–80%. For example, a 60-pound bow with 80% let-off will only require 12 pounds of force to hold at full draw. Up to 99% let-off is possible.^[16] The compound bow has become the most widely used type of bow for all forms of hunting in North America. The compound bow has become a highly popular form of archery, so much so that it is the most commonly used bow form in the USA. The compound bow was invented by Holless Wilbur Allen in Missouri, and a US patent was filed in 1966 and granted in 1969.

Mechanically drawn bows typically have a stock or other mounting, such as the crossbow. They are not limited by the strength of a single archer and larger varieties have been used as siege engines.

Types of arrows and fletchings[link]

The most common form of arrow consists of a shaft with an arrowhead attached to the front end and with fletchings and a nock attached to the other end. Arrows across time and history are normally carried in a container known as a quiver. Shafts of arrows are typically composed of solid wood, fiberglass, aluminium alloy, carbon fiber, or composite materials. Wooden arrows are prone to warping. Fiberglass arrows are brittle, but can be produced to uniform specifications easily. Aluminium shafts were a very popular high-performance choice in the latter half of the 20th century due to their straightness, lighter weight, and subsequently higher speed and flatter trajectories. Carbon fiber arrows became popular in the 1990s and are very light, flying even faster and flatter than aluminium arrows. Today, arrows made up of composite materials are the most popular tournament arrows at Olympic Events, especially the Easton X10 and A/C/E.

The arrowhead is the primary functional component of the arrow. Some arrows may simply use a sharpened tip of the solid shaft, but it is far more common for separate arrowheads to be made, usually from metal, stone, or other hard materials. The most commonly used forms are target points, field points, and broadheads, although there are also other types, such as bodkin, judo, and blunt heads.

Shield cut straight fletching – here the hen feathers are barred red

Fletching is traditionally made from bird feathers. Also solid plastic vanes and thin sheetlike spin vanes are used. They are attached near the nock (rear) end of the arrow with thin double sided tape, glue, or, traditionally, sinew. Three fletches is the most common configuration in all cultures, though as many as six have been used. Two will result in unstable arrow flight. When three-fletched the fletches are equally spaced around the shaft with one placed such that it is perpendicular to the bow when nocked on the string (though with modern equipment, variations are seen especially when using the modern spin vanes). This fletch is called the "index fletch" or "cock feather" (also known as "the odd vane out" or "the nocking vane") and the others are sometimes called the "hen feathers". Commonly, the cock feather is of a different color. Traditionally, the hens are solid and the cock is barred. However, if archers are using fletching made of feather or similar material, they may use same color vanes, as different dyes can give varying stiffness to vanes, resulting in less precision. When four-fletched, often two opposing fletches are cock feathers and occasionally the fletches are not evenly spaced.

The fletching may be either parabolic (short feathers in a smooth parabolic curve) or shield (generally shaped like half of a narrow shield) cut and is often attached at an angle, known as helical fletching, to introduce a stabilizing spin to the arrow while in flight. Whether helicial or straight fletched, when natural fletching (bird feathers) are used it is critical that all feathers come from the same side of the bird. Oversized fletchings can be used to accentuate drag and thus limit the range of the arrow significantly; these arrows are called flu-flus. Misplacement of fletchings can often change the arrow's flight path dramatically.

Bow string[link]

Dacron and other modern materials offer high strength for their weight and are used on most modern bows. Linen and other traditional materials are still used on traditional bows. Almost any fiber can be made into a bow string. The author of "Arab Archery" suggests the hide of a young, emaciated camel.^[17] Njál's saga describes the refusal of a wife, Hallgerður, to cut her hair in order to make an emergency bowstring for her husband, Gunnar Hámundarson, who is then killed.

Protective equipment[link]

Finger tab

The traditional bonnet of the Kilwinning Archers of Scotland.

Most archers wear a bracer (also known as an arm-guard) to protect the inside of the bow arm from being hit by the string and prevent clothing from catching the bow string. The bracer does not brace the arm; the word comes from the armoury term "brassard", meaning an armoured sleeve or badge. The Navajo people have developed highly-ornamented bracers as non-functional items of adornment.^[18] Some archers (mostly women) also wear protection on their chests, called chestguards or plastrons. The Amazon myth is that they had one breast removed to solve this problem. Roger Ascham mentions one archer, presumably with an unusual shooting style, who wore a leather guard for his face.^[19]

The drawing digits are normally protected by a leather tab, glove, or thumb ring. A simple tab of leather is commonly used, as is a skeleton glove. Medieval Europeans probably used a complete leather glove.^[20]

