In Hinduism, Rukmini also pronounced as "Rukhmani" is the principal wife and queen of Krishna at his city of Dwarka. Krishna heroically eloped with her to prevent an un-wanted marriage at her request (described in the Bhagavata Purana). Of Krishna's 16,108 queens, Rukmini is the first and most prominent. Rukmini is also considered to be an Avatar of Lakshmi, the goddess of fortune.

Birth[link]

Krishna and Rukmini, Government Museum Madras, India

According to traditional accounts Princess Rukmini is believed to have been born on Vaishakha 12^{[citation needed]}. Although born of an earthly king, her position as an incarnation of goddess Lakshmi is described throughout Puranic literature:

• O hero among the Kurus, the Supreme Lord Himself, Govinda, married King Bhishmaka's daughter, Vaidarbhi, who was a direct expansion of the goddess of fortune [Sriyo maatraam]. (Bhagavata Purana 10.52.16)

• Dwaraka's citizens were overjoyed to see Krishna, the Lord of all opulence, united with Rukmini, the goddess of fortune Ramã. (SB 10.54.60)

• Lakshmi by Her portion took birth in the earth as Rukmini in the family of Bhismaka. (Mahabharata Adi 67.156)

• Rukminidevi, the Queen Consort of Krishna is the Swarupa-shakti (mulaprakriti), the essential potency of Krishna (krsnatmika) and She is the Queen of the Divine World (jagatkatri), Dwaraka/Vaikuntha.

The Śrutis which are closely associated with the narrations of the pastimes of the Vraja-gopis with svayam-rupa Bhagavan Sri Krishna, the Parabrahma, have declared this truth (Gopala-tapani Upanisad 57). They cannot be separated. As Lakshmi is Vishnu's Shakti(power or strength) so even as Rukmini is Krishna's strength.

Marriage[link]

Krishna and Rukmini ride away in a chariot to be married, while Balarama and others secure their safe passage by fighting those who resist the union. Rukmini's brother Rukmi had promised her hand to another.

Rukmini was the daughter of Bhishmaka, the king of Vidarbha. Bhismaka was the vassal of King Jarasandha of Magadha. She fell in love with and longed for Krishna, whose virtue, character, charm and greatness she had heard much of. Rukmini's eldest brother Rukmi though was a friend of evil King Kamsa, who was killed by Krishna, and was set against the marriage.

According to the Mahabharat and the Puranas, Draupadi was regarded as the most beautiful and virtuous of all women at the time. It is said that if there was any one woman just as beautiful and virtuous as she was, it was Rukmini.

Rukmini's parents wanted to marry Rukmini to Krishna but Rukmi, her brother strongly opposed Bhishmaka and changed his father's mind. Rukmi was an ambitious prince and he did not want to earn the wrath of Emperor Jarasandha,who was ruthless.Instead, he proposed that she be married to his friend Shishupala, the crown prince of Chedi. Shishupala was also a vassal of Jarasandha and hence an ally of Rukmi.

Bhishmaka gave in but Rukmini, who had overheard the conversation was horrified and immediately sent for a brahmana, Sunanda, whom she trusted and asked him to deliver a letter to Krishna. She asked Krishna to come to Vidarbha and kidnap her to avoid a battle where her relatives may be killed. She suggested that he do this when she was on her way to the temple or back. Rukmini asked that he claim her to marry her. She also added that if Krishna refused to comply she would commit suicide. Krishna, having received the message in Dwarka, immediately set out for Vidarbha with Balarama, his elder brother.

Meanwhile, Shishupala was overjoyed at the news from Rukmi that he could simply go to Kundina (present day Koundanyapur) Amravati district and claim Rukmini. Jarasandha, not so trusting, sent all his vassals and allies along because he felt that Krishna would certainly come to snatch Rukmini away.

Bhishmaka and Rukmini received the news that Krishna was coming by their respective spies. Bhishmaka, who secretly approved of Krishna and wished he would take Rukmini away had a furnished mansion set up for him.

