'I'll have that veggie smoothie to go, please'

Craziness on the streets of Hanoi, Vietnam:



Hat tip to a bod over at Urban 75.

Jack Reacher (2012)

Angel (1982)

Monday Toonage #4

I'm currently plowing through a doorstep of an e-book that purports to be the definitive oral history of punk so, in light of that wee morsel of literary information, for Monday's Toonage I have to plump for  'Nobody's Scared', the Subway Sect's debut single from 1978:

One of the great lost punk bands from that era. And Mr Godard and assorted friends are still doing the business 35 years on. First class!

Maigret Goes Home by Georges Simenon (Penguin Books 1932)

It was a bank like any other in a small country town: a long oak counter, five clerks bent over desks. Maigret made for the section of the counter marked Current Accounts, and one of the clerks stood up to serve him.

Maigret wanted to inquire about the exact state of the Saint-Fiacres’ fortune, and, above all about any deposits or withdrawals in the last few weeks, or even the last few days, which might provide him with a clue.

But for a moment he said nothing, simply looked at the young man, who maintained a respectful attitude, showing no sign of impatience.

“Emile Gautier, I suppose?”

He had seen him go past twice on a motorcycle, but he had been unable to distinguish his features. What revealed the bank clerk’s identity to him was a striking resemblance to the steward of the château. Not so much a detailed resemblance as a resemblance to the same peasant origins: clear-cut features and big bones.

The same degree of evolution, more or less, revealed by skin rather better cared for than that of the farm workers, by intelligent eyes, and by the self-assurance of an “educated man.”

But Emile was not yet a real city person.

His hair, although covered with brilliantine, remained rebellious; it stood up in a point on top of his head. His cheeks were pink, with that well-scrubbed look of country yokels on Sunday morning.

“That is correct,” he said.

He was not at all flustered. Maigret was sure that he was a model employee, in whom his steward had complete trust, and who would soon obtain promotion.

His black suit was made to measure, but by a local tailor, in a serge that would never wear out. His father wore a celluloid collar, but he wore a soft collar, with a ready-tied tie.

“Do you know me?” Maigret asked.

“No. I suppose you are the police officer … ”

“I would like some information about the state of the Saint-Fiacre account.”

“That’s a simple matter. I am in charge of that account, as well as all the others.”

He was polite, well mannered. At school, he must have been the teachers’ favorite.

Bad Vibes: Britpop and My Part in Its Downfall by Luke Haines (William Heinemann Ltd 2009)

Colonel Klutz

December 1993. End-of-year round-ups in the music press. American bands still holding up – all polls feature Nirvana, Lemonheads, Belly and the Juliana Hatfield Three. Tindersticks by the Tindersticks is album of the year in Melody Maker. New Wave is at number 19. In the NME Writers' Top Fifty Albums of the Year Bjork's Debut is number one, and New Wave comes in at 18. In Select magazine New Wave is voted the seventh-best album of the year. And the best album of 1993 as voted for by the writers of Select: Giant Steps by the Boo Radleys. Suede lurk around the top three of most critics' polls, and Mr Blobby gets the Christmas number one in the singles chart.

The singer – who could now pass for an East End villain – has me pinned against the wall. After our, ahem, early-evening opening slot there had been an ominous knock on the dressing-room door.

'Can I have a word – outside?' says the singer, gesturing grimly towards me. Drunk and stoned post-gig, I follow obediently. I know what's coming. I orchestrated it so I'm looking forward to it. Quick as a flash the headline act pulls off some nifty pugilistic footwork and squares up to me. Jesus, what a knucklehead. I hadn't imagined his reaction to my onstage comments would be quite as physical. True, last night, with righteous anger and adrenalin raging through my veins I had been spoiling for a fight, but now I just wanted to be sacked – minus pasting.

'How much of a fucking prick are you gonna look when I kick the shit out of you onstage?' the singer asks unreasonably. It's a good question, and one that I assume is rhetorical. I drift off into a vision of myself being chased around the stage by a man in a gorilla suit, the gorilla's clumsy paws finally managing to grab me by the scruff of the neck before drop-kicking me high into the air to the whooping delight of the audience. Oh man, that would be entertainment.

'Well, answer me, you fucking cunt.' Not rhetorical then. I snap out of my reverie and slump back against the wall. I'm back in the playground about to take a hiding from a dim bully. There's nothing to do but let the scene play out. Shouldn't take long.

. . .