Eurasiatic archers who used the thumb or Mongolian draw protected their thumbs, usually with leather according to the author of Arab Archery,^[21] but also with special rings of various hard materials. Many surviving Turkish and Chinese examples are works of considerable art. Some are so highly ornamented that the users could not have used them to loose an arrow. Possibly these were items of personal adornment, and hence value, remaining extant whilst leather had virtually no intrinsic value and would also deteriorate with time. In traditional Japanese archery a special glove is used, provided with a ridge which is used to draw the string.^[22]

Release aids[link]

A release aid is a mechanical device designed to give a crisp and precise loose of the arrows. There are two types of release aid the most common being a trigger release which attaches to the string of the bow and held in the archers hand or attached to the archer’s wrist. Once the archer is ready to loose a trigger is pressed which releases the grip on the string. The second type of release aid works on a pre-determined release point and is known as a back-tension release. With this type of release the archer does not have a trigger to set the release off but rather stands at full draw with the release aid which will then trigger at a given point in the archers routine.

Stabilisers[link]

Shooting technique and form[link]

This unreferenced section requires citations to ensure verifiability.

Medieval archery reenactment

The bow is held in the hand opposite to the archer's dominant eye, though holding the bow in the dominant hand side is advocated by some. This hand is referred to as the bow hand and its arm the bow arm. The opposite hand is called the drawing hand or string hand. Terms such as bow shoulder or string elbow follow the same convention. Right-eye-dominant archers hold the bow with their left hand, have their left side facing the target, sight towards the target with their right eye and handle the arrow and string with their right hand.

Modern form[link]

To shoot an arrow, an archer first assumes the correct stance. The body should be at or nearly perpendicular to the target and the shooting line, with the feet placed shoulder-width apart. As an archer progresses from beginner to a more advanced level an "open stance" is often developed. Each archer will have a particular preference but mostly this term indicates that the leg furthest from the shooting line will be a half to a whole foot-length from the other foot, on the ground.

To load, the bow is pointed toward the ground, tipped slightly clockwise of vertical (for a right handed shooter) and the shaft of the arrow is placed on the arrow rest or shelf. The back of the arrow is attached to the bowstring with the nock (a small locking groove located at the proximal end of the arrow). This step is called "nocking the arrow". Typical arrows with three vanes should be oriented such that a single vane, the "cock feather", is pointing away from the bow, or, on a compound bow, that this feather is pointed upwards so as for the arrow to clear the arrow rest without any fletchings touching the arrow rest or pin at the moment of release of the arrow.

The bowstring and arrow are held with three fingers, or with a mechanical arrow release. Most commonly, for finger shooters, the index finger is placed above the arrow and the next two fingers below, although several other techniques have their adherents around the world, involving three fingers below the arrow, or an arrow pinching technique. Instinctive shooting is a technique eschewing sights and is often preferred by traditional archers (shooters of longbows and recurves). In either the split finger or three finger under case, the string is usually placed in either the first or second joint of the fingers.

The bow is then raised and drawn, with varying alignments used for vertical versus slightly canted bow positions. This is often one fluid motion for shooters of recurves and longbows which tends to vary from archer to archer, although for a compound shooter, there is often a slightly-jerky movement occurring during the drawback of the arrow at around midpoint where the draw weight is at its maximum, before relaxing into a comfortable stable full draw position. The string hand is drawn towards the face, where it should rest lightly at the chosen fixed anchor point. This point is consistent from shot to shot and is usually at the corner of the mouth, on the chin, to the cheek, or to the ear, depending upon one's preferred shooting style. The bow arm is held outwards toward the target. The elbow of this arm should be rotated so that the inner elbow is perpendicular to the ground, though archers with hyper extendable elbows tend to angle the inner elbow toward the ground as exemplified by the Korean archer Jang Yong-Ho.

In modern form, the archer stands erect, forming a "T". The archer's lower trapezius muscles are used to pull the arrow to the anchor point. Some modern bows will be equipped with a mechanical device, called a clicker, which produces a clicking sound when the archer reaches the correct draw length. In contrast, traditional English Longbow shooters step "into the bow", exerting force with both the bow arm and the string hand arm simultaneously, especially when using bows having draw weights from 100 lbs to over 175 lbs. Heavily-stacked traditional bows (recurves, long bows, and the like) are released immediately upon reaching full draw at maximum weight, whereas compound bows reach their maximum weight in or around mid-draw, dropping holding weight significantly at full draw. Compound bows are often held at full draw for a short time to achieve maximum accuracy.

The arrow is typically released by relaxing the fingers of the drawing hand (see Bow draw), or triggering the mechanical release aid. Usually the release aims to keep the drawing arm rigid, the bow hand relaxed, and the arrow is moved back using the back muscles, as opposed to using just arm motions. An archer should also pay attention to the recoil or follow through of his or her body, as it may indicate problems with form (technique) that affect accuracy.