He welcomed them joyfully and made them comfortable. Meanwhile, at the palace, Rukmini got ready for her upcoming marriage. She went to the shrine to pray but was severely disappointed when she did not see Krishna there. Inside the shrine, she prayed to goddess Parvati that Krishna would arrive and wed her. As she stepped out, she saw Krishna and he soon swept her into his chariot with him. They both started to ride off when Shishupala noticed them. All of Jarasandha's forces quickly started chasing them. While Balarama occupied most of them and held them back Rukmi had almost caught up with Krishna and Rukmini.

Krishna and Rukmi duelled with the inevitable result of Krishna's victory. When Krishna was about to kill him, Rukmini fell at the feet of Krishna and begged that her brother's life be spared. Krishna, generous as always agreed but as punishment, shaved Rukmi's head and let him go free. There was no greater shame for a warrior than a visible sign of defeat.

According to folklore, Lord Krishna came to the village of Madhavpur Ghed after kidnapping Rukmini and got married to her at this very place. In the memory of that event, there is a temple built for lord Madhavrai. A celebration of this event is held at Madhavpur in memory of this marriage every year in a cultural fair.

A few days later at Dwaraka, Krishna was married to Rukmini with great pomp and ceremony.

Tulabharam (weighing by scale)[link]

Krishna with his two principal queens. (From left) Rukmini, Krishna, Satyabhama and his vahana Garuda.

The Tulabharam is an incident in the life of Rukmini, that reveals the extent to which humble devotion is worth more than material wealth.

Satyabhama, another queen of Krishna, prides herself about the love Krishna has for her and her grasp over his heart. Rukmini, on the other hand is a devoted wife, humble in her service of her Lord. Her devotion is her real inner beauty. On one occasion, the sage Narada arrived in Dwaraka and in the course of conversation hinted to Satyabhama that the love that Krishna exhibits towards her is not all that real and in fact it is Rukmini who has real control over his heart. Unable to bear this, Satyabhama challenges Narada to prove it. Narada, with his way with words, tricked her into accepting a Vrata (ritual) where she has to give Krishna away in charity to Narada and reclaim him by giving the weight of Krishna in wealth. Narada lures her into accepting this vrata by telling her that Krishna’s love to her will increase many folds if she succeeds in performing this Tulabharam. He also instigates her ego by hinting that her wealth may not be sufficient to equal the weight of Krishna. With Satyabhama's ego duly raised, she tells Narada that she can mobilize so much wealth that it is a child’s play for her to outweigh Krishna. Narada warns her that if she is not able to do this, Krishna will become his slave to be done with as he pleases.

The scene is soon set for the vrata. Satyabhama gives Krishna away in charity in spite of the other wives’ pleadings. Krishna, always the mischievous cowherd, meekly submits to this drama. After donating Krishna to Narada, Satyabhama arranges for a big scale to be put up and sends with all assurance for her huge treasure of gold and jewellery. All that she has is soon put on the scale, but it doesn’t budge. Narada starts taunting her and threatening her that if she can’t put enough gold or diamonds, he will be forced to auction Krishna as a slave to someone else. Satyabhama, in frantic panic, swallows her pride and begs all the other wives to give their jewels. They agree out of love for Krishna but alas, it is of no use.

Krishna remains a mute witness to all this drama and rubs salt into the open wounds of Satyabhama’s ego that he has now to become a slave to some cowherd and will have to suffer the separation from his dear wife. Narada suggests to Satyabhama that Rukmini may be able to get her out of the predicament. She finally swallows her pride and appeals to the devoted first wife of Krishna. Rukmini comes and with a prayer to her husband puts a single leaf of the sacred Tulasi on the scale (tula). The scales then become all at once so heavy that even after removing all the jewels, the scales are weighed down on the side of the Tulasi leaf.

While there are different versions in different texts as to why the weighing was arranged, the story of the Tulsi leaf placed by Rukmini being worth more in weight than that of Satyabhama's wealth is a common ending. This story is often repeated to enunciate the significance of Tulsi and how a humble offering to God is greater than any material wealth.

