Shaun L.S. Donovan (born January 24, 1966) is the United States Secretary of Housing and Urban Development, serving in the cabinet of President Barack Obama. Prior to this he headed the New York City Department of Housing Preservation and Development. On December 13, 2008, in his weekly national radio address, President-elect Barack Obama announced that he would appoint Donovan to his cabinet. He was confirmed by the U.S. Senate through unanimous consent on January 22, 2009 and sworn-in on January 26.

Born in New York, Donovan earned undergraduate and graduate degrees from Harvard University, graduating from Harvard College in 1987, and earning a Master of Public Administration from the John F. Kennedy School of Government and a Master of Architecture from the Graduate School of Design in 1995.

During the Clinton administration and the transition to the Bush administration, Donovan was Deputy Assistant Secretary for Multifamily Housing at HUD, and was acting FHA commissioner. He became Commissioner of the New York City Department of Housing Preservation and Development in 2004.

Donovan (born Donovan Philips Leitch, 10 May 1946) is a Scottish singer, songwriter and guitarist. Initially labelled as an imitator of Bob Dylan, Donovan quickly developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music (notably calypso). He has variously lived in Scotland, London, California and Ireland, and currently lives with his family in County Cork in Ireland.

Emerging from the British folk scene, Donovan shot to fame in the United Kingdom in early 1965 with a series of live performances on the pop TV series, Ready Steady Go!. Initially signing with the British label Pye Records in 1965, he recorded a handful of singles and two albums in the folk music vein, but after signing a new contract with the US label Epic Records his popularity rapidly spread to the US and other countries. After extricating himself from his original management contract, he began a long and successful collaboration with Mickie Most, one of the leading British independent record producers of the era, scoring a string of hits in the UK, the US, Australia and other countries. His successful records in the 1960s included the UK hits "Catch the Wind" and "Colours" in 1965, while "Sunshine Superman" topped the US Billboard Hot 100 chart the following year, and reached #2 in Britain. Donovan was the first artist to be signed to CBS/Epic Records by then-new Administrative Vice President Clive Davis, who later became head of the CBS Record empire.

Donovan King is a performance activist and experimental theatre artist from Montreal, Canada who juggles acting, teaching, directing, dramaturgy, and theory, and is a columnist for Indie Theatre Times and Review.

King holds an Masters of Fine Arts degree in Theatre Studies from the University of Calgary, a Bachelor of Fine Arts in Drama in Education from Concordia University, a Bachelor of Education from McGill University and a Diplome d’Études Collegiales in Acting from John Abbott College. He is the author of Optative Theatre: A Critical Theory, and he facilitates various activist campaigns and drama classes in Montreal. He has been known to collaborate with other theatre activists internationally such as Augusto Boal, Andrew Boyd of the Billionaires for Bush, Reverend Billy (aka Bill Talen), Stephen Duncombe, Larry Bogad, Kathryn Blume, Kurt Schneiderman, Jason C. McLean, Gary St. Laurent, and many others.

As the co-founder of the Optative Theatrical Laboratories (OTL) and creator of the international Infringement Festival, King strives to revitalise theatre as an agent for social change through experimental practice, critical theory, and sustained performance. The OTL designs interconnected theatrical campaigns such as Car Stories, that target instances of oppression, and employs a diversity of cutting-edge activist performance techniques: culture-jamming, Viral Theatre, Sousveillance Theatre, meme-warfare, Electronic Disturbance Theater, and Global Invisible Theatre, to name a few.