Aiming methods[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2011)

From Hokusai Manga, 1817

There are two main forms of aiming in archery: using a mechanical or fixed sight or barebow. Barebow aiming methods include Gap, Split Vision, Point of Aim, String Walking, Face Walking and Instinctive aiming.

Mechanical sights can be affixed to the bow to aid in aiming. They can be as simple as a pin or optical with magnification. They usually also have a peep sight (rear sight) built into the string which aids in a consistent anchor point. Modern compound bows automatically limit the draw length which gives a consistent arrow velocity while traditional bows allow great variation in draw length. Mechanical methods to make a traditional bow's draw length consistent are sometimes used. Instinctive archers use a sight picture which includes the target, the bow, the hand, the arrow shaft and the arrow tip, as seen at the same time by the archer. With a fixed "anchor point" (where the string is brought to, or close to, the face), and a fully extended bow arm, successive shots taken with the sight picture in the same position will fall on the same point. This allows the archer to adjust aim with successive shots in order to achieve accuracy. Modern archery equipment usually includes sights. Instinctive aiming is used by many archers who use traditional bows. The two most common forms of a non-mechanical release are split-finger and three-under. Split-finger aiming requires the archer to place the index finger above the nocked arrow, while the middle and ring fingers are both placed below. Three-under aiming places the index, middle, and ring fingers under the nocked arrow. This technique allows the archer to better look down the arrow since the back of the arrow is closer to the dominant eye, and is commonly called "gun barreling" (referring to common aiming techniques used with firearms).

When using shortbows, or shooting from horseback, it is difficult to use the sight picture. The archer may look at the target but without including the weapon in the field of accurate view. Aiming involves a similar sort of hand/eye coordination which includes proprioception and motor/muscle memory between the mind/body connection that is used when throwing a baseball or shooting a basketball. With sufficient practice, such archers can normally achieve good practical accuracy for hunting or for war.^[23] Aiming without a sight picture may allow more rapid shooting.

Currently Instinctive shooting is a term used to describe a style of shooting that includes the barebow aiming method that relies heavily upon the subconscious mind, proprioception and motor/muscle memory to make aiming adjustments while years ago the term was used to generalize and/or categorize those archers who did not use a mechanical or fixed sight.^[24]

Physics[link]

This unreferenced section requires citations to ensure verifiability.

Mongol archers during the time of the Mongol conquests used a smaller bow suitable for horse archery.

When a projectile is thrown by hand, the speed of the projectile is determined by the kinetic energy imparted by the thrower's muscles performing work. However, the energy must be imparted over a limited distance (determined by arm length) and therefore (because the projectile is accelerating) over a limited time, so the limiting factor is not work but rather power, which determined how much energy can be added in the limited time available. Power generated by muscles, however, is limited by force–velocity relationship, and even at the optimal contraction speed for power production, total work done by the muscle will be less than half of what could be done if the muscle were contracting over the same distance at very slow speeds, resulting in less than 1/4 the projectile launch velocity possible without the limitations of the force–velocity relationship.

When a bow is used, the muscles are able to perform work much more slowly, resulting in greater force and greater work done. This work is stored in the bow as elastic potential energy, and when the bowstring is released, this stored energy is imparted to the arrow much more quickly than can be delivered by the muscles, resulting in much higher velocity and, hence, greater distance. This same process is employed by frogs, which use elastic tendons to increase jumping distance. In archery, some energy is dissipated through elastic hysteresis, reducing the overall amount released when the bow is shot. Of the energy remaining, some is dampened both by the limbs of the bow and the bowstring. Depending on the elasticity of the arrow, some of the energy is also absorbed by compressing the arrow, primarily because the release of the bowstring is rarely in line with the arrow shaft, causing it to flex out to one side.

This is because the bowstring accelerates faster than the archer's fingers can open, and consequently some sideways motion is imparted to the string, and hence arrow nock, as the power and speed of the bow pulls the string off the opening fingers. Even with a release aid mechanism some of this effect will usually be experienced, since the string always accelerates faster than the retaining part of the mechanism. This results in an in-flight oscillation of the arrow in which its center flexes out to one side and then the other repeatedly, gradually reducing as the arrow's flight proceeds; this can be clearly seen in high-speed photography of an arrow at discharge.

Snake Indians - testing bows, circa 1837

Modern arrows are made to a specified 'spine', or stiffness rating, to maintain matched flexing and hence accuracy of aim. This flexing can be a desirable feature, since, when the spine of the shaft is matched to the acceleration of the bow(string), the arrow bends or flexes around the bow and any arrow-rest, and consequently the arrow, and fletchings, have an un-impeded flight. This feature is known as the archer's paradox. It maintains accuracy, for if part of the arrow struck a glancing blow on discharge, some inconsistency would be present, and the excellent accuracy of modern equipment would not be achieved.