On paper it was unpromising. In real life it looked even worse. The Auteurs are booked to support Matt Johnson's band The The on a UK tour. All of this organised months in advance, before the recent setbacks, when life was a breeze and I would skip over lawns of freshly mown grass without a care in my head, laughing and doffing my hat to a cartoon bluebird as I bent down to pick a buttercup.

Tour with The The? Sure, if it keeps everyone happy and it sells some more records, why not? My levity lasts for about a day and a half. Reality dawns. The truth is, I don't care too much for Matt Johnson. He's some guy who sold a ton of records in the 80s, and now he's got some new dreck he's trying to flog. Coincidentally, some of the work on the new Auteurs album has been done at a recording studio owned by one Matt Johnson. The studio walls are covered in terrible paintings: some recognisable originals of The The album sleeves, others perhaps specially commissioned. The theme of the paintings seems to be ghastly men and ghastly women giving in to all manner of bodily functions with grim abandon. Oh, and imminent nuclear destruction. A clear indication of Johnson's faultless yet simplistic world view. Human race: awful. Never mind, will probably be extinguished in some sort of self-inflicted Armageddon. Told you so. The bastards deserved it. As I said, sold a lot of records in the 80s.

On no account attempt to tour the UK in December. Your limbs will become brittle with cold as you trundle up and down the country in a freezing tour bus and no one will come to your gigs as they are attending Christmas parties. Christmas parties in your hotel. Oh yes, the late-night bars of the Holiday Inn, Ibis and Radisson hotels – the après-gig drinking stations of the lower- to mid-level rock band. Every nook and cranny of these corporate flophouses taken over by drunken reps and violent drones from the frightening world of real honest work. Civvy Street – pissed up, embittered, trying to get over another empty year and on your fucking case.

Dr. Yes by (Colin) Bateman (Headline 2010)

It was the worst of times, it was the worst of times.

Spring was in the air, which was depressing enough, what with pollen, and bees, and bats, but my on/off girlfriend was also making my life miserable because of her pregnancy, which she continued to accuse me of being responsible for, despite repeatedly failing to produce DNA evidence. She whined and she moaned and she criticised. It was all part of a bizarre attempt to make me a better man. Meanwhile she seemed content to pile on the beef. She now had a small double chin, which she blamed on her conditions and I blamed on Maltesers. There was clearly no future for us. In other news, the great reading public of Belfast continued to embrace the internet for their purchases rather than No Alibis, this city's finest mystery bookshop, while my part-time criminal investigations, which might have been relied upon to provide a little light relief, had recently taken a sordid turn, leaving a rather unpleasant taste in the mouth, although some of that may have been Pot Noodle.

Maigret Mystified by Georges Simenon (Penguin Crime 1932)

The most disturbing thing, perhaps, was to see Monsieur Martin flung like an unconscious spinning-top into this labyrinth. He was still wearing gloves. His buff overcoat in itself implied a respectable and orderly existence. And his uneasy gaze was trying to settle somewhere, without success.

'I came to tell Roger . . .' he stammered.

'Yes?'

Maigret looked him in the eyes, calmly and penetratingly, and he almost expected to see his interlocutor shrivel up with anguish.

'My wife suggested, you see, that it would be better if we should . . .'

'I understand!'

'Roger is very . . .'

'Very sensitive!' Maigret finished off. 'A highly-strung creature!'

The young man, who was now drinking his third glass of water, glared at him resentfully. He must have been about twenty-five, but his features were already worn, his eyelids withered.

He was still handsome, nevertheless, with the sort of good looks that some women find irresistible. His skin was smooth, and even his weary, somewhat disillusioned expression had a certain romantic quality.

'Tell me, Roger Couchet, did you often see your father?'

'From time to time!'

'Where?' And Maigret looked at him sternly.

'In his office . . . Or else at a restaurant . . . '

'When did you see him last?'

'I don't know . . . Some weeks ago . . . '

'And you asked him for money?'

'As usual!"

'In short, you sponged on him?'

'He was rich enough to . . . '

Bloody Bolsheviks on your hands

There's something to this 1930s ad for Scot Tissue Towels:

If your eyesight is as bad as mine, the text reads:

“Try wiping your hands six days a week on harsh, cheap paper towels or awkward, unsanitary roller towels — and maybe you, too, would grumble. Towel service is just one of those small, but important courtesies — such as proper air and lighting — that help build up the goodwill of your employees. That’s why you’ll find clothlike Scot-Tissue Towels in the washrooms of large, well-run organizations such as R.C.A. Victor Co., Inc., National Lead Co. and Campbell Soup Co.”

Hat tip to 'RF' over at Facebook.

The World's End (2013)