Other names[link]

• Ruciranana - One who has a beautiful face, expanding like a lotus flower.
• Vaidarbhi

Glorification[link]

Vithoba (left) with his consort Rakhumai at the Sion Vitthal temple, Mumbai, decorated with jewellery during the Hindu festival of Diwali

Rukmini or Rakhumai is worshipped as the consort of Vithoba (a form of Krishna) in Pandharpur, Maharashtra.

In 1480, Rukmini devi's servant messenger is believed to have appeared in this world as Vadiraja Tiirtha (1480–1600), the greatest saint in the Madhva tradition. He composed a famous work Rukminisa Vijaya glorifying Rukmini and Krishna in 1240 verses spread over 19 chapters.

Children[link]

The first son of Queen Rukmini was Pradyumna, and also born of her were Charudeshna, Sudesna and the powerful Charudeha, along with Sucharu, Charugupta, Bhadracharu, Charuchandra, Vicharu and Charu, the tenth (SB 10.61.8-9). Of them, Pradyumna was the crown prince of Dwaraka.

See also[link]

• Neela Devi (Nappinnai)
• Vaishnavism
• Puranas
• Rukmini Kalyanam, a popular dance drama, play and cinema

External links[link]

Wikimedia Commons has media related to: Rukmini

• Srimad-Bhagavatam: Krishna kidnaps Rukmini

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Rukmini Vijayakumar is a prominent South Indian Bharatanatyam dancer.^[1][2][3] Along with her performances on stage, she has appeared in two Tamil language films.

Career[link]

Rukmini Vijayakumar began her dance training at the age of eight, studying Bharatanatyam under Guru Narmada, Guru Padmini Rao and Guru Sundari Santhanam and then practiced the Karanas for several years under Guru Sundari Santhanam. Rukmini holds a BFA degree from the Boston Conservatory in Ballet and Modern Dance, while she has also been trained in jazz, tap, African, choreography, laban movement analysis, Stagecraft and Human Anatomy at the Boston Conservatory.

Furthermore, she has studied acting at the New York Film Academy, Los Angeles while also learning under director Prakash Belawadi during her stay in India. She is the Artistic Director of her dance company Raadha Kalpa, where she teaches, choreographs and creates new Bharatanatyam, Modern and experimental theater work. She is currently pursuing a Fitness Training Certification at UCLA, and a professional dancer's MFA program in Bharatanatyam at the Shastra University, Chennai under Dr. Padma Subrahmanyam.

She made her film debut playing Trishna in Bharathiraja's suspense thriller Bommalattam alongside an ensemble cast of Arjun, Nana Patekar and Kajal Aggarwal. The role feature her as a mysterious debutant actress who is hidden from the media, with the film eventually revealing that her character was actually a male, made to dress up by the director. The film opened to positive reviews, with critics labelling her performance as "definitely a surprise package".^[4][5] She next featured in Gandhi Krishna's 2009 romantic film Ananda Tandavam as Ratna alongside Siddharth Venugopal and Tamannaah, but the film became commercial and critical failure. Rukmini then signed up to appear in Naan, once again alongside Siddharth Venugopal, but the film ran into production and trouble and she opted against appearing in the film when it began again in 2010. Moreover another project, Oru Naal Podhuma directed by Pratap Pothan and featuring Madhavan in the lead role, was also cancelled soon after announcement.

In 2012, Rukmini was opted for Rajinikanth's sister's role in Kochadaiyaan. The role was earlier to be enacted by Sneha, who opted out citing date issues.^[6]

Filmography[link]

References[link]

External links[link]

• Official website

Vishaka Hari is a prominent Carnatic music vocalist and established exponent of Harikatha, otherwise known as a story teller of Kathakalakshepam.

Vishaka Hari learnt Carnatic music under the legendary Carnatic violinist, Lalgudi Jayaraman, while her spiritual guru and father-in-law is Sri Krishna Premi,^[1][2] Vishaka Hari has performed in several sabhas during the Chennai Music Season since 2006.

On occasions, Vishaka Hari also performs with her husband, Sri Hari (Krishna Premi's son), who uses his English literary background to supplement her kathakalakshepam performances.^[3]

Vishaka Hari learnt Bharatha Natyam from prominent dancer, Professor Sudharani Raghupati.^[2]

References[link]