The accurate flight of an arrow is dependent on its fletching. The arrow's manufacturer (a "fletcher") can arrange fletching to cause the arrow to rotate along its axis. This improves accuracy by evening pressure buildups that would otherwise cause the arrow to "plane" on the air in a random direction after shooting. Even though the arrow be made with extreme care, the slightest imperfection, or air movement, will cause some unbalanced turbulence in air flow. Consequently, rotation creates an equalling of such turbulence, which, overall, maintains the intended direction of flight i.e. accuracy. This rotation is not to be confused with the rapid gyroscopic rotation of a rifle bullet. If the fletching is not arranged to induce rotation, it will still improve accuracy by causing a restoring drag any time the arrow tilts away from its intended direction of travel.

The innovative aspect of the invention of the bow and arrow was the amount of power delivered to an extremely small area by the arrow. The huge ratio of length vs cross sectional area coupled with velocity made the arrow orders of magnitude more powerful than any other hand held weapon until firearms were invented. Arrows may be designed to spread or concentrate force, depending on their applications. Practice arrows, for instance, can use a blunt tip that spreads the force over a wider area to reduce the risk of injury or limit penetration. Arrows designed to pierce armor in the Middle Ages would use a very narrow and sharp tip ("bodkinhead") to concentrate the force. Arrows used for hunting would use a narrow tip ("broadhead") that widens further, to facilitate both penetration and a large wound.

Hunting[link]

Using archery to take game animals is known as 'bow hunting'. Bow hunting differs markedly from hunting with firearms as the distances between the hunter and the game are much shorter in order to ensure a humane kill. The skills and practices of bow hunting therefore emphasize very close approach to the prey, whether by still hunting, stalking, or waiting in a blind or tree stand. In many countries, including much of the United States, bow hunting for large and small game is legal. Bow hunters generally enjoy longer seasons than are allowed with other forms of hunting such as black powder, shotgun, or rifle. Usually, compound bows are used for large game hunting and may feature fiber optic sights and other enhancements. Using a bow and arrow to take fish is known as bow fishing.

Modern competitive archery[link]

Competitive archery involves shooting arrows at a target for accuracy from a set distance or distances. This is the most popular form of competitive archery worldwide and is called target archery. A form particularly popular in Europe and America is field archery, shot at targets generally set at various distances in a wooded setting. Para-Archery is an adaptation of archery for athletes with a disability. It is governed by the International Archery Federation (FITA), and is one of the sports in the Summer Paralympic Games. There are also several other lesser-known and historical forms of archery, as well as archery novelty games.

See also[link]

• Bowhunting
• Gungdo practicing Kuk Gung,^[3] or ancient Korean Archery
• Horse archer
• List of archery terms
• List of notable archers
• Sagittarii
• Turkish archery

References[link]

Additional reading[link]

• Ford, Horace (1887) The Theory and Practice of Archery London: Longmans, Green
• Elmer, Robert P. (Robert Potter) (1917) American Archery; a Vade Mecum of the Art of Shooting with the Long Bow Columbus, OH: National Archery Association of the United States
• Hansard, George Agar (1841) The Book of Archery: being the complete history and practice of the art, ancient and modern ... London: H. G. Bohn
• Hargrove, Ely (1792) Anecdotes of Archery; from the earliest ages to the year 1791. Including an account of the most famous archers of ancient and modern times; with some curious particulars in the life of Robert Fitz-Ooth Earl of Huntington, vulgarly called Robin Hood .... York: printed for E. Hargrove, bookseller, Knaresbro' (later editions: York, 1845 and facsimile reprint, London: Tabard Press, 1970)
• Heath, E. G. & Chiara, Vilma (1977) Brazilian Indian Archery: a preliminary ethno-toxological study of the archery of the Brazilian Indians. Manchester: Simon Archery Foundation
• Johnes, Martin. Archery, romance and elite culture in England and Wales, c.1780–1840, 89, 193–208.
• Klopsteg, Paul (1963) A Chapter in the Evolution of Archery in America Washington, DC: Smithsonian Institution
• Lake, Fred & Wright, Hal (1974) A Bibliography of Archery: an indexed catalogue of 5,000 articles, books, films, manuscripts, periodicals and theses on the use of the bow for hunting, war, and recreation, from the earliest times to the present day. Manchester: Simon Archery Foundation
• Morse, Edward (1922) Additional notes on arrow release Salem, Massachusetts: Peabody Museum
• Pope, Saxton (1925) Hunting with the Bow and Arrow New York: G. P. Putnam's Sons
• Pope, Saxton (1918) Yahi Archery Berkeley: University of California Press
• Thompson, Maurice (1878) The Witchery of Archery: a Complete Manual of Archery New York: Scribner & Sons
• FITA-Style Archery Targets Bow and Arrow Targets

• The Traditional Bowyer's Bible. [Azle, TX]: Bois d'Arc Press; New York, N.Y.: Distributed by Lyons & Burford
  • The Traditional Bowyer's Bible; Volume 1. 1992. ISBN 1-58574-085-3
  • The Traditional Bowyer's Bible; Volume 2. 1992. ISBN 1-58574-086-1
  • The Traditional Bowyer's Bible; Volume 3. 1994. ISBN 1-58574-087-X; ISBN 1-55821-311-2
  • The Traditional Bowyer's Bible; Volume 4. The Lyons Press, 2008. ISBN 978-0-9645741-6-8

External links[link]

Look up archery in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Archery

Archery at the Open Directory Project

v t e Archery Archery topics Archer's paradox Archery Bow Bow draw Bow shape History of archery History of crossbows Modern competitive archery Mounted archery Bows Cable-backed bow Composite bow Compound bow Crossbow English longbow Flatbow Laminated bow Longbow Recurve bow Self bow Yumi Equipment Arrow Arrowhead Bow string Bracer Cresting machine Finger tab Fletching Flu-Flu Arrow Quarrel Quiver Thumb ring Archery activities Archery games Bowfishing Bowhunting Clout archery Field archery Popinjay Target archery Target World Championship Archery at the Summer Olympics Archery at the Summer Paralympics Glossary of archery terms

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2010)

The Basics
The Basics at the Oxford Art Factory, 2010
Background information
Origin	Melbourne, Australia
Genres	Rock
Years active	2002–present
Labels	Independent, Albert Records
Associated acts	Gotye, Down Hills Home, Dog With Wheels, Blood Red Bird
Website	The Basics Official Website
Members
Wally De Backer Kris Schroeder Tim Heath
Past members
Michael Hubbard
Notable instruments
Lead guitar, drums, bass guitar.

The Basics ( /ˈbæzɪtʃ/ BAZZ-ich) are a three-piece band from Melbourne, Australia, formed by Wally De Backer and Kris Schroeder in 2002. Their style has been described as anything from 'indie-pop' to 'rock'n'roll' to 'pop-rock', though their records show they span a wide range of genres, including reggae, ska, country, and electro-pop. They are "recognised as one of Australia's hardest-working bands".^[1]

With close to 1000 shows in their ten-year career, their live performances are well-known for their sense of humour and energy.^[2]

Formation[link]

The Basics were formed after Kris met Wally at a party in Melbourne.^[3] The event was to see off the young aspiring producer, who was about to depart for Los Angeles, and together with a number of musician friends, the two jammed on some blues-rock standards. Later that night, they bonded over a mutual love of The Beatles, 70s and 80s cartoon theme songs and old Sierra adventure games.

Initially, they played around Melbourne as an acoustic guitar/drums combo, starting at The Opposition in Frankston and the House of Fools in Footscray, where in late 2002 they met Michael Hubbard and later invited him to join them on electric guitar.^[4] Though lacking any real experience with the instrument, Kris willingly purchased his first bass guitar, and the trio was born. During this time, the group start performing songs with more complicated three-part harmony.

During late 2002 and early 2003, The Basics recorded and released an album called Get Back through MGM Distribution. They began what was to become regular tours of the East and West coasts of Australia.

2004-2005: Current lineup[link]

Tim Heath joined the group in June 2004, after Michael decided to pursue his solo career, which has included being one half of Down Hills Home.^[4] Tim was reportedly the only person to reply to an advertisement in Melbourne's Beat Magazine looking for a new guitarist. Tim apparently answered the advertisement - which said the applicant "must have a love of 50s and 60s rock'n'roll" - thinking that he would be meeting "a couple of old guys to play with on the weekends over some beers". They soon recorded For Girls Like You.

The Basics in 2005 continued to tour and play small festivals, and after releasing For Girls Like You through MGM Distribution, they departed for a national tour of Australia, which lasted for two months and took them to every Australian state and territory. Stuart Padbury, a young Melbourne sound engineer, joined them on much of this tour. On returning, the band began demonstrating songs for a new album.

2006-2009: Touring and soundtracks[link]

In 2006, The Basics began recording what was to become known as Stand Out/Fit In. Taking several months, it was not completed until the end of the year, despite intentions to have it released in June. Instead, they held a successful 'album preview', where each of the tracks was demonstrated in 'rough form' accompanied by a music video for each (produced by Melbourne photographic artist James Bryans). The band also talked about the origins of the songs. This event brought a lot of attention to the band for the idea's originality. They pre-released a radio single 'Just Hold On' from the album. The band were invited to play the hugely popular Homebake Festival in Sydney, where they received a great response, after being introduced onto the stage by a short stocky Asian guy with big calves ("one of the highlights" wrote The Daily Telegraph).

In 2007, the band departed on a tri-state residency which saw them play Melbourne, Sydney and Brisbane every week for the month of April - a bold move which brought further attention to the band for its original idea.^[5] Riding on the wave of this tour, Schroeder, De Backer and Heath departed on their first overseas tour which saw them performing 26 shows around Japan, Norway and the United Kingdom.^[6] They also toured twice more up the East Coast, one of which was with popular Japanese band The Bawdies. Their song 'Rattle My Chain' was used in a series of commercials for Volvo Australia. The song 'Hey There!' featured in the British film The Bank Job - starring Jason Statham - and was used as the backing for a February 2007 short film directed by Tim Longhurst called The Rip. Their song 'Better' was featured in a surfing documentary about the invention of the shortboard in 1967.

In 2008, the band appeared on Australia's Channel 9 for Australia Day celebrations, performing two of their songs - 'Just Hold On' and 'Hey There!' - to an estimated audience of 2 million. Securing an Australian Government grant, they embarked on a two-month tour of Australia, specifically targeting "culturally underprivileged groups" in rural and regional schoolchildren and Indigenous communities. The programme had them holding masterclasses and performing alongside Indigenous groups in the remote Northern Territory and Queensland.^[7][8] Their initiative also had them raising money for the charity Lifeline^{[disambiguation needed ]}, their contribution to which was recognised with a plaque at the end of the tour. Season two of Californication starring David Duchovny featured their cover of the classic 'Have Love, Will Travel', most famously covered by 'The Sonics'.

In 2009, The Basics for the first time enjoyed the support of Australian radio network Triple J, which had reportedly snubbed the band's previous material.^[9] The singles 'With This Ship' and 'Like A Brother' were added to the station's playlist, and momentum carried The Basics overseas for a second tour of the United Kingdom and Norway, and also a series of shows in Dublin, Ireland. They were joined by the longtime front-of-house engineer Stuart Padbury, who had been mixing them since 2005. The band was often seen in the Grafton Street Mall in Dublin, busking to promote their concerts there. Their second show in Oslo, Norway, saw the band perform with Hot Tub, one of the members of the Norwegian boy band "Boyzvoice", in his first performance for several years. Season Eight of Scrubs featured the song 'Lookin' Over My Shoulder'.

Despite all this promise, the band's album Keep Your Friends Close - produced and part-recorded by Peter Cobbin at London's Abbey Road Studios - though enjoying many favourable reviews,^{[10][11][12][13]} failed to impress Richard Kingsmill, music director of Triple J. This effectively ended the band's apparent upward spiral and the resulting album launch tour was reportedly "trying".

2010: Hiatus and live album[link]

In 2010, following the band's fourth stint at the Tamworth Country Music Festival, and the recording of a yet-unreleased live album, an indefinite hiatus was announced on the band's websites. This was in part due to the impending release of a new album produced by Wally for his Gotye project, and also to reported tensions within the band following the previous year's disappointments.

However, this hiatus was soon broken with a two-month residency at the Northcote Social Club in Melbourne, which saw an apparent return to form.^[14] The band's EP "Wait For You" enjoys airplay on Triple J.^[15] The Basics also played a one-off show at Sydney's Oxford Art Factory.^[16]

On 20 August 2010, The Basics released their fourth LP /ðəˈbæzɪtʃ/, available free and exclusively from their website for digital download^[17]. The band had reportedly moved to expand their listenership through this free giveaway, though 300 "Deluxe" CD/vinyl versions have been printed. /ðəˈbæzɪtʃ/ was recorded at the Northcote Social Club on 6 February, "in front of a live studio audience", and like the previous record, was mixed by Peter Cobbin at Abbey Road Studios. Technically a self-titled album, the phonetics spell out the accurate pronunciation of the band’s name. Kris Schroeder: "For years we’ve worked at bringing our live energy into the studio and thus far it’s been a bit hit-and-miss. Our trick this time was to pull a switcheroo and bring the studio to us instead; the result is the best and closest to us we’ve sounded yet."

Melbourne thespian and Dog With Wheels bassist David Bramble - friends with Heath from university days - has occasionally joined the band on tour, playing keys, often while sporting a large moustache. Other guests have included Jake Mason (saxophone), also of Cookin' on 3 Burners and The Bamboos^{[disambiguation needed ]}, Gideon Brazil (saxophone, flute), Simon Imrei (guitar and vocals) and Monty MacKenzie (saxophone).

Covers have often made an appearance from various sources: to date, some of the bands covered have been Cream, The Kinks, The Rolling Stones, The Police, Neil Young, Bob Dylan, New Kids on the Block, Richard Berry, Sonny Curtis and The Crickets, JJ Cale, Harry Nilsson, Bill Scott, Ryan Adams and The Coasters (via The Beatles for their cover of Three Cool Cats).

Members[link]

Current

• Wally De Backer - drums, vocals (2002-present)
• Kris Schroeder - bass, vocals (2002-present)
• Tim Heath - guitar, vocals (2004-present)

Former

• Michael Hubbard - guitar, vocals (2002-2004)

Discography[link]

Albums[link]

• Get Back (15 January 2004)
• Stand Out/Fit In (5 May 2007)
• Keep Your Friends Close (25 September 2009)
• /ðəˈbæzɪtʃ/ (20 August 2010)

EP[link]

• For Girls Like You (11 July 2005)
• Lookin' Over My Shoulder (10 February 2007)
• Like A Brother (5 June 2009)
• Wait For You (21 May 2010)

Singles[link]

• Call It Rhythm & Blues (20 August 2004)
• Just Hold On
• With This Ship (22 February 2009)

Upcoming projects[link]

The band is taking a three year hiatus, with an announced return to the stage together in early 2014. Wally De Backer launched Making Mirrors under his Gotye act in August 2011, Tim Heath will be touring and recording with Blood Red Bird, and Kris Schroeder recorded a solo EP titled, Patience in the Face of Control, before leaving Australia to work with the Red Cross in Kenya for a two year sabbatical.

References[link]

External links[link]

• Official Website
• Myspace Website

Geena Davis
Davis at the 2009 Tribeca Film Festival
Born	Virginia Elizabeth Davis (1956-01-21) January 21, 1956 (age 56) Wareham, Massachusetts, U.S.
Occupation	Actress, producer, writer, athlete, model
Years active	1979–present
Spouse	Richard Emmolo (1982–1983) Jeff Goldblum (1987–1990) Renny Harlin (1993–1998) Reza Jarrahy (2001–present)
Children	2 sons and a daughter
Parents	William F. Davis (father) Lucille M. Cook (mother)

Virginia Elizabeth "Geena" Davis (born January 21, 1956)^[1] is an American actress, film producer, writer, former fashion model, and a women's Olympics archery team semi-finalist.^[2] She is known for her roles in Stuart Little,The Fly, Beetlejuice, Thelma & Louise, A League of Their Own, The Long Kiss Goodnight and The Accidental Tourist, for which she won the 1988 Academy Award for Best Supporting Actress. In 2005, she won the Golden Globe Award for Best Actress – Television Series Drama for her role in Commander in Chief.

Early life[link]

Davis was born in Wareham, Massachusetts. Her mother, Lucille (née Cook), was a teacher's assistant, and her father, William F. Davis, was a civil engineer and church deacon; her parents had both been from small towns in Vermont.^[3] She has a brother named Danforth ("Dan").^[4][5] At an early age, she became interested in music. She learned piano and flute and played organ well enough as a teenager to serve as an organist at her Congregationalist church in Wareham.^[6][7] Davis attended Wareham High School and was an exchange student in Sandviken, Sweden, becoming fluent in Swedish.^[6] Enrolling at New England College, she eventually graduated with a bachelor's degree in drama from Boston University in 1979.^[6] Davis is a member of Mensa, a social organization whose members are in the top 2% of intelligence as measured by an IQ test entrance exam.^[6][8]

Career[link]

This section's tone or style may not reflect the encyclopedic tone used on Wikipedia. Specific concerns may be found on the talk page. See Wikipedia's guide to writing better articles for suggestions. (August 2009)

Davis at the 61st Academy Awards in 1989.

After graduating, Davis served as a window mannequin for Ann Taylor, until signing with New York's Zoli modeling agency in 1979.^[9] Davis auditioned for roles in many popular movies, including The Terminator’s Sarah Connor, which went to Linda Hamilton.^[10] She was working as a model when she was cast by director Sydney Pollack in his film Tootsie (1982), as a soap opera actress.^[6] She followed the role up with the part of Wendy Killain in the short-lived television series Buffalo Bill,^[11] which aired from June 1983 to March 1984. She also wrote the Buffalo Bill episode entitled "Miss WBFL."^[11] During the run of Buffalo Bill, in 1983, Davis also appeared as Grace Fallon in an episode of Knight Rider entitled "K.I.T.T the Cat". Her television credits from the mid-1980s also include one episode of Riptide, two episodes of Family Ties, and an episode of Remington Steele. This was followed up by a series of her own, Sara, which lasted thirteen episodes.

After roles in Fletch, The Fly, and Beetlejuice, Davis received an Oscar as Best Actress for her role in The Accidental Tourist (1988), and a Best Actress nomination for her role in Thelma & Louise (1991).^[6] Davis replaced Debra Winger in the role of Dottie in A League of Their Own (1992), and received a Best Actress Golden Globe Award nomination for her performance.^[12] She then co-starred in Hero, alongside Dustin Hoffman and Andy Garcia. Following this, Davis teamed up with then-husband, director Renny Harlin, for the films Cutthroat Island and The Long Kiss Goodnight (both 1996). Due to the box office failure of Cutthroat Island, her career took a downturn.^[13] She and Harlin co-produced the films. Davis was nominated for Saturn Awards for her performances as Samantha/Charlie in The Long Kiss Goodnight,^[14] and as Eleanor Little in Stuart Little (1999), a role she reprised in 2002, and again in 2005.^[15]

In 2000–2001, Davis starred in the short-lived sitcom The Geena Davis Show. In early 2004, she guest-starred as Grace Adler's sister, Janet, on the NBC sitcom Will & Grace. She went on to star in the ABC television series Commander in Chief, portraying the first female President of the United States.^[16] This role garnered her a Golden Globe for Best Actress in a Drama Series in 2006, and she also was nominated for an Emmy Award and a SAG Award for Outstanding Female Actor in a Drama Series. Also in 2006, she was awarded the Women in Film Lucy Award.^[17]

She starred in the Australian-produced, American-set Accidents Happen, which was released in April 2010.

The handprints of Geena Davis in front of The Great Movie Ride at Walt Disney World's Disney's Hollywood Studios theme park.

Personal life[link]

Reza Jarrahy and Davis in 2009.

Davis was married to Richard Emmolo (March 25, 1982 – February 26, 1983); actor Jeff Goldblum, with whom she starred in three films, Transylvania 6-5000, The Fly and Earth Girls Are Easy (1987 – 1990); and Renny Harlin, who directed her in Cutthroat Island and The Long Kiss Goodnight (1993 – 1998).

On September 1, 2001, Davis married Reza Jarrahy, an Iranian American plastic surgeon.^[18] At age 46,^[18] Davis gave birth to their daughter Alizeh Keshvar (born April 10, 2002). At age 48, she had twin boys, Kian William Jarrahy and Kaiis Steven (born May 6, 2004).^[1]

Activism[link]

Davis is fronting the Women's Sports Foundation campaign Geena Takes Aim in support of Title IX, an Act of Congress focusing on equality in sports opportunities, now expanded to prohibit gender discrimination in United States' educational institutions.

In 2004, while watching children's television programs and videos with her daughter, Davis noticed what she thought was an imbalance in the ratio of male to female characters. Davis went on to sponsor the largest research project ever undertaken on gender in children's entertainment (resulting in 4 discrete studies, including one on children's television) at the Annenberg School for Communication at the University of Southern California. The study, directed by Dr. Stacy Smith, showed that there were nearly 3 males to every 1 female character in the nearly 400 G, PG, PG-13, and R-Rated movies the undergraduate team of Annenberg students analyzed.

In 2005, Davis teamed up with the non-profit group Dads and Daughters to launch a venture dedicated to balancing the number of male and female characters in children's TV and movie programming.^{[citation needed]}

Davis launched The Geena Davis Institute on Gender in Media in 2007.^[19] The Institute's first focus is an on-the-ground program that works collaboratively with the entertainment industry to dramatically increase the presence of female characters in media aimed at children and to reduce stereotyping of females by the male-dominated industry.

For her work in this field she received an honorary Doctor of Fine Arts degree from Bates College in May 2009.^[20]

In 2011, Geena became one of a handful of celebrity faces attached to USAID and Ad Council’s FWD campaign, an awareness push to combat the famine, war, and drought in the Horn of Africa. Geena joined Uma Thurman, Josh Hartnett, and Chanel Iman to star in YouTube videos that ask America to “FWD the facts” about the crisis affecting more than 13 million people.^[21]

Sports[link]

Davis has stated that she was not an athlete growing up,^[22] and that her introduction to archery was in 1997, two years prior to her tryouts.

In July 1999, Davis was one of 300 women^[2] who vied for a semifinals berth in the US Olympic archery team to participate in the Sydney 2000 Summer Olympics.^[6] She placed 24th of 300 and did not qualify for the team, but participated as a wild-card entry in the Sydney International Golden Arrow competition.^[23]

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Geena Davis

• Geena Davis at the Internet Movie Database
• Geena Davis at the Notable Names Database
• Geena Davis Institute on Gender in Media
• Appearances on C-SPAN
• Works by or about Geena Davis in libraries (WorldCat catalog)
• Geena Davis collected news and commentary at The New York Times